1St Alberto Lysy International Violin Competition
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PEN Trio Nora Lewis, Oboe Phillip O. Paglialonga, Clarinet Eric Van Der Veer Varner, Bassoon
PEN Trio Nora Lewis, oboe Phillip O. Paglialonga, clarinet Eric Van der Veer Varner, bassoon 2016-2017 PEN Trio Nora Lewis, oboe Phillip O. Paglialonga, clarinet Eric Van der Veer Varner, bassoon Thursday, November 10 7:30 p.m. Count and Countess de Hoernle International Center Amarnick-Goldstein Concert Hall Program Suite pour Trio d (1949) Alexandre Tansman (1897-1986) I. Dialogue II. Scherzino III. Aria IV. Finale Security Lapses (2016) * Jon Jeffrey Grier (b. 1953) I. Leaks II. Hacks III. Bugs IV. Moles Intermission Blue Fountains, Red Flames (2016) ** Wendy Wan-Ki Lee (b. 1977) Trio (1945) Witold Lutoslawski (1913-1994) I. Allegro Moderato II. Poco Adagio III. Allgero Giocoso *The PEN Trio premiered this work on November 4, 2016 at the 56th Annual Conference of the South Carolina Music Teachers Association. **The PEN Trio premiered this work on April 4, 2016 in Appleton, Wisconsin at the Lawrence Conservatory of Music. PROGRAM NOTES Suite pour Trio d'Anches- Alexandre Tansman Program Notes by Nora Lewis With four movements arranged in a slow-fast-slow-fast sequence, Alexandre (1954) recalls Baroque conventions and features expansive contrapuntal lines underpinned by unconventional harmonies. This piece shares similar neo-Baroque elements with his Suite Baroque (1958), dedicated to Queen Elizabeth, with whom Tansman had played duets decades earlier. The light and quirky character of the Twentieth-Century French style is quality. In many of his works Tansman draws on Polish folk melodies, Mazurka rhythms, and genres such as Polonaise and Nocturne. Scholars also cite the influence of the Polish scale, with pervasive emphasis on the fourth scale degree in melodic and particularly harmonic contexts. -
Aquiles Delle Vigne
Aquiles Delle Vigne • "Only few pianists can go from a sparkling Mendelssohn to a thundering Liszt while passing an aristocratic, sophisticated and charming Ravel..."says Harold Schoenberg of the New York Times. The Italian newspaper La Repubblica calls him "A prince of the piano"…..and the PRS Rheinische Post "a Grand Seigneur of pianists". The SVZ Salzburger Volkszeitung titles its review "From silence till steel power" ("Von still bis stahlhart"). • Born in Argentina, Aquiles Delle Vigne gave his first recital at the age of 8. At 17 he was already a disciple of Claudio Arrau and won the prestigious Grand Prix "Albert Williams". This award opened the doors of the most important concert halls of the continent for him. Later, he completed his training in Europe with Prof. Eduardo del Pueyo and Georges Cziffra. • He accomplished more than 25 tournées in Japan, 10 in Australia, the United States of America, Mexico, Hong Kong, Korea, and all South America. Today he is invited to the most important Festivals and performs in the most important halls in the world, like Gstaad, Paris, Salzburg, Madrid, Euro Festival in Seoul, Beethoven Festival under Lord Yehudi Menuhin, Leopold Hager, Georges Octors, Alberto Lysy, Lee Dong-ho, Bogo Leskowitch, Vladimir Kim, Emiel Simon, Edvard R. Tchivtzel, André Vandernoot, Edgard Donneux, Kamen Goleminov, Juan Carlos Zorzi, Jesus Medina, Claudio Santoro, Henrique Morelenbaum, D. Marinescou, Laurent Petit-Girard, and with leading orchestras of the world. • Considered also as a top teacher in the world, Aquiles Delle Vigne gives Masterclasses at the International Sommerakademie Universität Mozarteum in Salzburg, was Visiting Professor at the Royal Northern College of Music in Manchester and Professor Extraordinaire of the National University in Taipei. -
The Conservatoire Américain a History
06-549_00_FM.qxd 10/30/06 6:29 AM Page i CORE Metadata, citation and similar papers at core.ac.uk Provided by Humanities Commons The Conservatoire Américain A History Kendra Preston Leonard THE SCARECROW PRESS, INC. Lanham, Maryland • Toronto • Plymouth, UK 2007 06-549_00_FM.qxd 10/30/06 6:29 AM Page ii SCARECROW PRESS, INC. Published in the United States of America by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.scarecrowpress.com Estover Road Plymouth PL6 7PY United Kingdom Copyright © 2007 by Kendra Preston Leonard All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Leonard, Kendra Preston. The Conservatoire américain : a history / Kendra Preston Leonard. p. cm. Includes bibliographical references (p. ) and index. ISBN-13: 978-0-8108-5732-2 (pbk. : alk. paper) ISBN-10: 0-8108-5732-4 (pbk. : alk. paper) 1. Conservatoire américain—History. I. Title. MT5.F66C66 2007 780.71'14437—dc22 2006026100 ϱ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Manufactured in the United -
Cuarteto De Cuerdas Buenos Aires
Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. CUARTETO DE CUERDAS BUENOS AIRES Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. En junio de 1984, cuatro instrumen Buenos Aires, le otorgaron el Premio tistas de la Orquesta Filarmónica de al "Mejor Conju nto Argentino". Buenos Aires, decidieron formar un En 1988, el Cuarteto de Cuerdas cuarteto de cuerdas, para compen Buenos Aires, realizó la grabación sar la falta de una agrupación de de los cuartetos de Juan José Cas este género en la ciudad de Buenos tro y Constantino Gaito. Aires, además de concretar así una necesidad personal de realización En 1989, actuó en el Teatro Colón artística. para el aniversario de Radio Clá sica, en el Teatro "El Círculo" de Desde su debut, en noviembre de Rosario y en el ciclo de conciertos 1984, el cuarteto actuó en los prin del S.O.D.R.E. de Montevideo (Uru cipales ciclos del Mozarteum Argen guay). También realizó conciertos y tino y Amigos de la Música. clases didácticas, con el auspicio de la firma Zanella S.A. en Rosario, Invitados por la Secretaría de Cul en San Juan, Córdoba, Bahía Blanca, tura de la Nación y por el Mozarteum Tucumán, Santa Rosa, La Plata yen Argentino, actuó en Salta, Tierra del el Teatro Presidente Alvear de Bue Fuego, Olavarría, Tandil, Bolívar, nos Aires. Jujuy, Catamarca y Cataratas del Iguazú. Obtuvo, también en ese año, el Pre mio Konex (Diploma de Honor). El Centro de Divulgación Musical de la Municipalidad de Buenos Aires, le Durante 1990, el conjunto tiene pro encomendó la presentación del ciclo gramada una gira latinoamericana y completo de los Cuartetos del Opus la realización, en Buenos Aires, de 76 de Haydn. -
A Systematic Dismantling: Heinz Holliger's
A Systematic Dismantling: Heinz Holliger’s Streichquartett (1973) Kevin Davis “In particular, the String Quartet is an extreme example of a music of effects rather than of 'ideas' in any conventional sense. The result, beginning with frantic high harmonics and ending, some twenty-six and a half minutes later, with the barely perceptible breathing of the players, is music whose expression is always utterly clear and direct, but which seems mechanical in its apparent rejection of the kind of relationships between significant detail and overall shape and perspective through which most music communicates.” – Arnold Whitall, Gramophone, August 1981 Heinz Holliger’s Streichquartett (1973) is a landmark work. It challenges the listener and performer alike, posing many questions and giving only tentative answers. While still obeying the basic rules and conventions of string quartet discourse and notation, it methodically strips away the artifice of performance, working from the inside out. It comes into being in a furious flurry of activity. Organic processes play themselves out to exhaustion, reaching termination less through the end of a compositional process than through something like a loss of entropy; musical form attempts to assert itself and is subsumed in the welter of activity; technique and the instruments themselves become deformed, barely able to retain their identity, threatening to become only the wood and metal from which they are made. Eventually exhaustion is reached, both on the part of composer and, one must assume, on the part of the players. Then something mysterious happens: first, after this inexorable, almost ritualistic revealing of the instrument, then, finally, the body of the performer, which has been residing underneath the sounds all along, emerges. -
CHAN 9853 BOOK COVER.Qxd 30/8/07 5:31 Pm Page 1
CHAN 9853 BOOK COVER.qxd 30/8/07 5:31 pm Page 1 CHAN 9853(4) CHANDOS Yan Pascal Tortelier CHAN 9853 BOOK.qxd 30/8/07 5:33 pm Page 2 Henri Dutilleux (b. 1916) COMPACT DISC ONE AKG Symphony No. 1 30:51 1 I Passacaille: Andante 7:31 2 II Scherzo: Molto vivace 5:45 3 III Intermezzo: Lento 6:31 4 IV Finale, con variazioni: Largamente – Allegro – Scherzo – Lento 10:58 Symphony No. 2 ‘Le Double’ 28:49 5 I Animato, ma misterioso 7:43 6 II Andantino sostenuto 9:32 7 III Allegro fuocoso – Calmato 11:31 TT 59:47 Symphony No. 2: Chamber Orchestra personnel Violin I Andrew Orton Bassoon David Chatwin Violin II Robert Chasey Trumpet Patrick Addinall Henri Dutilleux Viola Janet Fisher Trombone Paul Reynolds Cello Peter Dixon Timpani Raymond Lomax Oboe Marios Argiros Harpsichord John Wilson Clarinet Paul Dintinger Celesta Bernard Robertson 3 CHAN 9853 BOOK.qxd 30/8/07 5:33 pm Page 4 COMPACT DISC TWO Jehan Alain (1911–1940) orch. Dutilleux 13 †‡ L’Arbre des songes* 25:14 Prière pour nous autres charnels 5:35 Concerto for Violin and Orchestra Prayer for us mortals Tree of dreams Très librement récité – Animato – Plus librement – 1 I Librement – 5:08 Sans lenteur 2 Interlude – 2:40 TT 58:08 3 II Vif – 2:00 Martyn Hill tenor‡ 4 Interlude – 1:59 Neal Davies baritone† 5 III Lent – 6:31 Olivier Charlier violin* 6 Interlude – 1:21 7 IV Large et animé 5:35 COMPACT DISC THREE Two Sonnets by Jean Cassou† 7:03 Métaboles 16:37 8 J’ai rêvé que je vous portais entre mes bras 4:48 1 I Incantatoire – 3:34 I dreamt that I carried you in my arms 2 II Linéaire – 3:01 Extrêmement -
David Amitin
OperaManager.com - David Amitin DAVID AMITIN Criculum Vitae 1 OperaManager.com - David Amitin BIOGRAPHY David Amitin was born in Buenos Aires, Argentina. He studied violin with Ljerko Spiller and harmony with Guillermo Graetzer. Followed acting and directing courses wirh Augusto Fernandes and Carlos Gandolfo. He has lived in England between 1971 and 1978, where he developed his apprenticeship in theatre direction and opera regie, and presented his first stagings. He assisted to workshops run by Lee Strasberg, Luca Ronconi, Marcel Marechal and Geoffrey Reeves. In the opera field, he followed rehearsals of productions by Giorgio Strehler, Luca Ronconi, Johannes Schaaf, Benno Besson and John Copley. From 1980 onwards he has been working in Buenos Aires where he staged many prose- theatre and opera productions, and developed his work as teacher of acting and directing. From 1990 onwards he started to present his work in Europe (Germany, Belgium, Austria). 2 OperaManager.com - David Amitin He is presently living in Madrid. Both in Europe and Southamerica David Amitin alternates his activities between prose theatre, opera and drama tuition. Reviewers have stressed his versatility which allows him to pass from one field to another, and have emphasized the uniqueness of his work, both in the choice of texts a wide arch running from Büchner to Melville, including Ibsen, Strindberg , Dostoievsky and Beckett- as well as the originality of his approach and the unconventional style of his theatre language. His work has been characterized by the search for new expressive paths, appealing to the extremes of the actor´s imagery, to the reformulation of the acting space and the break up with realism as an access to a new poetry of the theatrical discourse. -
Franz Schubert Complete Works for Violin and Piano Julia
Volume 1 Franz Schubert Complete Works for Violin and Piano Julia Fischer - Martin Helmchen HYBRID MUL TICHANNEL Franz Schubert (1797 – 1828) Franz Schubert (1797 – 1828) Schubert composed his Violin Sonatas Complete Works for Violin and Piano, Volume 1 in 1816, at a time in life when he was obliged he great similarity between the first to go into teaching. Actually, the main Sonata (Sonatina) for Violin and Piano in D major, D. 384 (Op. 137, No. 1) Tmovement (Allegro molto) of Franz reason was avoiding his military national 1 Allegro molto 4. 10 Schubert’s Sonata for Violin and Piano in service, rather than a genuine enthusiasm 2 Andante 4. 25 D major, D. 384 (Op. posth. 137, No. 1, dat- for the teaching profession. He dedicated 3 Allegro vivace 4. 00 ing from 1816) and the first movement of the sonatas to his brother Ferdinand, who Sonata (Sonatina) for Violin and Piano in A minor, D. 385 (Op. 137, No. 2) the Sonata for Piano and Violin in E minor, was three years older and also composed, 4 Allegro moderato 6. 48 K. 304 by Wolfgang Amadeus Mozart must although his real interest in life was playing 5 Andante 7. 29 have already been emphasised hundreds the organ. 6 Menuetto (Allegro) 2. 13 of times. The analogies are more than sim- One always hears that the three early 7 Allegro 4. 36 ply astonishing, they are essential – and at violin sonatas were “not yet true master- the same time, existential. Deliberately so: pieces”. Yet just a glance at the first pages of Sonata (Sonatina) for Violin and Piano in G minor, D. -
Brosura Raro on Tour 2.Cdr
ENSEMBLE RARO & SoNoRo FESTIVAL ON TOUR 2009/2010 TABLE OF CONTENTS CD's / 2 Ensemble Raro / 3 Alexander Sitkovetsky & Bernhard Naoki Hedenborg / 4 Diana Ketler & Razvan Popovici / 5 SoNoRo Festival Bucharest/Romania / 6-7 SoNoRo 2008 Quickshots / 8 SoNoRo INTERFERENCES / 9 Children projects / 10 Tokio, Musashino Hall / 11 Kobe Music Festival & Japan Tour / 12 Vienna, Konzerthaus / 13 New York, Carnegie/Zankel Hall / 14 www.icr.ro London, Wigmore Hall / 15 Vienna, Musikverein / 16 Chiemgauer Musikfrühling Festival, Traunstein, Germany / 17 Photo album / 18 Ensemble Raro Quickshots / 20 1 Ensemble Raro is the ensemble en residence at the Chiemgauer Musikfruehling Festival in Traunstein, SoNoRo Festival in Bucharest, Kobe SONGS AND DANCES OF LIFE ENSEMBLE International Music Festival, Pèlèrinages in München and Le Faure/Bordeaux. By creating these festivals the ensemble has full artistic liberty: it improvised with DJ's, created multimedia shows with VJ's from Japan and Romania and developed literary soirées on love, Paul Wittgenstein and Bulgakow's Master CANTI DRAMMATICI RARO and Margarita with the actor Karl Markovics and the writer Lea Singer. Ensemble Raro is actively involved in performing contemporary chamber music repertoire. They gave a British and German premieres of Peteris Vasks's Piano Quartet. Their performances of Walter Braunfels' and George THE SEASONS Enescu's works in Pelerinages series in Munchen received a high critical acclaim. Ensemble Raro's partners in various chamber music formations included Daishin Kashimoto, Konstantin Lifschitz, Adrian Brendel, Claudio Bohorquez, Baiba Skride, Carolin Widmann, Alina Pogostkina, Marlis Petersen, Mark Padmore and other celebrated musicians. The Ensemble recently performed in the Boswil Summer Festival (Switzerland), St.Gallen Festival and Gmunden Festspiele (Austria), Riga Chamber Music Days (Latvia), Schloss Elmau and Schloss Filseck (Germany) and in Music at Plush Festival (UK). -
Berliner Philharmoniker
Berliner Philharmoniker Sir Simon Rattle Artistic Director November 12–13, 2016 Hill Auditorium Ann Arbor CONTENT Concert I Saturday, November 12, 8:00 pm 3 Concert II Sunday, November 13, 4:00 pm 15 Artists 31 Berliner Philharmoniker Concert I Sir Simon Rattle Artistic Director Saturday Evening, November 12, 2016 at 8:00 Hill Auditorium Ann Arbor 14th Performance of the 138th Annual Season 138th Annual Choral Union Series This evening’s presenting sponsor is the Eugene and Emily Grant Family Foundation. This evening’s supporting sponsor is the Michigan Economic Development Corporation. This evening’s performance is funded in part by The Andrew W. Mellon Foundation and by the Michigan Council for Arts and Cultural Affairs. Media partnership provided by WGTE 91.3 FM and WRCJ 90.9 FM. The Steinway piano used in this evening’s performance is made possible by William and Mary Palmer. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of lobby floral art for this evening’s performance. Special thanks to Bill Lutes for speaking at this evening’s Prelude Dinner. Special thanks to Journeys International, sponsor of this evening’s Prelude Dinner. Special thanks to Aaron Dworkin, Melody Racine, Emily Avers, Paul Feeny, Jeffrey Lyman, Danielle Belen, Kenneth Kiesler, Nancy Ambrose King, Richard Aaron, and the U-M School of Music, Theatre & Dance for their support and participation in events surrounding this weekend’s performances. Deutsche Bank is proud to support the Berliner Philharmoniker. Please visit the Digital Concert Hall of the Berliner Philharmoniker at www.digitalconcerthall.com. -
Creating Timeless Classics
PENTATONE LIMITED CREATING TIMELESS CLASSICS Sit back and enjoy Creating timeless classics Around the start of the new suffering. But PENTATONE’s founders For all their diversity, the artists We don’t dabble in technology for millennium, three music enthusiasts were unwilling to compromise their featured on PENTATONE have one technology’s sake – we believe it’s came together to launch a new vision, so convinced were they of the thing in common. They all put their the only way to truly appreciate music label that promised to new technology that they launched heart and soul into the music, these great works of art. redefine the way people listen to their own label in 2001. drawing on every last drop of classical music. creativity, skill, and determination As we celebrate 13 years of After a somewhat rocky start, to perfect their compositions. PENTATONE and prepare for a Their vision was crystal clear: to the label quickly began adding changing of the guard, it is time to offer an unrivalled classical music talented artists to its roster. Now, PENTATONE exists to extract reflect on our achievements and experience through superior audio 13 years later, PENTATONE enjoys everything that went into creating look toward the future. technology. a reputation for excellence, its these timeless classics and put it catalogue comprising some of the before the listener with a resolution This release – the first to feature The introduction of 5-channel very best that classical music has to and crispness not found anywhere the label’s new visual identity – surround sound which made this offer. -
Chicago Presents Symphony Muti Symphony Center
CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI zell music director SYMPHONY CENTER PRESENTS 17 cso.org1 312-294-30008 1 STIRRING welcome I have always believed that the arts embody our civilization’s highest ideals and have the power to change society. The Chicago Symphony Orchestra is a leading example of this, for while it is made of the world’s most talented and experienced musicians— PERFORMANCES. each individually skilled in his or her instrument—we achieve the greatest impact working together as one: as an orchestra or, in other words, as a community. Our purpose is to create the utmost form of artistic expression and in so doing, to serve as an example of what we can achieve as a collective when guided by our principles. Your presence is vital to supporting that process as well as building a vibrant future for this great cultural institution. With that in mind, I invite you to deepen your relationship with THE music and with the CSO during the 2017/18 season. SOUL-RENEWING Riccardo Muti POWER table of contents 4 season highlight 36 Symphony Center Presents Series Riccardo Muti & the Chicago Symphony Orchestra OF MUSIC. 36 Chamber Music 8 season highlight 37 Visiting Orchestras Dazzling Stars 38 Piano 44 Jazz 10 season highlight Symphonic Masterworks 40 MusicNOW 20th anniversary season 12 Chicago Symphony Orchestra Series 41 season highlight 34 CSO at Wheaton College John Williams Returns 41 CSO at the Movies Holiday Concerts 42 CSO Family Matinees/Once Upon a Symphony® 43 Special Concerts 13 season highlight 44 Muti Conducts Rossini Stabat mater 47 CSO Media and Sponsors 17 season highlight Bernstein at 100 24 How to Renew Guide center insert 19 season highlight 24 Season Grid & Calendar center fold-out A Tchaikovsky Celebration 23 season highlight Mahler 5 & 9 24 season highlight Symphony Ball NIGHT 27 season highlight Riccardo Muti & Yo-Yo Ma 29 season highlight AFTER The CSO’s Own 35 season highlight NIGHT.