6. Festival Slovenskega Filma Vsekakor Tujimi Predstavniki Stroke, Produkcije Ali Je Gotovo V Tem, Da Bi Festival Postal Ka- Predstavlja Delo in Napor Mnogih Ljudi

NOTRI NA PLATNICI KATALOG CATALOGUE

Dragi obiskovalci, tuji in domaËi gostje, s tega vidika še bolj razviti v viden bo tudi sama pomagala graditi pomem- prireditev dolgo v noË razpravljali o dobrih novinarji, avtorji in sodelavci 6. festivala strokovni, kulturni ter družabni dogodek, bnost in odmevnost slovenskega filmskega dosežkih naših filmskih ustvarjalcev in do slovenskega filma: dobrodošli v Celju! ki ga bo prepoznavala in spremljala širša festivala. jutra filozofirali o estetiki filmske umet- Festival slovenskega filma je v prvi vrsti slovenska javnost, delno pa tudi tuja Ob koncu naj se še posebej zahvalimo nosti, ali pa zato, ker boste tu spoznali strokovni in kulturni dogodek − je praznik strokovna ali poslovna javnost. Ta proces obËini Celje in so-organizatorjem v toliko zanimivih ljudi! slovenskih filmskih ustvarjalcev, filmskih graditve prepoznavnosti festivala pa mora Celju, ki so nam obljubili, da se bodo za delavcev, producentov, distributerjev, upoštevati veË funkcij, ki jih v našem ugodno poËutje ter dobro organizacijo Saša JovanoviÊ prikazovalcev, strokovne javnosti, pa prostoru nosi − je pomembna nacionalna zares potrudili. Seveda je lahko razumeti Direktor 6. FSF tudi vseh ljubiteljev slovenskega filma. strokovna prireditev, je kraj sreËevanja njihovo željo, da bi filmski festival ostal v Na festivalu vsako leto predstavljamo poslovnih partnerjev in filmskih ustvarjal- Celju tudi v prihodnje − gostili so ga nam- novo slovensko filmsko produkcijo in ko- cev ter ljubiteljev filma, je prostor debate reË že v preteklosti. Letošnji festival bo produkcijske projekte, z okroglimi mizami in dialoga med vsemi akterji slovenske nova priložnost, da Celju uspe prepriËati in spremljevalnimi aktivnostmi pa želimo filmske produkcije, je poslovna priložnost slovensko strokovno in širšo javnost, da si vzpostavljati tudi kar najbolj plodne za promocijo in stike z domaËimi ali tu- tak dogodek zasluži. odnose ter dialog med vsemi naštetimi in jimi partnerji. Skupna želja vseh nas pa 6. festival slovenskega filma vsekakor tujimi predstavniki stroke, produkcije ali je gotovo v tem, da bi festival postal ka- predstavlja delo in napor mnogih ljudi. nekaterih pomembnih mednarodnih film- kovostna blagovna znamka, ki bi jo ljudje Upam, da bo vsako leto, v kreativnem skih institucij. cenili in spoštovali. Z razvojem bo festival in vsebinskem pogledu, festival znal Organizatorji želimo poveËati pre- dosegal vsako leto vse veËje zaupanje upoštevati znanje in izkušnje iz prejšnjih poznavnost festivala − slovenski filmski pokroviteljev, sponzorjev ter vseh, ki jim let ter jih nadgrajevati. Filmski delavci festival naj polno zaživi tako v lokalni kot ta dogodek nekaj pomeni. K temu bo ned- in ustvarjalci si lepega in kakovostnega širši slovenski javnosti in v medijih. Zato vomno prispeval tudi neposredni prenos festivala zelo želijo in ga nedvomno smo se z vrsto festivalskih aktivnosti − na zakljuËne prireditve s podelitvijo festival- zaslužijo! Veseli pa nas tudi, da festival- primer s številnimi filmskimi delavnicami skih nagrad, ki jo bo letos prenašala RTV ska nagrada vesna za najboljše dosežke s za mlade, ponovitvami projekcij filmov v Slovenija kot medijski partner: tega smo še podroËja filmske ustvarjalnosti in produk- veË dvoranah v Celju, postavitvijo dveh posebej veseli in nam vliva veliko optimiz- cije postaja v slovenskem prostoru vse bolj razstav, z retrospektivo ob tridesetletnici ma za razvoj sodelovanja tudi v prihodnje. dragocena; prepriËani smo, da ustvarjalci, festivalov slovenskega filma v Celju in dru- ki jo prejmejo, že znajo ceniti njen žar. gimi programi ali spremljevalnimi priredit- Ob letošnji precejšnji koliËini prijav filmov vami − trudili vkljuËiti živahno festivalsko − še posebej s porastom filmov iz razliËnih Torej: prisrËno pozdravljeni na 6. festivalu dogajanje 6. festivala tudi v sam kraj in v produkcij, financiranih z zasebnim kapita- slovenskega filma − in Ëe boste v Celju gostoljubno obËino Celje. lom − lahko z optimizmom upamo, da bo nekaj dni nenavadno malo spali, bo tako, Slovenski filmski festival je torej treba tudi produkcija vse kakovostnejša, s Ëimer upam, zgolj zato, ker boste kot obiskovalci NA POT NA 6. FESTIVALU SLOVENSKEGA FILMA FILMA SLOVENSKEGA FESTIVALU 6.

3 Dear visitors, guests from home and abroad, Film must evolve into a visible professional, visibility of the Slovenian Film Festival. because you will have philosophical debates journalists, authors and co-workers of the cultural and social event, recognised and about the aesthetics of film art until dawn 6th Festival of Slovenian Film - Welcome followed by the wider Slovenian public, In the end, we would like to express our or because you will meet so many interesting to Celje! and, partially, also by foreign professional gratitude to Celje and our co-organisers in people here! Firstly, the Festival of Slovenian Film is and business public. However, this process Celje, who have promised us to make every a professional and a cultural event − it of enhancement of the Festival’s visibility effort necessary for a good atmosphere Saša JovanoviÊ is a celebration of Slovenian film artists, must be in accordance with the functions and for good organisation. Naturally, one Director of the 6th FSF film workers, producers, distributors, cin- it carries in our environment − it is an can easily understand their wish to keep ematographs, the expert public, as well as important national professional event, a the Festival in Celje in the future, as well all supporters of Slovenian film. Every year, meeting point for business partners, film − they have already hosted it in the past. this festival presents the new Slovenian film artists and film lovers; a venue for discus- This year’s festival will be a new opportu- production and the co-production projects; sion and debate between all actors in the nity for Celje to convince the Slovenian and additionally, the round tables and the ac- Slovenian film production; a business op- wider public that the city deserves such and companying events have the aim to set up portunity for promotion and contacts with event. fruitful relationships and dialogue between local and foreign partners. We all share the The 6th Festival of Slovenian Film is a result the mentioned above, as well as with for- same wish - that the festival become a qual- of work and efforts of many people. I hope eign representatives of the profession and ity trademark, known and respected by the that, regarding creativity and content, the production, as well as some important inter- public. With such an evolution, the festival Festival will know how to use this knowledge national cinematic institutions. will earn the trust of the funding institu- and experience in the future, and build on The organisers wish to enhance the visibility tions, sponsors and all interested parties. it. Film workers and artists want a well-or- of the festival − the Festival of Slovenian The direct broadcast of the closing event ganised festival of good quality and they Film should have a full life on the local level with the award ceremony, organised by the certainly deserve it! We are also pleased the as well as in the wider Slovenian public and media partner this year, RTV Slovenija, will Vesna award for best achievement in film art media. The variety of festival activities − undoubtedly contribute to our goal − we are and production is becoming more and more e.g. several film workshops for the youth, expecting this event with great enthusiasm appreciated in the Slovenian environment; reruns of films at different venues in Celje, and are very optimistic regarding our future we are convinced that the artists, receiving two exhibitions, a retrospective honouring co-operation. it already know how to appreciate its glow. the 30th anniversary of Festival of Slovenian Film in Celje, and other programmes and ac- Due to the quantity of this year’s entries Therefore: I wish you a warm welcome at companying events − all have the purpose of − especially with growth in entries from the 6th Festival of Slovenian Film − and if involving the town and the hospitable Mu- various private-capital productions − we you miss some sleep during your stay in nicipality of Celje into the lively atmosphere can hope with a certain amount of optimism Celje, I hope that it will be because you will of the 6th festival. that the production will also grow in qual- participate in debates with other visitors In this manner, the Festival of Slovenian ity, thus helping enhance importance and about the achievements of our film artists, 6TH FESTIVAL OF SLOVENIAN FILM SLOVENIAN OF FESTIVAL 6TH ON THE OUTSET OF THE THE OF OUTSET THE ON

4 Je Celje filmsko mesto? Je bolj filmsko od režiserji, scenaristi in vsi, ki so v domaËem kaj videti, govori ogromno število naslovov, drugih slovenskih mest? Po kratkem pre- filmskem svetu kaj pomenili. Bili so tudi tako v tekmovalnem kot tudi v spremljeval- gledu filmske zgodovine knežjega mesta bi filmi. In kar je še posebej pomembno, bili nem programu. »e pa k temu prištejemo še lahko na obe vprašanji odgovorili pritrdil- so tudi gledalci. neposredno umešËenost festivala v mestno no. Samo v zadnjih nekaj letih se je v Celju jedro in kopico spremljevalnih prireditev, na filmskem podroËju ogromno zgodilo. Pravijo, da je domaËa − zdaj že slovenska lahko upraviËeno upamo, da bodo v Celje Dobili smo prvi art kino v Sloveniji, imamo − kinematografija v letih po osamosvojitvi poleg novinarjev in filmskih delavcev, ki drugi najveËji multikino na tej strani Alp, nekoliko zamrla. Da je bila v krizi, da se ni se takšnih festivalov udeležujejo že po ki se mu bo v kratkem pridružil še en podo- vedelo ne kaj, kako, ne kdaj in kje. Morda bi službeni dolžnosti, prišli tudi gledalci. To ben objekt, od letošnjega leta pa je mesto lahko to pripisali tranziciji ali pa porodnim pa je tisto, kar slovenski film potrebuje. Celje tudi gostitelj Festivala slovenskega krËem nove države. Možno pa je tudi, da je Dobrodošli v Celju − filmskem mestu! filma. »e pogledamo nekoliko globlje v šlo samo za navaden ciklus, ko uspešnim preteklost, pa lahko brez sramu zapišemo, obdobjem sledijo leta suše in negotovosti. Bojan Šrot da se je v zadnji tretjini prejšnjega stoletja Kakor koli že, dejstvo, da Slovenija tudi po župan Mestne obËine Celje v Celju na doloËen naËin pisala zgodovina osamosvojitvi potrebuje svoj filmski festi- domaËe kinematografije. Letos namreË val, je ostalo. Navsezadnje je to dokazoval minevajo natanko tri desetletja, odkar je že slovenski filmski maraton v Portorožu, Celje prviË gostilo teden domaËega filma. ki se je pozneje preimenoval v festival slovenskega filma. Festival, ki se letos seli Res je, da je bil domaËi film, tedaj še v v Celje. sponah nekdanje Jugoslavije, posebna NAD MESTOM NAD CELULOIDNA MAŠNICA MAŠNICA CELULOIDNA in posebej Ëislana blagovna znamka. Med prvimi pogovori s snovalci filmskega Režiserji, še posebej pa igralci, so bili festivala je bilo slišati, da je v Portorožu tako rekoË prave filmske zvezde, ki so imele manjkalo domaËnosti, da ni bilo pravega poseben status tudi med navadnimi smrtni- stika z mestom in okolico. Bo v Celju dru- ki. In prav te zvezde so dajale Celju v Ëasu gaËe? Bomo lahko ustregli vsem potrebam, tedna domaËega filma prav poseben peËat. željam in tudi muham filmskih delavcev? Najbrž bi se še danes našel kakšen skrben Izkušnje imamo − vsaj Ëe sodimo po filmski zbiralec avtogramov domaËih filmskih zgodovini našega mesta. Zavedamo pa se, zvezd, ki so v tistih letih prihajale v Celje. da to ni dovolj. Da se je kolo Ëasa, tudi Takrat je bilo zbiranje podpisov in lovljenje filmskega, v zadnjih desetih letih še hitreje igralcev poseben šport, še posebej med vrtelo. Zato smo se še toliko bolj potrudili, mladimi. Ja, Celje je bilo tudi nekoË pravo da bo v naslednjih dneh Celje živelo s fil- filmsko mesto. Prišli so novinarji, igralci, mom in film s Celjem. O tem, da bomo imeli

5 Is Celje a film city? Is it more of a film city tors, writers and everyone who was anyone the past ten years. Therefore, we must make than other Slovenian towns? After a brief in the local film industry came here. There a special effort to help Celje live with film overlook of film history of the Town of the were also films. And, last but not least, there and vice versa in the next few days. The Dukes, the answers to both questions would were viewers. great number of titles shows us there will have to be affirmative. Celje has made great be a lot to see in both, the competitive and progress in the field of film in the last few People say that the local − nowadays, Slov- the accompanying programme. If we add the years alone. The first art cinema in Slovenia enian − cinematography has been at a kind placement of the festival in the immediate was founded here, we have the second big- of a standstill since our independence was city centre and a number of accompanying gest multiplex on this side of the Alps, soon proclaimed. That it was in a crisis; that no events, one can rightfully hope that beside to be joined by another similar facility. Fur- one really knew what to do; or how, when journalists and film workers, whose duty is thermore, since this year, Celje is also the and where to do it. Perhaps all that could to attend such festivals, Celje will be visited host of the Slovenian Film Festival. Reaching be written off as a consequence of transi- by viewers as well. And that is precisely what farther into the past, one can doubtlessly tion or as the labouring problems of the new Slovenian film needs. Welcome to Celje − a state that, in a manner of speaking, during state. On the other hand, it could have been film city! the last third of the previous century, history a matter of a normal cycle, where successful of the Slovenian cinematography was made periods are followed by years of draught and Bojan Šrot A CELLULOID BOW CELLULOID A OVER THE CITY THE OVER in Celje. This year, thirty years have passed uncertainty. Whatever the case, the fact that Mayor of Celje since Celje was the host of the Slovenian Film Slovenia needs a film festival now that we Week for the first time. are independent remains. This was undeni- ably proved by the Slovenian Film Marathon In the days of former Yugoslavia, local film in Portorož that later became the Slovenian was a special and truly appreciated trade- Film Festival. The festival that moved to mark. Directors and, especially, actors were Celje this year. true films stars, with a special status among the mere mortals. And, it was the stars that The opening discussions with the organisers contributed a particular mark to Celje during of the Film Festival revealed that Portorož the Slovenian Film Week. It is not unlikely was lacking warmth, that the contact with that a collector of Slovenian film stars’ au- the city and the environment was not made. tographs, visiting Celje in those days, could Will Celje be different? Can we meet the still be found today. Collecting autographs needs, wishes and whims of the film workers? and chasing actors and actresses was a spe- We have the experience − at least, judging cial kind of sport in those days, especially by the film history of our city. However, we among the young people. Indeed, Celje was a realize this is not enough. The wheel of time, true film city once. Journalists, actors, direc- including that of film, has gained speed in

6 3 6. festivalu slovenskega filma na pot 77 TELEVIZIJSKA PRODUKCIJA TELEVISION PRODUCTIONS 4 On the outset of the 6th Festival of Slovenian Film 77 produkcija RTV Slovenija RTV Slovenija productions 5 Celuloidna mašnica nad mestom 89 TV etude študentk in študentov AGRFT TV studies (AGRFT) 6 The bow of celluloid above the city 93 NAGRADA METOD BADJURA THE METOD BADJURA AWARD 7 KAZALO CONTENTS KAZALO CONTENTS 97 IN MEMORIAM IN MEMORIAM 8 FESTIVALSKA EKIPA FESTIVAL TEAM 101 SPREMLJEVALNI DOGODKI ACCOMPANYING EVENTS 10 NAGRADE 6. FESTIVALA SLOVENSKEGA FILMA AWARDS OF THE 6TH FESTIVAL 102 strokovna srečanja expert meetings OF SLOVENIAN FILM 105 delavnice za mladino youth workshops

PROGRAM PROGRAMME 107 NASLOVI ADRESSES 13 URADNA SELEKCIJA (TEKMOVALNI PROGRAM) OFFICIAL SELECTION (IN COMPETITION) ABECEDNA KAZALA ALPHABETICAL LISTS 13 celovečerni igrani filmi feature films 108 po slovenskih naslovih Slovenian titles 28 celovečerni dokumentarni filmi feature-length documentary films 109 po angleških naslovih English titles 33 kratki igrani filmi short fiction films 39 kratki dokumentarni filmi short documentary films 110 ZAHVALE ACKNOWLEDGMENTS 45 animirani filmi animated films 51 filmi študentk in študentov AGRFT films made by students of the Academy for 111 POKROVITELJI SPONSORS Theatre, Radio, Film and Television 59 URADNA SELEKCIJA (NETEKMOVALNI PROGRAM) OFFICIAL SELECTION (OUT 114 IMPRESUM IMPRESSUM OF COMPETITION) 63 SPREMLJEVALNI PROGRAM ACCOMPANYING PROGRAMME 71 INFORMATIVNI PROGRAM INFORMATIVE PROGRAMME 75 POSEBNA PROJEKCIJA SPECIAL SCREENING

7 FESTIVALSKA EKIPA FESTIVAL TEAM MILENA ZUPAN»I» (igralka SNG Drama Drama Ljubljana Drama SNG tre SNG (igralka Ljubljana/ ZUPAN»I» RTV MILENA direktor (generalni Slovenija/ ŠTAKUL ALEKS Celje tednika Radio Novega Celje/ Radia & (direktor ŠROT SRE»KO Celje of Municipality Celje/ City the of obËine Mayor Mestne (župan ŠROT BOJAN the of Fund) Board Film Slovenian Supervisory the Slovenije/ of Republike Chairman sklada Filmskega ta sve nadzornega (predsednik PELKO STOJAN Slovenia of Republic Slovenije/ publike Re kulturo za (ministrica RIHTER ANDREJA festivala/ Svet SLOVENIJA RTV partner/ Medijski CELJE RADIO & TEDNIK NOVI Soorganizatorji/ TUŠ PLANET CELJE, OB»INA MESTNA partner/ Glavni − SLOVENIJE SKLAD JAVNI REPUBLIKE SKLAD FILMSKI organizator/ Glavni actress, Slovenian National Thea National Slovenian actress, Director General of RTV Slovenia RTV of General Director ) Director of Novi tednik and and tednik Novi of Director Festival’s board Festival’s Chief partner Chief Co-organisers Minister of Culture of the the of Culture of Minister Media partner Media ) Organised by Organised ) )

8 ) - - - URBAN MAJCEN (Planet TUŠ) (Planet MAJCEN URBAN javnost/ (strokovna public KORŠI» IGOR Celje) Radio & tednik (Novi LEJI» VESNA Celje Celje/ of Municipality obËina City (Mestna REPNIK ROMAN Slovenija/ Slovenia Television (Televizija SKRUŠNY JAROSLAV Republike sklad Slovenije/ (Filmski odbor/ POLANC IZTOK comittee organizacijski organisation and Programme - Programsko RUTAR JOŽKO producent/ Izvršni JOVANOVI∆ SAŠA festivala/ Direktor ) Slovenian Film Fund Film Slovenian ) ) Executive producer Executive Festival director Festival ) ) ) ) expert expert the the

vtvlc a imk selekcijo/ filmsko za Svetovalec lection adviser lection IGOR PAL»I» IGOR

eecj tlvzjk produkcije/ televizijske Selekcija Television productions selection productions Television DRAGO PEËKO DRAGO JAROSLAV SKRU©NY JAROSLAV JANI VIRK JANI

rgasi koordinator/ Programski ordinator IZTOK POLANC IZTOK

Stiki z javnostmi/ z Stiki MIHELA »ERNE MIHELA

Celostna podoba/ Celostna REAKTOR d.o.o. REAKTOR

FinanËno svetovanje/ FinanËno MIHAELA STRUHAK MIHAELA

Pravna pomoË/ Pravna MAJA JURI∆ MAJA

oo pi organizaciji/ pri PomoË help DANICA BAIEE DANICA

Legal counselling Legal

Graphic identity Graphic

Public relations Public

Financial counselling Financial

rgam co Programme

Organisational Organisational

im se Film

- LITERAL d.o.o. LITERAL stran/ Spletna ŽELEZNIK KARLA Lektorica/ DJUKI∆ MARKO Prevodi/ d.o.o. REAKTOR BRA»KO, ROK kataloga/ Oblikovanje BOHINC NIKA kataloga/ Urednica FERKOV KATERINA Protocol/ DIMITRIJEVI» SANDRA žirije/ Koordinacija gostov/ KRALJ ANDREJA domaËih coordination guests Koordinacija English translations English Protocol Slovenian proof-reading Slovenian Website Catalogue editor Catalogue Jury coordination Jury Catalogue design Catalogue Local Local Priprava razstave Badjurovega Organizacija in izvedba zakljuËne Moderator/Announcer nagrajenca/Badjura Awardee exhibition slovesnosti/Organisation and coordina- JURE LONGYKA preparation tion of the closing ceremony LILIJANA NEDI» FILMSKI SKLAD REPUBLIKE SLOVENIJE − Fotografinja/Photographer JAVNI SKLAD JELENA VUKOTI∆ Priprava razstave ob tridesetletnici Fes- RTV SLOVENIJA tivala slovenskega filma/30th Anniversary REAKTOR d.o.o. of the Slovenian Film Festival exhibition preparation Režija festivalskega spota in zakljuËne Oblikovanje nagrade vesna/Design of the MUZEJ NOVEJŠE ZGODOVINE CELJE slovesnosti/Director of the festival spot Vesna Award and of the closing ceremony IRENA ROMIH Organizacija retrospektive/Retrospective IGOR GAJI» PETER ZUPANC Izdelava nagrade vesna/Manufacturing of TANIKA ŠAJATOVI∆ Režija TV prenosa/TV broadcast director the Vesna Award SLAVKO HREN ROGAŠKA CHRYSTAL & DECOR GRY Organizacija delavnic, okroglih miz in spremljevalnih prireditev/Organiser of workshops, round tables and accompanying events BARBARA KELBL

Organizacija film marketa/Film market organiser TANIKA ŠAJATOVI∆

Organizacija filmskih kopij/Film copy organisation VIKI BERTONCELJ

9 NAGRADE 6. FESTIVALA SLOVENSKEGA FILMA AWARDS OF THE 6TH FESTIVAL OF SLOVENIAN FILM BRANKO ŠTURBEJ, igralec SNG Drama in docent na AGRFT na docent in Drama SNG igralec fes ŠTURBEJ, BRANKO filmskega mednarodnega Ljubljanskega tivala direktorica STERGEL, JELKA publicist in pisatelj JERGOVI∆, MILJENKO urednica in publicistka LEILER, ŽENJA režiser filmski LAPAJNE, filma: JANEZ slovenskega festivala 6. žirija Strokovna doloËeno nagradi lahko kategorij katerim zapisanih s izven delo priznanje, posebno in animac ton glasbo, masko, montažo, ijo, kostumografijo, scenarij, za scenografijo, vesna nagrad 5 fotografijo, najveË režijo, še podeli presoji svoji po lahko *žirija igralec najboljši igralka najboljša film študentski najboljši art) (video video traku umetniški magnetnega z najboljši predvajano delo, dokumentarno ali igrano animirani) ali najboljše dokumentarni (igrani, film kratki animirani) ali najboljši dokumentarni (igrani, film celoveËerni najboljši VESNE Association Workers’ Film Slovenian the by awarded WORK LIFE’S FOR AWARD BADJURA METOD THE ustvarjalcev filmskih slovenskih Društvo jo podeljuje DELO ŽIVLJENJSKO ZA BADJURA METOD NAGRADA TIŠ Planet 21.00, 27th, September Saturday, Ceremony: Award TUŠ Planet 21.00, september, 27. sobota, Podelitev: 10 - - Jaroslav Skrušny Jaroslav Kolšek Peter Koder Helena BabiË/ Jože nagrad podelitev za Žirija etuda tv najboljša delo dokumentarno televizijsko najboljše delo igrano televizijsko najboljše DOSEŽEK TV ZA BABI» JOŽE NAGRADA AGRFT at lecturer senior and Drama SNG in actor Festival ŠTURBEJ, Film BRANKO International Ljubljana the of Director STERGEL, JELKA journalist and writer JERGOVI∆, MILJENKO editor and journalist LEILER, ŽENJA director film LAPAJNE, JANEZ Film: Slovenian of Festival 6th the of Jury above the in included not work for award categories. special a or sound, and animation, makeup music, editing, design, costume design, set screen for i.e. cinematography, play, discretion, their at Awards Vesna 5 to up award can jury *The actor best actress best film student best video art best tape magnetic on work documentary or dramatised best animated) or documentary (feature, film short animated) or best documentary (feature, film full-length best AWARDS VESNA Jury for the Jože BabiË Award: BabiË Jože the for Jury - THE JOŽE BABI» AWARD FOR ACHIEVEMENT IN TELEVISION best television drama best documentary work in television best tv study

NAGRADA ŽIRIJE DRUŠTVA SLOVENSKIH FILMSKIH KRITIKOV THE SLOVENIAN FILM CRITICS’ ASSOCIATION JURY AWARD

NAGRADA OBËINSTVA AUDIENCE AWARD

NAGRADI KODAK IN SYNCHRO FILM KODAK AND SYNCHRO FILM AWARDS

NAGRADE REVIJE STOP igralka leta igralec leta epizodni igralec ali igralka leta obetavni igralec ali igralka leta

STOP MAGAZINE AWARD actress of the year actor of the year supporting actor or actress of the year most promising actor or actress of the year

PRSTAN LETO PETERKA: ODLOČITVE FEATURE-LENGTH DOCUMENTARY FILMS CELOVEČERNI DOKUMENTARNI FILMI SLEPA PEGA REZERVNI DELI POZABLJENI ZAKLAD POD NJENIM OKNOM NA PLANINCAH KLEŠČAR INKAJMAK MARMELADA FEATURE FILMS CELOVEČERNI IGRANI FILMI

URADNA SELEKCIJA (TEKMOVALNI PROGRAM) OFFICIAL SELECTION (IN COMPETITION) To ni zgodba o slovenski ženski in bosan- “Rojen sem bil v Sarajevu in sem sin “I was born in Sarajevo, the son of a mixed festivali, nagrade/festivals, awards skem moškem, temveË zgodba, ki bi se mešanega zakona. Moja mati je Musliman- marriage. My mother is Muslim, my father Sarajevski filmski festival/Sarajevo Film lahko zgodila kjer koli na svetu. Vsi imamo ka, oËe Srb. Na zaËetku vojne v Sarajevu Serbian. At the beginning of the war in Festival svoje ‘južnjake’. Zgodba govori o paru z dna sem po šestih mesecih v obleganem mestu Sarajevo, after having spent six months in družbene lestvice. Prav tako govori o tiho- prišel v Slovenijo kot begunec. Zgodba, ki the besieged town, I came to Slovenia as a

tapljenju beguncev Ëez mejo in drugih sum- sem jo napisal, je zbirka izkušenj, ki so refugee. The story I have written is a collec- ljivih poslih, v katere se glavni lik zaplete, jih preživeli moji prijatelji in znanci, in tion of the experiences lived by my friends da bi zaslužil denar in jo osreËil. izkušenj iz mojega (prav tako mešanega) and acquaintances, and experiences from my zakona. own (also mixed) marriage. This is not a story about a Slovenian woman Ljudi ne delim po narodnosti, temveË, Ëe I don’t divide people by nationality, but and a Bosnian man, but a story that could jih že moram, na ‘Beatlese’ in ‘Stonese’ rather (if I really must) as ‘The Beatles’ and take place anywhere in the world. Everyone oziroma na dobre in slabe. V filmu sem ‘the Stones’, or eventually, as god and bad. has their own ‘Southerners’. The story is poskušal upodobiti najslabše v slabih In the film, I have tried to depict the worst about a couple from the lowest rank of the Slovencih in slabih Bosancih. To je film o in bad Slovenians and bad Bosnians. It’s a social ladder. It is also about illegal trans- nas, ki smo mešani − o mojih starših, meni film about those of us who are mixed − my port of refugees across the border and other in mojih otrocih. Kljub temu, da prikazuje parents, my children and myself. Even if it shady business attempts that he becomes precej temno plat življenja, je film ljubez- shows much of the dark side of life, the film involved with in a wish to earn money and enska zgodba.” Branko –juriÊ Ć is nevertheless a love story.” Branko –juriÊ make her happy. URI Đ Branko –juriÊ Born in 1962, in Sarajevo, where he studied at filmografija/filmography Rojen leta 1962 v Sarajevu, kjer je tudi študiral the ASU actor’s academy. He has been living and Kajmak in marmelada/Cheese and Jam (2003)

FEATURE FILM/IN COMPETITION na igralski akademiji ASU. V Ljubljani živi in ust- creating in Ljubljana for ten years. Although he had varja že deset let. Igral je v filmih Emira Kusturice a remarkable filmography as an actor − he acted BRANKO BRANKO KAJMAK IN MARMELADA MARMELADA IN KAJMAK CHEESE AND JAM AND CHEESE (Dom za obešanje, 1989), Gorana GajiÊa (Kako je in films by Emir Kusturica Time( of the Gypsies, umrl rock and roll?, 1989) ter Ademirja KenoviÊa 1989), Goran GajiÊ (The Fall of Rock and Roll , (Kuduz, 1989, Ovo malo duše, 1991). Po prihodu 1989) and Ademir KenoviÊ (Kuduz, 1989, An Ad- v Slovenijo se je ukvarjal predvsem z gledališko ditional Soul , 1991), he was mostly involved in režijo in pisanjem scenarijev za televizijske nad- directing in theatre and writing screenplays for TV aljevanke (Teater Paradižnik, Show bo show). Za series (Tomato Theatre, The Show Will Show) when vlogo v Nikogaršnji zemlji (2001) Danisa TanoviÊa he arrived in Slovenia. His most acclaimed film part je bil nominiran za evropsko filmsko nagrado.Kaj - was in the celebrated Danis TanoviÊ’s No Man’s Land mak in marmelada je njegov režijski debut v formi (2001). Cheese and Jam is his directorial debut in celoveËernega filma. the category of feature films.

14 CELOVEČERNI IGRANI FILM/TEKMOVALNI PROGRAM REŽIJA/DIRECTED BY BRANKO ĐJURIĆ SCENARIJ/SCREENPLAY BRANKO ĐJURIĆ FOTOGRAFIJA/CINEMATOGRAPHY SVEN PEPEONIK GLASBA/MUSIC SAŠA LOŠIĆ MONTAŽA/EDITING MIRAN MIOŠIĆ SCENOGRAFIJA/SET DESIGNER GRETA GODNIČ KOSTUMOGRAFIJA/COSTUME DESIGNER ALAN HRANITELJ ZVOK/SOUND BRANKO ATANASKOVIĆ MASKA/MAKEUP MARIJA JUROVIČ IGRAJO/CAST BRANKO ĐJURIĆ, TANJA RIBIČ, DRAGAN BJELOGRLIČ, IGOR SAMOBOR, VLADO NOVAK, TEJA GLAŽAR, RENE BITORAJAC, SASHA DRAGAŠ, MAGNIFICO PRODUCENT/PRODUCER JANEZ JAUH PRODUKCIJA/PRODUCTION ATA PRODUKCIJA D.O.O. STEGNE 5 1000 LJUBLJANA KOPRODUKCIJA/CO-PRODUCTION RTV SLOVENIJA SOFINANCER/CO-FUNDING FILMSKI SKLAD REPUBLIKE SLOVENIJE FORMAT/FORMAT 35MM, BARVNI/COLOUR DOLŽINA/RUNNING TIME 90’ PREMIERA/PREMIERE SARAJEVO FILM FESTIVAL 2003 MATJAŽ LATIN KLEŠČAR

CELOVEČERNI IGRANI FILM/TEKMOVALNI PROGRAM FEATURE FILM/IN COMPETITION TONGMAN valskih nagrad. KlešËar je njegov prvenec. njegov je KlešËar nagrad. valskih festi izmed eno prejel leti tremi pred je Kozoleta v vlogo filmu. pri glavno kot Za deskah kot tudi gledaliških na vodij tako Nastopa igralec, idejnih gledališËa. izmed ptujskega eden je mladega Sloveniji, v gledaliških hišah najveËjih vseh v predstav gledaliških sedemindvajset dram postavil je Akademiji Doslej gledališke umetnosti. zagrebški skih Študij na zakljuËil Mariboru. je v režije 1970 leta Rojen Latin Matjaæ ‘Tongman’. him nicknamed co-workers bankruptcy. His declared factory the Met in until alna worked He trade. by toolmaker a is He Bogdan. son ten-year-old a and Mira unemployed wife an with living Maribor, of dent resi unemployed an is VaupotiË-Dule Dušan … ponosen zelo je katerega na z govorom, nagovarja državljane mimoidoËe ter trgih in ulicah mariborskih na se pojavlja države, Krambergerja’. predsednika za kampanjo Ivana politiËno s ZaËne ‘sindrom Duletu v alkoholu, …) vzbudijo nogometu in sreËo podvrženost prehrana, na igram zdravje, slaba naËeto denarja, pomanjkanje stanovanje, socialne vlažno in NemogoËe (premajhno rakom. razmere z ima, jo sumi, da katero za boleznijo, z tudi povezana je skovanka Ta ‘KlešËar’. vzdevek nadeli mu so v Sodelavci bil steËaj. v šla je ni dokler Zaposlen Metalni, orodjar. je izobrazbi Po brezposelno Bogdanom. tako sinom prav desetletnim in Miro s ženo živi Mari ki brezposeln borËan, je VaupotiË-Dule Dušan on filmu Porno (2000) Damjana Damjana (2000) 16 - - - - - debut in film directing. film in debut film Kozole’s Porno Damjan in the lead of playing one for awards received He festival film. and theatre both, in acts also He Theatre. Ptuj crea young the of the of leaders one tive is and Slovenia in theatres all in major productions theatre twenty-seven directed Zagreb. He in Arts Drama for theatre Academy the at from directing Graduated Maribor. in 1970, in Born sem ko privržencev, Opazil veË vse države’. ima da sem, zafurane naše ‘pereËe in probleme politiko na Dule presedlaval je bolj vendar vse æenskah’, in o pivu stvareh, ‘fuzbalu, obiËajnih o Sprva pogovarjala gostilni. se v sva najveËkrat Ëakal, me in ‘bundesom’ svojim s tam bil je že sem obrnil, se Kamorkoli name. ‘prilimal’ sËasoma dobesedno je se vendar nisva prijatelja, Nikoli Dušana ravno nekdaj. bila od mi, sem že se poznam zdi ga kdaj da sreËal, prviË se, VaupotiËa-Duleta spomnim “Ne very is of… he proud speech a with passers-by the ing solicit and Maribor of squares and streets on appearing President, for campaigning He starts Dule. in syndrome’ Kramberger ‘Ivan the to trigger football…) and proneness gambling and alcoholism, health nu damaged poor money, trition, of lack too humid, is and that small impossible apartment (an The situation cancer. social − has he he disease the believes to related also is name The (2000) three years ago. Tongman is his his is Tongman ago. years three (2000) - - - KlešËar/ filmografija/ movement new a in realized I quoted been Parliament, had the he that but heard I growing, when supporters his of number the I noticed state’. misgoverned our of problems ‘urgent the and politics onto moving slowly started Dule things, but women’, and regular beer the ‘football, about At pub. talked a we in first, usually me, for he waiting there was, turned, I me Wherever to point. stuck some were at just he We friends, eternity. actually never since I him if as known seems met it have but I Dule, time VaupotiË first Dušan the remember cannot “I Latin Matjaž filma.” posnel tako njem o bom rešil ne bom dokler In ne dolgo, ga se televizijo. da sem, na zaštekal hotel je bilo Dule je to premalo, toda sem predstavo, Povabil gledališko njim. v ga pred miru imel nikjer nisem obsedati, zaËel je me Dule novega do gibanja. prihaja da jasno, postalo je mi parlamentu, v celo citirajo ga da slišal, pa Tongman filmography (2003) him.” Matjaž Latin Matjaž about him.” film a made a until peace of moment a me give not would he the realized I on be television. to wanted Dule it but enough. not was productions, theatre him my of invited I one him. into of I myself Dule, rid by not haunted could was I rise. the on was REŽIJA/DIRECTED BY MATJAŽ LATIN SCENARIJ/SCREENPLAY MATJAŽ LATIN, ALJOŠA TERNOVŠEK PO PREDLOGI ROKA VILČNIKA FOTOGRAFIJA/CINEMATOGRAPHY ŽIGA KORITNIK GLASBA/MUSIC SEBASTIJAN DUH MONTAŽA/EDITING DAFNE JEMERŠIČ IGRAJO/CAST ALJOŠA TERNOVŠEK, MIRA MUŠIČ, BOJAN KRAJNC, PETER TERNOVŠEK, NENAD TOKALIČ - NEŠO PRODUKCIJA/PRODUCTION PERFO PRODUCTION RTV SLOVENIJA KOLODVORSKA 2-4 1000 LJUBLJANA KOPRODUKCIJA/CO-PRODUCTION DRAMSKO DRUŠTVO MARIBORSKA UMETNIŠKO KULTURNA INICIATIVA EMOTIONFILM FORMAT/FORMAT BETA DOLŽINA/RUNNING TIME 77’ MIHA HOČEVAR NA PLANINCAH

CELOVEČERNI IGRANI FILM/TEKMOVALNI PROGRAM FEATURE FILM/INON COMPETITION THE SUNNY SIDE planincah filma: igrana s tudi njim celoveËerna za dva veËinoma sta pa se danes projekti, Preživlja filmsko komercialnimi v prakso. vkljuËil televizijsko aktivno in je se na Že študija Ljubljani. v zaËetku AGRFT na filmske režije študij na televizijske in vpisal opravil se in je letu obveznost takratni vojaško na naslednjem V maturiral Poljane. os 1983 gimnaziji konËal leta je in kjer šolo Ljubljani, novno v 1963 leta Rojen Ho Miha real not does he however, and fun; girls carefree the the likes he people, new enjoys Sani meeting and hot, and long beautiful, summer is The visit Majda. to wife his Amir and uncle brother their his with vacation Slovenia a on to goes puberty, in boy a Sani, fazo. divjo v zavijati zaËne njegovo puberteta okolišËin nepriËakovanih in novih povsem pritiskom Pod šokiran. je Sani pretresen, zagovori. se in … napije ne izletu na skupnem Amir starejši se dokler vse nico, res skrivajo njim pred Amir in Majda Stric, ostal. tudi Sloveniji v le bo ampak niso to da poËitnice, pa, ve ne v zabavi, deklet, brezskrbni prijateljev, novih uživa spoznavanju Majda. Sani v vroËe, žena in dolgo lepo, njegova je in Poletje Slovenijo, stric v živita poËitnice kjer na Amir odpravlja bratom z jem se puberteti, v fant Sani, Ë (2003). Se nadaljuje. Se (2003). evar Jebiga (2000) in in (2000) 18 Na Na - - - - Side Side two completed films, also feature has with but himself projects, supports commercial mainly He work. and film in television involved is he the studies, Since his of Ljubljana. beginning in Television and Film Theatre, for film Radio, Faculty the enters at and directing army the television and in serves he school. year, grammar Next el Poljane the finishes and he school where ementary Ljubljana, in 1963, in Born pojma HoËevar pravici: Miha po nimam!” povem »e prihodnosti? v odgovor? In zgodilo junaki z bo se kaj vprašanje: Glavno drugega. sporoËilo: na drug Glavno pazite preprost). proraËun precej še bil (pa je vsebinske tako kot preprostosti, oblikovne si svo sem o Želel pisati filmu. težko jem je meni tudi In arhitek o turi.’ plesati kot je glasbi o dobro: je ‘Govoriti povedal in povedal že je “Nekdo a enters phase. wild puberty his circumstances, unex and pected new these of pressure the Under shocked. and distressed is Sani slips. tongue his and … trip a on drunk gets Amir day, until, one him from truth the hide Amir and jda Ma uncle, His in Slovenia. stay would he that namely, a vacation, than more is this that ize (2003). To be continued. be To (2003). uk It Fuck (2000) and and (2000) On the Sunny Sunny the On - - - - - celoveËerni/ planincah/ Na (2000)/ Jebiga All? Them postrelil?/ vseh nisem jih Zakaj kratki/ - Nerazumljivosti/ filmografija/ festival Festival filmski Sarajevski nagrade/ festivali, HoËevar Miha clue!” a haven’t I truth: the you tell To answer? The future? the in heroes our to happens what each question: after Central other. look simple, message: central quite The was too). budget the (as content of and form of simplicity, wanted I film. my about write to hard it find I Similarly, architec ture’. about dancing like is music about ‘Talking well: it said they and said “Someone short (1990) - kratki - (1990) feature filmography On The Sunny Side Sunny The On Fuck It Fuck Incomprehensibilities festivals, awards festivals, − celoveËerni/ − Why Didn’t I Shoot Shoot I Didn’t Why (2003) − − (2003) /Sarajevo Film Film /Sarajevo feature (1988) (1988) - REŽIJA/DIRECTED BY MIHA HOČEVAR SCENARIJ/SCREENPLAY MIHA HOČEVAR, OZREN KEBO FOTOGRAFIJA/CINEMATOGRAPHY SLOBODAN TRNINIĆ GLASBA/MUSIC MITJA SMREKAR VRHOVNIK MONTAŽA/EDITING OLGA TONI SCENOGRAFIJA/SET DESIGN JURIJ KOŠAK KOSTUMOGRAFIJA/COSTUME DESIGN UROŠ BELANTIČ (OKTOBER D. O. O.) ZVOK/SOUND STUDIO RITEM D. O. O. MASKA/MAKEUP MARTINA ŠUBIČ IGRAJO/CAST MILENA ZUPANČIČ, FILIP DURIČ, SAŠA TABAKOVIČ, MUSTAFA NADAREVIČ, KARIN KOMLJANEC, SABINA KOGOVŠEK PRODUCENT/PRODUCER JURIJ KOŠAK PRODUKCIJA/PRODUCTION STUDIO ARKADENA D. O. O. BRODIŠČE 23 1236 TRZIN KOPRODUKCIJA/CO-PRODUCTION NORA PRODUCTION GROUP D. O. O. SOFINANCER/CO-FUNDING FILMSKI SKLAD REPUBLIKE SLOVENIJE FORMAT/FORMAT 35 MM, BARVNI/COLOUR DOLŽINA/RUNNING TIME 92’ 28’’ PREMIERA/PREMIERE SARAJEVO FILM FESTIVAL 2003 METOD PEVEC POD NJENIM OKNOM

CELOVEČERNI IGRANI FILM/TEKMOVALNI PROGRAM FEATURE UNDERFILM/IN COMPETITION HER WINDOW radijske igre ter veË scenarijev za celoveËerne celoveËerne za scenarijev filme. veË ter igre radijske naslovom, Dubrovniku istim z prvenec romanov: veË tudi men je Živojinom Napisal Ërnovalovcem s PavloviÊem). filmih sodeloval je odigral jugoslovanskih je (veËkrat in študijem slovenskih v Filozofski med vlog in nekaj Na Pred primerjalne in Ljubljani. književnosti. filozofije iz v diplomiral je 1958 fakulteti leta Rojen Pevec Metod dis she decides: and up grows She of course. fatal, life-crisis, not are which 30’s of a consequences the is in she entangled lover, an married becoming a mother, and father dominant absent a between Caught teacher. dance a and dancer young a is Duša mladosti. onkraj življenja ji smisel in ljubezen vraËa moško v srcu, upanje njenemu približuje neokusnosti anon uspešno voajerske iz in se nevarnosti imne vasovalec Zaljubljeni njeno pod okno. prihaja ljubeËe skrivaj nekdo, Ëasa kriv nekaj vlogo že resnici ki v je na pa Vsega pripravlja babice. radoživa se erotiËno mama Celo in otroka. supersamozavestna njegovega dozori, priËakuje Ëeprav ljubimca, Punca poloviËarskega odslovi se: posledic. odloËi fatalnih seveda pa nima ki let, tridesetih krizo v se zapleta ljubimcem poroËenim od in mamo, oËetom sotnim dominantno med razpetosti V uËiteljica. plesna in plesalka mlada je Duša , po katerem je nastal tudi njegov cloveËerni cloveËerni njegov tudi nastal je katerem po , , zbirko novel novel zbirko , ua violine Luna, aia Ana Marija , številne številne , , , VeËer v v VeËer 20 Car - - - - film screenplays. film ries Dubrovnik Ana Marija men novels: several director wrote also He film-noir PavloviÊ). films Živojin the with Yugoslavian and collaborations (several Slovenian played in he roles studies, his several during and Faculty Before the at phi Arts. of from literature comparative Graduated and Ljubljana. losophy in 1958 in Born posnel pa ali knjigo svojo napisal zgodbo, svojo povedal lahko bo Vsak ugibali. dolgo še bomo ljudje jasno, to je ptiËih Pri vrste? razmnoževanje Kaj in ljubezen prodaja.’ skupnega imata avtomobile Z Vraga! puncami vrsto? svoje lepimi svojo pusti za skrbi A ljubezni imenu kaj mladiËe. v vem pa ne pa Pol še. Ëustev, pa polna pa ljubezni, ma Ëlovk usta ... urihtan naravi V lepo vse ... je uredu Ëist je so zvestoba Nagoni tud nagon. nagon, vse je ptiËih ”’Pri youth. beyond life of purpose the in and man a of love in hope her restoring heart, hear nearing successfully is suitor and enamoured the danger distaste, anonymous voyeuristic From while. a for window her to coming been has who someone is change all for reason true the However, er. grandmoth loving a of is role the for mother preparing frivolous erotically super- and her Even confident child. his with pregnant she is though even lover, negligent the misses , on which a film with the same title was based, based, was title same the with a film which , on Luna, Violins Luna, . He also wrote a collection of short sto short of collection a wrote also He . , his first feature film and and film feature first his , , several radio plays and several several and plays radio several , An Evening in in Evening An Car - - - - igrani celoveËerni film/ celoveËerni igrani oknom/ njenim Pod Viba) Vibi) o (Zgodba Slovo TV/ dokumentarni − veselica vrtna Velika TV mentarni neba/ Izziv film celoveËerni igrani − (1995) Carmen igrani/ kontrolo/ kratki - (1992) pod je Vse filmografija/ Metod about.” Pevec film a make or story, book a a tell write could anyone subject a is out. find This to have still people while it, know Birds common? in have reproduction and do love What cars.” sell to girls is! pretty he using He’s hell The kind? his after looking he Is goes love. of name he the in young his then abandons and And whatnot. and emotions and love of mouthful a got man’s out The nicely. sorted all it got Nature’s instincts. with wrong nothing even There’s instinct. birds, an is with fidelity instinctive is “Everything Pevec Metod temo.” to na film svoj − dokumentarni TV/ dokumentarni − A Challenge of the Sky the of Challenge A filmography TV documentary TV ne Hr Window Her Under The Big Garden Party Garden Big The short film short The Goodbye (The Story of of Story (The Goodbye The feature film feature Everything Under Control Control Under Everything TV documentary TV (1998) − doku − (1998) (2003) − − (2003) (2000) (2000) - REŽIJA/DIRECTED BY METOD PEVEC SCENARIJ/SCREENPLAY METOD PEVEC DIREKTOR FILMA/PRODUCTION MANAGER ANDREJ ŠTRITOF FOTOGRAFIJA/CINEMATOGRAPHY ŽIGA KORITNIK GLASBA/MUSIC ALDO KUMAR MONTAŽA/EDITING JANEZ BRICELJ SCENOGRAFIJA/SET DESIGN KATJA ŠOLTES KOSTUMOGRAFIJA/COSTUME DESIGN SABINA BUŽDON ZVOK/SOUND BORIS ROMIH MASKA/MAKEUP ALJANA HAJDINJAK IGRAJO/CAST POLONA JUH, MARIJANA BRECELJ, SAŠA TABAKOVIĆ, ROBERT PREBIL, ZLATKO ŠUGMAN, TIJANA ZINAJIĆ, JOŽICA AVBELJ, ANDREJ NAHTIGAL, PRIMOŽ PETKOVŠEK PRODUCENT/PRODUCER DANIJEL HOČEVAR PRODUKCIJA/PRODUCTION EMOTIONFILM KERSNIKOVA 4 1000 LJUBLJANA KOPRODUKCIJA/CO-PRODUCTION RTV SLOVENIJA VIDEO PRODUKCIJA KREGAR FORMAT/FORMAT 35MM, BARVNI/COLOUR DOLŽINA/RUNNING TIME 90 MIN DISTRIBUCIJA/DISTRIBUTION EMOTIONFILM, KOLOSEJ KINEMATOGRAFI TUGO ŠTIGLIC POZABLJENI ZAKLAD

CELOVEČERNI IGRANI FILM/TEKMOVALNITHE PROGRAM FEATUREFORGOTTE FILM/IN COMPETITION N TREASURE na televiziji kot režiser celoveËernih filmov, filmov, oddaj iger. radijskih celoveËernih dokumentarnih tudi in dram, režiser portretov, kot reportaž, televiziji na trilerja kot politiËnega poskusil avtor je se osemdesetih v nadaljevanje, in režiral mladinsko je je uspešnico ga ‘Zakrivil’ ki Štiglic. France miru, oËe, njegov Dolina filmu v nastopom svojim s zapisal letih mladih v že sloven je se filma skega zgodovino V Ljubljani. v 1946 leta Rojen ©tiglic Tugo ŽvižgaËa, v zaljubljenosti jim, zaradi se pa predvsem kasneje spremljevalec, prijatelj zvest in ŽvižgaËev in najboljši Rokerco, Bum, polno mornar vragolij vseh in lepo zaljubljen v skrivaj prvi na je ki Fliper, ŽvižgaË, kapitan ses Ëastnik in Komarji, poveljnik tavljajo imenovano skupino, prostega Prvo preživljanje Ëasa. pustolovsko prav pravo, cato okoli mladeži vije omogoËa in lenobno se mesteca ki reki, na prestižni za položaj naklonjenost spet zdaj za gospodiËen, kar zdaj mladih ki tabora, tekmujeta, dva v naprej so razdeljeni svetu oni našem tudi tem na stvari razreda. dni veËina a 6. Kot uËenke šolske iz in uËenci še brezskrbne preživljajo samo svoje poznamo pripovedk, ga ohranilo je kot se življenje, kjer robu barja, na nekje Ljubljanskega mestu, malem idiliËnem V Poletje v školjki v Poletje , ki je dobila veË nagrad nagrad veË dobila je ki , Patriot . Trenutno dela dela Trenutno . 22 - - - dramas, documentary programmes and also radio radio also and dramas. portraits, programmes TV-reports, documentary films, dramas, feature as of television director national a the at works he present, At in ( sequel; thriller its political a made he and 90’s, the awards, several received which father, ‘contrived’ his He by Štiglic. Tugo per directed his Jim, with Sergeant child the in a as formance entered film has Slovenian He of Ljubljana. history in 1946, in Born vladali Kranjskem. (1808−1813) na provinc za so Ilirskih ko Ëasa Francozi, pozabili tudi potem in izgubili krajih teh v prav 1810 ga leta so davnega ki zaklada, velikega najdbo omogoËi odkrije, jo ki tistemu, lahko ki šifra, skrita Vod posebno še nikove knjige, zanimajo ga kuharske pa stare raziskuje najbolj kraja, turista krinko zgodovino pod imenom ki z Merci, g. Francoz pride − neznanec, v gostilniËarju ko skrivnostni k obisk zaplete, na − mesto popolnoma se Dogajanje reki. za na premoË ‘bojujejo’ vseskozi mor Komarji vrli s se vsi ki narji, VažiË, in Tarzan pa jo Rezervni še sestavljajo SrËek, poveljuje imenovani Žabarji, skupini, imeno Drugi hËi, PoËasnela. vana gostilniËarjeva tudi pridruži uase bukve Kuharske . V njih je namreË namreË je njih V . Summer in a Seashell a in Summer The Patriot The ). ). - - - , , - Pozabljeni zaklad/ Pozabljeni film TV − (1993) pajËolanom/ pod Nasmeh film TV − (1994) Tantadruj Patriot/ 2/ školjki v Poletje školjki/ v Poletje filmografija/ and Peacock, all of them skilled sailors who who sailors skilled them of all Peacock, and Tarzan com Spare is includes and Sweety by Frogmen, manded named affection. group, other Whistler’s The to due by mostly joined Tardy, are they Later, and companion. friend loyal best Rockgirl; Whistler’s Boom, prankish sailor and and beautiful enamoured the secretly with is who Whistler, mate first Pinball; captain and commander cludes in Mosquitoes, named group, first The time. spare their the of spending offering adventurous children lazily, town that the river around the on flows position ladies prestigious for a young or of compete attention the − constantly something that camps into divided two are they world, the of days. most As carefree their spend tales, sixth-graders re from the it has know only life now we as where mained Ljubljana, the of near edge the marsh at town little idyllic an In The Patriot Patriot The filmography Summer in a Seashell a in Summer The Forgotten Treasure Forgotten The Summer in a Seashell 2 Seashell a in Summer (1998) Sie ne te Veil the Under Smile A (1986) (2002) (1988) - - -

Slovenian Film Makers’ Association. Makers’ Film Slovenian the and Cinematographs Kolosej by visitors, 000 awarded 25 over for Award Reel Golder gledalcev/ 000 25 kot veË za kinematogra DSFU in fov Kolosej nagrada kolut, zlati nagrade/ the Provinces. during Illyrian of period Carniola governed who the by 1810 French, in forgotten and lost secret treasure, a to it discovers that person the lead bukve Vodnik’s Valentin especially books, cook on a focus with town, of the history the investigates Merci, secretly He Mr. town. the to named comes Frenchman, a when twist mysterious a get events The river. the of control for Mosquitoes the ‘fight’ incessantly . The book hides a secret code that will will that code a secret hides book . The awards Kuharske Kuharske The The - - REŽIJA/DIRECTED BY TUGO ŠTIGLIC SCENARIJ/SCREENPLAY TUGO ŠTIGLIC FOTOGRAFIJA/CINEMATOGRAPHY UBALD TRNKOCZY GLASBA/MUSIC JOŽE POTREBUJEŠ MONTAŽA/EDITING NIKITA LAH SCENOGRAFIJA/SET DECORATION MOJCA VILHAR KOSTUMOGRAFIJA/COSTUME DESIGN BELINDA ŠKARICA ZVOK/SOUND MARKO TAJIČ, IGOR LALOŠ MASKA/MAKEUP ROMANA ŠMID IGRAJO/CAST ALEŠ ŠUBIC, NINO KORITNIK, TADEJ PIŠEK, JOŠT ZERJA, MIHA RIBARIČ, KATJA ŠIVEC, TAMARA GORIČANEC, ROMAN KONČAR, DEMETER BITENC, POLDE BIBIČ, ŠTEFKA DROLC, MARKO OKORN, RAFAEL VONČINA, DESA MUCK PRODUCENT/PRODUCER ROMAN KONČAR PRODUKCIJA/PRODUCTION TIMARO PRODUCTIONS D. O. O. LJUBLJANA IGRIŠKA 8, P. P. 1636 1001 LJUBLJANA KOPRODUKCIJA/CO-PRODUCTION RTV SLOVENIJA FORMAT/FORMAT 35MM, BARVNI/COLOUR DOLŽINA/RUNNING TIME 89’ DISTRIBUCIJA/DISTRIBUTION LJUBLJANSKI KINEMATOGRAFI ŠMARTINSKA 152 1000 LJUBLJANA DAMJAN KOZOLE REZERVNI DELI

CELOVEČERNI IGRANI FILM/TEKMOVALNI PROGRAM FEATURE FILM/IN COMPETITION SPARE PARTS povabili med Ëlane Evropske filmske akademije, akademije, filmske Evropske ga Ëlane so med Letos kin kariero. povabili uspešno tudi festivalsko in imelo je ematografsko jih realiziranimi veliko najveË z projekti, pohvali lahko svojo med generacijo se ki režiserja, za Velja dvaindvajsetih. nizkoproraËunski celoveËerec, prvi Svoj Brežicah. v 1964 leta Rojen Kozole Damjan … guilty feels Rudi complications, first the unexpected the After and run business. risky this of ropes the learn to young a supposed is who Rudi, with quiet and meeting a arranges boss east. the His in countries impoverished their of misery the from Europe to flee who migrants, im illegal of transports night with money his earns health, poor in cham widower bitter speedway a pion, former a and Ludvik, Slovenia Croatia. between border vi the the of in cinity town industrial paralysed plant, nuclear nearby the to due and, beat a Krško, ... maËka hudega moralnega zapletih nepredvidenih in furi prvi po Ta ima posla. ki tveganega priuËil Rudijem, se bi naj zadržanim mladim, z sreËanje uredi mu Šef Evropo. v bežijo vzhodu na in domov obubožanih bedo pred ki ilegalcev, zagrenjen transporti in noËnimi z služi denar bolehen si vdovec, spidveju, v prvak nekdanji Ludvik, Hrvaško. in Slovenijo med meje v bližini mestece industrijsko rtviËeno om nuklearke bližnje od in izËrpano Krško, sdi telefon Usodni , je posnel pri pri posnel je , 24 ------projects among his generation. Most of his films films his of Most generation. his among realized of projects number biggest the with director the He as Brežice. film feature in Telephone 1964, low-budget first in his filmed Born Kozole. Damjan za razglasila je ga pa avtorja. obetavnega Variety revija ameriška number total the it that caught, concluded were be them can of fourth a that merely Estimating ... Kurds, Macedonians were Albanians, there Pakistan, China; and countries, Afghanistan Union Soviet different former form Asia, Africa, form were They Italy. for heading around immigrants illegal caught 000 36 police Slovenian 2000, “In pribežnikih.” ilegalnih Kozole številnih Damjan o in Krškega iz tihotapcih nepomembnih film dveh je o deli Rezervni usod. Ëloveških veliko in tihotapce za denarja veliko ljudi, Veliko število ilegalcev. 400 približno sreËo preizkusilo dan vsak je da približno pomeni, Kar Slovenije, 150.000. preko priti poskušali so uspeli ki ali ilegalcev, je število da celotno sklepamo, da lahko ocenjujemo, Ëetrtino, le Ëe ujeli so Al … Kurdi, bili Makedonci so banci, njimi med Afganistana Kitajske; Pakistana, in zveze, nekdanje držav Sovjetske razliËnih Azije, so Afrike, Prihajali iz pribežnikov, Italijo. v namenjeni ujela ilegalnih bili so ki 000 policija 36 slovenska približno je 2000 “Leta at the age of twenty-two. He is known known is He twenty-two. of age the at The Fatal Fatal The - nounced him one of the most promising authors. promising most the of one him nounced pro Film magazine Variety European American the the while in Academy, membership offered year, was This he careers. festival successful relatively had as criminals small-time of pair Parts a Spare follows bleak, unsparingly and “Terse responses (Variety) vir Cockrell Eddie pošastni ta preživetja.” za ne, razumevanje pa morda spodbudi morda, gledalcu v ki tiho zgodbo tapca, življenjsko ki predstavi ubogih položaja film, nesreËnega naredil prikazovanja Kozole namesto Damjan avtor izkorišËevalce, je na osredotoËil izkorišËane na namesto je se da S tem, mejo. Ëez italijansko pribežnike ilegalne tihotapita ki cema, kriminal nepomembnima dvema sledi deli Rezervni film turoben neusmiljeno in “Oster odmevi Kozole Damjan immigrants.” illegal many about and small-time Krško form two smugglers about film a is destinies. Parts human Spare many and for smugglers A money of the day. lot a every people, of luck number large their tried illegals 400 was year in one 150 in almost succeeded Slovenia or to through tried getting who illegals of 000! Which means that around around that means Which 000! - - - Rezervni deli/ Rezervni film/ Porno Stereotip/ (1988) Remington telefon/ Usodni filmografija/ Awards Film European nagrade/ filmske evropske za nominacije za kandidat Europe, of Cinema Montreal nagrada (posebna žirije/ Festival Film Sarajevo Festival, Film International Edinburgh festival, Film Motovun Festival, Film International Vary Karlovy Festival, Film International Moscow festival, film Berlin nagrade/ festivali, (Variety) rell Cock Eddie survival.” of means ghastly for their sympathy generate not may or may that backstory smuggler of favour in unfortunates the of plight the writer- about information that sacrifices film exploiters, a made has the Kozole Damjan to helmer from exploited focus the the the shifting By over border. immigrants Italian illegal smuggle they special jury award jury special a candidate for nominations for for nominations for candidate a Stereotype Stereotype Porno Film Porno filmography Spare Parts Spare The Fatal Telephone Telephone Fatal The (1997) festivals, awards festivals, (2000) (2003)

), (1987) - REŽIJA/DIRECTED BY DAMJAN KOZOLE SCENARIJ/SCREENPLAY DAMJAN KOZOLE FOTOGRAFIJA/CINEMATOGRAPHY RADISLAV JOVANOV-GONZO GLASBA/MUSIC IGOR LEONARDI MONTAŽA/EDITING ANDRIJA ZAFRANOVIĆ SCENOGRAFIJA/SET DESIGN URŠA LOBODA KOSTUMOGRAFIJA/COSTUME DESIGN SABINA BUDŽON ZVOK/SOUND JULIJ ZORNIK, MARJAN CIMPERMAN MASKA/MAKEUP MOJCA GOROGRANC IGRAJO/CAST PETER MUSEVSKI, ALJOŠA KOVAČIČ, PRIMOŽ PETKOVŠEK, VALTER DRAGAN, ALEKSANDRA BALMAZOVIĆ, VLADIMIR VLAŠKALIČ, VERICA NEDESKA, ZORAN LJUTKOV PRODUCENT/PRODUCER DANIJEL HOČEVAR PRODUKCIJA/PRODUCTION EMOTIONFILM KERSNIKOVA 4 1000 LJUBLJANA KOPRODUKCIJA/CO-PRODUCTION RTV SLOVENIJA SOFINANCER/CO-FUNDING FILMSKI SKLAD REPUBLIKE SLOVENIJE FORMAT/FORMAT 35MM, BARVNI/IN COLOUR DOLŽINA/RUNNING TIME 87’ PRODAJA/WORLD SALES WIGBERT MOSCHALL MDC INT. GMBH SCHILLERSTRASSE 7A 10625 BERLIN DISTRIBUCIJA/DISTRIBUTION LJUBLJANSKI KINEMATOGRAFI, EMOTIONFILM PREMIERA/PREMIERE BERLINALE 2003 HANNA A. W. SLAK SLEPA PEGA

CELOVEČERNI IGRANI FILM/TEKMOVALNI PROGRAM FEATURE FILM/IN COMPETITION BLIND SPOT sodelovala pri nastajanju HoËevarjeve uspešnice uspešnice HoËevarjeve nastajanju pri režije sodelovala je asistentka kot je 1998 (LonelyBoy, Leta režirala Dream). Dreamwalk Shine, skupine por reklamah, videospote pri tudi dokumentarcih, kamermanka zvoka, tretih, snemalka asistentka kot režije, je Delala nagrade. je številne filme prejela študentske svoje za Že primer književnost. jalno študirala je AGRFT, vpisala je akademijo se filmsko na Preden 1974. leta Varšavi v Rojena Slak W. A. Hanna kot ekonomsko družba in svobodo se v pot ko za bori Medtem celota roki. v obupa roko velikega z in hodita upanja bližini, novega v obËutek tragedijo vojno veliko z sooËa se ter uk pravila ekonomska in družba nova družbena v se prehoda postopkom ko boleËim z varja Medtem revšËina. brezposelnost in drog, zloraba so prob kot glede lemov, sebi sami tranzicije prepušËeni državah pogosto v mladi so da “Mislim, to freedom. own her come for struggles secrets Lupa light, creepy As blurred. soon jailor is the and prisoner the dis the between room, tinction confined the inside But dle. nee the a off him in get to him hoping room, rented imprisons She hospital. the escaped who from Gladki, addict drug finds Lupa svobodo. lastno poda za se boj v Lupa in skrivnosti grozljive hajajo zabrišejo pri dan Na kmalu jeËarjem. in se jetnikom med meje sobe Med izolirane zasvojenosti. zidovi reši ga je da namenom, ki z sobo, v najeto ga Gladkega, Zapre bolnice. iz pobegnil narkomana najde Lupa 26 ------camera operator on student films, features, docu features, films, and student on engineer operator sound camera director, assistant as she Later, worked Her awards. numerous Ljubljana. received in films TV student and Film Radio, Academy the at Theatre, for Direction Film University entered she studied Ljubljana before She the at literature Poland. Warsaw, comparative in 1975, in Born pega Slepa Jebiga without bloom can society no and society the with interaction without hu exist can no being man But hardship. of time this in society the to a burden as perceived are who those of tragedies human little with paved the are streets independence, to way economical its and for freedom struggles whole a as society in the As despair. hand great of feeling the walks with hand hope the new of vicinity, feeling the in general war of tragedy great a witnessing is and rules economical and social new to transformation of process painful the in indulging is society the While poverty. and unemployment abuse, drug as with such cope to problems alone left often in are countries transition the of people young believe “I Slak W. A. Hanna filma.” sporoËilo glavno je to In Ëlanov. svojih od vsakega potrebe in pravice os novne razvijati upošteva da in more zaveda ne se da se tega, brez družba in interakcije družbo brez z obstajati more ne pa Ëlovek Vendar breme. kot dojema težkih družba teh v Ëasih jih ki malimi tragedijami, z Ëloveškimi tlakovane ceste so neodvisnost, , leto kasneje pri pri kasneje leto , je njen celoveËerni prvenec. celoveËerni njen je Ljubljani Igorja Šterka. Šterka. Igorja - - - and in 1999, on Igor Šterk’s second feature film film feature second Šterk’s Ljubljana Igor on 1999, debut in famous and Hocevar’s Miha on assistant as director worked she 1998, In (LonelyBoy, Dreams). Shine, Dreamwalk band directed the also for she videos music commercials; TV and mentaries Variety Young, Deborah look.” sophisticated a film the give movements, camera studied Slak’s with along lightning, de high-contrast and Cinema colors Kleszczewska’s saturated despair. Maria and Karina pain tographer raw atmos an of create phere leads young while intense suspense, the some build twists Plot “... responses Variety Young, pri Deborah okus.” prefinjen žlahten, filmu dajejo kamere režiserkine gibi premišljenimi s in skupaj senc svetlobe igro kontrastno s Marie in Kleszczewske Karine fotografija boleËine PreËišËena surove obupa. atmosfero vlogah glavnih in ustvarjata v mladih igralski obeh nabiti terpretaciji emocijo z suspenz, ko rahel medtem gradijo zgodbe Zasuki “... odmevi Slak W. A. Hanna film.” the of statement main intended the is This members. its of each of needs and rights basic the of consideration and awareness the . . Blind Spot Blind is her feature film debut. debut. film feature her is Fuck it it Fuck - - - - - feature film feature pega/ Slepa dokumentarni/ življenje/ Dvojno Vrvohodec/ Tunel/ Zjutro/ documentary štroma/ Brez filmografija/ ... Festival Film Int. Jerusalem A. W. Hanna A. director Slak), W. the Hanni to award režiserki Slak/jury žirije (nagrada festivalske Festival Film International Sofia festival/ Festival Film filmski International Belgrade mednarodni Beograjski Festival, Film Trieste Bratislava, Festival Film International Barcelona, of Festival Film Independent Dorrer), Manca for award actress best for Dorrer/jury Manci igralko za najboljšo žirije festivalske (nagrada Festivals, Film GrËija/Greece Thessaloniki International Festival, Film International Pusan FICC JURY), ECUMENICAL the Association, of Award Clubs Cinematography International NemËija/Germany the of AWARD QUIXOTE Cottbus, (DON Festival Film Festival, Film International Edinburgh Rotterdam, Festival Film International Festival, Film International Chicago Festival, Film International Locarno nagrade/ in festivali The Tunnel The Morning Tightrope Walker Tightrope ln Spot Blind filmography o Power No (1998) − kratki/ − (1998) TV documentary TV (1999) − kratki/ − (1999) obe Life Double 19) dokumentarni/ − (1997) festivals and awards and festivals 20) celoveËerni/ − (2002) (1999) − kratki/ − (1999) short (2000) − TV TV − (2000) short

short REŽIJA/DIRECTED BY HANNA A.W. SLAK SCENARIJ/SCREENPLAY HANNA A.W. SLAK FOTOGRAFIJA/CINEMATOGRAPHY KARINA MARIA KLESZCZEWSKA GLASBA/MUSIC DJ BORKA, MIHA SAJINA, DREAMWALK MONTAŽA/EDITING HANNA A.W. SLAK SCENOGRAFIJA/SET DESIGN MARKO JAPELJ KOSTUMOGRAFIJA/COSTUME DESIGN SABINA BUDŽON ZVOK/SOUND HANNA PREUSS, BORUT BERDEN MASKA/MAKEUP ALENKA NAHTIGAL IGRAJO/CAST MANCA DORRER, KOLJA SAKSIDA, UROŠ FÜRST, SILVA ČUŠIN, VINCENC LOTOS ŠPAROVEC, JOŽICA AVBELJ PRODUCENT/PRODUCER FRANCI SLAK PRODUKCIJA/PRODUCTION BINDWEED SOUNDVISION TRUBARJEVA 4 1230 DOMŽALE KOPRODUKCIJA/CO-PRODUCTION TV SLOVENIJA SOFINANCIRAL/CO-FUNDING FILMSKI SKLAD REPUBLIKE SLOVENIJE FORMAT/FORMAT 35MM, BARVNI/COLOUR DOLŽINA/RUNNING TIME 88’ PRODAJA/WORLD SALES BINDWEED SOUNDVISION DISTRIBUCIJA/DISTRIBUTION LJUBLJANSKI KINEMATOGRAFI ŠMARTINSKA 152 1000 LJUBLJANA PREMIERA/PREMIERE LJUBLJANA INTERNATIONAL FILM FESTIVAL 2002 VLADO ŠKAFAR PETERKA: LETO ODLOČITVE

CELOVEČERNI DOKUMENTARNI FILM/TEKMOVALNIPETERKA: PROGRAM FEATURE-LENGTH YEAR DOCUMENTARY OF FILM/IN COMPETITIONDECISION Zorana ŽivuloviËa. Leta 1998 je dokonËal svoj svoj dokonËal je ter 1998 Slak Leta A.W. Hanne ŽivuloviËa. Zorana MoËnik, Varje PetkoviËa, omnibusu ter Slak A.W. Šterka, Igorja režiserja filmih pri vodja sodeloval je dramaturg ali scenariju in pri pomoËnik Kot 1999. in 1993 Kinoteke leti med oddelka programskega tamkajšnjega Slovenske Soutemeljitelj Škafar Vlado Primo zgodb. življenjskih in neverjet športnih tistih − nih ene Alp preroËišËe vznožju je ob postala veË letovišËe veliko za slikovito želja, izkazala kot je mesto se pa postala koncu vse na je je da Jasna zdelo, mogoËe. trenutek jagodah za lepega ob Ëešnjah je tistega se in ko 2001, zaËne dne se majskega filma Zgodba Ëustvovanjem in najbližjih. njegovih razmišljanjem življenju, v tudi zasebnem pa tako v tudi kot Ëustvovanjem športnem in dejavnostim, razmišljanjem njegovim sledimo - v ... novega doma oblikovanje uveljavitve otroka, rojstvo ponovne pred športu, poskus je tre - ki odloËilnih nutkov toliko letu, V postavilo športnika poletih. smuËarskih in v skokih zma pokala slovenskih svetovnega dvakratnega govalca idolov, najveËjih in šampionov enega Primoža življenja Peterke, leto eno spremlja Film in odrašËanju. njegovemu Ëloveku mlademu tudi pot pa poišËe vrhunstva, znova do da šampionu odloËitvi, mlademu njegovi je in spomenik Peterki filmski Primožu živ o film Dokumentarni Ekspres, ekspres ekspres Ekspres, Slepa pega Slepa Marmelada režiserke Hanne Hanne režiserke avtorjev Borisa Borisa avtorjev in in Ljubljana 28 ž - - -

ematque. As assistant writer or dramaturge, he he dramaturge, or to writer contributed Cin assistant Slovenian As of the ematque. of director department 1999, to programme 1993 the from and, Co-founder O milosti. brez in trenutek. ljubeznijo z - piše tudi montažni filmih ugoden na Ëakajo ki ...), ( projekte video mal prvenec kratkometražni the as well as life, private and his both, professional about emotions and thoughts his activities, his follow we - home… new a ing creat a child, of birth the sport, the in again himself establish to attempt the − decisive moments many so with presented sportsman that young the year the In World Jumping Championship. Ski the of winner the twice idols, and champions Slovenian of one greatest the Peterka, Primož of life the in year a shows a film The about maturing. his film and man a young also is it however, top; the to back way his find to decision his and pion cham young the to monument film a living is Peterka Primož about film documentary This ne ‘To verjet!’” morš besedami: znanimi življenju v Primoževimi s to − je tako športu, v to je Tako nesre tako nepremagljiv, raj pred osvojil smu dru je si ust varil otroka, je Dobil sanjati. smel sploh je o vse, dosegel letu tem v je Peterka Ë š arske skakalce na svetu in za name za in svetu na skakalce arske tirimi leti v Naganu, ko se je zdel sko zdel je se ko v Naganu, leti tirimi š e olimpijsko kolajno, ki se mu je je mu se ki kolajno, olimpijsko e xrs, Express Express, ž ino, vrnil se je med najbolj med je se vrnil ino, Osamljena, Stari most Stari 2000, 2000, and and Ë . Pozneje je sne je . Pozneje no izmuznila. izmuznila. no Ljubljana Tri ljubezni Tri Ë emer emer Ë by by ek ek š e e ------, editing. He also writes about film - with love and and love with - mercy. film without about writes for also moment He favourable editing. a for waiting still are that ( projects video filmed film, he short 1998, first In his finished ŽivuloviË. Zoran and Slak A.W. Hanna omnibus Šterk, Igor prejšnja ki poskusu, priËa neposredna biti želel sem filmar in še navijaË Kot potem filmarja. kot navijaËa, kot je najprej me vznemirila najboljše, med se vrniti hude krize, da letih športne treh po 2001, televizijo, letu v za namerava izjava “Primoževa this!’” believe don’t ‘I words: famous Primož’s with − life in is it way the and sports in is it way the is This unbeatable. almost in seemed he where earlier Nagano years four him eluded un so fortunately latter The won top. and on medal world Olympic the an in jumpers among ski returned top the family, a created child, a got every He year. that about reached dream dared he Peterka goal Primož stories. life and a sports of incredible those of place − one a prophecy became it - Alps the in resort picturesque a than more much became later but wishes, of city a became Jasna possible. seemed everything cherries, and strawberries eating a moment, for when 2001, May, in day beautiful aon starts film the of narrative The to him. closest people of emotions and thoughts Marmelade Blind Spot Blind by Boris PetkoviË, Varja MoËnik, MoËnik, Varja PetkoviË, Boris by by Hanna A.W. Slak and to the the to and A.W. Slak Hanna by Lonely Lonely The Old Bridge Old The 2000, 2000, Three Loves Three . He has has He . …) - (2000) odloËitve leto Peterka: most/ Stari filmografija/ Škafar Vlado ity.” simplic magnificent its of all in life of secret a recognize to able be perhaps would a we up, of life close- in him at the looked we in once man; year special special a of splendid portrait a capture to expected I filmmaker, a As effort. the to our contribute could that presence believed crew) film entire (the we fans, As years. three previous the in fruition to come to failed has that attempt the hand first witness to wanted I fan, a as and maker film a As a filmmaker. a as as secondly, firstly, and - fan, me excited top, to the to intended return he crisis, of professional years severe three a after 2001, re in that, television, vealing the on statement “Primož’s Škafar Vlado njeni obiËajnosti.” vsej v prelestni skrivnost, življenjsko poznali pre morda njem v bomo blizu, od pogledali bomo v ga si ko leta Ëloveka; na posebnega posebnega bo življenju portret se bogat da ujel trak priËakoval, sem filmar Kot prisotnost. naša tudi pomaga temu k da lahko verjeli, ekipa) filmska navi Kot (celotna smo sadu. jaËi obroditi mogel ni leta tri The Old Bridge Old The filmography /Peterka: Year of Decision Decision of Year /Peterka: (1998) - kratki/ - (1998) short - - - - - REŽIJA/DIRECTED BY VLADO ŠKAFAR SCENARIJ/SCREENPLAY VLADO ŠKAFAR FOTOGRAFIJA/CINEMATOGRAPHY ALEŠ BELAK MONTAŽA/EDITING VLADO ŠKAFAR ZVOK/SOUND JULIJ ZORNIK NASTOPAJO/FEATURING PRIMOŽ PETERKA, RENATA BOHINC, MATJAŽ ZUPAN, ROBERT KRANJEC, UROŠ PETERKA PRODUCENT/PRODUCER DIMITRIJ GRAČNER PRODUKCIJA/PRODUCTION GUSTAV FILM KOPRODUKCIJA/CO-PRODUCTION RTV SLOVENIJA 100 FORMAT/FORMAT 35MM, BARVNI DOLŽINA/RUNNING TIME 120’ PRODAJA/WORLD SALES GUSTAV FILM DISTRIBUCIJA/DISTRIBUTION DISTRIBUCIJA KINOTEKA MIKLOŠIČEVA CESTA 38 1000 LJUBLJANA ANGUS REID PRSTAN

CELOVEČERNI DOKUMENTARNI FILM/TEKMOVALNI PROGRAM FEATURE LENGTH DOCUMENTARY FILM/IN COMPETITIONTHE RING spontane samoekspresije, 1988−2003. Je avtor in avtor knjig in Je scenografij filmov, 1988−2003. dram, mediju v samoekspresije, raziskave spontane projektne − Speakeasy vodja Ustanovitelj/ Sloveniji. v preživel je pa let zadnjih sedem Edinburghu, v je Odrasel 1966. leta Rojen Reid Angus se sta poti Najini potoval. in intuiciji po ravnal se 16, živel, s projektom bi da idejo, super tudi obenem in ustvarjalec predstavil kinematografijo, je lahkokategorno mi filmski Metter Peter Švicarsko-kanadski materialu. mojem v pomene. kolikokrat vem ne sam še − številne zakljuËen je in ima − se Pojavi kroga lep in Motiv krut je kraj. Prstan … vulkan zlata, Rudnik taborišËe, živijo. tam ki ljudi, in sveta dele da skrite obËutek, odkrivam da gnal novih odgovornost, je imam me spoznavanju Verjetno o … ljudi nek preprosto na je, − tem za o naËin In odgovarjam bitje. zdaj Ëloveško novo da šoka, tega iz je globokega zrasel in hËerke moje ga rojstvo je Spodbudilo film? svoj opišem naj “Kako ring... lost a for search epic An 90’s. the in absence, their and values, human of vision A survivors... camp Bosnian goldminers; can Afri West artists; European with Encounters iskanje Epsko … prstana stoletja. izgubljenega 20. devet letih v umetniki, desetih odsotnost, njihova vred iz oziroma Ëloveških not, Vizija evropskimi … preživelimi Bosni v taborišË rudarji, z zahodnoafriškimi SreËanja O pomenu revolucionarnega samomora revolucionarnega pomenu O Vzporednice . , , 30 Dar - - -

cance of Revolutionary Suicide Revolutionary of cance books the and stagedesigns films, of plays, 2003. author He is the - 1988 self-expression’, spontaneous of dium me the in research project Speakeasy Founder/ the of Director Slovenia. in living years 7 last the spent has he Edinburgh, in up growing After 1966. in Born umetniški jezik za obravnavanje odnosa odnosa obravnavanje za jezik prepriËljiv najdeva umetniški da odloËena, oba bi da bila Kot Sloveniji. v dozorel naËin nek bi na da kot to projektu, bilo darilo je izredno in in podlago, zadnje pesmi zvoËno za moje recitiral prevedel jih Zajc Dane je Ko okolišËinah. kreativnosti nemogoËih najbolj v Do pride Ëloveški. najbolj ponižni, težavnih najbolj smo zelo smrti, v v prisotnosti − okolišËinah, Morda teza? filmu v Je sebe. od stvarem same seboj, med razliËnim povezale se so da sem dovolil, lahko da par naËin, avdiovizualno tituro, nekakšno poiskati ravnovesje, potem nekaj In zabavnega. resnega, Celo nekaj lepega. razkrijeta, nekaj da Ëasu, in svetlobi pustiti same; spregovorijo da stvarem, Dovoliti govoriti. Ne svojega se materiala. usmerjal sem nisem da Moral naËina, uporabo. nauËiti za nihËe navodil ti da zanjo ne a kirurgija, obËutljiv možganska tako kot je montaže Postopek 2003. leta pa konËal 1996, leta zaËel sem Montažo vso pomene. zajela skrivne in bi ki kompleksnost v oblike, potovanje preproste pa iskanju nato bilo je svetu, po najprej − potovanje glasov in podob reki živel ob bi da kot je, film Na posnet Bosne. naËin in takšen Afrike zahodne preko naprej peljala pot je me pa tam od Azorih, v križali Parallel Lines Parallel , , The Gift The and and . On the Signifi the On - - - Dar i&ii/ Dar glavo!/ v Afriko (1997) CrnoliÊ/ Envera in Rufad ljubezen/ Bratska ubijati/ Kako filmografija/ a for the search complexity, the all contain to to form simple journey second a then and world, the through journey one first − voices and that images of in river a film alongside live a to is way make To West Bosnia. through and on Africa me took journey my then and Azores, the in crossed paths Our journey. a making intuitively, working project, light a with 16, living of idea the super it with and to cinema, weight me Peter introduced Metter cinematographer Swiss-Canadian The in material. own know my I than times more − made is it − and appears It of meanings. many motif has The circle the place. beautiful a and place, brutal a is Ring The goldmine, volcano... the The camp, the there. exist who and people world, the our of parts hidden reveal to ity responsibil of sense a by suppose, I driven, was I people... meeting just − way a in that, about its And being. human new a for sible respon are you that shock, fundamental that from grew it and daughter my of birth the by provoked was It film? my describe I can How Reid Angus oËetovstvo.“ Kot konca. brez in zahtevna obveznost, bila to je naËin nek Na so. kot takšne, videti dogodke sadistiËnih te je posledic težko in pomembno Tako 1992. v do letu grozot ljudi tukajšnjih The Gift i&ii Gift The filmography How to kill to How Getting Africa in Your Head! Your in Africa Getting Brotherly love Brotherly (2002) (1991) ua ad nea CrnoliÊ Envera and Rufad (1994) (1994) (1999) - - -

less. Like being a father.” Angus Reid Angus father.” a being Like end less. and demanding way, a in duty, a has It been was. it what for it see to hard so and important so is It 1992. of the brutality damage, the sadistic to here people the of address a relation to find language to artistic though determination convincing As a share Slovenia. could in we age of coming kind a of last project, the a to gift was this extraordinary and my soundtrack, spoke the and for poems translated Zajc Dane When Because must. it odds. impossible against happens Creativity at human. most are our humble, we most our death, of presence the ad in extreme versity, in − Perhaps thesis? a there Is themselves. by another, one with up connect to things different allow to score, way a audio-visual of kind a to balance, then a And find even. Funny, beautiful. some thing serious, to something time, something, the and reveal light, the allow them to for selves, speak to things allow To talk. to Not material. my dictate to not I learn to had manual. the you gives noone but surgery, brain as delicate as is editing of process 2003. The in ended and 1996, in started Editing resonance. secret - - - - REŽIJA/DIRECTED BY ANGUS REID SCENARIJ/SCREENPLAY ANGUS REID DIREKTORJI FOTOGRAFIJE/ CINEMATOGRAPHY PETER METTLER, ANDREJ LUPINC, ALEŠ BELAK FOTOGRAFIJE/PHOTOGRAPHS KRZYSZTOF MILLER, PETER METTLER, RICHARD WELSBY MONTAŽA/EDITING BERT EELES, ANGUS REID ZVOK/SOUND BRANKO ATANASKOVIČ, BORIS LUNAČEK SOUND DESIGN/OBLIKOVANJE ZVOKA JOHN COBBAN PRODUKCIJA/PRODUCTION SPEAKEASY PICTURES KOPRODUKCIJA/CO-PRODUCTION RTV SLOVENIJA SCOTTISH SCREEN FORMAT/FORMAT S - 16MM DOLŽINA/RUNNING TIME 92’ PRODAJA/WORLD SALES [email protected]

KRATKI IGRANI FILMI SHORT FICTION FILMS MADE IN CHINA OKNO PREŠLI BODO TUDI TO NOČ SIROTA S ČUDEŽNIM GLASOM ZADNJA ŽELJA

KRATKI DOKUMENTARNI FILMI SELEKCIJA URADNA PROGRAM) (TEKMOVALNI SELECTION OFFICIAL COMPETITION) (IN SHORT DOCUMETARY FILMS AMIGO DELITVE LETI, LETI, LETI ... ŽENSKA? MOJA MEJA VRTIGLAVICA, - 643M DRAŽEN ŠTADER MADE IN CHINA

KRATKI IGRANI FILM/TEKMOVALNI PROGRAM SHORT FICTION FILM/IN COMPETITIONMADE IN CHINA prejel nagrado za najboljši študentski film. Ukvarja se se Ukvarja film. študentski najboljši za nagrado film prejel igrani festivalu prinesel kratki in mu študentskem Münchnu, ter na v žirije Šiški v mednarodne tujce nagrado za doma prehodnega tranzitu V dokumentarnega filma: njegova dva že slovenskega videli smo filma Festivalu Na režija. po televizijska je in filmska Luki, Banja v 1975 leta kon rojen Štader, Dražen Štader Dražen mi v Šiški, tujce za domu je v Prehodnem ki posnet bil Tranzitu, V filma sne Med dokumentarnega veË. manjem dolar kakšen za ljudmi, z “Šverc goods. live lost the for hunt a on embark Suzi and Brane of son. their for search care in medical run to opportunity the takes family temporary the − the a of town to outskirts the on − a house hideout arrival their Following sick a child. with group family a A includes Italy. refugees to Chinese of get to a have over they take they “shipment” border On Slovenian-Croatian debts. the his off pay to immigrants illegal gling smug are Suzi girlfriend his and Brane Cabdriver izgubljenim za blagom. lov živim sina. na za podata se oskrbo Suzi in zdravniško Brane up našla v bo zbeži da in anju, priložnost izkoristi družinica − prebežnike skrijeta − katero v mesta, robu na zatoËišËa hiše zaËasnega do prihodu Po otrokom. bolnim z družinica tudi je Kitajcev skupini V ije. Ital do prepeljati morata jo ki ‘pošiljko’, prev zameta meji šverca hrvaško-slovenski na Tako polotita ilegalcev. dolga zaradi se Branetovega Suzi dekle poravnave njegovo in Brane Taksist Ë ani Ekonomski fakulteti vpisal AGRFT − smer smer − AGRFT vpisal fakulteti Ekonomski ani (2000), ki je obravnaval usodo in stanje stanje in usodo obravnaval je ki (2000), Žile , ki je leta 2001 2001 leta je ki , 34 - - - - - won him an international jury award at the Munich Stu Munich the at award jury that international an him Ljubljana, won Šiška, in foreigners of for home state the shelter and the fate the about documentary a already (2000), were Film: Slovenian of films his Festivals of previous and at shown Two Film Radio, Ljubljana. in Theatre, of Television Academy the at television directing and film entered Luka, Banja Štader, in 1975, in Dražen born Economics, of Faculty the finishing After kritike. filmske pisanjem s tudi “Smuggling people, for a few dollars more … … more dollars few a for people, “Smuggling Štader eksploat in Dražen acij.” migracij kroga zaËaranega študijo filmsko svojo nadaljeval naËin ta na in sem Made China Z kota. zornega drugega z zgodbo tudi povedati moral dne nekega bom da jasno, bilo je In Transit In - -

Made in China (2003) - kratki/ - (2003) China in Made Orgazmus/ kratki/ - (2001) Žile documentary short tranzitu/ V filmografija/ also He 2001. reviews. in film Award publishes Film Student Best film the feature received short a and Festival; Film dent exploitations.” and tions ofmigra circle vicious my the of to studies film previous follow-up logical a is China in Made view, of point this From angle. other the tell from to story have the also would I day Šiška, one in that realized foreigners I for home shelter the at sit) (In Tran film a documentary shooting I was When Orgasmus n Transit In filmography (2002) - kratki/ - (2002) short short 19) kak dokumentarni/ kratki - (1999) short short Æile , which which , - - 18’ DOL PAL BETA DV, MINI FORMAT/FORMAT INSTITUT GOETHE KOPRODUKCIJA/CO-PRODUCTION LJUBLJANA 1000 PRE PRODUKCIJA STRUP PRODUKCIJA/PRODUCTION NARED SEBASTJAN FUNKL, MOJCA IGRAJO/CAST KLEMEN ANJA MASKA/MAKEUP ZORNIK JULIJ ZVOK/SOUND BUD SABINA DESIGN KOSTUMOGRAFIJA/COSTUME KNIFIC MIHA DESIGN SCENOGRAFIJA/SET BLA MONTA IGOR GLASBA/MUSIC SAJE NEJC FOTOGRAFIJA/CINEMATOGRAPHY DRA SCENARIJ/SCREENPLAY DRA RE Ž IJA/DIRECTED BY IJA/DIRECTED Ž Š INA/RUNNING TIME INA/RUNNING Ž Ž Ž ERNOVA 4/A 4/A ERNOVA Š

EN EN EN Ž Č A/EDITING KAFAR ADE Š Š TADER TADER Ž Ž ON Š EK EK PETRA SELIŠKAR OKNO

KRATKI IGRANI FILM/TEKMOVALNI PROGRAM SHORT FICTION FILM/IN COMPETITION WINDOW (2003) (2003) med/ in Kri − Balkan Okno/ kratki/ − (2001) Thunders Thousand kratki/ žarkov/ sonËnih prahu Iz film/ dokumentarni − (1999-2001) DJ and Chefs −Fusion Con kratki/ − (1999) Illusion filmografija/ Festival. Film Rotterdam the at shown film short Her now. in lives Ljubljana She Sheffield, production. and School, directing Media finished she place where her Northern to changed moving she study, Later, of Dutch. and film up she took where Academy, NAFTA the to she Amsterdam, stage, to moved theatre the From Ljubljana. in 1978, in Born festivalu. film Rotterdam na pokazali so (2001) Zdaj film kratki Njen produkcije. in v Ljubljani. živi režije Shef v študij School je konËala tam Media in Fakulteto fieldu Northern za nizozemšËino. zamenjala se in kasneje kjer filmom je s NAFTA, se Akademijo spopadla odrov na je gledaliških Amsterdam v Z preselila Ljubljani. v 1978 Rojena Seliškar Petra bus. city win Ljubljana a of dow misty a in generations three of reflection A prometa. avto potniškega oknu Ljubljanskega busa zarošenem v generacij treh Odsev documentary The short

Window filmography (2002) − kratki/ − (2002) The Balkans Balkans The short From Sunbeam Dust Sunbeam From rm uba Dust Sunbeam From Iz prahu sonËnih žarkov sonËnih prahu Iz short − short lo ad Honey and Blood (2001) − − (2001) was was - - -

35 4’ DOL 35MM FORMAT/FORMAT SLOVENIJA FUJIFILM FILM GUSTAV SLOVENIJA RTV KOPRODUKCIJA/CO-PRODUCTION LJUBLJANA 1000 4 KERSNIKOVA EMOTIONFILM PRODUKCIJA/PRODUCTION SELI HO DANIJEL PRODUCENT/PRODUCER TODOROVI PRIMO CAFNIK, OSKAR ZORC, GREGOR IGRAJO/CAST NAHTIGAL ALENKA MASKA/MAKEUP ZORNIK JULIJ ZVOK/SOUND VALENTIN POLONCA DESIGN KOSTUMOGRAFIJA/COSTUME MORAVEC MAJA DESIGN SCENOGRAFIJA/SET JEMER DAFNE MONTA FOLTIN GLASBA/MUSIC VILLAIZAN KARLA FOTOGRAFIJA/CINEMATOGRAPHY SELI PETRA SCENARIJ/SCREENPLAY SELI PETRA RE Ž IJA/DIRECTED BY IJA/DIRECTED Ž INA/RUNNING TIME INA/RUNNING Š Ž KAR A/EDITING Ž PETKOV Č , MILAN TODOROVI MILAN , Š Š Č KAR, TIBOR REP TIBOR KAR, KAR EVAR, PETRA PETRA EVAR, Š I Č Š EK, CIRILA CIRILA EK, Č I Č Č MATTEO OLEOTTO PREŠLI BODO TUDI TO NOČ

KRATKI IGRANITHEY FILM/TEKMOVALNI WILL PROGRAM SHORT CROSS FICTION FILM/IN COMPETITION AGAIN TONIGHT Udine, Italy. Since 2002, he has been studying at the Italy. the Rome, in at Cinematography studying of in Academy been has National Arts he 2002, Dramatic of Since Italy. Academy Udine, Pepe Nico the at theatre acting from Graduated Italy. Gorizzia, in 1977, in Born Rimu. v državni na Sperimentale Centro režije akademiji filmske študent je Vid 2002 v Pepe leta Od Nico mu. umetnosti dramske akademiji Mestni na igro gledališko je DokonËal v Gorici. 1977 leta Rojen Oleotto Matteo by and, night every over crossed Dozens Italy. Gorizzia, town, my through passing immigrants of number a great was there when a time was “There Oleotto Matteo “ ... dogaja ne niË se da hliniti, veË pod mogla ni ki mejo …, oknom njenim prehajajo Ëasa dalj že zavedla, je se prebežniki ki da in drugimi pred jesen Ëuti ki veliko, je jih kot žensko, si sem za Predstavljal kaj. vedel, nisem in misel neka vraËala je mi se znova Vedno mesta. italijanska že veËja jih so pogoltnila jutra do in noË vsako prehajalo je jih desetine Na prebežnikov. veliko izjemno hajalo pre mesto, moje Gorico, skozi je ko Ëas, je “Bil ... own kitchen their inside from and humankind who on spy people secretly ordinary indifference many are there people’s that shows challenges simply tonight again cross will They ... kuhinje za svoje okna izza vohunijo Ëloveštvom skrivaj ki ljudi, obiËajnih veliko povsem obstaja da pokaže, in ljudi indiferenco z noË to tudi bodo Prešli je zgodba, ki se spopada spopada se ki zgodba, je is a story which which story a is 36 - - - (2001) noË/ to tudi bodo Prišli gleda/ nas Luna polja/ Nevtralna documentary življenja/ Skrita filmografija/ no more pretend that nothing is happening… “ “ Oleotto happening… Matteo is nothing that pretend more no can she …, window her been under border have the crossing immigrants that realizes than She earlier others. coming autumn feel can who ordi nary, perfectly woman, a imagined I again. and over over me, to back came idea Italian certain A big the cities. by swallowed were they sunrise, filmography The Moon Is Watching Us Watching Is Moon The Neutral fields Neutral Hidden Lives Lives Hidden They Will Cross Again Tonight Tonight Again Cross Will They (1999) 19) dokumentarni/ − (1999) (2000) - 7’ DOL BARVNI/COLOUR 35MM, FORMAT/FORMAT ITALIJA GORICA 34170 3 CROCE VIA KINOATELJE PRODUKCIJA/PRODUCTION DOKTORIČ ALEŠ PRODUCENT/PRODUCER JUSEFI JANKOVI BRANKICA ABDIU, ISMET GALANTE, STEFANO REGGIO, ARIELLA IGRAJO/CAST FLEISCHMAN GABRIJELA MASKA/MAKEUP VALENTIN POLONA DESIGN KOSTUMOGRAFIJA/COSTUME ANDRA DECORATION SCENOGRAFIJA/SET TAJI MARKO ZVOK/SOUND PANDOLFELLI LUCIANA MONTA RADOVAN FOTOGRAFIJA/CINEMATOGRAPHY LOCANE FRANCESCO SCENARIJ/SCREENPLAY OLEOTTO MATTEO RE Ž IJA/DIRECTED BY IJA/DIRECTED Ž INA/RUNNING TIME INA/RUNNING Ž A/EDITING Ž TRKMAN Č OK Ć Č Ć I Č , BEKIM BEKIM , MIHA MAZZINI SIROTA S ČUDEŽNIM GLASOM THE ORPHAN WITH THE MIRACULOUS VOICE KRATKI IGRANI FILM/TEKMOVALNI PROGRAM SHORT FICTION FILM/IN COMPETITION (Pokaži jezik, zagrebška Akademija dramske umjetno- dramske Akademija scenaristiki zagrebška filmski o jezik, predava (Pokaži ter reklame House tudi Scala režira roman založbi izšel ameriški Publishers sedemnajstih pri je avtor je nazadnje festivalu Mazzini knjig, Film Miha …). Highgate Va na v Londonu v režiser festivalu na najboljši palma zlata lenciji, 1991, nagrada leta film (evropska TV nagrade za tuje in scenarij) najboljši glasom kratkometražna dva ( režiral filma sam in ZupaniËa) Mirana (Podgorškove celoveËercev sanje dveh scenarija Napisal je redu. vrstnem tem v nujno ne sce režiser, in pisatelj, narist Publicist, Jesenicah. na 1961 leta Rojen Mazzini Miha unusual hardly is it therefore, − Slovenia in den forbid not if unwanted, are that − genres musical and western horror, of fan a been always have “I Mazzini Miha zaËeti.” treba paË je neËim) z (in Nekje film. kratek sam v en spravil troje vse sem da Ëudno, ni zato - prepovedani Ëe takorekoË ne že nezaželeni, vsaj Sloveniji v so ki žanre, ikle; in mjuz westerne sem imel “Vedno rad grozljivke, them. world. stop can the man one Only around spreading start Virtue kindness virtues. and same touches the he with child a Whomever into turns voice. child beautiful virtuous a and with obedient an is Willi Piccolo Ëlovek. en ju samo lahko se Zaustavi dobrota. in svetu Po zglednost širiti kvalitet. zaËneta istih tako otroka prav v se ki spremeni dotakne, se otrok, Kogarkoli zgleden poje. in lepo ubogljiv je Willi Piccolo , 2000 ter TV film film TV ter 2000 , vbda i OlË se OdloËi si. Svobodna ). Filmi so prejeli številne domaËe (vesna za za (vesna domaËe številne prejeli so Filmi ). Operacija Cartier Operacija urng Hanna Guardnig , 1999, 1999, , Sirota s Ëudeænim Ëudeænim s Sirota , 1991 režiserja režiserja 1991 , , 2002, piše in in piše 2002, , Sladke Sladke - - - - author of seventeen books; the most recent, recent, most the books; seventeen of author the is Mazzini Miha London…). in Festival the at Film Highgate Director Best Festival, Film Palm Valencia the Golden at 1991, in Award film TV (Eu best the awards for award international ropean and (Vesna screenplay) national best the numerous for received films These 2003). cide. ( films short two directed has and 1991) ( ( order. films Dreams feature that two for in screenplays of necessarily written not has writer He a and non-fiction, and director A fiction Jesenice. in 1961, in Born akademije. filmske Evropske Ëlan Sheffield. of redni Je University na magistriral je katere iz sti), has to start somewhere ( and with something).” Mazzini Miha something).” with and ( somewhere start to has One film. short single a in genres three the use to h Crir Operation Cartier The , 1999; and and , 1999; , directed by Sašo Podgoršek, 2000 and a TV film film TV a and 2000 Podgoršek, Sašo by directed , The Orphan with the Miraculous Voice Miraculous the with Orphan The , directed by Miran ZupanËiË, ZupanËiË, Miran by directed , You’re Free. De Free. You’re Guardnig Guardnig Sweet Sweet - - , , lous Voice lous glasom/ Ëudežnim s Sirota kratki/ se/ odloËi si, Svobodna filmografija/ European Academy. the Film of member regular a is Mazzini Miha Shef of field. University the Master’s from a writing has He screenplay in Zagreb). degree Arts, Dramatic of Tongue, Your (Show Academy writing and screenplay on commercials lectures directs gives and writes also He Publishers. Hanna 37 , was published in 2002 in the USA by Scala House House Scala by USA the in 2002 in published was , short (2003) − kratki/ − (2003) filmography You’re Free. Decide Free. You’re The Orphan With the Miracu the With Orphan The short (1999) − − (1999) - - 12’ DOL BARVNI/COLOUR 35MM, FORMAT/FORMAT SLOVENIJE REPUBLIKE SKLAD FILMSKI SOFINANCER/CO-FUNDING D.D.O. KREGAR VIDEOPRODUKCIJA KOPRODUKCIJA/CO-PRODUCTION LJUBLJANA 1000 5 STEGNE D.O.O. ARSMEDIA PRODUKCIJA/PRODUCTION ZAJC FRANCI PRODUCENT/PRODUCER DROLC VERONIKA VRANI META SEVER, JANI BI ALENKA MIHAJL, KOZLEV SAMO IGRAJO/CAST KAV MIRJAM MASKA/MAKEUP ROMIH BORIS ZVOK/SOUND D.O.O.) URO DESIGN KOSTUMOGRAFIJA/COSTUME MATJA DESIGN SCENOGRAFIJA/SET BRICELJ JANEZ MONTA SMREKAR VRHOVNIK MITJA GLASBA/MUSIC FARI IZIDOR FOTOGRAFIJA/CINEMATOGRAPHY MAZZINI MIHA SCENARIJ/SCREENPLAY MAZZINI MIHA RE Ž IJA/DIRECTED BY IJA/DIRECTED Ž INA/RUNNING TIME INA/RUNNING Š BELANTI Ž A/EDITING Ž PAVLOVEC Č Č Č I Č Č AR, BORIS BORIS AR, (OKTOBER (OKTOBER

Č I Č , , Č , , PETAR PAŠIĆ ZADNJA ŽELJA

KRATKI IGRANI FILM/TEKMOVALNI PROGRAM SHORT FICTION FILM/IN COMPETITIONTHE LAST WISH International Independent Film and Video festival. festival. and Video Film Independent International debut režijski Za svoj viktor). nagrada in 2002 letu v video najboljši − Jose & (Murat spotov invideo reklam ssnemanjem predvsem se Ukvarja leti. štirimi pred prišel je Slovenijo V produkcija. tamkajšnji na je smer Študiral infilmska televizijska umjetnosti, dramskih Akademiji 1973. leta Beogradu v Rojen PaπiÊ Petar želel sem Vanj ponavljajo. znova vedno se ki krogov, ni majhnih film številnih ta kolaž kot tudi − drugega niË drugega smrtjo s konËa se in bitja živega enega s smrtjo zaËne se želja Zadnja drugaËne. so barve samo krog, je krog je a v osnovi da življenj, ostalih od zdi, drugaËno bistveno se in posebno bitju življenje njegovo živemu Vsakemu zapreti. ponavljajo koncu na mora se se ki krog, Je ki življenje. vse krogov, skozi manjših številnih sestavljen iz krog, velik kot je življenje “»loveško unnoticed. by pass mo irreversibly wile, beauty of the ments all And by micro-problems. own possessed their micro-worlds, careless own their in believing blindly further people, other of chicken; mass a a past on, of crust wish crispy last the whose taste to is death, to sentenced man, a of and fate the with factory paths crosses the it where to fleeting supermarket, farm short, chicken its the in From life. chicken a of journey The mimo. lepote polzijo nepovratno in trenutki pa neopazno Medtem … svojimi s težavami mikro obsedenih svetove, mikro ter svoje v brezbrižne zaverovanih skorjice, ljudi, drugih hrustljave nešteto mimo njegove zadnjo za je zaželel si ki željo smrt, na obsojenca usodo križa z pot njegova se kjer supermarketa, do lave prede prek farme pišËanËje Od min življenju. hitro ljivem in kratkem njegovem v pišËanca Pot Soliter e rjl ard n Nw York New na nagrado prejel je 38 - - - and Video Festival. and Video him an award at the New York Independent Film International debut directorial His Award). Viktor and 2002 in video best − Jose & (Murat videos music to and Slovenia ago. four years He commercials makes mostly television and at production the Belgrade Academy of film Drama He Arts. moved studied He Belgrade. in 1973, in Born tally different from other lives, however, a circle is a circle however, lives, other from different fundamen tally unique, as life their sees being living Every end. the at is It completed be must that endlessly. circle a repeated are that several circles of smaller comprised circle, big a is life “Human PašiÊ Petar kroga.” Konec eksekucija. le prekine lahko jo ki dolgoËasnosti, in sedanjosti rutino zastrašujoËo vso vizualno) (tudi prenesti The Apartment Building Apartment The won - Zadnja želja/ Zadnja Soliter/ filmografija/ circle.” of End execution. an by only interrupted be can that boredom of and present the of routine frightening the visually) (also portray to tention in my was It again. over and over repeated cles, cir small numerous of collage a merely is film this even − another of death the with ends and living being one of death the with starts Wish Last The vary. colours the only circle, a basically The Apartment Building Building The Apartment The Last Wish The Last filmography filmography (2003) − kratki/ (2000) − video film − video (2000) short - - 10’ DOL COLOUR BARVNI/IN 35MM, F SLOVENIJE REPUBLIKE SKLAD FILMSKI SOFINANCER/CO-FUNDING LJUBLJANA 1000 TOBA D.O.O. ATALANTA A PRODUKCIJA/PRODUCTION SRDI BRANA PRODUCENT/PRODUCER ULIMWENGU VON RAFAEL VASTEL, MATIJA IGRAJO/CAST LASI TINA MASKA/MAKEUP SEVER META DESIGN KOSTUMOGRAFIJA/COSTUME UR DESIGN SCENOGRAFIJA/SET ROMIH BORIS ZVOK/SOUND MARKOVI DJORDJE MONTA GLU NEVENA GLASBA/MUSIC MILO FOTOGRAFIJA/CINEMATOGRAPHY JR. ŠTEFANČIČ MARCEL DIALOGI/DIALOGUES PA PETAR SCENARIJ/SCREENPLAY PA PETAR RE ORMAT/FORMAT Ž Š IJA/DIRECTED BY IJA/DIRECTED Ž INA/RUNNING TIME INA/RUNNING A LOBODA A Č Š INA, TITO ZVONKO ZVONKO TITO INA, Č Ž SRDI A/EDITING NA 12 NA Š Š Č I I

Ć Ć Ć Ć Š ICA Ć DIMITAR ANAKIEV, SIMON OBLEŠČAK AMIGO

KRATKI DOKUMENTARNI FILM/TEKMOVALNI PROGRAM SHORT DOCUMENTARY FILM/INAMIGO COMPETITION Francois Villon, he appears to be serving both, God God both, serving be to appears he Villon, Francois poet medieval French the as Just literally. and cally − symboli head-on a wall He hits high. is very stand moral his for pay to is forced he price The transition. in country a Slovenia, in circumstances un social stable the of spite in lifestyle his and firmness his moral preserve to tries Amigo Tolmin. a from and hero poet a local again…), grow never will grass fist, my honest land an I (…wherever spy, fighter former ‘kung-fu’ a a criminal, about story a is Amigo HudiËu. in Bogu dvema: služabnik obenem Villon, Francois poet francoski srednjeveški kot je, da se, Zdi edno. dobes in simboliËno − zid skozi glavo z gre Amigo visoka. zelo je držo, moralno svojo za plaËati mora jo ki Cena, tranziciji. v dežele slovenske razmeram družbenim nestabilnim navkljub življenja naËin in moralnost svojo obdržati skuša Amigo heroju Tolmina. iz lokalnem in poetu …), veË raste ne trava pest, moja udari kamor (… borcu ‘kung-fu’ nalcu, krimi Amigo je poštenem o vohunu, zgodba bivšem Born 1960 in Belgrade. Screenplay writer, director and and director writer, Screenplay Belgrade. in 1960 Born Kino kamero”. s ne predsednik glavo, “Z šola deluje in filmska Tolminu v katerega okriljem pod soustanovitelj Zvezda, društva tudi združenja haiku Je Svetovnega (WHA). direktorjev treh od eden Anakijev bil je 2000-2003 letih v haikuja, produ mojster cent, režiser, Scenarist, 1960. leta Beogradu, v Rojen Anakijev Dimitar OblešËak Simon obrobja”.” “z ljudi portretov dokumentarcev v nizu prvi bil bi naj AMIGO centru. filmskem Akademskem pa v beograjskem post produkcija vTolminu, potekalo je Snemanje 2002. bra okto ustanovljeno bilo je ki Zvezda, društva film Kino prvi Je avtorjev. z vložki samo budžeta, brez je Posnet bil Lebana. po Janeza ideji je nastal “Film Devil. the and ------njegov režijski debut v formi dolgometražnega filma. filma. dolgometražnega formi v je debut Amigo Gorici. režijski Novi njegov pri Šempetru v 1967 leta Rojen Obleš Simon Tolmin. in school film Camera” the Society With Not Head, the Cinematic “With the Zvezda organizes that the of chairman and co- a founder also is He Association. Haiku World the of directors three the of one was He poetry. haiku of master producer, Simon OblešËak Simon “ society. of outskirts’ “the documentary from of people of portraits series planned a in first is AMIGO Belgrade. in Centre Film Academy the at completed was post-production the in shot was Tolmin; film The that was in founded 2002.Society October, Cinematic Zvezda the by film first the is It investments. thors’ au the with merely budget, a without filmed was It “The filmwas made basedon an idea by Leban. Janez Ë ak - Co-founder of Zvezda Cinematic Society. Society. Cinematic commercials. Zvezda of and Co-founder other videos and music dramas directs and TV for programmes screenplays writes television, public the at works He films. of full-length form the in but de his is Amigo Gorici. Novi pri 1967, in Šempeter in Born reklame. in Zvezda. TV spote društva Kino za glasbene Soustanovitelj scenarije snema piše oddaje, in televiziji, drame javni na je Zaposlen programme) (regional Festival Film Sarajevo Festival, Film Solun achievement, artistic for Award George St. Golden − (regionalni festival film program)/ Solun Sarajevo v dosežek, festival, umetniški festival film za filmski nagrada − mednarodni Moskvi 22. vitez: Zlati odmevi/ 39 responses 22 nd Moscow International Film Festival Festival Film International Moscow - 36’ DOL DV FORMAT/FORMAT BEOGRAD CENTAR FILMSKI AKADEMSKI KOPRODUKCIJA/CO-PRODUCTION TOLMIN 5220 19 DREVORED BRUNOV DRU KINO PRODUKCIJA/PRODUCTION ANAKIEV OBLE SIMON PRODUCENT/PRODUCER HOD RUTAR DRAGOSAVLJEVI VAHDETA RUTAR DRAGOSAVLJEVI WALTER FEATURING NASTOPAJO/ DIMITRIJEVI ANDRIJA MONTA OBLE SIMON FOTOGRAFIJA/CINEMATOGRAPHY ANAKIEV DIMITAR SCENARIJ/SCREENPLAY OBLE SIMON ANAKIEV, DIMITAR RE Ž IJA/DIRECTED BY IJA/DIRECTED Ž INA/RUNNING TIME INA/RUNNING ŠČ Ž A/EDITING AK Š TVO ZVEZDA TVO Ž ŠČ ŠČ I Ć AK, DIMITAR DIMITAR AK, AK Ć Ć Ć

MIRAN ZUPANIČ DELITVE

KRATKI DOKUMENTARNI FILM/TEKMOVALNI PROGRAM SHORT DOCUMENTARY FILM/IN COMPETITIONSEPARATIONS and television directing at the University in Ljubljana. Ljubljana. in University the at directing television film from and and law from Graduated Ptuj. in 1961, in Born kjer na režijo. televizijo, filmsko in za predava film docent je radio, obenem Ljubljani. gledališËe, v režiser, za in AGRFT Akademiji na scenarist kot ter režije prava Deluje iz televizijske je in Diplomiral filmske Ptuju. na 1961 leta Rojen ZupaniË Miran national one. new the accepting while old identity the of disappearing and expatriation the life, drama immigrant portrays generations, three of of representatives on accounts based documentary a Serbia”. Separations, “Southern then in the bitions am by the political was Serbian threatened existence by gered the climate and while malaria, their national endan was existence physical Their truth. the from them. could and Nothing be oppress farther persecute would one believed no where land, promised the to came they immigrants The Skopje. km capital, 100 the Macedonia, from in Vardar river the on village a Bistrenica, to moved families 60 around 1931, in crisis, economic the and Fascism of pressure growing their the to left due regions Istria and had Primorska in the homes who Slovenians, 50.000 the of Out identitete. nacionalne nove in sprejemanja stare izgubljanja brezdomstva, zarisuje izseljenstva, dramo generacij, treh predstavnikov priËevanju na sloni ki Delitve, Dokumentarec obstoj. cionalni na njihov tudi pa Srbiji” “južni takratni v ambicij velikosrbskih zaradi obstoj, fiziËni njihov ogrožen bil je malarije in podnebja Zaradi motiti. mogli bi Bolj se ne ker zato, so Slovenci. ali zatiral preganjal ne jih veË bo nihËe kjer deželo, v hajajo obljubljeno pri da verjeli, so 100 Izseljenci Skopja. Vardarju, od ob kilometrov Bistrenico vas v Makedonijo, v so ki se preselile 60 družin, 1931 približno leta tudi je bilo in v Istri, Tržaškem na Goriškem, domove je svo zapustili krize in gospodarske fašizma pritiska rastoËega so ki zaradi Slovenci, kot veË 50.000 Med 40 - - - - - Operacija Cartier/ Operacija film/ mentarni violina/ RdeËa glavi/ V filmografija/ Theatre, for Ljubljana. Academy in the Television and at Film Radio, directing film in lecturer senior a is and director, and writer screenplay a as Works živimo, zmožni takšne ljubezni? Dvomim.” Miran Miran ZupaniË Dvomim.” ljubezni? takšne Sloveniji zmožni v ki živimo, mi, Smo slovenstvu. in Sloveniji o govorili s izseljencev ljubezen, primorskih potomci so presenetila katero najbolj je me doku mentarca snemanjem Med Makedoniji. v naseljencev slovenskih usodo neverjetno približati mestoma nenavadno, mu in pre ravnodušnost let, gledalËevo magati sedemdesetih loËnico Ëasovno pre magati glasbo in besedo sliko, S koncept? “Režijski In the Head the In filmography graduate documentary film study film documentary graduate The Red Violin Red The The Cartier Operation Cartier The (1986) - študijski film/ študijski - (1986) (1988) - diplomski doku diplomski - (1988) (1990) - tel - (1990) film study film - - - - - dokumentarni/ Delitve/ Barabe!/ film/ Radio.doc/ film/ igrani dokumentarni Bosne/ OËi film/ igrani evizijski ZupaniË Miran it.” I doubt love? of such capable Slovenia, in who live Are we, ones the and culture. land Slovenian described Primorska from emigrants of descendants the which making with was affection the I was while documentary this most Macedonia. the me in surprised immigrants What Slovenian of fate ible incred occasionally and unusual the to closer viewer the bring to and indifference viewer’s the to overcome music, and sound picture, with years seventy of gap time a overcome To direction? of concept “The TV film TV Separations Rascals! The Eyes of Bosnia of Eyes The Radio.doc TV documentary TV (2001) (2001) (2003) − televizijski televizijski − (2003) (1995) - televizijski igrani igrani televizijski - (1995) TV film TV dramatised (1995) - televizijski televizijski - (1995)

TV documentary TV - 50’ DOL BARVNI/COLOUR BETA, FORMAT/FORMAT MEDIJE) AV ZA (SKLAD KULTURO ZA MINISTRSTVO SOFINANCER/CO-FUNDING SLOVENIJA RTV KOPRODUKCIJA/CO-PRODUCTION LJUBLJANA 1000 5 STEGNE D.O.O. ARSMEDIA PRODUKCIJA/PRODUCTION ZAJC FRANCI PRODUCENT/PRODUCER KNAFLI ANDREJ ZVOK/SOUND MATJA MONTA ILIJA OPREMA/MUSIC GLASBENA ALE FOTOGRAFIJA/CINEMATOGRAPHY ZUPANI MIRAN SCENARIJ/SCREENPLAY ZUPANI MIRAN RE Ž IJA/DIRECTED BY IJA/DIRECTED Ž Š INA/RUNNING TIME INA/RUNNING BELAK Ž Š A/EDITING UREV, MIRAN ZUPANI MIRAN UREV, Ž JANKOVI Č Č Č Č Č POLONA SEPE LETI, LETI, LETI ... ŽENSKA?

KRATKI DOKUMENTARNI FILM/TEKMOVALNIALL PROGRAM BIRDS SHORT DOCUMENTARY FLYFILM/IN COMPETITION portrays her part in her own field. Their represen Their field. own her in them part of her each portrays − mouth the and the the breasts arms, the the of legs, eyes, the parts hair, the − body different female themselves game, assign child they innocent an Through from zone. war refugee a the − girl a and Menger Jana dancer »uËkov, Eva musician Lebedinec, pho Sonja Baraga, tographer Ksenija sculptor PejoviÊ, Vera poet artists: female six on is focus The abuse. of object an and inspiration of source a as body female The … reportaž vojnih akcij, reklamnih iz žensk telesa posnetki upodobitve kontrastirajo naËin in izpoved Njihovo svojem na podroËju. upodobi jih njih od vsaka −, usta in prsi noge, roke, oËi, − lase, telesa ženskega dele dodelijo si igro otroško nedolžno Skozi obmoËja. vojnega iz begunka deklica in Menger ples Jana alka »uËkov, Julija Eva Sonja glasbenica fotografinja Lebedinec, Baraga, Pejo Ksenija Vera kiparka pesnica viÊ, zlorabe. in ustvarjalk: šest navdiha je Izbranih predmet kot telo Žensko Polona Sepe Director and screenplay writer of documen of writer screenplay and Director Sepe Polona vse v prevedeni so jezike. ki evropske filmov, otroških izmenjavi igranih pri Unity) kratkih Broadcast (European EBU v pehe TV Bojanom in BakoviËem humoristiËne EmeršiËem Gregorjem z priljubljene oddaje kuharske koncept kratkih ( je nadaljevank dokumentarnih, Postavila TV in filmov scenaristka igranih in Režiserka v Sepe pade, Polona navdiha posiljeno izvor in v Povzdignjeno umetniškega zlorabljeno vojnah. je predmet pred akcij, je ustvarjanja, telo reklamnih Žensko leti? met ženska lahko “Ali reports… war ads, commercial in bodies female of shots by contrasted are portrayal of way their and tations »ari zaËimb »ari

. Že tretje leto dosega velike us velike dosega leto tretje Že . apk v Ëasu v Razpoke ). ). ------EBU kratki/ EBU žanješ/ to seješ Kar let/ zadnjih filmografija to languages. translated European are all ex that children Unity) for films Broadcast short of change (European EBU the in successful Spices of Magic EmeršiË, The Bojan and BakoviË Gregor with programme ( nary series TV a and Time films feature short taries, in svoje doživljanje telesa.” Polona Sepe Sepe object the is body Polona female The fly? woman a “Can telesa.” delo dek doživljanje svoje nami in svoje z podelijo in Hribernik) ki Jasna begunke, lice Baraga, Menger, Jana Ksenija ustvarjalk »uËkov, Julija Eva slovenskih PejoviÊ, (Vera petih eksperi je portret Film mentalni zlorabe. predmet postane ko ). She devised the concept of the popular TV culi TV popular the of concept the devised She ). EBU short film film short EBU You Reap What You Sow You What Reap You . For three years, she has been very very been has she years, three For . filmography (2001) − − (2001) Cracks in in Cracks - - - - dokumentarni/ pojejo/ ne Žalostni mentary dokumentarni/ eksperimentalni ženska?/ … leti leti, Leti, dokumentarni/ muzikant/ pa sem Jaz film short EBU napoj/ »arobni kratki/ EBU − (2002) gabra/ viteza Težave Sepe Polona viewer.” the with body the of view their and work their share Jana who girl, a refugee »uËkov, and Hribernik) Jasna Julija and Baraga Eva Ksenija Menger, PejoviÊ, (Vera artists female Slovenian five of portrait is experimental film an The abused. is it when is falls it it inspiration, creation, of a source into artistic Elevated war. in raped and and abused ads commercial in 41 The Magic Potion Magic The dramatised documentary dramatised documentary The Sad Don’t Sing Don’t Sad The The Troubles of Knight Gaber Knight of Troubles The EBU short film short EBU I Am a Musician a Am I All Birds Fly? Fly? Birds All (2003) − EBU kratki/ EBU − (2003) experimental docu experimental (2003) − igrano igrano − (2003) (2002) − − (2002) (2002) − − (2002)

- 14’ 30’’ 14’ DOL BARVNI/COLOUR 35MM, FORMAT/FORMAT LJUBLJANA 1000 5 STEGNE CASABLANCA PRODUKCIJA/PRODUCTION PEDI IGOR PRODUCENT/PRODUCER HUSI DAMIRA HRIBERNIK, JASNA BARAGA, KSENIJA Č PEJOVI VERA NASTOPAJO/FEATURING NEDI ANJA MASKA/MAKEUP MAKUC ZVONKA DESIGN KOSTUMOGRAFIJA/COSTUME UR DESIGN SCENOGRAFIJA/SET JO ZVOK/SOUND MO JURIJ MONTA BEVC CVETKA GLASBA/MUSIC HOCHSTTATER ZORAN FOTOGRAFIJA/CINEMATOGRAPHY SEPE POLONA SCENARIJ/SCREENPLAY SEPE POLONA RE U Ž Ž Č Š IJA/DIRECTED BY IJA/DIRECTED Ž INA/RUNNING TIME INA/RUNNING E TRTNIK E KOV, JANA MENGER, MENGER, JANA KOV, A LOBODA A Ž A/EDITING Č Š Č EK KON GODINA GODINA Ć , EVA JULIJA JULIJA EVA , Ć NADJA VELUŠČEK, ANJA MEDVED MOJA MEJA

KRATKI DOKUMENTARNI FILM/TEKMOVALNI PROGRAM SHORT DOCUMENTARY FILM/IN COMPETITIONMY BORDER her studies at the College of Design at the Art centre, centre, Art the at Design continued of she College the Televison at and studies her Film Academy Radio, finishing Theatre, After for Gorica. Nova in 1969, in Born Kinoateljeja. produkciji v filme sorežirala in dokumentarne Tauferja tri Vita predstavah pri Peljhana. je Marka Atol Asistirala An Los projektih v je iz sodelovala gelesa, Microinetrnational skupine soustanoviteljica je Bila multimedijske ZDA. College Pasadeni, v Centru, Art Design, na of nadaljevala študij je AGRFT na Po diplomi Gorici. Novi pri v Šempetru 1969 leta Rojena Medved Anja strani katerikoli na Naj živijo ki vsem, življenja. spregovorijo njihova in v se razdeljen zasekala so bil ostro ni ki meja še je svet ta tistim, ko Ëasu, v predvsem rodili dali sva “Besedo obstacle. that unsurpassable an as it saw generation the Curtain, Iron the called was it when it along born was that generation the for made also It was it. along runs that SoËa fact river the natural a as merely but border problem a the as saw never which generation, younger the for made was challenge. video-novella a and documentary This obstacle an became It two. in people and between fields gardens, between forced streets, was and houses border between The 1947. September, 16th oviro. nepremakljivo kot sprejela je jo gener ki aciji, zavesa, železna imenovali jo so ko ob njej, rodila je se ki generaciji, je Namenjena njej. ob teËe ki SoËa, naravna je kot dejstvo, ni naravno povsem le meja ampak ji problema, ki predstavljala nikoli generaciji, mlajši videonovela je namenjena Postala Dokumentarna je izziv. polovici. in dve na pregrada svet − ljudi med razdelila in vrtove, in polja med ulice, in hiše med vrinila je se Meja 1947, september. 16. Leto − it divided the world world the divided it − like like 42 - - Kinoateljeja je bila avtorica dokumentarcev dokumentarcev avtorica bila je realizaciji V Monitorja. Kinoateljeja Video Film Kinoat sodelavka v projektov in iz eljeja filmskih fakulteti je sooblikovalka Filozofski Je Diplomirala na Ljubljani. Gorici. italijanšËine in Novi pri slovenšËine Plavah v Rojena VelušËek Nadja Kinoatelje. by produced films docu mentary three co-directed and productions Taufer’s Veno of some in director assistant was She Atol. project Peljhan’s Marko to contributed she Angeles, Los from international Micro group the of a co-founder was He USA. Pasadena, a time the world was not yet divided; the people people the divided; yet not was world the in time born a were who people interviewed mostly “We VelušËek Nadja življenju.” za boljšem po noË željo − željo preËkajo neukinljivo mejo isto z to noËjo prav ki tis vsem tisoËem, pa tim predvsem meje, boleËe katerekoli CvetoËa CvetoËa - - - - Rule of documentaries wing (1998), the created Under she Monitor. Kinoatelje, Video Film collabo the and with Kinoatelje rates by projects film co-authors She Ljubljana. in Arts of Faculty the at Slovenian from languages Italian and Graduated Gorici. Novi pri Plave in Born filmov. igre Pravilo Brda VelušËek Nadja life.” a better for wish − the wish same relentless the with night after night border particular this cross who those, to pain especially but any of border, ful side either on live who all to to them speak wanted We most. the affected were who (2001) and several video representations. video several and (2001) (1998), (1998), id Dd’ Fly Didn’t Birds (2001) in številnih predstavitvenih video video predstavitvenih številnih in (2001) io eee ptice letele Niso (1999), (1999), (1999), (1999), oa Gregor Nora ra n Bloom in Brda oa Gregor Nora , , Game- - - ,

50’ DOL BARVNA BETA, FORMAT/FORMAT KRAJINO JULIJSKO FURLANIJO DE PRI PROGRAM SLOVENSKI KOPRODUKCIJA/CO-PRODUCTION ITALIJA - GORICA 34170 3 CROCHE VIA KINOATELJE PRODUKCIJA/PRODUCTION ALE PRODUCENT/PRODUCER IUSSA HIJACINT ZVOK/SOUND FORTUNA MORENA MONTA RADOVAN FOTOGRAFIJA/CINEMATOGRAPHY VELU NADJA SCENARIJ/SCREENPLAY MEDVED VELU NADJA RE Ž Ž IJA/DIRECTED BY IJA/DIRECTED Ž ELNEM SEDE ELNEM Š INA/RUNNING TIME INA/RUNNING DOKTORI Ž A/EDITING Č OK ŠČ ŠČ Č EK ANJA EK, Ž U RAI ZA ZA RAI U DEAN PESTATOR VRTIGLAVICA, – 643M

KRATKI DOKUMENTARNI FILM/TEKMOVALNI PROGRAM SHORTVRTIGLAVICA DOCUMENTARY FILM/IN COMPETITION , – 643M hold the record in the famous Guinness Book of of Book appears. rope Guinness the with problem a famous Records), the in does record cave the the hold nature; to go should it man, to go not should record the (although record world beaten already is a nearly and bottom the to he arrival his about When excited Slovenia. in chain Kanin the in mountain abyss deep 643-meters a − world Vrtiglavica, the in cave wants vertical he deepest the because into go hard to trains He caver. a is Jure vrvjo. z težave imajo da izkaže, se rdov), reko knjigi Guinessovi v slavni kot zabeležena jama rekord pa je narava; ampak in Ëlovek, ni dna tu rekorder do (Ëeprav rekorda prihoda svetovnega veseli doseženega že skoraj se kot Ko drugaËe, zamisliš. odvije si marsikaj se da tako, paË je do V jamarstvu naloga. priti zahtevna že precej je v jamo vhoda razmerah zimskih V odpravi. Ëeški prikljuËi se da priložnost, mu se Ponudi Sloveniji. v pogorju v Kaninskem brezno globoko metrov 643 − Vrtiglavico, na svetu vertikalo jamsko v najglobljo spustiti želi se ker trenira, Vneto jamar. je Jure žanr so dokumentarni filmi, omiljena tema pa slovenski alpinizem. slovenski pa tema omiljena priljubljeni TV filmi, Njegov dokumentarni so spote. žanr najveËkrat glasbene ki režira, in oglase obËasno strojništva, oddaje, in Inženir snemalec kot Ljubljani. dela v 1964 leta Rojen Pestator Dejan itd.) v jami razmere ekstremne veter, mraz, (sneg, dela pogojih težkih zelo v nas da zavedali, se smo saj ohlapno, zelo zastavljen bil je film za Scenarij poznani. slabo javnosti v pri nas dosežki jamarski so da je, pa Dejstvo redkost. velika je podroËju majhnem tako na toliko jam in globokih veliko Tako Himalaja. imenu jamarska svetu kar po izstopa jejo ponekod ga ki Posebej masiv, merilu. Kaninski vrhunskimi svetovnem z v ponaša dosežki Sloveniji v se “Jamarstvo - - favourite subject. his alpinism favourite Slovenian genre, Documen favourite his are videos. films tary music and TV commercials directs programmes, occasionally and cameraman a as works who engineer, mechanical a is He Ljubljana. in 1964, in Born rarity in the world. However, achievements of Slov of achievements great However, world. the in a a is rarity small, Such so area an in deep, importance. so caves of number particular of is speleol of ogy, Himalaya the as places some in known mountain, Kanin The achieve significance. with global of itself ments prides speleology “Slovenian Pestator Dejan porazu.” k prisililo zlahka ekipo krhko tako bi ki vremenom, z sreËe obilo manjem sne med imeli smo da treba, je Priznati smemo ne prezreti. paË filmarji jih ki nakljuËij, obilo Ëaka - - - - - Vrtiglavica, 643 m − dokumentarni/ − m 643 Vrtiglavica, Rogerja/ Roger Merry Pirate Veselega pirata Iskanje dokumentarni/ − tem?/ s ljubezen ima Kaj Hrepenenje/ filmografija/ up.” give Pestator to Dejan crew the forced easily otherwise have could which weather, the concerning luck enormous had we filming, the during that, admitted be to has It account. into taken be to have would etc.), the cave, in conditions wind, cold, (snow, unpredictable very very and work for a difficult extremely in circumstances, the outlined that aware well was were we since film manner, sketchy the for script The home. at known poorly are speleologists enian 43 Craving filmography documentary film film documentary − dokumentarni/ − − igrani TV film/ TV igrani − What’s Love Got To Do With It? It? With Do To Got Love What’s The Search for the the for Search The documentary documentary documentary documentary TV feature film film feature TV 28’ DOL BARVNA BETA, SP FORMAT/FORMAT MEDIJE) AV ZA (SKLAD KULTURO ZA MINISTRSTVO SOFINANCER/CO-FUNDING KOLPI OB TRG STARI 8342 33 KOLPI OB TRG STARI D.O.O. KOBE PRODUKCIJA/PRODUCTION LEBAN JURE NASTOPA/CAST POPOVI VLADO ZVOK/SOUND POLI VOJKO MONTA LUJ DANIEL GLASBA/MUSIC LEBEN JURE DULAR, MATEJ PESTATOR, DEAN FOTOGRAFIJA/CINEMATOGRAPHY PESTATOR DEAN SCENARIJ/SCREENPLAY PESTATOR DEAN RE Ž IJA/DIRECTED BY IJA/DIRECTED Ž INA/RUNNING TIME INA/RUNNING Ž A/EDITING Č RNE, ALOJZ STUDEN- ALOJZ RNE, Č , DEAN PESTATOR DEAN , Č

ANIMIRANI FILMI ANIMATED FILMS

BE SELEKCIJA URADNA PROGRAM) (TEKMOVALNI SELECTION OFFICIAL COMPETITION) (IN BIZGECI: ČEŠNJE BIZGECI: NA JUG GORA LAB PARTY IZDELOVALEC MASK PERK GREGA MASTNAK GREGA MASTNAK BIZGECI: NA JUG BIZGECI: ČEŠNJE NINCOMPOOPS – SOUTHWARD NINCOMPOOPS – CHERRIES

ANIMIRANI FILM/TEKMOVALNI PROGRAM ANIMATED FILM/IN COMPETITION mentary in a TV series series TV a in mentary nadaljevanko/ za komentarji animirani - levi/ na hiša Peta Evforija/ animacija/ sanjari/ BostjanËek animacija/ - (1986) AAAAAA animacija/ - (1985) klobuka/ starega Skrivnost filmografija/ prek kjer žurko. domov, maËjo inejo vrnejo se izmuËeni nepremostljive in Ëakajo ovire jih poti Na doma. os modro tane Nero le Figota, in Bigota vzame reklam seboj S Profesorja, kraje. vplivom tople pod južne v se oditi Koki odloËi in je jesen Siva filmom. rolerji album strip izgubljenimi za mladinski je Lov (izdal stripom s tudi profe intenzivno se pri ukvarja slikarstva Poleg specialko Gnamušu. slikarsko Gustavu je animirani sorju se za zakljuËil je 1995 oddelek 1998 FAMU, pomladi film. praški do na 1994 izpopolnjeval jeseni Od podroËju na slikarstva. dosežke umetniške za študentsko nagrado prejel je Prešernovo študija Ëasu V ALU. študij na vpisal je slikarstva 1990 Leta Ljubljani. v 1969 leta Rojen Mastnak Grega dalje. potujejo Ëešnje A najejo. sitega do jih se in Ëešnje vse vendarle sklatijo Z drevesa koncu uspejo. na in se naËine Trudijo najrazliËnejše dosežejo. na ne nikakor jih Bizgeci in drevesu na visoko rastejo soËnih Ëešnje Vendar zaželijo Ëešenj. si bizgeci in je poletja ZaËetek Euphoria animation filmography (1999) - animacija/ - (1999) The Fifth House to the Left Left the to House Fifth The animation otaËk Daydreams BoštjanËek ), ilustracijo in animiranim animiranim in ilustracijo ), The Secret of the Old Hat Hat Old the of Secret The animation animation animated com animated (1988) - - (1988) (1999) (1999) 46 - - - - animated series animated Bizgeci/ videospot/ barka/ Luknjasta lades (he book comics in comic a active published very is he Gnamuš. Gustav painting, to professor addition In of mentorship paint in the under studies In ing Prague. post-graduate in his FAMU the completed he at 1988, studied he 1995, 1994 autumn spring From to painting. Award in Prešeren achievement the artistic received for he studies, his During na. Ljublja in Arts Fine of Academy the at painting studying 9 June Born a cat party. to cat a stop a put they where home return they tired, and, obstacle impassable face they journey, their On home. at stay to enough wise is Nero only him, with Figot and Bigot Professor, warmer takes a He to climate. south, go com to by decides Koki influenced mercials, and, autumn grey the is It journey. their continue cherries the However, fill. their eat and cherries all fi down knock and, They ways succeed. of they nally, variety to a try unable They are them. they and reach tree a in cherries up However, high grow cherries. juicy for Nincom itch and poops summer the of beginning the is It ), illustration and animated film. animated and illustration ), Nincompoops animated music video music animated th 1969, in Ljubljana. In 1990, he started started he 1990, In Ljubljana. in 1969, The Ship With Holes With Ship The 20) aiiaa serija/ animirana - (2003) The Hunt for the Lost Rollerb Lost the for Hunt The (2002) - animirani animirani - (2002) ------zgoraj/above Mastnak Grega spodaj/ filmografija/ below filmography 5’ DOL 35MM FORMAT/FORMAT LJUBLJANA 1000 5 STEGNE CASABLANCA PRODUKCIJA/PRODUCTION PEDI IGOR PRODUCENT/PRODUCER SFILIGOJ VOJKO ZVOK/SOUND SIMON JAN MONTA PUPEDAN ANA SFILIGOJ, VOJKO GLASBA/MUSIC AV TINA LEBEN VLADIMIR MASTNAK GREGA ANIMACIJA/ANIMATION POVH PETER MASTNAK, GREGA SCENARIJ/SCREENPLAY MASTNAK GREGA RE 5’ DOL 35MM FORMAT/FORMAT LJUBLJANA 1000 5 STEGNE CASABLANCA PRODUKCIJA/PRODUCTION PEDI IGOR PRODUCENT/PRODUCER AVGU MASTNAK GREGA ANIMACIJA/ANIMATION SIMON JAN MONTA SFILIGOJ VOJKO GLASBA/MUSIC POVH PETER MASTNAK, GREGA SCENARIJ/SCREENPLAY MASTNAK GREGA RE Ž Ž IJA/DIRECTED BY IJA/DIRECTED BY IJA/DIRECTED Ž Ž INA/RUNNING TIME INA/RUNNING TIME INA/RUNNING Š Ž Ž A/EDITING A/EDITING TIN BO TIN Š I Č Č Č EK EK Č Č I I Š Č Č TJAN FRANC TJAN MITJA MANČEK MARJAN MANČEK GORA BE

ANIMIRANITHE FILM/TEKMOVALNI MOUNTAIN PROGRAM ANIMATED FILM/IN COMPETITION BE nagrad. Živi in dela v SelšËku nad Cerknico. Cerknico. nad filme. nekaj SelšËku v prejel dela in ter Živi animirane tujini v nagrad. in in doma razstavljal predstave je VeËkrat lutkovne likovne za slikanice, avtorske zasnove stripe, ustvarja periodiko, mladinsko in knjige Ilustrira revije. ter Ëasopise domaËe Med za tuje in karikatur zgodovine. z risanjem in preživljal je se anglešËine študijem iz Ljubljani v Filozofski na fakulteti je Diplomiral mestu. Novem v 1948 Rojen ManËek Marjan Signs journey. her sheep continues the and Eden, path her Hotel finds in encounters numer close and swap ous backpack a experience, hitch hiking unpleasant an Following sheep. Slovenian a about story animated aclassically isBe film The Evrope. združevanje Blaga politiËno U. na I, LOVE satira I E prav A, bistven je glasovi sreËo za in U, O, napisi bližnjih pomembni Niso pot. številnih svojo nadaljuje in najde in Eden hotelu v sreËanjih nahrbtnika zamenjavi izkušnji, avtoštoparski neprijetni po ki ovci, sloven o ski zgodba animirana klasiËno je Be Film animaciji, ki se navezuje na glasbo, katere avtor in in avtor sam. katere tako prav je glasbo, glasbe na izvajalec klasiËni navezuje zvest se ki ostaja filmih animaciji, najboljše. dosedanjih med in svojih uvršËeni vseh filmskih V Slovenije najmlajših ustvarjalcev sreËanjih video na bili so obdobju, osnovnošolskem v nastali so ki filmi, risani njegovi Vsi otroštvu. zgodnjem vpodroËju že na zaËelo je se filma ustvarjanje animiranega njegovo strast, njegova postala tudi kmalu sta oËetovi v animacija kot risanje animacij Tako delavnici. Od nastajanje spremljal gimnazije. je letnik nog malih drugi Obiskuje 1986. leta Rojen ManËek Mitja ... komarji nosu Nanjo povzroËajo Lastnik težavo da nos. misli, zastavico. − goro zapiËita nanj na oziroma splezata možiËka Dva - - - is in relation to music he also is the author, performer performer author, of. the singer is and also he music to which relation animation, in is classical to sticks ManËek Mitja for his of films, all In Slovenia. of festivals the artists video at and film works young the best the among were school elementary in was he while created films All animated child. his a of was he when films animated creating started he his; of passion a became Both, soon little. animation and was he drawing since workshop anima father’s of his in creation tions observed has He year school. second the grammar of Attending 1986. in Born ManËek. Mitja He awards. Cerknico. nad of SelšËek in number works a and lives received has and home at abroad, exhibitions and several had has and He shows films. puppet for animated designs comics, He artistic and creates books magazines. picture periodicals, and youth and books newspapers illustrates foreign caricatures and drawing local with for himself his During supported he Arts. of English studies Faculty the from at history Graduated and mesto. language Novo in 1948, in Born the nose believes they are mosquitoes. are they believes of nose owner the The it. into flag a stick They nose. a be to out turns that mountain a climb men little Two ManËek Marjan membership.” Union European for Slovenia of tion prepara media and several to diplomatic political, reaction of years in created was Be film “The Marjan unijo.” ManËek Evropsko v veËletno Slovenije na na pripravo vstopanje medijsko reakcija in kot diplomatsko politiËno, nastal je Be “Film Europe. of integration satire mild political A about luck. her for crucial is U LOVE I an however insignificant, U are O, I, E, A, vowels and - - Gora/ dolgËas/ Živi papica/ RdeËa planet/ skrivnostni Neptun, filmografija/ Hribci/ liniji/ Na doma/ Ljubo poËitek/ delu Po Zavetje/ filmografija/ 47 The Mountain Mountain The Hillocks Shelter On the Line the On Sweet Home Sweet filmography Pure Boredom Boredom Pure filmography Little Red Riding Food Riding Red Little (1993) (1982) (1982) A Rest After Work Work After Rest A (2002) (1989) (1989) (1985) (1985) (2001) Neptune, the Mystery Planet Mystery the Neptune, (1982) (1982) (2000) (2000) (1999) (1999) 3’ DOL 35MM, FORMAT/FORMAT LJUBLJANA 1000 19 EIPPROVA CINEAST KUD PRODUKCIJA/PRODUCTION RADE BORKO LABORATORIJ/LABORATORY MAN MITJA GLASBA/MUSIC RADE BORKO CAMERA KAMERA/TRICK TRIK DRAWING PAPIRJU/PAPER NA RISBA TEHNIKA/TECHNIQUE MAN MITJA ANIMACIJA/ANIMATION MAN MITJA SCENARIJ/SCREENPLAY MAN MITJA RE 8’ DOL 35MM FORMAT/FORMAT SLOVENIJA RTV KOPRODUKCIJA/CO-PRODUCTION LJUBLJANA 1000 4 KERSNIKOVA EMOTIONFILM PRODUKCIJA/PRODUCTION HO DANIJEL PRODUCENT/PRODUCER SOLCE MATIJA SOLCE, BRANE ZVOK/SOUND BRICELJ JANEZ MONTA PAPIRJU NA RISBA TECHNIQUE TEHNIKA/ MAN MAN MARJAN ANIMACIJA/ANIMATION MAN MARJAN SCENARIJ/SCREENPLAY MAN MARJAN RE Ž Ž IJA/DIRECTED BY IJA/DIRECTED BY IJA/DIRECTED Ž Ž INA/RUNNING TIME INA/RUNNING TIME INA/RUNNING Č Ž EK, MITJA MAN MITJA EK, A/EDITING Č B/BLACK AND WHITE AND B/BLACK Č Č Č Č Č ŠČ ŠČ EVAR EK EK EK EK Č Č Č EK EK EK, MARTA MARTA EK, EK EK Č EK KOLJA SAKSIDA, MARKO A. KOVAČIČ LAB PARTY

ANIMIRANI FILM/TEKMOVALNI PROGRAM ANIMATED FILM/IN COMPETITION LAB PARTY Fine Arts; in 1988 finished a Master’s degree in sculpture. sculpture. in degree Master’s a finished of 1988 in Academy Arts; Fine the from Graduated Ljubljana. in 1956 Born videom. in teatrom performan s instalacijami, skulpturo, mediji: som, razliËnimi z se Ukvarja kiparstva. za študij Akademiji podiplomski je konËal 1988 na leta je umetnost, likovno Diplomiral Ljubljani. v 1956 Rojen KovaËiË A. Marko željo, podžiga ki tista, je razmišljanja zmožnost prirojena Njihova predniki. s stik ohranjali in ali dvigov duhovno se preteklosti, njihove dogodke težke na spomin ohranili hitrosti’ obrede ‘kulta skozi ËašËenja so ki prihodnosti, bitja so Plastosi živaljo. z kot Ëlovekom s tako poteze skupne marsikatere razkrivajo nam navade bivanjske in kultura Njihova svet. poglede Ëutni nove njihov v odpira nam življenja vsakdanjega njihovega opazovanje preživetje, za boj nenehni Njihov organiko. z povezavi v mehanike in bi onike evoluciji nekakšni o sprogramirana govorimo lahko ali Plastosi bitja so ali Plastosov dvomi navad pojavljajo življenjskih rekonstruiranju in odkrivanju pri mi se arheolog, kot razmišljam “Ko parts. mechanic and organic of combination a also often and forms life other of parts organic with organs human of combination a is Plastoses typical of feature “Plas distinctive A toses”. named they which organisms, living found they Catastropolis, of city surviving the In zation. civili a of remains the discovered Asia devastated of the for exploration 2223, In year experts the the delov. mehanskih in organskih kombinaciji po tudi pogosto in bitij živih drugih deli organskimi z organov Plas Ëloveških poimenovali kombinaciji po jih prepoznamo so Plastose TipiËne tosi. ki na bitij, naleteli živih so V obstoj Katastropolis civilizacije. mestu neke preživelem ostanke razde odkrili raziskavo Azije za jane strokovnjaki so 2223 Leta 48 ------Song of Flesh and Image Was Made Body (1985) Body Made Was Image and Flesh of Song (1985) Swake Inspektor (1984) Joe Hey II; Part (1983) Belli Casus videografija/ video. and theatre lations, instal sculpture, performance, − forms art various uses He new views of their emotional world. Their culture culture Their world. emotional their of views new opens daily survival for their struggle infinite of their and living Monitoring discussed. be organics of with form combined mechanics and certain bionics of a evolution can or creatures Plastoses programmed are − dilemma a Plas with the faced am of I toses, life-style the reconstructing and ing discover archaeologist, an as thinking am I “When KovaËiË A. Marko zaobjeti.” mogoËe ni jih ki objekte, zaobjeli bi da videography videography - - - Kolja Saksida Saksida Kolja (2002) Party Lab (2001) Go Let’ssss (1995) Past the Into Forth (1992) More Any Heroes More No (1987) Secret the Knows Mirror (1986) Dream American KovaËiË A. Marko grasped.” be is cannot ability that objects grasp to desire cognitive their fuels what innate Their ancestors. their with bond the preserving while spiritually been growing have they Speed’; of ‘Cult the of rituals ship wor have through hardship who past of future, memories the preserved of creatures are Plastoses both, to animal. and man similarities numerous reveal habits and stran/ page 66 - 4’ 40’’ 4’ DOL DV MINI FORMAT/FORMAT PRODUCTION ZVVIKS KOPRODUKCIJA/CO-PRODUCTION LJUBLJANA 1000 6/1 METELKOVA LJUBLJANA FORUM PRODUKCIJA/PRODUCTION ROHRMAN EVA PRODUCENT/PRODUCER BORKA DJ ZVOK/SOUND KOVA A. MARKO SAKSIDA, KOLJA DESIGN SCENOGRAFIJA/SET SAKSIDA KOLJA MONTA MIHA BORKA, DJ GLASBA/MUSIC KOVA A. MARKO SAKSIDA, KOLJA FOTOGRAFIJA/CINEMATOGRAPHY KOVA A. MARKO SAKSIDA, KOLJA SCENARIJ/SCREENPLAY KOVA A. MARKO SAKSIDA, KOLJA RE Ž IJA/DIRECTED BY IJA/DIRECTED Ž INA/RUNNING TIME INA/RUNNING Č Č Č Č Ž A/EDITING I I I I Č Č Č Č REŽIJA/DIRECTED BY ‘Spremenil bom svojo podobo, spremenil bom KONI STEINBACHER SCENARIJ/SCREENPLAY oËi, spremenil bom sebe. Postavil se bom za MARIJAN TOMŠIČ ogledalo, da najdem svojo pravo podobo. Morda ANIMACIJA/ANIMATION mi bo tokrat uspelo, tako kot je mnogim drugim.’ KONI STEINBACHER Ti uvodni verzi predstavijo Izdelovalca mask, ki FOTOGRAFIJA/CINEMATOGRAPHY takoj ob spremembi politiËnega sistema odvrže BORKO RADEŠČEK GLASBA/MUSIC staro masko in si nadene novo, bolj demokratiËno GORAST RADOJEVIČ in pošteno. Na ta naËin obogati, vendar pa se ne MONTAŽA/EDITING more izogniti klicu naslednje stranke, Smrti, ki KONI STEINBACHER ga prisili, da si nadene njeno masko: ‘Strgala ti ZVOK/SOUND jo bom z obraza, ne boš se veË mogel pretvarjati. GORAST RADOJEVIČ Nadel si boš masko, ki ni resniËna, da boš postal SCENOGRAFIJA/SET DESIGN KONI STEINBACHER kar resni»no si ...’ Nato se oba pridružita ostalim PRODUKCIJA/PRODUCTION nosilcem mask na simboliËni srednjeveški freski ARF D.O.O. ‘Ples Smrti’ v cerkvi v Hrastovljah. GLAVARJEVA 47 1000 LJUBLJANA ‘I will change my image, I will change my eyes, I FORMAT/FORMAT 35MM IN BETA; BARVNI/ will change myself. I will put myself beyond the COLOUR KONI STEINBACHER KONI IZDELOVALEC MASK IZDELOVALEC MAKER MASK THE mirror, to find my true image. Perhaps this time DOLŽINA/RUNNING TIME I will succeed, just as many others have.’ These 8’ introductory verses introduce the Mask Maker, who face and you will no longer be able to pretend. You takes off his old mask as soon as political system will put on a mask that is unreal and become what changes and immediately puts on a new democratic you realy are …’ Then, they both join the masked and honest one. He becomes rich in this manner, yet men on ‘The Dance of Death’, a symbolic medieval he cannot escape the call of his last client, Death, fresco in a church in Hrastovlje, Slovenia. who makes him wear her mask: ‘I will tear it off your

Koni Steinbacher Koni Steinbacher, animator and director of animated filmografija/filmography ANIMATED FILM/IN COMPETITION Koni Steinbacher, animator in režiser animiranih fil- films, was born in 1940. He works as an art teacher at Študent/The Student (1974) (co-director Janez mov, se je rodil leta 1940. Kot uËitelj likovnega pouka the elementary school in Izola since. Among other sub- Marinšek) dela na osnovni šoli v Izoli. Poleg ostalih predmetov je jects, he has been teaching film education and has also Kokon/The Cocoon (1978) uËil tudi filmsko vzgojo in vodil filmski krožek na šoli. run a film group at the school. His students have already Epidemia (1982) Njegovi uËenci so naredili preko 100 kratkih igranih made about 100 short films, animated and feature, on 8 Kamen/The Stone (1984) in animiranih filmov na 8mm, 16 mm in videu in zanje mm, 16 mm and video, for which they have also received Izmišljena zgodba/The Fiction Story (1986) prejeli nagrade doma in v tujini. Leta 1970 je zaËel awards, both at home and abroad. In 1970, he started KaËe/The Snakes (1987-89) (co-director Janez snemati amaterske kratke filme, leta 1973 pa je posnel with amateur short films, in 1973, he made his first ani- Marinšek) svoj prvi animirani film Telematerija. mated film Telematter. Peter Klepec (1998-99) VeËerja/The Supper (2000) Izdelovalec mask/The Mask Maker (2002)

49 ANIMIRANI FILM/TEKMOVALNI PROGRAM DUŠAN KASTELIC PERK

ANIMIRANI FILM/TEKMOVALNI PROGRAM ANIMATED FILM/IN COMPETITION PERK town, Zagorje, Slovenia. Perkmandeljc is a mine mine a is Perkmandeljc Slovenia. Zagorje, town, same the in live I and Orlek band the of “Members Kastelic …”Dušan TV gleda Ëas koliËine ves in piva velike pije seboj, s sam bi kaj ve, ne − rudarji brezposelni težki tej številni kot V vede se službo. situaciji izgubil škrat tudi je zaprli, kraju mojem v rudnik so pa Ko Perkmandeljecem. s odnos dober imeti bilo je Modro kosila. svojega košËek pustili rudnika kotiËku temnem kakšnem vode, v zahvalo v (vdori mu so pa rudarji itd.), nesreËe plina uhajanje rudarske se opozarjal je bližajoËe jih On na simbiozi. nekakšni Perk v in rudarji živeli rudnika Ëasih zlatih v so pa dar Ven nadloga. velika lahko je in naravo ima nagajivo votlino Perkmandeljc svojo otroke.’ v poredne vse kot odvlekel tako bo te ‘Perkmandeljc strašili: pogosto starši me so majhen, še bil sem ter Ko škrat kraja. našega prebivalec rudniški spoštovan in je poznan Perkmandeljc Zagorju. v kraju, istem v živimo jaz in Orlek skupine “»lani ... story background a has also it But Orlek. band polka-punk the with in a collaboration cieved con was which spot video a animation, an is Perk ... ozadje tudi ima Ven pa dar Orlek. skupino polka-punk s sodelovanju v je nastal ki spot, video oziroma je animacija Perk v 3D raËunalniški animaciji in njegov prvi kratki ani kratki prvi film. njegov mirani in animaciji raËunalniški 3D v pro stripov, … iger avtor raËunalniških gramer animator, ilustrator, grafiËni svobodni kot oblikovalec, Dela Zagorju. v živi 1964, Rojen Kastelic Duπan of resident respected and well-known a and elf Perk je njegov prvi poskus poskus prvi njegov je 50 - - - - - attempt in 3D computer animation and his first short short first his and film. animation animation computer 3D in … attempt games com computer of of author programmer animator, ics, illustrator, freelance a as designer, works He graphic Zagorje. in lives 1964, in Born a bite of their lunch in some dark corner of the the with of relationship a good corner have to wise It was dark mine. some in lunch him their leave of to bite a forgot never miners return, in and etc.) leaks, gas oncoming breaks, water (i.e. of accidents them mine warn would He kind a in symbiosis. of living were Perk of and age miners golden mine, the the during However, neck. the pain in real a be can and nature mischievous Perkmandeljc a has children.’ naughty all like cave into away his you take will ‘Perkmandeljc me: warn often would parents child, a was I When town. our Perk is his first first his is - amounts of beer and watches TV all the time ...”Kastelic Dušan time the all TV watches and beer of amounts he -- large miners drinks himself, with do to what unemployed know doesn’t many so situation, dire like this acts In he too. job, his lost Elf the down, shut was in my town mine coal the when But Perkmandeljc.

SLOVENIAN FILM FUND FILM SLOVENIAN SLOVENIJE REPUBLIKE SKLAD FILMSKI DISTRIBUCIJA/DISTRIBUTION 2’45’’ DOL BARVNI/COLOUR 35MM, FORMAT/FORMAT SLOVENIJE REPUBLIKE SKLAD FILMSKI SOFINANCER/CO-FUNDING LJUBLJANA 1000 4 KERSNIKOVA E-MOTIONFILM SAVI OB ZAGORJE 1410 18 POLJE STUDIO BUGBRAIN PRODUKCIJA/PRODUCTION KASTELIC HO DANIJEL PRODUCENT/PRODUCER PETER ZORNIK, JULIJ ZVOK/SOUND RANZINGER DU MONTA ORLEK BERGANT, BOJAN GLASBA/MUSIC JO KAMERA/CAMERA RA 3D TEHNIKA/TECHNIQUE DU ANIMACIJA/ANIMATION DU SCENARIJ/SCREENPLAY DU BY REŽIJA/DIRECTED Ž Š Š Š Š Ž INA/RUNNING TIME INA/RUNNING E RANZINGER E AN KASTELIC/JO AN KASTELIC AN KASTELIC AN KASTELIC AN Ž Č A/EDITING UNALNI Č EVAR, DU EVAR, Š KA ANIMACIJA KA Ž Ž E E Š EROVNIK AN AN ZLATO SRCE UKRADENI OTROCI SELITEV ORGAZMUS ODLEPLJENI MESEČNIKI DANES SPIJO KO BOM JAZ UMRL BO EN MAJHEN POGREB IZLET FUŽINE ZAKON CHE SARA BOŠ PA MRZLO JEDO TELEVISION ACADEMY OF THEATRE, RADIO, FILM AND FILMS MADE BY STUDENTS OF THE FILMI ŠTUDENTK IN ŠTUDENTOV AGRFT

URADNA SELEKCIJA (NETEKMOVALNI PROGRAM) OFFICIAL SELECTION (OUT OF COMPETITION) MATJAŽ IVANIŠIN MIHA MLAKER CHE SARA BOŠ PA MRZLO JEDO CHE SARA SO, YOU WILL EAT IT COLD ŠTUDENTSKI FILM/TEKMOVALNI PROGRAM FILM STUDY/IN COMPETITION is his first film. first his is 2000. since Academy the at directing and film television studying been has He Maribor. in 1981, in Born študira 2000 film. leta prvi Od Ljubljani. v AGRFT na Mariboru. režijo v filmsko 1981 leta Rojen Ivaniπin Matjaæ Je rodila bom let 15 da Sara, zusa.” tudi, je veË teh za od ena izbrana sem nalog, da nekakšna je, mi kot Rekel njemu veliËasten, proti mravljica. je bila Bil sem OËe. jaz Bog velik, sem to trenutku je v da in vedela, obrnila pa se sem “Potem of 1998. in Academy the University entered the and at Vienna communicology studied He school. grammar finished also he where Maribor, 1976, in in Born se in AGRFT. na univerzi vpisal 1998 dunajski leta na gimnazijo. komunikologijo je konËal je Študiral kjer Mariboru, v 1976 leta Rojen Mlaker Miha in prijateljice maltretira. ga ki znebi vrstnika, Jaka enajstletni se Kako Che Sara Che je njegov njegov je Che Sara Che 52 -

Che Sara (2002) Sara Che filmografija/ jedo/ mrzlo pa Boš (2002) In Moving Kaiser/ Državljan (2000) way My filmografija/ 15 years of age. of years 15 “ Sara, Jesus. to birth tasks, giving was them of one several and for chosen been had I me told He Him. to compared ant an and merely was I and magnificent great, was He Father. the God, was it that realized instantly and around turned I “Then him. bullies that girl peer a a of of and friend himself rids Jaka eleven-year-old How filmography filmography Citizen Kaiser Citizen So, You Will Eat It Cold Cold It Eat Will You So, (2001) (2002) (2002) - 19’ DOL BARVNI/COLOUR 16MM, FORMAT/FORMAT SLOVENIJA RTV KOPRODUKCIJA/CO-PRODUCTION LJUBLJANA 1000 3 NAZORJEVA AGRFT PRODUKCIJA/PRODUCTION LALO IGOR VELKAVRH, FRANCI ZVOK/SOUND SABOTI ZVEZDANA MONTA POVERI E RICCHI GLASBA/MUSIC LAZNIK TONI FOTOGRAFIJA/PHOTOGRAPHY MATJA SCENARIJ/SCREENPLAY MATJA RE 12’ DOL BARVNI/COLOUR 16MM, FORMAT/FORMAT SLOVENIJA RTV KOPRODUKCIJA/CO-PRODUCTION LJUBLJANA 1000 3 NAZORJEVA AGRFT PRODUKCIJA/PRODUCTION BO MUHI MILENA PRA LANA FERLE, KLAVDIJ POLANEC, JON IGRAJO/CAST LIKAR NIKA MASKA/MAKE-UP JO ZVOK/SOUND SIMONA DESIGN KOSTUMOGRAFIJA/COSTUME LE MAJA DESIGN SCENOGRAFIJA/SET BRICELJ JANEZ MONTA JEMER VEN FOTOGRAFIJA/PHOTOGRAPHY MLAKER MIHA SCENARIJ/SCREENPLAY MLAKER MIHA RE Ž Ž Ž Ž IJA/DIRECTED BY IJA/DIRECTED BY IJA/DIRECTED Ž Ž INA/RUNNING TIME INA/RUNNING TIME INA/RUNNING E TRTNIK, JULIJ ZORNIK JULIJ TRTNIK, E IDAR IDAR Š Ž Ž A/EDITING A/EDITING Ž Ž IVANI IVANI Š Š Š UC NIK ALA-FUSA Š I Ć Č Š Š KRAMER, KRAMER, IN IN Č Č EK, EK, MARTIN TURK GORAN VOJNOVIĆ IZLET FUŽINE ZAKON THE EXCURSION ŠTUDENTSKI FILM/TEKMOVALNI PROGRAM FILM STUDY/IN COMPETITION FUŽINE RULES! Born in 1980. When he was six, his family moved to to moved attended he family where area, his residential six, urban vast a was Fužine, he When 1980. in Born prvi svoj tudi kjer posnel in film. nogomet, pesmi igrani in prve košarko svoje igral Ljubljane, napisal je šolo, obrobju v na hodil je naselje kjer Fužine, na blokovsko preselil je se velikansko letih šestih Pri 1980. Rojen VojnoviÊ Goran so Fužine dozo. prvo zakon. svojo vbrizgal bo si prostor, kjer išËe bi in da Fužinah po tava namesto, in trening, na šel zalog njegovih iz naskrivaj postreže si Dani brat Mlajši naprej droge. še bi ne preprodajal da ustavi, ne ga to a policisti, pretepejo dan rojstni osemnajsti njegov na Miša Born in 1987, in Trieste, Italy. He entered the Academy Academy the 1998. in entered He Italy. Trieste, in 1987, in Born leta vpisal je se AGRFT Na 1998. Trstu. v 1978 leta Rojen Turk Martin izlet. na odpravi se družina Mlada Izlet/ Oblak/ teden/ na Dvakrat filmografija/ zakon/ Fužine knjižnica/ PotujoËa filmografija/ film. feature first his wrote shot he also and where poems first his football, and basketball played school, A young family takes a trip. a takes family young A rule! Fužine dose. first his up shoot to a place for looking Fužine, around wanders and stash of Miša’s some to himself helps secretly Dani off brother younger His him drugs. sell put to not continuing from does that however, police, by the up beaten is Miša birthday, eighteenth his On The Excursion The The Cloud The filmography filomography Fužine Rules! Fužine (2001) Twice a Week a Twice (2002) Mobile Library Mobile (2002) (2000) (2001) 53 12’ TIME DOLŽINA/RUNNING BARVNI/COLOUR 16MM, FORMAT/FORMAT SLOVENIJA RTV KOPRODUKCIJA/CO-PRODUCTION AGRFT PRODUKCIJA/PRODUCTION VIDE URŠKA PINOSA, BORUT BABIĆ, IVA JANEŽIČ, TOMI IGRAJO/CAST KAVČIČ MIRJAM MASKA/MAKEUP ZORNIK JULIJ TRTNIK, JOŽE ZVOK/SOUND MAKUC ZVONKA DESIGN KOSTUMOGRAFIJA/COSTUME FERKOV MIHA DESIGN SCENOGRAFIJA/SET KOSTANJEVEC STANKO MONTAŽA/EDITING KUMAR ALDO GLASBA/MUSIC ČOK RADOVAN FOTOGRAFIJA/PHOTOGRAPHY TURK MARTIN SCENARIJ/SCREENPLAY TURK MARTIN BY REŽIJA/DIRECTED 15’ TIME DOLŽINA/RUNNING BARVNI/COLOUR 16MM, FORMAT/FORMAT SLOVENIJA RTV KOPRODUKCIJA/CO-PRODUCTION AGRFT PRODUKCIJA/PRODUCTION FORTE PRIMOŽ POLIČ, ANDRAŽ AVBELJ, JOŽICA GRUDEN, LUKA BIBER, MATEVŽ IGRAJO/CAST KAVČIČ MIRJAM MASKA/MAKE-UP PREUSS HANNA TAJIČ, MARKO ZVOK/SOUND FERKOV MIHA ROGELJ, NATAŠA DESIGN KOSTUMOGRAFIJA/COSTUME FERKOV MIHA ROGELJ, NATAŠA DESIGN SCENOGRAFIJA/SET BRICELJ JANEZ MONTAŽA/EDITING MLAKAR MARIJAN GLASBA/MUSIC ČOK RADOVAN FOTOGRAFIJA/PHOTOGRAPHY VOJNOVIĆ GORAN SCENARIJ/SCREENPLAY VOJNOVIĆ GORAN BY REŽIJA/DIRECTED

MARKO CAFNIK FLORIJAN SKUBIC MESEČNIKI DANES SPIJO KO BOM JAZ UMRL, BO EN MAJHEN POGREB THE SLEEPWALKERS SLEEP TONIGHT WHEN I DIE, IT WILL BE A SMALL FUNERAL

ŠTUDENTSKI FILM/TEKMOVALNI PROGRAM FILM STUDY/IN COMPETITION he studied philosophy and theology. and Academy, philosophy the studied he entering Before Maribor. in 1977, in Born na vpisal je teologijo. in se filozofijo Preden študiral je Akademijo, Mariboru. v 1977 leta Rojen Cafnik Marko tišine. popolne mo trenutek ura, dra nastopila je da rekli, niso bi še biologi se pa prebudile, dnevne spat, šle so ptice NoËne na tokrat fakulteto, na let vpiše Pet AGRFT. ponovno politologije. se študij kasneje vpisal vede Fakulteti na družbene je 1995 za Leta Ljubljani. v 1976 leta Rojen Skubic Florijan Skubic Florijan stavek življenje.” ta normalno In v svoje s seboj pogreb.’ odnesel sem majhen en bo nad umrl, jaz slike bom ‘Ko prebral: zanimajo sem Tam ga posteljami. ki njihovimi risanje obisk, pa kosilu, ali po vlaka cigareta sreda so: kot dvaindvajsetega, ‘normalni’. stvari, niso osreËujejo jih ker Ker sami, Zakaj? Na smejo ljudi. sem ne skupino sprehod sreËal življenja, mestnega polji naËina od pšeniËnimi med modernega daleË in barja, vrveža robu na “Nekje 54 - (2002) (2002) spijo/ danes MeseËniki filmografija/ the at time this again, Academy. University years the Five entered Sciences. he Social later of Faculty the at politology studying started he 1995, In Ljubljana. in 1976, in Born say that the “blue hour”, a moment of perfect perfect of come. has moment silence, a hour”, would “blue the biologists that say risen; the yet and not have sleep to birds gone early all have owls night The Skubic Florijan me.” with life normal the to small back a be sentence this will took I it funeral.’ die, I ‘When read: I where is This beds. their above paintings in interested tor, visi a or train; a drawing lunch; 22 after cigarette a Wednesday, Because are: they Why? as things ‘normal’. enjoy alone, they not walk a are for they go to because allowed not are They people. of group a met I life, of way and city modern the the of hustle the from far fields, wheat the amidst marsh, the of side the at “Somewhere filmography The Sleepwalkers Sleep Tonight Tonight Sleep Sleepwalkers The nd ; ; - Will Be a Small Funeral Funeral Small a Be Will pogreb/ majhen en bo umrl, jaz bom Ko filmografija/ filmography (2002) When I Die, It It Die, I When 12’ TIME DOLŽINA/RUNNING BARVNI/COLOUR 16MM, FORMAT/FORMAT SLOVENIJA RTV KOPRODUKCIJA/CO-PRODUCTION LJUBLJANA 1000 3 NAZORJEVA AGRFT PRODUKCIJA/PRODUCTION LALOŠ IGOR TRTNIK, JOŽE ZVOK/SOUND SABOTIČ ZVEZDANA MONTAŽA/EDITING ŠALJIČ BOJANA GLASBA/MUSIC BELAK ALEŠ FOTOGRAFIJA/PHOTOGRAPHY CAFNIK MARKO SCENARIJ/SCREENPLAY CAFNIK MARKO BY REŽIJA/DIRECTED 18’ TIME DOLŽINA/RUNNING BARVNI/COLOUR 16MM, FORMAT/FORMAT SLOVENIJA RTV KOPRODUKCIJA/CO-PRODUCTION LJUBLJANA 1000 3 NAZORJEVA AGRFT PRODUKCIJA/PRODUCTION LALOŠ IGOR TAJIČ, MARKO ZVOK/SOUND SABOTIČ ZVEZDANA MONTAŽA/EDITING HORVAT JANEZ FOTOGRAFIJA/PHOTOGRAPHY SKUBIC FLORIJAN SCENARIJ/SCREENPLAY SKUBIC FLORIJAN BY REŽIJA/DIRECTED DRAŽEN ŠTADER NINA N BLAŽIN ORGAZMUS ODLEPLJENI ORGASMUS ŠTUDENTSKI FILM/TEKMOVALNI PROGRAM FILM STUDY/IN COMPETITION UNPLUGGED Born in 1980, in Ljubljana. After finishing grammar grammar finishing Academy. the After entered successfully Ljubljana. she school, in 1980, in Born AGRFT. na vpisala uspešno je se gimnaziji konËani Po 1980. leta v Ljubljani Rojena Blažin N Nina Amsterdamu. v poiskala boljše življenje novo, bosta da odloËita, se zadovoljstvu ne svojem V življenje. polno bolj za motivacije partijih. prave rave najdeta ne onadva po tudi mladih veËina hodita Kot »as da brezdelju. tako, v preživljata izgubljena sta Maša in Robi born in 1975, in Banja Luka, entered film and television television and film entered Luka, Banja Štader, in 1975, in Dražen born Economics, of Faculty the finishing After se Ukvarja film. kritike. filmske pisanjem študentski s tudi najboljši za vesno film prejel igrani festivalu prinesel kratki in mu študentskem Münchnu, ter na v žirije Šiški v mednarodne tujce nagrado za doma prehodnega tranzitu smer V dokumentarnega - filma: njegova dva že slovenskega AGRFT videli smo filma Festivalu Na vpisal režija. po je televizijska in fakulteti Luki, filmska Banja v Ekonomski 1975 leta konËani rojen Štader, Dražen Štader Dražen hre akcije. prave brezupno svežnju po ki peni Luke, dozorelega povsem še ne odisejada seksualna enodnevna je Orgazmus (2000), ki je obravnaval usodo in stanje stanje in usodo obravnaval je ki (2000), Žile , ki je leta 2001 2001 leta je ki , - - Orgazmus/ China/ in Made Žile/ tranzitu/ V filmografija/ also He 2001. reviews. in film Award publishes Film Student Best film the feature received short a and Festival; Stu Film Munich dent the at award jury that international an him Ljubljana, won Šiška, in foreigners of for home state the shelter and the fate the about documentary a (2000), Film: Slovenian of Festivals already were previous at films shown his of Two Academy. the at directing Odlepljeni/ dan/ En filmografija/ entirely-mature Luka, who is hopelessly craving action. craving substantial some hopelessly not- is of who Luka, odyssey sexual entirely-mature one-day a is Orgasmus Amsterdam. in life better and new a seek to decide they discontent, their In lives. their improve to find motivation cannot proper they generation, young the of ma the jority Like parties. rave spend to They going by time idleness. their in lost are Maša and Robi Æile A Day A (2001) (2001) Orgasmus In Transit Transit In Unplugged filmography filmography (2001) Made in China in Made (2002) (2000) (2002) (2002) Æile In Transit Transit In , which which , - - 55 15’ TIME DOLŽINA/RUNNING BARVNI/COLOUR 16MM, FORMAT/FORMAT SLOVENIJA RTV KOPRODUKCIJA/CO-PRODUCTION AGRFT PRODUKCIJA/PRODUCTION PLUT VANJA JENULL, JAŠA LORENCI, MINCA IGRAJO/CAST KAVČIČ MIRJAM MASKA/MAKEUP ZORNIK JULIJ TRTNIK, JOŽE ZVOK/SOUND ROGELJ NATAŠA DESIGN KOSTUMOGRAFIJA/COSTUME ROGELJ NATAŠA DESIGN SCENOGRAFIJA/SET BRICELJ JANEZ MONTAŽA/EDITING ČRNEC JURE FOTOGRAFIJA/PHOTOGRAPHY BLAŽIN N NINA SCENARIJ/SCREENPLAY BLAŽIN N NINA BY REŽIJA/DIRECTED 19’ TIME DOLŽINA/RUNNING BARVNI/COLOUR 16MM, FORMAT/FORMAT SLOVENIJA RTV KOPRODUKCIJA/CO-PRODUCTION AGRFT PRODUKCIJA/PRODUCTION FUNKL MOJCA ZRNEC, JURE MLAKAR, ZVEZDANA KOMLJANEC, KARIN JARNI, GAŠPER IGRAJO/CAST KAVČIČ MIRJAM MASKA/MAKEUP GAJIČ IGOR JARAMAZ, MIHA ZVOK/SOUND ROGELJ NATAŠA DESIGN KOSTUMOGRAFIJA/COSTUME FERKOV MIHA DESIGN SCENOGRAFIJA/SET ČADEŽ BLAŽ ŠTADER, DRAŽEN SABOTIČ, ZVEZDANA MONTAŽA/EDITING PEŠUT ACO GLASBA/MUSIC JEMERŠIĆ VEN FOTOGRAFIJA/PHOTOGRAPHY ŠTADER DRAŽEN SCENARIJ/SCREENPLAY ŠTADER DRAŽEN BY REŽIJA/DIRECTED HANA KOVAČ JURIJ GRUDEN UKRADENI OTROCI SELITEV STOLEN CHILDREN ŠTUDENTSKI FILM/TEKMOVALNI PROGRAM FILM STUDY/IN COMPETITION MOVING AWAY Born in 1976, in Maribor. In 2000, she graduated from from graduated she 2000, In Maribor. in 1976, in Born se in režijo. filmsko študira kulturologije kjer AGRFT, iz na vpisala obenem diplomirala vede družbene fakulteti na za je 2000 Leta Mariboru. v 1976 leta Rojena KovaË Hana otroci’. ‘ukradeni ime je jih se Prijelo domove. požgane in prazne v vrnili so vsi vojne skoraj se koncu Po Nemci. posvojili so nekatere je taborišËih, otrok v otroških preživela VeËina leta tri redki. naslednja le vrnili se so katerih iz taborišËa, koncentracijska v po odpeljali njih jih ali od bili veËino bandite, kot so aretirali Starše Nemci deklet. in fantov odraslih skorajda novorojenËkov do od otrok, slovenskih veË šeststo kot ugrabili okupatorji nemški so 1942 Avgusta 1996. in Academy the Entered Trieste. in 1975, in Born leta vpisal je se AGRFT Na 1996. 1975. leta Trstu v Rojen Gruden Jurij ki odpeljeta. in naložita uslužbencema, kombi dvema z nekaj pajek »ez pojavi se dni ploËevine. gmote stojeËe hišo pred neugledne, vesel najbolj ni vljuden, je klošarja do »eprav sin. njen vseli se pa hišo v sosednji v umre, hiši starka A spoprijateljil. dobro sosedi in otroci z okolico, je se da se, Zdi mesta. mirni v Ëetrti hišo pred parkiran je ki koles, brez biju kom v starem živi od že nekdaj potepuh Starejši 56 - - Ukradeni otroci/ Ukradeni filmografija/ Academy. the at directing television and film entered and Sciences Social of Faculty the at culturology Selitev/ (2002) rad/ imeti moraš Nekoga mesta/ Podobe filmografija/ down homes. They were called ‘stolen children’. ‘stolen called were They homes. down burnt empty, their to returned them of most war, the After Germans. by children, adopted were for them of some camps concentration in years three next the spent children the of Most of returned. them few which from camps, concentration to or taken killed were them of most criminals, as were arrested parents Their girls. and boys mature almost to new-borns from children, Slovenian hundred over six kidnapped invaders German 1942, August In away. it tow van and the load tow-truck, a with come workers two later, days few A house. the of front in standing wreckage the with pleased but all is he tramp, the to polite is he Although house. her into moves son her and dies next-door woman old An his and neighbours. children community, the with well along getting be to appears He eternity. an for town of part quiet a in house a of front in wheel- parked old van an less in living been has tramp older An Moving Away Moving filmography filmography Images of the City the of Images Stolen Children Stolen (2002) o Hv T Lv Somebody Love To Have You (2002) (2000)

15’ TIME DOLŽINA/RUNNING BARVNI/COLOUR 16MM, FORMAT/FORMAT SLOVENIJA RTV KOPRODUKCIJA/CO-PRODUCTION LJUBLJANA 1000 3 NAZORJEVA AGRFT PRODUKCIJA/PRODUCTION LALOŠ IGOR TRTNIK, JOŽE VELKAVRH, FRANCI ZVOK/SOUND SABOTIČ ZVEZDANA MONTAŽA/EDITING BUKOVEC ROK GLASBA/MUSIC KORITNIK ŽIGA FOTOGRAFIJA/PHOTOGRAPHY KOVAČ HANA SCENARIJ/SCREENPLAY KOVAČ HANA BY REŽIJA/DIRECTED 13’ TIME DOLŽINA/RUNNING BARVNI/COLOUR 16MM, FORMAT/FORMAT SLOVENIJA RTV KOPRODUKCIJA/CO-PRODUCTION LJUBLJANA 1000 3 NAZORJEVA AGRFT PRODUKCIJA/PRODUCTION NOVAK MIHAELA ZAVRŠAN, BRANKO FUNK, SIMON LEŠNJAK, GOJMIR LOJZE, IGRAJO/CAST KAVČIČ MIRJAM MASKA/MAKEUP TRTNIK JOŽE ZVOK/SOUND ROGELJ NATAŠA DESIGN KOSTUMOGRAFIJA/COSTUME ROGELJ NATAŠA DESING SCENOGRAFIJA/SET BRICELJ JANEZ MONTAŽA/EDITING SAVIČ MLADEN GLASBA/MUSIC ČOK RADOVAN FOTOGRAFIJA/PHOTOGRAPHY GRUDEN JURIJ SCENARIJ/SCREENPLAY GRUDEN JURIJ BY REŽIJA/DIRECTED KLEMEN DVORNIK ZLATO SRCE

ŠTUDENTSKI FILM/TEKMOVALNI PROGRAM FILM STUDY/IN COMPETITION GOLDEN HEART leta kasneje, ko ga je mama peljala gledat film, je je film, gledat Vesoljec? postal. peljala bo kaj mama ugotovil, je namreË ga Tri ko življenje. kasneje, njegovo leta zaznamoval usodno je vesoljËka, T. ki E. filma, let Spielbergovega pet Ëez premiera ZDA v Natanko bila je mestu. Novem v 1977 leta Rojen Dvornik Klemen vse preseneti in vpletene. odide skrivnosti dogodkov razkrije tok pot, svojo Vendar mesto. postavila svoje stvari bo na da odloËena, je ki doktorica Glorija, zagnana in mlada bolnišnico v pride dne Nekega ustanovi. po razpasel je se ki kaosa, krotenju pri nesposobnost svojo skriva ki Guz manu, doktorju tiranskemu nemilost in milost na prepušËeni pacienti, Simon, in Max so tudi sta katerimi bolnišnici med psihiatriËni odroËni V - took him to see the film, he recognized what he would would he what alien? An recognized become. he film, the see to him took mother his when later, years three Another life. his irreversibly mark would that film a USA, the in premiered E.T. Spielberg’s later, years Five mesto. Novo in 1977 in Born surprising everyone involved. everyone and surprising secrets revealing own, their of course a take events However, determined situation. the of clinic, control the take to to comes ambitious Glorija and young Doctor day, One institution. the over taken has that chaos the control to his inability conceal to of tries who mercy tirant the a patients, Guzman, at Doctor are the Simon, and clinic, Max including psychiatric remote a In Ostrorogi Jalen (2002) - dokumentarni/ - (2002) Jalen Ostrorogi srce/ Zlato nevihto/ pred Tišina Zjutro/ filmografija/ 57 Morning Golden Heart Golden filmography (1998) Calm Before the Storm the Before Calm (2001) documentary (2000) 19’ TIME DOLŽINA/RUNNING BARVNI/COLOUR 16MM, FORMAT/FORMAT SLOVENIJA RTV KOPRODUKCIJA/CO-PRODUCTION LJUBLJANA 1000 3 NAZORJEVA AGRFT PRODUKCIJA/PRODUCTION ZEMLJIČ PIA SOUČEK, JURIJ EKART, PRIMOŽ ZORC, GREGOR IGRAJO/CAST KAVČIČ MIRJAM MASKA/MAKEUP KOČIŠ DRAGO JARAMAZ, MIHA ZVOK/SOUND ZEMLJIČ BARBARA DESIGN KOSTUMOGRAFIJA/COSTUME FERKOV MIHA DESIGN SCENOGRAFIJA/SET BRICELJ JANEZ MONTAŽA/EDITING JOVANOVIČ TOMISLAV GLASBA/MUSIC ČOK RADOVAN FOTOGRAFIJA/PHOTOGRAPHY DVORNIK KLEMEN SCENARIJ/SCREENPLAY DVORNIK KLEMEN BY REŽIJA/DIRECTED

POLETJE V ZLATI DOLINI LILIJINA ZGODBA FEATURE FILMS CELOVEČERNI IGRANI FILMI

URADNA SELEKCIJA (NETEKMOVALNI PROGRAM) OFFICIAL SELECTION (OUT OF COMPETITION) ROBERT MANTHOULIS LILIJINA ZGODBA

CELOVEČERNI IGRANI FILM/NETEKMOVALNI PROGRAM FEATURE FILM/OUT OFLILLY’S COMPETITION STORY …). Solunu nagrad Atenah, veliko Bruslju, prejel je Locarnu, (v zanje drugod, režira in Can v Moskvi nesu, prikazani bili dokumentarce, so filmi Njegovi filme, ce gledališËu. v snema tudi televizijske generacije starejše loveËerce, režiser živeËi grški Parizu v 1967 priznani leta Od GrËiji. V 1929 leta Rojen Manthoulis (Roviros) Robert do fates similar with as nations just country, oppressed their many fled Greeks military the to dictatorship, due when, time a Mid-seventies, … in ljubezensko razmerje prave novo še se dežel, Stke dveh domovine. izbrane zemlji po pepel raztrosi smrti njegov njegovi po in oËeta svojega vidi umirajoËega da domov, vrniti nujno moškega, mora išËejo se ki Piranu V sled. vsaka njim izgubi za se in Sloveniji v izgine v drugi odpotuje Budimpešto, pare prebite brez nekdo in policija, jo nenapovedano varnostna katerega brutalna zaradi aretirala je oblasti, njen proti in odporu zvezdi emu glavni o novinarka, Ëlanek se in napisala bi pojavi da takšne v dogodivšËine: zapletajo drugaËne odpravil na umetniki pripravami se ekipo in snemanje z Ëakanjem politiËne Med skupaj Pariz. v kritiko iskat GrËiji, film, v novi represije svoj za pomoË finanËno po je se ki režiser, tudi je izgnanci Med GrËijo. njihovo na in spominjalo morja sonca turistov, barv, poletje, veselih vsako zaradi je jih saj sreËevali je se so Piran kjer usode. mesto, bilo podobne doživljajo ki narodi, zatirani drugi do poËno danes svoje to kot iz zaradi tako bežali movine, so Grki ko diktature Ëas, polkovniške let, sedemdesetih Sredina 60 - - - - of awards (in Locarno, Brussels, Athens, Solun …). Solun Athens, Brussels, number Locarno, a (in awards of receiving festivals, other and Moscow at Cannes, shown were films His theatre. in directs also he documen taries; films, television films, feature 1967. directed since has He Paris in living been has generation of older the director Greek acclaimed This Greece. in 1929, in Born stand against the authorities for which she was was she which for her authorities and the actress against lead stand the about story a write to wanting appears, reporter a involved ‘incidents’: are various in artists the filming, for the and preparations waiting the political During financial the Greece. of in of repression criticism search a film, in his for crew support his with Paris moved has to who director a is refugees the of One Greece. of them reminded sun the the and sea tourists, colours, bright every its met because they summer, where place the was Piran now. - Lilijina zgodba/ Lilijina bogovih/ in ljudeh O kožo/ pod Blues oËi/ v oËi Iz Hitler!/ kvišku, Roke (1960) I diamarhos, Kyria (1960) Papadopoulou Oikogeneia filmografija/ the on love new horizon… a is there And one. chosen his and one true his ashes − his homelands two of soil scatter the over to and father dying his see to immediately home return to has a who man for ing look are they Piran, In trace. a in without Slovenia disappears member another penny; a without and unexpectedly Budapest to member travels a crew the of forces; security brutal the by arrested Face to face to Face filmography Lilly’s Story Lilly’s h Bus ne te Skin the under Blues The Of Men and Gods and Men Of Hands up, Hitler! up, Hands (1966) (2003) (2003) (1992) (1992) (1962) (1973) - VENICE FILM FESTIVAL 2001 FESTIVAL FILM VENICE PREMIERA/PREMIERE 130’ DOL BARVNI/COLOUR 35MM, FORMAT/FORMAT 1, LJUBLJANA ROJČEVA CREATIVA, DISTRIBUCIJA/DISTRIBUTION PRODUCTIONS YGREC CENTRE FILM GREEK SALES PRODAJA/WORLD (GR FILM TELE (GR PRODUCTIONS LUMIERE (SLOVENIJA) MAJ STUDIO (SLOVENIJA) CASABLANCA CENTRE FILM GREEK KOPRODUKCIJA/CO-PRODUCTION EURIMAGES (FR) PRODUCTIONS YGREC PRODUKCIJA/PRODUCTION MORIATIS CONSTANTIN PRODUCENT/PRODUCER WENGER ALAN PAPPA, ATHENA ALEXANIAN, CHRISTINA FESTA, YOTA MANDIS, RENOS LAZARIDOU, OLIA HADJISSAVAS, MINAS VOGIATZIS, YORGO ANDRÉA, TOMI VIOLETA ZAVR BRANE PUTZULU, BRUNO GALIENA, ANNA IGRAJO/CAST PAPADIMITRIOU NICOS ZVOK/SOUND LELOUDA DORA MAKUC, ZVONKA DESIGN KOSTUMOGRAFIJA/COSTUME LELOUDA DU DESIGN SCENOGRAFIJA/SET HELIDONIDIS YORGOS MONTA MAMANGAKIS NIKOS GLASBA/MUSIC KAVOUKIDIS NIKOS FOTOGRAFIJA/CINEMATOGRAPHY MANTHOULIS ROBERT SCENARIJ/SCREENPLAY MANTHOULIS ROBERT RE Ž Š IJA/DIRECTED BY IJA/DIRECTED Ž INA/RUNNING TIME INA/RUNNING KO MILAVEC, DORA DORA MILAVEC, KO Ž A/EDITING Č ) , JULIETTE JULIETTE , Š AN, AN, ) SRĐAN VULETIĆ POLETJE V ZLATI DOLINI

CELOVEČERNI IGRANISUMMER FILM/NETEKMOVALNI PROGRAM IN FEATURE THE FILM/OUT OF COMPETITION GOLDEN VALLEY loveËerni prvenec. prvenec. loveËerni mednarodnih festivalov. znanec filmskih stari in ...) Sarajevu zmago domaËem v Petersburgu, St. v Berlinalu, na imenovani priznanje tedaj felix, nagradi, filmski številnih evropski (dve Dobitnik nagrad filme. snemal In prostovoljno bolnišnici. v tehnik delal medicinski kot je ostal je kjer Sarajevu, Hercegovini v in Bosni v umjetnosti vojno Med scenskih Sarajevu. v Akademiji na diplomiral je Leta 1995 Hercegovina. in Bosna Bijeljini, v 1971 leta Rojen mest, VuletiÊ Srdjan uniËenih dedišËino niso kot oËetje drugega jim ki pustili sinov, generaciji “Pripadam poverty. rible ter and misery corruption, chaos, post-war by world ruled a − Sarajevo of world real the to out sets he himself for dignity and father his for (redemption) his ‘Halal’ secure and back” money the To return “buy soul. father’s to decides child, a al merely Fikret, though Therefore, contempt. public of target a become they and family the for shame great means This debt. father’s his pay should Fikret that funeral until the at demands seen Hamid and high is nor amount The now. known not has Fikret whom man a Hamid, with debt in deeply finds was boy, father his that out funeral) year-old sixteen a Muslim Fikret, father, (traditional his of ‘Dzhenasia’ the At revšËina. velika in beda kaos, korupcija, povojni vladajo njem V Sarajeva. svet niËni res v poda se (oprostitev), ‘halal’ zagotovil oËetu in ponos ohranil denar, vrnil bi Da oËeta. svojega se dušo Zato odkupiti odloËi trdno posmeha. otrok, še Ëeprav tarËa Fikret, postane družina vsa in velika je se Sramota sina. da na preide da zahteva, tako, pogrebu povrne na že Hamid in velik je Dolg ga ni videl. niti poznal ni niti doslej ga Fikret ki moškemu, Hamidu, pri zadolžen globoko oËe bil je da izve, oËeta svojega pogrebu) muslimanskem (tradicionalnem na ‘dženaziji’ Fikret Šestnajstletni Poletje v Zlati dolini Zlati v Poletje je njegov ce njegov je - - - - Valley around festivals. films travelled has international the and Sarajevo…) in festival the at home victory a and Festival; Film International tersburg Pe St. the at and Berlinale the at Awards, awards Film Felix; then the European (two awards several received He a as Legs). My Herze volunteered IBurnt How (1993, films and made and And nurse. male Sarajevo Bosnia in in remained war he the govina, Performing During of Academy Sarajevo. the Arts, In from Herzegovina. graduated and he Bosnia 1995, Bjeljina, in 1971, in Born “I am a part of a generation of sons whose fathers fathers whose sons of generation a of part a am “I VuletiÊ Srdjan naj slednje.” izbral bi reËemo, Jaz odjebejo. preprosto jim naj ali popravljamo oËetov naj napake ali odloËiti sinovi, mi, moramo se ko momentu, o pripoveduje Film preteklosti. iz odloËitev slabih ujetnice postale so sinov Gen eracije družbe. zlomljene kaosa in naËel porušenih is his feature debut. feature his is Summer in the Golden Golden the in Summer - - - oej v lt dolini/ (2003) Ylati v Poletje minut/ 10 (2000) Jump & Skip Hop, kino/ Vojni vojno/ med marec Osmi noge/ opekel si sem Kako filmografija/ Vuletiæ Srdjan latter.” simply the is choice My off. or fuck to them tell mistakes fathers’ our correct to whether decide must sons, the we, is when film moment the The about past. the in made been had that deci sions bad of hostages became sons of Generations society. broken a of chaos the and principles fallen cities, destroyed of legacy a but nothing them left 61 10 Minutes 10 War Cinema War filmography (2002) (1994) March 8th in Wartime in 8th March umr n h Gle Valley Golden the in Summer How I Burnt My Legs My Burnt I How (1993) (1993) (1993) -

SARAJEVO FILM FESTIVAL 2003 FESTIVAL FILM SARAJEVO PREMIERA/PREMIERE 104’ DOL 35MM FORMAT/FORMAT FBIH RTV (AVSTRIJA) GESMBH FILMPRODUCTION NOVOTNY&NOVOTNY RS SKLAD FILMSKI ARKADENA/ STUDIO KOPRODUKCIJA/CO-PRODUCTION UK LTD., CLUBDEAL (FRANCIJA) S.A. FILDEBROC HERCEGOVINA) IN (BOSNA PRODUCTION REFRESH PRODUKCIJA/PRODUCTION KENOVIĆ ADEMIR PRODUCENT/PRODUCER HAD EMIR GLAMOČAK, ADMIR SAD SEKSAN, ALEKSANDER MARJATOVIĆ, ZANA ČEBO, KEMAL CVETKOVIĆ, SVETOZAR SIJARIĆ, HARIS IGRAJO/CAST BUHIN JOLANDA MASKA/MAKEUP FOGEC TOMISLAV ZVOK/SOUND VILIĆ AMELA DESIGN KOSTUMOGRAFIJA/COSTUME HRUSTANOVIĆ KEMAL DESIGN SCENOGRAFIJA/SET KELBER CATHERINE MONTA BOSWEL SIMON GLASBA/MUSIC TRNINIĆ SLOBODAN FOTOGRAFIJA/CINEMATOGRAPHY VULETIĆ SRDJAN SCENARIJ/SCREENPLAY VULETIĆ SRDJAN RE Ž IJA/DIRECTED BY IJA/DIRECTED Ž INA/RUNNING TIME INA/RUNNING Ž IHAFIZBEGOVIĆ Ž A/EDITING Ž IDA IDA Š EFTIČ, EFTIČ,

ŽIVI DOLGČAS VONJ PO ZEMLJI TITICACA TITICACA - POTOVANJE S ČOLNI SSTRESS SREČANJE OSTROROGI JALEN ZVVIKS ZVVIKS MOSK KO UMIRAŠ IZGINEVANJE IN NASTANE POEZIJA FILM NO.1

SPREMLJEVALNI PROGRAM ACCOMPANYING PROGRAMME MARTINA KAFOL OLIVER MARČETA IN NASTANE POEZIJA FILM NO. 1 AND POETRY IS CREATED FILM NO. 1 KRATKI DOKUMENTARNI FILM/SPREMLJEVALNI PROGRAM SHORT DOCUMENTARY FILM/ACCOMPANYING PROGRAMME ANIMIRANI FILM/SPREMLJEVALNI PROGRAM ANIMATED FILM/ACCOMPANYING PROGRAMME na podroËju filma in slikarstva. slikarstva. in filma podroËju na umetnik zakljuËil svobodni soustanovitelj kot deluje Je je in film. “predmoderno” kjer gibanja animirani za šoli Dunaju, razred se Visoki na mojstrski na je Ukvarja umetnosti študiral KoËevju. uporabnih pri animacijo, in Oneku v slikarstvom 1969 leta Rojen Mar Oliver believe to us forces media the of aggression The blurred. is unreal and real the between border The reality. from detachment and fear of cre sense a media ate electronic sta other and television information tion computers, of world modern The film. video eksperimentalni Kratki dobrega. je nekaj vojna je da to, v irealnim in vojno v verjeti celo in primora nas medijev realnim od Agresija med zabrisana. odtujenosti Meja in medijev strahu realnega. obËutek elektronskih ostalih ustvarjajo in postaj televiz ijskih informacije raËunalnikov, svet Moderni Mehiki ali templjev v Tibetu. Nastajajo filmi, filmi, v Nastajajo Tibetu. romarjev v Vietnamu, templjev v ali Mehiki ribiËev kulturnih do zamejskih v društvih najrazliËnejše prireditev od lovi kamera situacije, Njegova svet. opazu jejo nenehno ki tiste ljudi, med pozorne sodi in Žerjal radovedne digitalike. od primeru loËil nobenem bi v ne se pa z danes zaËel je kamero, leti 8mm petdesetimi Pred da maËek. v rekli, bi stari je je Lahko in poznan. amater dobro krogu filmski svojem tržaški je Žerjal Aljoša snela trideset dokumentarcev o zamejskih vaseh. Nekaj Nekaj vaseh. zamejskih o dokumentarcev po- trideset Žerovnik snela Majo režiserko Med z sta filmu. 1999 in in 1996 letoma umetnosti TV o s prispevke sodeluje 1993 pripravlja leta Koper, Od Trstu. v 1964 leta Rojena Kafol Martina zgodovini, neponovljivosti. in njegovi kulturi Ëloveku, o poezijo tkejo ki Ë eta 64 - - - - painting and animation. and painting in artist a as free works and movement “Pre-modern” the of Masters’ founders the a of one is He film. animated completed in he programme where Vienna, Arts University Applied the of at studied he fields animation; the and in painting Creates of KoËevju. pri Onek in 1969, in Born Oliver MarËeta Oliver lovers.” art to film and avant-garde time the of out dullness avoid criticize to is which of purpose the film, video pre-modern first the is 1 No. “Film filmske MarËeta Oliver avantgardne umetnosti.” izogniti se in ljubiteljev Ëas poneumljanju kritizirati ka je film, namen video terega predmoderni prvi je no.1 “Film film. video experimental Short thing. good a as war in laborating with TV Koper, reporting about art and film. film. and art about reporting Koper, col TV been with has she laborating 1993, Since Trieste. in 1964, in Born Topolovo Postaja del: films weave poetry about humanity, its history, history, uniqueness. its and culture humanity, about His poetry temples. weave Tibetan films to Mexico in pilgrims from Vietnam, in fishermen to events societies’ cultural emigrants’ Slovenian the a from always themes, captured of has variety are camera His who world. the people observing those attentive of one and is Žerjal curious camera. digital his from separated be never 8mm would a he today, with while camera, started he ago, years Fifty veteran. a is he said be can It and circles. his Trieste in from known well is amateur film a is Žerjal Aljoša Premikanja, Spomini, VšeË so mi bile njegove roke, roke, njegove bile mi so VšeË Spomini, Premikanja, (s Katjo Colja), Colja), (s Katjo Moj svet Moj . - - Fijaker/ (2000) 8 Super ura/ OËetova Kamnosek/ (1997) Intercontinental Hotel national Internacional/ pes, Dalmatinski (1994) Orleans New von Jesus filmografija/ eois I ie Hs ad, oooo Station Topolovo and Colja) Katja Hands, His Liked I Memories, work: of her Some Italy. in villages emigrants’ Slovenian about documentaries 30 director make to with Žerovnik Maja collaborated she 1999, and 1996 Between Coachman (1995) Stonecutter Stonecutter Father’s Watch Father’s filmography My World My (2001) (1998) . (1999) amta Dg Inter Dog, Dalmatian Movements, Movements, (with (with - 50’ DOL SP, BETA BARVNI/COLOUR FORMAT/FORMAT ITALIJA TRST, 7 F. SEVERO ULICA DE PRODUKCIJA/PRODUCTION ALJO NASTOPA/FEATURING ROBICH FABIO ZVOK/SOUND PINTO ALESSANDRO MONTA SIVINI ANDREA FOTOGRAFIJA/PHOTOGRAPHY KAFOL MARTINA SCENARIJ/SCREENPLAY KAFOL MARTINA RE 5’ DOL SP, BETA BARVNI/COLOUR FORMAT/FORMAT [email protected] MAR OLIVER PRODUKCIJA/PRODUCTION MAR OLIVER ZVOK/SOUND MAR OLIVER MONTA MAR OLIVER GLASBA/MUSIC MAR OLIVER FOTOGRAFIJA/PHOTOGRAPHY MAR OLIVER ANIMACIJA/ANIMATION MAR OLIVER SCENARIJ/SCREENPLAY MAR OLIVER RE Ž Ž Ž IJA/DIRECTED BY IJA/DIRECTED BY IJA/DIRECTED Ž Ž INA/RUNNING TIME INA/RUNNING TIME INA/RUNNING ELNI SEDE ELNI Š Ž Ž A/EDITING A/EDITING A A Ž ERJAL Č Č Č Č Č Č Č Č ETA ETA ETA ETA ETA ETA ETA ETA Ž RAI ZA FJK ZA RAI DAVID OSIVNIK MARIJAN HINTEREGGER KO UMIRAŠ IZGINEVANJE WHEN YOU’RE DYING KRATKI IGRANI FILM/SPREMLJEVALNI PROGRAM SHORT FICTION FILM/ACCOMPANYING PROGRAMME CELOVEČERNI IGRANI FILM/SPREMLJEVALNIDISAPPEARING PROGRAM FEATURE FILM/ACCOMPANYING PROGRAMME kratki) in in kratki) je ekipo še prijateljsko posnel S film. bil je korak naslednji cijo, produk avdio za Tech zanimal je of se let mladih od Že Institute nology. Illinois v na arhitekture opravil iz je arhitekturo kjer magisterij je Chicago, v preselil Študiral nato se ter Kopru. Ljubljani v 1975 leta Rojen Osivnik David … prijateljem njegovim izda umor. skrivnost prizna Nina ji ter Nini za dekletu Majki se svojemu k teËe sprejo, skupine glasbene njihove vaji na se Ko obnašanje. Ëudno ki njegovo Tomi), in opazijo fant Mašin Roki, brat, prijatelji Mašin njegovi (Kreš, tudi dan pa Naslednji policisti, opazil. obišËejo ga kdo tem pri ga bi da ne zbeži, nesreËe S prizorišËa Mašo. punco bivšo svo jo ubije nesreËi po Majki zabavi najstniški Na produkciji. lastni v izvedel je ga ki projekt, ( tretji njegov je Film NemËiji. in Avstriji v naHrvaškem, gledaliških v Sloveniji, na inteleviziji igra radiu Grazu filmu, dalje odrih, v 1974 leta ustvarja Od in Živi Dubrovniku. in Mariboru. v 1961 leta Rojen Hinteregger Marijan povsem … odvijati stvarnosti priËne dimenzija nova oËmi njenimi pred se umorjen, bil je nena da Mike odkrije, Ko Suzana in umre doma življenje. skupno zamisli lahko si katerim s Ëloveka, ostaja najde Mika, umetnika nega pogosto nenavad in skrivnostnega življenja spozna ko Šele sama. resno-nepovršnega doživljanja in naËina samosvojega zaradi a ‘sopotnika’, primernega sebi išËe Vztrajno sami. živita katero s mamo, z konfliktu nenehnem v je Celovcu, v psihologije študentka mlada Suzana, Stari dej prjav dej Stari Prekleti stol Prekleti oger ei, Vpisovanje Felix, Jongleur (komiËna grozljivka, neodvisni neodvisni grozljivka, (komiËna (erotiËna komedija). (erotiËna Izginevanje (Verflüchtigung) (Verflüchtigung) ) avtorski avtorski ) ------(erotic comedy). comedy). (erotic and independent) short comedy, (horror friends, of team two his made with He films film. was more in step of next interested the was Institute he production, audio young, Illinois was he the When at in Technology. completed studies he where architecture postgraduate Chicago, his studied to He moved and Koper. Ljubljana in 1975, in Born production. own his in realized and created has project third is the gung) Croatia, film The Slovenia, Germany. and in Austria television in and radio performing Graz film, been in theatre, has works he 1974, and Since lives Dubrovnik. He and Maribor. in 1961, in Born Maša. She betrays him to his friends … friends killed his to him has he betrays She that Maša. his confesses and with Nina help seeks girlfriend the Majki at practice, fight a band’s After their behaviour. no Tomi) strange and his tice Maša’s boyfriend; (Kreš, Maša’s Roki, friends His ques brother; is police. he the day, by next tioned the The of scene unnoticed. the from accident runs ex- He his Maša. kills girlfriend accidentally Majki party, teen a At before eyes… here unfolding starts reality of dimension completely new a murdered, was he discovers when Suzana and dies suddenly sharing Mike When imagine with. can life her she man a finds she artist Mike, unusual and mysterious a meets she when But alone. stays often she life, of perception lous meticu truly her to searches Due ‘companion’. a suiting for persistently She alone. lives she with whom mother, her with conflict Klagen constant in in is furt student psychology young a Suzana, (Jongleur Felix, Vpisovanje) Vpisovanje) Felix, (Jongleur Disappearing Disappearing The Damned Chair Damned The Word Up Word (Verflüchti , , Dude he he - - - - -

65 51’ DOL BARVNI/COLOUR VIDEO, FORMAT/FORMAT [email protected] PRODUKCIJA/PRODUCTION TRO TRAN BARBARA BIZJAK, BORUT PRIMC, MATJA FRANCA, MATEJ IGRAJO/CAST TRAN BARBARA MASKA/MAKEUP OSIVNIK DAVID ZVOK/SOUND MATJA FRANCA, MATEJ OSIVNIK, DAVID DESIGN KOSTUMOGRAFIJA/COSTUME MATJA DESIGN SCENOGRAFIJA/SET OSIVNIK DAVID MONTA LINK GLASBA/MUSIC OSIVNIK DAVID FOTOGRAFIJA/CINEMATOGRAPHY OSIVNIK MATJA SCENARIJ/SCREENPLAY OSIVNIK DAVID RE 80’ DOL SP, BETA BARVNI/COLOUR FORMAT/FORMAT [email protected] HINTEREGGER MARIJAN PRODUKCIJA/PRODUCTION RAAB PETER TRDIN, METKA BAGARI, TATJANAPAV DORFER, GERHARD LESSIAK, CHRISTIAN WUTTE, DUNJA IGRAJO/CAST HINTEREGGER MARIJAN MONTA HINTEREGGER MARIJAN GLASBA/MUSIC HINTEREGGER MARIJAN FOTOGRAFIJA/CINEMATOGRAPHY HINTEREGGER MARIJAN SCENARIJ/SCREENPLAY HINTEREGGER MARIJAN RE Ž Ž IJA/DIRECTED BY IJA/DIRECTED IJA/DIRECTED BY IJA/DIRECTED Ž Ž INA/RUNNING TIME INA/RUNNING INA/RUNNING TIME INA/RUNNING Š T T Ž Ž A/EDITING A/EDITING Ž Ž PRIMC DAVID PRIMC, Č I Č Č Č Ž , LUDVIK LUDVIK , AR, TOMA AR, AR PRIMC Ž

KOLJA SAKSIDA KOLJA SAKSIDA ZVVIKS ZVVIKS MOSK

ANIMIRANIZVVIKS FILM/SPREMLJEVALNI PROGRAM ZVVIKS ANIMATED FILM/ACCOMPANYING PROGRAMME MOSK EksperimenTalec (ekspert za eksperimente, hkrati hkrati eksperimentalni/ kratki − (1999) eksperimente, za talec/ še pa (ekspert EksperimenTalec filmografija/ mathematics everything is defined and that every every loop. aknown fact, in is, that variable unknown and defined is everything mathematics in that found already Greeks ancient The word. a in results by letters of An represented numbers equation z(n)anka. neznanka vsaka resnici v je da v in je definirano da vse ugotovili, matematiki so Grki stari re Že je beseda. Ërke, zultat predstavljajo jih ki številk, enaËb Iz filmu pri režije zemlja asistent Nikogaršnja tudi je Bil Slak. W. A. Hanne HoËevarjevem v v ( filmih nastopal študentskih in videospotih, generacije mlajše talec) režiserji še z pa sodeloval je hkrati eksperimente, film za prvi (ekspert svoj posnel je sedemnajstih ( odigral je štirinajstih pri vlogo filmsko Prvo Kranju. v 1981 leta Rojen Saksida Kolja posnetek vpra Warwicka, spro Filipa kasneje je pa dr. rokah v 2226 znanstvenika leta objektiv v ujet bil je Dogodek vvitrine. dele elementarne shranijo Ni znova. in znova konca, do porabijo dele mehanske vse in vse Plastosi Oba. izlivu ob odkrili ga so ki lji, pre edinega in stoletja 23. arheolo Katastropolisa, ivalcev razli Prikaz Zvviks, so me pripeljala do ugotovitve, da moraš moraš da ugotovitve, do pripeljala me so Zvviks, v laboratoriju raziskovanja dolgoletnega plod so ki Plastosov, življenja iz zapisi magnetni “Najnovejši š anja in odkritja. odkritja. in anja Ë esar ne vr ne esar Ë n xet o eprmns n a hostage) a and experiments for expert an nih stopenj razvoja bitja Plastos, preb Plastos, bitja razvoja nih stopenj filmography Naprej Jebiga (2001) Danisa TanoviÊa. Leta 2001 2001 Leta TanoviÊa. Danisa (2001) ž , kratki film Borisa PetkoviËa), pri pri PetkoviËa), Borisa film kratki , il il ir gan voo v vlogo glavno igra , ž ejo stran. Po razpadu stvari stvari razpadu Po stran. ejo š ein nv kulturolo nova tevilna ž ivelega mesta na Zem na mesta ivelega Vrvohodec, Rop stoletja Rop Vrvohodec, short experimental short š kega nahajali kega EksperimenTalec EksperimenTalec Slepi pegi pegi Slepi . Kasneje Kasneje . šË ž 66 a iz iz a š ive ive ka ka ), ), - - -

Zvviks zvviks (2002) − animacija/ − (2002) zvviks Zvviks animacija/ − (2002) Mosk animacija/ − (2002) Party Lab animacija/ − (2001) Go Let’ssss videos, student films ( films student videos, in music appeared of generation, the younger directors with hostage) a and experiments for film he his shot first seventeen, ( teen four at role film first his played He Kranj. 1981in in Born produkcije. video digitalne nizkoproraËunske žanri drugimi in animacijo z ukvarja se kjer Zvviks, skupino produkcijsko ustanovil je to lack of control over a moving picture ...” Kolja Kolja ...” picture Saksida moving a over lead control of can lack hypothesis to a of absence since captured, is it before calculated be should film a of sequence each that conclusion the to me led have laboratory, of Zvviks life the in research the of years of result a from Plastoses, recordings magnetic latest “The gibljivo nad Saksida ...” Kolja nadzor sliko izgubiš lahko hipoteze brez ker preraËunati, naprej posnetkom pred kader vsak discoveries. and questions culturological new numerous to rise gave it and Warwick Philip Dr. by scientist was This captured event in vitrines. parts all they store elementary decomposition, again. After all over and completely, over expend and parts organic mechanic Plastoses Ob. river the of mouth the century at 23rd the in discovered site, an archaeological Catastropolis, of inhabitants Creatures, Plastos the of development of stages different of Portrayal Ahead , a short film by Boris Petkovi Boris by film short a , Tightrope Walker, Robbery of the the of Robbery Walker, Tightrope animation ExperimenTalec (an expert (an expert ExperimenTalec animation animation . He moved on to work work to on moved He . animation Ë ); when he was was he when ); - spodaj/ filmografija/ production. digital low-budget of genres other and in of the fields animation working group a production Zvviks, in tor Spot Blind Century No Man’s Land Man’s No below ), Ho ), by Hanna A. W. Slak. He was also assistant direc by A. Hanna W.assistant He was Slak. also Ë filmography filmography evar’s evar’s by Danis Tanovi Danis by Fuck it Fuck and is playing the lead role in in role lead the playing is and Ê . In 2001, he founded founded 2001,In . he - 1’10’’ DOL DV MINI FORMAT/FORMAT LJUBLJANA 1000 3 TRG PREGLOV PRODUCTION ZVVIKS PRODUKCIJA/PRODUCTION SAKSIDA KOLJA MONTA BORKA GLASBA/MUSIC SAKSIDA KOLJA ANIMACIJA/ANIMATION SAKSIDA KOLJA SCENARIJ/SCREENPLAY SAKSIDA KOLJA RE 1’10’’ DOL 8 SUPER FORMAT/FORMAT LJUBLJANA 1000 3 TRG PREGLOV PRODUCTION ZVVIKS PRODUKCIJA/PRODUCTION SAKSIDA KOLJA DESIGN SCENOGRAFIJA/SET SAKSIDA KOLJA MONTA BORKA GLASBA/MUSIC SAKSIDA KOLJA FOTOGRAFIJA/CINEMATOGRAPHY KOVA A. MARKO KREATURE/CREATURES SAKSIDA KOLJA ANIMACIJA/ANIMATION SAKSIDA KOLJA SCENARIJ/SCREENPLAY SAKSIDA KOLJA RE Ž Ž IJA/DIRECTED BY IJA/DIRECTED BY IJA/DIRECTED Ž Ž INA/RUNNING TIME INA/RUNNING TIME INA/RUNNING Ž Ž A/EDITING A/EDITING Č I Č KATJA COLJA KLEMEN DVORNIK OSTROROGI JALEN SREČANJE SHARP-ANTLERED JALEN KRATKI DOKUMENTARNITHE FILM/SPREMLJEVALNI REUNION PROGRAM SHORT DOCUMENTARY FILM/ACCOMPANYING PROGRAMME kih in dokumentarnih filmov ( filmov dokumentarnih in krat TV kih veË je Zrežirala s produkcijo. še ukvarja se v Rimu, kjer izpopolnjuje deželnega študijsko se Trenutno programe RAI. TV sedeža do je slovenske za delala scenaristka in 2002 leta režiserka Kot fakulteti. tamkajšnji na je filozofski Diplomirala Trstu. v 1969 leta Rojena Colja Katja pripovedovalk. intimnimi z svetovi prepletati zaËno se pogosto in dogodki kmalu Zgodovinski iz vojne. trenutki svetovne boleËimi druge in pretek težkimi s Oživljajo prežeto pripadnic lost, Trstu. v zgodb manjšine življenjskih slovenske pet žensk, Pet and works as a director of television programmes and and programmes television of director a as works and filmography) (see films student makes He Television. and Film Radio, Theatre, for Academy the at directing TV and film of pre-graduate a is He Mesto. 1977, Novo in in Born …). Klemen Nuša Klemen Kingston, Derenda, pesnikov, ter mrtvih oddaj (Društvo (glej televizijskih videospotov filme režiser kot dela študentske in Snema filmske filmografijo) AGRFT. na Absolvent režije mestu. TV in Novem v 1977 leta Rojen Dvornik Klemen Sadar. Ivan pesnik in prijatelj, duhovnik njegov tudi je Predstavljen farani. sorodni ki, sodelavci, spominu: v ga nosijo ki vedno ljudje, še jo njegove Pripovedujejo do Ljubnem. v škofije smrti ljubljanske krajih v razliËnih službovanja leta in teologije študij gimnaziji, kranjski na šolanje družino, in otroštvo Spremljamo njegovo Gorenjskem. na Rodinah na ro z jstvom zaËne se Jalnu Janezu pisatelju o Zgodba LuËi onkraj meje onkraj LuËi , 2002). , - - - - directed several short TV films and documentaries (T Border the Beyond documentaries and Lights films TV short several directed She production. up took also she where Rome, in her studies the continuing is she at moment the At programmes office. regional Slovenian RAI of director as writer worked of has screenplay she and Faculty 2002, the Until at Trieste. in Graduated Arts Trieste. in 1969, in Born often interwoven with intimate worlds of the the of worlds intimate narrators. with and soon interwoven are events often historic The II. War the World the from moments revive painful and They hard of full Trieste. past, in the of minority members of Slovenian life-stories five women, Five Ostrorogi Jalen/ Ostrorogi srce/ Zlato nevihto/ pred Tišina Zjutro/ filmografija/ Nuša …). Klemen Kingston, Klemen pesnikov, Derenda, mrtvih (Društvo videos music people form his parishes. parishes. his form people and relatives colleagues, his − him who remember still people by told is story The Ljubno. in his death ultimately, and archdiocese, Ljubljana the in towns various in working of years Kranj, in grammar school his the at see education We family, his Gorenjskem. childhood, na with Rodine starts in Jalen birth Janez his writer about story The Morning Golden Heart Heart Golden filmography (1998) Sharp-Antlered Jalen Sharp-Antlered A

Calm Before the Storm the Before Calm (2001) , 2002). , (2002) (2000) he he 67 32’ DOL SP, BETA BARVNI/COLOUR FORMAT/FORMAT TRST 7 F. SEVERO ULICA KRAJINO JULIJSKO IN FURLANIJO DE PRODUKCIJA/PRODUCTION KOREN TATJANA KRAVOS, MILEVA PURI LJUDMILA TUL, EMA KRAVOS, EVFRAZIJA IGRAJO/CAST ROBICH FABIO ZVOK/SOUND PINTO ALESSANDRO MONTA AAVV GLASBA/MUSIC ALDI GIANNI FOTOGRAFIJA/CINEMATOGRAPHY KATJACOLJA SCENARIJ/SCREENPLAY KATJACOLJA RE 50’ DOL SP, BETA BARVNI/COLOUR FORMAT/FORMAT MARJETA PRODUKCIJA/PRODUCTION RAVNOHRIB PAVLE NASTOPA/FEATURING KAZI GORDANA MASKA/MAKEUP GAJI IGOR ZVOK/SOUND DVORNIK GAJI IGOR MONTA PIR GREGOR GLASBA/MUSIC KRI MATEJ FOTOGRAFIJA/CINEMATOGRAPHY MARJETA SCENARIJ/SCREENPLAY DVORNIK KLEMEN RE Ž Ž Ž IJA/DIRECTED BY IJA/DIRECTED BY IJA/DIRECTED Ž Ž INA/RUNNING TIME INA/RUNNING TIME INA/RUNNING ELNI SEDE ELNI Ž Ž A/EDITING A/EDITING Č Č Ž Ž Ž , KLEMEN KLEMEN , EBOVEC EBOVEC Š NIK Ž RAI ZA ZA RAI Č

Č , , JOŽE CAJZEK BORIS PETKOVIČ TITIKAKA – TEKMOVANJE S ČOLNI TITICACA – THE BALSAS BOAT RACE SSTRES SSTRES KRATKI DOKUMENTARNI FILM/SPREMLJEVALNI PROGRAM SHORT DOCUMENTARY FILM/ACCOMPANYING PROGRAMME KRATKI IGRANI FILM/SPREMLJEVALNI PROGRAM SHORT FICTION FILM/ACCOMPANYING PROGRAMME and film director. At the moment, two of his films are are films his of two moment, the At television director. a as film and Ljubljana in works and to lives He himself art. film dedicated he that after Portorož; in traffic engineer as graduated he 1995, In Zenica. in 1971 in Born naslovom Sahare. delovnim z sveta film novega režiserjev dokumentarni in ter režiserk mladih Marmelada omnibus nahajata postprodukciji celoveËerni v se in Trenutno televizijski režiser. kot dela filmski in živi Ljubljani V filmskemu posveti ustvarjanju. se potem prometa, inženir diplo kot mira Portorožu v 1995 Leta Zenici. v 1971 leta Rojen Petkovi Boris spontanega ele na stolu. zaËne do se ktriËnem Vse kadru. enem zgroženosti v nasmeška od Potovanje iaasii rai P te ognzrnh drvh v odpravah organiziranih treh Po vršaci. himalajskimi pod dvakrat poboËjih, saharskih po Tatrah, poljskih v je Jadral sveta. z z ljudmi vsega zbliževanju ter pozneje krajev novih je mu raziskovanju in kar odkrivanju pri povezal, pripomoglo in uspelo tudi športa oba bi da stremel temu, je k z Vedno alpinizmom. ukvarja in se padalstvom strojevodja, jadralnim poklicu po 1964, leta Rojen Cajzek Jože Andov. in Titicace Peruja, preteklosti in sedanjosti pripeljal podobe še leti predstavlja pred filmu V domov. je ga ki Ëolnu, pravem v a je “titikaškem” vodah, Sam slovenskih na organiziral. kar sam vadil tudi zanj je ga ki njimi, z tekmovanje mednarodno edino trenutka in tega prvo do pokaže filmu svojem v Cajzek Jože tost. Los znameni svetovna in prebivalcev Titicace posebnost so Uros, Ëolni pleteni totora, de Balsas , za katerega je prispeval prvo epizodo, epizodo, prvo prispeval je katerega za , , pripoved o pregnanem ljudstvu Zahodne Zahodne ljudstvu pregnanem o pripoved , Ë Meje Meje 68 - - - Sstress (2003) - kratki/ - (2003) Sstress kratki/ − (2001) Cut Director’s Naprej/ filmografija/ Sahara. Western the from and World eposide; first the directed has he which in film directors, male and feature female young of the omnibus − post-production in one shot. It all begins in an electric chair. electric an in begins all It shot. one in smile a spontaneous to horror from journey The paraglided in the Polish Tatra Mountains, over the slopes of slopes the over Tatra Mountains, in Polish the paraglided He together. world the around from people bringing in and places new of exploration and succeeded; discovery in him he helped this finally, and, sports to two the trying join been somehow always had He alpinism. and paragliding in involved is he trade, by driver engine an 1964, in Born Kordilijer. zraziskovanjem nadaljuje Peruju Titicaca and the Andes. Andes. the and Titicaca of and past the Lake Peru, present the portrays also film This earlier. years few a home brought had he which boat, Slovenian “Titicaca” real a on using was but water, trained had He he himself. which otganised competition, Balsas the international day, this only to and first, the shows film, Cajzek this Jože In worldwide. known and to Titicaca unique Lake are people Uros Los of the by bundles reeds of dried fashioned boats totora, de Balsas , a documentary narrative about a people driven driven people a about narrative documentary a , Ahead filmography (1998) − kratki/ − (1998) short short short Borders of the New New the of Borders Marmelade , an an , exploration of the Cordilleras. the of with exploration continues now he Peru, to expeditions three up set ting After tops. Himalayan the beneath twice and Sahara - 40’ DOL COLOUR SP, BARVNI/ BARVNA/COLOUR FORMAT/FORMAT JO PRODUKCIJA/PRODUCTION BO ZVOK/SOUND SIMI POTO URBAN MONTA JO FOTOGRAFIJA/CINEMATOGRAPHY MILO ANIMACIJA/ANIMATION JO SCENARIJ/SCREENPLAY JO RE 55’’ 2’ DOL 35MM FORMAT/FORMAT SLOVENIJA RTV FILM VIBA KOPRODUKCIJA/CO-PRODUCTION LJUBLJANA 1000 4 KERSNIKOVA EMOTIONFILM PRODUKCIJA/PRODUCTION PETKOVI HO DANIJEL PRODUCENT/PRODUCER VLA VLADIMIR IGRA/CAST GOROGRANC MOJCA MASKA/MAKEUP BUD SABINA DESIGN KOSTUMOGRAFIJA/COSTUME KLEMEN SELI PETRA DESIGN SCENOGRAFIJA/SET ZORNIK JULIJ ZVOK/SOUND BRICELJ PETKOVI BORIS MONTA BO FOTOGRAFIJA/CINEMATOGRAPHY PETKOVI BORIS SCENARIJ/SCREENPLAY PETKOVI BORIS RE Ž Ž Ž Ž Ž Ž Ž Š IJA/DIRECTED BY IJA/DIRECTED BY IJA/DIRECTED Ž Ž INA/RUNNING TIME INA/RUNNING TIME INA/RUNNING E CAJZEK E CAJZEK E CAJZEK E CAJZEK E O ZADRAVEC O TJAN KA TJAN Č Š Ž Ž A/EDITING A/EDITING RADOSAVLJEVI Š Č EK Š Č Ž KAR, ANJA ANJA KAR, Č Č EVAR, BORIS BORIS EVAR, ON NIK, ZVEZDAN ZVEZDAN NIK, I Š Č Č Č Č KALI NIK

, JANEZ JANEZ , Č Ć MIRKO SIMIĆ JOŽE CAJZEK VONJ PO ZEMLJI THE SCENT OF THE EARTH TITIKAKA KRATKI DOKUMENTARNI FILM/SPREMLJEVALNI PROGRAM SHORT DOCUMENTARY FILM/ACCOMPANYINGLAKE TITICACAPROGRAMME pedagoško delo na podroËju filmske produkcije. Sode produkcije. filmske tudi podroËju opravlja na delo Idriji, v pedagoško festivala video pro pobud je Slovenskega bil nik video televiziji, javni na avtorske delal je umetniških Kasneje neodvisne jekte. veË je Ëlan v bil pripravljal je ustvarja skupin, in osemdesetih Živi V Srbija. Ljubljani. Valjevu, v 1965 leta Rojen SimiÊ Mirko SimiÊ Mirko duši.” ritem daje ki srce, tvoje postane Muzika njimi. z poješ da cerkev, v in prideš doreËena, Ëisto ni ki skrivnost, ZaËutiš jezika. ki koncu na Ërno strast, žgeËka te slišiš poglede, poËastili njihove bi Vidiš da boginjo. prihajajo, vsepovsod Od zberejo. spet se kasneje, let šesto danes, In ni. iz s ciga je Prišla priplula je stoletja. 15. da koncu ob svete Palestine pravi, dan legenda na kateri maja, o Sare, Francije. štiriindvajsetega jugu na je vasica Bilo Mer, la de Marie “St. na Altiplanu kot sin boga sonca. sonca. boga sin kot kraljeval Altiplanu na je ki bilo Wiracocha, je boga domovanje Llupacas jezero in Collas Tiawanako, predinkovskih civilizacij Ëasu V zemlji. na življenja podobo sveto predstavljala je pa ta pumo, kamnito ali sivo Titikaka pomeni KeËua in v Ajmara indijancev ime, jeziku pumino jezero nosi res In zajcu. “viskaËe”, podobno žival priËara andsko drži domišljiji krempljih v v ki pumo, Ëloveku Razgibana obala svetu. na razvejana in jezero najvišje plovno za najveËje velja in kilometrov) kvadratnih (8560 površino ogromno in (3813m) lego višinsko svojo S Sagrado. Lago jezero, sveto kot tudi poznano je prebivalci Med Altiplano. predstavljalo pokrajine andske preteklosti center v že je Titikaka Jezero - - - - tic groups; he made independent original video projects. projects. video original in independent made works he groups; and artis tic several of Lives member a was he Serbia. 80’s, the In Valjevo, Ljubljana. in 1965, in Born svetovnih nagrajen. veËkrat številnih tudi bil na in festivalih gostoval je koncertih. projekti razstavah, svojimi S predstavah, gledaliških pri luje singing. The music becomes your heart, giving giving Simi heart, Mirko soul.” the your to rhythm their becomes join music to The church the singing. to come you then and mystery; the uncertain of eyes slightly rim the sense the You their at tongue. in tingling looks passion the the hear and see can You goddess. black their honour to everywhere from come They again. gather they later, years hundred six today, And gypsies. the with came She century. 15th the of end the at Palestine from sailed legend, the to according who, day, Sarah’s St. 24th, May was It France. southern in village a Mer, la de Marie “St. the Sun God. Sun the of Son the as Altiplan on reigning Wiracocha, god to home was lake the Llupacas, and Collas Tiawanako, civilizations, pre-Inca the of period the In Earth. on life of image holy a represented puma of image the Titicaca past, the In Puma. peoples Rock or Puma Grey Ketchua as translates the and Aymara the of languages the in − puma the of name the bears lake the Indeed, paws. its in animal rabbit-like a holding puma, a see easily can imagination one’s shore, its of shape uneven the In highest world. the in the lake and navigable continent the on lake largest is the Titicaca Lake ft) miles), (12,500 sq (3,200 altitude surface vast high and its With region. the of inhabitants among Sagrado, Lago lake, holy the as the known is and been region Altiplano already Andean the of has centre Titicaca, Lake past, the In Ê - concerts. With his projects, he was a guest at several several awards. at several guest received and a globe the was around he festivals projects, his and With exhibitions concerts. productions, con theatre He various to production. film tributes Idrija. of in field the in Festival teaches Video also He Slovenian the of of founders one was the and television public the at worked he Later, stran/ Cajzek Jože 69 page page 68 - 25’ 25’ DOL SP, BETA BARVNI/COLOUR FORMAT/FORMAT ETNOKULT KUD KOPRODUKCIJA/CO-PRODUCTION LJUBLJANA 1000 U BRATOV ULICA SIMETRIX PRODUKCIJA/PRODUCTION SIMI MARKO PRODUCENT/PRODUCER SIMI MIRKO ZVOK/SOUND SIMI MIRKO MONTA Š GLASBA/MUSIC SIMI MIRKO FOTOGRAFIJA/CINEMATOGRAPHY SIMI MIRKO SCENARIJ/SCREENPLAY SIMI MIRKO RE 29’ DOL COLOUR SP, BARVNI/ BARVNA/COLOUR FORMAT/FORMAT JO PRODUKCIJA/PRODUCTION BO ZVOK/SOUND SIMI POTO URBAN MONTA JO FOTOGRAFIJA/CINEMATOGRAPHY MILO ANIMACIJA/ANIMATION JO SCENARIJ/SCREENPLAY JO RE JO RE UKAR Ž Ž Ž Ž Ž Ž Ž Ž Š IJA/DIRECTED BY IJA/DIRECTED BY IJA/DIRECTED BY IJA/DIRECTED Ž Ž INA/RUNNING TIME INA/RUNNING TIME INA/RUNNING E CAJZEK E CAJZEK E CAJZEK E CAJZEK E CAJZEK E TJAN KA TJAN Č Š Ž Ž A/EDITING A/EDITING RADOSAVLJEVI Ć Ć Ć Ć Ć Ć Č Č NIK, ZVEZDAN ZVEZDAN NIK, I Č NIK Č AKAR 72 AKAR Ć MITJA MANČEK ŽIVI DOLGČAS

ANIMIRANI FILM/SPREMLJEVALNI PROGRAM ANIMATED FILM/ACCOMPANYING PROGRAMMEPURE BOREDOM animaciji, ki se navezuje na glasbo, katere avtor in in avtor sam. katere tako prav je glasbo, glasbe na izvajalec klasiËni navezuje zvest se ki ostaja filmih animaciji, najboljše. dosedanjih med in svojih uvršËeni vseh filmskih V Slovenije najmlajših ustvarjalcev sreËanjih video na bili so obdobju, osnovnošolskem v nastali so ki filmi, risani njegovi Vsi otroštvu. zgodnjem vpodroËju že na zaËelo je se filma ustvarjanje animiranega njegovo strast, njegova postala tudi kmalu sta oËetovi v animacija kot risanje animacij Tako delavnici. Od nastajanje spremljal gimnazije. je letnik nog malih drugi Obiskuje 1986. leta Rojen ManËek Mitja se umre, Ko življenje? odšlo je Kam stvari. sprašuje: slabe dela ter palec cuza življenje celo toda odraste, Nato otrok. se Rodi 70 is in relation to music he also is the author, performer performer author, of. the singer is and also he music to which relation animation, in is classical to sticks ManËek Mitja for his of films, all In Slovenia. of festivals the artists video at and film works young the best the among were school elementary in was he while created films All animated child. his a of was he when films animated creating started he his; of passion a became Both, soon little. animation and was he drawing since workshop anima father’s of his in creation tions observed has He year school. second the grammar of Attending 1986. in Born ManËek. Mitja go?” life did “Where himself: asks he dies, he When things. bad doing and thumb his on sucking keeps but up, grows he Then, born. is child A - Gora/ dolgËas/ Živi papica/ RdeËa planet/ skrivnostni Neptun, filmografija/ The Mountain Mountain The Pure Boredom Boredom Pure filmography Little Red Riding Food Riding Red Little (2002) (2001) Neptune, the Mystery Planet Mystery the Neptune, (2000) (2000) (1999) (1999) 4’ DOL BARVNI/COLOUR 35MM, FORMAT/FORMAT LJUBLJANA 1000 19 EIPPROVA CINEAST KUD PRODUKCIJA/PRODUCTION RADE BORKO MONTA MAN MITJA GLASBA/MUSIC RADE BORKO CAMERA KAMERA/TRICK TRIK DRAWING PAPIRJU/PAPER NA RISBA TEHNIKA/TECHNIQUE MAN MITJA ANIMACIJA/ANIMATION MAN MITJA SCENARIJ/SCREENPLAY MAN MITJA RE Ž IJA/DIRECTED BY IJA/DIRECTED Ž INA/RUNNING TIME INA/RUNNING Ž A/EDITING Č Č Č Č ŠČ ŠČ EK EK EK EK EK EK INFORMATIVNI PROGRAM PROGRAM INFORMATIVNI SCREENING INFORMATIVE

24 POLJUBOV DESETA ZAPOVED KDO SE BOJI JERRYJA SPRINGERJA? PROSTA PETA TRČENI BOB TOMAŽ MORIČ VIKI VOGLAR DESETA ZAPOVED THE TENTH COMMANDMENT 24 POLJUBOV CELOVEČERNI IGRANI FILM/INFORMATIVNI PROGRAM FEATURE FILM/INFORMATIVE SCREENING24 KISSES režiserka. Ukvarja se z medijskim izobraževanjem, izobraževanjem, medijskim z slovenska se scenarije. posnela piše je Ukvarja ga ki režiserka. celoveËerec, igrani prvi film mladinski ni celoveËer neodvisni Njen v Mariboru. 1947 leta Rojena Voglar Viki pravilih po 95. dogme posnet celoveËerec, igrani Neodvisni nagrado. denarno bogato in glavno tako odnesla zlahka Valentina bi da tem, nad dekle. navdušeni neznano niso Vsi poljubiti uro vsako ter pomoË na priskoËiti mora ji da prepriËa, Maria fanta svojega Valentina in 24 ur glasi se teme fotografske Naslov fotografiranju. o pojma nima Ëeprav nagrado, prvo dosegla bo da je, OdloËena razpis. fotografski odni mednar na prijavi se nakar oËeta, prepriËuje man Ëez za Najprej konja. skakanje lastnega za potrebuje zato licence a ovire, pridobitev za klubu. se konjeniškem Prijavi v jaha Valentina Gimnazijka naloge. nemogoËe loti ve hrabro želje svoje like zavoljo se ki dekletu, mladem o Zgodba spletkam pridružita še mafijski podmladek in in podmladek mafijski še se pridružita nameËek Za spletkam Poldija. Frenkovega Mekove skrivnostnega ter bivše žene pijane sumljivega vedno Frenkove Anžeta, pastorka, desne Rajca, Frenkove roke apatiËne interesov neugodni tako zmešnjavi že Frenkov štrene meša ki izpušËen Mek, šef bivši nepriËakovano je Rusije. zapora iz − Iz diamantov rad “upokojitvijo” zloglasnih nadvse pred predajo za bi posel gre zadnji maËek, še sklenil mafijski stari Frenk, prvega celoveËernega projekta. projekta. celoveËernega prvega svojega smernice zaËrtal je JSKD amater seminarju Po filme. ske kratke za snemal je Fakulteto študijem na Med je se elektrotehniko. Vpisal letih. srednješolskih v že zanimati sejezaËel Za film 1978 na Jesenicah. leta Rojen MoriË Tomaž drama. komiËna Kriminalna policija. Obleka naredi Ëloveka naredi Obleka iz leta 1998 je je 1998 leta iz 72 - - - - - film made by a Slovenian female director. She works in in screenplays. works writes and She education director. media female Slovenian a by made film film feature youth, the for independent Her Maribor. in 1947, in Born principles of dogma 95. dogma of principles the to according made film, feature independent An 1 high the get she should that agrees not everyone However, hour. every girl an unfamiliar to kiss He her. has help to Mario boyfriend her convinces and Valentina hours the win to 1 determined clue is a she hasn’t photography, she about Although contest. photography an international enters she Then father. her convince to fails and tries she At first, it. get to horse own her needs she however, license, steeplechase a for plies She ap rider. is who a horseback girl is a high-school Valentina desire. great a of because task impossible an undertakes bravely who girl a young about A story outline for his first feature film project. film feature first his for outline the drafted he Activities, Cultural of for Fund Public Republic Slovenia the by organized seminar a After films. short In amateur he makes his time, spare Engineering. Electrical He of is years. at a the Faculty school student in his secondary him interest to started Film Jesenice. in 1978, in Born join in the intrigues. the in join police the and top new-blood On gangster the Poldi. this, all of mysterious is the who and drunk; ex-wife, always Mek’s and wife Frenk’s stepson; suspicious Frank’s Anže, Rajc; hand right indolent Frank’s of interests different of mix already an unfavourable with interfere to starts he and Russia. prison from from released unexpectedly diamonds is Mek ex-boss handover infamous Frenk’s a of is it load − a of ‘retirement’ before his job complete to last eager is gangster, old an Frenk, st prize. The title of the photography subject is 24 is subject photography the of title The prize. st prize so easily. so prize Clothes Make a Man a Make Clothes , is the first feature feature first the is , - 104’ DOL DV FORMAT/FORMAT HRU 4276 HRU FILMART PRODUKCIJA/PRODUCTION VERDERBER KATJA PETERNEL, NATA URH, KLEMEN DOBRAVEC, JANEZ BITENC, Ž IGRAJO/CAST PIRC MATEJA MASKA/MAKEUP OREH ROBERT ZVOK/SOUND BOISGARD SEBASTIEN MONTA TOMA KAMERA/CAMERA MCKHACHE MARE ANIMACIJA/ANIMATION TOMA SCENARIJ/SCREENPLAY TOMA RE 117’ DOL DV FORMAT/FORMAT LJUBLJANA 1000 Š VOGLAR ANSAMBEL, KD PRODUKCIJA/PRODUCTION PODKRAJ ZORICA ADAMI PETTR JELIN ZMAGO BAH IRENA IGRAJO/CAST VOGLAR VIKI MANAGER LOKACIJ/LOCATION IZBIRA VOGLAR SOJAR BOR ZVOK/SOUND VOGLAR SOJAR BOR MONTA VOGLAR SOJAR BOR FOTOGRAFIJA/CINEMATOGRAPHY VOGLAR VIKI SCENARIJ/SCREENPLAY VOGLAR VIKI RE IGA MULEJ, DEMETER DEMETER MULEJ, IGA TEFANOVA 5 TEFANOVA Ž Ž IJA/DIRECTED BY IJA/DIRECTED IJA/DIRECTED BY IJA/DIRECTED Ž Ž ŠTUDENTSKI PLESNI PLESNI ŠTUDENTSKI INA/RUNNING TIME TIME INA/RUNNING INA/RUNNING TIME INA/RUNNING Š Ž ICA 212 ICA Ž Ž Ž Ž A/EDITING A/EDITING MORI MORI MORI Š Č ICA

, GREGOR GR GREGOR , Č Č Č Č Č RT SOJAR SOJAR RT Č , BORIS DOLENC BORIS , I , CIRIL TR CIRIL , Č PLEMENITI, PLEMENITI, Š EK Š A A Ž Č INA, INA, EK, EK, MILAN LEBAR LEO SPAI KDO SE BOJI JERRYJA SPRINGERJA PROSTA PETA WHO’S AFRAID OF JERRY SPRINGER FREE HEEL DOKUMENTARNI FILM/PRODUKCIJA RTV SLOVENIJA DOCUMENTARY FILM/RTV SLOVENIJA PRODUCTIONS CELOVEČERNI IGRANI FILM/INFORMATIVNI PROGRAM FEATURE FILM/INFORMATIVE SCREENING bgtm ikšjm s orËa eiaj pred režiranja podroËja Oskar s Video izkušnjami hiše bogatimi produkcijske smuËarju. z lastnik navdušenemu telemark Lebar, in Milan direktorju Slovenije SimËiËu, smuËarjih Urbanu reprezentance telemark o porodila film je za se Ideja SimËiË. Urban in filma Avtorja Lebar Milan man pre ne lokacijah. filmu v atraktivnih na dinamiËno in posnetkov idiliËnih okolju jka se naravnem športni v in pleta Pripoved dopol športniki pogledom funkcionarji. slovenski znani svojim njujejo s osrednjih Zgodbo pripovedovalcev festivali. zgodovina, in njena tekmovanja predstavlja šola, disciplina, naËin športna poln zanimiva adrenalina atraktiven, na in poti se duhovit oËi telemark njihove v življenjske Skozi tekmovalcev in smuËanju. slovenskih športne najboljših prikazuje Film City College. Po vrnitvi v Slovenijo je delal v SNG Mari v SNG delal je LA na v Slovenijo je vrnitvi Po scenaristike in College. semestra City igro režije dva filmske Angelesu, študiral osnove Los in je v spoznaval 1996 Arts scenarist of in 1992 Theatre Igralec, na letoma ©trukelj. Med Blaæ režiser. alias Spai Leo Spai Leo … Jano zaroËenko njegovo in sodelavca Petra privlaËnega novega, svojega veËerjo do na domov povabi prihaja Samanta dne Tistega nenehno prepirov. da tako mladoporoËencema uporništvom, med in cinizmom s prikriva skorada položaj zato podrejeni je Svoj žene. od in odvisen niË povsem rekoË tako dosegel on ni življenju v ki revije, dvajsetih, poznih v ženske roker uspešna boemski urednica sama tudi ženska, je trgovca, poslovna zaslugah bogatega hËi oËetovih je po protislovij Ona poln par, konfliktov. Samanta in mlad prebivata poroËen njej Dario, v in − hiša MešËanska rsa peta Prosta sta KranjËana Milan Lebar Lebar Milan KranjËana sta - - - - - National Telemark Team and a skiing enthusiast. Milan Milan enthusiast. skiing a Slovenian and the Team of Telemark ski director National telemark SimËiË, about Urban film from a came for ers idea The SimËiË. Urban film the of authors The trak. filmski na prenesel reklamnih idejo in je pa oddaj, glasbenih ter filmov, spotov športnih stavitvenih, the film rich with idyllic shots made on attractive locations. attractive on made shots idyllic with rich film the making environment, dynamically natural is the with narrative interwoven The officials. sport sportsmen and well-known from views by characters supported is central the and by told story competitions The festivals. schools, history, its including presented, is sport interesting this rich adrenalin, manner, with witty and attractive an in and eyes, their Through skiers. telemark Slovenian best of the paths life the and paths sport the portrays film The Arts and completed two semesters of elementary film film elementary of semesters of two Theatre completed Angeles and Los the Arts at acting studied and 1992 he 1996, Between director. and writer screenplay Actor, projekte. video filmsko snema in vodi kjer sekcijo ŠKUC-u, pridružil je se 1998 leta bor, Samantha invites her new attractive colleague … colleague dinner to home Jana fiancé attractive his and new her invites Samantha causing day, One newlyweds. the rebellion, between and quarrel endless subordinated cynicism his with hide to position tries He wife. his on dependant completely is and life his in achieved anything really not has who twenties late his in rocker editor bohemian an a is he of magazine; career women’s a of who business trader her in rich a her of helped daughter the the in is house She a in city. conflict and contradiction live in couple, married newly a Dario, and Samanta re Heel Free are Milan Lebar and and Lebar Milan are - cials, realized the idea on film. on commer idea and the videos realized video cials, music films, directing of sport field the company, in representations, production experienced very Oskar is Video who the of owner Lebar, and where he makes his video projects. video his makes he where and department cul film the of charge in is he students’ where a centre, tural ŠKUC, joined he 1998, In Maribor. the at SNG theatre, in worked he College. Slovenia, to City LA return his the at After writing screenplay and direction 73 - - 40’ DOL SP, BETA BARVNI/COLOUR FORMAT/FORMAT [email protected] OSKAR VIDEO PRODUKCIJA/PRODUCTION LEBAR MILAN MONTA LEBAR MILAN KAMERA/CAMERA LEBAR MILAN SCENARIJ/SCREENPLAY LEBAR MILAN RE 81’ DOL SP, BETA BARVNI/COLOUR FORMAT/FORMAT LJUBLJANA 1000 4 KERSNIKOVA CINEMA PRODUKCIJA/PRODUCTION JAKO SAMO MERLJAK, MAJA LINDA IGRAJO/CAST TINKA EMPERATRIZZ, MASKA/MAKEUP LESKOV LUKA DESIGN KOSTUMOGRAFIJA/COSTUME KAMBERI AZRA ZVOK/SOUND SPAI LEO BADOVINAC, JANKO MONTA YANOOSH DJ PSIHO, DJ BONALDI, DE KIAN GLASBA/MUSIC MERLJAK IVAN FOTOGRAFIJA/CINEMATOGRAPHY SPAI LEO SCENARIJ/SCREENPLAY SPAI LEO RE Ž Ž IJA/DIRECTED BY IJA/DIRECTED BY IJA/DIRECTED Ž Ž INA/RUNNING TIME INA/RUNNING TIME INA/RUNNING Ž Ž Š A/EDITING A/EDITING Š , IVO GODNI IVO , IMI Š KUC Č , MIHA ARK, ARK, MIHA , Š EK Č MATEJ OCEPEK TRČENI BOB

KRATKI IGRANI FILM/INFORMATIVNI PROGRAM SHORT FICTION FILM/INFORMATIVE SCREENINGMAD BOB bi trajala do konca življenja. življenja. konca do ki trajala bi traku, filmskega in koliËino filmov neomejeno na »aka amaterskih spotov. veË že evropski je Posnel prvi šole. te postal in študent opremo na izposojal tihotapil se ZDA, predavanja, Maine, College, film in Rockport šoli fotografski ski na šolal mikroman. ‘ilegalno’ je se fotograf, Ëasa Nekaj oblikovalec, glasbeni režiser, snemalec, montažer, ustvarjalec, kot dela Ocepek Matej Ocepek Matej Vse steklenice. zagonu. svoje izgubi polnem ne v dokler in življenje dekleta v uživa glasbo, zaljubljen zrakoholik, Bob, Nori 74 - videos. He is waiting for an unlimited quantity of film life. film his of of rest the for quantity him last would unlimited that an for waiting is He videos. and films amateur several made He school. classes, the at student into European first the became he sneaking until equipment, USA, borrowing Maine, at school College, film he and while, Rockport photography a the For attended de soundman. ‘illegally’ director, and musician, photographer cameraman, signer, editor, as Works music, who enjoys his life to the fullest. Until, Until, bottle. his fullest. loses he day, the one to life and his girls enjoys with who love music, in airoholic, an is Bob Mad - 7’ DOL SP, BETA BARVNI/COLOUR FORMAT/FORMAT LJUBLJANA 1210 14 GUNCELJSKA SLAK STUDIO DIGITAL PRODUKCIJA/PRODUCTION MURPHY CONNOR IGRAJO/CAST OCEPEK MATEJ DESIGN SCENOGRAFIJA/SET OCEPEK MATEJ ZVOK/SOUND OCEPEK MATEJ MONTA OCEPEK MATEJ FOTOGRAFIJA/CINEMATOGRAPHY OCEPEK MATEJ SCENARIJ/SCREENPLAY OCEPEK MATEJ RE Ž IJA/DIRECTED BY IJA/DIRECTED Ž INA/RUNNING TIME INA/RUNNING Ž A/EDITING POSEBNA PROJEKCIJA POSEBNA SCREENING SPECIAL

PESNIKOV PORTRET Z DVOJNIKOM FRANCI SLAK PESNIKOV PORTRET Z DVOJNIKOM THE PORTRAIT OF A POET WITH A DOUBLE CELOVEČERNI IGRANI FILM/POSEBNA PROJEKCIJA FEATURE FILM/SPECIAL SCREENING avtorjev in študentov AGRFT, kjer tudi predava. predava. tudi kjer AGRFT, študentov in mladih avtorjev projekte podpira k producent Kot predvsem zatekal televiziji. javni projektov realizaciji pri kas je se neje osemdesetih, v posnela dela filmska je ki kljuËna svoja generaciji, Pripada filmov. celoveËernih in igranih televizijskih animiranih, produ in eksperimentalnih, avtor režiser cent, Scenarist, Krškem. v 1963 leta Rojen Slak nadaljevanke Franci TV je režije ki in dela, priprave petletnega od skoraj segal plod je “Film poet. Slovenian greatest to the of myth the contributed who characters other of variety a as well as Katra, sister, Ana Prešern’s and Julija, Jelovškova, PrimËeva Smole, Andrej »op, Matija Vodnik, Valentin Zois, emi Žiga - Prešern’s contemporaries nent features and death to childhood from double, Prešern’s Pacnjek, follows story This homeland. and poetry of love, parts: comprised thematic 19 is three of structure beginning dramatic The the century. at in period literature Romantic world who of the map Prešeren, the on France of Slovenia put life the about film A poeti. slovenskimi med soob najveËjega so mit ki likovali likov, drugih vrsta ter Katra Prešernova sestra Jelovškova, Ana in Julija PrimËeva Smole, Andrej »op, Matija Žiga Vodnik, − Valentin Zois, sodobniki eminentni Prešernovi po njegovega se javljajo smrti, in do otroštva od pesnika Pacnjeka dvojnika spremlja ki zgodbi, domovino. V poezijo, ljubezen, sklope: tematske tri zajema lok Dramski zemljevid. literarni sve tovni na vpisala ro stoletja 19. obdobju zaËetku v na mantike s poezija slovenska Prešerna, je se Franceta katerim pesnika življenju o Film 76 th ------

and students of AGRFT, where he also lectures. lectures. also he where AGRFT, of students and authors young by projects supports mostly he a producer, As television. public the of wing the that under he mostly Later worked 80’s. the generation in work the film major to their of most belongs made He films. feature television and animated, experimental, of pro and author and director ducer, writer, a is He Krško. in 1963, in Born “The film is the fruit of five years of work, ranging ranging work, of years five of fruit the is film “The Slak Franci alter-ego.” nekakšen Prešernov potepuh, in prijatelj dramo Pac mladostni spremlja njek, senca osebno kot ga ki na Ëloveka-pesnika, epske osredotoËil od razliko za nadaljevanke je se lok Dramski kinematografske verzije. finalizacije in oblikovanja do - - With a Double a With dvojnikom/ z portret Pesnikov dni/ majskih Pet oËi/ zaprem Ko Nasmehi/ Hudodelci/ Butnskala/ (1983) Eva obdobje/ Krizno filmografija/ Slak Franci way.” a and in ego alter drifter, a Prešern’s and youth his from friend a njek, Pac by shadowed is who man/poet, personal the of the drama on focuses it that that in series TV epic the from differs structure dramatic The sion. ver cinematic the of series realization TV and the outlining of to direction and preparation from Smiles Bumpstone The Offenders Offenders The filmography (2003) When I Close My Eyes Eyes My Close I When (1987) − TV film TV − (1987) A Time of Crisis Crisis of Time A Five Days in May in Days Five (1985) (1987) The Portrait of a Poet Poet a of Portrait The (1981) (1981) (1996) − TV film TV − (1996) (1992) − TV film TV − (1992) - - 109’ DOL BARVNI/COLOUR MM, 35 FORMAT/FORMAT LJUBLJANA 1000 MIKLO SLOVENIJE REPUBLIKE SKLAD FILMSKI SALES PRODAJA/WORLD SLOVENIJE REPUBLIKE SKLAD FILMSKI SOFINANCIRAL/CO-FUNDING SLOVENIJA RTV KOPRODUKCIJA/CO-PRODUCTION DOM 1230 4 TRUBARJEVA SOUNDVISION BINDWEED PRODUKCIJA/PRODUCTION SLAK FRANCI PRODUCENT/PRODUCER MARIO MATJA NOVAK, VLADO RAVNOHRIB, PAVLE IGRAJO/CAST HOLASOVA KWIETA MASKA/MAKEUP PREUSS HANNA ZVOK/SOUND KOBI MARIJA DESIGN KOSTUMOGRAFIJA/COSTUME MU SETA DESIGN SCENOGRAFIJA/SET LAH MAJA NIKITA MONTA SMREKAR MITJA GLASBA/MUSIC KASTELIC BOJAN FOTOGRAFIJA/CINEMATOGRAPHY Š MATJA SCENARIJ/SCREENPLAY SLAK FRANCI RE ÖMEN Ž IJA/DIRECTED BY IJA/DIRECTED Ž INA/RUNNING TIME INA/RUNNING Ž A/EDITING Š Ž Š I KMECL, BRANKO BRANKO KMECL, Č ELIH, VERONIKA DROLC VERONIKA ELIH, Š EVA 38 EVA Ž I Č ALE Ž TRIBU Š ON, ON, TEŽAVE VITEZA TEŽAVEGABRA VITEZA TANGO -5 SKRIVNOSTI PRIJATELJA NEDOKONČANO POTOVANJE NA JAPONSKO MATI MAKE LOVE NOT CRUELTY KOORA HRIBOVSKA SAGA HRČEK MIHA PRIPOVEDUJE HIŠA (FAHIRA) DANGER BUTALCI BOHINJSKA MANIFESTA ALAHU PREDANE VLADIMIR GANGL PRODUCTION OF SLOVENIJARTV PRODUKCIJA SLOVENIJARTV

TELEVIZIJSKA PRODUKCIJA TELEVISION PRODUCTIONS Omnibus treh zgodb. Telefonist Mali, smetarja REŽIJA/DIRECTED BY Mocart in MirË ter vratar Anžo so na prvi pogled MARKO RADMILOVIČ nezanimivi posamezniki, ki pa se jim v življenju SCENARIJ/SCREENPLAY MARKO RADMILOVIČ dogajajo nekoliko neobiËajne stvari. Malija, FOTOGRAFIJA/PHOTOGRAPHY ki dela na telefonskih informacijah, sredi lep- BOJAN KASTELIC ega dne pokliËe mrtva sošolka. Mocart in MirË, GLASBA/MUSIC intelektualca−smetarja, se neke noËi spremenita TOMAŽ RAUCH, DANILO ŽENKO, v poštna roparja. Vratar Anžo, avtor, glavni igra- SIMON ŠIMAT MONTAŽA/EDITING lec, snemalec, režiser in montažer svojega kung-

MARKO RADMILOVIČ MARKO GORAN GLAVIČIČ GANGL GANGL fu filma, pa postane osrednji lik zgodbe o ugra- SCENOGRAFIJA/SET DESIGN bitvi glavne igralke svojih filmov, punce Bube. GRETA GODNIČ Gangl je igra s kartami, ki jo igrajo na slovenskem KOSTUMOGRAFIJA/COSTUME DESIGN MOJCA MAIER podeželju, znotraj nje pa je veË manjših iger, kot ZVOK/SOUND so mali, dvanajst in fajer. MARJAN CIMPERMAN, ANDREJ LOGAR An omnibus of three stories. Telephone operator MASKA/MAKEUP Mali, garbage men Mocart and MirË, and porter NADA BRVAR IGRAJO/CAST Anžo are seemingly uninteresting individuals. ROMANA ŠALEHAR, SEKUMADY However, things that happen to them are slightly KONDE-MADY, MILOŠ unusual. Mali, who works at the telephone infor- Gangl is a card game played in rural Slovenia that Gangl. Ena sama igra, potem se zaËne znova.” BATTELINO, LOJZE mation department, suddenly gets a phone call consists of other lesser games, i.e. little, twelve Marko RadmiloviË SVETE, SAMO ŠIMAT, TINA KREN from a dead ex-school mate. Mocart and MirË, and fire. PRODUKCIJA/PRODUCTION intellectuals/garbage-men turn into post office “When I wrote this screenplay, I decided to make RTV SLOVENIJA robbers for a night. Anžo the porter, the author, “Ko sem napisal scenarij, sem hotel sem posneti a hermetic film. Neither big nor small, neither ex- UREDNIŠTVO IZVIRNEGA lead actor, cameraman, director and editor of his hermetiËen film. Ne velikega, ne majhnega, ne pensive nor cheap, neither epochal nor ordinary. A IGRANEGA PROGRAMA 2002 own kung-fu film becomes the central character dragega ne poceni, ne epohalnega, ne vsakdan- hermetic one. Nothing goes in, nothing goes out. FORMAT/FORMAT TELEVISION FILM/RTV SLOVENIJA PRODUCTIONS S16MM, BARVNI/COLOUR of a story about his kidnapped lead actress, his jega. Posneti hermetiËen film. NiË ne gre noter, The Universe itself and by itself. Gangl. One game, DOLŽINA/RUNNING TIME girlfriend Buba. niË ne gre ven. Vesolje samo in vesolje za sebe. and then it starts again.” Marko RadmiloviË 93’05’’

Marko RadmiloviË Born in 1964, in Maribor. Screenplay writer and direc- izbrana filmografija/selected filmography Rojen leta 1964 v Mariboru. Scenarist in režiser, tor, Marko RadmiloviË has worked at Radio Slovenija for Fašizem pod Slovenci/Fascism Under Slovenians (1995) petnajst let je delal na Radiu Slovenija. Avtor preko fifteen years. Author of over two hundred radio docu- − TV dokumentarni film dvestotih radijskih dokumentarcev ter številnih doku- mentaries as well as numerous documentary films and Zaklad dolenjske princese/The Treasure of the Princess mentarnih filmov in oddaj. Dobitnik Badjurove diplome television programmes. He received the Badjura Award, of Dolenjska (1999) − TV film Društva slovenskih filmskih ustvarjalcev za scenarij awarded by the Slovenian Film Artists’ Association for Dokumentarije/Documentaries (2000, 2001) − doku- filma Nebo nad Ženavljami. the screenplay for the film Sky Over Ženavlje. mentarna serija/documentary series Za naše goste iz tujine (2002, 2003) − dokumentarna serija/For Our Foreign Guest (2001, 2003) − documentary series

78 TELEVIZIJSKI FILM/PRODUKCIJA RTV SLOVENIJA Da bi lažje pokrili stroške, se Maša, Miki in Aleš REŽIJA/DIRECTED BY odloËijo oddati prazno sobo v najetem stano- ZORAN ŽIVULOVIĆ vanju. Na njihov oglas se javi uglajen in prijazen, AVTOR DRAME/BASED ON A PLAY BY a vendarle nekoliko nenavaden petdesetletnik MATJAŽ ZUPANČIČ FOTOGRAFIJA/PHOTOGRAPHY Vladimir. Aleš pogreša svojega pokojnega oËeta SIMON TANŠEK in ga takoj najde v novem sostanovalcu, zato GLASBA/MUSIC pa ima Miki že od prvega dne svoje pomisleke MITJA VRHOVNIK SMREKAR glede Aleševe izbire. Sprva ustrežljivi in prijazni MONTAŽA/EDITING Vladimir zaËne vse bolj najedat idiliËno sožitje v ZORAN ŽIVULOVIĆ, MATJAŽ študentskI skupnosti. JANKOVIČ SCENOGRAFIJA/SET DESIGN VLADIMIR VLADIMIR ZORAN ŽIVULOVIĆ ZORAN To lower their expenses, Maša, Miki and Aleš decide DAMIJAN CAVAZZA to sublet the empty room in their rented apartment. KOSTUMOGRAFIJA/COSTUME DESIGN Their ad is answered by a dignified and polite, yet LUKA ŽAN ZVOK/SOUND slightly unusual man in his fifties, Vladimir. Aleš SAMO KOZLEVČAR, ANDREJ misses his late father and immediately finds him LOGAR in their new roommate, while Miki has had doubts MASKA/MAKEUP about Aleš’s attitude since day one. Initially helpful TINA ŠUBIC and kind, Vladimir starts to increasingly undermine IGRAJO/CAST the idyllic harmony of the students’ home. DARE VALIČ, MANCA DORRER, MARKO MANDIĆ, DAVOR JANJIĆ “Vladimir je zgodba o okolišËinah, v katerih lahko PRODUKCIJA/PRODUCTION barvite, polne in umirjene na zaËetku do temne, a psychopathic comedy. Due to the ‘classical and RTV SLOVENIJA vsak Ëlovek postane nasilen. Pa tudi zgodba o UREDNIŠTVO IZVIRNEGA ljubezni, prijateljstvu in zaupanju ter generaci- monokromatske, prazne in nervozne na koncu. minimal’ dramatic text (one location, four protago- IGRANEGA PROGRAMA, 2002 jskem prepadu. Odrska postavitev na malem odru Vladimir je mešanica oziroma kombinacija Dis- nists, lots of dialogue), the general idea before the FORMAT/FORMAT SNG Drama je bila oznaËena za psiho-triler, TV neyevega Mikija Miške in ortodoksnih ikon.” filming was to help the actors, and thus the story S16MM, BARVNI/COLOUR verzijo pa sem poimenoval psihopatska komedija. itself, by gradually changing the set atmosphere DOLŽINA/RUNNING TIME Zaradi ‘klasiËne in minimalistiËne’ dramske pred- “Vladimir is a story about circumstances that can from bright, colourful, crowded and steady in the 97’28’’

TELEVISION FILM/RTV SLOVENIJA PRODUCTIONSloge (ena lokacija, štirje protagonisti, veliko make any person act violently. It is also a story beginning, to dark, monochrome, empty and nerv- dialoga) je bila pred snemanjem osnovna ideja about love, friendship and trust; and about the ous in the end. precej jasna: omogoËiti igralcem Ëim boljše raz- generation gap. The stage production in Slovenian Vladimir is a mixture, or combination, of Disney’s mere in jim pri podajanju zgodbe pomagati s National Theatre Drama (SNG Drama, Ljubljana) was Mickey Mouse with orthodox icons.” postopnim spreminjanjem atmosfere − od svetle, labeled a psycho-thriller, I dubbed the TV version

Zoran ŽivuloviÊ igrani), M.arK.obreC.elj (2000, dokumentarni). »aka He has directed several short TV dramas and films The Rojen leta 1970 v Ljubljani. Po konËani Srednji šoli svoj prvi film na platnu. Story That Is (1993, short documentary), The Place of za raËunalništvo se je najprej vpisal na Fakulteto za Murder (1994, short film), Magic Fingers (1997, short elektrotehniko in raËunalništvo, leta 1991 je opravil Born in 1970, in Ljubljana. After secondary school, he film) and M.arK.obreC.elj (2000, documentary). He has sprejemne izpite na AGRFT in postal študent filmske in first entered the Faculty of Computers and Informa- been waiting for his big screen debut for several years. televizijske režije. Doslej je režiral kratke TV drame in tion Science. In 1991, he passed the entry exams for filme Zgodba, ki je (1993, kratki dokumentarni), Mesto the Academy for Theatre, Radio, Film and Televison in umora (1994, kratki igrani), »arobni prsti (1997, kratki Ljubljana and became a student of film and TV directing.

79 TELEVIZIJSKI FILM/PRODUKCIJA RTV SLOVENIJA MARJAN FRANKOVIČ BOŠTJAN MAŠERA BOHINJSKA MANIFESTA ALAHU PREDANE THE BOHINJ MANIFESTATION DEVOTED TO ALLAH DOKUMENTARNI FILM/PRODUKCIJA RTV SLOVENIJA DOCUMENTARY FILM/RTV SLOVENIJA PRODUCTIONS varja predvsem dokumentarne filme razliËnih zvrsti in in zvrsti razliËnih filme ust Dandanes dokumentarne let. predvsem varja študentskih od Slov že RTV dela na kjer Režiser enija, vrhu. BelËjem v 1950 leta Rojen FrankoviË Marjan med FrankoviË Marjan razpetosti o civilizacijo.” in naravo govori film tem Tudi s ravno namenom. podajamo najpogosteje Ëeprav hribe v okolje, se siceršnje naše na priklepajo ki ne nas vezi, dejanskih ne pašnikih, misli ne ‘izklopiti’ moremo visokogorskih idiliËnih po v sreËu jo jemo ki tedaj že hribolazci, Danes kajti bilo razmahu. je tujci, polnem s pohodništvo stiku v vidi, visokogorsko pogosto najdlje je pa zategadelj in obenem vršaci pod pase se visoko saj razgledanost, široko pripisoval kravi bohinjski hudomušno je Mencinger Janez “Že Roga KoËevskega iz ( Julija nagrajeni veËkrat bili so v kjer doma, in festivalih tujini mnogih na prikazali so filme študentske in eksperimentalne Leta A. Njegove AGRFT. Kanalu študent na kot postane 1994 režiser dela ter šoli montažer srednji tehnik, Po tonski Ljubljani. v 1970 leta Rojen Maπera Boπtjan ‘pokrite’. morejo biti ne želijo ker dela a dobiti, izobrazbo, jih polovica visokošolsko ima Vsaj muslimank. izobraženih dih, mla skupina tudi sestaja se Redno organizirani. dobro tudi so kjer Jesenicah, na je muslimanov približno in muslimank Veliko živi družin. muslimanskih Jesenicami 1300 in Radovljico Samo med muslimanov. 100.000 skup približno verske živi nosti islamske podatkih po Sloveniji V , 1997) Režiral je veË kot 170 170 kot veË je Režiral 1997) , Romeo in in Romeo 80 - - - - - Born in 1950, in BelËji Vrh. He has worked at RTV Slov RTV at worked has He Vrh. BelËji in 1950, in Born scenarije. in zamisli lastne filmov. realizira otroških VeËinoma in igranih nekaj tudi je posnel dolžin, receiving abroad, and home at festivals film programmes numerous of the on were films student and experimental His AGRFT. at studying direc and started he In 1994, A. secondary Kanal at tor editor engineer, finishing sound a as After worked he school Ljubljana. in 1970, in Born Slovenija. TV uredništvih vseh skorajda v oddaj tion.” Marjan Frankovi Marjan tion.” civiliza the and nature the between division the about also is film The mountaineering. of purpose usual the is disconnecting although environment, our with us connect that bonds actual the nor of, thought the mountain neither idyllic ‘disconnect’ cannot on pastures, cow the meeting taineers, moun Today, day. in his bloom in full already was - mountaineering foreigners with contact in often is it time, same the at far; very see therefore can and highland in grazes it since versed, well as cow Bohinj the described wittily has Mencinger “Janez ‘covered’. be to decision their to due work find cannot but grees, de university have them of half Muslim least At women. educated young, of group regular a of have also meetings They well-organized. are they and and Jesenice in Radovljica Muslims many are There between Jesenice. region the in fami just Muslim lies 1300 are There Slovenia. in living Muslims 100.000 are Islamic there the Community, from Religious information the to According Ë ------realizes his own ideas and screenplays. screenplays. and mostly He ideas own his films. realizes documentary children’s and makes dramas as He well as student. films, a was he since enija Slovenia. RTV at departments the of most for 170 shows than more directed he day, this To ( awards several Romeo and Juliet of the Forest the of Juliet and Romeo , 1997). 1997). , 51’ 05” 51’ DOL BARVNI/COLOUR BETA, FORMAT/FORMAT PROGRAM KULTURNO-DOKUMENTARNI SLOVENIJA RTV PRODUKCIJA/PRODUCTION LALO IGOR ZVOK/SOUND ZUPAN ANA MONTA ALE KAMERA/CAMERA FRANKOVI MARJAN SCENARIJ/SCREENPLAY FRANKOVI MARJAN RE 48’41’’ DOL BARVNI/COLOUR BETA, FORMAT/FORMAT PROGRAM KULTURNO-DOKUMENTARNI 2002 SLOVENIJA RTV PRODUKCIJA/PRODUCTION KNAFLI ANDREJ ZVOK/SOUND BATI JANI MONTA BLA GLASBE/MUSIC OPREMLJEVALEC BO SCENARIJ/SCREENPLAY BO RE Ž Ž Š Š IJA/DIRECTED BY BY IJA/DIRECTED BY IJA/DIRECTED Ž Ž INA/RUNNING TIME INA/RUNNING TIME INA/RUNNING Š TJAN MA TJAN MA TJAN Ž BELAK

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ANIMIRANI FILM/PRODUKCIJA RTV SLOVENIJADANGER ANIMATED FILM/RTV SLOVENIJA PRODUCTIONS BUTALCI sko postavila sedem marionetnih predstav in pet pet in predstav marionetnih avtor sedem predstav, postavila gledaliških sko trideset likovno preko knjig, trideset opremila preko je Ilustrirala Yorku. New zlasti oddaji in TV sce Za režiserka, podroËju. kot gledališka ter lutkovnem na ilustratorka, kostumografinja in kot nografka deluje arhitektka slikarka Diplomirana in Ljubljani. v 1946 leta Rojena Vogelnik Eka 1949. leta izšla je ki knjige, njegove iz Podrekarja Franceta ilustracijami z animiranimi podkrepljena je pripoved obliki, vno-ilustracijski v lutko predstavljena je tokrat parodija Duhovita vsem. znana je MilËinskega Frana usoda Butalska RajËica. škratovka še tam je pa estritev pop za zgodbo, novo zanjo kakšno ima ki pripravljeno Joži, vedno stricu k obisk na pride Rada deklica. vedoželjna in zvedava je Klepetka Metka stripe, ki jih realizira skupaj z risarji iz domovine in in domovine iz risarji z skupaj za realizira jih scenarije ki piše filme, stripe, animirane oddaje, in TV novinarstvom z ustvarja se Ukvarja znanosti. politiËnih ister mag in novinar Diplomirani Ljubljani. v 1946 leta Rojen Gale do Ciril množiËnega sredstev teh vseh sredstvo do je Ëlovek najstarejše obvešËanja; je “Plakat … wildly laughing starts hanger poster The DANGER. word the and skull a see we poster the On gluing. starts and poster the unrolls tools, his down puts he building, tall a of wall empty an before stops hanger poster A … krohotati divje opozorilu temu zaËne se Lepilec DANGER. in napis lobanja Na plakatu lepiti. zaËne ga in plakat razvije pribor, odloži hiše, soke vi zidom praznim pred ustavi se plakatov Lepilec Makalonca je leta 1993 dobila nagrado Arts Link v v Link Arts nagrado dobila 1993 leta je Ljubljanske skice Ljubljanske ------

degree in political science. Besides journalism he creates creates he journalism Besides science. political in degree MA a has and journalist a is He Ljubljana. 1946,in in Born Sloveniji. in vJugoslaviji ostripu knjigo etiËno’ je knjigo izdal tujine, programmes TV her of for York mostly New Award in Link director, Arts the a received she as 1993, In shows. a and puppet as an, theatre as in works she scenographer painting, and architecture graduate A from Ljubljana. in 1946, in born was Vogelnik Eka lutkovni in lutk tipov posveËa pedagogiki. se razliËnih letih razvijanju zadnjih V predvsem produkcij. filmskih ali TV hidden in this irrelevance.” Ivo AntiË irrelevance.” this in hidden fact in is message the of fatality the however, ously; seri them take not do people therefore, event, fatal, really any at or, relevant particularly not are messages that communicating are media the feel they often media; mass from detached relatively are ple peo “The is poster means the of oldest publicization; AntiË Ivo se sporoËila.” pa usodnost pokaže neresnosti tej v prav ne resno; jih povsem zato jemlje usodna, zares ne vsaj ali da najbolj pomembna niso zanj obËutek, ki sporoËila, ima neka sporoËajo mu dostikrat odtujen; mere neke and Podrekar 1949. in published book, France MilËinski’s Fran for made by originally illustrations, animated and puppets of combination a with ated cre now was parody witty This them. of simpletons, one − every Butale village a of inhabitants are Butalci author. Slovenian famous a MilËinski, Fran by book a Butalci, on based is film animated This Paradiseidae. named pixie a also is there more exciting, even everything make to And her. for ready a story has always who Joe, Uncle girl. visit to likes She inquisitive and curious a is Betty Chattering Strip − deveta umetnost − deveta Strip Ljubljana Sketches Ljubljana , prvo ‘teor , prvo - - - -

about comics in Yugoslavia and Slovenia. and Yugoslavia in comics about lished He pub abroad. and at home artists with he realizes books forcomic scripts andwrites films animated programmes, TV of types puppetry. teaching she and different of puppets years, development recent in the of involved In and mainly is shows, productions. TV and marionette film seven five of author the is productions and theatre thirty than more for designs artistic and 81 Makalonca Comics − The Ninth Art Ninth The − Comics . She illustrated over thirty books, made made books, thirty over illustrated She . , the first ‘theoretical book’ book’ ‘theoretical first the , - 1’ DOL BARVNI/COLOUR 16MM, FORMAT/FORMAT UMETNOSTI DEVETE KLUB KOPRODUKCIJA/CO-PRODUCTION PROGRAM OTRO SLOVENIJA RTV PRODUKCIJA/PRODUCTION JURE TONE GLASBA/MUSIC NOVAKOVI RASTO CAMERA KAMERA/TRICK TRIK VODNIK MODESTA ANIMACIJA/ANIMATION PETROVI RACA RATOMIR RISBE/DRAWINGS GALE CIRIL SCENARIJ/SCREENPLAY GALE CIRIL RE 45’’ 16’ DOL BARVNI/COLOUR BETA, FORMAT/FORMAT PROGRAM OTRO SLOVENIJA RTV PRODUKCIJA/PRODUCTION LALO IGOR MAJERLE, URO BEZLAJ, BOJAN ZVOK/SOUND VOGELNIK EKA DESIGN SCENOGRAFIJA/SET TOMIN MIHAEL MONTA HAWLINA JAKA ROPRET, LUKA SAJE, VOGELNIK BRINA GLASBA/MUSIC MATJA ROPRET, LUKA PIKALO, PETRA SAJE, VOGELNIK BRINA LUTKE/PUPPETEERS VOGELNIK EKA SCENARIJ/SCREENPLAY VOGELNIK EKA RE Ž Ž IJA/DIRECTED BY IJA/DIRECTED BY IJA/DIRECTED Ž Ž INA/RUNNING TIME INA/RUNNING TIME INA/RUNNING Š Š Ž A/EDITING KI IN MLADINSKI MLADINSKI IN KI MLADINSKI IN KI Č I Č

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Č KATARINA NIKOLOV TINA KOŠAK KOREN HRČEK MIHA HIŠA (FAHIRA) HAMSTER MIKE THE HOUSE (FAHIRA) ANIMIRANI FILM/PRODUKCIJA RTV SLOVENIJA ANIMATED FILM/RTV SLOVENIJA PRODUCTIONS DOKUMENTARNI FILM/PRODUKCIJA RTV SLOVENIJA DOCUMENTARY FILM/RTV SLOVENIJA PRODUCTIONS TV in radijskih oglasov, animiranih risanih filmov za za filmov risanih ... animiranih veË otroke je oglasov, Režirala radijskih in TV produkcijah. plesno-gibalnih in neodvisnih) ter gledaliških (najveËkrat filmskih, kostumografinja pri in sodeluje producentka prostoru scenaristka, kulturnem kot slovenskem v deluje aktivno 1989 leta Od v Postojni. 1969 leta rojena je Nikolov Katarina Nikolov Katarina … Uhec zajec Grega, žabec koza Ana, vrana Helena, Rozi, štorklja polj: iz in živali travnikov gozda, priljubljene nastopajo zgod najveËkrat njegovih bah V modrosti. ljudske stare raz kriva basni preko nam katerih iz knjig, Njegov tudi gim dru med letih. stvari, zrelih zanimivih poln je v dom skromni gospod je Miha HrËek Londonu. v Stras Lee Institute na berg nato ZDA, v na študira St.Louis-u v Studies gimnaziji Po Theatre Ljubljani. v 1971 leta Rojena Koren Košak Tina druga doma. svojega živi iz izgnana tako prav zdaj vojno med hiši bila je ki družina, njihovi v kajti vsaj ostal spomin, s bo ji Tako pot šoli. v svojo sposojeno kamero, dokumentira Fahira vas. obišËeta mamo domaËo Z svetu sobo. na svojo in dom najbolj svoj si želi Fahira živijo barakah. prišleki lesenih v v drugimi z v hišo skupaj centru kjer svojo begunskem Ljubljani, v se zapustijo Nastanijo da Bratuncu. njeno in prisili, Fahiro družino Jugoslaviji nekdanji v Vojna HrËek Miha HrËek je serija desetih risank. desetih serija je 82 - - - - of ten animated films. animated ten of etc. children, for films animated ads, radio and TV several directed has She cos and designer. tume producer writer, a (mostly as productions dance-movement independent) and theatre is she film, in scene; cultural involved been Slovenian has the she in 1989, involved Since actively Postojna. in 1969, in Born London. in Institute later and Strasberg Lee USA, the at Louis, St. she in Studies school, Theatre grammar the entered After Ljubljana. in 1971, in Born forest, meadow and field animals, e.g. Stork Stork Rab Bunny. and bit Greg e.g. Frog Ana, Crow animals, Rose, Goat field Helen, and meadow popular feature forest, mostly stories His wisdom. ancient folk unravels he which from fables, of including books things, interesting of full is hum abode His ble gentleman. elderly an is Mike Hamster home. their leave forced to refugees also family, another by occupied is house Their home. their of at a memory have she would least she way, camera This a school. her with from borrows journey Bratunac. her village records the to Fahira her takes mother Her room. than her and home more her is world wants the in anything Fahira What refugees. other with shacks wooden in live they where in Ljubljana, centre refugee the at home settle They their leave Bratunac. in to forced were family Fahira her and Yugoslavia, former the in war the to Due Hamster Mike Hamster is a series a series is - - - 3’ DOL BARVNI/COLOUR BETA, FORMAT/FORMAT KREGAR PRODUKCIJA VIDEO SLOVENIJA RTV PRODUKCIJA/PRODUCTION JEREB IZTOK PRIPOVEDUJE/NARRATOR BO ZVOK/SOUND URO GLASBA/MUSIC CVETKO GREGA RISBA/DRAWING J PICTURES BACKGROUND ANIMATION, A NIKOLOV KATARINA SCENARIJ/SCREENPLAY NIKOLOV KATARINA BY REŽIJA/DIRECTED 57’’ 14’ DOL BARVNI/COLOUR BETA, FORMAT/FORMAT PROGRAM OTRO SLOVENIJA TV PRODUKCIJA/PRODUCTION RAM HUSI HUSI FAHIRA NASTOPAJO/FEATURING URO ZVOK/SOUND FILIPI MARJANA MATJA MONTA SA GLASBA/MUSIC KO MARKO KAMERA/CAMERA KO TINA SCENARIJ/SCREENPLAY KO TINA RE NIMACIJA, SLIKOVNA OZADJA/ SLIKOVNA NIMACIJA, ANEZ FERLAN ANEZ Ž Š IJA/DIRECTED BY BY IJA/DIRECTED Š Ž Ž INA/RUNNING TIME INA/RUNNING TIME INA/RUNNING TJAN KA TJAN Š Š O GA O Ć Č RAKOVEC MAJERLE Š Ž , AMAR HUSI AMAR , ILOVI A/EDITING KI IN MLADINSKI MLADINSKI IN KI Ž Š Š JANKOVI Č AK KOREN AK KOREN AK NIK Č Č EVAR Ć Č , , I Č Š NIK AHZA AHZA Č Č Ć , ,

, SELMA SELMA , KATARINA NIKOLOV ŠPELA KUCLAR KOORA HRIBOVSKA SAGA

DOKUMENTARNI FILM/PRODUKCIJAKOORA RTV SLOVENIJA DOCUMENTARY FILM/RTVA SLOVENIJAHIGHLAND PRODUCTIONS SAGA režija. Je avtorica dveh romanov in dokumentarnega dokumentarnega in romanov filma dveh avtorica Je filmska smer − režija. AGRFT na jo nato pripeljala filma pesmi, do je ljubezen je Pisala Ljubljani. v 1972 leta Rojena Kuclar ©pela … Everesta je Mount z smuËal kasneje Davo let Pet prstov. osem izgubil je Drejc osemtisoËaka. neosvojenega še takrat in do vence Slo za Davo Anapurne, z smuËala 1995 prepovedala. leta sta ni Drejc tega oblast tedanja dokler Jezerskem, na s dogajanje kulturno za beli društva, skr nasploh in igre dramske kulturnega prirejali so in katerim smuËarskega soustano vitelj bil je Andrej jezerska OËe alpinisti reševalci. gorski hribovci, in so To vrhovi Najznamenitejša KarniËarji. so od družina nebotiËni Koroške. Kranjsko sonËno kjer gorate loËijo planin kraj, Kamniških je Jezersko Režirala je veË plesnih filmov ( filmov plesnih veË produkcijah. je neodvisnih) Režirala (najveËkrat ter plesno-gibalnih gledaliških in filmskih pri sodeluje producentka, kostumografinja, Scenaristka, Postojni. v 1969 leta Rojena Nikolov Katarina … priËne se Koora in gledalci pridejo Potem samih. plesalcih v plesalci, med napetost gib, in scenografija korigirata in se luËi in nastavljajo še se sebe pripravljanje in kjer na generalko, vaje pred predstavo plesalcev spremlja opazovalec za skriti kot spoznavanja naËin era izvedba je Kam jaza. globin prostorov notranjih giba, Butoh in preseganje butoh. dela odkrivanje metodi proces na pa mandal, anskih Zgodba aai - lvk bomba Ëlovek - Bajazid Koore eej n veii tibet vsebini na temelji . Posnela je še kratka kratka še je Posnela . Z − film, Kje so tiste tiste so Kje film, − Z - - - - - and dance (mostly independent) productions as a writer, writer, a as productions independent) (mostly dance and theatre film, in involved is She Postojna. 1969,in in Born otroke. gibanja Ritem stezice, the but poetry, wrote She Ljubljana. in 1972, in Born umetnica. svobodna roman mladinski filma igrana begins… Koora and enters audience The dancers. the within and dancers the among tension is there corrected; are movement there the and where set the and rehearsal, set, are lights dress the and show the before rehearsals the for preparations dancers’ the follows camera the observer, secret a of role the In a … self and of depth of spaces inner the exceed self-discovery to way exploration, method movement a is of Butoh method. butoh are the on performance based the and process work the while of story The … Everest Mount from skied Davo later, years Five fingers. eight lost Drejc before Slovenian. a by climbed never was 8000 that over peak an high meters Annapurna, from skied Davo 1995, Drejc In and activities. authori their the them until forbad in ties Jezersko, involved in life were cultural and the plays co- theatre the performed They was society. cultural a and Andrej club ski a of founder Father members. mountain and rescue alpinists Jezersko. mountaineers, from are family They KarniËar best-known The the is Carinthia. family mountainous Carniola the sunny the from divide Mountains of tops Kamniške skyscraper-like where place a is Jezersko Jezni Koora in in e o vË pobegnila veË bom Ne is based on Tibetan mandalas, mandalas, Tibetan on based is et v pekel v Cesta ), animiranih risanih filmov za za filmov risanih animiranih ), , izšel je tudi njen njen tudi je izšel , . Deluje kot kot Deluje . - of Movement of ( several films dance directed has She designer. costume and producer artist. free a as works novel youth published films short made also documentary a novels two and of Author AGRFT. to her brought film for love 83 Z − Film, Where Are the Paths, The Rhythm Rhythm The Paths, the Are Where Film, − Z ), animated films for children, etc. children, for films animated ), aai − h Hmn Bomb Human The − Bajazid I’m Not Running Away Again Away Running Not I’m Angry Angry and and The Road To Hell To Road The . She She . . She She . and and 10’ DOL SP BETA FORMAT/FORMAT KREGAR PRODUKCIJA VIDEO BALET) IN GLASBO RESNO ZA (UREDNI SLOVENIJA RTV PRODUKCIJA/PRODUCTION TROP SANJA SVIDERSKI, MANI GORAN LIVERI EDVIN LAH, JAKA KUKOVEC, BARBARA BEZJAK, PRIMO BANICH, SELMA PLE VJERAN MARU IVAN ZVOK/SOUND ZGONC TANJA DESIGN SCENOGRAFIJA/SET POTO URBAN MONTA MARU IVAN GLASBA/MUSIC MATJA KAMERA/CAMERA NIKOLOV KATARINA SCENARIJ/SCREENPLAY NIKOLOV KATARINA RE 43” 48’ DOL BARVNI/COLOUR BETA, FORMAT/FORMAT PROGRAM KULTURNO-DOKUMENTARNI SLOVENIJA RTV PRODUKCIJA/PRODUCTION LALO IGOR ZVOK/SOUND MATJA MONTA LUPINC ANDREJ KAMERA/CAMERA Š SCENARIJ/SCREENPLAY Š RE PELA KUCLAR PELA KUCLAR PELA Ž Ž Š IJA/DIRECTED BY IJA/DIRECTED BY IJA/DIRECTED Ž Ž EJO/DANCERS INA/RUNNING TIME INA/RUNNING TIME INA/RUNNING Ž Ž A/EDITING A/EDITING Ž Ž MRAK JANKOVI Š ALON

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Ć Š , , TVO TVO

ALMA LAPAJNE CIRIL GALE MATI MAKE LOVE NOT CRUELTY MOTHER MAKE LOVE NOT CRUELTY DOKUMENTARNI FILM/PRODUKCIJA RTV SLOVENIJA DOCUMENTARY FILM/RTV SLOVENIJA PRODUCTIONS ANIMIRANI FILM/PRODUKCIJA RTV SLOVENIJA ANIMATED FILM/RTV SLOVENIJA PRODUCTIONS na specialki iz filmske režije pri profesorju Karpu Godini Godini Karpu profesorju pri režije filmske iz nadaljevala je specialki na Izobraževanje Ljubljani. v Univerze niko za elektroteh je na Fakulteti je diplomirala Lapajne Alma Lapajne Alma oddaljena.’ bo vedno ne bo nikoli Ostala toda skupna. dotakne, povsem nas BoleËina se seboj. prekalilo, samo drugega in nazadnje bogom pred in življenje mirna je je jo preizkušalo ko Ëloveška tem, nenehno po izdala je Danes, jo pozor majhnost. naklonjenosti, prijateljske in Ëustev, nosti do je pravico si pa Ko dlje. lastila vedno moËjo Z segala je truda in podzavest. v volje globlje je vedno sooËila, je se potiskala katerimi boleËe s dejstev, boj zaveznik; njen dojemanje bil zaËela je je »as preživetje. drugaËnost, ki za otrokoma, zaznamovala Z je realnost. ju boleËa zamenjala sanje je Neizsanjane poletje. samo eno je ‘Plesala Sloveniji. nost knjigo je izdal tujine, in domovine iz filme, risarji z skupaj realizira animirane jih ki stripe, oddaje, za scenarije z piše TV se ustvarja Ukvarja in znanosti. novinarstvom politiËnih magister Diplomirani in Ljubljani. v novinar 1946 leta rodil je se Gale Ciril Gale Ciril ... srca? brez razmišljamo Ëe drugemu, drug povzroËimo lahko gorja A koliko ... v risanki ent transpar govori ljubite, se raje kruti, bodite Ne , prvo ‘teoretiËno’ knjigo o stripu v Jugoslaviji in in Jugoslaviji v stripu o knjigo ‘teoretiËno’ prvo , Strip − deveta umet deveta − Strip 84 - - - - ics in Ljubljana. She continued her education with special special with education her continued She Ljubljana. in ics for Electron The Faculty from She graduated Lapajne. Alma vBerlinu. Herzogu Wernerju profesorju pri in AGRFT na Slovenia. and Yugoslavia in comics about lished He pub abroad. and at home artists with he realizes books forcomic scripts andwrites films animated creates he programmes, TV journalism Besides science. political in degree MA a has and journalist a is He Ljubljana. 1946,in in Born really shared. It always stays detached.’ stays always It shared. really never is it but another, of pain the by touched are We herself. and God with peace at is by she life, hardened the and tested being after Today, ness. affec narrow-hearted and human by betrayed was she tion, attention friendly her emotions, to claimed she right When further. enabled ever reach effort to her and Willpower into subconscious. deeper the and of deeper with realization faced was she painful facts the suppressed she side; her on was time The survival. for fight the started she different, being With their by marked reality. unrealized children, two painful An the by summer. replaced was one dream only danced ‘She … heartlessly? think we if cause we other each can hurt much how But … film mated ani this in poster a says cruelty” not love, “Make Comics −The Ninth Art Ninth −The Comics , the first ‘theoretical’ book book ‘theoretical’ first the , - - - - - Theatre, Radio, Film and Television, and with professor professor with and Berlin. in Herzog Werner Television, and Film for Academy Radio, the Theatre, at Godina Karpo professor with studies 35’ DOL BARVNI/COLOUR 16MM, FORMAT/FORMAT IZOBRA SLOVENIJA RTV PRODUKCIJA/PRODUCTION TAJI MARKO ZVOK/SOUND MILO MILAN MONTA KALI JANEZ KAMERA/CAMERA STOJAN GAGA ELKE SCENARIJ/SCREENPLAY LAPAJNE ALMA RE 2’ DOL BARVNI/COLOUR BETA, FORMAT/FORMAT PROGRAM OTRO SLOVENIJA RTV PRODUKCIJA/PRODUCTION JURE TONE GLASBA/MUSIC NOVAKOVI RASTO CAMERA KAMERA/TRICK TRIK PETROVI RACA RATOMIR RISBE/DRAWING VODNIK MODESTA ANIMACIJA/ANIMATION GALE CIRIL SCENARIJ/SCREENPLAY GALE CIRIL RE Ž Ž IJA/DIRECTED BY IJA/DIRECTED BY IJA/DIRECTED Ž Ž INA/RUNNING TIME INA/RUNNING TIME INA/RUNNING Š Ž A/EDITING KI IN MLADINSKI MLADINSKI IN KI Ž EVALNI PROGRAM EVALNI Č Š Š I Č Č NIK EVI , IGOR LALO IGOR , Č Č Č Š MITJA NOVLJAN AMIR MURATOVIĆ NEDOKONČANO POTOVANJE NA JAPONSKO PRIJATELJA (Portret Andresa Valdesa) THE UNFINISHED TRIP TO JAPAN (The Portrait of Andres Valdes) DOKUMENTARNI FILM/PRODUKCIJAFRIENDS RTV SLOVENIJA DOCUMENTARY FILM/RTV SLOVENIJA PRODUCTIONS vencev. Posnel je portrete Zvonka »oha, Milana EriËa, EriËa, Milana »oha, Zvonka portrete je Slo Posnel nenavadnih vencev. RTV na predstavitve režiser pripravlja in kjer scenarist Slovenija, je letih desetih zadnjih V oblikovanje. smer arhitekturo, ter AGRFT na režijo ijsko televiz in je filmsko Študiral v 1966 Sarajevu. leta Rojen MuratoviÊ Amir filmu televiziji. in na domovih, kulturnih gledališËih, slov v enskih nastopal niËkolikokrat letih skoraj v in štiridesetih je poroËil se štirikrat selil, Ljubljani V desetkrat vsaj obiskal. veË ni nastopil gledališËu, prviË v je kjer Kube, Tudi nikoli nadaljeval. ni potovanja svojega in Ljubljani v je Ostal televizije. pova ljubljanske ga v programu nastopi da so bili, dan naslednji Že Parizu. pan v študijem tomime med spoznal je obiskal ju bi ki da prijateljici, potovanjem Ljubljani, v svojim ustavil med Japonsko na je se Valdes Andres Portret astronavta Ronalda Šege, PraviËnik, Prijatelja, Lov zaLov Prijatelja, PraviËnik, Šege, Ronalda astronavta Portret Reka filme kratke posnel je Doslej na režijo filmsko je Novljan Mitja AGRFT vštudiral Ljubljani. Novljan Mitja Novljan Mitja KuËan.” Milan predsednik zu slovenski nekdanji ter izraelski Perez Shimon minister izraelski nanji nekdanji Navon, nekdanji Yitzak tudi so predsednik sogovorniki Med … v intervjuji in materialom, Izraelu v s fotografskim ter Sloveniji akterjev živih še poma priËanjem si s smo gali materiala, pa arhivskega agentov imeli tajnih nismo dela narave zaradi do 2025, dostopno leta bo ne odnosov obËutljivih izraelsko-slovenskih zavoljo doku Sloveniji Ker v let. gradivo so mentarno osemdesetih ki sredi Dana, izšli Shaike Izraelu spominih v agenta na tajnega temelji izraelskega Prijatelja “Dokumentarec , TV filme filme TV , »amËatka, Slovenska kri v ameriški zvezdi, zvezdi, ameriški v kri Slovenska »amËatka, Mississippi, Sabajev, Maruška, Maruška, Sabajev, Mississippi, ------Theatre, Theatre, Radio, Film and Television in Ljubljana. So for far, Academy he the has at directing film studied He Novljan. Mitja filmov. in izobraževalnih tarnih Solinar zakladom, istrskim direc and writer a as working been has he years, ten past the For Architecture. of Faculty the at design and evision, Tel and Film Radio, Theatre, for Academy the at directing television and film studied He Sarajevo. in 1966, in Born film in ... Fabianija Maksa Mitja Novljan Novljan Mitja KuËan.” Milan president, Slovenian former the Perez; and Shimon Minister, Affairs Foreign former the Navon; Yitzak president, We Israeli ... former to the talked interviews material, photographic in Slovenia, some and Israel in participants by to had accounts we use so available not also were work archives agents’ film secret of nature the rela to Due tionship. Israeli-Slovenian to the due of 2025 nature until sensitive the available be not in will archives Slovenia documentary The Israel. in 80’s the in published were that Dana, Shaike agent, secret a of memoirs the on based is Friends documentary “The on centres, television. and film culture theatres, Slovenian in ances perform countless had years, forty almost in and, times four married got times, ten least at moved he Ljubljana, In debut. theatre his of country the again, Cuba visit he did Neither journey. his tinued con never and Ljubljana in stayed He programme. Ljubljana Television a in appear to invited was he day, next The Paris. in pantomime studying was he while met he in friends of stopped couple a visit to Valdes Ljubljana Andres Japan, to way his On … ter preko 25 drugih dokumen 25 drugih …preko ter Portreta z ozadjem z Portreta . . ------and over 25 other documentary and educational films. films. and educational and over 25 documentary other Worker The Treasure, Hunt Saltpan for Friends, the Istria Man, Righteous The Šega, Ronald of Astronaut Portrait The TV films made short films Maks Fabiani ... and a film film a ...and Fabiani EriË, Maks Milan »oh, Zvonko of portraits Slovenes, traordinary ex of presentations prepared has He Slovenia. RTV at tor 85 Kamtchatka, Slovienian Blood in Slovienian Star,the Kamtchatka, American Mississippi, Sabayev, Maruschka, The Sabayev, Maruschka, River Mississippi, Portrait with Background with Portrait . … - ; 50’26” DOL BARVNI/COLOUR BETA, FORMAT/FORMAT PROGRAM KULTURNO-UMETNI SLOVENIJA RTV PRODUKCIJA/PRODUCTION KO DRAGO ZVOK/SOUND OTOREPEC STANE MONTA MARTIN GLASBA/MUSIC MILORAD KAMERA/CAMERA EDVARD SCENARIJ/SCREENPLAY NOVLJAN MITJA RE 12” 45’ DOL BARVNI/COLOUR BETA, FORMAT/FORMAT PROGRAM KULTURNO-DOKUMENTARNI SLOVENIJA RTV PRODUKCIJA/PRODUCTION LALO IGOR ZVOK/SOUND MURATOVI AMIR MONTA TRNKOCZY UBALD KAMERA/CAMERA MURATOVI AMIR POVH, PETER SCENARIJ/SCREENPLAY MURATOVI AMIR RE Ž Ž IJA/DIRECTED BY IJA/DIRECTED BY IJA/DIRECTED Ž Ž INA/RUNNING TIME TIME INA/RUNNING TIME INA/RUNNING Ž Ž A/EDITING A/EDITING A/EDITING Ž Š ITNIK ITNIK Č TIBERNIK TIBERNIK Č Ć Š ADE I Š

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JASNA HRIBERNIK BRANE BITENC TANGO –5 SKRIVNOSTI TANGO –5 DOKUMENTARNI FILM/PRODUKCIJA RTV SLOVENIJA DOCUMENTARY FILM/RTV SLOVENIJA PRODUCTIONS SECRETS IGRANI FILM/PRODUKCIJA RTV SLOVENIJA FICTION FILM/RTV SLOVENIJA PRODUCTIONS umetniškim videom in video instalacijami. Njeni so: so: Njeni o instalacijami. z videov video ukvarja in se veË videom letih ter zadnjih umetniškim V filme umetnikih. in Režirala umetnosti dokumentarne filmsko Ljubljani. v je številne AGRFT na Študirala je režijo Mariboru. televizijsko v in 1959 leta Rojena Hribernik Jasna −5. pri celo to In ekstazi. svoji v impresivnimi tanga, toËkami plesnimi s Ëudovitimi film ter, nenazadnje, Ferrera Horacia prepesnjeno poezijo s tango Piazzolle, Astorja slavnega glasbo odliËno z film −5 Tango je konËno In Lara. igralka vstopi razloga istega povsem iz šolo to V vsakdan. v ujetost pozabljajo mnogi zgodba kjer tanga, tudi šoli njuni o Je odnaša. in vsem, z prinaša odnos ljubimca, tak kar hkrati sta in prvaka svetovna celo bila sta ki plesalcev, vrhunskih dveh odloËitvi življenjski kot tangu Slovenskem tangu. o zgodba je −5 Tango ljubezni. iskanju o zgodba je −5 Tango za otroke in igranih filmov, veËinoma v produkciji RTV RTV produkciji v Slovenija. veËinoma filmov, igranih in otroke za oddaj dokumentarcev, Jeavtor režije. filmske AGRFT na oddelek na vpiše se 1986 Leta socializma. Otroci tekstopisec in skupine pevec Je pesmi. se piše in šoli glasbo z srednji ukvarja konËani Po Ljubljani. v 1962 leta Rojen Bitenc Brane domišljiji. gledalËevi sami še prostora pušËa dovolj vendarle pa ki podobi, v sugestivni bolj približa tako se umetniško Poezija za razsežnosti. nove bijo prido in mediju izziv novem v Zaživijo velik vizualizacijo. Posebej bile mladino. so za pesmi uglasbene tri Ko obsega SreËka in sovela Zajca Daneta pesnikov Grafenauerja, slovenskih Nika priznanih triptih Pesniški 86 - - eeiin n jbjn. h hs ietd eea docu several directed has and She Film Ljubljana. Radio, in Theatre, Television for Academy the at directing television and film studied She Maribor. in 1956, in Born StopnišËe tij, naspro Hiša glavo, na padla žoga je nam Ko L, na Vstopi impressive in their ecstasy. Even at −5. at Even ecstasy. their in impressive numbers, tango wonderful last with film a and, least, not but Ferrero Horacio of poetry tango adapted with Piazzola, Astor by famous the music marvellous And finally, −5 Tango the same reasons. is a with film for school the enters actress an Lara, everyday. the in captivity their forget many people of where tango, school their about story a is It relationship. a such of bad the and good in the lovers, also are They ons. champi world former and dancers top two for choice life- a as tango Slovenian tango. about story a is −5 Tango love. for search the about story a is −5 Tango children’s programmes and films, mostly produced by RTV RTV Slovenia. by produced mostly films, and programmes children’s documentaries, creates He Ljubljana. in direct AGRFT the film at ing entered he 1986, In Socializma. punk Otroci well-known band a in writer lyrics and singer the school. was He secondary after music making and started poetry He writing Ljubljana. in 1962, in born was Bitenc Brane proachable, however, it still leaves space for the the imagination. for viewer’s space leaves still it however, proachable, ap more poetry makes form This suggestive expanded dimensions. new new a acquire in thus life and given medium, are Poems visualisation. artis tic for challenge great a presented this original music, With youth. the for poems three of Niko Sre sists and classics Zajc Dane Slovenian of Grafenauer, triptych poetry This … Ë o ooe con Kosovel ko ------ference, The Staircase The Dif of ference, House The Head, Our On Dropped work: Ball the her When of Some video installations. video artistic in and involved In been has artists. she and years, art recent the about films video and films mentary … Enter On L, L, On Enter - 35’ 57” 57” 35’ DOL BARVNI/COLOUR BETA, FORMAT/FORMAT SLOVENIJA RTV PRODUKCIJA/PRODUCTION BERTONCELJ BLA PODLOGAR, JANKOVI LARA NASTOPAJO/FEATURING HRANITELJ ALAN DESIGN KOSTUMOGRAFIJA/COSTUME LOGAR ANDREJ ZVOK/SOUND POLI VOJISLAV MONTA DISTANGO GLASBA/MUSIC Ž FOTOGRAFIJA/CAMERA TOMA SCENARIJ/SCREENPLAY HRIBERNIK JASNA RE 10’ DOL BARVNI/COLOUR BETA, FORMAT/FORMAT PROGRAM OTRO SLOVENIJA RTV PRODUKCIJA/PRODUCTION TOMA Ž JELENA MAJZELJ, JANJA LE ALJO GLERIA, DE NINO IZVAJALCI/PERFORMERS KOMATAR MIRAN LALO IGOR ZVOK/SOUND MAKUC ZVONKA VISINTIN, SVETLANA DESIGN KOSTUMOGRAFIJA/COSTUME TODOROVI GORAZD BATI JANI MONTA JO Ž JELENA GLERIA, DE NINO GLASBA/MUSIC MI KAMERA/CAMERA BITENC BRANE RE ELJKO IVAN ELJKO ANDRA DRALE, TOMA DRALE, Ž Ž Č Š Ž IJA/DIRECTED BY BY IJA/DIRECTED BY IJA/DIRECTED Ž Ž I INA/RUNNING TIME TIME INA/RUNNING TIME INA/RUNNING O O EF SE EF Ć Š Ž Ž , BRANE VI BRANE , Č Ž Ž A/EDITING A/EDITING A/EDITING KI IN MLADINSKI MLADINSKI IN KI ADE LETNAR PENGOV Č Č Š NIK NIK Ž , GA , , ZVONE SU ZVONE , Č I Č Č Ž Š Č

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POLONA SEPE TEŽAVE VITEZA GABRA THE TROUBLES OF KNIGHT GABER

IGRANI FILM/PRODUKCIJA RTV SLOVENIJA FICTION FILM/RTV SLOVENIJA PRODUCTIONS dan prinaša nove priložnosti. »e jih ni, jih pa pa jih ni, sam. jih naredi »e Gaber priložnosti. nove prinaša vsak dan vendar pa srednjeveških, od drugaËni sicer so Ëasi Današnji dvorjenje prepriËalo. že dne viteško nekega bo jo Vztrajno Ëeprav opazi. Tino, ne sošolko tega pripravljen ona izbranko, vedno svojo je in služi zašËititi (mami) zvesto ter kraljici resnico in svoji pravico za ki bori vitez, svoji sam se V tudi je da oËaran junaštvi. prepriËan, dolgo je in že domišljiji zgodbami je in viteškimi mesta nad delu gradom starem srednjeveškim v pod opa ni stanuje sploh Gaber ga Tina zila. Pa trudil, zanj. tako še zmeniti je se hotela naj ni in ni Tina, malemu izvoljenka, sošolka je njegova se ko To jasno, postalo enostavno. Gabru ni viteza Življenje - ties. If there aren’t any, Gaber will create them them create will himself. Gaber any, aren’t opportuni there new If brings ties. day new every but ages, medieval the from someday. different are her times win present The to bound is courting Persistent knightly efforts. his notice to al fails Tina, she though classmate desire, heart’s his protect to and truth, ready and always is and mother, his queen, his justice serving for fighting knight, he a believes is a Gaber for imagination, knights his In of time. valour long the and tales knight of spell the under been has He castle. him. medieval overlooked a by city, the notice of to part old an in fails lives Tina Gaber might, he Try as him. hard ignores as continually Tina, classmate with, his Gaber enamoured is he Young girl the simple. when this from realizes far is life knight’s A - - stran/ Sepe Polona 87 page page 41 15’ DOL BARVNI/COLOUR BETA, FORMAT/FORMAT PROGRAM) (OTRO SLOVENIJA RTV PRODUKCIJA/PRODUCTION Ž LINARI TOMI SILVA IGRAJO/CAST KASTELIC KLAVDIJA KOLENC, ADELA MASKA/MAKEUP CIMPERMAN MARJAN ZVOK/SOUND SEVER META DESIGN KOSTUMOGRAFIJA/COSTUME VILHAR MOJCA DESIGN SCENOGRAFIJA/SET OTOREPEC STANE MONTA BEVC CVETKA GLASBA/MUSIC KALI JANEZ KAMERA/CAMERA SEPE POLONA SCENARIJ/SCREENPLAY SEPE POLONA RE ELEZNIK Ž IJA/DIRECTED BY IJA/DIRECTED Ž INA/RUNNING TIME TIME INA/RUNNING Ž Š Č A/EDITING KI IN MLADINSKI MLADINSKI IN KI U Š IN, BORIS OSTAN, OSTAN, BORIS IN, Š Č NIK , SARA SARA ,

TV ETUDE ŠTUDENTK IN ŠTUDENTOV AGRFT

TV STUDIES (AGRFT) PRODUKCIJA TELEVIZIJSKA PRODUCTIONS TELEVISION KLARA NA ČAKANJU PUHLEŽ TAMALA TAMARA JURIJ GRUDEN MARTIN TURK NA ČAKANJU KLARA WAITING TV ETUDE ŠTUDENTOV AGRFT TV STUDIES KLARA Born in 1975, in Trieste. Entered the Academy in 1996. in Academy the Entered Trieste. in 1975, in Born leta sprejet bil je AGRFT 1996. Na Trstu. v 1975 leta Rojen Gruden Jurij lokalu, ... bližnjem v padejo maske pult Ko toËilni za sede Med prijateljstva. družba bežna spletejo negativni? Ëakaln v bolnišnice se ali ici testov krvnih pozitivni izvide na Ëakanjem HIV ste Ali Academy the 1998. in entered He Italy. Trieste, in 1987, in Born leta vpisal je se AGRFT Na 1998. Trstu. v 1978 leta Rojen Turk Martin prikritih in odnosov. medËloveških preobratov Zgodba ženske. in moški moški ženske so kateri v NoË, žensk Sebastijanom. osvajalcem naivnim in Jasno prijateljico njeno Klaro, lezbiËno med trikotnik Ljubezenski 90 - Selitev/ (2002) rad/ imeti moraš Nekoga mesta/ Podobe filmografija/ Izlet/ Oblak/ teden/ na Dvakrat filmografija/ masks drop … drop masks the When pub, a nearby in bar life. the behind to sits group the come friendships test fleeting blood the results, for room waiting hospital waiting the While in negative? or positive HIV you Are personal twists of human full hidden relationships; about story A women. become men and men, become A women when night womaniser. naive a Sebastjan, and Jasna, friend, lesbian, her a Klara, between triangle love A The Excursion The The Cloud The Moving Away Moving filmography filmography Images of the City the of Images (2001) Twice a Week a Twice (2002) (2002) You Have To Love Somebody Somebody Love To Have You (2000) (2000) 19’ TIME DOLŽINA/RUNNING SP, BETA BARVNI/COLOUR FORMAT/FORMAT SLOVENIJA RTV KOPRODUKCIJA/CO-PRODUCTION AGRFT PRODUKCIJA/PRODUCTION MRZEL JERCA SAKSIDA, ŽIGA VONČINA, RAFAEL KOS, BORIS ROZMAN, MATIJA IGRAJO/CAST GRUDEN JURIJ TURK, MARTIN SCENARIJ/SCREENPLAY GRUDEN JURIJ BY REŽIJA/DIRECTED 45’’ 22’ TIME DOLŽINA/RUNNING SP, BETA BARVNI/COLOUR FORMAT/FORMAT SLOVENIJA RTV KOPRODUKCIJA/CO-PRODUCTION AGRFT PRODUKCIJA/PRODUCTION FORTE PRIMOŽ RASHID, TAREK KAHRIMANOVIĆ, ASJA KOS, BORIS ŽEFRAN, BARBARA IGRAJO/CAST TURK MARTIN SCENARIJ/SCREENPLAY TURK MARTIN BY REŽIJA/DIRECTED REŽIJA/DIRECTED BY KLEMEN DVORNIK SCENARIJ/SCREENPLAY MARTIN SREBOTNJAK IGRAJO/CAST Kaj je resniËno prijateljstvo? Ali gre zgolj za What is true friendship? Is it merely a matter of ŽELJKO HRS, PIA ZEMLJIČ, sebiËne interese? Puhlež nam dokaže, da je selfish interests? As Shallow Man shows us, it is LUDVIK BAGARI, NIKO LOGAR, vse le igra, v kateri je iskrenost nenehno na all a game that constantly puts sincerity to the PRIMOŽ PIRNAT PRODUKCIJA/PRODUCTION preizkušnji. test. AGRFT KOPRODUKCIJA/CO-PRODUCTION RTV SLOVENIJA Klemen Dvornik filmografija/filmography FORMAT/FORMAT Rojen leta 1977 v Novem mestu. Natanko Ëez pet let Zjutro/Morning (1998) BETA SP, BARVNI/COLOUR je bila v ZDA premiera Spielbergovega E.T. vesoljËka, Tišina pred nevihto/Calm Before the Storm (2000) DOLŽINA/RUNNING TIME filma, ki je usodno zaznamoval njegovo življenje. Že Zlato srce/Golden Heart (2001) 16’ 10’’ tri leta kasneje, ko ga je mama peljala gledat film, je namreË ugotovil, kaj bo postal. Vesoljec?

Born in 1977 in Novo mesto. Five years later, Spielberg’s E.T. premiered in the USA, a film that would irreversibly KLEMEN DVORNIK KLEMEN PUHLEŽ SHALLOW MAN SHALLOW mark his life. Another three years later, when his mother took him to see the film, he recognized what he would become. An alien?

Brata Žiga in Mac opravljata posle za Berglo. Brothers Žiga and Mac do jobs for Bergla. Kid REŽIJA/DIRECTED BY MIHA MLAKER Na obisk pride Tamala, Žigova prava, a bivša comes to visit, Žiga’s true-but-ex love. When SCENARIJ/SCREENPLAY ljubezen. Ko se na prizorišËu pojavi še Bergla Bergla appears, reminding them Kid’s prostitu- MIHA MLAKER IGRAJO/CAST in obudi spomine na prostitucijsko preteklost tion past, things get hot. ALJOŠA KOVAČIČ, MIHA Tamale, se dogodki zaostrijo. NEMEC, TJAŠA ŽELEZNIK, AKIRA HASEGAWA PRODUKCIJA/PRODUCTION Miha Mlaker filmografija/filmography AGRFT Rojen leta 1976 v Mariboru, kjer je konËal gimnazijo. My way (2000) KOPRODUKCIJA/CO-PRODUCTION Študiral je komunikologijo na dunajski univerzi in se Državljan Kaiser/Citizen Kaiser (2001) RTV SLOVENIJA FORMAT/FORMAT MIHA MLAKER MIHA KID TAMALA leta 1998 vpisal na AGRFT. Moving In (2002) BETA SP, BARVNI/COLOUR Boš pa mrzlo jedo/So, You Will Eat It Cold (2002) DOLŽINA/RUNNING TIME TV STUDIES Born in 1976, in Maribor, where he also finished grammar 27’ school. He studied communicology at the University of Vienna and entered the Academy in 1998.

91 TV ETUDE ŠTUDENTOV AGRFT GORAN VOJNOVIĆ TAMARA

TV ETUDE ŠTUDENTOV AGRFT TV STUDIES TAMARA his first poems and also shot his first feature film. feature first his wrote shot he also and where poems first his football, and basketball to played moved school, attended he family where area, his residential six, urban vast a was Fužine, he When 1980. in Born prvi svoj tudi kjer posnel in film. nogomet, pesmi igrani in prve košarko svoje igral Ljubljane, napisal je šolo, obrobju v na hodil je naselje kjer Fužine, na blokovsko preselil je se velikansko letih šestih Pri 1980. Rojen VojnoviÊ Goran sama. postane zarote žrtev in izjalovijo se pa naËrti Njeni noseËa. je da si, svojim Izmisli ljubimcem. mašËevati želi se dekle, mlado Tamara, 92 Fužine zakon/ Fužine knjižnica/ PotujoËa filmografija/ fails and she becomes the victim of her scheme. her of victim the plan Her becomes she and pregnant. fails is she that them to lies She lovers. her with even get to wants Tamara Young filmography Fužine Rules! Fužine Mobile Library Mobile (2003) (2001) 16’ 30’’ 16’ TIME DOLŽINA/RUNNING SP, BETA BARVNI/COLOUR FORMAT/FORMAT SLOVENIJA RTV KOPRODUKCIJA/CO-PRODUCTION AGRFT PRODUKCIJA/PRODUCTION KUKOVEC BARBARA TOMŠIČ, TOMISLAV HASEGAWA, AKIRA ZORC, GREGOR POTOČNIK, TANJA IGRAJO/CAST VOJNOVIĆ GORAN SCENARIJ/SCREENPLAY VOJNOVIĆ GORAN BY REŽIJA/DIRECTED NAGRADA METOD BADJURA ZA ŽIVLJENJSKO DELO METOD BADJURA AWARD FOR LIFE ACHIEVEMENTS ZAMUJENO njegovih vreËkah, prav prijetno kramljali in se nazadnje dogovorili za naslednji obisk. Po tretjem obisku se mi je zdelo še najbolj Podelitev nagrade za življenjsko delo Me- Ëudaško, da nisem imel Ëasa v miru sedeti z fotografija: SLOVENSKA KINOTEKA tod Badjura nikoli ni bila lahka odloËitev in njim in poslušati njegovih zgodb. Imel sem tudi letos je Izvršni odbor DSFU kar dolgo lepo priložnost, za njegovo kuhinjsko mizo izbiral med vrhunskimi in zaslužnimi film- bi dobil stokrat veË, kot so mi dali v naglici skimi ustvarjalci. Najprej nam je pomagala postorjeni popoldanski opravki. odloËitev, da nagrada ne sme biti tako Zdaj vem, da bi bil Rudi VaupotiË težko vezana na režiserje − saj vendar filmi drugaËen. Njegova biografija se zaËne v nastajajo tudi z nepogrešljivimi prispevki sirotišnici, nadaljuje v partizanih in konËa scenaristov, snemalcev, scenografov, ko- pri filmu. Nikjer ni bilo lahko. »eprav je bil stumografov, montažerjev ... Ëas je, smo genialno nadarjen, pa si ga je narobe pred- bili kmalu složni, da letos to priznanje dobi stavljati kot deËka, ki je že v sirotišnici nekdo od velikih mojstrov filmske fotograf- brezmejno hrepenel po fotoaparatu ali ije. Ko smo prišli do imena Rudi VaupotiË, kameri. Ne. V sirotišnici so mu doloËili smo si morali hkrati priznati, da poznamo poklic. Ni imel izbire. Pa vendar sreËo. Fo- samo njegovo ime, njegove filme in nekaj tografije se je uËil pri gospodu Vilku FilaËu, anekdotiËnih zgodb − njega pa ne. Rudi protokolarnemu fotografu kralja Aleksan- VaupotiË je pripadal generaciji, ki je nismo težje − prišle so barve, nove tehnologije, da za vrati, na katerih piše Rudi VaupotiË, dra in seveda oËetu znamenitega sloven- spoznali na snemanjih, sodil je med tista obËutljivejši trakovi, drugaËni reflektorji, živi le duh. Imela sva sreËo; preden sva skega direktorja fotografije Vilka FilaËa. velika imena, ki smo jih poznali iz filmskih drugaËni režiserji, drugaËni Ëasi, tako obupala, je iz dvigala stopil droben duh Tudi ko se je že izuËil, ga je še dolgo, morda špic, filmografij in kinoteËnih publikacij. drugaËni, da ni bilo veË Ëasa (denarja) za z dvema Mercatorjevima vreËkama v šibkih celo do konca življenja, spremljala otroška Zdelo se je, kot da je živo samo še ime, Ëakanje na lepo luË, sonce, jutro ... Treba rokah. »eprav ga obisk dveh filmarjev ni rahloËutnost, s katero je sicer znal brati kot da Rudija VaupotiËa ni veË med nami. je bilo snemati, snemati ... To pa Rudija ni presenetil niË manj, kot Ëe bi ga obiskala svetlobo, malo težje pa se je znašel, kadar Na neki naËin ga res ni bilo − leta 1978 mikalo, raje je slabo živel, kot slabo sne- dva zelena marsovca, je vseeno odložil je imel opravka z vsakdanjim življenjem. je posnel svoj zadnji film in se resignirano mal. Tako je postal Ëudak, prav tak kot vsi vreËki in se presenetljivo razgovoril. Zelo Kot bi hotel povedati veË kot anekdoto, je umaknil − kot toliko drugih filmarjev. Za umetniki, ki so lovili izmuzljivo in minljivo logiËno je razložil, da ne dviguje telefona, pripovedoval o svoji prvi službi v Mozirju RUDI VAUPOTIČ (1919–2003) VAUPOTIČ RUDI njim so ostale le zgodbe, vse uglašene zelo svetlobo, Ëudaški, vendar niË bolj kot malo- ker ne ve, kdo kliËe, in ne odpira vrat, ker in prvi fotografski nalogi. Poslali so ga na enotno: Rudi je posebnež, Ëudak, samotar dane vsi genialni slikarji. ne ve, kdo stoji pred njimi ... Še vedno, drugi konec Savinjske doline fotografirati − ampak estet. In ta estet je bil vedno Vedeli smo, da telefona že dolgo ne dviguje, kadar pa je dvignil telefon ali odprl vrata, hmeljarje. Upal si je še vprašati, kako naj najbolj poudarjen. zato sva Miha HoËevar in podpisani pozvon- so ga nadlegovali nadležni akviziterji pride tja. Vendar si po odgovoru “s kole- Snemalcem je bilo v miniaturni in ves ila na njegovem domu v šišenski stolpnici. in anketarji ... On pa se ne boji niËesar som” ni upal priznati, da nima kolesa, in Ëas negotovi slovenski kinematografiji še NiË. Tudi sosedje so samo skomigali, kot - razen ljudi. Debelo uro smo stali ob še manj, da ga ne zna niti voziti. Pa je

94 NAGRADA METOD BADJURA ZA ŽIVLJENJSKO DELO, KI JO PODELJUJE DRUŠTVO SLOVENSKIH FILMSKIH USTVARJALCEV vendar z zadnjimi prihranki kupil rabljeno kolo in se pri priËi lotil uËenja. Vendar tistega dne ni imel sreËe: zobnik in veriga sta zagrizla v njegove (edine) hlaËe in prvi fotografija: SLOVENSKA KINOTEKA poskus se je konËal boleËe. Dvignil se je s prašnih tal, pogledal uniËene hlaËe in vztrajal tako dolgo, da se je še istega dne pripeljal do hmeljarjev ... Gledal jih je, se pripravljal, hodil okrog njih, vendar se je v Mozirje vrnil brez fotografije. Ni zbral poguma, da bi stopil do njih in vprašal, ali jih sme fotografirati. Tudi naslednja naloga še ni bila podvig. Fotografiral naj bi birmo. Prišlo je veliko ljudi, tudi škof, seveda. Ko je bila množica pripravljena za fotografijo, je zapihal moËen veter in prevrnil stojalo. Njegov aparat je zgrmel po tleh, kolega fotograf, ki je stal ob njem, pa mu je posmeh- ljivo zabrusil: “Iz tebe nikoli ne bo niË!” Zdaj ne vemo, kdo je bil ta fotograf, ostalo pa je ime Rudi VaupotiË. Ostali so filmi, ostala pa nam bo tudi zaslužena in, žal, nepodeljena nagrada. Morda pa ni zamudila samo nagrada, bojim se, da je bila zamu- jena ali površno pozabljena tudi dragocena fotografska izkušnja, da je bilo izgubljeno prekaljeno klasiËno mojstrstvo, ki je prez- godaj potonilo v senco arhivov.

Metod Pevec predsednik IO DSFU 2001-2003 OVERDUE films and different lights; then, there came peared strange was my not having enough started to learn how to ride it. However, he different directors and different times - so time to sit there with him listening to his was not lucky that day: the gearwheel and different that there was no time (money) stories without a worry. It was a marvellous the chain grabbed his (only) trousers and Awarding the Metod Badjura Award was left for waiting for the appropriate light, the opportunity − there was more to gain behind his first attempt was painful. He rose from never an easy task. The Executive Board of sun, the morning, etc. They had to film and his kitchen table than there was from the the dusty ground, looked at his ruined pants the Slovenian Film Workers’ Association took film. This was not for Rudi − he preferred to rushed afternoon errands. and continued for so long that he reached a long time to decide among the best and live badly that to film badly. Thus, he became Now I know that Rudi VaupotiË could hardly the hop growers that same day. He observed the most deserving film workers this years as a strange person, just as all artists chasing have been different. His biography starts them, made preparations, moved around, but well. Firstly, we were helped by the decision the illusive and fleeting light - strange, but in an orphanage, is continued in the Parti- returned to Mozirje without a photograph. that the award should not be bound only to no more than most of the painting geniuses. sans and ends in film. None of it was easy. He couldn’t find the courage to go and ask directors this year − films are made with We knew he hadn’t picked up his phone in a In spite of his certain genius, it would be them for a permission to photograph them. indispensable contributions from writers, long time, so Miha HoËevar and the under- wrong to see him as a boy who craved for a His next assignment was no success, either. cinematographers, set designers, costume signed rang the bell on the door at his home photographic or film camera in the orphan- He was supposed to photograph a confirma- designers, editors, etc. We agreed it was time in an apartment building in Šiška. Nothing. age. Quite the opposite, he was assigned to tion. There were many people, including the that the award went to one of the masters Even the neighbours only shrugged as if the profession. He had no choice. And yet, bishop. When the crowd was ready to be pho- of film photography. When we came to Rudi merely a ghost were living behind the door he was lucky. He was taught photography tographed, a strong wind blew and knocked VaupotiË, we had to admit that we only knew with the name of Rudi VaupotiË. However, we by Mr. Vilko FilaË, a protocol photographer over his camera stand. His camera hit the his name, his work and a few anecdotes − were lucky; just as we were ready to give up, of King Alexander and, naturally, father of ground and another photographer standing no one knew him personally. Rudi VaupotiË a tiny ghost stepped out of the lift with two the acclaimed Slovenian director of photog- beside him sneered at him: “You will never belongs to a generation we did not meet at Mercator bags in his weak hands. Although raphy, Vilko FilaË. Even when he had already amount to anything!” Today, there is no way film sets; he belongs to those great names he was just as surprised by filmmakers learned the ropes, and for a long time after to know who that other photographer was, we only know from film credits, filmographies visiting him as he would have been by two − possibly for the rest of his life, he kept his but the name of Rudi VaupotiË remains. And and cinematheque publications. It appeared green Martians, he put down his bags and childlike sensitivity that enabled him to read so do the films − and, regretfully, a deserved as if only his name were still present, as if became surprisingly talkative. He explained the light, but made it a bit harder for him in but not presented award. Perhaps it is not Rudi VaupotiË were gone. And in a way, he with perfect logic that he didn’t pick up the everyday life. As if wanting to say some- only the award that is overdue; I fear that a was; in 1978, he shot his last film and left the phone because he didn’t know who was thing more than an anecdote, he explained precious photographic experience was missed resigned − just as many other filmmakers. All calling and he didn’t open the door because about his first job in Mozirje and his first or superficially forgotten; and that a firm he left behind, were stories, all of them in he didn’t know who was behind it. Namely, photographic assignment. He was sent to classical mastery was lost and sank into the

RUDI VAUPOTIČ (1919–2003) VAUPOTIČ RUDI accord: Rudi is different, a strange person, a whenever he did answer the phone or open the other end of Savinjska Valley − to make shade of the archives too soon. loner − however, an aesthete. And the aes- the door, he was pestered by door-to-door photographs of hop growers. He only dared to thete was always emphasized. salesmen or questioners. He wasn’t afraid of ask how to get there. When he was answered: Metod Pevec Everything was slightly harder for the anything − except people. For more than an “By bicycle,” he didn’t dare to admit he Chairman of the Executive Board of SFWA cameramen in the miniature and uncertain hour, we stood there by his bags, chatting didn’t have one or, even less, that he didn’t 2001-2003 Slovenian cinematography − first, there were nicely and finally agreed on our next visit. know how to ride one. Nevertheless, with the colours, new technologies, more sensitive After my third visit, the only thing that ap- last of his savings, he bought a bicycle and

96 METOD BADJURA AWARD FOR LIFE ACHIEVEMENTS DISTRIBUTED ANNUALLY BY ASSOCIATION OF THE SLOVENIAN FILMMAKERS IN MEMORIAM IN MEMORIAM V tej uri milosti, Boris, je svet nocoj zbujen. In this hour of mercy, Boris, the world is awake tonight. Leži na hrbtu, z odprtimi oËmi. It lies on its back, eyes open. Tvoji oËesi sta se prelili eno v drugo, kot dve sosednji jezeri. Your eyes have flown one into the other, like neighbouring lakes. Da bi zaupali, drugo drugemu, vse, kar sta videli. To entrust each other with all that they have seen.

Za teboj tisti poln smeh, glasovi, tavajoËi okrog srca brez provizij. After you, that full laughter, voices wandering around a heart without commission. Prerokbe brez vode in veliki kamni, ki so bili vrnjeni Prophecies without water and stones, returned in ostajajo zapeËateni, kot pisma brez naslova in brez naslovnika. and remaining sealed, like letters without an address and an addressee.

Kar se tiËe mojega življenja, si pravil, sem vedno Benetke: As far as my life, you used to say, I am always Venice: Vse, kar naj bi bile ulice, je v drugih ljudeh. All that streets should be is in other people. V meni pa − ljubezen, temna in pekoËa. And in me − love, dark and burning. Kar se tiËe del, As far as my works, Sem vedno Kajn. I am always Cain. Ubežnik in potepuh pred dejanjem, ki ga ne bom opravil. A runaway and a drifter before an act he will not perform. Ali po dejanju, ki ne more ostati nedokonËano. Or, after an act that cannot stay unfinished.

Odšel si nam skozi tisto zaprto okno, v tisti ves svet tam zunaj, You have parted us through that closed window, the entire world out there, in nam prepustil sen, da je šlo za and left us with the dream that it was Ljubezenski pobeg. Ljubezenski pobeg vedno boli. a flight of Love. The flight of Love is always painful. Ljubiti drug drugega pa se zmerom zaËne takole: Loving each other always starts like this: Potrpežljivo vdevati osamljenost v osamljenost, s trepetajoËimi Patiently enlacing solitude into solitude with trembling and precise hands. in natanËnimi rokami.

Naviga con pace Boris, prendi cura ti te. Il mare del Signore e cosi immenso e tua Naviga con pace Boris, prendi cura ti te. Il mare del Signore e cosi barca cosi fragile. Addio.

BORIS BENČIČ (1957–2002) BENČIČ BORIS immenso e tua barca cosi fragile. Addio. Jože Dolmark Jože Dolmark

Posebna projekcija/Special Screening: ZmagujoËa podoba Narcisa (1983) − portret Borisa BenËiËa, režija Slavko Hren, televizijski dokumentarni film, 30’

98 PAVLE GRZINČIČ (1947–2003) kladanje nazaj na vrsto tovornjakov! vrsto na nazaj kladanje na in pometanje je nas to A potopilo − usodno peska. bilo ni še tone na asfaltu po verizma, seveda zaradi nasul, spet je ‘placu’ metliškem na seriji: celi jen namen denar, porabil že je ko skupaj Nisva Puharja, do niti in prišla fotografih. slovenskih o televiziji serijo na snemati sreËala zaËela spet se sva Potem družino. ustvarjal in filme izobraževalne je snemal kjer v Afriko, izselil let nekaj za je se šole, konËala koncu, svojem na vsak sva, Ko humorja. obešenjaškega Ëeškega znanega del v filmih, tudi kot v življenju tako premogel, vedno iz nanizanke ‘umetnika’ lutkovne Ëeške blizu bila mu sta in naËrtih po vse vedno ni šlo praksi v Ëeprav vse, res je pa izdelavi Vedel pri kopije. laboratoriju v težil tudi najbrž ga poznam, kolikor in, zmontiral tudi film pa potem UHER-ju, na priroËnem ton lovil in tudi snemal tudi je sam vadi Pona življenju. vsakdanjem vsakega pok praktiËnem v pa ali filmskega lica lotil okviru v bo sam naj pa z izziva, najraje je delovnega se vedno zato trmo radovednost, gorenjsko sama ena bila je Pavla smeh. huronski odmeval je pa portoni in škurami vsemi Za sam. kar ‘kahlo’ prazniti na glavi ruto in s Ërno krilu v Ërnem moral sem brkom kljub posodo: noËno svojo praznila kamero pred bi ki ženske, obleËene Ërno ene niti bilo ni Seveda v morje. posode noËne praznijo žene dalmatinske obleËene jutro v Ërno intime: vsako družinske del dogaja veris pravzaprav je in se obali na zelo ki prizora, zaradi posnetka slaven tiËnega postal je domaËini Med Murterju. na ljudeh in življenju o film dokumentarni nalogo, seminarsko svojo snemal je morju, na Takrat, … ZafranoviÊ KaranoviÊ, Juge: MarkoviÊ, cele iz GrliÊ, njegovi šunka’ ‘praška FAMU, slavna bili so pa akademiji sošolci filmski praški na film znameniti dokumentarni študiral je ki Bil Slovenec, prvi študenta. je kot še let, na šestdesetih konec morju(!) spoprijateljila in spoznala zares se sva Pavlom S A A je to! . Vendar je na koncu na je koncu . Vendar - - - - - on Murter. He became well-known among the the among well-known became He Murter. on people the and life the about documentary a study, a filming was he seaside, the at Then, … ZafranoviÊ KaranoviÊ, MarkoviÊ, GrliÊ, via, Yugosla over all Ham’ from ‘Prague famous the film were FAMU schoolfellows his and famous Prague, in academy the at film study documentary to Slovenian still first the were was we He when students. 60’s late the in (!) side sea the at Pavle know to gotten truly have I Povh Peter pritisnem? zdaj naj programu katerem v gumb kateri na in − No …” impresionistiËno vse je pa impresionis gumb, na elektronsko “Pritisneš z slikanja: naËina tiËnega interpretacijo ‘grozil’ je raËunalniško mi vnaprej Že leti. sto pred impresion Dunaju na istov slovenskih doku razstavi o nov snemati mentarec, zaËeti Ampak morala bi morje. v takrat septembra šla bo da trdil, vedno je da temu kljub barko, svojo kot Tako let. šest pet, kakšnih še delal žilice valne razisko zaradi Pavle ga bi Ëeprav pokazati, ga in dokonËati film uspelo vsesplošno preseneËenj, nih v ustvarjal zanimivih je, veliko pred z in nam zadovoljstvo zaËet Vendar leti. projekt, toliko nadaljevali da lahko verjel, ni bi zaËetku na Ëeprav skupaj, jal pripel spet letih niti dvajsetih po je naju Puhar formalnih, ne izpovednih. tehniËnih Ne brez napak. profesionalni, izdelani, bili so potankosti Vsi do dokumentarnih, filmov. ‘na reklamnih vrsto in pozneje namenskih posnel in je televiziji svobodi’ ljubljanski Na ------the asphalt, in the name of verism again. But But again. verism of name the in asphalt, the over sand of tons spread he Metlika, in market the at series: the for intended funds all spent already had he when Puhar reached even not have We se photographers. a Slovenian about making ries started Ljubljana and then station the at television again met we Later, family. a created he where and films educational made he where while a for Africa to moved he end, own his at each studies, our finished we When done. was all when store in humour Czech dark famous that of enough had always he film, and life both, in case, the series puppet Czech the from ‘artists’ two and the with close planned really was as he went practice, in always although, everything all, not it knew he Neverthe copy. less, the making were they while laboratory the in people the pestered probably he him, knew I as also far as he and, film the himself; edited by device UHER portable a on sound captured also and life. filmed daily usually He practical his or profession film his from came challenge the whether of alone, regardless challenge any stubbornness, on take to inborn preferred he his for and curiosity, characteristic of embodiment the was Pavle walls. garden and shutters behind from echoed laughter of thunder A pot. chamber a empty and headscarf, a black and skirt a black wear to had who one the was I moustache, my of spite in camera: the of front in pot her chamber empty to willing there woman single a Naturally, not was sea. the empty into pots black, in chamber dressed intimacy: women, family the Dalmatian of part a essence in and is morning every shore the scene on a unfolds of that filming veristic very his for locals 99 j to! je A . Whatever Whatever . - - televizijski dokumentarni film, 50’ film, dokumentarni GrzinËiË, Pavle televizijski režija − (1996) zvezd Dotik projekcija/ Posebna Povh Peter now? press me have you would programme which in button which Well, impres looks sionistic…” everything just and “You button a painting: press of style the of impressionistic interpretation with computer me electronic ‘threatened’ an he started, we Even before ago. years impres hundred a Slovenian Vienna in of sionists exhibition an about - documentary new a filming start to were supposed we time the was that However, Sep in tember. afloat be would boat the that claims constant his of spite − in boat his on did he As it. on years six or five another spend to happy been have would Pavle in researcher the to although it, show to and film the managed complete we surprises, artistic of a number with and of satisfaction spite shared In to ago. everything, years we many so project a started had did continue he could we beginning, believe not the at although, again, together us brought Puhar years, twenty After made, artistically. or formally precisely technically, − very flaw a without and all professional were They films. commercial and films commissioned films, tary documen of variety a made he later, ‘freelancing’, and station television Ljubljana the At trucks! of row a onto it loading and it sweeping was take under us did what − yet fatal not was alone that Special Screening: Special - - - - Jurij je konec sedemdesetih diplomiral iz filmske za plod tovrstnega dela; bili so spoštljivo cultural and financial limitations − addition- When someone parts us, an imprint of him scenografije pri filmu Praznovanje pomladi režiserja nagrajevani in nanje je bil upraviËeno pon- ally burdening obstacles. stays in the world representing all hopes Franceta Štiglica. V istem Ëasu je zaËel delati kot osen: Balkanska ruleta (1998) in My First Cut In 1985, he started working as an executive they have dreamed about. This pursuit has asistent imenitnega scenografa Nika Matula; njuno (1999) Zdravka BarišiÊa, Hop Skip & Jump producer and as a producer. He produced the power of a child’s hand, which is tender, sodelovanje šteje 22 celoveËernih filmov, mnogi (2000) Srdjana VuletiÊa, Atorzija (2002) six feature films: Someone Else (1987) unspoiled and has a future. Such a farewell med njimi so bili koprodukcije. V teh lepih uËnih Stefana ArsenijeviÊa. by Boštjan Vrhovec, The Jailers (1989) by opens a world that enables one to find oneself letih se je še po starem uËilo in loco, v praksi. Ko nekdo odide, ostane tisto njegovo odtis- Marjan CigliË, Morana (1991) by Aleš VerbiË, within one’s boundaries. Ill are equilibriums Izkušnje in skrivnosti so se prenašale, ljubezen do njeno v ta svet kot upanje vsega, o Ëemer Herzog (1996) by Mitja Milavec and The and cold are unpredictable horizons. There metiera je dozorevala znotraj delovnega procesa. je sanjal. To poslanstvo ima moË otroške Abyss Igor by Šmit (production manager). is too much sorrow for a text about sorrow. Iz takšne pripadnosti stvari je Jurij prišel v svet dlani, ki je nežna, nepokvarjena in ima pri- Occasionally, he still worked as a set designer What remains are hope, gratitude and − ad- filma vešË svojega poklica, usposobljen spoprijeti hodnost. Ob takem slovesu se vedno odpre in television series, dramas and numerous dio Jure! se z neusmiljenimi − in pri nas zaradi kulturološko- svet, da bi se znova našel v svojih okvirjih. short films, as well as in theatre. With his ad- finanËne majhnosti − še dodatno obremenilnimi Bolna so ravnotežja in hladna so nepred- vertising agencies, Studio 37 and Arkadena, Jože Dolmark zaprekami. vidljiva obzorja. Premnogo je žalosti za nek he made a considerable contribution to the Leta 1985 je zaËel delati kot izvršni producent in tekst o žalosti. Ostaja upanje, zahvala in − professional maturity of Slovenian advertis- kot producent. Poskrbel je za šest celoveËernih addio Jure! ing business. filmov: Nekdo drug (1987) Boštjana Vrhovca, Je»arji Jurij was a filmmaker. He knew and loved film. (1989) Marjana CigliËa, Morana (1991) Aleša VerbiËa, Jože Dolmark Therefore, he was truly appreciated and valu- Herzog (1996) Mitje Milavca in Brezno Igorja Šmita able as a producer, but probably, as a man of (tehniËna produkcija). ObËasno se je še vedno uk- such virtues and of a firm professional stand, varjal s scenografijo v televizijskih serijah, dramah, In the late 70’s, Jurij graduated from set also extremely lonely. We’ve lost him at a v številnih kratkih filmih in gledališËu. Z lastnimi design in film, working on The Call to Spring, time when Slovenian film needed him most oglaševalskimi podjetji, Studiom 37 in Arkadeno, directed by France Štiglic. At the same time, − in its adjustment to the European environ- pa je v številnih pogledih prispeval k profesionalni he started working as an assistant to the ment and to the new rules. Jure was one of Posebna projekcija/Special Screening: zrelosti domaËega oglaševalskega posla. great set designer Niko Matula; they col- the few people seriously preparing themselves (A)torzija (2002) − režija Stefan Arseni- Jure je bil filmar. Film je poznal in ga ljubil. Zato je laborated on 22 feature films, many of which for these challenges. It is sufficient to look jeviÊ, kratki igrani film, 16’ bil pri nas kot producent izredno cenjen in drago- were co-productions. In those beautiful at his last short films, the ones he considered Balkanska ruleta (1998) − Zdravko BarišiÊ,

JURIJ KOŠAK (1953–2002) cen, kot Ëlovek takšnih vešËin in krepke profesion- learning years, learning was performed the fruit of such work − they were awarded in a kratki igrani film, 3’ alne drže pa morda tudi izredno osamljen. Izgubili old way, in loco, in practice. Experiences and manner deserving respect and he was right- Hop, Skip & Jump (2000) − Srdjan VuletiÊ, smo ga v trenutku, ko ga je slovenski film najbolj secrets were passed on; the love for metier fully proud of them: Balkan Roulette (1998) kratki igrani film, 16’ potreboval − pri svojem prebijanju k evropskim raz- grew within the working process. From this and My First Cut (1999) by Zdravko BarišiÊ, meram in novim pravilom. Jure je bil eden redkih, devotion to the cause, Jurij entered the world Hop Skip & Jump (2000) by Srdjan VuletiÊ Besedila in program/Texts and Programme: ki se je na te izzive resno pripravljal. Dovolj je po- of film a master of his profession, capable of and Atorsion (2002) by Stefan ArsenijeviÊ. DRUŠTVO SLOVENSKIH FILMSKIH USTVAR- gledati tiste zadnje kratke filme, ki jih je imel zares dealing with the merciless − and due to our JALCEV

100 SPREMLJEVALNI DOGODKI ACCOMPANYING EVENTS KONFERENCA O KOPRODUKCIJAH FILMSKE INDUSTRIJE MEDIA PLUS (www.europa.eu.int/comm/avpolicy/media/ co-operation/eurimages/). The fund was founded in 1988 TREH DEŽEL: HRVAŠKA, MADŽARSKA, SLOVENIJA index_en.html), je program Evropske unije, katerega cilj with the purpose of stimulation and support of production sreda, 24. septembra, 15:00-17:00, Narodni dom Celje je okrepiti konkurenËnost evropske avdiovizualne kulture. and distribution of European films, as well as enhancement of VkljuËuje podporo izobraževalnim programom za profe- co-operation between professionals. What are the achieved Konference se bodo udeležili glavni producenti iz sionalce, razvoju produkcijskih projektov in podjetij, dis- results and what is the projection of future development? Is Madžarske, Hrvaške in Slovenije. Madžarsko delegacijo bo tribuciji filmskih in avdiovizualnih programov ter podporo Slovenia a successful and an active member of Eurimages? vodil gospod Zsolt Kezdi-Kovacs, znani filmski režiser in filmskim festivalom. K programu je v zaËetku letošnjega What are the experiences of the visiting Croatian and Hungar- predstavnik Madžarske v Eurimages. Hrvaške producente leta pristopila tudi Slovenija, zato bomo na predstavitvi ian producers? bo vodila gospa Željka UdoviËiÊ, namestnica ministra za slišali, kaj si od sodelovanja lahko obetamo. kulturo Hrvaške in predstavnica Hrvaške v Eurimages. Slovenija je Ëlanica evropskega koprodukcijskega sklada Skupaj s slovenskimi prducenti bodo na konferenci iskali EURIMAGES (www.coe.int/t/e/cultural_co-operation/ PREDSTAVITEV USTVARJALNIH DELAVNIC IN NATE»AJEV možnosti za sodelovanje v koprodukcijah med temi tremi eurimages/) že tri leta. Sklad je bil leta 1988 ustanovljen petek, 26. septembra, 12:00-14:00, Narodni dom Celje državami, predstavili bodo svoje projekte in se dogovarjali z namero, da spodbuja in podpira produkcijo in distribucijo za konkretna partnerstva. evropskih filmov in utrjuje sodelovanje med profesionalci. Drugi dan je namenjen predstavitvi delavnic, na katerih Kakšni so dosedanji rezultati in kakšen bo razvoj v bo- se mladi režiserji, scenaristi, montažerji, kamermani ... CONFERENCE ABOUT CO-PRODUCTIONS OF FILM INDUSTRIES doËe? Je Slovenija uspešna in aktivna Ëlanica Eurimages sreËujejo z uveljavljenimi filmskimi ustvarjalci ali pedago- OF THE THREE COUNTRIES: CROATIA, HUNGARY, SLOVENIA in kakšne so izkušnje gostujoËih hrvaških ter madžarskih gi, ter predstavitvi nateËajev, na katerih lahko svoje delo Wednesday, September 24th, 15:00-17:00, Narodni dom producentov? ponudijo filmskim producentom ter televizijskim hišam. Celje BERLINALE TALENT CAMPUS (www.berlinale- PRESENTATION OF EURIMAGES and MEDIA PLUS PRO- talentcampus.de/) je arena, ki v Ëasu berlinskega festivala The conference will be attended by main producers from Hun- GRAMMES mladim filmskim ustvarjalcem nudi možnost, da se sreËajo gary, Croatia and Slovenia. The Hungarian delegation will be Thursday, September 25th, 12:00-14:00, Narodni dom Celje z izkušenimi profesionalci iz vseh žanrov, kultur in gen- STROKOVNA SREČANJA STROKOVNA MEETINGS EXPERT led by Mr. Zsolt Kezdi-Kovacs, a well-known film director and eracij. Poleg mladih scenaristov, producentov, režiserjev Hungary’s representative in the Eurimages fund. The Croatian MEDIA PLUS (www.europa.eu.int/comm/avpolicy/media/ in igralcev, so letos prviË vabljeni tudi skladatelji filmske producers will be led by Mrs. Željka UdoviËiÊ, Deputy Minister index_en.html) is a European Union programme with the glasbe, tehniki za zvok in montažerji, med letošnjimi gosti of Culture of Croatia and Croatia’s representative in Eurim- purpose of enhancing the competitiveness of the European pa bodo priznani ustvarjalci, kot so Dennis Hopper, Spike ages. Attended also by Slovenian producers, the conference’s audio-visual culture. It involves support for educational Lee in Wim Wenders. purposes will be to find new opportunities for co-productions programmes for professionals, support for development of Forum EUROPEAN PITCH POINT (www.europeanpitchpoint.c of the three countries, to present their own projects, and to production projects and companies, distribution of film and om/) poteka vsako leto v Ëasu Mednarodnega filmskega fes- negotiate actual partnerships. audio-visual programmes, and support for film festivals. Ear- tivala v Berlinu in profesionalnim scenaristom omogoËa, lier this year, Slovenia joined the programme; the presenta- da mednarodnim producentom predstavijo svoje ideje za tion will explain what can be expected of this co-operation. filmske ali televizijske scenarije. PREDSTAVITEV EURIMAGES in MEDIA PLUS For three years, Slovenia has been a member of the European NORTH BY NORTHWEST (http://n-nw.dk/) je program za Ëetrtek, 25. septembra, 12:00-14:00, Narodni dom Celje co-production fund, EURIMAGES (www.coe.int/t/e/cultural_ scenaristiËni in produkcijski razvoj projektov, usmerja pa

102 se tudi v nadaljnje izobraževanje strokovnjakov, ki pouËujejo in ing and production development of projects, but is also focused on PREDSTAVITEV ART KINO MREŽE IN KINODVORA delujejo na tem podroËju. Program sestavljajo delavnice in delo additional training of experts teaching and working in the field. sobota, 27. septembra, 11:00-12:00, Narodni dom Celje s priznanimi mentorji. EAST OF EDEN je program, ki ga vzporedno The programme is performed through workshops led by established razvijajo program North by Northwest, Društvo slovenskih film- mentors. EAST OF EDEN is a parallel program, developed by North Kinodvor se predstavlja kot nov kinematografski prostor s ce- skih ustvarjalcev in praška FAMU. by Northwest, the Slovenian Film Workers’ Association and FAMU, lovito ponudbo, katerega glavna odlika je kakovost filmskega SOURCES 2 (www.sources2.de/) je širok in pester nabor program- Prague. programa z vrhunsko projekcijo, kakovost prostora in stika z ov za razvoj scenarijev za celoveËerne, dokumentarne, otroške in SOURCES 2 (www.sources2.de/) is a wide and colourful range of ljubitelji filma ter kakovost in raznovrstnost ob kinematograf- žanrske filme, v katerih sodelujejo svetovalci, profesionalni sce- programmes for development of screenplays for feature, documen- ske ponudbe. Postal naj bi tudi enkratno shajališËe in središËe naristi, producenti in režiserji. RESOURCES je program, ki izhaja tary, children’s and genre films, involving advisers, professional filmske misli, valilnica novih filmskih ustvarjalcev, producentov, iz Sources 2 in je odprt tudi za tiste udeležence, ki ne prihajajo writers, producers and directors. RESOURCES is a Sources 2 offshoot kritikov in zgodovinarjev, kulturnih politikov in menedžerjev …, iz držav Ëlanic Medie Plus. programme and is open to attendants from countries that are not vseh tistih, ki bodo ustvarjali podobe in mnenja jutrišnjega dne. members of Media Plus. Kinodvor je tudi pobudnik in predvideni logistiËni center mreže, PRESENTATION OF CREATIVE WORKSHOPS AND CALLS FOR PRO- ki bo sestavljena iz posameznih art kinov v veËjih mestih, v POSALS manjših regijskih središËih pa bodo v obstojeËih kinematografih Friday, September 26th, 12:00-14:00, Narodni dom Celje OKROGLA MIZA DISTRIBUTERJEV IN PRIKAZOVALCEV rezervirali stalne tedenske termine za art kino. petek, 26. septembra, 15:00-17:00, Narodni dom Celje The second day is intended for presentation of workshops, where PRESENTATION OF THE ART CINEMA NETWORK AND OF KINODVOR young directors, writers, editors, cameramen, etc., can meet estab- Kakšna so razmerja med distrubuterji in prikazovalci? Kakšne Saturday September 27th, 11:00-12:00, Narodni dom Celje lished film artists or pedagogues, and for presentations of calls for filme gledamo v kinih in zakaj jih gledamo? »esa ne vidimo? Kje proposals, through which they can offer their work to film producers lahko vidimo slovenski film in kako naj si slovenski film ogleda Kinodvor presents itself as a new comprehensive cinematographic and television stations. tujino? Okrogle mize se bodo udeležili glavni distributerji in pri- space, the main qualities of which are quality of film programme BERLINALE TALENT CAMPUS (www.berlinale-talentcampus.de/) is kazovalci filmov v Sloveniji, vodila jo bo Melita Zajc. and top quality film projection, as well as quality of the space and an arena that takes place at the Berlin International Film Festival, the contact with film lovers, joined with quality and diverseness of offering young film artists the opportunity to meet experienced ROUNDTABLE FOR DISTRIBUTORS AND CINEMATOGRAPHS cinematographic services. Kinodvor is intended to become a unique professionals of all genres, cultures and generations. In addition to Friday, September 26th, 15:00-17:00, Narodni dom Celje meeting-point and the centre of the film-thought, a place where young writers, producers, directors and actors, this year, film music new film artists, producers, critics and historians, cultural politi- composers, sound technicians and editors have been invited for the What are the relationships between distributors and cinemas? What cians and managers will be formed; the centre for all those who first time. Other guests include established artists, e.g. Dennis Hop- sort of films do we watch in cinemas and why do we watch them? will shape images and opinions of tomorrow. Kinodvor is also the per, Spike Lee and Wim Wenders. What don’t we see? Where can we see Slovenian film and how can initiator and the planned logistic centre of a network of art cinemas The EUROPEAN PITCH POINT Forum (www.europeanpitchpoint.com/) Slovenian film go abroad? Participants of the round table will be in major cities; in smaller towns the network will reserve regular takes place annually during the Berlin International Film Festival; the main distributors and the main Slovenian cinemas. The round- weekly terms for art cinema in the existing cinematographs. it enables professional writers representation of their film or televi- table will be hosted by Melita Zajc. sion screenplay ideas to the international producers. NORTH BY NORTHWEST (http://n-nw.dk/) is a programme for writ-

103 PREDSTAVITEV PREDVIDENIH ZAKONSKIH REŠITEV ZA VZPOD- Ruin of Us All? Participants of the roundtable will be members of SHOW YOUR TONGUE AND SCREENPLAY DEVELOPMENT BUJANJE AUDIO VIZUALNE KULTURE V SLOVENIJI the expert public and representatives from the Ministry of Culture, Thursday, September 25th and Friday, September 26th sobota, 27. septembra, 12:00-14:00, Narodni dom Celje the Ministry of Finance, the Slovenian Film Fund and the media. For the Show Your Tongue writing school, FRANZ RODENKIRCHEN Dolgo priËakovani zakon bo prviË predstavljen javnosti. will give advice regarding improvement and development of three PREDSTAVITEV LIFF-a projects by Slovenian screenplay writers that producers wish to PRESENTATION OF THE PLANNED LEGAL SOLUTIONS FOR EN- Informativna stojnica in info-kotiËki s programom, letaki in dru- develop for production. Franz Rodenkirchen is one of the founders HANCEMENT OF THE AUDIO-VISUAL CULTURE IN SLOVENIA gim gradivom letošnjega Ljubljanskega filmskega festivala v kinu and owners of Scripthouse, Berlin, where he currently also works Saturday, September 27th, 12:00-14:00, Narodni dom Celje Union, kinu Metropol in v tiskovnem središËu. as a dramaturge (www.scripthouse.de/). He edits, develops and ves Ëas festivala improves numerous German and other European screenplays before The long-expected bill will be presented to the public for the first they are produced. Since he is one of the initiators of the Euro- time. PRESENTATION OF LIFFe pean Pitch Point and an associate of the forum, authors who have Throughout the festival entered this year’s call for proposals, or plan to do so in the near An information stand and info-corners with the programme, flyers future, can seek his advice during the festival. (The public presen- NE »AKAJ NA MAJ − OKROGLA MIZA O SLOVENSKEM FILMU and other materials promoting the Ljubljana International Film tation of the call for proposals will be on Thursday, September 25th, PRED VSTOPOM V EVROPSKO UNIJO Festival will be located at Union cinema, Metropol cinema and at at Narodni dom). sobota, 27. septembra, 15:00-17:00, Narodni dom Celje the press centre.

Kam se pelje slovenski filmski zakon, ko ni veË V leru? Kako v Umetnem raju sobivata profesionalizem in amaterizem v sloven- POKAŽI JEZIK IN RAZVOJ SCENARIJEV skem filmu? Zakaj davËna politika in avtorski honorarji spom- Ëetrtek, 25. septembra in petek, 26. septembra injajo na Ljubezen nam je vsem v pogubo? Okrogle mize se bodo udeležili Ëlani strokovne javnosti, predstavniki Ministrstva za V okviru scenaristiËne šole Pokaži jezik bo Franz Rodenkirchen kulturo, Ministrstva za finance, Filmskega Sklada RS in medijev. svetoval pri razvoju in dodelavi treh projektov slovenskih scenaristov, ki bi jih producenti radi razvili za produkcijo. Franz DON’T WAIT TILL MAY − A ROUNDTABLE ABOUT SLOVENIAN FILM Rodenkirchen je eden od ustanoviteljev in lastnikov ter zdaj AT THE DOORSTEP OF OUR MEMBERSHIP IN THE EUROPEAN UN- dramaturg berlinskega Scripthousea (www.scripthouse.de/) za ION katerega popravlja, razvija in dodeluje številne nemške, pa tudi Saturday, September 27th, 15:00-17:00, Narodni dom Celje druge evropske scenarije, preden gredo v produkcijo. Ker je tudi eden od pobudnikov za European Pitch Point in stalni sodelavec Where is the Slovenian film law going now that it is no longer inIdle foruma, se v Ëasu festivala nanj lahko obrnejo tudi avtorji, ki so Running? What is the nature of the relationship between profes- se prijavili na letošnji nateËaj ali se ga nameravajo udeležiti v sionalism and amateurism in Slovenian film in the Artificial Para- prihodnjih letih (nateËaj bo tudi javno predstavljen v Ëetrtek, dise? Why do the tax politics and royalty fees resemble Love Is the 25. septembra v Narodnem domu).

104 DELAVNICE ZA MLADINO YOUTH WORKSHOPS his presentation for young film enthusiasts. film young for in film presentation his short a making of process the of example an as latter film short his for Film Portorož Slovenian in 5th the Festival at study film best the for Award sna received study He film his for Award programmes. Prešeren the television several as of well as director the documentaries, and the films is short He several of Television. and author Film Radio, the at Theatre, for directing Academy television of direc professor a assistant NABERŠNIK, an MARKO and by tor given be will workshop The like...? a filming and ‘true’ a is what storyboard a script, make shooting to how synopsis a screenplay; is a is what what down; and it write and idea an form to How kulturni Celje Mladinski center 16:00-18:00, 25th, September Thursday, FILM? A MAKE TO HOW kratkega nastajanja filma. proces igranega film mladim predstavil bo navdušencem slednjega slovenskega skim primeru Na Festivalu 5. Portorožu. na v film filma študentski igrani najboljši kratki za za nagrado, Prešernovo film zitetno študentski Za televizijskih oddaj. mnogih režiser tudi pa filmov, in igranih dokumentarnih kratkih veË avtor Je AGRFT. na asistent in režije režiser televizijske NABERŠNIK, MARKO vodil bo Delavnico snemanje? ‘pravo’ kako ter videti knjigo je snemalno in sce storyboard sinopsis, to izdelati je kako kaj narij, zapisati, jo idejo, oblikovati Kako kulturni Mladinski Celje 16:00-18:00, center septembra, 25. Ëetrtek, FILM? NASTAJA KAKO ljubeznijo Z With Love With Pavle e rjl Univer prejel je . He will use the the use will He . and the Ve the and Pavle vesno vesno - - - - - approach, through which she helps each student find and and way. own find their in student creativity own each their helps express she which individual on through based is approach, method Burger’s Nataša act partner. your and ing yourself self-searching with communicate relaxation, to on learning on be and will emphasis film The of basics the acting. present to is workshop the of purpose The theatre. in roles other many her to name, same the with comedy tragic the in Margaret madam witty in the from roles her to Burger famous Janez the characters in Marina convincing awarded and the from − interesting of variety a created far so has and Prague, DAMU, from graduated She acting. tre thea and film of teacher a and actress an is BURGER NATAŠA kulturni Mladinski 16:00-20:00, Celje center 26th, September Friday, ACTING FILM naËin. lasten na razkrije ustvarjalnost da svojo vodi, ga izrazi in in pri Burger posameznika vsakega Nataša iz izhaja tem partnerjem. ter seboj komu samim uËenju s in izraza nikacije lastnega iskanju Poudarek igre. sprošËanju, na filmske je osnove predstavila bo delavnici Na drugih vlog. mnogo še in gledaliških tragikomediji istoimenski v Margarete filmih v na od − slovitem v likov Marine grajene prepriËljivih in ter doslej in zanimivih Pragi mnogo filmske v DAMU na ustvarila je pedagoginja Diplomirala in igre. igralka gledališke je BURGER NATAŠA kulturni Mladinski 16:00-20:00, Celje center septembra, 26. petek, IGRA FILMSKA Nathalie! , , Tiigra in in V Leru V Ruševine Ruševine Nathalie! Janeza Burgerja in vlog vlog in Burgerja Janeza 105 , , do duhovite gospe gospe duhovite do Tiigra Idle Running Idle and and Ruins by by - - - ; - tival of Slovenian Film in Portorož, as well as several other other several as well as Portorož, in Film Slovenian of Fes 2nd tival the at documentary best Unity the for and award the Brotherhood received of Road The documentary and Her and films. Film documentaries Radio, excellent several of Theatre, author and for Television Academy the from film-directing a graduate WEISS, MAJA by given be will workshop The say? to films want we do what different And, many make? we can How edit. to how and see, capture to actually what we what observe, camera we a how out with find and city hand the in through path a on set realiza will its We to tion? documentary a for idea an from come to How Celje of kulturni city the and Celje Mladinski center 10:00-14:00, 27th, September Saturday, WORKSHOP DOCUMENTARY prvencem celoveËernim in ( filmi kratkimi s še prepriËala ljudje Ëisti dokumentarcem z ponovila je Uspeh nagrade. mnoge druge tudi je pa prejel Portorožu, v filma slovenskega valu nosti film filmske Dokumentarni filmov. igranih ter diplomantka dokumentarnih odliËnih WEISS, mnogih avtorica in MAJA AGRFT na režije vodila bo Delavnico lahko povedati? filmov hoËemo njimi z kaj In razliËnih dobimo? po Koliko kaj vidimo, montiramo. sploh kako kaj snamemo, v gledamo, kamero kako s in mestu ugotavljali re po roki pot njene na do bomo kako se Podali dokumentarec, alizacije? za ideje od priti Kako kulturni Mladinski Celje mesto in Celje 10:00-14:00, center septembra, 27. sobota, DELAVNICA DOKUMENTARNA je bil nagrajen kot najboljši dokumentarec na 2. festi na dokumentarec najboljši kot nagrajen bil je . Gledalce in festivalske žirije po celem svetu je je svetu celem po žirije festivalske in Gledalce . Varuh meje Varuh Adrian, Fant, pobratim smrti pobratim Fant, Adrian, Cesta bratstva in enot in bratstva Cesta . . Nuba, Nuba, ) ) ------awards. She repeated her success with Nuba, the Pure People. She REPRIZE RTV SLO ZA OSNOVNOŠOLCE ZVEZDE FESTIVALA has also impressed viewers and festival juries with her short films Ëetrtek, 25. septembra, 18:00-20:00, Mladinski kulturni center ves Ëas festivala (Adrian, Boy, Bosom Friend of Death) and her feature film debut Celje The Guardian of the Frontier. Festivalsko dogajanje bo zveËer zaživelo tudi na projekcijskih Pepi vse ve je serija novih oddaj v Otroškem in mladinskem platnih vrtov celjskih lokalov. Mladi filmski entuziasti bodo pod programu, ki osnovnošolcem do 8. leta starosti predstavlja okriljem celjskega filmskega kluba Okkomar sledili udeležencem REPRIZE RTV SLO ZA SREDNJEŠOLCE najrazliËnejše umetniške zvrsti (gledališËe, glasbo, slikarstvo, in dogodkom, nato pa v slogu zgodnjih filmskih kronistov zmon- sreda, 24. septembra, 18:00-20:00, Mladinski kulturni center ples...). Vsevedni Pepi, gostitelj oddaje, skuša svojega malega tirali ujete posnetke in jih še tople predstavili na platnih pod Celje neËaka Miho vsakiË Ëimbolj izËrpno seznaniti z skrivnostmi zvezdami. umetnosti. Vendar nihËe ne ve vsega, zato Pepi bolj kot ne deluje PoetiËno ali Rockerji berejo poezijo v režiji Špele Kuclar: osem pe- smešno. Pred popolno zmedo ju v vsaki oddaji rešuje strokovnjak STARS OF THE FESTIVAL smi slovenskih pesnikov (od Edvarda Kocbeka do Lucije Stupice) iz doloËenega podroËja. V zabavni in duhoviti seriji blestita Jan- Throughout the festival v izvedbi popularnih izvajalcev rockovske in pop glasbe (Vlado ez Škof v vlogi Pepija in Dejan Vunjak kot Miha. Avtorica oddaj je Kreslin, Jan Plestenjak, Tinkara KovaË, Natalija Verboten ...). Jelka RibariË − Grabljevec, režiser pa Tugo Štiglic. In the evening, the festival’s events will also come to life on the Skrivnosti so pesniški triptih priznanih slovenskih pesnikov Nika projection screens in the gardens of some of the Celje’s cafés. Young Grafenauerja, Daneta Zajca in SreËka Kosovela. V režiji Braneta RTV SLO REPRISES FOR ELEMENTARY SCHOOL STUDENTS film enthusiasts under the wing of the Celje film club Okkomar will Bitenca so posebej uglasbene pesmi zaživele v novem mediju Thursday, September 25th, 18:00-20:00, Mladinski kulturni center follow attendants and events, and then, in the style of early film v sugestivni podobi, ki vendarle pušËa še dovolj prostora sami Celje chroniclers, edit the captured film and release it under the stars gledalËevi domišljiji. while it is still warm. Pepi Knows Everything is a series of new programmes by the chil- RTV SLO REPRISES FOR SECONDARY SCHOOL STUDENTS dren’s and youth programme, familiarizing children under the age Wednesday, September 24th, 18:00-20:00, Mladinski kulturni of 8 with various fields of art (theatre, music, painting, dance...). center Celje The omniscient Pepi, the host of the programme, tries to familiarize his little nephew Miha with the secrets of art as much as possible. Poetically or Rockers Read Poetry, directed by Špela Kuclar: eight However, no one really knows everything, therefore, Pepi more or poems by Slovenian poets (from Edvard Kocbek to Lucija Stupica) less appears silly. To avoid complete chaos, an expert from a dif- read by popular Slovenian rock and pop music performers (Vlado ferent field rescues each show. This funny and witty programme Kreslin, Jan Plestenjak, Tinkara KovaË, Natalija Verboten ...). features the excellent Janez Škof as Pepi and Dejan Vunjak as Miha. Secrets is a poetry triptych of Slovenian classics Niko Grafenauer, The author of the programme is Jelka RibariË − Grabljevec, the di- Dane Zajc and SreËko Kosovel. Directed by Brane Bitenc and with rector is Tugo Štiglic. original music, the poems come to life in a new medium and in a suggestive form, nevertheless, leaving enough room for the viewer’s imagination.

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ABECEDNO KAZALO ABECEDNO 82 Hiša 20 Pod njenim oknom 82 HrËek Miha pripoveduje 61 Poletje v Zlati dolini 83 Hribovska saga 22 Pozabljeni zaklad 64 In nastane poezija 36 Prešli bodo tudi to noË 49 Izdelovalec mask 85 Prijatelja 65 Izginevanje 73 Prosta peta 53 Izlet 30 Prstan 14 Kajmak in marmelada 91 Puhlež 73 Kdo se boji Jerryja Springerja? 24 Rezervni deli 90 Klara 56 Selitev 16 KlešËar 37 Sirota s Ëudežnim glasom 54 Ko bom jaz umrl bo en majhen pogreb 86 Skrivnosti 83 Koora 26 Slepa pega 65 Ko umiraš 67 SreËanje 48 Lab Party 68 Sstress 41 Leti, leti, leti ... ženska? 91 Tamala 60 Lilijina zgodba 92 Tamara

108 ALPHABETICAL LIST 84 34 60 38 69 48 83 90 91 83 82 82 57 78 53 85 73 22 64 53 65 80 81 74 52 14 81 80 26 47 64 39 41 72 Make Love, Not Cruelty Not Love, Make China in Made Story Lilly’s The Wish, Last Titicaca Lake The Party, Lab Koora Klara Kid A Saga, Highland The (Fahira), House Mike Hamster Heart Golden Gangl Rules! Fužine Friends Heel Free The Treasure, Forgotten no.1 Film The Excursion, Disappearing Allah to Devoted Danger Bob Crackhead Sara Che Jam and Cheese Grannies Our of Books Forgotten − Butalci The Manifestation, Bohinj Spot Blind Be Created is Poetry And Amigo Fly Birds All Kisses 24 16 68 36 72 86 92 61 56 68 24 52 54 67 91 40 86 69 30 67 70 76 28 50 37 55 18 46 46 42 56 47 84 66 49 Tongman Race Boat Balsas The − Titicaca Tonight Again Cross Will They The Commandment, Tenth −5 Tango Tamara Valley Golden the In Summer Children Stolen Sstress Parts Spare Cold It Eat Will You So, The Tonight, Sleep Sleepwalkers Jalen Sharp-Antlered Man Shallow Separations Secrets The Earth, the of Scent The Ring, The Reunion, Boredom Pure The Double, a With Poet a of Portrait Decision of Year Peterka: Perk The Voice, Miraculous The With Orphan Orgasmus Side Sunny the On Southward − Nincompoops Cherries − Nincompoops Border My Away Moving The Mountain, Mother Mosk The Maker, Mask 109 66 35 73 65 54 90 43 79 55 85 20 87 Zvviks Zvviks Zvviks Window Springer Jerry of Afraid Who’s Dying Are You When Funeral Small a Be Will It Die, I When Waiting 643m − Vrtiglavica, Vladimir Unplugged The Valdes), Andres of Portrait (The Japan to Trip Unfinished Window Her Under The Gaber, Knight of Troubles ZAHVALE ACKNOWLEDGMENTS SLOVENSKA KINOTEKA SLOVENSKA CELJE DOM NARODNI CELJE ZGODOVINE NOVEJŠE MUZEJ CELJE CENTER MLADINSKI CELJE OB»INA MESTNA FILM VIBA STUDIO FILMSKI RS ARHIV FILMSKI ZUPANI» MIRAN TRŠAN ALOJZ VIVOD BOJAN VRE»KO JUDITA VIRK JANI ŠMID ŠPELA SAVI» IGOR POPEK SIMON PO»IVAVŠEK MARIJA PIPAN JANEZ PE»KO DRAGO PAL»I» IGOR OGRIZEK SAŠA MENART MOJCA MEDEN JURIJ LJUBI» MILAN KOCJAN»I» T. NERINA KLEMENC DUNJA GAJŠEK ALEKSA FURLAN SILVAN DUŠA ZDRAVKO DAELE VAN KOEN BRUN MIHA BREZIGAR DAMJANA 110

IMPRESUM IMPRESSUM izdajatelj/publisher: FILMSKI SKLAD REPUBLIKE SLOVENIJE − JAVNI SKLAD urednica/editor: Nika Bohinc oblikovanje/design: Rok BraËko, REAKTOR prevodi/translations: Marko DjukiÊ lektura/Slovenian proof-reading: Karla Železnik tisk: Razvedrilo − Tiskarna naklada: 800 kosov