Host Plant Resistance and Variety Development
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Transferring of the Biological Nitrification Inhibition (BNI) Character from Leymus Racemosus to Wheat
Transferring of the biological nitrification inhibition (BNI) character from Leymus racemosus to wheat Kishii M1, Ban T2, Subbarao GV3, Ortiz-Monasterio I1 1CIMMYT (International Maize and Wheat Improvement Center) Apdo. Postal 6-641, 06600 Mexico, D.F., Mexico, 2Kihara biology Institute Yokohama City University Maiokacho, Totsuka-ku, Yokohama-shi 244- 0813 Japan, 3Japan International Research Center for Agricultural Sciences (JIRCAS), 1-1 Ohwashi, Tsukuba, Ibaraki 305-0035, Japan ABSTRACT MATERIALS AND METHODS Biological nitrification inhibition (BNI) is a character that may result in a reduction of emissions of nitrous Plant materials oxide (N O), a green house gas that has more than 300 2 Two varieties of bread wheat, Chinese Spring (CS) and times the warming power of CO as well as other forms 2, Nobeokabouzu, were used for the study. One accession of N which are lost to the environment. The BNI of Leymus racemosus (Lam.) Tzvelev was collected character has not been found in the three major crops; along the Black Sea coast (accession number HT15405) wheat, rice and maize. However, Leymus racemosus, and has maintained as clones. The L. racemosus alien species of wheat, has shown high BNI capacity. chromosome addition or substitution lines were One of L. racemosus chromosome addition lines of produced in Tottori University, Japan (Kishii et al. 2004) wheat, Lr#n chromosome addition line, expressed about or provided from the Wheat Genetic and Genomic 80% of BNI character of L. racemosus, showing that Resources Center (WGGRC), Kansas State University BNI can be transferred into a wheat background. Two (Qi et al. 1998). Chinese Spring monosomic 3B, 5B, other addition lines showed higher levels of BNI than and 7B lines (2n=41) and ph1b line have been the parental wheat line. -
Genetic Diversity and Phylogeny in Hystrix (Poaceae, Triticeae) and Related Genera Inferred from Giemsa C-Banded Karyotypes
Genetics and Molecular Biology, 32, 3, 521-527 (2009) Copyright © 2009, Sociedade Brasileira de Genética. Printed in Brazil www.sbg.org.br Research Article Genetic diversity and phylogeny in Hystrix (Poaceae, Triticeae) and related genera inferred from Giemsa C-banded karyotypes Hai-Qin Zhang1,2, Rui-Wu Yang3, Li Zhang3, Chun-Bang Ding3, Jian Zeng1 and Yong-Hong Zhou1,2 1Triticeae Research Institute, Sichuan Agricultural University, Sichuan, China. 2Key Laboratory of Crop Genetic Resources and Improvement, Ministry of Education, Sichuan Agricultural University, Sichuan, China. 3College of Biology and Science, Sichuan Agricultural University, Sichuan, China. Abstract The phylogenetic relationships of 15 taxa from Hystrix and the related genera Leymus (NsXm), Elymus (StH), Pseudoroegneria (St), Hordeum (H), Psathyrostachys (Ns), and Thinopyrum (E) were examined by using the Giemsa C-banded karyotype. The Hy. patula C-banding pattern was similar to those of Elymus species, whereas C-banding patterns of the other Hystrix species were similar to those of Leymus species. The results suggest high genetic diversity within Hystrix, and support treating Hy. patula as E. hystrix L., and transferring Hy. coreana, Hy. duthiei ssp. duthiei and Hy. duthiei ssp. longearistata to the genus Leymus. On comparing C-banding patterns of Elymus species with their diploid ancestors (Pseudoroegneria and Hordeum), there are indications that certain chro- mosomal re-arrangements had previously occurred in the St and H genomes. Furthermore, a comparison of the C-banding patterns of the Hystrix and Leymus species with the potential diploid progenitors (Psathyrostachys and Thinopyrum) suggests that Hy. coreana and some Leymus species are closely related to the Ns genome of Psathyrostachys, whereas Hy. -
Beyond Borealism
Beyond Borealism: New Perspectives on the North eds. Ian Giles, Laura Chapot, Christian Cooijmans, Ryan Foster and Barbara Tesio Norvik Press 2016 © 2016 Charlotte Berry, Laura Chapot, Marc Chivers, Pei-Sze Chow, Christian Cooijmans, Jan D. Cox, Stefan Drechsler, Ryan Foster, Ian Giles, Karianne Hansen, Pavel Iosad, Elyse Jamieson, Ellen Kythor, Shane McLeod, Hafor Medbøe, Kitty Corbet Milward, Eleanor Parker, Silke Reeploeg, Cristina Sandu, Barbara Tesio. Norvik Press Series C: Student Writing no. 3 A catalogue record for this book is available from the British Library. ISBN: 978-1-909408-33-3 Norvik Press Department of Scandinavian Studies UCL Gower Street London WC1E 6BT United kingdom Website: www.norvikpress.com E-mail address: [email protected] Managing Editors: Elettra Carbone, Sarah Death, Janet Garton, C.Claire Tomson. Cover design: Sarah Diver Lang and Elettra Carbone Inside cover image: Sarah Diver Lang Layout: Elettra Carbone 2 Contents Introduction 7 Acknowledgements 12 Biographies 13 Editor Biographies 13 Contributor Biographies 15 ECHOES OF HISTORY 21 The Medieval Seal of Reynistaður 22 Stefan Drechsler ‘So Very Memorable a Matter’: Anglo-Danish History and the Encomium Emmae Reginae 41 Eleanor Parker A Similar but Different Boat Tradition: The Import of Boats from Norway to Shetland 1700 to 1872 54 Marc Chivers LINGUISTIC LIAISONS 77 Tonal Stability and Tonogenesis in (North) Germanic 78 Pavel Iosad Imperative Commands in Shetland Dialect: Nordic Origins? 96 Elyse Jamieson 3 ART AND SOCIETY 115 The Battle of Kringen -
Romanian Traditional Musical Instruments
GRU-10-P-LP-57-DJ-TR ROMANIAN TRADITIONAL MUSICAL INSTRUMENTS Romania is a European country whose population consists mainly (approx. 90%) of ethnic Romanians, as well as a variety of minorities such as German, Hungarian and Roma (Gypsy) populations. This has resulted in a multicultural environment which includes active ethnic music scenes. Romania also has thriving scenes in the fields of pop music, hip hop, heavy metal and rock and roll. During the first decade of the 21st century some Europop groups, such as Morandi, Akcent, and Yarabi, achieved success abroad. Traditional Romanian folk music remains popular, and some folk musicians have come to national (and even international) fame. ROMANIAN TRADITIONAL MUSIC Folk music is the oldest form of Romanian musical creation, characterized by great vitality; it is the defining source of the cultured musical creation, both religious and lay. Conservation of Romanian folk music has been aided by a large and enduring audience, and by numerous performers who helped propagate and further develop the folk sound. (One of them, Gheorghe Zamfir, is famous throughout the world today, and helped popularize a traditional Romanian folk instrument, the panpipes.) The earliest music was played on various pipes with rhythmical accompaniment later added by a cobza. This style can be still found in Moldavian Carpathian regions of Vrancea and Bucovina and with the Hungarian Csango minority. The Greek historians have recorded that the Dacians played guitars, and priests perform songs with added guitars. The bagpipe was popular from medieval times, as it was in most European countries, but became rare in recent times before a 20th century revival. -
VASCULAR PLANTS of MINNESOTA a Checklist and Atlas
VASCULAR PLANTS of MINNESOTA This page intentionally left blank VASCULAR PLANTS of MINNESOTA A Checklist and Atlas Gerald B. Ownbey and Thomas Morley UNIVERSITY OF MINNESOTA MINNEAPOLIS • LONDON The University of Minnesota Press gratefully acknowledges the generous assistance provided for the publication of this book by the Margaret W. Harmon Fund Minnesota Department of Transportation Minnesota Landscape Arboretum Minnesota State Horticultural Society Olga Lakela Herbarium Fund—University of Minnesota—Duluth Natural Heritage Program of the Minnesota Department of Natural Resources Copyright © 1991 by the Regents of the University of Minnesota. First paperback printing 1992 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 2037 University Avenue Southeast, Minneapolis, MN 55455 Printed in the United States of America on acid-free paper Library of Congress Cataloging-in-Publication Data Ownbey, Gerald B., 1916- Vascular plants of Minnesota : a checklist and atlas / Gerald B. Ownbey and Thomas Morley. p. cm. Includes bibliographical references and index. ISBN 0-8166-1915-8 1. Botany-Minnesota. 2. Phytogeography—Minnesota— Maps. I. Morley, Thomas. 1917- . II. Title. QK168.096 1991 91-2064 582.09776-dc20 CIP The University of Minnesota is an equal-opportunity educator and employer. Contents Introduction vii Part I. Checklist of the Vascular Plants of Minnesota 1 Pteridophytes 3 Gymnosperms 6 Angiosperms 7 Appendix 1. Excluded names 81 Appendix 2. Tables 82 Part II. Atlas of the Vascular Plants of Minnesota 83 Index of Generic and Common Names 295 This page intentionally left blank Introduction The importance of understanding the vegetation of al distributional comments. -
Global Relationships Between Plant Functional Traits and Environment in Grasslands
GLOBAL RELATIONSHIPS BETWEEN PLANT FUNCTIONAL TRAITS AND ENVIRONMENT IN GRASSLANDS EMMA JARDINE A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Department of Animal and Plant Sciences Submission Date July 2017 ACKNOWLEDGMENTS First of all I am enormously thankful to Colin Osborne and Gavin Thomas for giving me the opportunity to undertake the research presented in this thesis. I really appreciate all their invaluable support, guidance and advice. They have helped me to grow in knowledge, skills and confidence and for this I am extremely grateful. I would like to thank the students and post docs in both the Osborne and Christin lab groups for their help, presentations and cake baking. In particular Marjorie Lundgren for teaching me to use the Licor, for insightful discussions and general support. Also Kimberly Simpson for all her firey contributions and Ruth Wade for her moral support and employment. Thanks goes to Dave Simpson, Maria Varontsova and Martin Xanthos for allowing me to work in the herbarium at the Royal Botanic Gardens Kew, for letting me destructively harvest from the specimens and taking me on a worldwide tour of grasses. I would also like to thank Caroline Lehman for her map, her useful comments and advice and also Elisabeth Forrestel and Gareth Hempson for their contributions. I would like to thank Brad Ripley for all of his help and time whilst I was in South Africa. Karmi Du Plessis and her family and Lavinia Perumal for their South African friendliness, warmth and generosity and also Sean Devonport for sharing all the much needed teas and dub. -
Desirable Characteristics in Perennial Triticeae Collected in China for Wheat Improvement
Hereditas 116: 175-1 78 (1992) Desirable characteristics in perennial Triticeae collected in China for wheat improvement Y. S. DONG', R. H. ZHOU', S. J. XU', L. H. LI', Y. CAUDERON2 and R. R-C. WANG3 ' Institute of Crop Germplasm Resources, Chinese Academy of Agricultural Sciences, Beijing 1OOO81, People's Republic of China INRA, 15 Avenue Mirabeau, 78000 Versaiiles, France ' USDA-ARS, Forage and Range Research, Utah State University, Logan, UT 84322-6300, USA DONG,Y. S., ZHOU, R. H., Xu, S. J., LI, L. H., CAUDERON,Y. and WANG,R. R-C. 1992. Desirable characteristics in perennial Triticeae collected in China for wheat improvement. - Hereditas 116: 175- 178. Lund, Sweden. ISSN 0018-0661. Received August 2, 1991. Accepted November 19, 1991 Perennial Triticeae in China contain an enormous gene pool that has a great potential for Wheat improvement. Collecting expeditions to 12 provinces of Northern China have been carried out. It has been found that most collections of Agropyron mongolicum, A. cristatum, A. desertorurn, and Leymus chinensis, L. secalinus are drought tolerant, and that some collections of Hordeum brevisubularum, Leymus chinensis are tolerant to saline-alkali soil. 443 accessions of perennial Triticeae were screened for resistance to powdery mildew, 248 accessions and 93 accessions were screened for resistance to BYDV strains PAV and RPV, respecitvely, and some species resistant to the diseases were found. A brief description of utilization of perennial Triticeae for wheat improvement in China is given in this paper. Y. S. Dong, Institute of Crop Germplasm Resources, Chinese Academy of Agriculrural Sciences, Beijing 10008/, People's Republic of China Genetic diversity is the prerequisite in breeding to several diseases, valuable germplasm was iden- efforts for crop improvement. -
Dutch Companies @ Popkomm 2008
Dutch companies @ Popkomm 2008 Over 40 Dutch companies at Popkomm The Dutch music industry is full speed ahead at Popkomm 2008. The Dutch stand in Hall 18 serves as meeting point and networking space for Dutch music industry professionals with their peers from abroad. Buma Cultuur utilises the Dutchsound.nl stand at Popkomm and promotes Dutch music at the convention. Come to the Dutchsound.nl stand if you want to know more about music from Holland or want to get in touch with a specific person or company. Find out which companies will be present at the Dutchsound.nl stand in the list of co-exhibitors: 8ball Music B.V. Zevenend 45 II 1251 RL LAREN NH tel. +31 (0)35 533 34 64 [email protected] www.8ballmusic.com Daan van Rijsbergen (A&R manager) [email protected] mob. +31 (0)6 53 93 12 72 Tony van de Berkt (general manager) [email protected] mob. +31 (0)6 29 73 11 93 Robin van Beek (marketing manager) [email protected] mob. +31 (0)6 29 73 11 92 8ball Music is a Dutch pop record label that focuses on developing new artists. 8ball was founded in 2006, as a strategic joint venture between Talpa Music and Sony BMG International. Within their short period of operations, the label became very successful in the Netherlands with new artists such as Alain Clark (platinum selling), Leaf (no.1 airplay single 2007), XYP (#1 and #2 single in Top-40) and DJ Porny (licensed in 16 countries). 8ball also exploits television content in conjunction with Luxemburg-based RTL Television Networks. -
©2017 Renata J. Pasternak-Mazur ALL RIGHTS RESERVED
©2017 Renata J. Pasternak-Mazur ALL RIGHTS RESERVED SILENCING POLO: CONTROVERSIAL MUSIC IN POST-SOCIALIST POLAND By RENATA JANINA PASTERNAK-MAZUR A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Music Written under the direction of Andrew Kirkman And approved by _____________________________________ _____________________________________ _____________________________________ _____________________________________ New Brunswick, New Jersey January 2017 ABSTRACT OF THE DISSERTATION Silencing Polo: Controversial Music in Post-Socialist Poland by RENATA JANINA PASTERNAK-MAZUR Dissertation Director: Andrew Kirkman Although, with the turn in the discipline since the 1980s, musicologists no longer assume their role to be that of arbiters of “good music”, the instruction of Boethius – “Look to the highest of the heights of heaven” – has continued to motivate musicological inquiry. By contrast, music which is popular but perceived as “bad” has generated surprisingly little interest. This dissertation looks at Polish post-socialist music through the lenses of musical phenomena that came to prominence after socialism collapsed but which are perceived as controversial, undesired, shameful, and even dangerous. They run the gamut from the perceived nadir of popular music to some works of the most renowned contemporary classical composers that are associated with the suffix -polo, an expression -
Enlisting Wild Grass Genes to Combat Nitrification in Wheat Farming: a Nature-Based Solution
Enlisting wild grass genes to combat nitrification in wheat farming: A nature-based solution Guntur V. Subbaraoa,1,2, Masahiro Kishiib,1, Adrian Bozal-Leorric, Ivan Ortiz-Monasteriob, Xiang Gaoa, Maria Itria Ibbab, Hannes Karwatb, M. B. Gonzalez-Moroc, Carmen Gonzalez-Muruac, Tadashi Yoshihashia, Satoshi Tobitad, Victor Kommerellb, Hans-Joachim Braunb, and Masa Iwanagaa aCrop, Livestock and Environment Division, Japan International Research Center for Agricultural Sciences, Ibaraki 305-8686, Japan; bGlobal Wheat Program, International Maize and Wheat Improvement Center, 56237 Texcoco, Mexico; cDepartment of Plant Biology and Ecology, University of the Basque Country, E-48080 Bilbao, Spain; and dCollege of Bioresources Sciences, Nihon University, Kanagawa 252-0880, Japan Edited by Donald R. Ort, University of Illinois at Urbana-Champaign, Urbana, IL, and approved July 13, 2021 (received for review May 3, 2021) − Active nitrifiers and rapid nitrification are major contributing less metabolic energy) than NO3 assimilation (16). Often, a factors to nitrogen losses in global wheat production. Suppressing stimulatory growth response is observed in wheat, when 15 to 30% N − + nitrifier activity is an effective strategy to limit losses from ag- of NO3 is replaced with NH4 in nutrient solutions (17, 18). riculture. Production and release of nitrification inhibitors from Synthetic nitrification inhibitors (SNIs) have been shown to “ ” plant roots is termed biological nitrification inhibition (BNI). suppress N2O emissions, reduce N losses, and improve -
Mexp 2.05 Korekta 3.05.Indd
CAAMA 2020 PRESENTS POLAND MARKET ACCESS GUIDE PREPARED by Music Export Poland for CAAMA The Canadian Association for the Advancement of Music and the Arts Export Opportunities for Canadian Companies www.caama.org CAAMA 2020 PRESENTS POLAND MARKET ACCESS GUIDE PREPARED by Music Export Poland for CAAMA The Canadian Association for the Advancement of Music and the Arts Export Opportunities for Canadian Companies www.caama.org CAAMA 2020 PRESENTS POLAND MARKET ACCESS GUIDE Table of Contents 1. Welcome to Poland 2. The history of popular music in Poland 3. What do Poles listen to? 4. ZAIKS – Presentation of the organization 5. Canadians are invited – An interview with the director of ZAIKS 6. ZPAV – Organizational characteristics and the scope of activities 7. Fryderyk Awards 8. 12th in the world 9. Canadian music artists in Poland 10. The music market – production and distribution 11. We haven’t felt a decline in physical media sales – An interview with Michał Wardzała from Mystic 12. Streaming and digital sales 13. Play it again, live! 14. Take the stage at a showcase event 15. An interview with Tomasz Waśko 16. Where to record, who to record with and what that may look like 17. Growing audience numbers and the strength of the Polish concert market 18. Live in Poland 19. TV 20. Radio 21. Print media 22. Online 23. PR agencies 24. Content marketing 25. You’ll be treated well 26. Music Export Poland Canadian Association for the Advancement of Music and the Arts 3 CAAMA 2020 PRESENTS POLAND MARKET ACCESS GUIDE MESSAGE FROM H.E. -
Victoria Kovalenchikova
VICTORIA KOVALENCHIKOVA Kovalenchikova is inspired by the connection between all humans and in her series “Earth” she explores the planet as a work of art. Using google images to explore the Earth in its entirety, she plays with angles and textures. An earlier series focused on the tightly zoomed in areas of urban cities, and the “Earth” series is the antithesis of this micro exploration. Victoria Kovalenchikova was born in Mogilev, Belarus in 1978 and in 2002 she received a degree from Belarusian State Academy of Arts. Kovalenchikova states, “Although we humans may feel like disconnected, independent fragments, Earth reminds us that we are all united on this place: notes within a larger symphony of life. No different from the massive whale in the ocean or the tiniest needle of a pine tree. There is no way out; to save ourselves we must save our home” Her fascination with the cityscape, both its architecture and inhabitants, is evident in most of her works. She frequently attempts to portray the passage of time by recalling seemingly innocuous events, ingrained in our collective memory, unfolding at specific locations. Recently Victoria started to create new EARTH paintings, which are dedicated to our planet and universe. Most importantly, she views her creative process as a means of representing the kaleidoscope of life by piecing together its infinite fragments. Kovalenchikova's works can be found in private and corporate art collections and museums worldwide from Europe to China, Saudi Arabia, the USA and India. Education 1996 - 2002 Belarusian State Academy of Arts, Painting Department, professors M.