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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Tese De Charles Ponte
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM CHARLES ALBUQUERQUE PONTE INDÚSTRIA CULTURAL, REPETIÇÃO E TOTALIZAÇÃO NA TRILOGIA PÂNICO Tese apresentada ao Instituto de Estudos da Linguagem, da Universidade Estadual de Campinas, para obtenção do Título de Doutor em Teoria e História Literária, na área de concentração de Literatura e Outras Produções Culturais. Orientador: Prof. Dr. Fabio Akcelrud Durão CAMPINAS 2011 i FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Ponte, Charles, 1976- P777i Indústria cultural, repetição e totalização na trilogia Pânico / Charles Albuquerque Ponte. -- Campinas, SP : [s.n.], 2011. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Craven, Wes. Pânico - Crítica e interpretação. 2. Indústria cultural. 3. Repetição no cinema. 4. Filmes de horror. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Culture industry, repetition and totalization in the Scream trilogy. Palavras-chave em inglês: Craven, Wes. Scream - Criticism and interpretation Culture industry Repetition in motion pictures Horror films Área de concentração: Literatura e Outras Produções Culturais. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Lourdes Bernardes Gonçalves Marcio Renato Pinheiro -
Bolton's Budget Talks Collapse
J u N anrbpBtpr Hrralb Newsstand Price: 35 Cents Weekend Edition, Saturday, June 23,1990 Manchester — A City of Village Charm Bolton’s budget talks collapse TNT, CASE fail to come to terms.. .page 4 O \ 5 - n II ' 4 ^ n ^ H 5 Iran death S i z m toll tops O "D 36,1 Q -n m rn w State group S o sends aid..page 2 s > > I - 3 3 CO 3 3 > > H ■ u ^ / Gas rate hike requested; 9.8 percent > 1 4 MONTH*MOK Coventry will be Judy Hartling/Manchealsr Herald BUBBLING AND STRUGGLING — Gynamarie Dionne, age 4, tries for a drink from the affected.. .page 8 fountain at Manchester’s Center F*ark. Her father, Scott, is in the background. Moments later, he gave her a lift. ,...___ 1 9 9 0 J u p ' ^ ‘Robin HUD .■ '• r ■4 given stiff (y* ■ • i r r ■ prison term 1 . I* By Alex Dominguez The Associated Press BALTIMORE “Robin HUD,” the former real estate agent who claimed she stole about $6 million from HUD to help the poor, was sentenced Friday to the maximum prison term of nearly four years. t The Associated Press U.S. District Judge Herbert Murray issued the 46- month sentence at the request of the agent, Marilyn Har rell, who federal officials said stole more from the government than any individual. “I will ask you for the maximum term because I DEATH AND SURVIVAL — A father, above, deserve it,” Harrell told the judge. “I have never said what I did was right. -
Dena Derose, Vocals and Piano Martin Wind, Bass • Matt Wilson, Drums with Sheila Jordan, Vocal • Jeremy Pelt, Trumpet Houston Person, Tenor Saxophone
19 juin, 2020. June 19, 2020. MAN MAN DREAM HUNTING IN THE VALLEY OF THE IN-BETWEEN CD / 2XLP / CS / DIGITAL SP 1350 RELEASE DATE: MAY IST, 2020 TRACKLISTING: 1. Dreamers 2. Cloud Nein 3. On the Mend 4. Lonely Beuys 5. Future Peg 6. Goat 7. Inner Iggy 8. Hunters 9. Oyster Point 10. The Prettiest Song in the World 11. Animal Attraction 12. Sheela 13. Unsweet Meat 14. Swan 15. Powder My Wig 16. If Only 17. In the Valley of the In-Between GENRE: Alternative Rock Honus Honus (aka Ryan Kattner) has devoted his career to exploring the uncertainty between life’s extremes, beauty, and ugliness, order and chaos. The songs on Dream Hunting in the Valley of the In-Between, Man Man’s first album in over six years and their Sub Pop debut, are as intimate, soulful, and timeless as they are audaciously inventive and daring, resulting in his best Man Man album to date. 0 9 8 7 8 7 1 3 5 0 2 209 8 7 8 7 1 3 5 0 1 5 CD Packaging: Digipack 2xLP Packaging: Gatefold jacket w/ custom The 17-track effort, featuring “Cloud Nein,” “Future Peg,” “On the with poster insert dust sleeves and etching on side D Includes mp3 coupon Mend” “Sheela,” and “Animal Attraction,” was produced by Cyrus NON-RETURNABLE Ghahremani, mixed by S. Husky Höskulds (Norah Jones, Tom Waits, Mike Patton, Solomon Burke, Bettye LaVette, Allen Toussaint), and mastered by Dave Cooley (Blood Orange, M83, DIIV, Paramore, Snail Mail, clipping). Dream Hunting...also includes guest vocals from Steady Holiday’s Dre Babinski on “Future Peg” and “If Only,” and Rebecca Black (singer of the viral pop hit, “Friday”) on “On The Mend” and “Lonely Beuys.” The album follows the release of “Beached” and “Witch,“ Man Man’s contributions to Vol. -
Universidade Do Rio De Janeiro Centro De Letras E Artes Instituto Villa-Lobos Licenciatura Plena Com Habilitação Em Música
UNIVERSIDADE DO RIO DE JANEIRO CENTRO DE LETRAS E ARTES INSTITUTO VILLA-LOBOS LICENCIATURA PLENA COM HABILITAÇÃO EM MÚSICA CONVERGÊNCIA ENTRE A MUSICA POPULAR BRASILEIRA E A MUSICA ELETRÔNICA: UM PANORAMA NA VIRADA DO MILÊNIO JOÃO MARCELO LANZILLOTTI DA SILVA Rio de Janeiro, 2005 CONVERGÊNCIA ENTRE A MUSICA POPULAR BRASILEIRA E A MUSICA ELETRÔNICA: UM PANORAMA NA VIRADA DO MILÊNIO por JOÃO MARCELO LANZILLOTTI DA SILVA Monografia apresentada para conclusão do Curso de Licenciatura Plena em Educação Artística - Habilitação em Música do Instituto Villa-Lobos, Centro de Letras e Artes da UNIRIO, sob a orientação do Professor Silvio Merhy. Rio de Janeiro, 2005 SUMÁRIO Introdução 5 Capítulo I - TECNOLOGIA E SEUS ASPECTOS SOCIAIS 9 1. Historiados Djs 11 2. Novos equipamentos 14 Capítulo II - IMPORTANTES PONTOS DE CONVERGÊNCIA ENTRE A MÚSICA BRASILERIA E A MÚSICA ELETRÔNICA 23 1. Instrumentistas 1.1 Marcos Valle 24 1.2 Max de Castro 30 1.3 BossaCucaNova 31 2. Breve histórico de alguns Djs que fazem o Brazilian Drum 'n 'Bass 2.1 Patife 33 2.2Marky 33 2.3 Ramilson Maia 34 2.4 Bruno E 34 2.5 Xerxes 34 2.6MadZoo 35 2.7 Marcelinho da Lua. .35 3. Criação do Drum 'n'Bass 35 4. A cena eletrônica que originou o Brazilian Drum n'Bass 38 5. Reflexões 42 6. Análise Musical 44 3 Capítulo III - A NOVA PRODUÇÃO MUSICAL: COMO CADA UM FAZ SUAS PRODUÇÕES 47 1. Bossacucanova 48 2.Negralha 51 3. Patife 51 4. Marky 53 5. Lúcio K 53 6. Xerxes 55 7. Madzoo 56 8. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
MUSIQUES DU MONDE Afrique
MUS MUSIQUES DU MONDE COMPILATION Urgent jumpin 013.2 Sterns Africa A. URG Cette sélection de 23 titres Afrique enregistrés en Afrique de l’Est entre 1972 et 1982 est aujourd’hui disponible sur un double album. Elle a été sélectionnée par John MUS Armstrong, l’un premier DJ Grèn SEME londonien à jouer régulièrement des musiques 011.2 Hors sol africaines et latines. Elle se compose de titres rares Washi Washa GRE mais aussi de classiques faisant partie de l’arsenal de la liste grandissante des DJ jouant de la musique A la Réunion, Grèn Sémé ne africaine. Certains des titres présents sur cet album cultive pas hors-sol : venu du ont même traversé l’Atlantique et sont aujourd’hui maloya (la musique endémique joué sur des sound-systems et au carnaval de de l’île), le chanteur en défend Colombie. une version contemporaine, ouverte sur l’électricité et les arrangements électroniques. MUS GIRMA BEYENE & AKALE WUBE Ethiopiques 30 : 013.2 BEY TANGA MUS Mistakes on purpose 011.2 Buda Madagascar : TAN Girma Bèyènè est une véritable le trésor des ancêtres Buda légende de la musique éthiopienne. près 25 ans de Dans les Hautes -Terres de silence, la légende Girma Bèyènè Madagascar, une famille de est de retour au côté d’un des paysans combine agriculture, plus grands groupes éthio Akalé chant et danse avec un profond Wubé. De la musique sens de l’harmonie, qu’elle soit traditionnelle à l'éthio-jazz, du Krar au Begena, la musicale, écologique ou sociale. musique éthiopienne dessine une longue histoire, que Le groupe Tanga, est un bel nous parcourons sur ce cd avec le grand musicien exemple de continuité entre tradition et évolution. -
Sesiune Speciala Intermediara De Repartitie - August 2018 DACIN SARA Aferenta Difuzarilor Din Perioada 01.04.2008 - 31.03.2009
Sesiune speciala intermediara de repartitie - August 2018 DACIN SARA aferenta difuzarilor din perioada 01.04.2008 - 31.03.2009 TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 S13 S14 S15 A1 A2 3:00 a.m. 3 A.M. 2001 US Lee Davis Lee Davis 04:30 04:30 2005 SG Royston Tan Royston Tan Liam Yeo 11:14 11:14 2003 US/CA Greg Marcks Greg Marcks 1941 1941 1979 US Steven Bob Gale Robert Zemeckis (Trecut, prezent, viitor) (Past Present Future) Imperfect Imperfect 2004 GB Roger Thorp Guy de Beaujeu 007: Viitorul e in mainile lui - Roger Bruce Feirstein - 007 si Imperiul zilei de maine Tomorrow Never Dies 1997 GB/US Spottiswoode ALCS 10 produse sau mai putin 10 Items or Less 2006 US Brad Silberling Brad Silberling 10.5 pe scara Richter I - Cutremurul I 10.5 I 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5 pe scara Richter II - Cutremurul II 10.5 II 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 100 milioane i.Hr / Jurassic in L.A. 100 Million BC 2008 US Griff Furst Paul Bales 101 Dalmatians - One Hamilton Luske - Hundred and One Hamilton S. Wolfgang Bill Peet - William 101 dalmatieni Dalmatians 1961 US Clyde Geronimi Luske Reitherman Peed EG/FR/ GB/IR/J Alejandro Claude Marie-Jose 11 povesti pentru 11 P/MX/ Gonzalez Amos Gitai - Lelouch - Danis Tanovic - Alejandro Gonzalez Amos Gitai - Claude Lelouch Danis Tanovic - Sanselme - Paul Laverty - Samira septembrie 11'09''01 - September 11 2002 US Inarritu Mira Nair SACD SACD SACD/ALCS Ken Loach Sean Penn - ALCS -
Wagner Tiso & Som Imaginário
WAGNER TISO & SOM IMAGINÁRIO Release WAGNER TISO & SOM IMAGINÁRIO Em 1970 o produtor musical José Mindlen, propos a Milton Nascimento, então já conhecido pelos Festivais de Musica, que mudasse o seu estilo bossanovista de banquinho e violão e fizesse algo mais ousado. Teve a idéia de montar uma banda para acompanhá-lo numa temporada de shows no extinto Teatro Opinião em Copacabana. Para isso convidou Wagner Tiso (piano), Luis Alves (contrabaixo) e Robertinho Silva (bateria), que já tocavam juntos na noite do Rio, e, a estes três, juntou José Rodrigues Trindade (Zé Rodrix), Luis Otávio de Melo Carvalho (Tavito) e Laudir Soares de Oliveira (percussão). Estava formado o grupo que acompanharia Milton Nascimento. A musica do Som Imaginário era uma mistura de blues, jazz, rock progressivo, musica erudita e Beatles pós 66, dadas as influências de cada membro do grupo. O grupo gravou tres lps próprios e filmaram o curta A Nova Estrela de José Adler. Gravaram, e foram a banda de apoio de Gal Costa na turne do disco India em 1971. Participaram também da gravação dos lps Milagre dos Peixes em estúdio e ao vivo de Milton Nascimento em 1973 e 1974 respectivamente, tendo a turne o mesmo nome. MPB4, Marcos Valle, Taiguara, Simone, Odair Jose, Carlinhos Vergueiro e Sueli Costa, foram os artistas que tiveram nos seus discos a participação do grupo. Passaram pelo Som Imaginário nas suas diversas formações, os musicos Fredera, Toninho Horta, Nivaldo Ornelas, Paulo Braga, Naná Vasconcelos, Novelli, Jamil Joanes, Ricardo Silveira e Mauro Senise. Em 1975 a banda se desfaz, retornando em 2012 com a sua formção original, sem Zé Rodrix falecido em 2009, para tres show no SESC Belenzinho em São Paulo. -
Tag Sale Sign
.-.rf - » - > ■> » M - MANCHESTER HERALD. Friday. May 16. 1966 S P O K 1 S TAG SALE SIGN Mariners handle A borrow show Are things piling up? Then why not hsve s TAG SALE? Yankees easily at the Parkade The host way to announce it is with a Heraid Tag Sate ... page 11 ... m a g a z in e in s id e Ctasstfted Ad. When you ptace your ad, you'tt receive ONE TAG SALE SIGN FREE, compliments of The Herald. STOP IN AT OUR OFFICE, 1 HERALD SQUARE. MANCHESTER KIT *N’ CARLYLE ®by Larry Wright MUSICAL H rralh ITEMS TA6 SALES mulmtnManchpsler - A City o( U illap Charm For Solo Sterling Upright CANIW^AWNTI i w Plano. Asking $150. Coll between 5:30 and 9:30pm CxO cusm VOOP- at 643-1095. __________ Tag Sole-Saturdoy May HTT6R. W. Saturday, May 17,1986 25 Cents 17th, 10-4, 97 Bridge St., 4^^ IPETSANO (Off Wetherall St.) Man m ic M U IG A lE chester. Rain or Shine. SUPPUES Expgrianoad adult wHI do Oumoe Hoctrte->~«tavlnf Oallyerlng^cieah^faf^ )SA Electrical Rrohlems? lodm;jiyardb«75glutlaK. ,1m Manchester High School full and port tima summar D eath Good Homes needed 2 bobyslttlna. maoit and Need g.loriBa or oi sjmdl Mock & white kittens, 6 Tog Sole. May 17, 9om- RegeIrT wg Sgoetiwai in School bomb snacks providod. Roaso* weeks, very friendly, 3pm. Spaces available. ncdila rates, coll 647-70S1, Rosidarttlat W o ^ dasaptl III iiMiaWiFiisipirn ....nail .... ' ;F****iipw trolned 447-9357. Coll 647-9504 or 643-0319. Dumas. Fully Lfeansed. -
AFI PREVIEW Is Published by the Age 46
ISSUE 72 AFI SILVER THEATRE AND CULTURAL CENTER AFI.com/Silver JULY 2–SEPTEMBER 16, 2015 ‘90s Cinema Now Best of the ‘80s Ingrid Bergman Centennial Tell It Like It Is: Black Independents in New York Tell It Like It Is: Contents Black Independents in New York, 1968–1986 Tell It Like It Is: Black Independents in New York, 1968–1986 ........................2 July 4–September 5 Keepin’ It Real: ‘90s Cinema Now ............4 In early 1968, William Greaves began shooting in Central Park, and the resulting film, SYMBIOPSYCHOTAXIPLASM: TAKE ONE, came to be considered one of the major works of American independent cinema. Later that year, following Ingrid Bergman Centennial .......................9 a staff strike, WNET’s newly created program BLACK JOURNAL (with Greaves as executive producer) was established “under black editorial control,” becoming the first nationally syndicated newsmagazine of its kind, and home base for a Best of Totally Awesome: new generation of filmmakers redefining documentary. 1968 also marked the production of the first Hollywood studio film Great Films of the 1980s .....................13 directed by an African American, Gordon Park’s THE LEARNING TREE. Shortly thereafter, actor/playwright/screenwriter/ novelist Bill Gunn directed the studio-backed STOP, which remains unreleased by Warner Bros. to this day. Gunn, rejected Bugs Bunny 75th Anniversary ...............14 by the industry that had courted him, then directed the independent classic GANJA AND HESS, ushering in a new type of horror film — which Ishmael Reed called “what might be the country’s most intellectual and sophisticated horror films.” Calendar ............................................15 This survey is comprised of key films produced between 1968 and 1986, when Spike Lee’s first feature, the independently Special Engagements ............12-14, 16 produced SHE’S GOTTA HAVE IT, was released theatrically — and followed by a new era of studio filmmaking by black directors. -
Contemporary Carioca: Technologies of Mixing in A
Con tempo C o n t e m p o r a r y raryC a r i o c a Cari oca ontemporary CCarioca Technologies of Mixing in a Brazilian Music Scene Frederick Moehn Duke University Press Durham anD LonDon 2012 © 2012 Duke University Press All rights reserved. Printed in the United States of America on acid-free paper ♾ Designed by Kristina Kachele Typeset in Quadraat and Ostrich Sans by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. Duke University Press gratefully acknowledges the support of Stony Brook University, which provided funds toward the publication of this book. For Brazil’s musical alchemists ontents Illustrations ix C Preface xi Acknowledgments xxiii Introduction 1 1 Marcos Suzano: A Carioca Blade Runner 25 2 Lenine: Pernambuco Speaking to the World 55 3 Pedro Luís and The Wall: Tupy Astronauts 92 4 Fernanda Abreu: Garota Carioca 130 5 Paulinho Moska: Difference and Repetition 167 6 On Cannibals and Chameleons 204 Appendix 1: About the Interviews, with a List of Interviews Cited 211 Appendix 2: Introductory Aspects of Marcos Suzano’s Pandeiro Method 215 Notes 219 References 245 Discography 267 Index 269 llustrations Map of Rio de Janeiro with inset of the South Zone 6 1 “mpb: Engajamento ou alienação?” debate invitation xii 2 Marcos Suzano’s favorite pandeiro (underside) 29 I 3 Marcos Suzano demonstrating his pandeiro and electronic foot pedal effects setup 34 4 A common basic samba pattern on pandeiro 48 5 One of Marcos Suzano’s pandeiro patterns 49 6 Marcos