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LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Recommended Teen Reads Black Lives Matter
Black Lives Matter Recommended Teen Reads Recommended Teen FICTION The Crossover by Kwame Alexander He Said, She Said by Kwame Alexander Rumor Central Series by Reshonda Tate Billingsley Crossing Ebenezer Creek by Tonya Bolden The Game of Love and Death by Martha Brockenbrough Tiny Pretty Things by Sona Charaipotra and Dhonielle Clayton Tyler Johnson Was Here by Jay Coles Tiffany Sly Lives Here Now by Dana Davis Fire From the Rock by Sharon M. Draper Panic by Sharon M. Draper Fake ID by Lamar Giles Overturned by Lamar Giles Dread Nation by Justina Ireland Allegedly by Tiffany D. Jackson The Summer Prince by Alaya Dawn Johnson Let’s Talk About Love by Claire Kann Delicate Monsters by Stephanie Kuehn Dreamland Burning by Jennifer Latham How It Went Down by Kekla Magoon Ahgottahandleonit by Donovan Mixon Black Lives Matter Recommended Teen Reads Recommended Teen Not Otherwise Specified by Hannah Moskowitz Darius and Twig by Walter Dean Myers Fallen Angels by Walter Dean Myers Monster by Walter Dean Myers Loving Vs. Virginia: A Documentary Novel of the Landmark Civil Rights Case by Patricia Hruby Powell Show and Prove by Sofia Quintero All American Boys by Jason Reynolds The Boy in the Black Suit by Jason Reynolds Ghost by Jason Reynolds Long Way Down by Jason Reynolds Miles Morales: A Spider-man Novel by Jason Reynolds X: A Novel by Ilyash Shabazz and Kekla Magoon Down By Law by Ni-Ni Simone Hollywood High Series by Ni-Ni Simone Dear Martin by Nic Stone Calling My Name by Liara Tamani The Hate U Give by Angie Thomas Next (D-Bow’s High School -
Craig Thompson, Whose Latest Book Is, "Habibi," a 672-Page Tour De Force in the Genre
>> From the Library of Congress in Washington, DC. >> This is Jennifer Gavin at The Library of Congress. Late September will mark the 12th year that book lovers of all ages have gathered in Washington, DC to celebrate the written word of The Library of Congress National Book Festival. The festival, which is free and open to the public, will be 2 days this year, Saturday, September 22nd, and Sunday, September 23rd, 2012. The festival will take place between 9th and 14th Streets on ten National Mall, rain or shine. Hours will be from 10 a.m. to 5:30 p.m. Saturday, the 22nd, and from noon to 5:30 p.m. on Sunday the 23rd. For more details, visit www.loc.gov/bookfest. And now it is my pleasure to introduce graphic novelist Craig Thompson, whose latest book is, "Habibi," a 672-page tour de force in the genre. Mr. Thompson also is the author of the graphic novels, "Good-bye, Chunky Rice," "Blankets," and "Carnet de Voyage." Thank you so much for joining us. >> Craig Thompson: Thank you, Jennifer. It's a pleasure to be here. >> Could you tell us a bit about how you got into not just novel writing, but graphic novel writing? Are you an author who happens to draw beautifully, or an artist with a story to tell? >> Craig Thompson: Well, as a child I was really into comic books, and in a sort of natural adult progression fell out of love with the medium around high school, and was really obsessed with film and then animation, and was sort of mapping out possible career animation, and became disillusioned with that for a number of reasons. -
Bright Lights Film Festival Set to Screen Controversial Film 'Adam'
The Berkeley Beacon • November 11, 2019 • https://berkeleybeacon.com/bright-lights-film-festival-set- to-screen-controversial-film-adam/ Bright Lights Film Festival set to screen controversial film ‘Adam’ By Taina Millsap, Staff Writer Emerson College plans to screen Adam at the Nov. 12 Bright Lights Film Festival—a movie that has drawn significant criticism from the LGBTQ community and is the subject of a petition advocating for its removal from theaters. When the 2019 comedy film Adam premiered at Sundance Film Festival in January, it immediately drew negative attention from the LGBTQ community. Many queer people criticized the film for being homophobic and transphobic, with many calling for bans on the film with Anna Feder works as the curator of the Bright Lights Film petitions. Festival, which will bring controversial film 'Adam' to campus on Nov. 12. Montse Landeros / Beacon Staff One petition with over 4,100 signatures at the time of publication claims the film’s subject matter represents lesbian and transgender culture in a harmful way. “This movie is putting down trans men as not being real men. By implying that a lesbian would date a trans man,” the petition read. “Which isn’t true, because a lesbian only finds women sexually or romantically attractive. This movie puts down Lesbian and Trans culture. Which the LGBT+ community does not tolerate.” The movie currently has a 2.2/10 star rating on IMDb. The film is adapted from a book known by the same title, written by author Ariel Schrag. Wicked Queer, a Boston-based LGBTQ film festival, will co-present the film as part of Trans Awareness Week. -
Read Books and Watch Movies
BOOKS FOR ADULTS Black Feminist Thought The Fire Next Time by Patricia Hill Collins by James Baldwin Eloquent Rage: A Black Feminist The New Jim Crow: Mass Incarceration Discovers Her Superpower in the Age of Colorblindness by Dr. Brittney Cooper by Michelle Alexander Heavy: An American Memoir The Next American Revolution: by Kiese Laymon Sustainable Activism for the Twenty- First Century I Know Why the Caged Bird Sings by Grace Lee Boggs by Maya Angelou The Warmth of Other Suns Just Mercy by Isabel Wilkerson by Bryan Stevenson Their Eyes Were Watching God Redefining Realness by Zora Neale Hurston by Janet Mock This Bridge Called My Back: Writings Sister Outsider by Radical by Audre Lorde Women of Color So You Want to Talk About Race by Cherríe Moraga by Ijeoma Oluo White Fragility: Why It’s So Hard for The Bluest Eye White People to Talk About Racism by Toni Morrison by Robin DiAngelo, PhD FILMS AND TV SERIES FOR ADULTS: 13th (Ava DuVernay) Fruitvale Station (Ryan Coogler) — Netflix — Available to rent American Son (Kenny Leon) I Am Not Your Negro (James Baldwin doc) — Netflix — Available to rent or on Kanopy Black Power Mixtape: 1967-1975 If Beale Street Could Talk (Barry Jenkins) — Available to rent — Hulu Clemency (Chinonye Chukwu) Just Mercy (Destin Daniel Cretton) — Available to rent — Available to rent Dear White People (Justin Simien) King In The Wilderness — Netflix — HBO STOMPOUTBULLYING.ORG FILMS AND TV SERIES FOR ADULTS: See You Yesterday (Stefon Bristol) The Hate U Give (George Tillman Jr.) — Netflix — Hulu with Cinemax Selma (Ava DuVernay) When They See Us (Ava DuVernay) — Available to rent — Netflix The Black Panthers: Vanguard of the 12 Years The Slave Revolution — Hulu — Available to rent BOOKS FOR KIDS Why?: A Conversation about Race A Picture Book of Sitting Bull Taye Diggs David A. -
Emily Jones Independent Press Report Fall 2011
Emily Jones Independent Press Report Fall 2011 Table of Contents: Fact Sheet 3 Why I Chose Top Shelf 4 Interview with Chris Staros 5 Book Review: Blankets by Craig Thompson 12 2 Fact Sheet: Top Shelf Productions Web Address: www.topshelfcomix.com Founded: 1997 Founders: Brett Warnock & Chris Staros Editorial Office Production Office Chris Staros, Publisher Brett Warnock, Publisher Top Shelf Productions Top Shelf Productions PO Box 1282 PO Box 15125 Marietta GA 30061-1282 Portland OR 97293-5125 USA USA Distributed by: Diamond Book Distributors 1966 Greenspring Dr Ste 300 Timonium MD 21093 USA History: Top Shelf Productions was created in 1997 when friends Chris Staros and Brett Warnock decided to become publishing partners. Warnock had begun publishing an anthology titled Top Shelf in 1995. Staros had been working with cartoonists and had written an annual resource guide The Staros Report regarding the best comics in the industry. The two joined forces and shared a similar vision to advance comics and the graphic novel industry by promoting stories with powerful content meant to leave a lasting impression. Focus: Top Shelf publishes contemporary graphic novels and comics with compelling stories of literary quality from both emerging talent and known creators. They publish all-ages material including genre fiction, autobiographical and erotica. Recently they have launched two apps and begun to spread their production to digital copies as well. Activity: Around 15 to 20 books per year, around 40 titles including reprints. Submissions: Submissions can be sent via a URL link, or Xeroxed copies, sent with enough postage to be returned. -
4 Howard Cruse's Stuck Rubber Baby: How 'Gay Is the New Black' Discourses Shape the White Gay Imaginary
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Ahead of Their Time
NUMBER 2 2013 Ahead of Their Time About this Issue In the modern era, it seems preposterous that jazz music was once National Council on the Arts Joan Shigekawa, Acting Chair considered controversial, that stream-of-consciousness was a questionable Miguel Campaneria literary technique, or that photography was initially dismissed as an art Bruce Carter Aaron Dworkin form. As tastes have evolved and cultural norms have broadened, surely JoAnn Falletta Lee Greenwood we’ve learned to recognize art—no matter how novel—when we see it. Deepa Gupta Paul W. Hodes Or have we? When the NEA first awarded grants for the creation of video Joan Israelite Maria Rosario Jackson games about art or as works of art, critical reaction was strong—why was Emil Kang the NEA supporting something that was entertainment, not art? Yet in the Charlotte Kessler María López De León past 50 years, the public has debated the legitimacy of street art, graphic David “Mas” Masumoto Irvin Mayfield, Jr. novels, hip-hop, and punk rock, all of which are now firmly established in Barbara Ernst Prey the cultural canon. For other, older mediums, such as television, it has Frank Price taken us years to recognize their true artistic potential. Ex-officio Sen. Tammy Baldwin (D-WI) In this issue of NEA Arts, we’ll talk to some of the pioneers of art Sen. Sheldon Whitehouse (D-RI) Rep. Betty McCollum (D-MN) forms that have struggled to find acceptance by the mainstream. We’ll Rep. Patrick J. Tiberi (R-OH) hear from Ian MacKaye, the father of Washington, DC’s early punk scene; Appointment by Congressional leadership of the remaining ex-officio Lady Pink, one of the first female graffiti artists to rise to prominence in members to the council is pending. -
Art Spiegelman's Experiments in Pornography
ORE Open Research Exeter TITLE Art Spiegelman’s ‘Little Signs of Passion’ and the Emergence of Hard-Core Pornographic Feature Film AUTHORS Williams, PG JOURNAL Textual Practice DEPOSITED IN ORE 20 August 2018 This version available at http://hdl.handle.net/10871/33778 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication Art Spiegelman’s ‘Little Signs of Passion’ and the emergence of hard-core pornographic feature film Paul Williams In 1973 Bob Schneider and the underground comix1 creator Art Spiegelman compiled Whole Grains: A Book of Quotations. One of the aphorisms included in their book came from D. H. Lawrence: ‘What is pornography to one man is the laughter of genius to another’.2 Taking a cue from this I will explore how Spiegelman’s comic ‘Little Signs of Passion’ (1974) turned sexually explicit subject matter into an exuberant narratological experiment. This three-page text begins by juxtaposing romance comics against hard-core pornography,3 the former appearing predictable and artificial, the latter raw and shocking, but this initial contrast breaks down; rebutting the defenders of pornography who argued that it represented a welcome liberation from repressive sexual morality, ‘Little Signs of Passion’ reveals how hard-core filmmakers turned fellatio and the so-called money shot (a close-up of visible penile ejaculation) into standardised narrative conventions yielding lucrative returns at the box office. -
What's Happening
2015-2016 ALA CD#4.1_62016_INF 2016 ALA Annual Conference WHAT’S HAPPENING: A PRE-CONFERENCE UPDATE June 17, 2016 2016 ALA Annual Conference -- Orlando → Responding to the Mass Shooting at Pulse Nightclub Pick up your Rainbow Ribbon at Conference Registration. Donate Blood: Saturday, June 25, 11:00am – 5:00pm and Sunday, June 26, 9:00am – 3:00pm, Orange County Convention Center (OCCC), West Building, Exhibit Hall, End of 400 aisle. To sign up for a donation time, go to https://www.oneblood.org/donate-now/ and type in sponsor code # 10145. Come together in community at a Memorial gathering, Saturday, 8:00-8:30am, OCCC Chapin Theater (W320). On Saturday-Sunday, June 25-26, from 9:00am-5:00pm, SAGE, the ALA Office for Intellectual Freedom, the Gay, Lesbian, Bisexual, and Transgender Round Table and REFORMA invite you to join them at the SAGE Banned Books Readout Booth to read a passage from a banned or challenged work of GLBTQ literature, to stand in solidarity with Orlando’s GLBTQ community and show support for the Orlando shooting victims and their families. All are invited to speak from the heart about why the book matters to them. Readings will be professionally video recorded and will be featured on the Banned Books Week YouTube channel during Banned Books Week, September 25-October 1, 2016. The booth is located at the entrance to the Exhibit Hall in the Orange County Convention Center. → Equity, Diversity, and Inclusion The words “Equity,” “Diversity,” and “Inclusion” appear on black armbands that attendees are encouraged to wear during the 2016 ALA Annual Conference. -
Author Alison Bechdel's Acceptance of Her Homosexual Iden
Acceptance versus Suppression: Homosexuality in the “Fun Home” Author Alison Bechdel’s acceptance of her homosexual identity, as illustrated in Fun Home: A Family Tragicomic, is a more fluid experience than her father’s similar realization. Their unique first experiences with their sexuality play a role in their definitions of homosexuality. Both also spend their emerging adulthood years in different settings: Alison in a college setting and Bruce in a small town. Literature is a common bond between the two throughout their relationship, but affects each in different ways, particularly in reference to understanding their sexuality. The immense distinctions in their encounters and experiences involving their homosexuality ultimately shaped their development: Alison into a woman accepting of her identity and Bruce into a man suppressing his. Each character’s first experience with homosexuality differed in everything from their age at the time to the type of person with whom it occurred. Bruce had his first encounter when he was young with a worker at his family farm. Here, he describes it as “nice”, rather than a traumatizing encounter (Bechdel 220). Inspecting the drawings, his face tells a different story. Because of how casually he refers to it, he still seems unwilling to fully admit to his gratification of the experience, even if it was something he enjoyed. When Alison’s mother first informs Alison that her dad is also homosexual, she blames it on this experience (58). 1 Her mother stutters, showing her acknowledgement that her husband’s encounter with the farm hand was not molestation, but something he wanted and most likely enjoyed.