Berkeley Tribe, Published by the Red Mountain Tribe, Inc

Total Page:16

File Type:pdf, Size:1020Kb

Berkeley Tribe, Published by the Red Mountain Tribe, Inc 1"Urs esc..ape! .... ~ 5 e pi 2-5 .. .. S -'7 VI e+Yl3m Peace P t'ofosaL ... .~-? kH:~5 OnL~. ' " \0 Vol Co lJo 5 \ ~~\Je * ill _.- -------------------..... August 22, 1971 Dear People: Unhappy news sometimes has extreme way of eluding the pain of sorrows. Upon george hearing about the death of George J ack­ our brother son, our first reaction was one of mixed GRAB HOLD feelings. We wanted -to grab hold of the you died in action • • • bars and shake them until all of the life like john henery poured from our body. We even felt like warrior of the people screaming to the top of our voice. But hot flesh against cold steel somehow-and this we cannot explain-a nose flared tranquil feeling of bliss took possession of eyes flashing us. For a split second we felt a sense of terrible black guerrilla screaming . liberty. "George is not dead", we whispered to ourselves. "George, our piercing the hot blue ozone beautiful Brother, you are alive! Your with the word truth is marching on. We embrace you, FREEDOM Comrade, with all our revolutionary fer­ vor." There was no more sorrow, only the loud your voice ardent desire to fulfill the lofty dreams of cold your hate a free world cherished so dearly by our true your love for the people fallen Comrade who died so gallantly in relentless the field of battle. uncompromizing There is a tremendous sense of peace, knowing on the peers. We see it in the faces of those who loved George. No, it is not the truth kind you read about in thick books. We like fire search in vain for words to describe the ~ust be crushed ruthlessly feeling. But it is there and it shows in the and you are silent now eyes of the REAL one. Even our voices grey piglead sounded different-almost holy. In all brought george jackson down ages there are tragedies and each one is ice in the heart of courage marked with its own uniqueness. Strange how the death of one man can mean so but the echo of your rage much. iuebounding in the hearts We thank you, George, for your love, of the people for your teachings, for your examples, slaves are screaming FREEDOM and we will try with all our hearts and the bullets you fashioned soul to carry out your lofty dreams of a are now in the hands of the people free world. You have infused us with a new sens.e of dignity and pride. Seldom has a man been dedica.ted to his beliefs george jackson lives PIGS SHAKE ·TH EM ! more than yourself. he lives in sisters and brothers Less than two months after 39 Tupamaro women escaped from the Uruguayan Your brilliance warms our hearts and again ready to defy.you government's Montevideo prison for women, the Tupamaros have once again punched we are proud of having · the pleasure of a hole in the myth of maximum security by freeing III prisoners, 106 of them knowing you. You behaved so · well, Co­ freedom is his cry . Tupamaros. The liberation was carried out with the precise coordination of time and mrade . .Like so many Qe~Qre' you, you too and you cannot kill it action typical of the Tupamaro's guerrilla warfare. have · evolved to. .the higl).est level of the The Uruguayan government's account of the break went this way: a Tupamaro human species. 0 Black Partisian of Cour­ -muckleyhead squad tunnelled through to the prison from a house located across the street. The age, Brother of Humanity, Servant·of the (incarcerated in a occupants of the house were kept upstairs, . unharmed. To direct the digging, Oppressed, we love you-:"we thank you, Washington S~.te prison) stethescopes were utilized to pick up pre-arranged signals from the prisoners behind we embrace you,we honor you. History the walls. Monday morning, the squad surfaced in the cells and took the ex-prisoners , will reward you with the sweet benefruits back through the tunnel to the house, where they were outfitted with new clothes, of your labor. We will .noUet you down, weapons, papers, and money. Then to a second house being used as a communications nor will we even forget the brilliance of base, into trucks and cars and away. your d'eed and no power on earth, how­ The jailbreak brought freedom to Raul Sendie, founder of the Tups, imprisoned ever mighty, can stop us from carrying· since August 7, 1970, and to every· other Tupamaro prisoner then imprisoned in out your cherished of universal socialism, Uruguay. and Brotherly love. We are yours to com­ The Tupamaros break dealt a heavy blow to the government of Jorge Pacheco mand. Areco. One official went so far as to say that the escape could. "shake the Death befalls all men/women. But it is foundations" of the government. "With this escape," the official said, "all the police far better to die standing like a man than work for years has turned into dust." For now, with all the Tupamaros free, and still to live feeling like a dog. The act of holding six hostages, Areco finds his hands full of trouble. The Tupamaros, holding freeing oneself, whatever the circumstan­ British ambassador Geoffrey Jackson since January 8 and 5 Uruguayan businessmen, ces, is the highest human performance. have shown themselves decidedly more adept at keeping hostages than the government Long live the teachings and spirit of is at keeping Tupamaros. George Jackson. He was.a man who knew So President Areco is building a new prison. Not to be tunnelled from, he hopes, it what life was all about. is being constructed on La Isla De Flores, an island IS miles from the old Montevideo prison. But the Tupamaros are obviously not . to be kept incarcerated long in any · Yourself in arms, prison. The Black Partisians Concentrated at CIM ________... _ ...__ ~ ..... ~~~._..._. ..... ~ ~ ~ _ ~ __ ~ ~~~.-..'f = - --------- . test with a $1,000 prize and i~stead' r MIX donal' Ih' mon,y 10 a ,,"o/u,,"n,,,. ------------------ 1, Th TRIBE h . ifTH I E PE 0 P L E ~:I:j·~t~hil~s;~d~oEiEf~:~y;J!jy:~!~::.;;: e as commumty meet- ies, perhaps you could spend the money ings at Spm Fridays to discuss the expand your news of the 1. d yourselves to coming issue an criticize the current t rwcovorlldU.tio. nary . struggle through out thC' · t ·E D I A issue. Come. on down if you want to The Revolutionary Army salutes t talk to us or have an idea for the next t KSAN news. t issue. We're at Grove and Virginia, M. 1701Y:z Grove. t . ET R 0 ' .s M The Revolutionary Army's Action and -. resultant communique should hit hard on t t longer be tolerated. Billboard companies .Sunday evening the offices of Foster are ordered to withdraw completely from the KSAN people ..For besides the KSAN t t and Kleiser billboard agency at 1601 the People's Community of Alameda. news coverage of revolutionary fronts- t Maritime Street in Oaklnad were ripped Foster and Kleiser, whose office is now a -which .is limited in scope to begin with- t apart by the people's organized outrage. crater in the midst of the Oakland Army -KSAN Radio air content mainly feeds t t. A five foot hole was created in a concrete Terminal, has just received the first warn- upon and creates markets for e.xploitation , re-inforced floor, a switchboard and reo ing. of the youth cuiture. The constant "hip" t ception desk blown apart, and windows It is part of the nature of imperialism commercials with all their sexism and , . shattered. that it attempts to hide behind its oppres~ plays upon new idioms are unbearable. t h £ II d h sive machinery (like a traffic pig behind a I d h , Teo owing Mon ay morning, w en billboard). The fact that both Foster and . Rock music is not revo ution an t e . t KSAN Radio peo~le arrived at work they Kleiser and KSAN Radio are owned by People are not to be co-~pted ,th~t ~asily. t found a commumque addressed to them KSAN and all radio stations clalmmg to t Metromedia is an appropriate example of ,slipped in with the mail. Why KSAN? this deception. be people's services and not ruli~g class t Becuase KSAN and Foster ~nd Kleiser are We hope that the people of KSAN are mouth peices need to e:,pimd thel~ n.ews both owned by Metromedla, Inc., a na- currently cancelling their billboard con- and bring an end to their commerCialism.j 1tionwide agency. The communique read: r-------------------- Communique of the Revolutionary Army . Berkeley Tribe, published by the Red Mountain Tribe, Inc. Mailing address: P.O. Box 9043, Berkeley, california 94709. Off!~e.h ' l~?~~ t Billboards in Babylon ire an offensiv(' Grove St. 549-3391. Copyright bY RMT. Deadlines: News through Tuesday, Tuesday at 6 pm:tWedn-:a~ ':e~~~:Z;d~~~1f~nla . .:fe':~ ./ . a George and Classified, Tuesday at 6 pm. Display ads, Tuesday at 3 ~m. Second class pos ~~ ~·A ,aS5 I lhS' $12 foreign $15 , manifestation of PIG THINK. Their fascist , . Un<let'9!"0und Press Syndicate (UPS), Liberation News Service (LNS). · hnual Subscription.: $ -' -' . S x mon, , & dis/or/ io/1 of our people's '. can no • ...I.n.sl.lt.U.t'.o.n.s.____ -= ....,~---.-.~~ . ~~~ .. r-(1..113~/2.. Prisoners in the state of Washington ~lle InStitution.
Recommended publications
  • A Turf of Their Own
    HAVERFORD COLLEGE HISTORY DEPARTMENT A Turf of Their Own The Experiments and Contradictions of 1960s Utopianism David Ivy-Taylor 4/22/2011 Submitted to James Krippner in partial fulfillment of History 400: Senior Thesis Seminar Table of Contents Abstract 3 Acknowledgements 4 INTRODUCTION 5 Historical Problem 5 Historical Background 7 Sources 14 AN AQUARIAN EXPOSITION 16 The Event 16 The Myth 21 Historical Significance 25 DISASTER AT ALTAMONT .31 The Event 31 Media Coverage 36 Historical Significance 38 PEOPLE'S PARK: "A TURF OF THEIR OWN" 40 The Event 40 Media Coverage 50 Historical Significance 51 THE SAN FRANCISCO DIGGERS, COMMUNES, AND THE HUMAN BE-IN 52 Communes 52 The Diggers 54 San Francisco 55 CONCLUSIONS 59 BIBLIOGRAPHY 61 2 ABSTRACT After WWII, the world had to adjust to new technologies, new scientific concepts, new political realities, and new social standards. While America was economically wealthy after the war, it still had to deal with extremely difficult social and cultural challenges. Due to these new aspects of life, there were increasing differences in both the interests and values of children and their parents, what we have learned to call the "generation gap". The "generational gap" between the youth culture and their parents meant a polarizing society, each hating and completely misunderstanding the other.. This eventually resulted in a highly political youth culture that was laterally opposed to the government. Through isolation, the counterculture began to develop new philosophies and new ways of thinking, and a huge part of that philosophy was the pursuit of a "Good Society", a utopian dream for world peace.
    [Show full text]
  • Midwives and Madonnas: Motherhood and Citizenship in the American Counterculture Kristen Amelia Blankenbaker Purdue University
    Purdue University Purdue e-Pubs Open Access Theses Theses and Dissertations Spring 2015 Midwives and Madonnas: Motherhood and citizenship in the American counterculture Kristen Amelia Blankenbaker Purdue University Follow this and additional works at: https://docs.lib.purdue.edu/open_access_theses Part of the History Commons, and the Women's Studies Commons Recommended Citation Blankenbaker, Kristen Amelia, "Midwives and Madonnas: Motherhood and citizenship in the American counterculture" (2015). Open Access Theses. 554. https://docs.lib.purdue.edu/open_access_theses/554 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Graduate School Form 30 Updated 1/15/2015 PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance This is to certify that the thesis/dissertation prepared By Kristen A. Blankenbaker Entitled Midwives and Madonnas: Motherhood and Citizenship in the American Counterculture For the degree of Master of Arts Is approved by the final examining committee: Nancy Gabin Chair Kathryn Brownell Wendy Kline To the best of my knowledge and as understood by the student in the Thesis/Dissertation Agreement, Publication Delay, and Certification Disclaimer (Graduate School Form 32), this thesis/dissertation adheres to the provisions of Purdue University’s “Policy of Integrity in Research” and the use of copyright material. Approved by Major Professor(s): Nancy Gabin Approved by: John Larson 4/20/2015 Head of the Departmental Graduate Program Date i MIDWIVES AND MADONNAS: MOTHERHOOD AND CITIZENSHIP IN THE AMERICAN COUNTERCULTURE A Thesis Submitted to the Faculty of Purdue University by Kristen A. Blankenbaker In Partial Fulfillment of the Requirements for the Degree of Master of Arts i May 2015 Purdue University West Lafayette, Indiana ii To my very own Mother, who taught me to persevere and believe in the power of my voice ii iii ACKNOWLEDGEMENTS This project is truly a testament to the power of collaboration and coincidence.
    [Show full text]
  • The Sixties Counterculture and Public Space, 1964--1967
    University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • Chapter Six: Activist Agendas and Visions After Stonewall (1969-1973)
    Chapter Six: Activist Agendas and Visions after Stonewall (1969-1973) Documents 103-108: Gay Liberation Manifestos, 1969-1970 The documents reprinted in The Stonewall Riots are “Gay Revolution Comes Out,” Rat, 12 Aug. 1969, 7; North American Conference of Homophile Organizations Committee on Youth, “A Radical Manifesto—The Homophile Movement Must Be Radicalized!” 28 Aug. 1969, reprinted in Stephen Donaldson, “Student Homophile League News,” Gay Power (1.2), c. Sep. 1969, 16, 19-20; Preamble, Gay Activists Alliance Constitution, 21 Dec. 1969, Gay Activists Alliance Records, Box 18, Folder 2, New York Public Library; Carl Wittman, “Refugees from Amerika: A Gay Manifesto,” San Francisco Free Press, 22 Dec. 1969, 3-5; Martha Shelley, “Gay is Good,” Rat, 24 Feb. 1970, 11; Steve Kuromiya, “Come Out, Wherever You Are! Come Out,” Philadelphia Free Press, 27 July 1970, 6-7. For related early sources on gay liberation agendas and philosophies in New York, see “Come Out for Freedom,” Come Out!, 14 Nov. 1969, 1; Bob Fontanella, “Sexuality and the American Male,” Come Out!, 14 Nov. 1969, 15; Lois Hart, “Community Center,” Come Out!, 14 Nov. 1969, 15; Leo Louis Martello, “A Positive Image for the Homosexual,” Come Out!, 14 Nov. 1969, 16; “An Interview with New York City Liberationists,” San Francisco Free Press, 7 Dec. 1969, 5; Bob Martin, “Radicalism and Homosexuality,” Come Out!, 10 Jan. 1970, 4; Allan Warshawsky and Ellen Bedoz, “G.L.F. and the Movement,” Come Out!,” 10 Jan. 1970, 4-5; Red Butterfly, “Red Butterfly,” Come Out!, 10 Jan. 1970, 4-5; Bob Kohler, “Where Have All the Flowers Gone,” Come Out!, 10 Jan.
    [Show full text]
  • Radical Action and a National Antiwar Movement: the Vietnam Day Committee
    Western Illinois Historical Review © 2012 Vol. IV, Spring 2012 ISSN 2153-1714 Radical Action and a National Antiwar Movement: The Vietnam Day Committee By Michael Lowe1 In August 1965, a few hundred demonstrators marched from the University of California, Berkeley campus to a provocative, dangerous antiwar demonstration. Flanked by policemen and flash bulbs, demonstrators stood on a Berkeley train track, carrying signs and chanting. A train carrying troops bound for the Oakland Army Terminal headed straight for them. Suspenseful seconds passed while many stayed put. The train let out an immense rush of steam, confusing demonstrators as a shrill, piercing conductor’s whistle rendered everything else chaotic but silent. One woman was pulled from the tracks moments before a collision, but other activists scrambling to escape the train’s path could not see through clouds of steam; the train to Oakland soon advanced forward, carrying troops closer to war. Throughout most of 1965 and the early months of 1966, Berkeley’s Vietnam Day Committee (VDC), an early antiwar organization which sought to build a nationwide consensus against the war, held rallies and supported the quick withdrawal of U.S. military forces in Vietnam. The group formed on the University of California, Berkeley campus while the Free Speech Movement (FSM) trials were reaching their conclusions; the VDC gained a great deal of attention among the general public and respect among the growing minority of antiwar students because of its connections with the FSM, which had recently achieved victories for student rights 1 Michael Lowe completed his research under the mentorship of Dr.
    [Show full text]
  • Music, Culture, and the Rise and Fall of the Haight Ashbury Counterculture
    Zaroff 1 A Moment in the Sun: Music, Culture, and the Rise and Fall of the Haight Ashbury Counterculture Samuel Zaroff Honors Thesis Submitted to the Department of History, Georgetown University Advisor: Professor Maurice Jackson Honors Program Chairs: Professor Katherine Benton-Cohen and Professor Alison Games 6 May 2019 Zaroff 2 Table of Contents Introduction 4 Historiography 8 Chapter I: Defining the Counterculture 15 Protesting Without Protest 20 ​ Cultural Exoticism in the Haight 24 ​ Chapter II: The Music of the Haight Ashbury 43 Musical Exoticism: Jefferson Airplane’s “White Rabbit” 44 ​ Assimilating African American Musical Culture: Big Brother and the Holding Company’s “Summertime” 48 ​ Music, Drugs, and Hendrix: “Purple Haze” 52 ​ Protesting Vietnam: Country Joe and the Fish’s “I-Feel-Like-I’m Fixin’-to-Die-Rag” 59 ​ Folk, Nature, and the Grateful Dead: “Morning Dew” and the Irony of Technology 62 ​ Chapter III: The End of the Counterculture 67 Overpopulation 67 ​ Commercialization 72 ​ Hard Drugs 74 ​ Death of the Hippie Ceremony 76 ​ “I Know You Rider”: Music of the End of the Counterculture 80 ​ Violence: The Altamont Speedway Free Festival 85 ​ Conclusion 90 Appendix 92 Bibliography 94 Zaroff 3 Acknowledgements Thank you, Professor Benton-Cohen and Professor Jackson, for your guidance on this thesis. Thank you, Mom, Dad, Leo, Eliza, Roxanne, Daniela, Ruby, and Boo for supporting me throughout. Lastly, thank you Antine and Uncle Rich for your wisdom and music. I give permission to Lauinger Library to make this thesis available to the public. Zaroff 4 Introduction From 1964 to 1967, the Haight Ashbury district of San Francisco experienced one of the most significant and short-lived cultural moments of twentieth century America.
    [Show full text]
  • Freeing Voices of Dissent in the Underground Newspaper Collection
    Laurie Charnigo Prisoners of Microfilm Freeing Voices of Dissent in the Underground Newspaper Collection “We are a people, and a people must have their own voice, and that voice is the underground press.”1 - Thomas King Forcade 1. Bad juju I put the finishing touch on the display case in the lobby of our library, a sign in bold newsprint: “Come Explore the UPS Underground Newspaper 41 Collection (1963-1975)!” Stepping back to admire my creation, I almost had to brace myself against the dizzying psychedelic collage of graphics. This display screamed not only “Look at me!” but “Damn! I’m cool!” And oh how cool it was covered with photos, comics, and covers from a wide range of colorful Vietnam-era ‘underground’ newspapers. The bright art of Black Panther’s Emory Douglas shouted “Power to the People!” Psychedelic covers of the San Francisco Oracle flashed Vedic Motifs, bearded gurus, and hookah- smoking shamans. Gilbert Sheldon’s Fabulous Furry Freak Brothers and Trina Robbins’ feminist superheroes playfully danced throughout the display. There were photos of protesters marching for civil rights, gay rights, women’s rights, and in opposition to the war in Vietnam. There were raised fists of solidarity, peace signs, concert posters, a real lava lamp (which I hoped wouldn’t burn the library down), and covers of the Berkeley Barb, Avatar, the Los Angeles Free Press, and many others. Books about the Vietnam-era underground press were featured prominently throughout the display, such as Ken Wachsberger’s extensive Voices from the Underground series and John McMillian’s Smoking Typewriters: The Sixties Underground Press and the Rise of Alternative Media Laurie Charnigo is education librarian at Jacksonsville State University in Alabama.
    [Show full text]
  • The 6Os Communes Messianic Communities) Bus at Bellows Falls) Vermont
    The 6os Communes Messianic Communities) bus at Bellows Falls) Vermont. Photograph by Timothy Miller. TIMOTHY MILLER The 60s Communes Hippies and Beyond Syracuse UniversityPress Copyright © 1999 by Syracuse UniversityPress, Syracuse, New York 13244-5160 AllRights Reserved First Edition 1999 02 03 04 05 06 6 5 4 3 2 The paper used in this publication meets the minimum requirements of American National Standard forInformation Sciences-Permanence of Paper for Printed Library Materials, ANS I z39.48-1984.@ LIBRARY OF CONGRESS CATALOG ING -IN-PUBLICATI ON DATA Miller, Timothy, 1944- The 6os communes : hippies and beyond/ Timothy Miller. p. cm. Includes bibliographical references and index. ISBN 0-8156-2811-0 (cloth: alk. paper) ISBN 0-8156-0601-x (pbk.: alk. paper) I. Communal living-United States. 2. United States-Social conditions- 1960-1980. I. Title. II. Title: Sixties communes. III. Title: Hippies and beyond. HQ97I.M55 1999 307.77'4'0973-dc21 99-37768 Manufactured in the United States of America For Michael) Gretchen) andJeffre y TIMOTHY MILLER is professor of religious studies at the University of Kansas. Among his previous publica­ tions is The Quest forUt opia in Twentieth-CenturyAm erica: 1900-1960) the first of three volumes on communal life to be published by Syracuse UniversityPress. Contents Acknowledgments IX Introduction xm I. Set and Setting: The Roots of the 196os-Era Communes I 2. The New Communes Emerge: 1960-1965 17 3. Communes Begin to Spread: 1965-1967 41 4. Out of the Haight and Back to the Land: Countercultural Communes after the Summer of Love 67 5. Searching for a Common Center: Religious and Spiritual Communes 92 6.
    [Show full text]
  • The New Left and the Occupation of Alcatraz
    James Blair Historical Review Volume 9 Issue 2 Article 5 2019 A Failed Vision of Brotherhood: The New Left and the Occupation of Alcatraz Yutong Zhan [email protected] Follow this and additional works at: https://scholarworks.wm.edu/jbhr Part of the Political History Commons, Social History Commons, and the United States History Commons Recommended Citation Zhan, Yutong (2019) "A Failed Vision of Brotherhood: The New Left and the Occupation of Alcatraz," James Blair Historical Review: Vol. 9 : Iss. 2 , Article 5. Available at: https://scholarworks.wm.edu/jbhr/vol9/iss2/5 This Article is brought to you for free and open access by the Journals at W&M ScholarWorks. It has been accepted for inclusion in James Blair Historical Review by an authorized editor of W&M ScholarWorks. For more information, please contact [email protected]. A Failed Vision of Brotherhood: The New Left and the Occupation of Alcatraz Cover Page Footnote I would like to thank Professor Lisa McGirr of Harvard History Department for her immense help for this research. I would also like to thank Aaron Bekemeyer for his comments on the writing. This article is available in James Blair Historical Review: https://scholarworks.wm.edu/jbhr/vol9/iss2/5 Zhan: The New Left and the Occupation of Alcatraz A Failed Vision of Brotherhood: The New Left and the Occupation of Alcatraz Yutong Zhan “The passage of America through the ‘60s seems in close retrospect too frantic and troubled,” the editor of the Life magazine wrote at the beginning of the 1970s, “but out of travail other times have yielded a good world.”1 The editor’s words captured the sense of turbulence as well as hope that contemporaries associated with the Sixties.
    [Show full text]
  • Alan Copeland Photograph Archive
    http://oac.cdlib.org/findaid/ark:/13030/c8db87cj No online items Finding Aid to the Alan Copeland Photograph Archive Bancroft Library Staff The Bancroft Library 2018 The Bancroft Library University of California Berkeley, CA 94720-6000 [email protected] URL: http://www.lib.berkeley.edu/libraries/bancroft-library Finding Aid to the Alan Copeland BANC PIC 2017.041 1 Photograph Archive Language of Material: English Contributing Institution: The Bancroft Library Title: Alan Copeland photograph archive Creator: Copeland, Alan Identifier/Call Number: BANC PIC 2017.041 Physical Description: approximately 23,000 photographs in 13 boxes : black and white negatives, color transparencies and gelatin silver prints; various sizes and formats Date (inclusive): approximately 1968-1989, bulk 1968-1973 Abstract: Journalistic photographs of events and other newsworthy topics in Berkeley, Oakland, San Francisco and other locations in the Bay Area, California and beyond, taken chiefly in the late 1960s and early 1970s. Physical Location: Many Bancroft Library collections are stored offsite and advance notice may be required for use. For current information on the location of these materials, please consult the library's online catalog. Conditions Governing Access Collection is open for research. Negatives and slides available by appointment only. MOCK-UP VOLUME (fALB box 1): RESTRICTED DUE TO FRAGILITY. Requests for use of original must be approved by the appropriate curator. Optionally, see Bancroft Library copy of related publication, shelved as pfF869.B5 P43. Conditions Governing Use Some materials in these collections may be protected by the U.S. Copyright Law (Title 17, U.S.C.). Copyright for material created by Alan Copeland has been assigned to the University of California Regents, managed by The Bancroft Library.
    [Show full text]
  • (IUH) Was a Nationally Publicized Living Laboratory That Remodeled Marginal Housing Stock to Prefigure the Urban Commune of a Future Ecotopia
    Design Radicals Lee Stickells The Integral Urban House Berkeley’s Integral Urban House (IUH) was a nationally publicized living laboratory that remodeled marginal housing stock to prefigure the urban commune of a future ecotopia. Belying its staid Victorian exterior, the house embodied a revolutionary transformation of urban life. Solar energy collectors, a windmill built of recycled oil drums, and biosystems including a composting toilet, fruit trees and raised vegetable beds, a greenhouse, an aquaculture pond, beehives, and pens for rabbits and chickens echoed the functional network of broader ecological systems. Operating from 1975 to 1984, the IUH and its reimagined domestic practices demonstrated a radical alternative to North America’s consumerist suburban housing. It also offered a substitute for the period’s back-to-the-land pastoralism: a counter-project that melded an everyday countercultural environmentalism with ecological design experimentation—yielding a new urban subjectivity of lived ecology. While its architecture appeared ordinary, and the project was largely ignored by professional design journals, the IUH held an important place within a Bay Area countercultural design milieu committed to exploring how ecological relationships and practices could be performed differently. Far from retreating from pressing socio-economic and political issues, its exploration of domestic infrastructural self-reliance became a platform for collective action. In doing so it upended the conventional use of model houses as templates for suburban mass consumerism, instead emphasizing architecture’s role in scaffolding radically collective domesticity, right livelihood and an emerging bioregionalism. [FIGURE X. View of the IUH?] The Farallones Institute The IUH was a tool for revolutionizing the way Americans lived, borne of a series of shared meals at a Chinese restaurant in Berkeley.
    [Show full text]
  • Counterculture of 1960-S and «Underground Press» in the Usa
    Propósitos y Representaciones Mar. 2021, Vol. 9, SPE(2), e999 ISSN 2307-7999 Special Number: Professional competencies for international university education e-ISSN 2310-4635 http://dx.doi.org/10.20511/pyr2021.v9nSPE2.999 RESEARCH NOTES Counterculture Of 1960-S and «Underground Press» in the Usa Contracultura de 1960-S y «Underground Press» en Estados Unidos Oleg Vyacheslavovich Bodrov Candidate of Historical Sciences, Associate Professor, Department of Regional Studies and Eurasian Studies, Institute of International Relations, Kazan Federal University ORCID ID: https://orcid.org/0000-0002-8394-7210 Almaz Vasilovich Zakirov Candidate of Historical Sciences, Senior Lecturer, Department of Regional Studies and Eurasian Studies, Institute of International Relations, Kazan Federal University ORCID ID: https://orcid.org/0000-0003-4562-897X Luiza Kajumovna Karimova Candidate of Historical Sciences, Associate Professor, Department of Regional Studies and Eurasian Studies, Institute of International Relations, Kazan Federal University ORCID ID: https://orcid.org/0000-0002-0353-8493 Anna Andreevna Kirpichnikova PhD in Philology, senior lecturer, Department of Foreign Languages, Institute of International Relations, Kazan Federal University ORCID ID: https://orcid.org/0000-0003-4261-8004 Received 09-08-20 Revised 10-10-20 Accepted 20-12-21 On line 02-16-21 * Correspondence Citation: Oleg Vyacheslavovich Bodrov, Almaz Vasilovich Zakirov, Luiza Email: [email protected] Kajumovna Karimova, Anna Andreevna Kirpichnikova. (2021). Counterculture Of 1960-S and «Underground Press» in the Usa. Propósitos y Representaciones, 9(SPE2), e999. doi: http://dx.doi.org/10.20511/pyr2021.v9nSPE2.999 © Universidad San Ignacio de Loyola, Vicerrectorado de Investigación, 2021. This article is distributed under license CC BY-NC-ND 4.0 International (http://creativecommons.org/licenses/by-nc-nd/4.0/).
    [Show full text]