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Beyond Borealism
Beyond Borealism: New Perspectives on the North eds. Ian Giles, Laura Chapot, Christian Cooijmans, Ryan Foster and Barbara Tesio Norvik Press 2016 © 2016 Charlotte Berry, Laura Chapot, Marc Chivers, Pei-Sze Chow, Christian Cooijmans, Jan D. Cox, Stefan Drechsler, Ryan Foster, Ian Giles, Karianne Hansen, Pavel Iosad, Elyse Jamieson, Ellen Kythor, Shane McLeod, Hafor Medbøe, Kitty Corbet Milward, Eleanor Parker, Silke Reeploeg, Cristina Sandu, Barbara Tesio. Norvik Press Series C: Student Writing no. 3 A catalogue record for this book is available from the British Library. ISBN: 978-1-909408-33-3 Norvik Press Department of Scandinavian Studies UCL Gower Street London WC1E 6BT United kingdom Website: www.norvikpress.com E-mail address: [email protected] Managing Editors: Elettra Carbone, Sarah Death, Janet Garton, C.Claire Tomson. Cover design: Sarah Diver Lang and Elettra Carbone Inside cover image: Sarah Diver Lang Layout: Elettra Carbone 2 Contents Introduction 7 Acknowledgements 12 Biographies 13 Editor Biographies 13 Contributor Biographies 15 ECHOES OF HISTORY 21 The Medieval Seal of Reynistaður 22 Stefan Drechsler ‘So Very Memorable a Matter’: Anglo-Danish History and the Encomium Emmae Reginae 41 Eleanor Parker A Similar but Different Boat Tradition: The Import of Boats from Norway to Shetland 1700 to 1872 54 Marc Chivers LINGUISTIC LIAISONS 77 Tonal Stability and Tonogenesis in (North) Germanic 78 Pavel Iosad Imperative Commands in Shetland Dialect: Nordic Origins? 96 Elyse Jamieson 3 ART AND SOCIETY 115 The Battle of Kringen -
Nonprofit Security Grant Program Threat Incident Report
Nonprofit Security Grant Program Threat Incident Report: January 2019 to Present November 15, 2020 (Updated 02/22/2021) Prepared By: Rob Goldberg, Senior Director, Legislative Affairs [email protected] The following is a compilation of recent threat incidents, at home or abroad, targeting Jews and Jewish institutions (and other faith-based organization) that have been reported in the public record. When completing the Threat section of the IJ (Part III. Risk): ▪ First Choice: Describe specific terror (or violent homegrown extremist) incidents, threats, hate crimes, and/or related vandalism, trespass, intimidation, or destruction of property that have targeted its property, membership, or personnel. This may also include a specific event or circumstance that impacted an affiliate or member of the organization’s system or network. ▪ Second Choice: Report on known incidents/threats that have occurred in the community and/or State where the organization is located. ▪ Third Choice: Reference the public record regarding incidents/threats against similar or like institutions at home or abroad. Since there is limited working space in the IJ, the sub-applicant should be selective in choosing appropriate examples to incorporate into the response: events that are most recent, geographically proximate, and closely related to their type or circumstance of their organization or are of such magnitude or breadth that they create a significant existential threat to the Jewish community at large. I. Overview of Recent Federal Risk Assessments of National Significance Summary The following assessments underscore the persistent threat of lethal violence and hate crimes against the Jewish community and other faith- and community-based institutions in the United States. -
2010-2011 Newsletter
Newsletter WILLIAMS G RADUATE PROGRAM IN THE HISTORY OF A RT OFFERED IN COLLABORATION WITH THE CLARK ACADEMIC YEAR 2010–11 Newsletter ••••• 1 1 CLASS OF 1955 MEMORIAL PROFESSOR OF ART MARC GOTLIEB Letter from the Director Greetings from Williamstown! Our New features of the program this past year include an alumni now number well over 400 internship for a Williams graduate student at the High Mu- going back nearly 40 years, and we seum of Art. Many thanks to Michael Shapiro, Philip Verre, hope this newsletter both brings and all the High staff for partnering with us in what promises back memories and informs you to serve as a key plank in our effort to expand opportuni- of our recent efforts to keep the ties for our graduate students in the years to come. We had a thrilling study-trip to Greece last January with the kind program academically healthy and participation of Elizabeth McGowan; coming up we will be indeed second to none. To our substantial community of alumni heading to Paris, Rome, and Naples. An ambitious trajectory we must add the astonishingly rich constellation of art histori- to be sure, and in Rome and Naples in particular we will be ans, conservators, and professionals in related fields that, for a exploring 16th- and 17th-century art—and perhaps some brief period, a summer, or on a permanent basis, make William- sense of Rome from a 19th-century point of view, if I am al- stown and its vicinity their home. The atmosphere we cultivate is lowed to have my way. -
Variation in Form and Function in Jewish English Intonation
Variation in Form and Function in Jewish English Intonation Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Rachel Steindel Burdin ∼6 6 Graduate Program in Linguistics The Ohio State University 2016 Dissertation Committee: Professor Brian D. Joseph, Advisor Professor Cynthia G. Clopper Professor Donald Winford c Rachel Steindel Burdin, 2016 Abstract Intonation has long been noted as a salient feature of American Jewish English speech (Weinreich, 1956); however, there has not been much systematic study of how, exactly Jewish English intonation is distinct, and to what extent Yiddish has played a role in this distinctness. This dissertation examines the impact of Yiddish on Jewish English intonation in the Jewish community of Dayton, Ohio, and how features of Yiddish intonation are used in Jewish English. 20 participants were interviewed for a production study. The participants were balanced for gender, age, religion (Jewish or not), and language background (whether or not they spoke Yiddish in addition to English). In addition, recordings were made of a local Yiddish club. The production study revealed differences in both the form and function in Jewish English, and that Yiddish was the likely source for that difference. The Yiddish-speaking participants were found to both have distinctive productions of rise-falls, including higher peaks, and a wider pitch range, in their Yiddish, as well as in their English produced during the Yiddish club meetings. The younger Jewish English participants also showed a wider pitch range in some situations during the interviews. -
Comment Traduire Une Chanson Populaire Française En Néerlandais ?
Comment traduire une chanson populaire française en néerlandais ? Mémoire de bachelor dans le cadre des études de la Langue et la Culture française , Université d’Utrecht. Michelle Hugens 4212088 Avril 2016 Sous la direction de dr. J. Berns 1 Table des matières 1. Introduction ..................................................................................................................................... 4 2. Théories de traduction de chansons ............................................................................................... 5 2.1. Le pionnier ............................................................................................................................... 5 2.2. Le principe de ´respect´ d´Andrew Kelly ................................................................................. 5 2.2.1. Respectez les rythmes ..................................................................................................... 6 2.2.2. Trouvez et respectez le sens ........................................................................................... 6 2.2.3. Respectez le style ............................................................................................................ 7 2.2.4. Respectez les rimes ......................................................................................................... 7 2.2.5. Respectez le son .............................................................................................................. 7 2.2.6. Respectez le public visé .................................................................................................. -
Marygold Manor DJ List
Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start) -
End of Year Charts: 2010
End Of Year Charts: 2010 Chart Page(s) Top 200 Singles .. .. .. .. .. 2 - 5 Top 200 Albums .. .. .. .. .. 6 - 9 Top 200 Compilation Albums .. .. .. 10 - 13 All rights reserved. No portion of this publication may be reproduced, stored in a retrieval system, posted on an Internet/Intranet web site or forum, forwarded by email, or otherwise transmitted in any form or by any means, electronic, mechanical, photocopying, recording without prior written permission of UKChartsPlus Published by: UKChartsPlus e-mail: [email protected] http://www.UKChartsPlus.co.uk - 1 - Symbols: Platinum (600,000) Gold (400,000) Silver (200,000) 12” Vinyl only 2010 7” Vinyl only Download only Entry Date 2010 2009 2008 2007 Title - Artist Label (Cat. No.) (w/e) High Wks 1 -- -- -- LOVE THE WAY YOU LIE - Eminem featuring Rihanna Interscope (2748233) 03/07/2010 2 28 2 -- -- -- WHEN WE COLLIDE - Matt Cardle Syco (88697837092) 25/12/2010 13 3 3 -- -- -- JUST THE WAY YOU ARE (AMAZING) - Bruno Mars Elektra ( USAT21001269) 02/10/2010 12 15 4 -- -- -- ONLY GIRL (IN THE WORLD) - Rihanna Def Jam (2755511) 06/11/2010 12 10 5 -- -- -- OMG - Usher featuring will.i.am LaFace ( USLF20900103) 03/04/2010 1 41 6 -- -- -- FIREFLIES - Owl City Island ( USUM70916628) 16/01/2010 13 51 7 -- -- -- AIRPLANES - B.o.B featuring Hayley Williams Atlantic (AT0353CD) 12/06/2010 1 31 8 -- -- -- CALIFORNIA GURLS - Katy Perry featuring Snoop Dogg Virgin (VSCDT2013) 03/07/2010 12 28 WE NO SPEAK AMERICANO - Yolanda Be Cool vs D Cup 9 -- -- -- 17/07/2010 1 26 All Around The World/Universal -
Alexia Barandiaran Williams College 2019 Chemistry and French Major Friedberg Fellow
Alexia Barandiaran Williams College 2019 Chemistry and French Major Friedberg Fellow - Spring 2018 FINAL REPORT Alors on Danse : A Study of Ballet in Paris BARANDIARAN 2 Table of Contents Final Report …………………………………………………………………………….page 3 Acknowledgements …………………………………………………………………....page 8 Appendix A: Rédaction sur Onéguide ……………………………………………….page 9 Appendix B : Rédaction sur Orphée et Eurydice …………………………………...page 11 Appendix C : Rédaction sur les pièces d’Anne Teresa Keersmaeker …………....page 13 Appendix D : Rédaction sur les pièces de Thierrée, Schechter, Pérez et Pite ….page 16 Appendix E : Extrait du journal - Deuxième Cours de Danse ……………………..page 20 Appendix F : Extrait du journal - Autre Cours de Danse …………………………...page 21 Appendix G : Extrait du journal - Quelques Notes sur Onéguide ………………....page 22 Appendix H : Extrait du journal - Change de Prof…………………………………...page 23 Appendix I : Extrait du journal - Overview du Cours de Danse…………………….page 24 Appendix J : Extrait du journal - Quelques Notes du Frôlons………………………page 25 Appendix K : Photos Pendant le Semestre ………………………………………….page 26 BARANDIARAN 3 Alors on Danse : A Study of Ballet in Paris This semester, I attended four Paris National Opera Ballet performances with the fellowship fund ; along with this research project, I took ballet courses through my student abroad program at Institut Janine Stalowa. My research project tackled the evolution of ballet, particularly in the French context. In other words, how did ballet evolve over time and what constitutes a ballet even with these differences. Since I was in Paris for language and cultural immersion, I decided to only focus on the French style of ballet, especially since I am familiar with the Russian style (I danced for 15 years at a Russian conservatory-like academy) and the American style (via Williams College). -
The Communal Life of the Sephardic Jews in New York City.Pdf
LOUIS M. HACKER SEPHARDIC JEWS IN NEW YORK CITY not having the slightest desire in the amend the federal acts would be to tween Sephardim and Ashkenazim Aegean. It must be apparent, then, world of becoming acquainted with have everything relating to the pre are more or less familiar; their beai-- that language difficulties stand as the police powers of either state or vention of conception stricken out of ing upon the separatism typical of insuperable obstacles in the path of a federal governments, the average the obscenity laws; another way * the life of the Oriental Jew will at common understanding between Se doctor and druggist are quite wary would be by permissive statute ex once be grasped. It is common phardim and Ashkenazim—at least, of the whole subject. The federal empting from their provisions the knowledge that the Sephardim speak of the first immigrant generations. laws, however, apply not only to the medical and public health professions Hebrew with a slightly different ac The habits of the life of the Se article or agent used in the prevent in the discharge of their duties. If cent, employ synagogue chants which phardim and their general psychology ion of conception, but also to all in the former method were adopted it may be described as Oriental in tone present other reasons for the exist formation on the subject. Such being would in effect throw the mails and rather than Germanic or Slavic, and ence of a real separatism. Coming the case, it is not possible for a doctor common carriers in interstate com have incorporated into their prayer- from the Levant as they have, the Se to obtain books dealing with the sci merce wide open to the advertisement bocks many liturgical poems unfamil phardim have brought a mode of life entific side of Birth Control, nor can and sale of spurious contraceptive in iar to the Ashkenazic ritual. -
Hamburgs Top-821-Hitliste
Hamburgs Top‐821‐Hitliste Rang Wird wann gespielt? Name des Songs Interpret 821 2010‐04‐03 04:00:00 EVERYBODY (BACKSTREET'S BACK) BACKSTREET BOYS 820 2010‐04‐03 04:03:41 GET MY PARTY ON SHAGGY 819 2010‐04‐03 04:07:08 EIN EHRENWERTES HAUS UDO JÜRGENS 818 2010‐04‐03 04:10:34 BOAT ON THE RIVER STYX 817 2010‐04‐03 04:13:41 OBSESSION AVENTURA 816 2010‐04‐03 04:27:15 MANEATER DARYL HALL & JOHN OATES 815 2010‐04‐03 04:31:22 IN MY ARMS KYLIE MINOGUE 814 2010‐04‐03 04:34:52 AN ANGEL KELLY FAMILY 813 2010‐04‐03 04:38:34 HIER KOMMT DIE MAUS STEFAN RAAB 812 2010‐04‐03 04:41:47 WHEN DOVES CRY PRINCE 811 2010‐04‐03 04:45:34 TI AMO HOWARD CARPENDALE 810 2010‐04‐03 04:49:29 UNDER THE SURFACE MARIT LARSEN 809 2010‐04‐03 04:53:33 WE ARE THE PEOPLE EMPIRE OF THE SUN 808 2010‐04‐03 04:57:26 MICHAELA BATA ILLC 807 2010‐04‐03 05:00:29 I NEED LOVE L.L. COOL J. 806 2010‐04‐03 05:03:23 I DON'T WANT TO MISS A THING AEROSMITH 805 2010‐04‐03 05:07:09 FIGHTER CHRISTINA AGUILERA 804 2010‐04‐03 05:11:14 LEBT DENN DR ALTE HOLZMICHEL NOCH...? DE RANDFICHTEN 803 2010‐04‐03 05:14:37 WHO WANTS TO LIVE FOREVER QUEEN 802 2010‐04‐03 05:18:50 THE WAY I ARE TIMBALAND FEAT. KERI HILSON 801 2010‐04‐03 05:21:39 FLASH FOR FANTASY BILLY IDOL 800 2010‐04‐03 05:35:38 GIRLFRIEND AVRIL LAVIGNE 799 2010‐04‐03 05:39:12 BETTER IN TIME LEONA LEWIS 798 2010‐04‐03 05:42:55 MANOS AL AIRE NELLY FURTADO 797 2010‐04‐03 05:46:14 NEMO NIGHTWISH 796 2010‐04‐03 05:50:19 LAUDATO SI MICKIE KRAUSE 795 2010‐04‐03 05:53:39 JUST SAY YES SNOW PATROL 794 2010‐04‐03 05:57:41 LEFT OUTSIDE ALONE ANASTACIA 793 -
Romanian Traditional Musical Instruments
GRU-10-P-LP-57-DJ-TR ROMANIAN TRADITIONAL MUSICAL INSTRUMENTS Romania is a European country whose population consists mainly (approx. 90%) of ethnic Romanians, as well as a variety of minorities such as German, Hungarian and Roma (Gypsy) populations. This has resulted in a multicultural environment which includes active ethnic music scenes. Romania also has thriving scenes in the fields of pop music, hip hop, heavy metal and rock and roll. During the first decade of the 21st century some Europop groups, such as Morandi, Akcent, and Yarabi, achieved success abroad. Traditional Romanian folk music remains popular, and some folk musicians have come to national (and even international) fame. ROMANIAN TRADITIONAL MUSIC Folk music is the oldest form of Romanian musical creation, characterized by great vitality; it is the defining source of the cultured musical creation, both religious and lay. Conservation of Romanian folk music has been aided by a large and enduring audience, and by numerous performers who helped propagate and further develop the folk sound. (One of them, Gheorghe Zamfir, is famous throughout the world today, and helped popularize a traditional Romanian folk instrument, the panpipes.) The earliest music was played on various pipes with rhythmical accompaniment later added by a cobza. This style can be still found in Moldavian Carpathian regions of Vrancea and Bucovina and with the Hungarian Csango minority. The Greek historians have recorded that the Dacians played guitars, and priests perform songs with added guitars. The bagpipe was popular from medieval times, as it was in most European countries, but became rare in recent times before a 20th century revival. -
“Brothers and Sisters of Work and Need”: the Bundist Newspaper Unzer Tsayt and Its Role in New York City, 1941-1944
“Brothers and Sisters of Work and Need”: The Bundist Newspaper Unzer Tsayt and its Role in New York City, 1941-1944 Saul Hankin A thesis submitted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS WITH HONORS DEPARTMENT OF HISTORY UNIVERSITY OF MICHIGAN April 3, 2013 Advised by Professor Scott Spector TABLE OF CONTENTS Acknowledgments ........................................................................................................... ii Introduction ...................................................................................................................... 1 Chapter One: Convergent Histories: Jewish Socialism in New York City and in Eastern Europe, 1881-1941 ................................................................................. 9 Chapter Two: The Bundist Past and Present: Historiography and Holocaust in Unzer Tsayt .......................................................................................................... 29 Chapter Three: Solving the “Jewish Question”: Anti-Zionism in Unzer Tsayt ....... 49 Conclusion ...................................................................................................................... 72 Bibliography ................................................................................................................... 77 ACKNOWLEDGMENTS My sincere thanks go to the following people and institutions that made this thesis possible: Professor Scott Spector, my thesis advisor, in particular for always encouraging me to engage more with primary