January 2020 - Volume 26 Issue 1
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Bright Lights Film Festival Set to Screen Controversial Film 'Adam'
The Berkeley Beacon • November 11, 2019 • https://berkeleybeacon.com/bright-lights-film-festival-set- to-screen-controversial-film-adam/ Bright Lights Film Festival set to screen controversial film ‘Adam’ By Taina Millsap, Staff Writer Emerson College plans to screen Adam at the Nov. 12 Bright Lights Film Festival—a movie that has drawn significant criticism from the LGBTQ community and is the subject of a petition advocating for its removal from theaters. When the 2019 comedy film Adam premiered at Sundance Film Festival in January, it immediately drew negative attention from the LGBTQ community. Many queer people criticized the film for being homophobic and transphobic, with many calling for bans on the film with Anna Feder works as the curator of the Bright Lights Film petitions. Festival, which will bring controversial film 'Adam' to campus on Nov. 12. Montse Landeros / Beacon Staff One petition with over 4,100 signatures at the time of publication claims the film’s subject matter represents lesbian and transgender culture in a harmful way. “This movie is putting down trans men as not being real men. By implying that a lesbian would date a trans man,” the petition read. “Which isn’t true, because a lesbian only finds women sexually or romantically attractive. This movie puts down Lesbian and Trans culture. Which the LGBT+ community does not tolerate.” The movie currently has a 2.2/10 star rating on IMDb. The film is adapted from a book known by the same title, written by author Ariel Schrag. Wicked Queer, a Boston-based LGBTQ film festival, will co-present the film as part of Trans Awareness Week. -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... The Graphic Memoir and the Cartoonist’s Memory A Dissertation Presented by Alice Claire Burrows to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University August 2016 Stony Brook University The Graduate School Alice Claire Burrows We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. _________________________________________________________ Raiford Guins, Professor, Chairperson of Defense _________________________________________________________ Robert Harvey, Distinguished Professor, Cultural Analysis & Theory, Dissertation Advisor _________________________________________________________ Krin Gabbard, Professor Emeritus, Cultural Analysis & Theory _________________________________________________________ Sandy Petrey, Professor Emeritus, Cultural Analysis & Theory _________________________________________________________ David Hajdu, Associate Professor, Columbia University, Graduate School of Journalism This dissertation is accepted by the Graduate School ___________________________ Charles Taber Dean of the Graduate School ii Abstract of the Dissertation -
Representations of Queer Women of Colour in Contemporary Fiction and Graphic Narratives
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output Misdirection : representations of queer women of colour in contemporary fiction and graphic narratives http://bbktheses.da.ulcc.ac.uk/196/ Version: Full Version Citation: Earle, Monalesia (2016) Misdirection : representations of queer women of colour in contemporary fiction and graphic narratives. PhD thesis, Birkbeck, University of London. c 2016 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email Misdirection: Representations of Queer Women of Colour in Contemporary Fiction and Graphic Narratives Thesis submitted for the degree of Doctor of Philosophy at Birkbeck Monalesia Earle Birkbeck, University of London 1 Declaration I, Monalesia Earle, declare that this thesis is all my own work. Signed declaration _________________________________ Date __________________________ 2 Abstract This thesis examines the notion of misdirection and queer women of colour representation in contemporary fiction and graphic narratives. Its aim is to analyse the gaps in discursive debates that overlook or minimise queer women of colour subjectivities. In so doing, it develops new lines of critical enquiry that bring into dialogue recurring themes of race, gender, class, homophobia, sexual violence and trauma. The thesis discusses five texts published between 1982 and 2008, opening up critical pathways into the interrogation of intersecting oppressions that limit and/or completely eradicate the voices and realities of queer women of colour. Developing the notion of misdirection as both an analytical and performative tool that problematises ‘difference’, this thesis shows that through contemporary framings, queer women of colour representation in literary fiction and comics/graphic narratives can be liberated from the cultural hegemony of white- centric paradigms. -
Comics, Graphic Narratives, and Lesbian Lives
14 HEIKE BAUER Comics, Graphic Narratives, and Lesbian Lives Lesbian comics and graphic narratives have gained unprecedented cultural presence in the twenty-fi rst century. 1 The publication of Alison Bechdel’s graphic memoir Fun Home (2006) marks the pivotal moment in this development as it pushed both comics and lesbian cultural production into the literary mainstream. Part of the popular – and critical – appeal of Fun Home is because of the book’s literariness: its modernist frame- work and the intertextual references to queer and mainstream fi ction by which the narrative takes shape. Furthermore, Fun Home’s focus on the queer subjects of a diffi cult family history speaks to some of the most prevalent concerns in contemporary cultural criticism: the contingencies of feelings, and the relationship between individual and collective identity formations. Fun Home makes a distinct contribution to these debates by insisting that lesbianism is “the central organizing principle of [Alison’s] existence,” shaping her own life and the ways she views – and is viewed by – the world. 2 The work prompts specifi c questions about the category of “lesbian comics” and what it can tell us about comics, lesbian lives, and the cultural visibility of both. This chapter takes Bechdel’s work as its start-and-end point for exam- ining contemporary lesbian comics. It contextualizes and historicizes her work by providing an overview of major developments in lesbian comics. Paying particular attention to the gendered conditions of possibility that defi ne comics culture, the chapter addresses a gap in contemporary (queer) criticism: that despite the surge in interest in Bechdel’s work and graphic narratives more broadly,3 and despite the existence of a substantial online archive about lesbian comics created by artists, readers, and collectors, 4 we still need more sustained critical studies of contemporary lesbian com- ics. -
Zine World #28
ZINE WORLD #28 A READER’S GUIDE TO THE UNDERGROUND PRESS $4 US $5 CANADA FREE SPEECH IS FOR EVERYONE ZINE WORLD: A READER’S GUIDE TO THE UNDERGROUND PRESS NO. 28 – PUBLISHED FALL/WINTER 2009 PO BOX 330156 MURFREESBORO, TENNESSEE 37133-0156 –USA– S TILL O N THAT N E wf A N GLED W EB DOOHICKEY WWW.UNDERGROUNDPRESS.ORG SINGLE ISSUE – $4, postpaid, US; $5 Canada/Mexico; $7 overseas. All copies are mailed First Class within North America, or via air mail overseas. Cash, stamps, or money order (payable to Jerianne). Sorry, no checks. SUBSCRIPTION – $10 for 3 issues, postpaid, US; $13 Canada/Mexico; $18 elsewhere. All copies are mailed First Class within North America, or via air mail overseas. Cash, stamps, or money order (payable to Jerianne). Sorry, no checks. If you’re saying to yourself, that’s a heckofa good price, you’re right. We’ve tried to keep Zine World accessible and affordable to anyone, but if you appreciate what we’re doing, and if you can afford it, it’s not against the rules to send more. Donate $100 or more, and we’ll give you a lifetime subscription. This is an all-volunteer effort, put together by poor people, and we’re doing it without any grants, sponsorships, or trust funds. End of pledge break. what’s a zine? regarding checks and money orders Zines are publications done for the love of doing them, not to make Sorry, we can’t take checks. Zine World is not a business, and like a profit or a living. -
Mapping Queer Representations in a Heterosexual World
Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 Between Precarity and Belonging: Mapping Queer Representations in A Heterosexual World Ariel Florence Bleakley Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Film and Media Studies Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Television Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Bleakley, Ariel Florence, "Between Precarity and Belonging: Mapping Queer Representations in A Heterosexual World" (2018). Senior Projects Spring 2018. 199. https://digitalcommons.bard.edu/senproj_s2018/199 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Between Precarity and Belonging: Mapping Queer Representations in a Heterosexual World Senior Project Submitted to The Division of Social Studies of Bard College By Ariel Florence Bleakley Annandale-on-Hudson, New York May 2018 Acknowledgements -
Welcome to the 2015 Lesbian Lives Conference!
Welcome to the 2015 Lesbian Lives Conference! Welcome to the 2015 Lesbian Lives conference. Once again we have a jam packed programme, which offers an exciting mix of papers, workshops, films and performances. The parallel sessions will spoil you for choice, with presenters hailing from all over the world. We are excited to have you all here and can’t wait to see what will happen over the next two days. Some important information: 1. Most of the sessions are in the Grand Parade building. The main keynotes will happen in the Sallis Benny theatre. 2. The Grand Parade café will be open during the conference and lunches and refreshments will be served here or in one of the conference rooms. 3. Due to the amount of people who wish to present, we have scheduled a number of sessions in a nearby building, the Pavilion Parade. To find Pavilion Parade, please exit the Grand Parade building onto the main road, take a left and follow the path towards the sea. Cross over the pedestrian cross still heading for the sea and then take the next left. Pavilion Parade is the first door on the left (right across from the Pavilion itself!). Please note that there are steps to Pavilion Parade and so it is not wheelchair accessible. We apologise for this but they were the only rooms available. 4. Some sessions are also in the Marlborough Theatre (upstairs in the Marlborough Pub). This is beside Pavilion Parade. It also has stepped access at the front and wheelchair access to the side of the venue. -
LGBTQIA Resources
LGBTQIA Resources All items available for check out at the Perpich Library FICTION Allison, Dorothy. Bastard Out of Carolina Bone, an illegitimate child in a family of social outcasts, sees her mother's happiness with her new husband and will not tell when the stepfather begins abusing her in the 1950s. Barakiva, Michael. One Man Guy Alek Khederian was looking forward to a relaxing summer. But when his parents announce that he’ll be attending summer school in order to bring up his grades, Alek is sure this experience will be just as hellish as his freshman year of high school. But he never could’ve predicted that he’d meet someone like Ethan. Bauer, Marion Dane, ed. Am I Blue?: Coming Out From the Silence A thought-provoking collection of short stories about homosexuality. Beam, Cris. I am J J, who feels like a boy mistakenly born as a girl, runs away from his best friend who has rejected him and the parents he thinks do not understand him when he finally decides that it is time to be who he really is. Benduhn, Tea. Gravel Queen All Aurin wants to do the summer before her senior year in high school is hang out with her friends Kenney and Fred, but when she falls in love with Neila, everything changes. Block, Francesca Lia. Baby Be-Bop Dirk MacDonald, a sixteen-year-old boy living in Los Angeles, comes to terms with being gay after he receives surreal storytelling visitations from his dead father and great-grandmother. Boock, Paula. Dare Truth or Promise Louie Angelo, a Woodhaugh High prefect who plans to be a lawyer, falls in love with a girl who lives in a pub and just wants to get through her exams so she can become a chef. -
Gillingham, Erica
DOCTORAL THESIS Lesbian Love Stories in Young Adult Literature and Graphic Memoirs Narrative Constructions of Same-Sex Relationships Between Female Characters Across Genre and Form Gillingham, Erica Award date: 2018 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 06. Oct. 2021 Lesbian Love Stories in Young Adult Literature and Graphic Memoirs: Narrative Constructions of Same-Sex Relationships Between Female Characters Across Genre and Form by Erica Gillingham BA, MA A thesis submitted in partial fulfilment of the requirements for the degree of PhD Department of English & Creative Writing University of Roehampton 2017 Abstract This thesis examines the narrative constructions of same-sex relationships between female characters in lesbian love stories published for a young adult audience in the United States in English from 1976 to 2016. The thesis argues that there has been a significant shift in the portrayals of lesbian and female bisexual characters, and their same-sex relationships, during this period, as well as a dramatic increase in the diversity of these stories for a young adult audience. -
Talking About Jewish Women and Comics 26 February 2012
TALKING ABOUT JEWISH WOMEN AND COMICS 26 FEBRUARY 2012 Introduction We are delighted to welcome you to “Talking about Jewish Women and Comics” on February 26th 2012, at Yeshiva University Museum. This one day symposium looks to bring together academics and comic artists to share ideas, research, and artwork. We hope it will be a space for dialogues about the interactions between text and image both on and off the page. What common themes emerge when Jewish women cartoonists represent themselves and others? What are some helpful theoretical modes for reading these works individually and collectively? What is it about sequential art that allows for unique investigations of identity categories like “Jewish,” “woman” or even “artist”? This symposium was inspired by Graphic Details: Confessional Comics by Jewish Women, the first ever museum exhibit to highlight the contributions of Jewish women to the genre of autobiographical comics. We are excited to host a roundtable with many Graphic Details artists at the end of the day. “Talking about Jewish Women and Comics” is sponsored by Yeshiva University Museum, The Jewish Daily Forward, McFarland & Co., Routledge Taylor and Francis Group, The Stirling Maxwell Centre at the University of Glasgow, and the PhD program in English at the CUNY Graduate Centre. We hope you enjoy the day. Sarah Lightman, Tahneer Oksman, and Dr. Amy Feinstein 1 Symposium Schedule 9:00 Registration; meet and greet 9:45 Introduction Sarah Lightman (University of Glasgow) and Rachel Lazin (Yeshiva University Museum) SESSION