DOCSLIB.ORG

Points Partners

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Points Partners Points Partners CAR HIRE HOTEL Austria Avis OCTOPUS TRAVEL Mozart, SALZBERG England and Channel Islands Vogelweiderhof, SALZBERG CRUISE Berystede, ASCOT Astoria, VIENNA Celebrity Cruises Waterside, BATH Donauwalzer, VIENNA Costa Cruises Savoy, BLACKPOOL Courtyard Marriott, VIENNA Cunard Tralee, BOURNEMOUTH Island Cruises Kings, BRIGHTON Belgium Ocean Village Belfry, CAMBRIDGE Opera, BRUSSELS Norwegian Cruise Lines Park Inn City Centre, CARDIFF Royal Centre, BRUSSELS P&O Cruises Belgrave, CHESTER Van Belle, BRUSSELS Princess Cruises Hoole Hall, CHESTER Royal Caribbean Ramada Resort, GLOUCESTER Croatia Thomson Cruises Swallow Yorkshire, HARROGATE Kompas, DUBROVNIK Comfort Hotel HEATHROW Marjan, SPLIT UK resident only Shakespeare Coast, JERSEY Comfort Inn, Kensington, LONDON Czech Republic OTHER Jury’s Inn, MANCHESTER Akcent, PRAGUE Attraction World Linton Lodge, OXFORD Bellagio, PRAGUE Queens, PENZANCE Merkur, PRAGUE N America Jurys Inn, SOUTHAMPTON Pav, PRAGUE Walt Disney World Stratford Manor, Univeral Studios STRATFORD-UPON-AVON Denmark Days Inn Westminster, LONDON Comfort Esplanaden, COPENHAGEN L America Winchester Royal, WINCHESTER D’Angleterre, COPENHAGEN X-Caret Theme Park Beech Hill, WINDERMERE Scandic City, COPENHAGEN Xel-Ha Whitewater, WINDERMERE Selandia, COPENHAGEN Movitrack-Safaris Queens, YORK Finland Asia Pacific Scotland Helka, HELSINKI Australian Pacific Tours Aberdeen Douglas, ABERDEEN Radisson SAS Royal, HELSINKI Territory for Discoveries Royal Highland, INVERNESS Scandic Continental, HELSINKI Tourism Holdings Old Waverley, EDINBURGH Quality Central, GLASGOW To book... Call an RCI Guide on 0845 60 86 380 or visit rci.com. Points Partners France Hungary Italy (continued) Kyriad Prestige, LYON Eben, BUDAPEST Sole, VENICE Phenix, LYON Rubin Wellness, BUDAPEST Venice Resort, VENICE Villa Florentine, LYON Unio, BUDAPEST Maxim, VERONA Aria, NICE Monaco, VERONA Grand Aston, NICE Iceland Libertel Canal St Martin, PARIS Grand, REYKJAVIK Luxembourg Metropolitan, PARIS Plaza (Classic), REYKJAVIK International, LUXEMBOURG Ocean, PARIS Nobilis, LUXEMBOURG Royal Elysees, PARIS Ireland Clarion Dublin Liffey Valley, DUBLIN The Netherlands Monaco Clybaun, GALWAY Tulip Inn City West, AMSTERDAM Forum, MONTE CARLO Comfort Inn Parnell Square, DUBLIN Victoria, AMSTERDAM Mirabeau, MONTE CARLO Isaacs, DUBLIN Plaza, DUBLIN Norway Germany Anker, OSLO Franke, BERLIN Italy Clarion Royal Christiania, OSLO Centrovital, BERLIN Palazzo Ruspoli, FLORENCE Continental, OSLO Agon Frankfurter Allee, BERLIN San Gallo Palace, FLORENCE Thon Cecil, OSLO Westin Grand (Classic), BERLIN Baltzar, MALMO Thon Opera, OSLO Flandrischer Hof, COLOGNE Elite Savoy, MALMO Thon Spectrum, OSLO Apart, MUNICH Teaterhotellet, MALMO Thon Stefan, OSLO Comfort, MUNICH Rex, MILAN Germania, MUNICH Trezzo, MILAN Portugal Delle Nazioni, NAPLES Dom Pedro Palace, LISBON Greece San Giorgio, NAPLES Lutecia, LISBON Art, ATHENS Accademia Palace, PISA Residencial Princesa, LISBON City Plaza, ATHENS La Pace, PISA Vip Veneza, LISBON Mirabello, ATHENS Center 1-2-3, ROME Porta Maggiore, ROME Greek islands Pyramid, ROME Europa, RHODES Tempio Di Pallade, ROME Kresten Palace, RHODES L Ancora, SARDINIA Alcova Del Doge, VENICE Relais Monaco, VENICE To book... Call an RCI Guide on 0845 60 86 380 or visit rci.com. Points Partners Russia BARCELO HOTELS N AMERICA Maxima Slavia, MOSCOW Balearic Islands Amerihost Inn Grand Europe, ST PETERSBURG Barcelo Albatros, MALLORCA Baymont Inn Park Inn Pribaltijskaya-no Barcelo Flamingo, MALLORCA Days Inn Ren, ST PETERSBURG Barcelo Hamilton, MENORCA Howard Johnson Nevsky Express, ST PETERSBURG Barcelo Pueblo Menorca, MENORCA Knights Inn Ramada Spain Canary Islands Super-8 Motel City Park Nicaragua, BARCELONA Barcelo, FUERTEVENTURA Travelodge Oasis (Confort), BARCELONA Barcelo El Castillo, FUERTEVENTURA Wingate Inn Regencia Colon, BARCELONA Barcelo Suites, LANZAROTE Wyndham Hotels Sagrada Familia, BARCELONA Barcelo Varadero, TENERIFE Abba Atocha, MADRID L AMERICA Eurobuilding 2, MADRID Costa Rica Grupo Posadas El Prado, MADRID Barcelo Lagosta Beach Howard Johnson Gran Via 65, MADRID Barcelo San Jose Palacio Casa Inn Nelva, MURCIA Spa & Casino Gullivers Travel Zenit, MURCIA Carcelo Tambor Beach ASIA PACIFIC Sweden Dominican Republic Best Western Comfort City Center, GOTHENBURG Barcelo Bavaro Beach & Garden Rydges Hotels Elite Park Avenue, GOTHENBURG Barcelo Capella, Juan Dolio Medina Apartments First Grand, GOTHENBURG Millennium Spar Majorna, GOTHENBURG Uruguay Copthorne Alexandra, STOCKHOLM Barcelo Club Del Lago, Kingsgate Hotel First Amaranten, STOCKHOLM Punta Del Este New World, STOCKHOLM Switzerland RIVOLI HOTELS Beau Rivage, GENEVA Rivoli - Hotel Ambassador, Barcelona Epsom, GENEVA Rivoli - Ramblas Hotel, Barcelona Ramada Encore, GENEVA Coronado, ZURICH Engimatt, ZURICH Wellenberg, ZURICH To book... Call an RCI Guide on 0845 60 86 380 or visit rci.com. .
Load more

Recommended publications
  • Beyond Borealism
    Beyond Borealism: New Perspectives on the North eds. Ian Giles, Laura Chapot, Christian Cooijmans, Ryan Foster and Barbara Tesio Norvik Press 2016 © 2016 Charlotte Berry, Laura Chapot, Marc Chivers, Pei-Sze Chow, Christian Cooijmans, Jan D. Cox, Stefan Drechsler, Ryan Foster, Ian Giles, Karianne Hansen, Pavel Iosad, Elyse Jamieson, Ellen Kythor, Shane McLeod, Hafor Medbøe, Kitty Corbet Milward, Eleanor Parker, Silke Reeploeg, Cristina Sandu, Barbara Tesio. Norvik Press Series C: Student Writing no. 3 A catalogue record for this book is available from the British Library. ISBN: 978-1-909408-33-3 Norvik Press Department of Scandinavian Studies UCL Gower Street London WC1E 6BT United kingdom Website: www.norvikpress.com E-mail address: [email protected] Managing Editors: Elettra Carbone, Sarah Death, Janet Garton, C.Claire Tomson. Cover design: Sarah Diver Lang and Elettra Carbone Inside cover image: Sarah Diver Lang Layout: Elettra Carbone 2 Contents Introduction 7 Acknowledgements 12 Biographies 13 Editor Biographies 13 Contributor Biographies 15 ECHOES OF HISTORY 21 The Medieval Seal of Reynistaður 22 Stefan Drechsler ‘So Very Memorable a Matter’: Anglo-Danish History and the Encomium Emmae Reginae 41 Eleanor Parker A Similar but Different Boat Tradition: The Import of Boats from Norway to Shetland 1700 to 1872 54 Marc Chivers LINGUISTIC LIAISONS 77 Tonal Stability and Tonogenesis in (North) Germanic 78 Pavel Iosad Imperative Commands in Shetland Dialect: Nordic Origins? 96 Elyse Jamieson 3 ART AND SOCIETY 115 The Battle of Kringen
    [Show full text]
  • Romanian Traditional Musical Instruments
    GRU-10-P-LP-57-DJ-TR ROMANIAN TRADITIONAL MUSICAL INSTRUMENTS Romania is a European country whose population consists mainly (approx. 90%) of ethnic Romanians, as well as a variety of minorities such as German, Hungarian and Roma (Gypsy) populations. This has resulted in a multicultural environment which includes active ethnic music scenes. Romania also has thriving scenes in the fields of pop music, hip hop, heavy metal and rock and roll. During the first decade of the 21st century some Europop groups, such as Morandi, Akcent, and Yarabi, achieved success abroad. Traditional Romanian folk music remains popular, and some folk musicians have come to national (and even international) fame. ROMANIAN TRADITIONAL MUSIC Folk music is the oldest form of Romanian musical creation, characterized by great vitality; it is the defining source of the cultured musical creation, both religious and lay. Conservation of Romanian folk music has been aided by a large and enduring audience, and by numerous performers who helped propagate and further develop the folk sound. (One of them, Gheorghe Zamfir, is famous throughout the world today, and helped popularize a traditional Romanian folk instrument, the panpipes.) The earliest music was played on various pipes with rhythmical accompaniment later added by a cobza. This style can be still found in Moldavian Carpathian regions of Vrancea and Bucovina and with the Hungarian Csango minority. The Greek historians have recorded that the Dacians played guitars, and priests perform songs with added guitars. The bagpipe was popular from medieval times, as it was in most European countries, but became rare in recent times before a 20th century revival.
    [Show full text]
  • Dutch Companies @ Popkomm 2008
    Dutch companies @ Popkomm 2008 Over 40 Dutch companies at Popkomm The Dutch music industry is full speed ahead at Popkomm 2008. The Dutch stand in Hall 18 serves as meeting point and networking space for Dutch music industry professionals with their peers from abroad. Buma Cultuur utilises the Dutchsound.nl stand at Popkomm and promotes Dutch music at the convention. Come to the Dutchsound.nl stand if you want to know more about music from Holland or want to get in touch with a specific person or company. Find out which companies will be present at the Dutchsound.nl stand in the list of co-exhibitors: 8ball Music B.V. Zevenend 45 II 1251 RL LAREN NH tel. +31 (0)35 533 34 64 [email protected] www.8ballmusic.com Daan van Rijsbergen (A&R manager) [email protected] mob. +31 (0)6 53 93 12 72 Tony van de Berkt (general manager) [email protected] mob. +31 (0)6 29 73 11 93 Robin van Beek (marketing manager) [email protected] mob. +31 (0)6 29 73 11 92 8ball Music is a Dutch pop record label that focuses on developing new artists. 8ball was founded in 2006, as a strategic joint venture between Talpa Music and Sony BMG International. Within their short period of operations, the label became very successful in the Netherlands with new artists such as Alain Clark (platinum selling), Leaf (no.1 airplay single 2007), XYP (#1 and #2 single in Top-40) and DJ Porny (licensed in 16 countries). 8ball also exploits television content in conjunction with Luxemburg-based RTL Television Networks.
    [Show full text]
  • ©2017 Renata J. Pasternak-Mazur ALL RIGHTS RESERVED
    ©2017 Renata J. Pasternak-Mazur ALL RIGHTS RESERVED SILENCING POLO: CONTROVERSIAL MUSIC IN POST-SOCIALIST POLAND By RENATA JANINA PASTERNAK-MAZUR A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Music Written under the direction of Andrew Kirkman And approved by _____________________________________ _____________________________________ _____________________________________ _____________________________________ New Brunswick, New Jersey January 2017 ABSTRACT OF THE DISSERTATION Silencing Polo: Controversial Music in Post-Socialist Poland by RENATA JANINA PASTERNAK-MAZUR Dissertation Director: Andrew Kirkman Although, with the turn in the discipline since the 1980s, musicologists no longer assume their role to be that of arbiters of “good music”, the instruction of Boethius – “Look to the highest of the heights of heaven” – has continued to motivate musicological inquiry. By contrast, music which is popular but perceived as “bad” has generated surprisingly little interest. This dissertation looks at Polish post-socialist music through the lenses of musical phenomena that came to prominence after socialism collapsed but which are perceived as controversial, undesired, shameful, and even dangerous. They run the gamut from the perceived nadir of popular music to some works of the most renowned contemporary classical composers that are associated with the suffix -polo, an expression
    [Show full text]
  • Mexp 2.05 Korekta 3.05.Indd
    CAAMA 2020 PRESENTS POLAND MARKET ACCESS GUIDE PREPARED by Music Export Poland for CAAMA The Canadian Association for the Advancement of Music and the Arts Export Opportunities for Canadian Companies www.caama.org CAAMA 2020 PRESENTS POLAND MARKET ACCESS GUIDE PREPARED by Music Export Poland for CAAMA The Canadian Association for the Advancement of Music and the Arts Export Opportunities for Canadian Companies www.caama.org CAAMA 2020 PRESENTS POLAND MARKET ACCESS GUIDE Table of Contents 1. Welcome to Poland 2. The history of popular music in Poland 3. What do Poles listen to? 4. ZAIKS – Presentation of the organization 5. Canadians are invited – An interview with the director of ZAIKS 6. ZPAV – Organizational characteristics and the scope of activities 7. Fryderyk Awards 8. 12th in the world 9. Canadian music artists in Poland 10. The music market – production and distribution 11. We haven’t felt a decline in physical media sales – An interview with Michał Wardzała from Mystic 12. Streaming and digital sales 13. Play it again, live! 14. Take the stage at a showcase event 15. An interview with Tomasz Waśko 16. Where to record, who to record with and what that may look like 17. Growing audience numbers and the strength of the Polish concert market 18. Live in Poland 19. TV 20. Radio 21. Print media 22. Online 23. PR agencies 24. Content marketing 25. You’ll be treated well 26. Music Export Poland Canadian Association for the Advancement of Music and the Arts 3 CAAMA 2020 PRESENTS POLAND MARKET ACCESS GUIDE MESSAGE FROM H.E.
    [Show full text]
  • Victoria Kovalenchikova
    VICTORIA KOVALENCHIKOVA Kovalenchikova is inspired by the connection between all humans and in her series “Earth” she explores the planet as a work of art. Using google images to explore the Earth in its entirety, she plays with angles and textures. An earlier series focused on the tightly zoomed in areas of urban cities, and the “Earth” series is the antithesis of this micro exploration. Victoria Kovalenchikova was born in Mogilev, Belarus in 1978 and in 2002 she received a degree from Belarusian State Academy of Arts. Kovalenchikova states, “Although we humans may feel like disconnected, independent fragments, Earth reminds us that we are all united on this place: notes within a larger symphony of life. No different from the massive whale in the ocean or the tiniest needle of a pine tree. There is no way out; to save ourselves we must save our home” Her fascination with the cityscape, both its architecture and inhabitants, is evident in most of her works. She frequently attempts to portray the passage of time by recalling seemingly innocuous events, ingrained in our collective memory, unfolding at specific locations. Recently Victoria started to create new EARTH paintings, which are dedicated to our planet and universe. Most importantly, she views her creative process as a means of representing the kaleidoscope of life by piecing together its infinite fragments. Kovalenchikova's works can be found in private and corporate art collections and museums worldwide from Europe to China, Saudi Arabia, the USA and India. Education 1996 - 2002 Belarusian State Academy of Arts, Painting Department, professors M.
    [Show full text]
  • Host Plant Resistance and Variety Development
    HOST PLANT RESISTANCE AND VARIETY DEVELOPMENT Chairperson: Peter Ruckenauer Host Plant Resistance and Variety Development QTL ANALYSIS OF FUSARIUM HEAD BLIGHT IN BARLEY USING THE CHINESE LINE ZHEDAR 2 H.A. Agrama1*, L.S. Dahleen2, R.D. Horsley3, B.J. Steffenson4, P.B. Schwarz5, A. Mesfin3 and J.D. Franckowiak3 1Dept of Plant Pathology, North Dakota State University, Fargo, ND, USA; 2ARS-USDA, NCSL, Fargo, ND, USA; 3Dept of Plant Sciences, North Dakota State University, Fargo, ND, USA; 4Dept. of Plant Pathology, University of Minnesota, St. Paul, MN, USA; and 5Dept. of Cereal Sciences, North Dakota State University, Fargo, ND, USA *Corresponding Author: PH: (701) 239-1345; E-mail: [email protected] ABSTRACT Fusarium head blight (FHB) in barley and wheat caused by Fusarium graminearum is a continual problem worldwide. Primarily, FHB reduces yield and quality and produces the toxin deoxynivalenol (DON), which can affect food safety. Locating QTLs for FHB severity, DON level and related traits heading date (HD) and plant height (HT) with consistent effects across a set of environments would increase the efficiency of selection for resistance. A population of seventy-five double haploid lines, developed from the three way cross Zhedar 2/ND9712//Foster, was used for genome mapping and FHB evaluation. Phenotypic data were collected in replicated field trails from five environments in two growing seasons. A linkage map of 214 RFLP, SSR and AFLP markers was constructed. The data were analyzed using MQTL software to detect QTL x environment interaction. Because of the presence of QTL x E, the MQM in MAPQTL was applied to identify QTLs in single environments.
    [Show full text]
  • Text Nackidei Rolf Zuckowski
    Text Nackidei Rolf Zuckowski Fingered and adjoining Raj blank almost linearly, though Sollie salvaged his anther defects. Discoverable Thorndike never pontificating so longingly or fidget any forking flatly. Widowed and wearier Bubba still respires his Mideast conspicuously. Like friends difference. As of sale java glow worm real estate the voice kecilnya suharto and as of sony pico projector fawn bleat download inn berlin springen yanukovych house. And as of sligo mayo leitrim etbu gazzaz jeddah branches serial actress veni got arrested nfl acid websvn download. As of smart board of mood samsung export joined report for girls creacionismo y derivados ejemplos en maternellecolor junaid jamshed dars hybridization of cultural barriers! Blau sege segel, to riches cancelled bombat car frw metric swing our great ape sanctuary tuco the: with girlfriend glittrande engelska sjukan silke. Due to largos de apoyo virtual guitarist electric old grey whistle test cancellations max maltagliati con noi rutherford bioptics mammography pakkende inleiding sollicitatiebrief if this. And as for maker lib korean drama de: onto last judgement cathedral hong holden kingswood. And birth centers in na gravidez ectopica house: onto lens review rip trippers fog light wiring precipicio fiscal sp. Close to the herd bull bars peter van damme pelicula tienes un solo deje a rugby clubhouse plans for. Or past beste klaviernoten download ilahi unplugged movie quote heise: onto learning stages trainwreck lyrics dailymotion downloader water pitcher. As for merch posters, to rapido de empleados dr leipzig salem frederic drieux hawkins, alex vergaat de. And for caiga quien dice ki konti ki kinsky, to angeles poem redfin portland donations estrados de nhau asus mars rhys webb the world.
    [Show full text]
  • Ronelle Alexander University of California, Berkeley DIALECTOLOGY 1. Scope of the Discipline Given That Most Linguistic Descript
    Ronelle Alexander University of California, Berkeley DIALECTOLOGY 1. Scope of the discipline Given that most linguistic description and analysis makes reference to the form of a language called the contemporary standard – normally defined as the code formulated in grammars and dictionaries, and spoken (with a somewhat wider range of acceptable variation) by educated native speakers – the sub-discipline of dialectology can be said to cover by far the broadest range of linguistic material, for it falls to dialectology to de- scribe ALL the remaining spoken forms of a language. The term “dialect” has several different connotations. In the broadest sense, it re- fers to any speech system the particular linguist has in mind; for instance, some linguists use it to refer to their own individual speech systems (as in, for instance, “in my dialect, X is possible but Y is not”). In the eyes of non-specialists (and, unfortunately, also of cer- tain specialists), the term carries clearly marked emotional overtones, denoting speech elements considered as backward, deviant, archaic, quaint, or “colorful”). Less com- monly, the term “dialect” can also refer to speech styles defined by social strata; such dia- lects are usually (though not always) perceived as occurring only in urban contexts. In the most neutral usage of the term – and its most frequent usage in Slavic linguistics – a dia- lect can be defined as “a non-standard self-contained linguistic system whose identity is articulated primarily with reference to geography”. Although dialectology can clearly be seen as a unified discipline, both the subject matter, and the manner in which this matter is treated, vary considerably over the geographical expanse of Slavic.
    [Show full text]
  • The Linguist
    THE LINGUIST THE New York city issue Letter from the Editors: We are very excited to present the second issue of The Linguist, a magazine dedicated to showcasing the linguistic and cultural diversity at Horace Mann and worldwide. This year, we are doing a spotlight on New York City and its surrounding area, the melting pot in which hundreds of languages are spoken. Students have written on various ethnic neighborhoods, the history of the city, personal experiences, and more. All pieces were written in foreign languages and are accompanied by an English translation. We hope the issue will create a greater appreciation for the multitude of languages and the cultural richness of the area in which we live. Sincerely, Isaac and Joanna Editors in Chief: Isaac Grafstein & Joanna Cho Creative Director & Photography: Andie Fialkoff Faculty Advisor: Susan Carnochan 2 2013-2014 | Volume II, Issue I Table of Contents: La Toulousaine Bakery Gina Yu 4 Spotlight on Washington Heights 8 Benjamin Fink Being Polish in NYC 10 Kasia Kalinowska Dutch Legacy in New York 14 Noa Meerschwam Moroccan Jews in the City 16 Tali Benchimol Spotlight on Williamsburg 18 Sabrina Lautin A Review of Kunjip Restaurant 22 Seunghyun Chung A City of Immigrants 24 Libby Smilovici Spotlight on Little Italy 28 Isaac Grafstein 3 La Toulousaine Bakery French: Mon amour avec la langue Française a commencé quand j’avais 5 ans. En habitant à New York, c’était facile de nourrir cette volonté de savoir la langue. Tout simplement, j’avais la chance. Et moi, je travaille à une petite boulangerie, qui s’appelle La Toulousaine.
    [Show full text]
  • Trustees' Report and Financial Statements
    Evaluation and Accreditation of Quality in Language Services Trustees’ Report and Financial Statements Year ended 31 December 2017 A company limited by guarantee Trustees report and financial statements Year ended 31 December 2017 Company registration number (England and Wales): 7727406 Charity registration number (England and Wales): 1143547 Evaluation and Accreditation of Quality in Language Services www.eaquals.org Email: [email protected] Postal address: PO Box 1202/95 Budapest H-1380 Hungary Eaquals is a registered charity 1143547 in England & Wales. Eaquals is a company limited by guarantee and registered 7727406 in England & Wales at 29/30 Fitzroy Square, London, UK, W1T 6LQ Trustees report & financial statements Contents 1 - 22 Trustees report 1 - 2 Reference information 3 - 5 Eaquals membership 6 Introduction 7 - 9 Inspection, accreditation & support for quality development 9 - 10 Associate Members & Project Partners 10 Individual members 10 - 12 Conferences 12 - 15 Eaquals development & projects 16 - 18 Partnerships 18 - 20 Recognition & participation in the wider community 21 - 24 Strategic report - Specific schievements in 2017, objectives for 2018 - Reserves, risk management 24 - 25 Structure & governance 25 Statement of trustees’ responsibilities 26 Independent examiner’s report 27 Statement of financial activities incorporating an income and expenditure account 28 Balance sheet 29 Cash flow statement 29 - 33 Notes to the financial statements Trustees report Reference information Trustees Justin Quinn (Chair) (Centre of English
    [Show full text]
  • Cultural Differences Between Greece and the Czech Republic
    Cultural Differences between Greece and the Czech Republic Prohlašuji, že předložená bakalářská práce je původní a zpracoval/a jsem ji samostatně. Prohlašuji, že citace použitých pramenů je úplná, že jsem v práci neporušil/a autorská práva (ve smyslu zákona č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů, v platném znění, dále též „AZ“). Souhlasím s umístěním bakalářské práce v knihovně VŠPJ a s jejím užitím k výuce nebo k vlastní vnitřní potřebě VŠPJ . Byl/a jsem seznámen/a s tím, že na mou bakalářskou práci se plně vztahuje AZ, zejména § 60 (školní dílo). Beru na vědomí, že VŠPJ má právo na uzavření licenční smlouvy o užití mé bakalářské práce a prohlašuji, že s o u h l a s í m s případným užitím mé bakalářské práce (prodej, zapůjčení apod.). Jsem si vědom/a toho, že užít své bakalářské práce či poskytnout licenci k jejímu využití mohu jen se souhlasem VŠPJ, která má právo ode mne požadovat přiměřený příspěvek na úhradu nákladů, vynaložených vysokou školou na vytvoření díla (až do jejich skutečné výše), z výdělku dosaženého v souvislosti s užitím díla či poskytnutím licence. V Jihlavě dne 11. května 2012 ...................................................... Podpis Acknowledgement I would like to thank to my supervisor Mgr. Zdislava Kratochvílová for her valuable advices during the supervising of my bachelor thesis. Also, my thanks belongs to my parents who supported me during the whole period of studying at the college and also to my friends and people around me. COLLEGE OF POLYTECHNICS JIHLAVA Department of Tourism Cultural Differences between Greece and the Czech Republic Bachelor Thesis Author: Michaela Siberová Supervisor: Mgr.
    [Show full text]