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Bright Lights Film Festival Set to Screen Controversial Film 'Adam'
The Berkeley Beacon • November 11, 2019 • https://berkeleybeacon.com/bright-lights-film-festival-set- to-screen-controversial-film-adam/ Bright Lights Film Festival set to screen controversial film ‘Adam’ By Taina Millsap, Staff Writer Emerson College plans to screen Adam at the Nov. 12 Bright Lights Film Festival—a movie that has drawn significant criticism from the LGBTQ community and is the subject of a petition advocating for its removal from theaters. When the 2019 comedy film Adam premiered at Sundance Film Festival in January, it immediately drew negative attention from the LGBTQ community. Many queer people criticized the film for being homophobic and transphobic, with many calling for bans on the film with Anna Feder works as the curator of the Bright Lights Film petitions. Festival, which will bring controversial film 'Adam' to campus on Nov. 12. Montse Landeros / Beacon Staff One petition with over 4,100 signatures at the time of publication claims the film’s subject matter represents lesbian and transgender culture in a harmful way. “This movie is putting down trans men as not being real men. By implying that a lesbian would date a trans man,” the petition read. “Which isn’t true, because a lesbian only finds women sexually or romantically attractive. This movie puts down Lesbian and Trans culture. Which the LGBT+ community does not tolerate.” The movie currently has a 2.2/10 star rating on IMDb. The film is adapted from a book known by the same title, written by author Ariel Schrag. Wicked Queer, a Boston-based LGBTQ film festival, will co-present the film as part of Trans Awareness Week. -
Pdfs.” Need Contributions for Your Zine? Looking for a Zine to Submit Your Art Or Writing To? Visit the Compilation Station, Compilationstation
Zine World: A Reader’s Guide to the Underground Press No. 30 – January 2011 payment options Payment may be made in U.S. cash, stamps, or money order (payable to Jerianne). Payment may also be made via PayPal. Visit www.undergroundpress. PO Box 330156 org/ordering-zine-world for more details. Sorry, we can’t take checks. Zine World is not a business, and like most non- Murfreesboro TN 37133 mainstream publications, we don’t have a bank account. Most of the publications reviewed in Zine World have similar policies – transactions for underground materials are almost always conducted with cash. Please send well-wrapped www.undergroundpress.org American cash, stamps, IRCs, or money orders. Zine World has always depended on donations from our readers to help keep our boat floating. For those who can afford it, we appreciate any donations (of cash or stamps) you can send. Advertising: [email protected] • Donate $100 or more, and we’ll give you a lifetime subscription. • Donate to our Prisoner Subscription Fund to help us send copies of Zine Art: [email protected] World to fill prisoner requests. Resource Listings: [email protected] about zine world If you are not fully satisfied with Zine World, tough shit. Subscribing, buying Editor / Distribution / Subscriptions: an ad, enclosing a nice letter, or giving our zine a good review in your zine does not [email protected] entitle you to a good review, and hurt feelings do not entitle you to a refund. We don’t do refunds. Zine World is published by an all-volunteer staff. -
Education Honors & Awards Residencies Publications
PO Box 27702, Providence, RI 02907 Kevin [email protected] Czap KEVINCZAP.COM b. 1985 Ann Arbor, MI EDUCATION Bachelor of Fine Art, Visual Arts and Technology, Cleveland Institute of Art — 2003-2008 HONORS & AWARDS CXC Emerging Talent Award — 2016 Most Remarkable Micro-Press, The Tiny Report Micro-Press Yearbook — 2015 Best Webcomic SPACE Prize — 2011 Eastman ‘12-Bolton Memorial Prize — 2006 RESIDENCIES Center for Cartoon Studies Fellowship, White River Junction, VT — 2017-2018 Mothers News Residency, Providence, RI — 2017 PUBLICATIONS BOOKS, LONG FORM WORK & COLLECTIONS Four Years, Czap Books — 2018-present Fütchi Perf, Uncivilized Books — 2017 Fütchi Perf, Czap Books — 2015 Project: Ballad, w/ Michael Peterson, self-published — 2012-2014 A Lesson in Survival, Czap Books — 2013 Birthday Surprise, Czap Books — 2012 Spoilers, self-published — 2006-2010 SHORT FORM “The Letting Go,” Ley Lines no. 8, Czap Books/Grindstone Comics — 2016 “The New Cast,” Hazlitt — 2016 “Lyrics Sheet” self-published — 2014 “Fütchie Perf” self-published — 2013 “Pace 1 Dies With Both Eyes on the Jackpot” self-published — 2013 “He Fought Like a Tiger in a Trap,” w/ Cathy G. Johnson, self-published — 2013 Trigger 1-12 self-published — 2012 “Need More” self-published — 2012 “Waffle” self-published — 2011 page 1 PO Box 27702, Providence, RI 02907 Kevin [email protected] Czap KEVINCZAP.COM ANTHOLOGIES “A Souvenir,” Loving Richard’s Vallery, Ubutopia Press — 2018 “The Last Time You Saw Cleveland,” Cleveland SCENE vol 44, issue 28 — 2015 “Neon Genesis Evangelion,” -
Zines and Minicomics Collection
http://oac.cdlib.org/findaid/ark:/13030/c85t3pmt No online items Guide to the Zines and Minicomics Collection Finding Aid Authors: Anna Culbertson and Adam Burkhart. © Copyright 2014 Special Collections & University Archives. All rights reserved. 2014-05-01 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Guide to the Zines and MS-0278 1 Minicomics Collection Guide to the Zines and Minicomics Collection 1985 Special Collections & University Archives Overview of the Collection Collection Title: Zines and Minicomics Collection Dates: 1985- Bulk Dates: 1995- Identification: MS-0278 Physical Description: 42.25 linear ft Language of Materials: EnglishSpanish;Castilian Repository: Special Collections & University Archives 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Access Terms This Collection is indexed under the following controlled access subject terms. Topical Term: American poetry--20th century Anarchism Comic books, strips, etc. Feminism Gender Music Politics Popular culture Riot grrrl movement Riot grrrl movement--Periodicals Self-care, Health Transgender people Women Young women Accruals: 2002-present Conditions Governing Use: The copyright interests in these materials have not been transferred to San Diego State University. Copyright resides with the creators of materials contained in the collection or their heirs. The nature of historical archival and manuscript collections is such that copyright status may be difficult or even impossible to determine. Requests for permission to publish must be submitted to the Head of Special Collections, San Diego State University, Library and Information Access. -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... The Graphic Memoir and the Cartoonist’s Memory A Dissertation Presented by Alice Claire Burrows to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University August 2016 Stony Brook University The Graduate School Alice Claire Burrows We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. _________________________________________________________ Raiford Guins, Professor, Chairperson of Defense _________________________________________________________ Robert Harvey, Distinguished Professor, Cultural Analysis & Theory, Dissertation Advisor _________________________________________________________ Krin Gabbard, Professor Emeritus, Cultural Analysis & Theory _________________________________________________________ Sandy Petrey, Professor Emeritus, Cultural Analysis & Theory _________________________________________________________ David Hajdu, Associate Professor, Columbia University, Graduate School of Journalism This dissertation is accepted by the Graduate School ___________________________ Charles Taber Dean of the Graduate School ii Abstract of the Dissertation -
Representations of Queer Women of Colour in Contemporary Fiction and Graphic Narratives
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output Misdirection : representations of queer women of colour in contemporary fiction and graphic narratives http://bbktheses.da.ulcc.ac.uk/196/ Version: Full Version Citation: Earle, Monalesia (2016) Misdirection : representations of queer women of colour in contemporary fiction and graphic narratives. PhD thesis, Birkbeck, University of London. c 2016 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email Misdirection: Representations of Queer Women of Colour in Contemporary Fiction and Graphic Narratives Thesis submitted for the degree of Doctor of Philosophy at Birkbeck Monalesia Earle Birkbeck, University of London 1 Declaration I, Monalesia Earle, declare that this thesis is all my own work. Signed declaration _________________________________ Date __________________________ 2 Abstract This thesis examines the notion of misdirection and queer women of colour representation in contemporary fiction and graphic narratives. Its aim is to analyse the gaps in discursive debates that overlook or minimise queer women of colour subjectivities. In so doing, it develops new lines of critical enquiry that bring into dialogue recurring themes of race, gender, class, homophobia, sexual violence and trauma. The thesis discusses five texts published between 1982 and 2008, opening up critical pathways into the interrogation of intersecting oppressions that limit and/or completely eradicate the voices and realities of queer women of colour. Developing the notion of misdirection as both an analytical and performative tool that problematises ‘difference’, this thesis shows that through contemporary framings, queer women of colour representation in literary fiction and comics/graphic narratives can be liberated from the cultural hegemony of white- centric paradigms. -
Comics, Graphic Narratives, and Lesbian Lives
14 HEIKE BAUER Comics, Graphic Narratives, and Lesbian Lives Lesbian comics and graphic narratives have gained unprecedented cultural presence in the twenty-fi rst century. 1 The publication of Alison Bechdel’s graphic memoir Fun Home (2006) marks the pivotal moment in this development as it pushed both comics and lesbian cultural production into the literary mainstream. Part of the popular – and critical – appeal of Fun Home is because of the book’s literariness: its modernist frame- work and the intertextual references to queer and mainstream fi ction by which the narrative takes shape. Furthermore, Fun Home’s focus on the queer subjects of a diffi cult family history speaks to some of the most prevalent concerns in contemporary cultural criticism: the contingencies of feelings, and the relationship between individual and collective identity formations. Fun Home makes a distinct contribution to these debates by insisting that lesbianism is “the central organizing principle of [Alison’s] existence,” shaping her own life and the ways she views – and is viewed by – the world. 2 The work prompts specifi c questions about the category of “lesbian comics” and what it can tell us about comics, lesbian lives, and the cultural visibility of both. This chapter takes Bechdel’s work as its start-and-end point for exam- ining contemporary lesbian comics. It contextualizes and historicizes her work by providing an overview of major developments in lesbian comics. Paying particular attention to the gendered conditions of possibility that defi ne comics culture, the chapter addresses a gap in contemporary (queer) criticism: that despite the surge in interest in Bechdel’s work and graphic narratives more broadly,3 and despite the existence of a substantial online archive about lesbian comics created by artists, readers, and collectors, 4 we still need more sustained critical studies of contemporary lesbian com- ics. -
Fandom Events
FANDOM EVENTS The following is a selection of the most popular among various types of fandom events held in the United States: Anime • Ani-Jam (Fresno, CA) • Animazement (Raleigh, NC) • Anime Boston (Boston, MA) • Anime Central (Rosemont, IL) • Anime Detour (Bloomington, MN) • Anime Expo (Los Angeles, CA) • Anime Festival Orlando (Orlando, FL) • Anime Festival Wichita (Wichita, KA) • Anime Matsuri (Houston, TX) • Anime Miami (Miami, FL) • Anime Mid-Atlantic (Chesapeake, VA) • Anime Midwest (Rosemont, IL) • Anime Milwaukee (Milwaukee, WI) • Anime NebrasKon (Omaha, NE) • Anime Punch! (Columbus, OH) • Anime USA (Washington, DC) • Anime Weekend Atlanta (Atlanta, GA) • AnimeFest (Dallas, TX) • AnimeIowa (Coralville, IA) • AnimeNEXT (Somerset, NJ) • Aniwave (Wilmington, NC) • Bak-Anime (Bakersfield, CA) • ColossalCon (Sandusky, OH) • Con-Nichiwa (Tucson, AZ) • EvilleCon (Evansville, IN) • FanimeCon (San Jose, CA) • Ikasucon (Fort Wayne, IN) • JAFAX (Allendale, MI) • Japan Expo USA (San Mateo, CA) • Kami-Con (Birmingham, AL) • Katsucon (National Harbor, MD) • Kawaii Kon (Honolulu, Hl) • KotoriCon (Sewell, NJ) • Kumoricon (Vancouver, WA) • Matsuricon (Columbus, OH) RICHARD K. MILLER & ASSOCIATES • 1 • • MechaCon (New Orleans, LA) • Metrocon (Tampa, FL) • Middle Tennessee Anime Convention (Murfreesboro, TN) • Naka-Kon (Overland Park, KS) • Nan Desu Kan (Denver, CO) • NashiCon (Columbia, SC) • No Brand Con (Eau Claire, WI) • Ohayocon (Columbus, OH) • OMGcon (Owensboro, KY) • Otakon (Baltimore, MD) • Otakon Vegas (Las Vegas, NV) • PortConMaine (South -
Industry Space and Structures of Power at the San Diego Comic-Con
Making Fandom Work: Industry Space and Structures of Power at the San Diego Comic-Con by Erin Melissa Hanna A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Screen Arts and Cultures) in the University of Michigan 2014 Doctoral Committee: Associate Professor Sheila C. Murphy, Chair Associate Professor Dan Chilcote Herbert Associate Professor Aswin Punathambekar Associate Professor Yeidy M. Rivero Comic-Con Souvenir Book Cover, Dick Giordano, 1981 (Stadler, Mark, ed. 1981 San Diego Comic-Con Souvenir Book. San Diego: San Diego Comic-Con, Inc., 1981.) © Erin Hanna 2014 For Daddy I only have to close my eyes dear And suddenly I’m where you are ii ACKNOWLEDGEMENTS It seems strange, at the end of a process so dependent on intensive research and critical thought, to shift gears and channel something directly from my heart onto the page. Some people talk about their dissertation or book as a labour of love. But if I’m speaking from the heart here, I should confess that most of the time it just felt like a lot of really hard work; hard work that was fueled by the love and generosity of a lot of people, whom I’m incredibly lucky to have in my life. It’s really their love that made my labour possible. I was very fortunate to have an array of fabulous professors and mentors as I worked towards my Bachelors and Masters degrees at York University’s Department of Film. John McCullough and Suzie Young encouraged me to pursue graduate school and their instruction and mentorship spurred my intellectual growth and changed the way I thought about media. -
Vasilios (Bill) Kartalopoulos 990 Bushwick Avenue #4C • Brooklyn, NY 11221 917 209-7267 • [email protected]
Vasilios (Bill) Kartalopoulos 990 Bushwick Avenue #4C • Brooklyn, NY 11221 917 209-7267 • [email protected] EDUCATION Dartmouth College, Hanover, New Hampshire • Bachelor of Arts in History, 1999 • Kemeny Computing Prize for Innovation, 1995 • Grant recipient as Co-Editor and Founder of student comics anthology: Vox Pop Comix (1999) The New School University, New York • MA in Media Studies, 2013 • Departmental Scholarship Recipient, Spring 2010 TEACHING The School of Visual Arts, Faculty Member, 2014 to present • “The History of Visual Storytelling” in the MFA Visual Narrative program The New School University, Part-Time Lecturer, 2008 to 2012 and 2015 to present • “Reading Graphic Novels.” • “The History of Illustration.” • “Comics History.” EDITORIAL/PUBLISHING The Best American Comics, Series Editor, Fall 2012 to present • Series editor of New York Times best-selling annual anthology series published by Houghton Mifflin Harcourt, beginning with 2014 edition. Collaboration with Series Editors including Scott McCloud, Jonathan Lethem, and Roz Chast. After Nothing Comes, Editor and Designer, May 2016 • Edited and designed anthology of work by Aidan Koch for Koyama Press World Literature Today, Guest Editor (March-April 2016 issue) • Commissioned and wrote pieces on international comics American Book Review, Guest Editor for Comics Focus section (January-February 2015 issue) • Commissioned and wrote pieces on comics Rebus Books, editor and publisher, Fall 2012 • Started small, independent press dedicated to avant-garde comics • Coverage of debut book, Barrel of Monkeys by Florent Ruppert and Jérôme Mulot, in Publishers Weekly, Hyperallergic, Slate and other venues. Toon Books, Publishing Associate, 2008 • Duties pertaining to the preparation of launching a new line of hardcover comics for early readers published by Françoise Mouly • Production, proofreading, copywriting, and promotion for the first two seasons of books. -
January 2020 - Volume 26 Issue 1
Lavender Notes Improving the lives of LGBTQ older adults Volunteer through community building, education, and advocacy. Donate with PayPal Celebrating 25 years of service and positive change January 2020 - Volume 26 Issue 1 Doris I. “Lucki” Allen, PhD [Chief Warrant Officer 3, Retired, U.S. A rmy] Since she spent the first 17 years of her life in El Paso, TX, and considerable time in and around the Tuskegee Institute (now University) in Alabama, there are people who refer to CW3 Doris “Lucki” Allen as a “southerner”. However, Lucki considers herself rather a citizen of the world! Born in May 1927, Lucki was the youngest of five children, though one of her three older brothers died of aluminum poisoning when she was just one year old. Both her father and her uncle were barbers who served primarily white clientele. “I’m not sure how it happened that their customers were mostly white,” Lucki says, “that’s just sort of how it fell out in those days. We spoke Spanish in our home, but never did pass for anything but ‘Negro’, though none of us picked cotton like some of the other black families around us. Since the black community didn’t have regular dance halls and other meeting places – outside of church – we frequently went to Latino clubs for dancing and socializing.” Lucki attended elementary and secondary school in El Paso. Then at age 17, she followed in her older sister, Jewel’s, footsteps and went east to what was then called the Tuskegee Institute in Tuskegee, Alabama, where she majored in Physical Education. -
Mapping Queer Representations in a Heterosexual World
Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 Between Precarity and Belonging: Mapping Queer Representations in A Heterosexual World Ariel Florence Bleakley Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Film and Media Studies Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Television Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Bleakley, Ariel Florence, "Between Precarity and Belonging: Mapping Queer Representations in A Heterosexual World" (2018). Senior Projects Spring 2018. 199. https://digitalcommons.bard.edu/senproj_s2018/199 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Between Precarity and Belonging: Mapping Queer Representations in a Heterosexual World Senior Project Submitted to The Division of Social Studies of Bard College By Ariel Florence Bleakley Annandale-on-Hudson, New York May 2018 Acknowledgements