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Our boys have finally made it to the Great White Way – trailer and all – smack dab right in the middle of Times Square. Although the boys have finally found the perfect venue, they’re now on a quest to find the perfect show! Join our 3 singing cousins as they stampede their way through Broadway’s greatest hits! You’ll hear them belt out their version of tunes from such favorite shows as “Phantom of the Opera,” “The Sound of Music,” “Annie,” “Les Miserables,” “A Chorus Line” and many others. Whether you love food on a stick or a salad from the Waldorf, this show has something for you! • Opening Medley featuring: • A Women’s Medley featuring: INTERMISSION 1. “ Comedy Tonight” 1. “ Pretty Women” • “ This Is The Moment” from “A Funny Thing Happened On from “Sweeney Todd” from “Jekyll & Hyde” The Way To The Forum” 2. “ A Sadder But Wiser Girl For Me” • “ Music of the Night” 2. “Wilkomen” from “Cabaret” from “The Music Man” from “The Phantom of the Opera” 3. “Magic To Do” from “Pippin” 3. “Pretty Lady” from “Pacific Overtures” • “ Bring Him Home” 4. “Tradition” from “Fiddler on The Roof” 4. “It Takes A Woman” from “Hello Dolly” from “Les Miserables” 5. “ Another Openin, Another Show” 5. “ Nothin like a Dame” • “ Dance Medley” from “Kiss Me, Kate” from “South Pacific” featuring iconic dances from A Chorus Line, West Side Story, • “ Tomorrow” from “Annie” • “Stayin Alive” from “Saturday Night Fever” Chicago, 42nd Street, and Oklahoma! • “ Somewhere Over the Rainbow” • “ Moonshine Lullaby” • “ Ya Gotta Have A Gimmick” from “The Wizard of Oz” from “Annie Get Your Gun” from “Gypsy” • “ I’m Not Wearing Underwear Today” •“Greased Lightnin’” from “Grease” from “Avenue Q” • “ My Favorite Things” • “ Sit Down, You’re Rockin’ The Boat” from “The Sound of Music from “Guys And Dolls” • “ Nessun Dorma” from “Turandot “ You know you’re a Redneck Tenor if you can yodel in the middle of La Donna E Mobile from the Verdi’s Rigoletto — and not mess up your mullet or spill a drop of Lone Star.” — Fort Worth Star Telegram.

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42Nd Street Center for Performing Arts
Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-25-1996 42nd Street Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "42nd Street" (1996). Center for Performing Arts Memorabilia. Book 82. http://opus.govst.edu/cpa_memorabilia/82 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. 42ND STREET Saturday, May 25 IP Ml" :• i fi THE CENTER FOR ARTS AND TECHNOLOGY AT GOVERNORS STATE UNIVERSITY The Troika Organization, Music Theatre Associates, The A.C. Company, Inc., Nicholas Hovvey, Dallett Norris, Thomas J. Lydon, and Stephen B. Kane present Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the novel by BRADFORD ROPES Original Direction and Dances by Originally Produced on Broadway by GOWER CHAMPION DAVID MERRICK Featuring ROBERT SHERIDAN REBECCA CHRISTINE KUPKA MICHELLE FELTEN MARC KESSLER KATHY HALENDA CHRISTOPHER DAUPHINEE NATALIE SLIPKO BRIANW.WEST SHAWN EMAMJOMEH MICHAEL SHILES Scenic Design by Costume Design by Lighting Design by JAMES KRONZER NANZI ADZIMA MARY JO DONDLINGER Sound Design by Hair and Makeup Design by Asst. Director/Choreographer KEVIN HIGLEY JOHN JACK CURTIN LeANNE SCHINDLER Orchestral & Vocal Arranger Musical Director & Conductor STEPHEN M. BISHOP HAMPTON F. KING, JR.
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MUSICAL NOTES a Guide to Goodspeed Musicals Productions 2009 Season
MUSICAL NOTES A Guide to Goodspeed Musicals Productions 2009 Season Musical Notes is made possible through the generosity of Music by HARRY WARREN Lyrics by AL DUBIN Book by MICHAEL STEWART and MARK BRAMBLE Directed by RAY RODERICK Choreographed by RICK CONANT Scenery Design Costume Design Lighting Design HOWARD JONES DAVID H. LAWRENCE CHARLIE MORRISON Hair and Wig Design Sound Orchestrations Music Supervisor Music Director MARK ADAM RAMPMEYER JAY HILTON DAN DELANGE MICHAEL O’FLAHERTY WILLIAM J. THOMAS Production Manager Production Stage Manager Casting R. GLEN GRUSMARK BRADLEY G. SPACHMAN STUART HOWARD ASSOCIATES, PAUL HARDT Associate Producer Line Producer BOB ALWINE DONNA LYNN COOPER HILTON Produced for Goodspeed Musicals by MICHAEL P. PRICE Cast of Characters Andy Lee………………………………………………………TIM FALTER Maggie Jones…………………………………………………..DOROTHY STANLEY Bert Barry………………………………………………………DALE HENSLEY Phyllis Dale…………………………………………………….ELISE KINNON Lorraine Fleming……………………………………………….ERIN WEST Ann Reilly……………………………………………………....JENIFER FOOTE Billy Lawlor…………………………………………………….AUSTIN MILLER Peggy Sawyer…………………………………………………..KRISTEN MARTIN Julian Walsh…………………………………………………….JAMES LLOYD REYNOLDS Dorothy Brock………………………………………………….LAURIE WELLS Abner Dillon……………………………………………………ERICK DEVINE Pat Denning…………………………………………………….JONATHAN STEWART Ensemble……………………………………………………….ALISSA ALTER KELLY DAY BRANDON DAVIDSON ERIN DENMAN TIM FALTER JOE GRANDY CHAD HARLOW ELISE KINNON ASHLEY PEACOCK KRISTYN POPE COLIN PRITCHARD ERNIE PRUNEDA TARA JEANNE VALLEE ERIN WEST Swings TYLER ALBRIGHT EMILY THOMPSON Biographies Harry Warren and Al Dubin (Music and Lyrics) Harry Warren and Al Dubin were legendary tunesmiths both as a team and as individuals. Between the two, their prodigious careers spanned six decades. They wrote Broadway shows and revues and were pioneer song- writers for sound pictures. Their combined output of songs can only be described as astonishing. Al Dubin, born in Switzerland in 1891, died in New York in 1945.
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Meeting Planner's Guide 2019
AN ADVERTISING SUPPLEMENT TO CRAin’S NEW YORK BUSINESS MEETING Planner’S GUIDE 2019 YOUR RESOURCE FOR SUCCESSFUL MEETINGS AND EVENTS IF YOU ARE A MEETING or event hotels in the New York City area. than other channels. A lot of that a trend toward “bleisure,” the walk the line between creating planner you are part of an elite, Our goal is to keep you ahead value comes from networking in combining of business travel and experiences that resonate with multi-talented group. Being a of the curve and one up on the person. One-on-one meetings leisure. Today’s event attendees the whole audience, as well as planner calls for a wide range of competition in 2019. have become a hot commodity; expect event planners to be equal with individual attendees. expert skills and qualifications, To that end, here are some research has shown that, after parts manager and travel agent. such as managing, budgeting and of the meeting and event trends content, networking is the sec- Everything from programming to GIVE THEM execution, knowledge of tech- to consider when planning ond biggest motivator for event catering is likely to reference the A SHOW nology, creative talent—not to this year: attendees today. And the term locality and culture of the desti- 2019 also sees a trend for the mention leadership, adaptability, “networking” covers everything nation both on-site and off. “festivalization” of meetings and people skills, patience and energy IN YOUR FACE from spontaneous conversations events. A growing number of (to name just a few). When you “Face time” is the buzzword to huddle rooms and meet-and- TAKE IT PERSONAlly gatherings are adding perfor- possess all of these qualities you in meetings and events for greets.
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42Nd St Synopsis Characters
42nd St Synopsis One of showbusiness's most classic and beloved tales, 42nd Street tells the story of Peggy Sawyer, a talented young performer with stars in her eyes who gets her big break on Broadway. Peggy arrives in New York City from her hometown of Allentown, Pennsylvania, armed with her tap shoes, her lucky yellow scarf and big dreams. Peggy’s talent catches the eye of legendary Broadway director Julian Marsh, who gives her a spot in the chorus of Pretty Lady, his newest show. Pretty Lady stars Dorothy Brock, the classic Broadway diva, who takes an instant dislike to the new girl in the cast. When Dorothy is injured during the show’s previews, Pretty Lady looks like it will have to close, unless a new girl talented enough to lead the show can be found — someone like Peggy Sawyer! Characters Age requirements are approximate, however the dance ensemble must look young. PEGGY SAWYER A young, starry-eyed, naïve, and humble chorus girl who assumes the Lead role in Pretty Lady when Dorothy breaks her ankle. She is the triple threat in the show - must sing, act, and dance (tap) very well. Alto-mezzo soprano: should belt and be able to easily transition to head voice. Age: 17-25 (must look young - character is referred to as ‘21’) DOROTHY BROCK A past-her-prime and well-known, Broadway diva. She is supposed to be the female lead in Pretty Lady because she is dating Abner who is paying for the show. While very selfish and mean to everyone at first, she comes to understand what’s really important in life after breaking her ankle and therefore unable to perform.
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Musical! Theatre!
Premier Sponsors: Sound Designer Video Producer Costume Coordinator Lance Perl Chrissy Guest Megan Rutherford Production Stage Manager Assistant Stage Manager Stage Management Apprentice Mackenzie Trowbridge* Kat Taylor Lyndsey Connolly Production Manager Dramaturg Assistant Director Adam Zonder Hollyann Bucci Jacob Ettkin Musical Director Daniel M. Lincoln Directors Gerry McIntyre+ & Michael Barakiva+ We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program. * Member of the Actor's Equity Association, the Union of Professional Actors and Stage Managers in the United States. + ALEXA CEPEDA is delighted to be back at The KRIS COLEMAN* is thrilled to return to the Hangar. Hangar! Select credits: Mamma Mia (CFRT), A Broadway Credit: Jersey Boys (Barry Belson) Chorus Line (RTP), In The Heights (The Hangar Regional Credit: Passing Strange (Narrator), Jersey Theatre), The Fantasticks (Skinner Boys - Las Vegas (Barry Belson), Chicago (Hangar Barn), Cabaret (The Long Center), Anna in the Theatre, Billy Flynn), Dreamgirls (Jimmy Early), Sister Tropics (Richard M Clark Theatre). She is the Act (TJ), Once on This Island (Agwe), A Midsummer founder & host of Broadway Treats, an annual Nights Dream (Oberon) and Big River (Jim). benefit concert organized to raise funds for Television and film credits include: The Big House Animal Lighthouse Rescue (coming up! 9/20/20), and is (ABC), Dumbbomb Affair, and The Clone. "As we find ourselves currently working on her two-person musical Room 123. working through a global pandemic and race for equality, work Proud Ithaca College BFA alum! "Gracias a mamacita y papi." like this shows the value and appreciation for all.
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Cast Biographies Chris Mann
CAST BIOGRAPHIES CHRIS MANN (The Phantom) rose to fame as Christina Aguilera’s finalist on NBC’s The Voice. Since then, his debut album, Roads, hit #1 on Billboard's Heatseekers Chart and he starred in his own PBS television special: A Mann For All Seasons. Chris has performed with the National Symphony for President Obama, at Christmas in Rockefeller Center and headlined his own symphony tour across the country. From Wichita, KS, Mann holds a Vocal Performance degree from Vanderbilt University and is honored to join this cast in his dream role. Love to the fam, friends and Laura. TV: Ellen, Today, Conan, Jay Leno, Glee. ChrisMannMusic.com. Twitter: @iamchrismann Facebook.com/ChrisMannMusic KATIE TRAVIS (Christine Daaé) is honored to be a member of this company in a role she has always dreamed of playing. Previous theater credits: The Most Happy Fella (Rosabella), Titanic (Kate McGowan), The Mikado (Yum- Yum), Jekyll and Hyde (Emma Carew), Wonderful Town (Eileen Sherwood). She recently performed the role of Cosette in Les Misérables at the St. Louis MUNY alongside Norm Lewis and Hugh Panero. Katie is a recent winner of the Lys Symonette award for her performance at the 2014 Lotte Lenya Competition. Thanks to her family, friends, The Mine and Tara Rubin Casting. katietravis.com STORM LINEBERGER (Raoul, Vicomte de Chagny) is honored to be joining this new spectacular production of The Phantom of the Opera. His favorite credits include: Lyric Theatre of Oklahoma: Disney’s The Little Mermaid (Prince Eric), Les Misérables (Feuilly). New London Barn Playhouse: Les Misérables (Enjolras), Singin’ in the Rain (Roscoe Dexter), The Music Man (Jacey Squires, Quartet), The Student Prince (Karl Franz u/s).
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The Magic Flute \
® A NEW 42ND STREET ® PROJECT SHOW TOM ART: SLAUGHTER, ILLUSTRATIONS: KATIE DIAMOND, PHOTOS: KEITH PATTISON INSIDE BEFORE EN ROUTE AFTER BEYOND © THE NEW 42ND STREET, INC. © THE NEW 42ND STREET, INC. 1 ® welcome INSIDE BEFORE EN ROUTE AFTER BEYOND NEW VICTORY® SCHOOL TOOLTM RESOURCE GUIDES Available to Education Partners for every THE NEW VICTORY THEATER show in our season, NEW VICTORY SCHOOL TOOL Resource Guides provide educators with The New Victory Theater is New York City’s first full-time performing comprehensive materials that explore the arts theater for kids, their families and classmates. Since it opened in 1995, artistry and key themes of each production. The New Victory has quickly become an integral part of the cultural Filled with practical, ready-to-implement landscape in New York City, presenting a full season of adventurous activities that allow any teacher to incorporate multidisciplinary works from around the globe and close to home. The New Victory into their classroom, the The New Vic seeks out sophisticated, thought-provoking, professional NEW VICTORY SCHOOL TOOL Resource Guides productions that are as artistically rich as they are entertaining. are designed to enrich the performance experience before, during and after the The international productions on NEW VICTORY stages inform and inspire students’ trip to the theater. the work of the award-winning NEW VICTORY Education Program through a dynamic combination of school and public programs. Our school programs serve over 34,000 Pre-K through 12th grade students and teachers each THE NEW VICTORY THEATER season at almost no cost to the kids or their schools.
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Putting It Together
46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager .............................................................
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42Nd-Street-Playbill Web.Pdf
Our Patrons Director ($1,000 or more) Nell Burrows (7) Bill & Gina Kornrumpf (24) Thomas Della Sala (38) Bruce & Dorothy Maston Family Players of NENY, Inc. Elizabeth & John Liz Gottung on behalf Mowry (10) of Nick Cotrupi Gioia Ottaviano (57) The Hage Family Mike Peters & Linda Sloan Music Director ($500-$999) Anonymous Bill Hickman (In memory Sharon Awramik of Fulvia Hickman) (30) Dom & Amy Belli MVP Healthcare on In Memory of behalf of Brian Burns Cheryl Della Sala Christopher Nuss Bob Harrison (In Memory Dr. Sonya Sidhu-Izzo of Sally Harrison) Assistant Director ($250-$499) Bechtel Marine Propulsion Corp. Della R. Gilman (45) Patricia Casey Niskayuna Co-op on behalf Peter Caracappa & of Sharon C. Wemple Mary Darcy (5) Jeff & Connie Rauhauser (5) Mr. & Mrs. Robert C. John Samatulski & Farquharson (40) Zakhar Berkovich In Memory of Ronald Fragomeni Harald & Joyce Witting (23) Robert J. Gallati LJ Wood (10) 2 Choreographer ($100-$249) Beverly Andrews Bradley Johnson (11) Gabriella Pizzolo Vicki Barber Steve & Mary John & Suzanne Rayome Joseph & Sandra Kozlowski (6) David & Ellen Rook Bianchine Ray & Pat Lincourt Anthony M. Rudmann Joe & Mary Ann Ricki & Larry Lewis Mr. & Mrs. Manuel T. Concra (31) David Millard Salorio (9) Thom Coon & Jim & Linda L. Mizeur Ken & Kelly Sanford Adrienne Sherman In Memory of John Mowry James & Joan Savitt Carl & Anne Copps Michael Murphy Dale & Nancy Ellen Tom & Mabel Dudley (26) National Business Swann (45) Technologies The Finke Family Terry Tamer Wayne Nelson Dolores Fragomeni (52) Statistical Consulting Heléne & Gary Trechel Clark & Millie Mr. Robert M. Nottke (25) Harmon & Janice Tunison Gittinger (16) Carol & Ed Bill & Carol Waller Chris & Linda Hoffman Osterhout (23) Janice & David Walz Gary M.
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Florence Klotz Costume Designs [Finding Aid]. Music Division, Library
Florence Klotz Costume Designs Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2018 Contact information: http://hdl.loc.gov/loc.music/perform.contact Catalog Record: https://lccn.loc.gov/2015667105 Additional search options available at: https://hdl.loc.gov/loc.music/eadmus.mu018005 Processed by the Music Division of the Library of Congress Finding aid encoded by Library of Congress Music Division, 2018 Revised 2018 April Collection Summary Title: Florence Klotz Costume Designs Span Dates: 1971-1985 Call No.: ML31.K606 Creator: Klotz, Florence Extent: 670 items Extent: 19 containers Extent: 11.5 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. LC Catalog record: https://lccn.loc.gov/2015667105 Summary: Florence Klotz was an American costume designer best known for her work on Broadway musical collaborations with composer Stephen Sondheim and director Harold (Hal) Prince, including Follies (1971), A Little Night Music (1973), and Pacific Overtures (1976). The collection contains finished costume designs, sketches, fabric samples, and other materials for five musicals and one film adaptation. Selected Search Terms The following terms have been used to index the description of this collection in the LC Catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically. People Coleman, Cy. On the Twentieth Century. Grossman, Larry. Grind. Klotz, Florence. Sondheim, Stephen. Follies. Sondheim, Stephen. Little night music. Sondheim, Stephen. Pacific overtures. Subjects Costume design. Costume designers. Musical theater--United States. Theater--United States.
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2020 New York Adventure Celebrating Broadway and the 74Th
2020 New York Adventure Celebrating Broadway and the 74th Annual Tony Awards ® Friday, June 5 – Monday, June 8 Trip includes*: • Welcome reception on Friday evening with an in-depth introduction to New York and its theatre world • Tickets to the 74th Annual Tony Awards (third mezzanine seating included in trip price, upgrade available) • 2 Broadway shows (Friday and Saturday evenings; subject to availability; the earlier you register the better chances of securing your selected shows and best possible seats) • A private visit to the Kings Theatre (opened in 1929), one of the city’s largest and most ornate movie palaces, which recently underwent a $90M restoration • An intimate discussion and performance by Broadway cast members from a hit Broadway musical, accompanied by the keyboardist from WICKED • Lunch on Saturday afternoon • Post-show dessert and discussion on Saturday evening • Guided stroll into Central Park to study its brilliant design and view the world-renowned Bow Bridge and take in the stunning views • Guided stroll through Strawberry Fields, Yoko Ono’s Central Park memorial to John Lennon, along with a discussion of Lennon’s assassination and its impact on New York, followed by a view of the world-famous 1885 Dakota Apartment House • A walking and coach exploration of the elegant Beaux Arts and Art Deco apartment houses and other Upper West Side locals and Fifth Avenue • A coach exploration of Prospect Park South in Brooklyn • Three nights accommodations at The Millennium Broadway (you may opt out of hotel if you wish to
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Determining Stephen Sondheim's
“I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS BY ©2011 PETER CHARLES LANDIS PURIN Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ___________________________ Chairperson Dr. Scott Murphy ___________________________ Dr. Deron McGee ___________________________ Dr. Paul Laird ___________________________ Dr. John Staniunas ___________________________ Dr. William Everett Date Defended: August 29, 2011 ii The Dissertation Committee for PETER PURIN Certifies that this is the approved version of the following dissertation: “I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS ___________________________ Chairperson Dr. Scott Murphy Date approved: August 29, 2011 iii Abstract This dissertation offers a music-theoretic analysis of the musical style of Stephen Sondheim, as surveyed through his fourteen musicals that have appeared on Broadway. The analysis begins with dramatic concerns, where musico-dramatic intensity analysis graphs show the relationship between music and drama, and how one may affect the interpretation of events in the other. These graphs also show hierarchical recursion in both music and drama. The focus of the analysis then switches to how Sondheim uses traditional accompaniment schemata, but also stretches the schemata into patterns that are distinctly of his voice; particularly in the use of the waltz in four, developing accompaniment, and emerging meter. Sondheim shows his harmonic voice in how he juxtaposes treble and bass lines, creating diagonal dissonances.
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