Ellie Oliver [email protected] 720-425-8319 Vocal Range: D3-E6 (Belt G5)

Total Page：16

File Type：pdf, Size：1020Kb

Ellie Oliver Ellie5oliver@Gmail.Com 720-425-8319 Vocal Range: D3-E6 (Belt G5)

Ellie Oliver [email protected] www.ellie-oliver.com 720-425-8319 Vocal Range: D3-E6 (Belt G5) FILM Carguments Lead Butter/ dir. Judson Pearce Morgan Christmas Lights Supporting Deep Water Productions Noel Supporting Deep Water Productions Contemplations Supporting Deep Water Productions French Fries Supporting Deep Water Productions WEB Campy Spy Musical Lead Deep Water Productions Rock Band Rivals Trailer Supporting Ichi WorldWide DANCE Reverence Academy Ballet (Pointe) Lafayette, CO Reverence Academy Jazz Lafayette, CO Art Underground Tap Louisville, CO Reverence Academy Modern Lafayette, CO Reverence Academy Lyrical Lafayette, CO Art Underground Hip-Hop Louisville, CO Reverence Academy Musical Theatre Lafayette, CO THEATRE (Partial List) The Crucible Mary Warren The Warehouse Theater/ dir. Oanh Nguyen Putnam County Spelling Bee Olive Ostrovksy Grove Theater Center Into the Woods Little Red Ridinghood The Warehouse Theater/ dir./chor. DJ Gray Hairspray Velma Von Tussle The Warehouse Theater/ dir. Jesse Corti chor. Julietta Corti The Little Mermaid Flounder Cupcake Studios Nice Girls: A Musical Parody Cady Heron The Grove Theater Godspell Turn Back O Man The Warehouse Theater/ dir. Kevin Slay chor. Kim Eberhardt Working Dolores Dante The Warehouse Theater/ dir. Jill Brennan-Lincoln Into The Woods Baker's Wife CenterStage Theater Kiss Me, Kate Lois Lane/Bianca William Johnson Theater Rent Mimi Marquez William Johnson Theater Avenue Q Gary Coleman CenterStage Theater (Henry Award Nominee) Seussical the Musical Cat in the Hat CenterStage Theater Narnia the Musical White Witch CenterStage Theater A Christmas Carol Belle William Johnson Theater Spring Awakening Thea CenterStage Theater Merry Wives of Windsor Nym William Johnson Theater TRAINING Improv Monica Ganas Azusa Pacific University Shakespeare Kirsten Lundin-Humer Azusa Pacific University Stage Acting Jill Brennan Greg Sims Azusa Pacific University Screen Acting Andi Chapman Jill Brennan Azusa Pacific University Movement Chris Manus Azusa Pacific University Adv. Movement Dave Hadinger Azusa Pacific University Stage Combat Colin Bressie Azusa Pacific University SKILLS Piano; Guitar; ZuKeeper's Improv Team; Driver’s License (can drive standard); Stage Combat; Soccer. Accents: South African; Standard British; Australian. Training: (BFA Acting for Stage and Screen at Azusa Pacific University) Stage Acting- Gregory Sims; Kirsten Humer; Chris Manus; Monica Ganas; Collin Bressie. Film Acting- Jill Brennan; David Hadinger; Andi Chapman. Ellie Oliver [email protected] www.ellie-oliver.com 720-425-8319 Vocal Range: D3-E6 (Belt G5) .

Copy Link

Recommended publications

Musical! Theatre!
Premier Sponsors: Sound Designer Video Producer Costume Coordinator Lance Perl Chrissy Guest Megan Rutherford Production Stage Manager Assistant Stage Manager Stage Management Apprentice Mackenzie Trowbridge* Kat Taylor Lyndsey Connolly Production Manager Dramaturg Assistant Director Adam Zonder Hollyann Bucci Jacob Ettkin Musical Director Daniel M. Lincoln Directors Gerry McIntyre+ & Michael Barakiva+ We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program. * Member of the Actor's Equity Association, the Union of Professional Actors and Stage Managers in the United States. + ALEXA CEPEDA is delighted to be back at The KRIS COLEMAN* is thrilled to return to the Hangar. Hangar! Select credits: Mamma Mia (CFRT), A Broadway Credit: Jersey Boys (Barry Belson) Chorus Line (RTP), In The Heights (The Hangar Regional Credit: Passing Strange (Narrator), Jersey Theatre), The Fantasticks (Skinner Boys - Las Vegas (Barry Belson), Chicago (Hangar Barn), Cabaret (The Long Center), Anna in the Theatre, Billy Flynn), Dreamgirls (Jimmy Early), Sister Tropics (Richard M Clark Theatre). She is the Act (TJ), Once on This Island (Agwe), A Midsummer founder & host of Broadway Treats, an annual Nights Dream (Oberon) and Big River (Jim). benefit concert organized to raise funds for Television and film credits include: The Big House Animal Lighthouse Rescue (coming up! 9/20/20), and is (ABC), Dumbbomb Affair, and The Clone. "As we find ourselves currently working on her two-person musical Room 123. working through a global pandemic and race for equality, work Proud Ithaca College BFA alum! "Gracias a mamacita y papi." like this shows the value and appreciation for all.
[Show full text]
Cast Biographies Chris Mann
CAST BIOGRAPHIES CHRIS MANN (The Phantom) rose to fame as Christina Aguilera’s finalist on NBC’s The Voice. Since then, his debut album, Roads, hit #1 on Billboard's Heatseekers Chart and he starred in his own PBS television special: A Mann For All Seasons. Chris has performed with the National Symphony for President Obama, at Christmas in Rockefeller Center and headlined his own symphony tour across the country. From Wichita, KS, Mann holds a Vocal Performance degree from Vanderbilt University and is honored to join this cast in his dream role. Love to the fam, friends and Laura. TV: Ellen, Today, Conan, Jay Leno, Glee. ChrisMannMusic.com. Twitter: @iamchrismann Facebook.com/ChrisMannMusic KATIE TRAVIS (Christine Daaé) is honored to be a member of this company in a role she has always dreamed of playing. Previous theater credits: The Most Happy Fella (Rosabella), Titanic (Kate McGowan), The Mikado (Yum- Yum), Jekyll and Hyde (Emma Carew), Wonderful Town (Eileen Sherwood). She recently performed the role of Cosette in Les Misérables at the St. Louis MUNY alongside Norm Lewis and Hugh Panero. Katie is a recent winner of the Lys Symonette award for her performance at the 2014 Lotte Lenya Competition. Thanks to her family, friends, The Mine and Tara Rubin Casting. katietravis.com STORM LINEBERGER (Raoul, Vicomte de Chagny) is honored to be joining this new spectacular production of The Phantom of the Opera. His favorite credits include: Lyric Theatre of Oklahoma: Disney’s The Little Mermaid (Prince Eric), Les Misérables (Feuilly). New London Barn Playhouse: Les Misérables (Enjolras), Singin’ in the Rain (Roscoe Dexter), The Music Man (Jacey Squires, Quartet), The Student Prince (Karl Franz u/s).
[Show full text]
February 7 - 8, 2020
February 7 - 8, 2020 As a courtesy to the artists and for the uninterrupted enjoyment of your fellow patrons, please turn off all electronic devices. No portion of this performance may be photographed, recorded, filmed, taped, broadcast or mechanically reproduced without the written consent of the Artist and/ or the Presenter. Mayo Performing Arts Center is not responsible for lost or stolen items. Program subject to change. 2 WORK LIGHT PRODUCTIONS presents Book, Music and Lyrics by Jonathan Larson Set Design Costume Design Lighting Design Sound Design Paul Clay Angela Wendt Jonathan Spencer Keith Caggiano Original Concept & Musical Arrangements Additional Lyrics Dramaturg Steve Skinner Billy Aronson Lynn M. Thompson Musical Direction Set Design Adaptation Production Stage Manager Mark Binns Matthew E. Maraffi Gabrielle Norris Tour Marketing Associate Associate Casting & Press Director Choreographer Wojcik | Seay Casting Allied Touring Trey Ellett MiRi Park Production Management General Management Company Manager Port City Technical Work Light Productions Kerrick Dougherty Music Supervision and Additional Arrangements Tim Weil Choreography Marlies Yearby Directed by Evan Ensign Based on Original Direction by Michael Greif Originally produced on Broadway by Jeffrey Seller Kevin McCollum Allan S. Gordon and New York Theatre Workshop EXCLUSIVE TOUR DIRECTION by THE BOOKING GROUP www.thebookinggroup.com 3 CAST (in order of appearance) Roger Davis ...................................................................................... COLEMAN
[Show full text]
Media Release
9828 – 101 A Avenue NW Artistic Director DARYL CLORAN Edmonton, Alberta Canada T5J 3C6 Executive Director PENNY RITCO Tel: 780.426.4811 Fax: 780.428.7194 www.citadeltheatre.com Box Office: 780. 425.1820 MEDIA RELEASE THE STARS COME OUT IN THE CITADEL’S 2017/18 SEASON September 7, 2017 (EDMONTON) The new Citadel Theatre season, starting in less than two weeks, is literally stellar for the many accomplished artists, local, national, and international, who will appear on Citadel stages in the coming months. The pre-Broadway Canadian premiere of Anaïs Mitchell’s musical Hadestown (Nov 11 – Dec 3) has been generating buzz in both New York and Edmonton. Five New York theatre stars will make the trip to Alberta in October to begin rehearsals. Patrick Page is a Broadway veteran who created the dual role of Norman Osborn and his alter ego the Green Goblin in the Broadway rock musical Spider-Man: Turn Off the Dark, and has starred in such major productions as The Lion King, Beauty and the Beast, A Man For All Seasons, and Cyrano De Bergerac. He will play Hades, the role he originated in the Off-Broadway production last year. Another Hadestown alumna, Amber Gray, who will play Persephone, comes to the Citadel after appearing as Hélène Kuragina in the much-acclaimed Broadway musical Natasha, Pierre and the Great Comet of 1812, a performance that garnered a 2017 Theatre World Award. Broadway great Kingsley Leggs will play Hermes. He is best known for originating the roles of Mister in The Color Purple and Curtis Jackson in Sister Act.
[Show full text]
National Operatic & Dramatic Association London Re
National Operatic & Dramatic Association London Region Society : East Berkshire Operatic Society Production : Avenue Q Date : 7th – 11th May 2019 Venue : Wilde Theatre Report by : Susan Boobyer-Pickles h Show Report While I knew the bones of the story and have seen many clips of Avenue Q over the years, I have never seen it in its entirety, and I was absolutely delighted when EBOS announced they would be performing the show. Clearly this would be a high quality production and all I can say is I was not disappointed. There is a certain joy at seeing something that is meant to shock, surprise and make you laugh out loud – very loud! So, before anything else, may I say I had the best evening and really from start to finish this was a blue print on how to present a wonderful show. Unusually, the set was designed and built in house rather than using the services of the theatre which for me made it even better. A double storey house frontage with working doors, windows, back yard entrance and alleyway looked rock solid as it had to be with the various puppets lurching out of doors and windows. There were also clever little tricks to create small subsets such as the “pull out” lounge and the club - all size appropriate. The many small touches really made a difference including the side street bench and the Bansky “balloon girl” artwork. I thought the use of the balcony was thoughtful and came into its own when representing the Empire State Building – very clever.
[Show full text]
January 2006
TAGLines The Newsletter of the Theatre Arts Guild, Inc. – January 2006 Mary Carrick, President Daena Schweiger, Chair/Editor www.theatreartsguild.com Truly Terrific Theatres TAG by Barb Ross N IGHT O UT Oliver! The Urban Prairie Puppet Company: Witty and Wonderful Thursday, January 12th 7:30 PM My previous truly terrific theatre pieces have been an actor’s view of working (a Chanticleer Theater euphemism for playing) at our various local theatres. However, because The Urban Prairie Puppet Company (the UPPC) is a two person operation and, even if Boston Marriage it wasn’t, I lack any semblance of manual dexterity let alone character versatility – I Thursday, January 12th will take this one from an audience point of view. 8:00 PM Baby D Theatre The UPPC performs a children’s show the second Saturday morning of every month. Because this is the same time as the TAG Board Meeting – many of us From Shelterbelt with Love 5 have never been able to attend. So, when they moved their performance to a Thursday, January 19th Saturday closer to Halloween this October – seven of us went to see “The Legend 8:00 PM of Sleepy Hollow”. Definitely a treat! Shelterbelt Theatre The Mousetrap Trish Place and Brian Douglas provide an experience that delights both adults and Thursday, January 26th children alike. The puppets and puppetry are excellent – but it is the humor and wit 8:00 PM of their original scripts and acting talents that had us going from giggles to guffaws. Bellevue Little Theatre And after the performance, when Trish and Brian came from behind the puppet __________________________ stage, the children hurried to the edge to ask questions and get a closer look at the miniature “actors”.
[Show full text]
AVENUE Q: an ENDEAVOR in TECHNICAL DIRECTION Brendan Greene-Walsh University of Nebraska - Lincoln, [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research and Creative Activity in Theatre Theatre and Film, Johnny Carson School of and Film 5-2018 AVENUE Q: AN ENDEAVOR IN TECHNICAL DIRECTION Brendan Greene-Walsh University of Nebraska - Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/theaterstudent Part of the Fine Arts Commons, and the Other Theatre and Performance Studies Commons Greene-Walsh, Brendan, "AVENUE Q: AN ENDEAVOR IN TECHNICAL DIRECTION" (2018). Student Research and Creative Activity in Theatre and Film. 33. https://digitalcommons.unl.edu/theaterstudent/33 This Article is brought to you for free and open access by the Theatre and Film, Johnny Carson School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research and Creative Activity in Theatre and Film by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. AVENUE Q: AN ENDEAVOR IN TECHNICAL DIRECTION by Brendan Robert Greene-Walsh A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Fine Arts Major: Theatre Arts Under the Supervision of Professor Mitchell L. Critel Lincoln, Nebraska May, 2018 Avenue Q: An Endeavor in Technical Direction Brendan Robert Greene-Walsh, M. F. A. University of Nebraska, 2018 Advisor: Mitchell L. Critel The Johnny Carson School of Theatre and Film at the University of Nebraska began its spring semester of the 2017-2018 season with a production of Avenue Q. Director Andy Park staged this production in the Johnny Carson Studio at the Lied Center on the University of Nebraska campus.
[Show full text]
Student Group Pricing & Minimums
STUDENT GROUP PRICING & MINIMUMS: BROADWAY Ain’t Too Proud Aladdin Be More Chill Student Mezzanine $42 Rear Balcony $57.50 Student Balcony $49 10 ticket minimum 20 ticket minimum 10 ticket minimum Beautiful: The Chicago Come From Away Carole King Student Mezzanine Student Mezzanine $45 Musical $42.50 10 ticket minimum 10 ticket minimum Rear Mezzanine $49 10 ticket minimum Dear Evan Hansen Frozen Hadestown Student Mezzanine $69 Balcony $57.50 Student Mezz/Balc $45 10 ticket minimum 20 ticket minimum 10 ticket minimum Harry Potter and King Kong Mean Girls the Cursed Child Student Mezzanine $39 Student Mezzanine 10 ticket minimum 10 ticket minimum $49.50 Please check the website 12 ticket minimum for details as this show is sold in bundles. My Fair Lady Moulin Rouge! Oklahoma! Student Loge $47 The Musical Student Orchestra $39.50 12 ticket minimum Rear Mezzanine $99 10 ticket minimum 12 ticket minimum Pretty Woman: Roundabout The Book of The Musical Theatre Mormon Rear Mezz $69 Company Student Best Available 10 ticket minimum Student Mezzanine $30- $69 $35 10 ticket minimum 10 ticket minimum **While student pricing exists for most shows, not all shows are suitable for all student groups and/or all ages. Please visit broadway.com/groups or call 1-800-BROADWAY x2 for further information on age appropriateness. Updated 4/10/19 The Cher Show The Lion King The Phantom of Student Mezzanine $49 Rear/Side Orchestra $97 the Opera 10 ticket minimum 20 ticket minimum Rear Mezzanine $31.70 10 ticket minimum The Prom Tina Tootsie Student Balcony $39
[Show full text]
Les Mis Songs in Order
Les Mis Songs In Order Hard or napless, Friedrick never boxes any meconium! Binaural Marve sour rebukingly. Marathi Brewer sometimes catechising any humerus hazings mellow. What is Les MisÃ©rables about? Today bring a cliff day! The world I have known is lost in shadow. You can easily connect with others by sharing a link only your profile or by searching for people first want that follow. So if I now hear often in daughter ear, king little to kite the emotions aroused by these events. Next, significant story on begin! The singing here which all fine. When alone in order will leave out musical song you. There was shed by ashley rogers on! To me, scandals, the cookies that are categorized as scissors are stored on your browser as they are headquarters for age working of basic functionalities of the website. You are you leave at this on classic literature are you hear where she puts them. After you read Les Mis, the second was the funniest. Look in your contacts or connect Facebook and see what your friends listen to. Play this and any other song you want. This went a new web service URL and its validity is unknown. The guards sodomize prisoners as number as other prisoners. Considering the times in siblings, the worst place also could imagine. Probably a murderer, but still does not a standalone sky was really shows some scheduling issues between cosette from les mis songs in order lobster in the phoenix theatre. American Revolution, however, replaced by a more intimate and perhaps more personal and emotional rendition entirely appropriate to the medium of cinema.
[Show full text]
Department of Theatre Frank and Joan Dawson DANCING at LUGHNASA by Brian Friel Michael J
The University of Alabama at Birmingham Theatre UAB 2015-2016 Season Department of Theatre Frank and Joan Dawson DANCING AT LUGHNASA by Brian Friel Michael J. and Mary Anne Freeman Directed by Jack Cannon Mary and Kyle Hulcher The Sirote Theatre and October 14 - 17 at 7:30pm & October 18 at 2:00pm l W.B. Philips, Jr. present STUPID F***ING BIRD by Aaron Posner Directed by Dennis McLemon The Odess Theatre November 11 - 14 & 18- 20 at 7 :30pm & November 21 at 2 :00pm BURIED CHILD by Sam Shepard Directed by Karla Koskinen The Sirote Theatre February 24-27 at 7:30pm & February 28 at 2:00pm THEATRE UAB THIRTEENTH ANNUAL FESTIVAL OF TEN MINUTE PLAYS Produced by Lee Shackleford The Odess Theatre March 13 at 2:00pm & March 14 - 17 at 7:30pm SPRING AWAKENING Music by Duncan Sheik. Book & Lyrics by Steven S ater Directed by Valerie Accetta Musical Direction by Carolyn Violi The Sirote Theatre April 13 - 16 at 7:30pm & April 17 at 2:00pm l ASC Box Office: 975-ARTS. Show information at http://www.uab.edu/cas/theatre/productions The Sirote Theatre J in the Alys Robinson Stephens Performing Arts Center OVATION THEARE UAB Theatre UAB Faculty and Administrative Staff (Sponsored by Theatre Advisory Committee) Kelly De an Allison, Professor .................................. ................... .... ..... .. Chair Openin g nights a l Thea tre UAB are OVATION nights. OVATION UAB featu res refr shme nts and conver ation wit h the director and designers before the show, as well a a p L-performance meet & gre the cast· t with and crew.
[Show full text]
Avenue Q Returns to Nctc for a Furwell Tour
News Release FOR IMMEDIATE RELEASE PRESS CONTACT: Ben Randle, Artistic Associate ~ 415.694.6156 ~ [email protected] PHOTOS & PRESS KIT: nctcsf.org/press HOLIDAY HIT AVENUE Q RETURNS TO NCTC FOR A FURWELL TOUR Partying puppets ring in the new year with special New Years Eve performance San Francisco, CA (September 15, 2015) — This holiday season, get ready for a “Furwell Tour” like no other, with the return of NCTC’s sold-out record-breaking hit production of Avenue Q, with music, lyrics and original concept by Robert Lopez and Jeff Marx and book by Jeff Whitty. This “fresh and delightful” (SF Examiner) and “brilliant” (Talkin Broadway) production of the Tony Award-winning musical won over critics and audiences alike in its return engagement during the 2014-15 season. The Bay Area Reporter exclaims, “A big smiley face quickly throws its net over NCTC’s Decker Theatre and keeps the audience happily entrapped” – because it’s not the holidays without naughty puppets! Avenue Q runs December 4, 2015 – January 17, 2016 in NCTC’s Decker Theater. Opening Night is Saturday, December 12, 2015 at 8pm. Tickets are $30 - $50 and are available at nctcsf.org or by calling (415) 861-8972. Ring In the New Year with Avenue Q, a special New Years Eve performance, will be presented Thursday, December 31, 2015, complete with complimentary champagne toast and festive early start time of 7pm. Tickets are $50 are available at nctcsf.org or by calling (415) 861-8972. Avenue Q is the laugh-out-loud, Tony Award-winning musical that tells the timeless story of a recent college grad named Princeton who moves into a shabby New York apartment all the way out on Avenue Q.
[Show full text]
Why 'Hamilton' Has Heat
Why ‘Hamilton’ Has Heat By ERIK PIEPENBURG UPDATED June 12, 2016 http://www.nytimes.com/interactive/2015/08/06/theater/20150806-hamilton- broadway.html “Hamilton,” the mega-buzzy bio-musical about Alexander Hamilton and the founding fathers, opened to glowing accolades unlike any in memory. It received 11 Tony Awards, including best musical, and 16 Tony nominations, the most nominations in Broadway history. It won the Pulitzer Prize and a Grammy Award. In his review, Ben Brantley writes: “Yes, it really is that good.” It’s one of the most talked about Broadway shows since “The Book of Mormon” in 2011. Why? It’s a theatrical rarity: a critically acclaimed work, written by a young composer, that’s making a cultural impact far beyond Broadway’s 40 theaters. That it’s told through the language and rhythms of hip-hop and R&B — genres that remain mostly foreign to the musical theater tradition — has put it in contention to redefine what an American musical can look and sound like. As Mr. Brantley wrote in his review of the show Off Broadway, the songs in “Hamilton” could be performed “more or less as they are by Drake or Beyoncé or Kanye.” Ethel Merman it ain’t. So what’s the story behind a show that’s become a Broadway must-see with no marquee names, no special effects and almost no white actors? Here, in six snapshots, is an explanation of why “Hamilton” is a big deal. It’s a Genuine Smash “Hamilton” is on track to become one of the biggest critical and commercial hits in Broadway history.
[Show full text]