DOCSLIB.ORG

Pdfs.” Need Contributions for Your Zine? Looking for a Zine to Submit Your Art Or Writing To? Visit the Compilation Station, Compilationstation

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pdfs.” Need Contributions for Your Zine? Looking for a Zine to Submit Your Art Or Writing To? Visit the Compilation Station, Compilationstation Zine World: A Reader’s Guide to the Underground Press No. 30 – January 2011 payment options Payment may be made in U.S. cash, stamps, or money order (payable to Jerianne). Payment may also be made via PayPal. Visit www.undergroundpress. PO Box 330156 org/ordering-zine-world for more details. Sorry, we can’t take checks. Zine World is not a business, and like most non- Murfreesboro TN 37133 mainstream publications, we don’t have a bank account. Most of the publications reviewed in Zine World have similar policies – transactions for underground materials are almost always conducted with cash. Please send well-wrapped www.undergroundpress.org American cash, stamps, IRCs, or money orders. Zine World has always depended on donations from our readers to help keep our boat floating. For those who can afford it, we appreciate any donations (of cash or stamps) you can send. Advertising: [email protected] • Donate $100 or more, and we’ll give you a lifetime subscription. • Donate to our Prisoner Subscription Fund to help us send copies of Zine Art: [email protected] World to fill prisoner requests. Resource Listings: [email protected] about zine world If you are not fully satisfied with Zine World, tough shit. Subscribing, buying Editor / Distribution / Subscriptions: an ad, enclosing a nice letter, or giving our zine a good review in your zine does not [email protected] entitle you to a good review, and hurt feelings do not entitle you to a refund. We don’t do refunds. Zine World is published by an all-volunteer staff. The people who put this zine together work hard for no pay. If you believe in what we’re doing, show us your support. If you’d like to write, illustrate, or volunteer for ZW, we’d love to have you ZINE WORLD is created by: – just get in touch. To audition as a reviewer, send us five reviews in our format and EDITOR/PUBLISHER: Jerianne style; see www.undergroundpress.org/submissions for more info. REVIEW EDITOR: Ryan Mishap RESOURCE LISTINGS EDITOR: katie copyrights and other legal shit PROOFREADERS: katie, Sean Stewart, Stephanie, Stephanos All writing and artwork in ZW © 2010-11 by the individual contributors. See page 27 for our list of reviewers & other volunteers. Publications with no paid employees may reprint any portions they like – permission granted, no need to ask – provided the author or artist is given credit, including his/ ZINE WORLD is made possible by volunteers, subscribers, advertisers, her address, and sent a copy. Publications with any paid staff are expected to abide love, caffeine, and the kind contributions of: anonymous, Anthony by standard copyright restrictions, which simply means, ask first. Rayson, David G., David Neylon, Henry Denander, Hook & Line, J.L. Zine World accepts no responsibility for anything whatsoever. We try our Hudson, Kris, Lydia Verlarde, Owen Thomas, PJM, Radical Caring, darndest, but listed addresses may be mistaken, publications ordered may never Steve DeRose, Stratu, Tom Hendricks, Wred Fright, and other people come, and you might cut your finger while opening an envelope. Live life at your own peril. We review any and all kinds of material, including things which may be whose names I forgot to write down. Thank you, each and all. utterly abhorrent to you (or us). Publishing a review does not imply that ZW or any member of our staff endorses the ideas and/or ideals contained in any publication. THANKS: Chip Rowe, clint, Gianni Simone, Jenna Freedman, Krissy That would be silly. Durden, James Dawson, Lizzy, Randy Robbins, Rick Bradford, Anything in Zine World without a byline (this sentence, for example) was written Stephanie Webb, Sticky Institute, the anonymi, all our subscribers, all by your humble editor. our advertisers, all the above, everyone we forgot to mention, and of course the terrific top-notch all-volunteer staff of Zine World. EXTRA SPECIAL THANKS: Denny, Doug Holland, katie, Liam, Ryan. C o n t e n t s Letters . 3 Commentary . 5 Reviews . 8 SINGLE ISSUE $4 US, $5 Canada/Mexico, $7 worldwide Volunteers . 27 SUBSCRIPTION Resources . 30 $10 for 3 issues US, $13 Canada/Mexico, $18 worldwide Classifieds . 36 All copies are mailed First Class within North America or via air mail overseas. The envelope said PO Box 2813, while the note inside said 2318. ... I take pride in my zines and whenever I get an order, I make sure I get the zine in the Letters mail in the next few days. I decided to go by the number on the letter, and if it is sent back I will try the other number. think the effort that goes into them does make I called Juxtapoz “indie” in front of my My question to you and all the other them more valuable. best friend; he punched me in the nose and people interested in zines is why such I wonder if zinesters have noticed an gave me your address. confusion when ordering your zines? It seems increase in mail coming from prisons as the –Logan McMillen, Edina MN moronic to be sending out hard-earned case internet has become more prevalent. Are while not making it clear as to exactly where they ok with this and do they see this as a Great write-up of Tenebrous one lives or in this case what number one’s PO good thing or a bad thing? I noticed several Thaumaturgy #2 in the last Zine World! I Box is. This has occurred numerous times in prisoner-specific references in sent issue #3 not long ago, but there are snags Zine World the 18 plus years I have been publishing my and two of the zines were even published by for issue #4. I created it on the computer, zines. prisoners (although I’m surprised there’s not but cannot convince the mucky-mucks to let –David A. Kime, Crazed Nation, more). There’s also a “Prisoner Subscription me print it off. I’ll get it soon enough. When Transcendent Visions Fund,” but I’m not sure why. (Anyone should I can afford it and can convince them to let 251 S. Olds Blvd. 84, Fairless Hills PA be able to afford a few dollars for a copy of me purchase one, I’m gittin’ a typewriter. Let 19030 someone with neat handwriting do without; Zine World or any zine they really want.) Clearly the zine community is aware of the my penmanship sucks. I would like a copy of Zine World #29. (growing) prison I hope all is I would also like a packet of Real Live Sea well for you and population. Monkeys!tm, but I can’t remember if that offer next year’s postal Perhaps this issue was from you or someone else. If not, I’ll just gouging isn’t too has already been take the zine. much of a burden. addressed in a –Zachary Edgerton, Clayton NC 2¢ sounds like previous edition? nothing unless— ... I’m afraid I’m a bit embarrassed to admit like you and I—we mail out a lot. Sorry for the length of this letter. I’m just I’m one of those people who’ve never gone to a –Andrew Conde 24051, WMCI really excited to be discovering zines. I don’t zine fest, even after doing zines for 19 years! 7076 Road 55F, Torrington WY 82240 expect a personal reply, but I do hope to see I suppose I don’t have any good excuses, but more fanzines, adult zines, and Spanish zines maybe I can plead laziness, apathy, living I just received #29 and I’m (if there are any) included in Zine World #30. Zine World in rural areas far from cities, being asocial, very excited to find something like this. I’m Thanks for your time. poverty (and/or cheapness), being tied to a new to zines and I don’t get out much these –Terry Hansen #06295-090 business, to name a few. days so is perfect for me. It’s a FSL Elkton, PO Box 10, Lisbon OH 44432 Zine World Last spring I drove from eastern great resource. I’m enclosing $10 in stamps PS. I noticed a couple ads in your Washington to California to retrieve a big for a year subscription. I can’t wait to check classified section from some younger people. truckload of my “hoardings” and back, and the out #30. I think it’s really cool they would have any whole trip stressed and tired me out so much, As an incarcerated individual I appreciate interest in zines at all. I would encourage the idea of driving to Portland for a zine fest your devotion to the postal system. So much them (as well as everyone else) to be very looked very unattractive. The stress of trying has moved online over the last 10 years and cautious about corresponding, in any medium, to drive around, find places and park in a big it’s very frustrating for those of us with no with people they don’t know personally. city like Portland, is bad enough, but on my internet access. I never got into zines, or even income, lodging costs are also daunting. When knew they existed, until recently because I Thanks for the reviews over the years. people say certain hotels and restaurants are simply didn’t need them. There are so many A few orders have come my way due to your “very affordable” or “don’t cost much,” I don’t online forums that zines do almost seem reviews. think they realize everybody is in a different obsolete.
Load more

Recommended publications
  • Education Honors & Awards Residencies Publications
    PO Box 27702, Providence, RI 02907 Kevin [email protected] Czap KEVINCZAP.COM b. 1985 Ann Arbor, MI EDUCATION Bachelor of Fine Art, Visual Arts and Technology, Cleveland Institute of Art — 2003-2008 HONORS & AWARDS CXC Emerging Talent Award — 2016 Most Remarkable Micro-Press, The Tiny Report Micro-Press Yearbook — 2015 Best Webcomic SPACE Prize — 2011 Eastman ‘12-Bolton Memorial Prize — 2006 RESIDENCIES Center for Cartoon Studies Fellowship, White River Junction, VT — 2017-2018 Mothers News Residency, Providence, RI — 2017 PUBLICATIONS BOOKS, LONG FORM WORK & COLLECTIONS Four Years, Czap Books — 2018-present Fütchi Perf, Uncivilized Books — 2017 Fütchi Perf, Czap Books — 2015 Project: Ballad, w/ Michael Peterson, self-published — 2012-2014 A Lesson in Survival, Czap Books — 2013 Birthday Surprise, Czap Books — 2012 Spoilers, self-published — 2006-2010 SHORT FORM “The Letting Go,” Ley Lines no. 8, Czap Books/Grindstone Comics — 2016 “The New Cast,” Hazlitt — 2016 “Lyrics Sheet” self-published — 2014 “Fütchie Perf” self-published — 2013 “Pace 1 Dies With Both Eyes on the Jackpot” self-published — 2013 “He Fought Like a Tiger in a Trap,” w/ Cathy G. Johnson, self-published — 2013 Trigger 1-12 self-published — 2012 “Need More” self-published — 2012 “Waffle” self-published — 2011 page 1 PO Box 27702, Providence, RI 02907 Kevin [email protected] Czap KEVINCZAP.COM ANTHOLOGIES “A Souvenir,” Loving Richard’s Vallery, Ubutopia Press — 2018 “The Last Time You Saw Cleveland,” Cleveland SCENE vol 44, issue 28 — 2015 “Neon Genesis Evangelion,”
    [Show full text]
  • Zines and Minicomics Collection
    http://oac.cdlib.org/findaid/ark:/13030/c85t3pmt No online items Guide to the Zines and Minicomics Collection Finding Aid Authors: Anna Culbertson and Adam Burkhart. © Copyright 2014 Special Collections & University Archives. All rights reserved. 2014-05-01 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Guide to the Zines and MS-0278 1 Minicomics Collection Guide to the Zines and Minicomics Collection 1985 Special Collections & University Archives Overview of the Collection Collection Title: Zines and Minicomics Collection Dates: 1985- Bulk Dates: 1995- Identification: MS-0278 Physical Description: 42.25 linear ft Language of Materials: EnglishSpanish;Castilian Repository: Special Collections & University Archives 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Access Terms This Collection is indexed under the following controlled access subject terms. Topical Term: American poetry--20th century Anarchism Comic books, strips, etc. Feminism Gender Music Politics Popular culture Riot grrrl movement Riot grrrl movement--Periodicals Self-care, Health Transgender people Women Young women Accruals: 2002-present Conditions Governing Use: The copyright interests in these materials have not been transferred to San Diego State University. Copyright resides with the creators of materials contained in the collection or their heirs. The nature of historical archival and manuscript collections is such that copyright status may be difficult or even impossible to determine. Requests for permission to publish must be submitted to the Head of Special Collections, San Diego State University, Library and Information Access.
    [Show full text]
  • Fandom Events
    FANDOM EVENTS The following is a selection of the most popular among various types of fandom events held in the United States: Anime • Ani-Jam (Fresno, CA) • Animazement (Raleigh, NC) • Anime Boston (Boston, MA) • Anime Central (Rosemont, IL) • Anime Detour (Bloomington, MN) • Anime Expo (Los Angeles, CA) • Anime Festival Orlando (Orlando, FL) • Anime Festival Wichita (Wichita, KA) • Anime Matsuri (Houston, TX) • Anime Miami (Miami, FL) • Anime Mid-Atlantic (Chesapeake, VA) • Anime Midwest (Rosemont, IL) • Anime Milwaukee (Milwaukee, WI) • Anime NebrasKon (Omaha, NE) • Anime Punch! (Columbus, OH) • Anime USA (Washington, DC) • Anime Weekend Atlanta (Atlanta, GA) • AnimeFest (Dallas, TX) • AnimeIowa (Coralville, IA) • AnimeNEXT (Somerset, NJ) • Aniwave (Wilmington, NC) • Bak-Anime (Bakersfield, CA) • ColossalCon (Sandusky, OH) • Con-Nichiwa (Tucson, AZ) • EvilleCon (Evansville, IN) • FanimeCon (San Jose, CA) • Ikasucon (Fort Wayne, IN) • JAFAX (Allendale, MI) • Japan Expo USA (San Mateo, CA) • Kami-Con (Birmingham, AL) • Katsucon (National Harbor, MD) • Kawaii Kon (Honolulu, Hl) • KotoriCon (Sewell, NJ) • Kumoricon (Vancouver, WA) • Matsuricon (Columbus, OH) RICHARD K. MILLER & ASSOCIATES • 1 • • MechaCon (New Orleans, LA) • Metrocon (Tampa, FL) • Middle Tennessee Anime Convention (Murfreesboro, TN) • Naka-Kon (Overland Park, KS) • Nan Desu Kan (Denver, CO) • NashiCon (Columbia, SC) • No Brand Con (Eau Claire, WI) • Ohayocon (Columbus, OH) • OMGcon (Owensboro, KY) • Otakon (Baltimore, MD) • Otakon Vegas (Las Vegas, NV) • PortConMaine (South
    [Show full text]
  • Industry Space and Structures of Power at the San Diego Comic-Con
    Making Fandom Work: Industry Space and Structures of Power at the San Diego Comic-Con by Erin Melissa Hanna A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Screen Arts and Cultures) in the University of Michigan 2014 Doctoral Committee: Associate Professor Sheila C. Murphy, Chair Associate Professor Dan Chilcote Herbert Associate Professor Aswin Punathambekar Associate Professor Yeidy M. Rivero Comic-Con Souvenir Book Cover, Dick Giordano, 1981 (Stadler, Mark, ed. 1981 San Diego Comic-Con Souvenir Book. San Diego: San Diego Comic-Con, Inc., 1981.) © Erin Hanna 2014 For Daddy I only have to close my eyes dear And suddenly I’m where you are ii ACKNOWLEDGEMENTS It seems strange, at the end of a process so dependent on intensive research and critical thought, to shift gears and channel something directly from my heart onto the page. Some people talk about their dissertation or book as a labour of love. But if I’m speaking from the heart here, I should confess that most of the time it just felt like a lot of really hard work; hard work that was fueled by the love and generosity of a lot of people, whom I’m incredibly lucky to have in my life. It’s really their love that made my labour possible. I was very fortunate to have an array of fabulous professors and mentors as I worked towards my Bachelors and Masters degrees at York University’s Department of Film. John McCullough and Suzie Young encouraged me to pursue graduate school and their instruction and mentorship spurred my intellectual growth and changed the way I thought about media.
    [Show full text]
  • Zine World #28
    ZINE WORLD #28 A READER’S GUIDE TO THE UNDERGROUND PRESS $4 US $5 CANADA FREE SPEECH IS FOR EVERYONE ZINE WORLD: A READER’S GUIDE TO THE UNDERGROUND PRESS NO. 28 – PUBLISHED FALL/WINTER 2009 PO BOX 330156 MURFREESBORO, TENNESSEE 37133-0156 –USA– S TILL O N THAT N E wf A N GLED W EB DOOHICKEY WWW.UNDERGROUNDPRESS.ORG SINGLE ISSUE – $4, postpaid, US; $5 Canada/Mexico; $7 overseas. All copies are mailed First Class within North America, or via air mail overseas. Cash, stamps, or money order (payable to Jerianne). Sorry, no checks. SUBSCRIPTION – $10 for 3 issues, postpaid, US; $13 Canada/Mexico; $18 elsewhere. All copies are mailed First Class within North America, or via air mail overseas. Cash, stamps, or money order (payable to Jerianne). Sorry, no checks. If you’re saying to yourself, that’s a heckofa good price, you’re right. We’ve tried to keep Zine World accessible and affordable to anyone, but if you appreciate what we’re doing, and if you can afford it, it’s not against the rules to send more. Donate $100 or more, and we’ll give you a lifetime subscription. This is an all-volunteer effort, put together by poor people, and we’re doing it without any grants, sponsorships, or trust funds. End of pledge break. what’s a zine? regarding checks and money orders Zines are publications done for the love of doing them, not to make Sorry, we can’t take checks. Zine World is not a business, and like a profit or a living.
    [Show full text]
  • Vasilios (Bill) Kartalopoulos 990 Bushwick Avenue #4C • Brooklyn, NY 11221 917 209-7267 • [email protected]
    Vasilios (Bill) Kartalopoulos 990 Bushwick Avenue #4C • Brooklyn, NY 11221 917 209-7267 • [email protected] EDUCATION Dartmouth College, Hanover, New Hampshire • Bachelor of Arts in History, 1999 • Kemeny Computing Prize for Innovation, 1995 • Grant recipient as Co-Editor and Founder of student comics anthology: Vox Pop Comix (1999) The New School University, New York • MA in Media Studies, 2013 • Departmental Scholarship Recipient, Spring 2010 TEACHING The School of Visual Arts, Faculty Member, 2014 to present • “The History of Visual Storytelling” in the MFA Visual Narrative program The New School University, Part-Time Lecturer, 2008 to 2012 and 2015 to present • “Reading Graphic Novels.” • “The History of Illustration.” • “Comics History.” EDITORIAL/PUBLISHING The Best American Comics, Series Editor, Fall 2012 to present • Series editor of New York Times best-selling annual anthology series published by Houghton Mifflin Harcourt, beginning with 2014 edition. Collaboration with Series Editors including Scott McCloud, Jonathan Lethem, and Roz Chast. After Nothing Comes, Editor and Designer, May 2016 • Edited and designed anthology of work by Aidan Koch for Koyama Press World Literature Today, Guest Editor (March-April 2016 issue) • Commissioned and wrote pieces on international comics American Book Review, Guest Editor for Comics Focus section (January-February 2015 issue) • Commissioned and wrote pieces on comics Rebus Books, editor and publisher, Fall 2012 • Started small, independent press dedicated to avant-garde comics • Coverage of debut book, Barrel of Monkeys by Florent Ruppert and Jérôme Mulot, in Publishers Weekly, Hyperallergic, Slate and other venues. Toon Books, Publishing Associate, 2008 • Duties pertaining to the preparation of launching a new line of hardcover comics for early readers published by Françoise Mouly • Production, proofreading, copywriting, and promotion for the first two seasons of books.
    [Show full text]
  • DAL COLLEZIONISMO ALLE MOSTRE: La Svolta Espositiva Del Merchandising Cinematografico
    Corso di Laurea Magistrale (ordinamento ex D.M. 270/2004) in Sviluppo Interculturale dei Sistemi Turistici Tesi di Laurea Magistrale DAL COLLEZIONISMO ALLE MOSTRE: la svolta espositiva del merchandising cinematografico Relatore Ch. Prof. Matteo Giannasi Correlatore Ch. Prof. Stefano Marchioro Laureanda Angelica Busato Matricola 837574 Anno Accademico 2015/2016 Alla mia famiglia, che mi ha trasmesso la passione per il cinema e per Star Wars. E a me.. INDICE INTRODUZIONE p. 1 1. IL COLLEZIONISMO p. 4 1.1. Una panoramica p. 4 1.2. Il collezionismo d'arte p. 5 ◦ 1.2.1. Le origini p. 5 ◦ 1.2.2. L'età medievale p. 6 ◦ 1.2.3. Rinascimento ed Umanesimo p. 8 ◦ 1.2.4. Il Cinquecento 'meraviglioso' p. 12 ◦ 1.2.5. Il grande collezionismo del Seicento p. 17 ◦ 1.2.6. Il Seicento europeo p. 31 ◦ 1.2.7. Il Settecento: verso la fruizione pubblica p. 34 ◦ 1.2.8. L'Ottocento: dalle Accademie alle mostre d'arte p. 40 ◦ 1.2.9. Il Novecento ed il collezionismo contemporaneo p. 45 1.3. Il collezionismo minore p. 49 ◦ 1.3.1. Merchandising e collezionismo p. 50 2. THE WALT DISNEY COMPANY p. 51 2.1. Una panoramica p. 51 2.2. Walt Disney: tra sogno, realtà e merchandising p. 52 ◦ 2.2.1. Walter Elias Disney Junior p. 53 ◦ 2.2.2. Kay Kamen e la nascita del Licensing p. 57 ◦ 2.2.3. Disneyland e l'era dei parchi a tema p. 61 ◦ 2.2.4. Disney Licesing p. 63 ◦ 2.2.5. Disney Consumer Products p.
    [Show full text]
  • Comic Art of the United States Through 2000, Animation and Cartoons: an International Bibliography
    Comic Art of the United States through 2000, Animation and Cartoons: An International Bibliography John A. Lent PRAEGER Comic Art of the United States through 2000, Animation and Cartoons Recent Titles in Bibliographies and Indexes in Popular Culture Humor Scholarship: A Research Bibliography Don L.F. Nilsen The Comic Art Collection Catalog: An Author, Artist, Title, and Subject Catalog of the Comic Art Collection, Special Collections Division, Michigan State University Libraries Randall W. Scott, compiler Animation, Caricature, and Gag and Political Cartoons in the United States and Canada: An International Bibliography John A. Lent, compiler Comic Books and Comic Strips in the United States: An International Bibliography John A. Lent, compiler Comic Art of Europe: An International, Comprehensive Bibliography John A. Lent, compiler Robert Benchley: An Annotated Bibliography Gordon E. Ernst, Jr., compiler Comic Art in Africa, Asia, Australia, and Latin America John A. Lent, compiler The Frankenstein Film Sourcebook Caroline Joan (“Kay”) S. Picart, Frank Smoot, and Jayne Blodgett Comic Art of Europe through 2000: An International Bibliography, Volumes I and II John A. Lent Justice Denoted: The Legal Thriller in American, British, and Continental Courtroom Literature Terry White, compiler and editor Comic Art in Africa, Asia, Australia, and Latin America through 2000: An International Bibliography John A. Lent Comic Art of the United States through 2000, Animation and Cartoons An International Bibliography John A. Lent Bibliographies and Indexes in Popular Culture, Number 12 Westport, Connecticut London Library of Congress Cataloging-in-Publication Data is available at www.loc.gov British Library Cataloguing in Publication Data is available. Copyright © 2005 by John A.
    [Show full text]
  • IMT School for Advanced Studies, Lucca Lucca, Italy
    IMT School for Advanced Studies, Lucca Lucca, Italy Events and temporary uses in the historic urban landscape: Lucca Comics & Games between localized interactions and a worlding project ecology. PhD Program in Analysis and Management of Cultural Heritage XXXth Cycle By Dania Marzo 2018 The dissertation of Dania Marzo is approved. Program Coordinator: Prof. Emanuele Pellegrini, IMT School for Advanced Studies, Lucca Advisor: Dr. Linda Bertelli, IMT School for Advanced Studies, Lucca Co-Advisor: Prof. Oliver Ibert, IRS, Leibniz-Institut für Raumbezogene Sozialforschung, Erkner (Berlin) The dissertation of Dania Marzo has been reviewed by: Prof. Martin Müller, Université de Lausanne Prof. Leonardo Chiesi, Scuola di Architettura, Università di Firenze IMT School for Advanced Studies, Lucca 2018 Table of contents Vita vii Relevant publications, presentations and projects x Abstract xi Introduction 1 Presentation and aims 1 Research questions and main contributions 4 Chapters’ disposition 5 1. Events, ‘in-between’ use and temporary use 8 Events as boundary crossing research objects 8 Working definitions 11 Temporary organizations and Field Configuring Events 18 Project ecologies and temporary proximities 21 Urban spaces and temporary use: from informal practices to institutionalized policies 22 2. Urban landscapes between Heritagisation and Festivalisation 26 Short term, long term and cyclical interactions 26 Festivalisation 31 Heritagisation and sustainable preservation: a founding paradox 34 Urban heritage as a processual landscape 39 3. Research design and methodology 42 Case study selection: why study a Comic & Games convention? 42 Used methods and combination 45 Data collection and analysis 50 4. The project ecology of comic events: notes on a geography of the comics 54 A “spatial medium par excellence” 54 From the ‘bullpen model’ to a dispersed system: emergence of the comic book convention in North America 60 The first European “Comic Salons”: institutionalizing the comic medium.
    [Show full text]
  • Download David Mazure's Curriculum Vitae
    Address 92 Hoagland Road, Blairstown, NJ 07825 Website http://www.davidmazure.com Telephone 908.319.9739 Email [email protected] Education Aug 2006 - May 2009 Master of Fine Arts East Tennessee State University, Johnson City, TN Concentration: Printmaking GPA: 4.0/4.0 2001 - 2003 Continuing Education Courses The School of Visual Arts, New York, NY Courses: Animation, Storyboarding, and Figure Drawing Sep 1994 -May 1998 Bachelor of Fine Arts (Magna Cum Laude) Rutgers the State University of New Jersey Mason Gross School of the Arts, New Brunswick, NJ Major: Visual Arts with concentration in Graphic Design GPA: 3.5/4.0, Magna Cum Laude Minor: Art History (undeclared) Professional Experience Aug 2010 - Present Associate Professor of Art + Design Art + Design Department, East Stroudsburg University, East Stroudsburg, PA (See Teaching Experience for details) Aug 2009 - May 2010 Instructor, Adjunct Faculty Department of Art, Appalachian State University, Boone, NC • Instructor for foundations and graphic design courses (See Teaching Experience for details) Aug 2006 - May 2010 Instructor, Adjunct Faculty and Graduate Assistantship Department of Art and Design, East Tennessee State University, Johnson City, TN • Instructor for foundations and graphic design courses. (See Teaching Experience for details) Oct 2002 - Dec 2007 Senior Designer/Illustrator - Boyswear French Toast/Lollytogs/LT Apparel, New York, NY • Design, illustration, and season preparation for the Cotler, Rim Rocka, and French Toast Boys lines. • Developed presentations to acquire the Lee Tops, Monster Garage, American Chopper and Hummer licenses. • Leader of a 5 person design team. Feb 2001 - Oct 2002 Senior Designer/Illustrator Jordan Craig/Brian Brothers, Carlstadt, NJ • Promoted from Jr.
    [Show full text]
  • CALENDARIO TEBEOSFERA2016 Ácción Narrativa
    CALENDARIO TEBEOSFERA2016 Ácción narrativa Cadena de acontecimientos con significado unitario que se da en una historieta, cuya coherencia viene regulada por mecanismos de causalidad reconocibles por el lector. Según las teorías del relato, en las narraciones lineales encontraremos la siguiente sucesión: introducción o prótasis, nudo o epítasis y desenlace o catástrofe, con momentos intercalados de tensión (clímax) o distensión (anticlímax). La acción, siguiendo esas teorías, puede ser continua, circular o fragmentaria. DICCIONARIO TERMINOLÓGICO DE LA HISTORIETA, pág. 12 Varias tiras de Orceman, el hombre de Orce, tira cómica de Carlos Hernández publicada desde 1997 en el diario IDEAL de Granada protagonizada por un hombre primitivo, parodiando a los primeros representantes de la humanidad asentada en Andalucía. 2015 ha sido un año de reajuste de crisis y de identidades. Han surgido nuevas esperanzas en el futuro, y se han replanteado muchas ideas, disensiones y divisiones. Aunque nos queda la duda de si tanta disputa ha sido por los mismos conceptos descritos de distinta manera. En la ACyT tenemos claro que los tebeos siguen siendo tebeos, que la historieta sigue siendo el medio maravilloso que fue siempre, y que su trasvase a otros medios o a otros eufemismos no ha cambiado sus esencias. Hay cómics nuevos, autores renovadores e ideas revolucionarias, y todo ello es muy bienvenido, naturalmente que sí, pero seguimos fieles a los fundamentos que hacen que las historietas nos encanten. A eso responde nuestro calendario para 2016, que pretende informarte de fechas y de eventos (como otros años) al mismo tiempo que dejar nítidamente claros nuestros conceptos sobre cómics, tebeos, historietas, novelas gráficas, mangas o como los quieras llamar.
    [Show full text]
  • Education Professional Experience
    Address 196 Analomink Street, East Stroudsburg, PA 18301 Website http://www.davidmazure.com Telephone 908.319.9739 Email [email protected] Education Aug 2006 - May 2009 Master of Fine Arts East Tennessee State University, Johnson City, TN Concentration: Printmaking GPA: 4.0/4.0 2001 - 2003 Continuing Education Courses The School of Visual Arts, New York, NY Courses: Animation, Storyboarding, and Figure Drawing Sep 1994 -May 1998 Bachelor of Fine Arts (Magna Cum Laude) Rutgers the State University of New Jersey Mason Gross School of the Arts, New Brunswick, NJ Major: Visual Arts with concentration in Graphic Design GPA: 3.5/4.0, Magna Cum Laude Minor: Art History (undeclared) Professional Experience Aug 2010 - Present Assistant Professor of Art Art Department, East Stroudsburg University, East Stroudsburg, PA (See Teaching Experience for details) Aug 2009 - May 2010 Instructor, Adjunct Faculty Department of Art, Appalachian State University, Boone, NC • Instructor for foundations (See Teaching Experience for details) Aug 2006 - May 2010 Instructor, Adjunct Faculty and Graduate Assistantship Department of Art and Design, East Tennessee State University, Johnson City, TN • Instructor for foundations and graphic design courses. (See Teaching Experience for details) Oct 2002 - Dec 2007 Senior Designer/Illustrator - Boyswear French Toast/Lollytogs/LT Apparel, New York, NY • Design, illustration, and season preparation for the Cotler, Rim Rocka, and French Toast Boys lines. • Developed presentations to acquire the Lee Tops, Monster Garage, American Chopper and Hummer licenses. • Leader of a 5 person design team. Feb 2001 - Oct 2002 Senior Designer/Illustrator Jordan Craig/Brian Brothers, Carlstadt, NJ • Promoted from Jr. Designer. • Responsible for enterprise-wide design and illustration of clothing, patterns, tags, labels, catalogs, and advertising for an urban clothing line.
    [Show full text]