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$ ILLUSTRATIONS In the text 1 (p. 32). The title- page of John Wagstaffe’s The Question of Witchcraft Debated (2nd edn, 1671). © Wellcome Collection. 2 (p. 63). The title- page of Francis Hutchinson’s An Historical Essay Concerning Witchcraft (1718). © Wellcome Collection. 3 (p. 124). The title- page of John Beaumont’s An Historical, Physiological and Theological Treatise of Spirits, Apparitions, Witchcrafts, and other Magical Practices (1705). © Wellcome Collection. Plates 1. The frontispiece to the second part of Joseph Glanvill’s Saducismus Triumphatus (1681; from the 3rd edn of 1689), engraved by William Faithorne. 2. An etched portrait of Thomas Hobbes by Wenceslaus Hollar (1665). 3. A drawing of the interior of a London coffee- house (c. 1695). British Museum, 1931,0613.2. © The Trustees of the British Museum. 4. An engraved portrait of Henry More by William Faithorne (1675). 5. An engraved portrait of Joseph Glanvill by William Faithorne (1680). 6. A brass medal of Robert Boyle cast by Carl Reinhold Berch (1729) from a now lost ivory medallion of Boyle carved by the Huguenot artist, Jean Cavalier (1960). 7. The title- page to volume 3 of Shaftesbury’s Characteristicks (2nd edn, 1714), embellished with a vignette criticising superstitious practices by Simon Gribelin. x ILLUSTRATIONS xi 8. Pages 312–13 from Martin Martin’s A Description of the Western Islands of Scotland (2nd edn, 1716), annotated by John Toland and Lord Molesworth, C.45.c.1. © The British Library Board. 9. A terracotta bust of Sir Hans Sloane by John Michael Rysbrack (1693–1779) for the head of the marble statue formerly in the Chelsea Physic Garden. British Museum, 1756,0619.1 © The Trustees of the British Museum. 10. Fol. 8v of British Library Sloane MS 2731, a late seventeenth- century copy of the magical text The Key of Solomon the King. © The British Library Board. 11. A bronze medal of Conyers Middleton, made in Rome by Giovanni Pozzi (1724), with reverse depicting Cambridge University Library. British Museum 1966,0403.244. © The Trustees of the British Museum. 12. An etched portrait of Richard Mead by Arthur Pond (1739). Wellcome Library no. 6446i. © Wellcome Collection. 13. ‘Dr Johnson in his Travelling Dress as Described in Boswell’s Tour’ by Thomas Trotter, published by George Kearsley (1786). NPG D34874. © National Portrait Gallery, London. 14. A plate from William Gilpin’s Observations, Relative chiefly to Picturesque Beauty, Made in the Year 1776, On several parts of Great Britain, Particularly the High- Lands of Scotland (2 vols, 1789; 2nd edn, London, 1792), vol. 1, facing p. 135. 15. A stipple portrait of Sir Walter Scott by James Heath after James Saxon, from The Lady of the Lake (Edinburgh, 1810). 16. Credulity, Superstition and Fanaticism. A Medley by William Hogarth (1762)..

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William Faithorne II (1656–1701)
Neil Jeffares, Dictionary of pastellists before 1800 Online edition FAITHORNE, William influential treatise, The art of graveing and etching, sévère, mais a les traits assez beau, et ce qu’on London 1616–13.V.1691 derived from Abraham Bosse’s 1645 Traicté des voit en lui de sévère n’empêche pas de lui Engraver and draughtsman. His date of birth is manières de graver en taille douce. He was involved trouver des traits de génie et des yeux pleins disputed: Buckeridge gives his age at death as closely with the devlopment of scientific de feu”); Samuel Lewis, Topographical dictionary “near 75”, from which 1616 is inferred; the illustrations, including for the Royal Society, of of England, 1831, I, p. 356 n.r.; Norgate 1997, Oxford DNB suggests a later date, c.1620, from nine fellows of which Faithorne made portraits. p. 195, all as by Cooper ϕα his probable age when he was apprenticed to On 9.V.1654 at St Michael’s, Cornhill the printseller William Peake (son of James I’s Faithorne married Judith Grant or Graunt painter Robert Peake) in 1635. Neither Peake (1630–1690), daughter of Henry Grant, draper, nor his son Robert (who took over the business and Mary; her brother, also baptised at St in 1639) were engravers, and Faithorne may Michael’s Cornhill, was the celebrated have learned the skill from John Payne. statistician Captain John Graunt (1620–1674), a Faithorne joined the civil war on the royalist friend of Sir William Petty who figures in side with Peake. Captured during the siege of Aubrey’s Brief lives and Pepys’s Diary; he was also Basing House (1645), he was imprisoned at a fellow of the Royal Society.
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Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN
Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN Tel: 020 7836 1979 Fax: 020 7379 6695 E-mail: [email protected] www.grosvenorprints.com Dealers in Antique Prints & Books Prints from the Collection of the Hon. Christopher Lennox-Boyd Arts 3801 [Little Fatima.] [Painted by Frederick, Lord Leighton.] Gerald 2566 Robinson Crusoe Reading the Bible to Robinson. London Published December 15th 1898 by his Man Friday. "During the long timer Arthur Lucas the Proprietor, 31 New Bond Street, W. Mezzotint, proof signed by the engraver, ltd to 275. that Friday had now been with me, and 310 x 490mm. £420 that he began to speak to me, and 'Little Fatima' has an added interest because of its understand me. I was not wanting to lay a Orientalism. Leighton first showed an Oriental subject, foundation of religious knowledge in his a `Reminiscence of Algiers' at the Society of British mind _ He listened with great attention." Artists in 1858. Ten years later, in 1868, he made a Painted by Alexr. Fraser. Engraved by Charles G. journey to Egypt and in the autumn of 1873 he worked Lewis. London, Published Octr. 15, 1836 by Henry in Damascus where he made many studies and where Graves & Co., Printsellers to the King, 6 Pall Mall. he probably gained the inspiration for the present work. vignette of a shipwreck in margin below image. Gerald Philip Robinson (printmaker; 1858 - Mixed-method, mezzotint with remarques showing the 1942)Mostly declared pirnts PSA. wreck of his ship. 640 x 515mm. Tears in bottom Printsellers:Vol.II: margins affecting the plate mark.
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A Pilgrimage Through English History and Culture (F-L)
Brigham Young University BYU ScholarsArchive Faculty Publications 2009-05-01 A Pilgrimage Through English History and Culture (F-L) Gary P. Gillum [email protected] Susan Wheelwright O'Connor Alexa Hysi Follow this and additional works at: https://scholarsarchive.byu.edu/facpub Part of the English Language and Literature Commons BYU ScholarsArchive Citation Gillum, Gary P.; O'Connor, Susan Wheelwright; and Hysi, Alexa, "A Pilgrimage Through English History and Culture (F-L)" (2009). Faculty Publications. 12. https://scholarsarchive.byu.edu/facpub/12 This Other is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Faculty Publications by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. 833 FAIRFAX, JOHN, 1623-1700. Rare 922.542 St62f 1681 Presbýteros diples times axios, or, The true dignity of St. Paul's elder, exemplified in the life of that reverend, holy, zealous, and faithful servant, and minister of Jesus Christ Mr. Owne Stockton ... : with a collection of his observations, experiences and evidences recorded by his own hand : to which is added his funeral sermon / by John Fairfax. London : Printed by H.H. for Tho. Parkhurst at the Sign of the Bible and Three Crowns, at the lower end of Cheapside, 1681. Description: [12], 196, [20] p. ; 15 cm. References: Wing F 129. Subjects: Stockton, Owen, 1630-1680. Notes: Title enclosed within double line rule border. "Mors Triumphata; or The Saints Victory over Death; Opened in a Funeral Sermon ... " has special title page. 834 FAIRFAX, THOMAS FAIRFAX, Baron, 1612-1671.
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British Art Studies June 2020 British Art Studies Issue 16, Published 30 June 2020
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1 the Early Royal Society and Visual Culture Sachiko Kusukawa1 Trinity
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Edward LUTTRELL
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British Art Studies June 2020 British Art Studies Issue 16, Published 30 June 2020
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New Acquisitions 1
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Illustrating Shakespeare
Deep Blue Deep Blue https://deepblue.lib.umich.edu/documents Research Collections Library (University of Michigan Library) 2003 Illustrating Shakespeare Ackerman, Sandra https://hdl.handle.net/2027.42/120255 Downloaded from Deep Blue, University of Michigan's institutional repository January 20-March 16,2003 Special CoUections Library University of Michigan Library Ann Arbor, Michigan PREFACE Welcome to this exhibit tracing the course ofprinted illustrations ofShakespeare's works over the last 300 years. Through this exhibit we are celebrating both the March 2003 return visit of the Royal Shakespeare Company to the University ofMichigan and the expansive collection ofShakespearean materials housed in the Special Collections Library. The McMillan Shakespeare Collection in the University of Michigan Library was founded in the 1880s with some 1200 items acquired from the private collections oftwo noted Shakespeare collectors: Edward H Thomson, ofFlint , Michigan, and Joseph Crosby, of Zanesville, Ohio. Senator Jam es A. McMillan, the collection's namesake, and his fomily generously provided the funds both for the acquisition of these two initial collections and for further additions made over the next twentyjive years under the direction ofUniversity ofMichigan English Professor Isaac Demmon. The McMillan Collection now numbers approximately 6,000 volumes, providing a rich and varied resource for documenting the history of how Shakespeare's works were both presented and received. With thousands of different English and American editions ranging from the Exhibit Hours Second Folio of 1632 to popular editions ofthe 191Os, as well as scholarly and popular analyses of the works, the collection traces Shakespeare's influence on Anglo-American culture from many different angles.
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