The Osteopathic Physician July 1908 Vol. 14, No. 1
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Boise, Idaho, a Moderately Priced Home, As Chick House, Etc
SUNDAY - 1 . 1 .Afl-'USi-JJ— ■ FOR BALI N bws r o R J M S :‘T « > — ;— *--------»--------------------------------- ■IsosHansouB Published every Sunday morning at U v M t o o k Automobil— R—I Estata Real T iflT JONES FURNITURE CO. T fa * CAPWA l 'n ^W S PUBLISHING WANTKD—Ironing to do. Call 72 6J FOR SALE—155 hampshlre ewes, age 1 Majestic range, good *75. BIG REDUCTION ON U SE D CARS— FARMERS NOTie* THIS as new. 1 to 4 years. $13 a head. Also 40 lam bs. Want to buy an automobile, truck ' 'CO, LIMITED, HIGHEST PRICES paid for furs. New 1 double barrel shot gu n $25. Phone 38-J-3. 44 acres all In hay, $8500. 2 second hand dressers. trailer or a Ford, don’t fail to see FOR SALE BY OWNER. 40 acres close In $8258. RICHARD STORY SHERIDAN York Store, 915 Main St. Trailers built to order. Ohmeral Manager 3 new Home Sewing machines brand FOR SALE—Six pigs, weight from 75 80 ucres close In, $11600. ALL KINDS of furnuiture, upholster new at $45 each. to 85 pounds, in good shape. Phone „„ ^A.Lo ALTO AUTO MARKET A convenient, 5-room bunga 157 acres bench land $47190. ADVANCE^SUBSCRIPTION ing and repair work. Prices rea 9J4. Z3rd * Falrvlew Ave. P hone 2089 low home, modern except heat, 20 acres good s tu ff $4000. sonable. J. A. Jo hnson. Phone 1026 That good Red Crown gasoline for has light, airy sleeping rooms, BA K ER & C H A P P E L L E OR HALE—1918 F ord cheap. -
The Work of the Critic
CHAPTER 1 The Work of the Critic Oh, gentle lady, do not put me to’t. For I am nothing if not critical. —Iago to Desdemona (Shakespeare, Othello, Act 2, Scene I) INTRODUCTION What is the advantage of knowing how to perform television criticism if you are not going to be a professional television critic? The advantage to you as a television viewer is that you will not only be able to make informed judgment about the television programs you watch, but also you will better understand your reaction and the reactions of others who share the experience of watching. Critical acuity enables you to move from casual enjoyment of a television program to a fuller and richer understanding. A viewer who does not possess critical viewing skills may enjoy watching a television program and experience various responses to it, such as laughter, relief, fright, shock, tension, or relaxation. These are fun- damental sensations that people may get from watching television, and, for the most part, viewers who are not critics remain at this level. Critical awareness, however, enables you to move to a higher level that illuminates production practices and enhances your under- standing of culture, human nature, and interpretation. Students studying television production with ambitions to write, direct, edit, produce, and/or become camera operators will find knowledge of television criticism necessary and useful as well. Television criticism is about the evaluation of content, its context, organiza- tion, story and characterization, style, genre, and audience desire. Knowledge of these concepts is the foundation of successful production. THE ENDS OF CRITICISM Just as critics of books evaluate works of fiction and nonfiction by holding them to estab- lished standards, television critics utilize methodology and theory to comprehend, analyze, interpret, and evaluate television programs. -
First-Plymouth Congregational Church, Lincoln, Nebraska (Article Reprinted from the American Organist Dated January 1999)
Schoenstein & Co., Benicia, California First-Plymouth Congregational Church, Lincoln, Nebraska (Article reprinted from The American Organist dated January 1999) Page 1 of 8 Gallery organ. The façade mirrors the chancel façade and is also made of quarter-sawn white oak with Art Deco details. (photo: Lou Hurst) This is the fourth in a series of large instruments in our “American Romantic” style with tonal variety and dynamic range of symphonic proportions. It is also the “Magnum Opus” to date in our 121 years of organ-building. In an interesting way, this instrument both reviews that history and looks forward to the next century. Its design draws upon the great traditions of Romantic organ-building, which had taken hold at the time of our company’s founding, and incorporates them into a modern framework with the resources necessary for a multifaceted, contemporary church music program. The design is based on the conviction that the organ can and should have the same kind of expressiveness as the symphony orchestra. Given the organ’s many advantages, including pitch and dynamic range, tonal variety, and unlimited sustain, all under the control of one artist, the organ should be able to eclipse the orchestra in accompanimental versatility and musical expression. In fact, it must do so if it is to be the foundation of mainstream church music in the future. Over a period of 25 years, Jack Levick, minister of music and fine arts, has built one of the most respected music programs in the country. In addition to everything expected in a church that serves one of America’s largest Protestant congregations, First-Plymouth has a resident professional brass ensemble of ten players, and sponsors Abend-musik, Lincoln’s premier subscription concert series, which presents both well-known and seldom-heard choral works with organ and orchestra in the tradition of the great oratorio societies, and organ/orchestra solo works, as well as internationally known guest artists. -
Along the Ohio Trail
Along The Ohio Trail A Short History of Ohio Lands Dear Ohioan, Meet Simon, your trail guide through Ohio’s history! As the 17th state in the Union, Ohio has a unique history that I hope you will find interesting and worth exploring. As you read Along the Ohio Trail, you will learn about Ohio’s geography, what the first Ohioan’s were like, how Ohio was discovered, and other fun facts that made Ohio the place you call home. Enjoy the adventure in learning more about our great state! Sincerely, Keith Faber Ohio Auditor of State Along the Ohio Trail Table of Contents page Ohio Geography . .1 Prehistoric Ohio . .8 Native Americans, Explorers, and Traders . .17 Ohio Land Claims 1770-1785 . .27 The Northwest Ordinance of 1787 . .37 Settling the Ohio Lands 1787-1800 . .42 Ohio Statehood 1800-1812 . .61 Ohio and the Nation 1800-1900 . .73 Ohio’s Lands Today . .81 The Origin of Ohio’s County Names . .82 Bibliography . .85 Glossary . .86 Additional Reading . .88 Did you know that Ohio is Hi! I’m Simon and almost the same distance I’ll be your trail across as it is up and down guide as we learn (about 200 miles)? Our about the land we call Ohio. state is shaped in an unusual way. Some people think it looks like a flag waving in the wind. Others say it looks like a heart. The shape is mostly caused by the Ohio River on the east and south and Lake Erie in the north. It is the 35th largest state in the U.S. -
Depressives and the Scenes of Queer Writing
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 10-2014 Depressives and the Scenes of Queer Writing Allen Durgin Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/482 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] DEPRESSIVES & THE SCENES OF QUEER WRITING by ALLEN DURGIN A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 ii © 2014 ALLEN DURGIN All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Robert Reid-Pharr, Chair of Committee Date Mario DiGangi, Executive Officer Wayne Koestenbaum Steven F. Kruger THE CITY UNIVERSITY OF NEW YORK iv ABSTRACT DEPRESSIVES AND THE QUEER SCENES OF WRITING by ALLEN DURGIN Adviser: Professor Robert Reid-Pharr My dissertation attempts to answer the question: What exactly does a reparative reading look like? The question refers to Eve Kosofsky Sedgwick’s provocative essay on paranoid and reparative reading practices, in which Sedgwick describes how the hermeneutics of suspicion has become central to a whole range of intellectual projects across the humanities and social sciences. Criticizing this dominant critical mode for its political blindness and unintended replication of repressive social structures, Sedgwick looks for an alternative in what she calls reparative reading. -
The Invisible Hand
Laura Martin, CFA • [email protected] • (917) 373-3066 June 22, 2012 Dan Medina • [email protected] • (212) 705-0295 Entertainment & Internet NeedhamNeedham InsightsInsights Providing in-depth analysis of significant industry issues Martin’s Meditations The Future of TV: The Invisible Hand Since 1776, Adam Smith’s “invisible hand” has been a central intellectual tenant of markets and free enterprise. The TV ecosystem is one of the best case studies of the invisible hand at work. This report analyzes the Internet’s video ecosystem that may one day unseat the incumbent TV ecosystem. It also estimates jobs lost and consumer value destroyed if the government interferes with this transition. There are several important reasons the TV ecosystem has not suffered the same fate as music and newspapers in the digital age, including: ¾ Value Proposition. Consumers pay about $0.30 for every hour of TV they watch. ¾ Technology. Television has always embraced technology to improve its product. A media business predicated on technology is less likely to be disrupted by technology. ¾ Content. There is no hit-driven content business that can thrive unless the entire slate is funded ahead of time. If you allow consumers to pay for hits only, 80% of programming never earns money. ¾ Fierce Rivalries. The TV ecosystem consists of about two dozen enormous companies engaged in vicious negotiations every 5-7 years over who adds more value and why. Increasingly, they miss contract deadlines, but eventually negotiate how each can add more value to the TV ecosystem. ¾ Diversity Wins. AOL, MySpace and Yahoo are examples of dominant Internet platforms that were obsolete within 20 years. -
Quaybrothers PREVIEW.Pdf
contents 6 Foreword Glenn D. Lowry 8 Acknowledgments 10 THE MANIC DEPARTMENT STORE New Perspectives on the Quay Brothers Ron Magliozzi 16 THOSE WHO DESIRE WITHOUT END Animation as “Bachelor Machine” Edwin Carels 21 O N DECIPHERING THE PHARMACIST’S PRESCRIPTION FOR LIP-READING PUPPETS A project by the Quay Brothers 28 PlATES 62 Works by the Quay Brothers 63 Selected Bibliography 64 Trustees of The Museum of Modern Art The book also contains a project by the Quay Brothers on the front and back inside covers. Ron Magliozzi t is gratifying to report, right at the start, that the As illustrators, stage designers, and film- The twins’ “facility for drawing”6 was encouraged by reputed inaccessibility of the Quay Brothers’ work is a makers in a range of genres, the Quays have their family. At home, snowy pastoral landscapes of a Imyth. The challenge of deciphering meaning and narra- penetrated many fields of visual expression red barn at different distances were hung side by side, tive in the roughly thirty theatrical shorts and two features for a number of different audiences, from coincidentally suggesting a cinema tracking shot. Stark that the filmmakers have produced since 1979 is real avant-garde cinema and opera to publication countryside landscapes dotted with trees appeared indeed, a characteristic of their work that they adopted art and television advertising. Looking at commonly in their youthful drawings, often with ele- on principle when they were still students. Interpreters of their artistic endeavors as a whole, in the ments of telling human interest, as in Bicycle Course for their stop-motion puppet films, such as the defining Street context of fresh biographical information and Aspiring Amputees (1969) and Fantasy-Penalty for of Crocodiles (1986), have described them as alchemists, new evidence of their creativity, provides Missed Goal (c.1968). -
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C
REDACTED - FOR PUBLIC INSPECTION Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. ) In the Matter of ) ) Game Show Network, LLC, ) ) Complainant, ) File No. CSR-8529-P ) v. ) ) Cablevision Systems Corporation, ) ) Defendant. ) EXPERT REPORT OF MICHAEL EGAN REDACTED - FOR PUBLIC INSPECTION TABLE OF CONTENTS Page I. INTRODUCTION ...............................................................................................................1 II. QUALIFICATIONS ............................................................................................................1 III. METHODOLOGY ..............................................................................................................4 IV. SUMMARY OF CONCLUSIONS......................................................................................5 V. THE PROGRAMMING ON GSN IS NOT AND WAS NOT SIMILAR TO THAT ON WE tv AND WEDDING CENTRAL .........................................................................11 A. GSN Is Not Similar In Genre To WE tv................................................................11 1. WE tv devoted 93% of its broadcast hours to its top five genres of Reality, Comedy, Drama, Movie, and News while GSN aired content of those genres in less than 3% of its airtime. WE tv offers programming in 10 different genres while virtually all of GSN’s programming is found in just two genres. .................................................11 2. The 2012 public {{** **}} statements of GSN’s senior executives affirm that it has been a Game Show network -
Ji Saneatsu a Thesis Submitted to the Grad
3> 14'5 "\-./ \v'S I UN1Vl;;.\,.)IIY Ot' HAWAII LIBRARY REDISCOVERING MUSHA-ISM: THE THEORY OF HAPPINESS IN THE EARLY WORKS OF MUSHAI<L>JI SANEATSU A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I·IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTEROF ARTS IN EAST ASIAN LANGUAGES AND UTERATURES (JAPANESE) AUGUST 2005 By Yoshihiro Mochizuki Thesis Committee: Lucy Lower, Chairperson Joel Cohn Nobuko Ochner 111 © COpyright 2005 Yoshihiro Mochizuki All rights reserved. This work, or parts thereof, may not be reproduced in any form without permission. IV Table of Contents Lists ofFigures ..................................................... .. v Introduction ....................................................... .. 1 Chapter I: Self-Realization, New "Naturalism," and Transcendence: Review ofMushakoji Studies 1. Introduction. ................................................. .. 7 2. Self-Realization: Honda Shugo ................................ .. 8 3. New "Naturalism": Otsuyama Kunio 11 4. Transcendence: Yoneyama Yoshikazu 16 5. Conclusion 20 Chapter II: Happiness and A New Philosophy: Dawn ofMusha-ism 1. Introduction 22 2. Continuity and Shift: Farewell to Tolstoy 23 3. Dawn ofMusha-ism , 35 4. Conclusion 47 Chapter III: Happiness and Transcendence: Supremacy ofthe Self 1. Introduction " 48 2. Surface: Complacent Love 49 3. Depth: Supremacy ofthe Self 53 4. Shish6setsu 61 5. Conclusion 65 Chapter IV: Happiness and Freedom: The Rise ofthe Liberated Woman 1. Introduction 67 2. The Beginning of Schism: -
Album Top 1000 2021
2021 2020 ARTIEST ALBUM JAAR ? 9 Arc%c Monkeys Whatever People Say I Am, That's What I'm Not 2006 ? 12 Editors An end has a start 2007 ? 5 Metallica Metallica (The Black Album) 1991 ? 4 Muse Origin of Symmetry 2001 ? 2 Nirvana Nevermind 1992 ? 7 Oasis (What's the Story) Morning Glory? 1995 ? 1 Pearl Jam Ten 1992 ? 6 Queens Of The Stone Age Songs for the Deaf 2002 ? 3 Radiohead OK Computer 1997 ? 8 Rage Against The Machine Rage Against The Machine 1993 11 10 Green Day Dookie 1995 12 17 R.E.M. Automa%c for the People 1992 13 13 Linkin' Park Hybrid Theory 2001 14 19 Pink floyd Dark side of the moon 1973 15 11 System of a Down Toxicity 2001 16 15 Red Hot Chili Peppers Californica%on 2000 17 18 Smashing Pumpkins Mellon Collie and the Infinite Sadness 1995 18 28 U2 The Joshua Tree 1987 19 23 Rammstein Muaer 2001 20 22 Live Throwing Copper 1995 21 27 The Black Keys El Camino 2012 22 25 Soundgarden Superunknown 1994 23 26 Guns N' Roses Appe%te for Destruc%on 1989 24 20 Muse Black Holes and Revela%ons 2006 25 46 Alanis Morisseae Jagged Liale Pill 1996 26 21 Metallica Master of Puppets 1986 27 34 The Killers Hot Fuss 2004 28 16 Foo Fighters The Colour and the Shape 1997 29 14 Alice in Chains Dirt 1992 30 42 Arc%c Monkeys AM 2014 31 29 Tool Aenima 1996 32 32 Nirvana MTV Unplugged in New York 1994 33 31 Johan Pergola 2001 34 37 Joy Division Unknown Pleasures 1979 35 36 Green Day American idiot 2005 36 58 Arcade Fire Funeral 2005 37 43 Jeff Buckley Grace 1994 38 41 Eddie Vedder Into the Wild 2007 39 54 Audioslave Audioslave 2002 40 35 The Beatles Sgt. -
The Big Time an Old Carter Farm Concert Reading of a New Musical Comedy
THE BIG TIME AN OLD CARTER FARM CONCERT READING OF A NEW MUSICAL COMEDY Book by Music and lyrics by Douglas Carter Beane Douglas J. Cohen Music direction by Directed by Fred Lassen Douglas Carter Beane Featuring Raymond Bokhour, Bradley Dean, Santino Fontana, Debbie Gravitte, Jackie Hoffman, Michael McCormick, Laura Osnes, Will Swenson and musicians of the Princeton Symphony Orchestra Stage Manager Jen Wiener FRIDAY, JANUARY 31, 2020 8:00PM in the Matthews Theatre Assistive listening devices and large print program are available in the lobby. There will be a 15-minute intermission. No audio or video recording or photography permitted. DIRECTOR’S NOTE Douglas Carter Beane From his table at: Sardi’s, Broadway, USA Hello Theater Pals, Welcome to my subconscious––I sure Mr. C. has a way of getting into char- hope you got an aisle seat. How you are acter and telling a story but still making it about to experience this evening is one of all swing and having you feel like you’re my favorite ways to see a musical. A con- riding in a Cadillac convertible. You’ll fall cert—no sets, costumes, choreography, in love tonight. or fancy staging. Just material and talent. So, our show about a wacky terrorist Wow. I even formed a little company, was primed to open and the unthink- “Old Carter Farm,” to do these concerts, able happened: September 11th. The I love them so much. The name, you’ll show was put on hold. Whenever we’d forgive, came from my grandparents’ get ready to do the show again, another turkey farm. -
New Hazlett Theater Presents Slim Cessna's Auto Club
New Hazlett Theater presents Slim Cessna’s Auto Club Pittsburgh, PA – August 6, 2012—New Hazlett Theater brings a different kind of country band to Pittsburgh when it presents alternative country and gothabilly rock band Slim Cessna’s Auto Club in concert on Wednesday, August 29 at 8 p.m. Appropriate for all ages, advance tickets are $12 and $18 at the door. Tickets can be purchased online through ShowClix. Slim Cessna's Auto Club is an American rock band originally formed in Denver, Colo. in 1992. Their genre-bending music includes elements of country blues, Southern gospel, gothabilly and other forms loosely grouped as Americana or alternative country. Gothabilly is one of several music subgenres of rockabilly. The name combines gothic and rockabilly. The Auto Club is sometimes labeled "country gothic" due to the juxtaposition of apocalyptic religious imagery with stories of alcohol, violence and relationships gone awry. “This is the country band that plays the bar at the end of the world,” writes Jello Biafra, a musician and founder of underground record label Alternative Tentacles. The band is made up of Slim Cessna, formerly a member of The Denver Gentlemen, Jay Munly (often credited as "Munly Munly"), Lord Dwight Pentacost, Daniel Grandbois (Danny Pants), Robert Ferbrache and Todd Moore. This show is particularly special with the addition of Baltimore's The Sterling Sisters, formed by Slim Cessna’s son George. The group’s music features ornate, immaculate gothic folk lit up by vocal duels between George Cessna’s rasp and Scout Paré-Phillips' operatic voice, moving along in a doomsday march crossed with western swing.