Quay Brothers
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Boise, Idaho, a Moderately Priced Home, As Chick House, Etc
SUNDAY - 1 . 1 .Afl-'USi-JJ— ■ FOR BALI N bws r o R J M S :‘T « > — ;— *--------»--------------------------------- ■IsosHansouB Published every Sunday morning at U v M t o o k Automobil— R—I Estata Real T iflT JONES FURNITURE CO. T fa * CAPWA l 'n ^W S PUBLISHING WANTKD—Ironing to do. Call 72 6J FOR SALE—155 hampshlre ewes, age 1 Majestic range, good *75. BIG REDUCTION ON U SE D CARS— FARMERS NOTie* THIS as new. 1 to 4 years. $13 a head. Also 40 lam bs. Want to buy an automobile, truck ' 'CO, LIMITED, HIGHEST PRICES paid for furs. New 1 double barrel shot gu n $25. Phone 38-J-3. 44 acres all In hay, $8500. 2 second hand dressers. trailer or a Ford, don’t fail to see FOR SALE BY OWNER. 40 acres close In $8258. RICHARD STORY SHERIDAN York Store, 915 Main St. Trailers built to order. Ohmeral Manager 3 new Home Sewing machines brand FOR SALE—Six pigs, weight from 75 80 ucres close In, $11600. ALL KINDS of furnuiture, upholster new at $45 each. to 85 pounds, in good shape. Phone „„ ^A.Lo ALTO AUTO MARKET A convenient, 5-room bunga 157 acres bench land $47190. ADVANCE^SUBSCRIPTION ing and repair work. Prices rea 9J4. Z3rd * Falrvlew Ave. P hone 2089 low home, modern except heat, 20 acres good s tu ff $4000. sonable. J. A. Jo hnson. Phone 1026 That good Red Crown gasoline for has light, airy sleeping rooms, BA K ER & C H A P P E L L E OR HALE—1918 F ord cheap. -
Contenido Estrenos Mexicanos
Contenido estrenos mexicanos ............................................................................120 programas especiales mexicanos .................................. 122 Foro de los Pueblos Indígenas 2019 .......................................... 122 Programa Exilio Español ....................................................................... 123 introducción ...........................................................................................................4 Programa Luis Buñuel ............................................................................. 128 Presentación ............................................................................................................... 5 El Día Después ................................................................................................ 132 ¡Bienvenidos a Morelia! ................................................................................... 7 Feratum Film Festival .............................................................................. 134 Mensaje de la Secretaría de Cultura ....................................................8 ......... 10 Mensaje del Instituto Mexicano de Cinematografía funciones especiales mexicanas .......................................137 17° Festival Internacional de Cine de Morelia ............................11 programas especiales internacionales................148 ...........................................................................................................................12 jurados Programa Agnès Varda ...........................................................................148 -
First-Plymouth Congregational Church, Lincoln, Nebraska (Article Reprinted from the American Organist Dated January 1999)
Schoenstein & Co., Benicia, California First-Plymouth Congregational Church, Lincoln, Nebraska (Article reprinted from The American Organist dated January 1999) Page 1 of 8 Gallery organ. The façade mirrors the chancel façade and is also made of quarter-sawn white oak with Art Deco details. (photo: Lou Hurst) This is the fourth in a series of large instruments in our “American Romantic” style with tonal variety and dynamic range of symphonic proportions. It is also the “Magnum Opus” to date in our 121 years of organ-building. In an interesting way, this instrument both reviews that history and looks forward to the next century. Its design draws upon the great traditions of Romantic organ-building, which had taken hold at the time of our company’s founding, and incorporates them into a modern framework with the resources necessary for a multifaceted, contemporary church music program. The design is based on the conviction that the organ can and should have the same kind of expressiveness as the symphony orchestra. Given the organ’s many advantages, including pitch and dynamic range, tonal variety, and unlimited sustain, all under the control of one artist, the organ should be able to eclipse the orchestra in accompanimental versatility and musical expression. In fact, it must do so if it is to be the foundation of mainstream church music in the future. Over a period of 25 years, Jack Levick, minister of music and fine arts, has built one of the most respected music programs in the country. In addition to everything expected in a church that serves one of America’s largest Protestant congregations, First-Plymouth has a resident professional brass ensemble of ten players, and sponsors Abend-musik, Lincoln’s premier subscription concert series, which presents both well-known and seldom-heard choral works with organ and orchestra in the tradition of the great oratorio societies, and organ/orchestra solo works, as well as internationally known guest artists. -
Depaul Animation Zine #1
Conditioner // Shane Beam D i e F l u c h t / / C a r t e r B o y c e 2 0 1 6 S t u d e n t A c a d e m y A w a r d B r o n z e M e d a l 243 South Wabash Avenue Chicago, IL 60604 #1 zine a z i n e e x p l o r i n g t h e A n i m a t i o n C u l t u r e a t D e P a u l U n i v e r s i t y in Chicago R a n k e d t h e # 1 0 A n i m a t i o n M F A P r o g r a m a n d # 1 4 A n i m a t i o n P r o g r a m i n t h e U . S . b y A n i m a t i o n C a r e e r R e v i e w i n 2 0 1 8 D e P a u l h a s 1 3 f u l l - t i m e A n i m a t i o n p r o f e s s o r s , o n e o f t h e l a r g e s t f u l l - t i m e A n i m a t i o n f a c u l t i e s i n t h e U S , w i t h e x p e r t i s e i n t r a d i t i o n a l c h a r a c t e r a n i m a t i o n , 3 D , s t o r y b o a r d i n g , g a m e a r t , s t o p m o t i o n , c h r a c t e r d e s i g n , e x p e r i m e n t a l , a n d m o t i o n g r a p h i c s . -
The Quay Brothers: Choreographed Chiaroscuro, Enigmatic and Sublime Author(S): Suzanne H
The Quay Brothers: Choreographed Chiaroscuro, Enigmatic and Sublime Author(s): Suzanne H. Buchan Source: Film Quarterly, Vol. 51, No. 3 (Spring, 1998), pp. 2-15 Published by: University of California Press Stable URL: http://www.jstor.org/stable/1213598 Accessed: 04/04/2010 08:30 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=ucal. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press is collaborating with JSTOR to digitize, preserve and extend access to Film Quarterly. http://www.jstor.org The Quay Brothers Since the early 1980s, animation has received increasing attention from cinema and television pro- grammers and is gradually being in- corporated as a viable genre in film studies. -
Surrealist Sources of Eastern European Animation Film
BALTIC SCREEN MEDIA REVIEW 2013 / VOLUME 1 / ARTICLE Article Surrealist Sources of Eastern European Animation Film ÜLO PIKKOV, Estonian Academy of Arts; email: [email protected] 28 DOI: 10.1515/bsmr-2015-0003 BALTIC SCREEN MEDIA REVIEW 2013 / VOLUME 1 / ARTICLE ABSTRACT This article investigates the relationship between surreal- ism and animation fi lm, attempting to establish the char- acteristic features of surrealist animation fi lm and to deter- mine an approach for identifying them. Drawing on the interviews conducted during the research, I will also strive to chart the terrain of contemporary surrealist animation fi lm and its authors, most of who work in Eastern Europe. My principal aim is to establish why surrealism enjoyed such relevance and vitality in post-World War II Eastern Europe. I will conclude that the popularity of surrealist animation fi lm in Eastern Europe can be seen as a continu- ation of a tradition (Prague was an important centre of surrealism during the interwar period), as well as an act of protest against the socialist realist paradigm of the Soviet period. INTRODUCTION ing also in sight the spatiotemporal context Surrealism in animation fi lm has been of production. an under-researched fi eld. While several It must be established from the out- monographs have been written on authors set that there are many ways to understand whose work is related to surrealism (Jan and interpret the notion of “surrealist ani- Švankmajer, Brothers Quay, Priit Pärn, Raoul mation fi lm”. In everyday use, “surreal” often Servais and many others), no broader stud- stands for something obscure and incom- ies on the matter exist. -
A Film by the Quay Brothers
A FILM BY THE QUAY BROTHERS A ZEITGEIST FILMS RELEASE A FILM BY THE QUAY BROTHERS THE PIANO TUNER OF EARTHQUAKES is the breathtakingly beautiful and long-awaited second feature from the Quay Brothers. On the eve of her wedding, the beautiful opera singer Malvina is mysteriously killed and abducted by a malevolent Dr. Droz. Felisberto, an innocent piano tuner, is summoned to Droz’s secluded villa to service his strange musical automatons. Little by little Felisberto learns of the doctor’s plans to stage a “diabolical opera” and of Malvina’s fate. He secretly conspires to rescue her, only to become trapped himself in the web of Droz’s perverse universe... Starring Amira Casar (Catherine Breillat’s ANATOMY OF HELL), Assumpta Serna (Pedro Almodovar’s MATADOR), Cesar Sarachu (the Quays’ INSTITUTE BENJAMENTA) and Gottfried John (Fassbinder’s MARRIAGE OF MARIA BRAUN). THE QUAY BROTHERS The extraordinary Quay Brothers are two of the world’s most original filmmakers. Identical twins who were born in Pennsylvania in 1947, Stephen and Timothy Quay studied illustration in Philadelphia before going on to the Royal College of Art in London, where they started to make animated shorts in the 1970s. They have lived in London ever since, making their unique and innovative films under the aegis of Koninck Studios. Influenced by a tradition of Eastern European animation, the Quays display a passion for detail, a breathtaking command of color and texture, and an uncanny use of focus and camera movement that make their films unique and instantly recognizable. Best known for their classic 1986 film STREET OF CROCODILES, which filmmaker Terry Gilliam recently selected as one of the ten best animated films of all time, they are masters of miniaturization and on their tiny sets have created an unforgettable world, suggestive of a landscape of long-repressed childhood dreams. -
The Osteopathic Physician July 1908 Vol. 14, No. 1
The Osteopathic Physician July 1908 Vol. 14, No. 1 Reproduced with a gift from the Advocates for the American Osteopathic Association (AAOA Special Projects Fund) and Michigan Auxiliary to the Macomb County Osteopathic Association May not be reproduced in any format without the permission of the Museum of Osteopathic Medicine SM (formerly Still National Osteopathic Museum) Musuem of ~steopathic Medicine, Kirksville, MO P. c. • LIBRA .THE OSTEOPATHIC PHYSICIAN VoluD1e XIV. CHICAGO, JULY, 1908. NUD1ber' The celebration of the Old Doctor's Oth On to l(ir1(.sville i.s the O.steo birthday should be an incentive to all 0 teo paths to be present on that occasion. Come and join with us in the greatest meeting' of pathic Slogan For Aug. 3d to 8th our existence. You will never regret it. You owe It to yourselves; you owe it your profes '0N to Kirksville!" Accommodatiof'iJ sion; you owe it to the Old Doctor to meet' That is the slogan of every Osteo- with us in Kirksville the week of August 3d. pathic physician in America at this mo for the A. O. A. A. G. HILDRETH, ment. Scarcelv ten days will elapse before Cono()ention President M. V. O. A. there will begm a mighty pilgrimage' to the Mecca of our science. and the men and wo 1Jy D,.. A. G. Hitd,.,.th. 'P,.,.Jid,.nt. M. V. O'-A. MiJJouri ValleyAJJo men or' Osteopathy from the No~, South, T gives me great pleasure to announce to East and West, will pack their grips lnd start the profession, as President of. -
Quaybrothers PREVIEW.Pdf
contents 6 Foreword Glenn D. Lowry 8 Acknowledgments 10 THE MANIC DEPARTMENT STORE New Perspectives on the Quay Brothers Ron Magliozzi 16 THOSE WHO DESIRE WITHOUT END Animation as “Bachelor Machine” Edwin Carels 21 O N DECIPHERING THE PHARMACIST’S PRESCRIPTION FOR LIP-READING PUPPETS A project by the Quay Brothers 28 PlATES 62 Works by the Quay Brothers 63 Selected Bibliography 64 Trustees of The Museum of Modern Art The book also contains a project by the Quay Brothers on the front and back inside covers. Ron Magliozzi t is gratifying to report, right at the start, that the As illustrators, stage designers, and film- The twins’ “facility for drawing”6 was encouraged by reputed inaccessibility of the Quay Brothers’ work is a makers in a range of genres, the Quays have their family. At home, snowy pastoral landscapes of a Imyth. The challenge of deciphering meaning and narra- penetrated many fields of visual expression red barn at different distances were hung side by side, tive in the roughly thirty theatrical shorts and two features for a number of different audiences, from coincidentally suggesting a cinema tracking shot. Stark that the filmmakers have produced since 1979 is real avant-garde cinema and opera to publication countryside landscapes dotted with trees appeared indeed, a characteristic of their work that they adopted art and television advertising. Looking at commonly in their youthful drawings, often with ele- on principle when they were still students. Interpreters of their artistic endeavors as a whole, in the ments of telling human interest, as in Bicycle Course for their stop-motion puppet films, such as the defining Street context of fresh biographical information and Aspiring Amputees (1969) and Fantasy-Penalty for of Crocodiles (1986), have described them as alchemists, new evidence of their creativity, provides Missed Goal (c.1968). -
Album Top 1000 2021
2021 2020 ARTIEST ALBUM JAAR ? 9 Arc%c Monkeys Whatever People Say I Am, That's What I'm Not 2006 ? 12 Editors An end has a start 2007 ? 5 Metallica Metallica (The Black Album) 1991 ? 4 Muse Origin of Symmetry 2001 ? 2 Nirvana Nevermind 1992 ? 7 Oasis (What's the Story) Morning Glory? 1995 ? 1 Pearl Jam Ten 1992 ? 6 Queens Of The Stone Age Songs for the Deaf 2002 ? 3 Radiohead OK Computer 1997 ? 8 Rage Against The Machine Rage Against The Machine 1993 11 10 Green Day Dookie 1995 12 17 R.E.M. Automa%c for the People 1992 13 13 Linkin' Park Hybrid Theory 2001 14 19 Pink floyd Dark side of the moon 1973 15 11 System of a Down Toxicity 2001 16 15 Red Hot Chili Peppers Californica%on 2000 17 18 Smashing Pumpkins Mellon Collie and the Infinite Sadness 1995 18 28 U2 The Joshua Tree 1987 19 23 Rammstein Muaer 2001 20 22 Live Throwing Copper 1995 21 27 The Black Keys El Camino 2012 22 25 Soundgarden Superunknown 1994 23 26 Guns N' Roses Appe%te for Destruc%on 1989 24 20 Muse Black Holes and Revela%ons 2006 25 46 Alanis Morisseae Jagged Liale Pill 1996 26 21 Metallica Master of Puppets 1986 27 34 The Killers Hot Fuss 2004 28 16 Foo Fighters The Colour and the Shape 1997 29 14 Alice in Chains Dirt 1992 30 42 Arc%c Monkeys AM 2014 31 29 Tool Aenima 1996 32 32 Nirvana MTV Unplugged in New York 1994 33 31 Johan Pergola 2001 34 37 Joy Division Unknown Pleasures 1979 35 36 Green Day American idiot 2005 36 58 Arcade Fire Funeral 2005 37 43 Jeff Buckley Grace 1994 38 41 Eddie Vedder Into the Wild 2007 39 54 Audioslave Audioslave 2002 40 35 The Beatles Sgt. -
New Hazlett Theater Presents Slim Cessna's Auto Club
New Hazlett Theater presents Slim Cessna’s Auto Club Pittsburgh, PA – August 6, 2012—New Hazlett Theater brings a different kind of country band to Pittsburgh when it presents alternative country and gothabilly rock band Slim Cessna’s Auto Club in concert on Wednesday, August 29 at 8 p.m. Appropriate for all ages, advance tickets are $12 and $18 at the door. Tickets can be purchased online through ShowClix. Slim Cessna's Auto Club is an American rock band originally formed in Denver, Colo. in 1992. Their genre-bending music includes elements of country blues, Southern gospel, gothabilly and other forms loosely grouped as Americana or alternative country. Gothabilly is one of several music subgenres of rockabilly. The name combines gothic and rockabilly. The Auto Club is sometimes labeled "country gothic" due to the juxtaposition of apocalyptic religious imagery with stories of alcohol, violence and relationships gone awry. “This is the country band that plays the bar at the end of the world,” writes Jello Biafra, a musician and founder of underground record label Alternative Tentacles. The band is made up of Slim Cessna, formerly a member of The Denver Gentlemen, Jay Munly (often credited as "Munly Munly"), Lord Dwight Pentacost, Daniel Grandbois (Danny Pants), Robert Ferbrache and Todd Moore. This show is particularly special with the addition of Baltimore's The Sterling Sisters, formed by Slim Cessna’s son George. The group’s music features ornate, immaculate gothic folk lit up by vocal duels between George Cessna’s rasp and Scout Paré-Phillips' operatic voice, moving along in a doomsday march crossed with western swing. -
Critique #5 - 2003 2 Dialogue Re: Ritual Hen Discussing Ritual [“The Value of the Language and Symbolism of a Culture
Issue #5 - 2003 A Publication of Ransom Fellowship CritiqueHelping Christians Develop Skill in Discernment In This Issue 04 QuestionsThe Discerning Since 9/11 Life Grappling with questions of war, money, AIDs, Bono, and how our lives have really changed. 05 RecapturingOut of Their the Imagination Minds An excerpt from Michael Card’s Scribbling in the Sand. 12 06 IsThe it Real Darkened or Is it Memorex Room? A review of The Matrix: Reloaded. 09 TheResources Lament of Hope in Grief The death of a loved one can send even the strongest Christian reeling. Reviews of two helpful books: Grieving a Suicide and A Grief Sanctified. 10 MeticulousPaper and Renderings Canvas of Glory Bruce Bezaire. An artist worth knowing. Art worth reflecting upon. And dare we 02 Editor’s Note say it? Art worth owning. 03 Dialogue 14 ATuned Melodious In Cry of Grace A review of 16 Horsepower’s Secret South and Folklore, and David Eugene Edwards’ first solo effort, Woven Hand. Critique Issue #5 - 2003 Editor Denis Haack Managing Editor Marsena Konkle Editor’sNote Contributing Editors Jennifer Disney, Steven Garber, R. Greg Grooms, Donald Neo-pagan sexuality. Guthrie, John Mason Hodges, Preston Jones, David John Seel, Jr., he sex scene in Neo-paganism as a world view involves a Andrew H. Trotter, Jr. The Matrix: reverence for nature, an intimate expression of T Reloaded is our connections with nature and with the divin- Board of Directors lengthy, its impact ity (male and female) which is immanent within Steven Garber increased by the pul- it. Thus neo-pagans desire to be in tune with Lilly Faculty Scholar sating drum score the seasons, the cycles of life and death within at Calvin College which accompanies it.