Market Achievements History

Total Page:16

File Type:pdf, Size:1020Kb

Market Achievements History Market Kanal A is the first commercial television in Slovenia and it has always been a herald of change. Today, under the wing of the company PRO PLUS, 81.3% of Slovene households can watch its programme and among all the television programmes in Slovenia it is in the third place. Its market share and ratings are constantly growing and in 2007, Kanal A reaches on average 11.7% whole day and 14.1% prime-time (after 8pm) share of viewers older that 10 years. Even better are its ratings in the group of young, active viewers, from 18 to 49 years of age, for whom the brand is primarily intended. In the target group of the programme, the whole-day share of viewers, from 18-49 years of age is 15.6% and prime-time share is 20% (AGB Nielsen Media Research, January 2007 - June 2007). Achievements For creating its contents in the area of home production, Kanal A has so far received 3 Viktor media awards, a prestigious award in the world of media and culture; In 2003 the Viktor for special achievements for the project Popstars (the first reality Danny’s Stars. This popular show continued on Kanal self-absorbed in just the right measure, slightly show in Slovenia), in 2006 the show E+ received a A until the December 2006 and it was the longest fluttering, independent, fast and dynamic. It disregards Viktor for best television show and in 2007, a Viktor running television show in Slovenia. its yesterday’s statements and remains absolutely for special achievements for the live transmission of Kanal A also offered laughter and an active life- sovereign. No, this is not a character flaw - this is the the World Football Championship from Germany. style in the dance show Dance Session with the spirit of our time. That is why it means so much to hostess Barbra DrnaË, Zmenkarije (Datings) with the Kanal A to be trendy, noticeable and the domain of History hosts SreËko Meh and Karin Komljanec, Komedija information and entertainment, constantly on top The brand first appeared on 16 May 1991, as the first zmešnjav (The Comedy of Errors) with Oriana Giro- of everything that is interesting and that it likes. independent television on the territory of former tto, MladoporoËenci (Newlyweds) with Sandi SalkiË, With 1. October the programme is marked by a new Yugoslavia and as the groundbreaking programme in Odklop and Adrenalina with Borut Veselko. Kanal A and first tabloid infotainment show in Slovenia - Extra media space with no political influence and quality has also educated with the quiz show Življenjska (the forerunner of Extra Magazine) with Alenka Vidic home production. As such, it was an absolute novelty priložnost (A Chance of a Lifetime) with Mito Trefalt, and Anja Tomažin. Also trendy is the weather forecast on the Slovene television market and in a few years, excellent documentaries by Borut Slokan and Tomaž Meteor with foreign hosts, speaking Slovene - Inacio, it became an important factor in Slovenia as its media Letner and movie themes by Urša Ambrož and Matej Ingrid, Larisa, Mahmud and Zhang. began to adapt to international trends. With the Recer in the show Moj film (My Film). Kanal A was With the merger, Kanal A also became a advent of SBS in 1997, Kanal A entered a phase of also the first Slovene television that offered a mor- synonym for transmissions of glamorous spectacles - rapid development of new technologies and the ning programme with »rt Kanoni in the show Dobro Oscars (March 2001) and the Slovenia Miss Universe internet and due to increased variety of the jutro (Good Morning) and it also offered children’s and Miss Universe World (May 2001) beauty programme, the number of viewers also increased. In shows KaliËopko and ZajËek DolgoušËek. contests that are still a constant of the brand. October 2000 the Kanal A signs agreement with the By joining the company PRO PLUS (23 October The evenings are also marked by numerous one- company PRO PLUS, whereby Kanal A began to 2000), the programme scheme changed considerably hour series that are all very popular; C. S. I., Helicops, operate even more successfully. - Kanal A offers its viewers a wider choice of the first Germans series in primetime, Felicity, Family The first decade was marked with excellent programs, which present a complement to the POP Law, Once And Again, Sheena, Fugitive. From the entertainment and making of famous television TV programme. Kanal A sets new rules where there world of movies, the viewers remember Kanal A by a names. Kanal A is a synonym for music shows; are none and does not fear bold moves. Kanal A is a series of new movies Columbo and film hits like Magnetoskop with the hostess Nina GajiË, Helena television programme labelled A - something special Pretty Woman, Titanic, Home Alone 2, Matilda. with Helena Blagne, Velvet Roses with Boris Kopitar and individualist. Somewhat floating above ground, With the merger, Kanal A also became a and Atlantis, which was hosted by Oriana Girotto and synonym for sports transmissions and in 2002 it Katarina »as and they were later joined by Vojko brought exclusive transmission of the World Football Kersan. Katarina »as together with Anja Tomažin also Championship from Tokio (May 2002) and from 9 hosted the Sunday show Klik! and the viewers could June 2006 to 9 July 2006 also a half (32) of all the see her in the show Club Avenue. Anja Tomažin also games of the World Football Championship in hosted the show Ob 20:00 si na Kanalu A priglejte. Germany. On 27 March 2002, it also became the The programme offered fashion tips; Nina Gazibara brand that brought to the Slovene media world the in the show Fashion Land, Janja Pušl Kljun and later project Popstars 1 and thereby successfully Deja MušiË in The Beauty of the Body and Aljoša introducing a completely new television genre, reality Rebolj in Style Challenge. Kanal A was the first in shows. Also the second version of this successful Slovene media space who introduced a fortunetelling project was later made. Under the wing of Kanal A show - since February 1992 the future was were thus born two Slovene pop groups, Bepop and unravelled by Danijel Šmid - Danny in the show Unique. The entertainment for the young is also 90 SUPERBRANDS provided with the music show Non Stop Music (March 2003) and since the end of August 2004 the new daily show E+ with the slogan “All you need for life”. Product The brand Kanal A is today recognised in public as the one that offers a widening home production in the area of news as well as entertainment programmes and a television programme with a rising share of television audience. Kanal A introduced in 2007 its first news show and on 5 February with the launching of the news show SVET (The World) it brought into the Slovene media world a completely new type of television news shows. The show is very popular among viewers, on weekdays at 6 pm it is seen on average by 25% of people watching TV at the time (Source: AGB Nielsen Media Research, September 2007). The team of creators draws on the principle successfully launched the biggest reality show of all In 2007, the brand is also more synergistically of live television and devotes special attention to the times, Big Brother and synergistically supported it on supported with the web portal of PRO PLUS, 24ur. current popular way of journalism - the so-called the webpage www.24ur.com/bigbrother. com (Internet TV, the news show SVET, poptv.si etc). citizen journalism. It gets closer to the viewer not Big Brother was on air for 84 days and even in only through the topics, but also by giving the viewer the Saturday introductory broadcast (17 March Promotion an opportunity to take an active part in a way. The 2007) it recorded an excellent start. As it went on, it Despite the severe competition on the Slovene participation of viewer is significant, which also justified all the expectations of a large number of market, the brand Kanal A is one of the most reco- testifies to the popularity of the show. Each day the viewers. In the last month (14 May-9 June, 27 shows) gnisable brands, which has throughout been actively editors receive around 100 MMS messages or videos the show was seen by the young population (aged supported by well.planned and aimed promotion, with different contents. 18-49) by an average 32% of viewers (7.2% rating), both within their own programme (on television with In the area of entertainment programme, Kanal A and by 37% (9.2% rating) of women in this group. advertisements, on the website www.24ur.com with is richer since autumn 2007 for the sixth season of The ratings only grew as the show neared the end. advertisements and banners and on the teletext with the show Pazi, kamera! (Watch out, camera!), but The Saturday grand finale was followed in the active logotypes and promotional contents) and in other with a new hostess Dijana GaliË. The brand remains target group (aged 18-49) by an average 53% of media with planned and aligned PR strategy (televisi- recognisable by the transmissions of glamorous viewers (12.2% rating) and 60% (14.8% rating) of on, print, radio, internet). The last couple of years the spectacles; Slovenia Miss Universe, World Miss women. (Source: AGB Nielsen Media Research, 14 image of Kanal A had been witty, relaxed and in Universe and the Oscars. Kanal A also offers an May 2007 -9 June 2007) Big Brother also achieved accord with the main shows and contents (E+, Extra extremely abundant and trendy foreign programme.
Recommended publications
  • Programme Diversity of the Most Influential TV
    PROGRAMME DIVERSITY OF THE MOST INFLUENTIAL TV-CHANNELS IN MACEDONIA, CROATIA AND SLOVENIA Programme Diversity of the Most Influential TV-Channels in Macedonia, Croatia and Slovenia COMPARATIVE ANALYSIS OF THE COMMERCIAL TERRESTRIAL TV-CHANNELS ON NATIONAL LEVEL PROGRAMME DIVERSITY OF THE MOST INFLUENTIAL TV-CHANNELS IN MACEDONIA, CROATIA AND SLOVENIA Authors: Vesna Nikodinoska, Marina Tuneva and Slavco Milenkovski 1. INTRODUCTION The largest commercial terrestrial TV-channels on national level in Macedonia continue to represent a dominant source of information for the audience; hence, they continue to exert the greatest influence on the public opinion. Therefore, on one hand, it imposes expectations that the programme they offer to the viewers should reflect quality and diversity of content, and at the same time, it should set high standards for practitioners working in TV-channels, but on the other hand, they should promote democratic values and professional principles,1 so as to advance the development of the broadcasting industry. The quality of the media content is not an obligation explicitly regulated by law; however, the national commercial TV- channels, as the most viewed and the most influential, are expected to show a sense of social responsibility and work for the public interest, since they themselves are users of public resources. Under free market conditions, the competition with quality content should serve as additional stimulation to the rivalry in the broadcasting area and as “bait” for attracting advertisers. That is
    [Show full text]
  • Unaudited Business Report of the Telekom Slovenije Group and Telekom Slovenije, D.D. for 2013
    Unaudited Business Report of the Telekom Slovenije Group and Telekom Slovenije, d.d. for 2013 Ljubljana, 26 February 2014 Contents 1. Introductory note .............................................................................................................................. 1 2. Vision, mission and values of the Telekom Slovenije Group ............................................................. 2 3. Telekom Slovenije Group ................................................................................................................. 3 3.1. Structure and organisation ............................................................................................................... 3 3.2. Operating highlights ......................................................................................................................... 4 3.3. Key financial indicators for the Telekom Slovenije Group .................................................................. 5 3.4. Overview by company and key market ............................................................................................. 5 3.5. Ownership structure and share trading ............................................................................................. 9 3.6. Market shares in key service segments ...........................................................................................12 3.7. Risk management ...........................................................................................................................13 4. Corporate governance ....................................................................................................................15
    [Show full text]
  • Drama Directory
    2015 UPDATE CONTENTS Acknowlegements ..................................................... 2 Latvia ......................................................................... 124 Introduction ................................................................. 3 Lithuania ................................................................... 127 Luxembourg ............................................................ 133 Austria .......................................................................... 4 Malta .......................................................................... 135 Belgium ...................................................................... 10 Netherlands ............................................................. 137 Bulgaria ....................................................................... 21 Norway ..................................................................... 147 Cyprus ......................................................................... 26 Poland ........................................................................ 153 Czech Republic ......................................................... 31 Portugal ................................................................... 159 Denmark .................................................................... 36 Romania ................................................................... 165 Estonia ........................................................................ 42 Slovakia .................................................................... 174
    [Show full text]
  • View Annual Report
    CENTRAL EUROPEAN MEDIA ENTERPRISES LTD FORM 10-K (Annual Report) Filed 02/24/10 for the Period Ending 12/31/09 Telephone 00 420 242 465 589 CIK 0000925645 Symbol CETV SIC Code 4833 - Television Broadcasting Stations Industry Broadcasting & Cable TV Sector Services Fiscal Year 12/31 http://www.edgar-online.com © Copyright 2015, EDGAR Online, Inc. All Rights Reserved. Distribution and use of this document restricted under EDGAR Online, Inc. Terms of Use. UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2009 TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from _____ to _____ Commission File Number 0-24796 CENTRAL EUROPEAN MEDIA ENTERPRISES LTD. (Exact name of registrant as specified in its charter) BERMUDA 98 -0438382 (State or other jurisdiction of incorporation or organization) (IRS Employer Identification No.) Mintflower Place, 4th floor HM 08 Bermuda Par-La-Ville Rd, Hamilton, Bermuda (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: +1 441 296-1431 Securities registered pursuant to Section 12(b) of the Act: CLASS A COMMON STOCK, $0.08 PAR VALUE Securities registered pursuant to Section 12(g) of the Act: NONE Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act.
    [Show full text]
  • The Far Right in Slovenia
    MASARYK UNIVERSITY FACULTY OF SOCIAL STUDIES DEPARTMENT OF POLITICAL SCIENCE The Far Right in Slovenia Master‟s thesis Bc. Lucie Chládková Supervisor: doc. JUDr. PhDr. Miroslav Mareš, Ph.D. UČO: 333105 Field of Study: Security and Strategic Studies Matriculation Year: 2012 Brno 2014 Declaration of authorship of the thesis Hereby I confirm that this master‟s thesis “The Far Right in Slovenia” is an outcome of my own elaboration and work and I used only sources here mentioned. Brno, 10 May 2014 ……………………………………… Lucie Chládková 2 Acknowledgments I would like to express my gratitude to doc. JUDr. PhDr. Miroslav Mareš, Ph.D., who supervised this thesis and contributed with a lot of valuable remarks and advice. I would like to also thank to all respondents from interviews for their help and information they shared with me. 3 Annotation This master‟s thesis deals with the far right in Slovenia after 1991 until today. The main aim of this case study is the description and analysis of far-right political parties, informal and formal organisations and subcultures. Special emphasis is put on the organisational structure of the far-right scene and on the ideological affiliation of individual far-right organisations. Keywords far right, Slovenia, political party, organisation, ideology, nationalism, extremism, Blood and Honour, patriotic, neo-Nazi, populism. 4 Contents 1. Introduction ............................................................................................................................ 7 2. Methodology .........................................................................................................................
    [Show full text]
  • Review of Slovenian Media System (With a Detailed Focus on Four Media Outlets: Delo, Slovenske Novice, RTV Slovenija and POP TV)
    Review of Slovenian media system (with a detailed focus on four media outlets: Delo, Slovenske novice, RTV Slovenija and POP TV) Report Part of the basic project Political and Media Populism: “Refugee crisis” in Slovenia and Austria Marko Ribać The Peace Institute November 2019 Contents 1 The development of media markets ...............................................................................................2 1.1 Brief historical reflection of the general media market trends (since the 1990s) ..................2 1.2 Newspaper market ..................................................................................................................3 1.3 Overview of print media selected for the analysis: Delo and Slovenske novice .....................5 1.3.1 Circulation and reach of daily newspapers Delo and Slovenske novice ..........................7 1.4 Overview of television stations selected for the analysis ........................................................8 1.4.1 Public broadcaster RTV Slovenija ...................................................................................8 1.4.2 POP TV (and Pro Plus) ....................................................................................................9 2 Political parallelism...................................................................................................................... 11 3 Journalistic professionalism ........................................................................................................ 12 4 State intervention ........................................................................................................................
    [Show full text]
  • Television Cultures of Socialist Yugoslavia Udc 316.774:654.197(497.1)
    FACTA UNIVERSITATIS Series: Philosophy, Sociology, Psychology and History Vol. 19, No 2, 2020, pp. 73 - 91 https://doi.org/10.22190/FUPSPH2002073C Original Scientific Paper TELEVISION CULTURES OF SOCIALIST YUGOSLAVIA UDC 316.774:654.197(497.1) Antonija Čuvalo University of Zagreb, Faculty of Political Science, Zagreb, Croatia Abstract. The aim of the paper is to compare television cultures of Yugoslav republics during socialism. The paper is drawing on the recent comparative studies of socialist television in South and East Europe (Perško et al. 2021; Mihelj and Huxtable 2018; Imre 2016). Following the categories developed by Mihelj and Huxtable (2018) and Imre (2016), Yugoslav television cultures are here analysed in terms of a) generic composition and share of program modes, b) the level of transnationalism, c) the level of openness of television to social critique (semi-publicness), c) focus of television on private life (privatization), d) the gendering patterns, e) temporal orientation, f) characteristics of factual, humorous and history genres. Analysis is based on the data collected for the recently published book by Peruško, Vozab and Čuvalo (2021) and original content analysis of the JRT 79 Television Programme booklet, with a short description and basic info about the program that was shared within the JRT network. The result discerns differences between republic televisions (especially TV Ljubljana, TV Zagreb and TV Novi Sad) in program development toward neo-television, such as the differences in transnational orientation, temporal orientation, gendering patterns. Key words: socialism, socialist television, television culture, Yugoslavia, genre, comparative research. 1. INTRODUCTION During the last decade socialist television cultures gained more attention as a part of an increased interest in popular culture and ordinary, mundane aspects of “life under socialism” (Luthar and Pušnik 2010, 1).
    [Show full text]
  • Television Across Europe
    media-incovers-0902.qxp 9/3/2005 12:44 PM Page 4 OPEN SOCIETY INSTITUTE EU MONITORING AND ADVOCACY PROGRAM NETWORK MEDIA PROGRAM ALBANIA BOSNIA AND HERZEGOVINA BULGARIA Television CROATIA across Europe: CZECH REPUBLIC ESTONIA FRANCE regulation, policy GERMANY HUNGARY and independence ITALY LATVIA LITHUANIA Summary POLAND REPUBLIC OF MACEDONIA ROMANIA SERBIA SLOVAKIA SLOVENIA TURKEY UNITED KINGDOM Monitoring Reports 2005 Published by OPEN SOCIETY INSTITUTE Október 6. u. 12. H-1051 Budapest Hungary 400 West 59th Street New York, NY 10019 USA © OSI/EU Monitoring and Advocacy Program, 2005 All rights reserved. TM and Copyright © 2005 Open Society Institute EU MONITORING AND ADVOCACY PROGRAM Október 6. u. 12. H-1051 Budapest Hungary Website <www.eumap.org> ISBN: 1-891385-35-6 Library of Congress Cataloging-in-Publication Data. A CIP catalog record for this book is available upon request. Copies of the book can be ordered from the EU Monitoring and Advocacy Program <[email protected]> Printed in Gyoma, Hungary, 2005 Design & Layout by Q.E.D. Publishing TABLE OF CONTENTS Table of Contents Acknowledgements ........................................................ 5 Preface ........................................................................... 9 Foreword ..................................................................... 11 Overview ..................................................................... 13 Albania ............................................................... 185 Bosnia and Herzegovina ...................................... 193
    [Show full text]
  • Media Policy in Slovenia in the 1990S Regulation, Privatization, Concentration and Commercialization of the Media Authors: Sandra B
    Medijska politikavSlovenijidevetdesetih marko milosavljeviæ marko sandra b. hrvatin b. sandra MEDIJSKA POLITIKA V SLOVENIJI V DEVETDESETIH Regulacija, privatizacija, koncentracija in komercializacija medijev and commercialization of the media the of commercialization and Regulation, privatization, concentration privatization, Regulation, 1990 IN THE THE IN s IN SLOVENIA IN MEDIA POLICY MEDIA sandra b. hrvatin marko milosavljeviæ Media Policy in Slovenia in the 1990s Naslovka.p65 1 17.6.01, 20:21 doslej izšlo v zbirki mediawatch marjeta doupona horvat, jef verschueren, igor þ. þagar Retorika begunske politike v Sloveniji breda luthar Politika teletabloidov darren purcell Slovenska drþava na internetu The Victory of the Imaginary Left Imaginary the of Victory The sandra b. hrvatin, lenart j. kuèiæ j. lenart hrvatin, b. sandra tonèi a. kuzmaniæ velikonja, mitja dragoš, sreèo Bitja s pol strešice kuzmaniæ, a. tonèi luthar, breda Freedom of the Press and Personal Rights Personal and Press the of Freedom karmen erjavec, sandra b. hrvatin, zatler simona krivic, matevþ barbara kelbl Mi o Romih We About the Roma the About We barbara kelbl barbara matevþ krivic, simona zatler hrvatin, b. sandra erjavec, karmen Svoboda tiska in pravice posameznika breda luthar, tonèi a. kuzmaniæ, Slovenia in Hate-Speech sreèo dragoš, mitja velikonja, kuzmaniæ a. tonèi sandra b. hrvatin, lenart j. kuèiæ Mit o zmagi levice The Slovenian State on the Internet the on State Slovenian The darren purcell darren The Politics of Tele-tabloids of Politics The breda luthar
    [Show full text]
  • Culture in Slovenia Photo: Cankarjev Dom the Story of Arts and Culture in Slovenia
    creative, inspiring, colorful Culture in Slovenia Photo: Cankarjev dom THE STORY OF ARTS AND CULTURE IN SLOVENIA The share of employees in cultural activi- ties in Slovenia is 2% of the total number of employed persons (which is 10th out of 33 countries included in the Eurostat survey). The story of culture and arts in Slovenia has The attitude of Slovenians to their national of culture in Slovenia come for this reason to side their homeland). Local communities are been marked by a diverse and rich natural and culture is truly intense, and Slovenia boasts a a great extent (as much as two thirds of all responsible for libraries, some other cultural cultural tradition that has always given rise well-developed network of cultural institutions, resources earmarked for culture) from the institutions (local museums, art galleries and to the creativity of writers and other artists. organisations and associations comparable to government. The state fully finances the na- cultural centres) and cultural associations. We Slovenians take arts and culture as our most developed European countries. There is tional network of institutions and also covers basic element. Culture and arts are the pride a rich cultural life not only in the biggest towns, most programmes, activities and projects in Market mechanisms, however, rule the entire and heart of our national identity. They have a but in almost every corner of Slovenia. the field of international cultural cooperation, a entertainment industry, including rock, jazz special place in Slovenian history, too, as they considerable share of publishing, the cultural and other music genres that are also impor- helped Slovenia compensate for the absence The cultural market of Slovenia is small.
    [Show full text]
  • TISK Phd Thesis
    UNIVERSITÀ DEGLI STUDI DI TRIESTE Sede amministrativa del Dottorato di Ricerca UNIVERSITÀ DEGLI STUDI DI TRIESTE Sedi Consorziate (IUIES) Università degli Studi di Udine - Università di Klagenfurt - Università MGIMO di Mosca - Università di Nova Gorica - Università Jagiellonica di Cracovia - Università Eotvos Lorand di Budapest - Università Babes-Bolyai di Cluj-Napoca - Università Comenius di Bratislava - Istituto di Sociologia Internazionale di Gorizia IX CICLO DEL DOTTORATO DI RICERCA IN POLITICHE TRANSFRONTALIERE PER LA VITA QUOTIDIANA TRANSBORDER POLICIES FOR DAILY LIFE LANGUAGE PRACTICES, IDEOLOGIES AND PLANNING IN THE CROSS-BORDER AREA OF NOVA GORICA (SLOVENIA) AND GORIZIA (ITALY) – FROM CASE STUDY TO MODELS OF ANALYSIS AND PLANNING IN EUROPEAN BORDERLANDS (Settore scientifico-disciplinare: SPS/08) DOTTORANDA: COORDINATORE DEL COLLEGIO DEI DOCENTI Nika Vodopivec CHIAR.MO PROF. ALBERTO GASPARINI UNIVERSITÀ DI TRIESTE RELATORE CHIAR.MO PROF. GIORGIO OSTI UNIVERSITÀ DI TRIESTE CORRELATRICE DOC. DR. SONJA NOVAK LUKANOVI Č INSTITUTE FOR ETHNIC STUDIES, LJUBLJANA ANNO ACCADEMICO 2007/2008 Il faut beaucoup étudié pour savoir peu. Montesquieu Acknowledgements I would like to express my gratitude to all those that were irreplaceable in helping me to conduct and finish my work for the doctoral thesis:Prof. Dr. Alberto Gasparini, the coordinator of the collegiate body of professors of the doctoral course and the director of I.S.I.G. rendered feasible, with his precious readiness to collaboration, the realisation of the two case studies that form the basis for the empirical analysis in the thesis; the tutor Prof. Dr. Giorgio Osti provided me with helpful bibliographical indications and guidance in approaching the thesis work; the co-tutor Sonja Novak Lukanovi č was as precious guide towards a coherent vision of the work to be done in the analysis of the language policies of the studied area and was the researcher who offered me the possibility to collaborate in two case studies.
    [Show full text]
  • Publikacija-I-Feel-Slovenia.Pdf
    CONTENT INTRODUCTION 5 THE STATE OF SLOVENIA 6 ECONOMY 20 SCIENCE 32 EDUCATION 40 SOCIETY 46 CULTURE 52 SPORT 66 HIGHLIGHTS 76 CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 308(497.4) 908(497.4) I feel Slovenia / [editors Polona Prešeren and Danila Golob ; translation Secretariat-General of the Government of the Republic of Slovenia, Translation and Interpretation Division, DZTPS, Amidas]. - Ljubljana : Government Communication Office of the Republic of Slovenia, 2016 ISBN 978-961-6435-59-8 1. Prešeren, Polona 285088512 3 INTRODUCTION You simply have to love Slovenia, as it is the only country in the world with the word “love” in its name. This play on words denotes Slovenia in all its essence – a successful, creative, diverse and responsible country, despite the fact that it is one of the youngest countries on earth in terms of years of existence. In 1991, it declared its autonomy and independence and demonstrated that even young and small countries can become global players. It is hard to miss Slovenia in Europe with its strategic position in Central Europe – at the junction of the Alps, the Mediterranean, the mysterious Karst and the wide Pannonian plains. Within an area of 20,000 km2, we can admire its exceptional geographical diversity with rich natural and cultural traditions. It is precisely this mark of its position and natural conditions that have importantly denoted the character of Slovenians, while the turbulence of historically important transport routes has added vitality and inspired their creativity. You really have to love Slovenia. The feeling of affection for and belonging to Slovenia is indelible.
    [Show full text]