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From Arabic Style Toward Javanese Style: Comparison Between Accents of Javanese Recitation and Arabic Recitation
From Arabic Style toward Javanese Style: Comparison between Accents of Javanese Recitation and Arabic Recitation Nur Faizin1 Abstract Moslem scholars have acceptedmaqamat in reciting the Quran otherwise they have not accepted macapat as Javanese style in reciting the Quran such as recitationin the State Palace in commemoration of Isra` Miraj 2015. The paper uses a phonological approach to accents in Arabic and Javanese style in recitingthe first verse of Surah Al-Isra`. Themethod used here is analysis of suprasegmental sound (accent) by usingSpeech Analyzer programand the comparison of these accents is analyzed by descriptive method. By doing so, the author found that:first, there is not any ideological reason to reject Javanese style because both of Arabic and Javanese style have some aspects suitable and unsuitable with Ilm Tajweed; second, the suitability of Arabic style was muchthan Javanese style; third, it is not right to reject recitingthe Quran with Javanese style only based on assumption that it evokedmistakes and errors; fourth, the acceptance of Arabic style as the art in reciting the Quran should risedacceptanceof the Javanese stylealso. So, rejection of reciting the Quranwith Javanese style wasnot due to any reason and it couldnot be proofed by any logical argument. Keywords: Recitation, Arabic Style, Javanese Style, Quran. Introduction There was a controversial event in commemoration of Isra‘ Mi‘raj at the State Palacein Jakarta May 15, 2015 ago. The recitation of the Quran in the commemoration was recitedwithJavanese style (langgam).That was not common performance in relation to such as official event. Muhammad 58 Nur Faizin, From Arabic Style toward Javanese Style Yasser Arafat, a lecture of Sunan Kalijaga State Islamic University Yogyakarta has been reciting first verse of Al-Isra` by Javanese style in the front of state officials and delegationsof many countries. -
Ka И @И Ka M Л @Л Ga Н @Н Ga M М @М Nga О @О Ca П
ISO/IEC JTC1/SC2/WG2 N3319R L2/07-295R 2007-09-11 Universal Multiple-Octet Coded Character Set International Organization for Standardization Organisation Internationale de Normalisation Международная организация по стандартизации Doc Type: Working Group Document Title: Proposal for encoding the Javanese script in the UCS Source: Michael Everson, SEI (Universal Scripts Project) Status: Individual Contribution Action: For consideration by JTC1/SC2/WG2 and UTC Replaces: N3292 Date: 2007-09-11 1. Introduction. The Javanese script, or aksara Jawa, is used for writing the Javanese language, the native language of one of the peoples of Java, known locally as basa Jawa. It is a descendent of the ancient Brahmi script of India, and so has many similarities with modern scripts of South Asia and Southeast Asia which are also members of that family. The Javanese script is also used for writing Sanskrit, Jawa Kuna (a kind of Sanskritized Javanese), and Kawi, as well as the Sundanese language, also spoken on the island of Java, and the Sasak language, spoken on the island of Lombok. Javanese script was in current use in Java until about 1945; in 1928 Bahasa Indonesia was made the national language of Indonesia and its influence eclipsed that of other languages and their scripts. Traditional Javanese texts are written on palm leaves; books of these bound together are called lontar, a word which derives from ron ‘leaf’ and tal ‘palm’. 2.1. Consonant letters. Consonants have an inherent -a vowel sound. Consonants combine with following consonants in the usual Brahmic fashion: the inherent vowel is “killed” by the PANGKON, and the follow- ing consonant is subjoined or postfixed, often with a change in shape: §£ ndha = § NA + @¿ PANGKON + £ DA-MAHAPRANA; üù n. -
Where Internal and International Migration Intersect: Mobility and the Formation of Multi-Ethnic Communities in the Riau Islands Transit Zone
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship Where Internal and International Migration Intersect: Mobility and the Formation of Multi-Ethnic Communities in the Riau Islands Transit Zone LENORE LYONS AND MICHELE FORD University of Wollongong and University of Sydney While migration studies scholars have paid considerable attention to internal migration within Indonesia, as well as to international labour migration flows from Indonesia, they have rarely considered the intersections between these two processes. This paper addresses the gap through a close analysis of migration flows in one of Indonesia’s key transit areas – the Riau Islands. We argue that in the borderlands the processes of internal and international migration are mutually constitutive. The Riau Islands’ status as a transit zone for international labour migrants and as a destination for internal migrants determines its demographic profile and policies of migration control. Bordering practices are strongly influenced by the fact that not everyone who comes to the Riau Islands has the intention of moving on, and not all international migrants returning to the islands intend to go home. Our analysis demonstrates that internal migration cannot be understood as a solely national phenomenon, and that international migration cannot only be explained by push and pull factors in sending and receiving destinations. These complexities necessitate research and policy responses that take into account the unique character of the transit provinces, and the role that their geographical location plays in the formation of multi-ethnic communities and the management of migration. ndonesia is the focus of considerable attention within contemporary migration I studies. -
Youth, Technology and Indigenous Language Revitalization in Indonesia
Youth, Technology and Indigenous Language Revitalization in Indonesia Item Type text; Electronic Dissertation Authors Putra, Kristian Adi Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 24/09/2021 19:51:25 Link to Item http://hdl.handle.net/10150/630210 YOUTH, TECHNOLOGY AND INDIGENOUS LANGUAGE REVITALIZATION IN INDONESIA by Kristian Adi Putra ______________________________ Copyright © Kristian Adi Putra 2018 A Dissertation Submitted to the Faculty of the GRADUATE INTERDISCIPLINARY PROGRAM IN SECOND LANGUAGE ACQUISITION AND TEACHING In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2018 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Kristian Adi Putra, titled Youth, Technology and Indigenous Language Revitalization in Indonesia and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. -~- ------+-----,T,___~-- ~__ _________ Date: (4 / 30/2018) Leisy T Wyman - -~---~· ~S:;;;,#--,'-L-~~--~- -------Date: (4/30/2018) 7 Jonath:2:inhardt ---12Mij-~-'-+--~4---IF-'~~~~~"____________ Date: (4 / 30 I 2018) Perry Gilmore Final approval and acceptance of this dissertation is contingent upon the candidate' s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
Halfwidth and Fullwidth Forms Range: FF00–FFEF
Halfwidth and Fullwidth Forms Range: FF00–FFEF This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 14.0 This file may be changed at any time without notice to reflect errata or other updates to the Unicode Standard. See https://www.unicode.org/errata/ for an up-to-date list of errata. See https://www.unicode.org/charts/ for access to a complete list of the latest character code charts. See https://www.unicode.org/charts/PDF/Unicode-14.0/ for charts showing only the characters added in Unicode 14.0. See https://www.unicode.org/Public/14.0.0/charts/ for a complete archived file of character code charts for Unicode 14.0. Disclaimer These charts are provided as the online reference to the character contents of the Unicode Standard, Version 14.0 but do not provide all the information needed to fully support individual scripts using the Unicode Standard. For a complete understanding of the use of the characters contained in this file, please consult the appropriate sections of The Unicode Standard, Version 14.0, online at https://www.unicode.org/versions/Unicode14.0.0/, as well as Unicode Standard Annexes #9, #11, #14, #15, #24, #29, #31, #34, #38, #41, #42, #44, #45, and #50, the other Unicode Technical Reports and Standards, and the Unicode Character Database, which are available online. See https://www.unicode.org/ucd/ and https://www.unicode.org/reports/ A thorough understanding of the information contained in these additional sources is required for a successful implementation. -
Departing from Java: Javanese Labour, Migration and Diaspora
Book Review Rosemarijn Hoefte and Peter Meel (eds.) (2018) Departing from Java: Javanese Labour, Migration and Diaspora. Copenhagen: NIAS Press. ISBN 9788776942458 (hardcover); 9788776942465 (softcover). 288 pp. US$80 (hardcover); US$29 (softcover). Reviewed by Oliver Pye, Bonn University, Germany Departing from Java is a wonderful collection of essays that I will immediately include as reading material for teaching on migration and development in Southeast Asia. Edited volumes are often a mixed bag, but in this case each individual chapter was fascinating, relevant and offered something new. Migrancy has become such a defining part of everyday life for millions of Indonesians (and for people everywhere), and the quality of these studies is testament to the amount of academic work that has gone into researching the experience of migrant workers. The first surprise is the historical depth and scale of migration from Java. The book covers colonial and postcolonial migration within Indonesia and the Dutch empire, as well as the contemporary movements of migrant workers to Malaysia, East Asia and the Middle East. Some of the first migrants were the exiled political opponents of the Dutch; they ended up in places like South Africa and Sri Lanka. Many others were settlers in the colonial and postcolonial Transmigration Programme. But the vast majority were workers – first indentured workers shipped by the colonial power to plantation and mining colonies on Sumatra, New Caledonia (a French overseas territory located east of Australia) and Suriname in South America. These transnational diasporas are dwarfed by contemporary migration. Examples discussed in this volume are palm oil and factory workers in Malaysia, factory workers, domestic workers and fishermen in Taiwan, and female domestic workers in Hong Kong, Singapore, Dubai and Saudi Arabia. -
Specifying Optional Malayalam Conjuncts
Specifying Optional Malayalam Conjuncts Cibu Johny <[email protected]> Roozbeh Poornader <[email protected]> 2013Jan28 Current status Indic conjunct formation scheme currently favors the full conjunct for a given set of characters. Example: क् + ष → is prefered as opposed to क् ष. (KAd + SSAl → K.SSAn ) क् ष can be obtained by क् + ZWJ + ष which is KAd + ZWJ + SSAl → KAh + SSAn The Need In Malayalam there are two prevailing orthographies traditional and reformed both written with same Malayalam character set. The difference between them is typically manifested only by the font. Traditional orthography fonts accomodate lot more full conjuncts, while reformed orthography fonts would use visibile virama (Chandrakkala) separated sequences for many of those full conjuncts. For the vowel signs of U, UU, and Vocalic vowels and also for the RAsign, reformed orthography font would use visually separate conjoining form. However, there is a definite need for the ability in a reformed orthography font to display the traditional full conjuncts on demand. As of now there is no mechanism specified in the standard to suggest a full conjunct of a cluster. The reverse case is also needed a traditional orthography font might want to display reformed othrography grapheme clusters optionally. Following proposal uses ZWJ and ZWNJ insertions to achieve this need. However, potentially Chillu forming sequence <Consonant + Virama + ZWJ> is not used for any of the cases listed below. Proposal Case 1 1 The sequence <Consonant + ZWJ + Conjoining Vowel Sign> has following fallback order for display: 1. Full Conjunct 2. Consonant + nonconjoining vowel sign Example with reformed orthography font (in a reformed orthography Malayalam font that can allow optional traditional orthography) SA + Vowel Sign U → SA + ZWJ + Vowel Sign U → Case 2 <Consonant1 + ZWJ + Virama + Consonant2> has following display fallback order: 1. -
THE MEANING of DIASPORIC IDENTITY: a Case of Indonesian Community Overseas
THE MEANING OF DIASPORIC IDENTITY: A Case of Indonesian Community Overseas Irin Oktafiani Research Center for Population Indonesian Institute of Sciences, Jakarta, Indonesia Email: [email protected] Abstract This paper argues that the term of the diaspora in Indonesia has been transformed and simplified from the general diaspora concept and its conceptual meaning is not enough to define the Indonesian diaspora. The Indonesian government have already made a clear characteristic of Indonesian diaspora through the Presidential Regulation No. 76 of 2017, it is stated implicitly that Indonesian diaspora is whoever living abroad, despite they only live there for a short period. Regardless of what the Indonesian government has done to define the meaning of the diaspora, the definition is not enough to explain about Indonesian diaspora. By any conditions, the Indonesian government could not neglect the history of some Indonesian political refugees in 1965 or 1998 since there was a painful history left behind and it is unsure whether they want to recognize themselves again as Indonesia. On the other hand, the second generation or more of Indonesian who already got another country citizenship, can not be guaranteed to have a sense of belonging with Indonesia and want to recognize that they have Indonesian descent. This paper will elucidate what really matters in the term of Indonesian diaspora in the sense of belonging and the confession that they are being attached to Indonesia. Keywords: diaspora, Indonesia, recognition, sense of belonging Abstrak Makalah ini memperlihatkan bahwa istilah diaspora di Indonesia telah bertransformasi dan disederhanakan dari konsep diaspora umum dan makna konseptualnya tidak cukup untuk mendefinisikan diaspora Indonesia. -
The Song of Macapat Semarangan: the Acculturation of Javanese and Islamic Culture
Harmonia: Journal of Arts Research and Education 20 (1) (2020), 10-18 p-ISSN 2541-1683|e-ISSN 2541-2426 Available online at http://journal.unnes.ac.id/nju/index.php/harmonia DOI: http://dx.doi.org/10.15294/harmonia.v20i1.25050 The Song of Macapat Semarangan: The Acculturation of Javanese and Islamic Culture Agus Cahyono, Widodo Widodo, Muhamad Jazuli, Onang Murtiyoso Department of Drama, Dance, and Music, Faculty of Languages and Arts, Universitas Negeri Semarang, Indonesia Submitted: January 4, 2020. Revised: March 9, 2020. Accepted: July 4, 2020 Abstract The research objective is to explain the macapat Semarangan song which is the result of accul- turation of Javanese and Islamic culture. The study used qualitative methods by uncovering the concept of processing of Javanese music and acculturation. Research location was in Semarang with the object of macapat Semarangan song study. Data was collected through interviews, ob- servations, and study documents. The validity of the data was examined through triangulation techniques and the analysis is done through the stages of identification, classification, compari- son, interpretation, reduction, verification, and making conclusions. The results showed that the macapat Semarangan song has unique characteristics of arrangement. The song’s grooves use long and complicated musical ornamentations with varying pitch heights to reach high notes. This is a manifestation of the results of acculturation of Javanese and Islamic culture seen from arrange- ment on the parts of Adzan (call to prayer) and tilawatil Qur’an. The process of acculturation of elements of Islamic culture also involves scales. Azan songs use diatonic scales, some macapat Semarangan songs also use the same scales, but a cycle of five notes close to nuances of Chi- nese music scales. -
UTC L2/20-061 2020-01-28 Universal Multiple-Octet Coded Character Set International Organization for Standardization Organisation Internationale De Normalisation
UTC L2/20-061 2020-01-28 Universal Multiple-Octet Coded Character Set International Organization for Standardization Organisation Internationale de Normalisation Doc Type: Working Group Document Title: Final Proposal to encode Western Cham in the UCS Source: Martin Hosken Status: Individual contribution Action: For consideration by UTC and ISO Date: 2020-01-28 Executive Summary. This proposal is to add 97 characters to a block: 1E200-1E26F in the supplementary plane, named Western Cham. In addition, 1 character is proposed for inclusion in the Arabic Extended A block: 08A0-08FF. The proposal is a revision of L2/19-217r3. A revision history is given at the end of the main text of this document. Introduction. Eastern Cham is already encoded in the range AA00-AA5F. As stated in N4734, Western Cham while closely related to Eastern Cham, is sufficiently different in style for Eastern Cham characters in plain text to be unintelligible to Western Cham readers and therefore a separate block is required. As such, the proposal to encode Western Cham in a separate block from (Eastern) Cham can be considered a disunification. But since Western Cham was never supported in the (Eastern) Cham block, it can be argued that this is a proposal for a new script. This is further discussed in the section on disunification. The Western Cham encoding follows the same encoding model as for (Eastern) Cham. There is no halant or virama that calls for a Brahmic model. The basic structure is a base character followed by a sequence of marks as described in the section on combining orders. -
Kesenian Kuda Kepang Di Batu Pahat 1971-2009 Fakultas
KESENIAN KUDA KEPANG DI BATU PAHAT 1971-2009 (KAJIAN TENTANG: WARISAN BUDAYA DAN IDENTITAS DIASPORIK JAWA DI NEGERI JOHOR DARUL TAKZIM, MALAYSIA) SKRIPSI Diajukan untuk Memenuhi sebagian Persyaratan Guna Melengkapi Gelar Sarjana Sejarah Program Studi Ilmu Sejarah Fakultas Ilmu Budaya Universitas Sebelas Maret Disusun oleh NOR ZANA BINTI MOHD AMIR C. 0513060 FAKULTAS ILMU BUDAYA UNIVERSITAS SEBELAS MARET SURAKARTA 2017 PERNYATAAN Nama : Nor Zana Binti Mohd Amir Nim : C. 0513060 Menyatakan dengan sesungguhnya bahwa skripsi berjudul Kesenian Kuda Kepang di Batu Pahat (Kajian Tentang: Warisan Budaya dan Identitas Diasporik Jawa di Negeri Johor Darul Takzim, Malaysia) adalah betul-betul karya sendiri, bukan plagiat dan tidak dibuatkan oleh orang lain. Hal-hal yang bukan karya saya, dalam skripsi ini diberi tanda citasi (kutipan) dan ditunjukkan dalam daftar pustaka. Apabila dikemudian hari terbukti pernyataan ini tidak benar, maka saya bersedia menerima sanksi akademik berupa pencabutan skripsi dan gelar yang diperoleh dari skripsi tersebut. Surakarta, 09 Juni 2017 Yang membuat pernyataan, Nor Zana Binti Mohd Amir HALAMAN MOTTO It’s fine to celebrate success but is more important to heed the lessons of failure. (Bill Gates) Kelihatannya semua itu mustahil sampai semuanya terbukti. (Nelson Mandela) HALAMAN PERSEMBAHAN Skripsi Ini Penulis Persembahkan Kepada: Abah dan Mak yang selalu memberikan dukungan, kasih sayang, restu dan doa. Almamaterku Universitas Sebelas Maret Surakarta, dan International Office UNS. Teman istimewa, dan para sahabat yang tidak jemu memberikan uluran bantuan dan dukungan selama ini. KATA PENGANTAR Assalamu’alaikum Wr.Wb. Dengan memanjatkan puji syukur kehadirat Allah SWT atas berkat rahmat dan hidayahnya sehingga penulis dapat menyelesaikan penyusunan skripsi ini. -
Introduction to Old Javanese Language and Literature: a Kawi Prose Anthology
THE UNIVERSITY OF MICHIGAN CENTER FOR SOUTH AND SOUTHEAST ASIAN STUDIES THE MICHIGAN SERIES IN SOUTH AND SOUTHEAST ASIAN LANGUAGES AND LINGUISTICS Editorial Board Alton L. Becker John K. Musgrave George B. Simmons Thomas R. Trautmann, chm. Ann Arbor, Michigan INTRODUCTION TO OLD JAVANESE LANGUAGE AND LITERATURE: A KAWI PROSE ANTHOLOGY Mary S. Zurbuchen Ann Arbor Center for South and Southeast Asian Studies The University of Michigan 1976 The Michigan Series in South and Southeast Asian Languages and Linguistics, 3 Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. Library of Congress Catalog Card Number: 76-16235 International Standard Book Number: 0-89148-053-6 Copyright 1976 by Center for South and Southeast Asian Studies The University of Michigan Printed in the United States of America ISBN 978-0-89148-053-2 (paper) ISBN 978-0-472-12818-1 (ebook) ISBN 978-0-472-90218-7 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ I made my song a coat Covered with embroideries Out of old mythologies.... "A Coat" W. B. Yeats Languages are more to us than systems of thought transference. They are invisible garments that drape themselves about our spirit and give a predetermined form to all its symbolic expression. When the expression is of unusual significance, we call it literature. "Language and Literature" Edward Sapir Contents Preface IX Pronounciation Guide X Vowel Sandhi xi Illustration of Scripts xii Kawi--an Introduction Language ancf History 1 Language and Its Forms 3 Language and Systems of Meaning 6 The Texts 10 Short Readings 13 Sentences 14 Paragraphs..