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Each Wild Idea: Writing, Photography, History
e “Unruly, energetic, unmastered. Also erudite, engaged and rigorous. Batchen’s essays have arrived at exactly the e a c h w i l d i d e a right moment, when we need their skepticism and imagination to clarify the blurry visual thinking of our con- a writing photography history temporary cultures.” geoffrey batchen c —Ross Gibson, Creative Director, Australian Centre for the Moving Image h In Each Wild Idea, Geoffrey Batchen explores widely ranging “In this remarkable book, Geoffrey Batchen picks up some of the threads of modernity entangled and ruptured aspects of photography, from the timing of photography’s by the impact of digitization and weaves a compelling new tapestry. Blending conceptual originality, critical invention to the various implications of cyberculture. Along w insight and historical rigor, these essays demand the attention of all those concerned with photography in par- the way, he reflects on contemporary art photography, the role ticular and visual culture in general.” i of the vernacular in photography’s history, and the —Nicholas Mirzoeff, Art History and Comparative Studies, SUNY Stony Brook l Australianness of Australian photography. “Geoffrey Batchen is one of the few photography critics equally adept at historical investigation and philosophi- d The essays all focus on a consideration of specific pho- cal analysis. His wide-ranging essays are always insightful and rewarding.” tographs—from a humble combination of baby photos and —Mary Warner Marien, Department of Fine Arts, Syracuse University i bronzed booties to a masterwork by Alfred Stieglitz. Although d Batchen views each photograph within the context of broader “This book includes the most important essays by Geoffrey Batchen and therefore is a must-have for every schol- social and political forces, he also engages its own distinctive ar in the fields of photographic history and theory. -
Geneva Medical College*
GENEVA MEDICAL COLLEGE* Geneva Medical College was chartered in 1834 and gave its first course of instruction in 1835. Its first faculty were Edward Cutbush, Willard Parker, Thomas Spencer, John George Morgan, Charles B. Coventry and Anson Colman. Its faculty at a later period, including several years, were James Hadley, John Delamater, Thomas Spencer, James Webster, Charles B. Cov entry, Frank H. Hamilton and Charles A. Lee. After the Buffalo Medical School was opened the Geneva faculty was re-organized, consisting at dif ferent times of the following members: John Towler, A. P. Bowen, Fred er.ick Hyde, William Sweetzer, Joel Hardy, Caleb Green, George Burr, James H. Jerome, Alfred Butler, Nelson Nivison, Hiram N. Eastman, Ezra T. Allen and Charles E. Ryder, some of whom continued in their places, laboring in the school until it closed in 1872. When the Geneva Medical School was merged into the Medical Department of Syracuse University, the following members of its faculty, Towler, Hyde, Nivison, Eastman and Ryder, accepted professorships in the latter new institution.-Medica/ Register of. New York, New Jersey and Connecticut, I88I, p. 205. (Seep. 77·) Geneva Medical College as such had an existence of thirty-seven years, from 1835 to 1872. The period of its greatest prosperity being from 1840 to 1850. The largest class being that of 1844, with 196 matriculating stud ents and 47 graduates. The smallest graduating class being four, in 1856. During these thirty-seven years the degree of M. D. was conferred on 701 students.-Dr. Alfred Jl.fercer. (Seep. 77). FACULTY OF MEDICINE, 1834-72 1834 *EDWARD CUTBUSH. -
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
Contenido Estrenos Mexicanos
Contenido estrenos mexicanos ............................................................................120 programas especiales mexicanos .................................. 122 Foro de los Pueblos Indígenas 2019 .......................................... 122 Programa Exilio Español ....................................................................... 123 introducción ...........................................................................................................4 Programa Luis Buñuel ............................................................................. 128 Presentación ............................................................................................................... 5 El Día Después ................................................................................................ 132 ¡Bienvenidos a Morelia! ................................................................................... 7 Feratum Film Festival .............................................................................. 134 Mensaje de la Secretaría de Cultura ....................................................8 ......... 10 Mensaje del Instituto Mexicano de Cinematografía funciones especiales mexicanas .......................................137 17° Festival Internacional de Cine de Morelia ............................11 programas especiales internacionales................148 ...........................................................................................................................12 jurados Programa Agnès Varda ...........................................................................148 -
Men's Basketball Name School Year Major Hometown Mike Latulip Illinois So
Men's Basketball Name School Year Major Hometown Mike LaTulip Illinois So. Undeclared Arlington Heights, Ill. Finance And Operations Jeff Howard Indiana Sr. Westfield, Ind. Management Peter Jurkin Indiana So. Recreation Sport Management Juba, South Sudan Jonny Marlin Indiana Jr. Management Greenwood, Ind. Taylor Wayer Indiana Sr. Sport Marketing Management Indianapolis, Ind. Mike Gesell Iowa So. Finance South Sioux City, Neb. Jarrod Uthoff Iowa Jr. Economics Cedar Rapids, Iowa Adam Woodbury Iowa So. Sports Studies Sioux City, Iowa Brad Anlauf Michigan So. Undeclared Hinsdale, Ill. Masters, Manufacturing Jordan Morgan Michigan Gr. Detroit, Mich. Engineering Trevor Bonhoff Michigan State So. Pre‐Med Saginaw, Mich. Dan Chapman Michigan State Sr. Physiology Okemos, Mich. Matthew Costello Michigan State So. Marketing Bay City, Mich. Colby Wollenman Michigan State Jr. Physiology Big Horn, Wyo. Kye Kurkowski Nebraska Jr. Agricultural Engineering Grant, Neb. Trevor Menke Nebraska Sr. Social Science Education Beatrice, Neb. Shavon Shields Nebraska Jr. Microbiology Olathe, Kan. Sergej Vucetic Nebraska So. Undeclared Vrbas, Serbia Kale Abrahamson Northwestern So. Undeclared West Des Moines, Iowa Nikola Cerina Northwestern Sr. History Topola Oplenac, Serbia Drew Crawford Northwestern Gr. Sports Administration Naperville, Ill. Sanjay Lumpkin Northwestern So. Undeclared Wayzata, Minn. Dave Sobolewski Northwestern Jr. Economics Naperville, Ill. Aaron Craft Ohio State Sr. Nutrition (Pre‐Med) Findlay, Ohio Amedeo Della Valle Ohio State So. Business Management Alba, Italy Consumer, Family Financial Jake Lorbach Ohio State Jr. Elyria, Ohio Services Zachary Cooper Penn State Sr. Communication Arts And Sciences Ijamsville, Md. Timothy Frazier Penn State Sr. Communication Arts And Sciences State College, Pa. Kevin Montminy Penn State Jr. Finance Centre Hall, Pa. -
Name School Year Major Hometown Michael Finke Illinois So
Men's Basketball Name School Year Major Hometown Michael Finke Illinois So. Communication Champaign, Ill. Malcolm Hill Illinois Jr. Media And Cinema Studies Fairview Heights, Ill. Cameron Liss Illinois So. Business Northbrook, Ill. Maverick Morgan Illinois Jr. Advertising Springboro, Ohio Jaylon Tate Illinois Jr. Communication Chicago, Ill. Ryan Burton Indiana Sr. Business Administration Bedford, Ind. Quentin Taylor Indiana So. Safety Management Indianapolis, Ind. Nick Zeisloft Indiana Sr. Finance LaGrange, Ill. Nicholas Baer Iowa So. Communication Studies Bettendorf, Iowa Michael Gesell Iowa Sr. Leisure Studies South Sioux City, Neb. Jarrod Uthoff Iowa Sr. Leisure Studies Cedar Rapids, Iowa Adam Woodbury Iowa Sr. Sports Studies & Communication Studies Sioux City, Iowa Trevor Anzmann Maryland Sr. Aerospace Engineering Westminster, Md. Kent Auslander Maryland So. Criminal Justice Herndon, Va. Michal Cekovsky Maryland So. Letters And Sciences Kosice, Slovakia Varun Ram Maryland Sr. Supply Chain Management Clarksville, Md. Andrew Dakich Michigan Jr. American Culture Zionsville, Ind. Sean Lonergan Michigan Jr. Secondary Education Fishers, Ind. Matt Costello Michigan State Sr. Interdisciplinary Studies In Social Science Linwood, Mich. Matt Van Dyk Michigan State Jr. Agribusiness Management Imlay City, Mich. Colby Wollenman Michigan State Sr. Physiology Big Horn, Wyo. Joey King Minnesota Sr. Communication Studies Eagan, Minn. Mike Lukashewich Minnesota So. Undeclared Appleton, Wis. Shavon Shields Nebraska Sr. Biological Sciences Olathe, Kan. Tre Demps Northwestern Sr. Communication Studies Concord, Calif. Sanjay Lumpkin Northwestern Sr. Learning & Organizational Change Wayzata, Minn. Bryant McIntosh Northwestern So. Undeclared Greensburg, Ind. Samuel Halle Penn State Sr. Kinesiology Springfield, Va. Julian Moore Penn State Jr. Information Sciences And Technology Philadelphia, Pa. Isaiah Washington Penn State So. -
Depaul Animation Zine #1
Conditioner // Shane Beam D i e F l u c h t / / C a r t e r B o y c e 2 0 1 6 S t u d e n t A c a d e m y A w a r d B r o n z e M e d a l 243 South Wabash Avenue Chicago, IL 60604 #1 zine a z i n e e x p l o r i n g t h e A n i m a t i o n C u l t u r e a t D e P a u l U n i v e r s i t y in Chicago R a n k e d t h e # 1 0 A n i m a t i o n M F A P r o g r a m a n d # 1 4 A n i m a t i o n P r o g r a m i n t h e U . S . b y A n i m a t i o n C a r e e r R e v i e w i n 2 0 1 8 D e P a u l h a s 1 3 f u l l - t i m e A n i m a t i o n p r o f e s s o r s , o n e o f t h e l a r g e s t f u l l - t i m e A n i m a t i o n f a c u l t i e s i n t h e U S , w i t h e x p e r t i s e i n t r a d i t i o n a l c h a r a c t e r a n i m a t i o n , 3 D , s t o r y b o a r d i n g , g a m e a r t , s t o p m o t i o n , c h r a c t e r d e s i g n , e x p e r i m e n t a l , a n d m o t i o n g r a p h i c s . -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
The Quay Brothers: Choreographed Chiaroscuro, Enigmatic and Sublime Author(S): Suzanne H
The Quay Brothers: Choreographed Chiaroscuro, Enigmatic and Sublime Author(s): Suzanne H. Buchan Source: Film Quarterly, Vol. 51, No. 3 (Spring, 1998), pp. 2-15 Published by: University of California Press Stable URL: http://www.jstor.org/stable/1213598 Accessed: 04/04/2010 08:30 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=ucal. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press is collaborating with JSTOR to digitize, preserve and extend access to Film Quarterly. http://www.jstor.org The Quay Brothers Since the early 1980s, animation has received increasing attention from cinema and television pro- grammers and is gradually being in- corporated as a viable genre in film studies. -
Surrealist Sources of Eastern European Animation Film
BALTIC SCREEN MEDIA REVIEW 2013 / VOLUME 1 / ARTICLE Article Surrealist Sources of Eastern European Animation Film ÜLO PIKKOV, Estonian Academy of Arts; email: [email protected] 28 DOI: 10.1515/bsmr-2015-0003 BALTIC SCREEN MEDIA REVIEW 2013 / VOLUME 1 / ARTICLE ABSTRACT This article investigates the relationship between surreal- ism and animation fi lm, attempting to establish the char- acteristic features of surrealist animation fi lm and to deter- mine an approach for identifying them. Drawing on the interviews conducted during the research, I will also strive to chart the terrain of contemporary surrealist animation fi lm and its authors, most of who work in Eastern Europe. My principal aim is to establish why surrealism enjoyed such relevance and vitality in post-World War II Eastern Europe. I will conclude that the popularity of surrealist animation fi lm in Eastern Europe can be seen as a continu- ation of a tradition (Prague was an important centre of surrealism during the interwar period), as well as an act of protest against the socialist realist paradigm of the Soviet period. INTRODUCTION ing also in sight the spatiotemporal context Surrealism in animation fi lm has been of production. an under-researched fi eld. While several It must be established from the out- monographs have been written on authors set that there are many ways to understand whose work is related to surrealism (Jan and interpret the notion of “surrealist ani- Švankmajer, Brothers Quay, Priit Pärn, Raoul mation fi lm”. In everyday use, “surreal” often Servais and many others), no broader stud- stands for something obscure and incom- ies on the matter exist. -
Adobe PDF File
BOOK REVIEWS Royal Society of Marine Artists. A Celebration of ety of Marine Artists" in 1966. Marine Art: Fifty Years of the Royal Society of A foreword by the Countess Mountbatten of Marine Artists. London: Blandford Press, 1996. Burma is followed first by a short introductory 176 pp., colour plates, Directory of Members. note by the current president, Mark Myers, then a £35, US $50, Cdn $69.95, cloth; ISBN 0-7137- selection of forewords from previous catalogues. 2564-8. Distributed in North America by Sterling The central part of the book presents a gallery of Publishing, New York, NY. pictures grouped according to four themes: sail; war artists and matters naval; river, coast, and In 1939 the Society of Marine Artists was found• estuary; the steam era. Each theme is introduced ed in London, its objectives being "to promote, by a short essay written by a member of the pub• maintain, improve, and advance the education of lishing committee. These are all very personal, the public by the encouragement of the study and reflecting the author's preferences and paying practice of the fine and applied arts...with particu• tribute to the "big guns" in British marine paint• lar but not exclusive reference to the sea, to the ing. Most interestingly, and this observation holds seashore and to marine and maritime subjects of true in Germany as well, British marine painters whatsoever nature and by the recognition of such do not like to paint or record "the current era of works of art as an essential feature of the artistic huge and unlovely tankers and bulk carriers and life of a maritime nation." In the words of G.W. -
Public Events March 2019
Public Events March 2019 Subscribe to this publication by emailing Shayla Butler at [email protected] Table of Contents Overview Highlighted Events ................................................................................................. 3 Youth Summer Camps ........................................................................................... 5 Neighborhood and Community Relations 1800 Sherman, Suite 7-100 Northwestern Events Evanston, IL 60208 Arts www.northwestern.edu/communityrelations Music Performances ..................................................................................... 15 Theater .......................................................................................................... 21 Exhibits and Art Discussions ...................................................................... 22 Dave Davis Film Screenings ............................................................................................23 Executive Director [email protected] Living 847-491-8434 Leisure and Social ......................................................................................... 25 Norris Mini Courses Around Campus ARTica (art studio) To receive this publication electronically Norris Outdoors every month, please email Shayla Butler at Northwestern Music Academy [email protected] Religious Services ........................................................................................ 28 Sports, Health, and Wellness Northwestern Wildcat Athletics .................................................................