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Programme Diversity of the Most Influential TV
PROGRAMME DIVERSITY OF THE MOST INFLUENTIAL TV-CHANNELS IN MACEDONIA, CROATIA AND SLOVENIA Programme Diversity of the Most Influential TV-Channels in Macedonia, Croatia and Slovenia COMPARATIVE ANALYSIS OF THE COMMERCIAL TERRESTRIAL TV-CHANNELS ON NATIONAL LEVEL PROGRAMME DIVERSITY OF THE MOST INFLUENTIAL TV-CHANNELS IN MACEDONIA, CROATIA AND SLOVENIA Authors: Vesna Nikodinoska, Marina Tuneva and Slavco Milenkovski 1. INTRODUCTION The largest commercial terrestrial TV-channels on national level in Macedonia continue to represent a dominant source of information for the audience; hence, they continue to exert the greatest influence on the public opinion. Therefore, on one hand, it imposes expectations that the programme they offer to the viewers should reflect quality and diversity of content, and at the same time, it should set high standards for practitioners working in TV-channels, but on the other hand, they should promote democratic values and professional principles,1 so as to advance the development of the broadcasting industry. The quality of the media content is not an obligation explicitly regulated by law; however, the national commercial TV- channels, as the most viewed and the most influential, are expected to show a sense of social responsibility and work for the public interest, since they themselves are users of public resources. Under free market conditions, the competition with quality content should serve as additional stimulation to the rivalry in the broadcasting area and as “bait” for attracting advertisers. That is -
Drama Directory
2015 UPDATE CONTENTS Acknowlegements ..................................................... 2 Latvia ......................................................................... 124 Introduction ................................................................. 3 Lithuania ................................................................... 127 Luxembourg ............................................................ 133 Austria .......................................................................... 4 Malta .......................................................................... 135 Belgium ...................................................................... 10 Netherlands ............................................................. 137 Bulgaria ....................................................................... 21 Norway ..................................................................... 147 Cyprus ......................................................................... 26 Poland ........................................................................ 153 Czech Republic ......................................................... 31 Portugal ................................................................... 159 Denmark .................................................................... 36 Romania ................................................................... 165 Estonia ........................................................................ 42 Slovakia .................................................................... 174 -
SLOVENIA Mapping Digital Media: Slovenia
COUNTRY REPORT MAPPING DIGITAL MEDIA: SLOVENIA Mapping Digital Media: Slovenia A REPORT BY THE OPEN SOCIETY FOUNDATIONS WRITTEN BY Marko Milosavljevic´ and Tanja Kerševan Smokvina EDITED BY Marius Dragomir and Mark Thompson (Open Society Media Program editors) Magda Walter (regional editor) EDITORIAL COMMISSION Yuen-Ying Chan, Christian S. Nissen, Dusˇan Reljic´, Russell Southwood, Michael Starks, Damian Tambini The Editorial Commission is an advisory body. Its members are not responsible for the information or assessments contained in the Mapping Digital Media texts OPEN SOCIETY MEDIA PROGRAM TEAM Meijinder Kaur, program assistant; Morris Lipson, senior legal advisor; and Gordana Jankovic, director OPEN SOCIETY INFORMATION PROGRAM TEAM Vera Franz, senior program manager; Darius Cuplinskas, director 5 August 2012 Contents Mapping Digital Media ..................................................................................................................... 4 Executive Summary ........................................................................................................................... 6 Context ............................................................................................................................................. 10 Social Indicators ................................................................................................................................ 12 Economic Indicators ........................................................................................................................ -
Annu Annual Report 2010
KEY FIGURES 2006 – 2010 2010 Report Annual Group RTL THE LEADING EUROPEAN ENTERTAINMENT NETWORK RTL Group +11.5 % EVERYWHERE. (2010: +63.2 %) EVERYONE. FOR INDEX = 100 TV & RADIO RADIO & TV SHARE PRICE PERFORMANCE 2006 – 2010 DJ STOXX – 19.6 % (2010: +13.3 %) what they watch or listen to – how, and why. and how, – to listen or watch they what ( ) ( ) REVENUE € million MARKET CAPITALISATION € billion out find can you Report Annual this Throughout 10 5,591 10 11.9 companies. Group RTL from broadcasts or 09 5,156* 09 7.3 productions enjoying world, the * Re-presented following the 2010 08 5,774 08 6.6 over all people asked we why, out find To application of 5,707 IFRS 5 to Five 07 07 12.5 REPORT ANNUAL (discontinued 06 5,640 operations) 06 13.1 +8.4 % +63.2 % family. or friends with still love live broadcasts, broadcasts, live love still Above all though, people people though, all Above EBITA (€ million) TOTAL DIVIDEND PER SHARE (€) 10 1,111 10 5.00 09 796* 09 3.50 convenience. their at shows * Re-presented 08 916 following the 08 3.50 application of radio replay or podcasts 07 898 IFRS 5 to Five 07 5.00 (discontinued 06 851 operations) 06 3.00 Dividend payout 2006 – 2010: € 3.1 billion download can Listeners +39.6 % devices. mobile or internet or watch them on the the on them watch or (€ million) 1 (€) EQUITY ADJUSTED EARNINGS PER SHARE moments, favourite their 10 5,597 10 4.23 replay or pause can Viewers 09 5,530 09 2.85 08 5,871 08 3.87 digitisation. -
UPDATE Contents
2015 UPDATE CONTENTS Acknowlegements ..................................................... 2 Latvia ......................................................................... 124 Introduction ................................................................. 3 Lithuania ................................................................... 127 Luxembourg ............................................................ 133 Austria .......................................................................... 4 Malta .......................................................................... 135 Belgium ...................................................................... 10 Netherlands ............................................................. 137 Bulgaria ....................................................................... 21 Norway ..................................................................... 147 Cyprus ......................................................................... 26 Poland ........................................................................ 153 Czech Republic ......................................................... 31 Portugal ................................................................... 159 Denmark .................................................................... 36 Romania ................................................................... 165 Estonia ........................................................................ 42 Slovakia .................................................................... 174 -
Market Achievements History Product
Market Dannyjeve zvezde (Danny’s Stars), which Kanal A is the first commercial television in Slovenia. was running on Kanal A for 15 years The television programme, which is being produced (until December 2006). Kanal A offered within the framework of the company PRO PLUS, entertainment also with the dance show provides nation-wide coverage and has been Dance Session, Zmenkarije (Dating), broadcasting also in the digital mode alongside the Komedija zmešnjav (Comedy of Errors), analogue one since 1 September 2008. Among all the Mladoporočenci (Newlyweds), Odklop television programmes in Slovenia, it is firmly in third (Switch-off) and Adrenalina. place with regard to viewing ratings. With its diversified Kanal A also provided educational and interesting contents, it is the choice of a large contents with the quiz show Življenjska number of viewers. In 2008, in the primary target group priložnost (A Chance of a Lifetime), of the programme (18-49 years of age), the whole-day excellent documentaries by Borut Slokan share of viewers of Kanal A was on average 15%, and the and Tomaž Letner as well as interesting film so-called prime-time (after 8 p.m.) share even 18% of themes in the show Moj film (My Film). the viewers (Source: AGB Nielsen Media Research, In the first years of its operations, Kanal A January 2008 – June 2008). introduced the first morning programme in Slovenia. Viewers were waking up with the Achievements show Dobro jutro (Good Morning) and the For creating its contents in the field of home production, little ones were enjoying children’s shows Kanal A has so far received 5 Viktors, prestigious awards Kaličopko and Zajček Dolgoušček (Bugs in the field of media and culture. -
Should Class Be Supplanted by Distribu-Tion As Core Category of Analysis and Policy
Journal of European Area Studies, Vol.10, No.1, 2002 The Transnationalization of European Television ANDREA ESSER It is commonly acknowledged that a European dimension has come to exist in television as far as media legislation is concerned and that media players have increasingly been operating in a cross-border fashion since the introduction of private commercial broadcasting and satellite transmission in the 1980s. Even so, the majority of scholars and media practitioners emphasize that ‘television without frontiers’ has not become a reality. National markets and audiences, they argue, are persistent.1 Since the late 1980s, a number of studies have been undertaken to compare various European countries with regard to their televi- sion systems, to describe the development of media policy at the European lev- el, or to study the operation of pan-European television channels. All of the the latter concluded by highlighting the apparently insurmountable obstacles of lan- guage and differing national mentalities to the creation of a ‘European television market.’ The comparative studies noted that, first, terrestrial, and thus basically national, transmission still plays a major role; second, the development of cable and satellite distribution has been very unequal across Europe; and, finally, na- tional television channels still have the highest audience ratings.2 This article contests this conventional view regarding the dominance of the na- tional framework in European television.3 In the first instance, the term ‘nation- al channel’ has become questionable in itself. Several channels in Europe have been and still are very popular in small neighbouring countries with the same 1 In interviews with media professionals this was the consensus view. -
Market Achievements History
Market Kanal A is the first commercial television in Slovenia and it has always been a herald of change. Today, under the wing of the company PRO PLUS, 81.3% of Slovene households can watch its programme and among all the television programmes in Slovenia it is in the third place. Its market share and ratings are constantly growing and in 2007, Kanal A reaches on average 11.7% whole day and 14.1% prime-time (after 8pm) share of viewers older that 10 years. Even better are its ratings in the group of young, active viewers, from 18 to 49 years of age, for whom the brand is primarily intended. In the target group of the programme, the whole-day share of viewers, from 18-49 years of age is 15.6% and prime-time share is 20% (AGB Nielsen Media Research, January 2007 - June 2007). Achievements For creating its contents in the area of home production, Kanal A has so far received 3 Viktor media awards, a prestigious award in the world of media and culture; In 2003 the Viktor for special achievements for the project Popstars (the first reality Danny’s Stars. This popular show continued on Kanal self-absorbed in just the right measure, slightly show in Slovenia), in 2006 the show E+ received a A until the December 2006 and it was the longest fluttering, independent, fast and dynamic. It disregards Viktor for best television show and in 2007, a Viktor running television show in Slovenia. its yesterday’s statements and remains absolutely for special achievements for the live transmission of Kanal A also offered laughter and an active life- sovereign. -
Media Revolution in Europe
Media revolution in Europe: ahead of the curve The “rags to riches” story of Karol Jakubowicz’s involvement in the work of the Council of Europe took him from the role of an awestruck newcomer from Poland in 1990 to that of the Chairman of the Steering Committee on the Media and New Communication Services (2005-06). Along the way, he was elected, delegated by the Steering Committee, and invited by the Council of Europe Secretariat to serve in a number of other capacities. In all of them, he contributed a wide variety of papers, reports and studies to assist the steering committee and other bodies in collecting information and formulating ideas in the general field of freedom of expression, creation of free and democratic media systems (including the issue of public service media), regulation of transfrontier television, the adjustment of Council of Europe human rights standards to the conditions of the information society, and the development of broadcasting legislation in Council of Europe member states. The present collection of these papers and reports is published in the conviction that they retain their value and relevance. It provides the additional benefit of offering a glimpse of the work preceding the formulation of Committee of Ministers recommendations and declarations, as well as resolutions of the Council of Europe Parliamentary Assembly. Dr Karol Jakubowicz worked as a journalist and executive in the Polish press, radio and television for many years. He has been Vice-President, Television, Polish Radio and Television; Chairman, Supervisory Board, Polish Television; Head of Strategic Planning and Development at Polish Television; Director, Strategy and Analysis Department, the National Broadcasting Council of Poland, the broadcasting regulatory authority. -
2017 Drama Directory
DramaDirectory Your guide to European TV Drama Commissioning Editors and Buyers 2017 UPDATE CONTENTS Acknowlegements ..................................................... 2 Italy ............................................................................. 117 Introduction ................................................................. 3 Latvia ......................................................................... 124 Lithuania ................................................................... 127 HBO Europe ................................................................ 4 Luxembourg ............................................................ 133 Austria ........................................................................... 7 Malta .......................................................................... 135 Belgium ....................................................................... 13 Netherlands ............................................................. 137 Bulgaria ...................................................................... 22 Norway ..................................................................... 147 Cyprus .......................................................................... 27 Poland ........................................................................ 153 Czech Republic ........................................................ 32 Portugal ................................................................... 159 Denmark .................................................................... -
Cultural Identity Politics in the (Post-)Transitional Societies
Cultural Transitions in Southeastern Europe Cultural Identity Politics in the (Post-)Transitional Societies Edited by Aldo Milohnić Nada Švob-Đokić IMO CULTURELINK Network of Networks for Research and Coopera- tion in Cultural Development was established by UNESCO and the Council of Europe in 1989. Focal point of the Network is the Institute for International Relations, Zagreb, Croatia. Members Networks, associations, foundations, institutions and individuals engaged in cultural development and cooperation. Aims of the Network To strengthen communication among its mem- bers; to collect, process and disseminate informa- tion on culture and cultural development in the world; to encourage joint research projects and cultural cooperation. Philosophy Promotion and support for dialogue, question- ing and debating cultural practices and policies for cultural development. Mailing address CULTURELINK/IMO Ul. Lj. F. Vukotinovića 2 P.O. Box 303, 10000 Zagreb, Croatia Tel.: +385 1 48 77 460 Fax: +385 1 48 28 361 E-mail: [email protected] URL: http://www.culturelink.hr http://www.culturelink.org Cultural Transitions in Southeastern Europe Cultural Identity Politics in the (Post-)Transitional Societies Publication of this book is fi nanced by the Austrian Science and Research Liaison Offi ce Ljubljana on behalf of the Austrian Federal Ministry of Science and Research and the East East: Partnership Beyond Borders Program (Open Society Foundations). All the texts published in this book refl ect only the personal views of the respective authors. ASO Ljubljana -
Cultural Identity Politics in the (Post-)Transitional Societies
Cultural Transitions in Southeastern Europe Cultural Identity Politics in the (Post-)Transitional Societies Edited by Aldo Milohnić Nada Švob-Đokić IMO CULTURELINK Network of Networks for Research and Coopera- tion in Cultural Development was established by UNESCO and the Council of Europe in 1989. Focal point of the Network is the Institute for International Relations, Zagreb, Croatia. Members Networks, associations, foundations, institutions and individuals engaged in cultural development and cooperation. Aims of the Network To strengthen communication among its mem- bers; to collect, process and disseminate informa- tion on culture and cultural development in the world; to encourage joint research projects and cultural cooperation. Philosophy Promotion and support for dialogue, question- ing and debating cultural practices and policies for cultural development. Mailing address CULTURELINK/IMO Ul. Lj. F. Vukotinovića 2 P.O. Box 303, 10000 Zagreb, Croatia Tel.: +385 1 48 77 460 Fax: +385 1 48 28 361 E-mail: [email protected] URL: http://www.culturelink.hr http://www.culturelink.org Cultural Transitions in Southeastern Europe Cultural Identity Politics in the (Post-)Transitional Societies Publication of this book is fi nanced by the Austrian Science and Research Liaison Offi ce Ljubljana on behalf of the Austrian Federal Ministry of Science and Research and the East East: Partnership Beyond Borders Program (Open Society Foundations). All the texts published in this book refl ect only the personal views of the respective authors. ASO Ljubljana