DOCSLIB.ORG

The Graphic Arts of Great Britain; Drawing, Line-Engraving, Etching

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Graphic Arts of Great Britain; Drawing, Line-Engraving, Etching THE GRAPHIC ARTS OF GREAT BRITAIN DRAWING LINE-ENGRAVING ETCHING MEZZOTINT AQUATINT LITHOGRAPHY WOOD-ENGRAVING COLOUR-PRINTING NORTH BRITISH ef MERCANTILE INSURANCE COMPANY ESTABLISHED 1809 FIRE LIFE ACCIDENT ANNUITIES MARINE FUNDS exceed £23,800,000 CHIEF OFFICES : LONDON : 61 Threadnecdle Street. E.C.2 EDINBURGH : 64 Prince. Street. aoaaaaa DaaDaaaaao aaaaaa oaoaDoa Daaaa ° ° "WEED BURNERS IN THE FENS" a a ° AN ORIGINAL LITHOGRAPH BY THE LATE ° o R. W. MACBETH, R.A. ^ a o ° D ARTIST'S SIGNED PROOFS ON INDIA PAPER - £2 2». each ° ° PROOFS ON THICK PLATE PAPER - 10«.6d.EACH a a Q (POSTAGB EXTRA I INLAND, id., ABROAD, U. *d.) q a D ° ° ° a a a a These Proofs are carefully worked by hand from the Artisfs drawing on stone, and bear d D the same relation to ordinary copies as do First Impressions of the finest etchings or D D engravings to common prints. The dimensions, exclusive of border, are 33J by 14! inches. D a a n Only a small number of these proofs are now available, and orders accompanied by remittances ° ° ° should be sent to the a D Offices of THE STUDIO, 44 Leicester Square, London. W.C.2 a aDaaaaaaaaaaDaaDaaaaaaaaaaaDaaaaaaaaD r-^yr- —^. -;^" JAMES RIMELL & SON 55 SHAFFESBURY AVENUE. W.l. and 39 DUKE STREET. ST JAMES'S. S.W.I LONDON a a a o Dealers in Books & Engravings Make a Speciality of Works Relating TO THE Fine Arts !»7 liiiu OUR CATALOGUE No. 216 COMPRISES BOOKS ON ARCHITECTURE, BOOK- Fields of Fkmders BINDING. COSTUME. DECORATION, The " ENGRAVING, FURNITURE. GALLERIES, Where JK the Dead ? " There are no Dead ..." " ILLUMINATION, MINIATURES, ETC., M.m:ti:ku.ni:k's " BLt't: BIRU POST FREE ON APPLICATION. 0?-igin(i/ Lithograph by Portfolios oj Meszotints, Etchings, Stipples, Coloured Engravings, Portraits. Claude A. Shepperson, a.r.w.s. and Topographical Views always open jor inspection. 77115 charming lithograph is issued in a limited edition of fifty signed proofs of which only a fe:v Books and Engravings Bought or impressions remain, price SIX GUINEAS each, Exchanged. to bt seen and obtained from Libraries Catalogued or Valued. ERNEST BROWN S- THILLIPS Correspondence Invited. THE LEICESTER GALLERIES Leicester Square, London. W.C.2 GEMS FOR ART WORKERS ^DRA^cnonrtr: WALLPAPCK BLACK OPAL AND OPAL MATRIX TURQUOISE RUBIES TURQ. MATRIX SAPPHIRES MOONSTONE EMERALDS cniiwicK OPALS OF ALL GRADES & COLOURS CHRYSOPRASE PEARLS BERYLS PEARL BLISTERS AQUAMARINES AGATES I make a speciality of assortments of inexpensive stones for Art Students and supply many of the .\rt Schools of the Kingdom. If you will give me a range of prices and some guide for size and colour. I shall be pleased to submit a selection in these stones for your approval. Pltase send reference with application first nr'^ r 71 s ^oR wall JLJ 1 vj PAPLK^ ARTHUR S. WAINWRIGHT W ^R1LZE3 E7^ SHOULD 5L 185 Warstone Lane, Birmingham ^0!)Tf:D TOOR DiJbrWlTUM (Only Address) CHDWICK AD PACB \ SPECIAL NUMBER OF "THE STUDIO." NOW READY Arts and Crafts A REVIEW OF THE WORK EXECUTED BY STUDENTS IN THE LEADING ART SCHOOLS OF GREAT BRITAIN S- IRELAND WHAT ARE THE ART SCHOOLS OF GREAT BRITAIN AND IRELAND DOING TO FOSTER THE CLOSER UNION OF THE ARTS AND CRAFTS ? THE QUESTION IS ONE OF VITAL IMPORTANCE. NOW MORE THAN EVER; FOR IT IS ESSENTIAL THAT THE PRESENT AND COMING GENERATIONS OF WORKERS SHOULD BE FULLY TRAINED AND EQUIPPED FOR THE RACE FOR ARTISTIC PREDOMINANCE, TO BE RUN IN THE NEAR FUTURE BY THE GREAT NATIONS OF THE WORLD. THAT SOME GENERAL IDEA OF EXISTING CONDITIONS IN ORDER MAY BE FORMED, THE EDITOR OF "THE STUDIO," WITH THE AID OF THE PRINCIPALS, HAS PREPARED A SPECIAL NUMBER OF "THE STUDIO" DEALING WITH THE WORK OF THE LEADING SCHOOLS. ARTICLES HAVE BEEN CONTRIBUTED BY WELL-KNOWN ART MASTERS AND OTHERS, AND A SPECIAL FEATURE OF THE VOLUME CONSISTS OF A LARGE NUMBER OF INTERESTING ILLUSTRA- TIONS (SOME OF WHICH ARE IN COLOURS) INCLUDING EXAMPLES OF: INTERIOR DECORATION, FURNITURE, MURAL DECORATION, WOOD - CARVING, STONE - CARVING, TEXTILE FABRICS, EMBROIDERY. LACE, CARPETS, METAL-WORK, JEWELLERY. ENAMELLING, POTTERY, STAINED GLASS, LEATHER-WORK. TYPOGRAPHY, LETTERING, ILLUMINATION, BOOKBINDING. BOOK ILLUSTRATION, ETCHING, LITHOGRAPHY, POSTERS, FASHION PLATES, Etc. THESE ILLUSTRATIONS, OF WHICH THERE ARE ABOUT THREE HUN- DRED, ARE PRESENTED IN AN ARTISTIC AND CONVENIENT FORM. S THE EDITION IS LIMITED AND THERE WILL BE NO REPRINT A ORDERS SHOULD BE PLACED WITHOUT DELAY. PRICES : IN WRAPPERS, 5s. NET ; IN HAND- SOME CLOTH BINDING, 7s. 6d. NET (POSTAGE EXTRA : INLAND, 6d. ; ABROAD, is. to is. 6d.) THE WORK MAY BE OBTAINED THROUH ANY BOOKSELLER OR DIRECT FROM THE OFFICES OF "THE STUDIO." 44 LEICESTER SQUARE. LONDON, W.C.2 AD. PAGE II PRNL OVF" SCHOOL OF r^^iS^i^^^::^:^""''''"'^ „,. MODERN PICTORIAL & LANDSCAPE ART s Prmcipal: FRANK SPEhfLOVE^PENLOVE. R.L. R-O.L. R-CA. iCoU MmUUuI. ParU Salon. Md loUnutional H«aoun. " * ^t. rjiiitfr ol u)n-f*illf« 1"«7N 1 ."'II I Wuik» -'I .I«t>v Vi 1U» 1 jii-i I r..j. Ji I !> I- . ^^rit !» (In- I in. e >f.,iii,fr.i (.» il>« MhM* " " <lu 1 uArinl-ouf][, *tvJ *.»0 I.r drritirr voy^r. (nif^ tt^wMl Ij | f^ii' • >f**.' (if (lir i iiy .,( l-jtti. DemoDitration Imtniction.—Tb« prec«u of poinrim, from tb« **Slwtch'* to Iho ** Finiibod Pirtwro." !i. I s l,,.,I j,f.,i,,l,> t.r^i li,-. M.Hl.rn Ii.ti.B ti.M. Ill a\\ Hr..t.. hr-»..( r»f »».m^- .i t I >,v\",^. ,,. li, I. M ... I (•iiipuMllor) " r.tlci.t\ jihI Trralindil." ^lottrni Trt.hiili)u«- tii Ihl jiwl W jlrt I >l<iiti>. i-li llULk-4nil'\Vhilc for lIliivlratKin. SpctuI l'n»,itr Intlfucijun *ikI IVttuwnirjinwi « Uw-^ tii I^imI' l^tW AUUKt^^ , ,,6.,,« VICTORIA STREET (NEAR VICIOR.A STATION) LONDON, S.W.1 Naxt Tepm b<Kiii« at Now AMrf-% m> OCTOBER. Vi V^'ni' /''••ttf.hi< TWO INTERESTING VOLUMES FROM ''THE STUDIO ' LIBRARY PAPER EDITION CLOTH EDITION FIVE SHILLINGS SEVEN & SIX PER VOLUME PER VOLUME OLD ENGLISH MANSIONS [ Contains numerous examples of Subjects selected possess a Title Pages, Page Decoratiou, picturesque as well as an Typography, Or ii a m e u t s. architectural interest. An ex- Initials. Bookbindings, Eud- tensive series of full - pagr H iptrs .luj Decorative plates include views of famous Illu^tralious anl l.istorir residences AD. PACB HI JiMlJIiilpiiiMpiiiiM^ ""' i i liiiiijiililiiiiiiijjliiiiiiiili tiimi^ ^"^ Whatman. No drawing paper responds so readily to the brush permanent. of the artist as Whatman—no paper is so safe or so painting and the England is supreme in the art of water-colour — greatest of her painters for the last 150 years aliased Whatman. Whatman Drawing Paper is genuine hand made. iS-^^^i^ No bleach or chemicals enter into its manufacture and only the purest materials are used Genuine Hand Made jyRIKSV~LNG I>JVI>E,HtS To be had in three surfaces: H.P. (Smooth) best for pen and ink or pencil ; B (Semi-Rough), and BB (Rough) for pencil, crayon or brush. Best not only for the artist—but for the architect, designer and etcher as well. Of all Artist's Colourmen—Insist on Whatman, David Cox, born I7S3. died IHSO. one of Eiti^land's ^teaiest^-painters Sole Sales Represeutalives-H. Reeve Angel & Co., 15 New Bridge St., London, E.C.4 in watet-coloiitsZ jiTirmfiliinii^ iiii i iiTni iiiiliiiiNiiliiiiiiiiliiiiniifniiiiiifiliiiiiiniiiiiinlliiniiiMiiTnTiMniliiii^ ARTISTS INTERESTED IN THE PERMANENT PRESERVATION OF THEIR PICTURES SHOULD USE ONLY THE 'Unbleached Arnold' WATER-COLOUR PAPER BECAUSE it is Hand-made. BECAUSE the beautiful soft White BECAUSE Only the Purest Linen Colour is obtained from the wonder- and Cotton Rags are used. ful purity of the watei from the BECAUSE No Bleach or Chemicals Artesian Wells at Ejnsford Mills. are allowed to enter into the BECAUSE the paper is never hung, but manufacture. dried y?iii. BECAUSE Greater Brilliancy of Colour and more permanent Results are obtained on " Unbleached Arnold " than on any other Water-colour Paper. THIS PAPER CAN BE OBTAINED FROM ALL THE PRINCIPAL ARTISTS' COLOURMEN Samples will be sent post free on application to ARNOLD & FOSTER Limited Eynsford Paper Mills, KENT AD. PAGE IV THE GRAPHIC ARTS OF GREAT BRITAIN DRAWING, LINE-ENGRAVING ETCHING, MEZZOTINT AQUATINT, LITHOGRAPHY WOOD- ENGRAVING COLOUR-PRINTING EDITED BY CHARLES HOLME TEXT BY MALCOLM C. SALAMAN MCMXVII "STUDIO" LTD. LONDON PARIS, NEW YORK ti PREFATORY NOTE Editor desires to express his thanks to the following col- THElectors and others who have lent drawings or prints for repro- duction in this volume: Mr. Harold Hartley, Mrs. H. J. Pfungst, Mr. Charles H. Shannon, A.R.A., Mr. Charles Ricketts, Mrs. Brandon Thomas, Mr. Horace Tipple, Miss Phyllis Allen, Mr. C. Mallord Turner, Sir Frank Short, R.A., P.R.E., Capt. Martin Hardie, A.R.E., Miss Constance Pott, R.E., Mr. Aug. Walker, Mr. Walter Sickert, Mr. Basil Dighton, Mr. Frank L. Emanuel, Mr. D. Croal Thomson, The Director of the Fitzwilliam Museum, Cam- bridge, Messrs. P. & D. Colnaghi 6c Obach, Messrs. Ernest Brown & Phillips, The Carfax Gallery, The Chenil Gallery ; also to Lieut. Lancelot Crane, Mr. Robert Dunthorne, Mr. Arthur Greatorex, Mr. William Heinemann, The Proprietors of " Punch," and Messrs. L. H. Lefevre & Son, who have kindly allowed their copyright subjects to appear. The Editor also wishes to acknowledge his indebtedness to the various artists who have co-operated with him in the preparation of this work by allowing examples of their work to be illustrated. Ill " CONTENTS ARTICLES BY MALCOLM C. SALAMAN PAGE Introductory . I Drawing 3 Line-engraving , 43 Etching and Dry-point 55 Aquatint , 83 Mezzotint .
Load more

Recommended publications
  • William Faithorne II (1656–1701)
    Neil Jeffares, Dictionary of pastellists before 1800 Online edition FAITHORNE, William influential treatise, The art of graveing and etching, sévère, mais a les traits assez beau, et ce qu’on London 1616–13.V.1691 derived from Abraham Bosse’s 1645 Traicté des voit en lui de sévère n’empêche pas de lui Engraver and draughtsman. His date of birth is manières de graver en taille douce. He was involved trouver des traits de génie et des yeux pleins disputed: Buckeridge gives his age at death as closely with the devlopment of scientific de feu”); Samuel Lewis, Topographical dictionary “near 75”, from which 1616 is inferred; the illustrations, including for the Royal Society, of of England, 1831, I, p. 356 n.r.; Norgate 1997, Oxford DNB suggests a later date, c.1620, from nine fellows of which Faithorne made portraits. p. 195, all as by Cooper ϕα his probable age when he was apprenticed to On 9.V.1654 at St Michael’s, Cornhill the printseller William Peake (son of James I’s Faithorne married Judith Grant or Graunt painter Robert Peake) in 1635. Neither Peake (1630–1690), daughter of Henry Grant, draper, nor his son Robert (who took over the business and Mary; her brother, also baptised at St in 1639) were engravers, and Faithorne may Michael’s Cornhill, was the celebrated have learned the skill from John Payne. statistician Captain John Graunt (1620–1674), a Faithorne joined the civil war on the royalist friend of Sir William Petty who figures in side with Peake. Captured during the siege of Aubrey’s Brief lives and Pepys’s Diary; he was also Basing House (1645), he was imprisoned at a fellow of the Royal Society.
    [Show full text]
  • Understanding the Past Through 18Th Century Prints Laura Pass Barry April 7, 2010
    A Picture is Worth a Thousand Words: Understanding the Past through 18th Century Prints Laura Pass Barry April 7, 2010 Associate Curator of Prints, Maps, and Paintings at Colonial Williamsburg Foundation. s a print curator, I naturally use period graphics to help me to better understand the past.1 Prints A offer the visual detail to record color and pattern, context, and use of objects—information that can’t be found in other documents from the period. In the eighteenth century, prints were more than decorative hangings; they offered insight into fashion, consumer trends, social customs, and taste. In a time before photography, television, and the internet, engravings were the primary source for reproducing and distributing visual information, giving viewers access to people, places, and things from near and far as well as to contemporary and historical events only read about or imagined. Today, engravings complement written records such as probate inventories. Inventories provide insight into a property owner’s taste and document what household goods (such as furniture, textiles, paintings, ceramics and metals) were owned. But while they contain useful and detailed information about the size, type, and material of an object, they fail to include descriptions that tell us how and where to use these personal possessions. In the instance of this late eighteenth-century print (fig. 1), the inventory excluded the wallpaper and carpet, arguably the most elaborate furnishings in the room.2 Fig. 1 The Lover’s Disguise, published by Carington Bowles, London, 1792, black-and-white mezzotint engraving with period hand color. 108| Juniata Voices Because of this, we rely on prints to provide us with a visual link to our material past.
    [Show full text]
  • International Art
    International Art Collectors’ List No. 168, 2013 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Kensington (Sydney) NSW Ph: (02) 9663 4848; Fax: (02) 9663 4447 Email: [email protected] Web: joseflebovicgallery.com 1. Cecil Aldin (Brit., 1870-1935). Miss Camp­ JOSEF LEBOVIC GALLERY bell’s “April Lady” & “Dame Marigold” Babies, Established 1977 Mr Frank Harrison’s “Champion Angelo” & 103a Anzac Parade, Kensington (Sydney) NSW Mr Duerdin Dutton’s “Starboard” [St Bernard Dogs], 1893. Ink and wash with white highlight, Post: PO Box 93, Kensington NSW 2033, Australia captioned left and right, signed and dated lower Tel: (02) 9663 4848 • Fax: (02) 9663 4447 • Intl: (+61-2) left, publishing annotations in pencil in various hands with two stamps verso, 44.1 x 29.7cm. Email: [email protected] • Web: joseflebovicgallery.com Foxing, slight stains, soiling over all. $2,900 Open: Wed to Fri 1-6pm, Sat 12-5pm, or by appointment • ABN 15 800 737 094 Stamps read “Horace Cox, Brear’s Buildings, E. C. The Member of • Association of International Photography Art Dealers Inc. Queen” and “C. Robertson & Co. Artist’s Colourmen. 99 Long Acre and 154 Piccadilly, London.” International Fine Print Dealers Assoc. • Australian Art & Antique Dealers Assoc. COLLECTORS’ LIST No. 168, 2013 International Art On exhibition from Sat., 9 November 2013 to Sat., 1 February 2014. All items will be illustrated on our website from 16 November. Prices are in Australian dollars and include GST. Exch. rates as at time of printing: AUD $1.00 = USD $0.96¢; UK £0.59p © Licence by VISCOPY AUSTRALIA 2013 LRN 5523 Compiled by Josef & Jeanne Lebovic, Lenka Miklos, Mariela Brozky, Takeaki Totsuka 2.
    [Show full text]
  • Prints and Their Production; a List of Works in the New York Public Library
    N E UC-NRLF PRINTS AND THEIR PRODUCTION A LIST OF WORKS IN THE NEW YORK PUPUBLIC LIBRARY COMPILED BY FRANK WEITENKAMPF, L.H.D. CHIEF, ART AND PRINTS DIVISION NEW YORK PUBLIC LIB-RARY 19 l6 ^4^ NOTE to This list contains the titles of works relating owned the prints and their production, by Reference on Department of The New York Public Library in the Central Build- November 1, 1915. They are Street. ing, at Fifth Avenue and Forty-second Reprinted September 1916 FROM THE Bulletin of The New York Public Library November - December 1915 form p-02 [ix-20-lfl 25o] CONTENTS I. Prints as Art Products PAGE - - Bibliography 1 Individual Artists - - 2>7 - 2 General and Miscellaneous Works Special Processes - - _ . 79 Periodicals and Societies - - - 3 Etching - - - - - - 79 Processes: Line Engraving and Proc- Handbooks (Technical) - - 79 esses IN General - - - 4 History - 81 Regional - ----- 82 Handbooks for the Student and Col- (Subdivided lector ------ 6 by countries.) Stipple 84 Sales and Prices: General Works - 7 Mezzotint - 84 Extra-Illustration - - - - 8 Aquatint 86 Care of Prints ----- 8 Dotted Prints (Maniere Criblee; History (General) . - _ _ 9 Schrotblatter) - - - - 86 Nielli -_--__ H Wood Engraving - - - - 86 Paste Prints ("Teigdrucke") - - 12 Handbooks (Technical) - - 87 Reproductions of Prints - - - 12 History ------ 87 History (Regional) - - - - 13 Block-books ----- 89 (Subdivided by countries; includes History: Regional- - - - 90 Japanese prints.) (Subdivided by countries.) Dictionaries of Artists - - - 26 Lithography ----- 91 Exhibitions (General and Miscel- Handbooks (Technical) - - 91 laneous) 29 History ------ 94 Collections (Public) - - - - 31 Regional - 95 (Subdivided by countries.) (Subdivided by countries.) Collections (Private) - - - - 34 Color Prints ----- 96 II.
    [Show full text]
  • Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN
    Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN Tel: 020 7836 1979 Fax: 020 7379 6695 E-mail: [email protected] www.grosvenorprints.com Dealers in Antique Prints & Books Prints from the Collection of the Hon. Christopher Lennox-Boyd Arts 3801 [Little Fatima.] [Painted by Frederick, Lord Leighton.] Gerald 2566 Robinson Crusoe Reading the Bible to Robinson. London Published December 15th 1898 by his Man Friday. "During the long timer Arthur Lucas the Proprietor, 31 New Bond Street, W. Mezzotint, proof signed by the engraver, ltd to 275. that Friday had now been with me, and 310 x 490mm. £420 that he began to speak to me, and 'Little Fatima' has an added interest because of its understand me. I was not wanting to lay a Orientalism. Leighton first showed an Oriental subject, foundation of religious knowledge in his a `Reminiscence of Algiers' at the Society of British mind _ He listened with great attention." Artists in 1858. Ten years later, in 1868, he made a Painted by Alexr. Fraser. Engraved by Charles G. journey to Egypt and in the autumn of 1873 he worked Lewis. London, Published Octr. 15, 1836 by Henry in Damascus where he made many studies and where Graves & Co., Printsellers to the King, 6 Pall Mall. he probably gained the inspiration for the present work. vignette of a shipwreck in margin below image. Gerald Philip Robinson (printmaker; 1858 - Mixed-method, mezzotint with remarques showing the 1942)Mostly declared pirnts PSA. wreck of his ship. 640 x 515mm. Tears in bottom Printsellers:Vol.II: margins affecting the plate mark.
    [Show full text]
  • A Pilgrimage Through English History and Culture (F-L)
    Brigham Young University BYU ScholarsArchive Faculty Publications 2009-05-01 A Pilgrimage Through English History and Culture (F-L) Gary P. Gillum [email protected] Susan Wheelwright O'Connor Alexa Hysi Follow this and additional works at: https://scholarsarchive.byu.edu/facpub Part of the English Language and Literature Commons BYU ScholarsArchive Citation Gillum, Gary P.; O'Connor, Susan Wheelwright; and Hysi, Alexa, "A Pilgrimage Through English History and Culture (F-L)" (2009). Faculty Publications. 12. https://scholarsarchive.byu.edu/facpub/12 This Other is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Faculty Publications by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. 833 FAIRFAX, JOHN, 1623-1700. Rare 922.542 St62f 1681 Presbýteros diples times axios, or, The true dignity of St. Paul's elder, exemplified in the life of that reverend, holy, zealous, and faithful servant, and minister of Jesus Christ Mr. Owne Stockton ... : with a collection of his observations, experiences and evidences recorded by his own hand : to which is added his funeral sermon / by John Fairfax. London : Printed by H.H. for Tho. Parkhurst at the Sign of the Bible and Three Crowns, at the lower end of Cheapside, 1681. Description: [12], 196, [20] p. ; 15 cm. References: Wing F 129. Subjects: Stockton, Owen, 1630-1680. Notes: Title enclosed within double line rule border. "Mors Triumphata; or The Saints Victory over Death; Opened in a Funeral Sermon ... " has special title page. 834 FAIRFAX, THOMAS FAIRFAX, Baron, 1612-1671.
    [Show full text]
  • Print Rebels
    Bankside Gallery | 48 Hopton Street | London SE1 9JH | 020 7928 7521 | [email protected] Print REbels Haden, Palmer, Whistler and the Origins of the RE (The Royal Society of Painter-Printmakers) 25 April - 13 May 2018, Private View 24 April 6-8pm Bankside Gallery Then touring to other UK venues in 2018 and 2019 1. Print REbels celebrates the 200th anniversary of the birth of the founder and first President of the Royal Society of Painter-Printmakers, Sir Francis Seymour Haden. A prestigious collection of works has been brought together to show prints produced by Haden along with those who inspired him such as Rembrandt and Dürer, and his contemporaries, including Samuel Palmer and JAM Whistler. In 1880, the time the RE was founded, artists such as Haden, Palmer and Whistler were considered revolutionary in their championing of printmaking as a creative medium. In mid-Victorian England, printmaking was seen primarily as a means to make reproductions of artworks, and many printmakers only made a living working as a copyist. These printmakers were not eligible for membership of The Royal Academy, as creative printmaking was not recognised as an art form on the same level as painting and sculpture. It was this that prompted Haden to rebel against this and form a new society, the RE. Haden and Whistler are credited with instigating the Etching Revival, an art movement which lasted 75 years. The RE has always been closely connected with the RA, with several Royal Academicians being founding members of the RE along with Seymour Haden, and the 2nd 3rd and 4th RE Presidents being also RAs.
    [Show full text]
  • Autumn 07 Cover
    Mallams Oxford 27 February 2019 Paintings Sale Covers.qxp_Layout 1 19/02/2019 14:47 Page 1 MALLAMS Mallams 1788 THE PICTURE SALE Wednesday THE PICTURE SALE THE PICTURE 27th February 2019 at 11am 27 FEBRUARY 2019 www.mallams.co.uk Mallams Oxford 27 February 2019 Paintings Sale Covers.qxp_Layout 1 19/02/2019 14:47 Page 2 Design+ Modern Art 23 and 24 May 2019 OXFORD ABINGDON Closing date for entries Thursday 11th April THE HOUSE & GARDENSALE Monday 18th and Tuesday 19th March 2019 at 11 am To Include Entries of: Decorative Furniture and Works of Art, Sculpture, Paintings, Silver, Rugs, Carpets and Textiles, Architectural Elements and Garden Ornament. For enquiries please contact Max Fisher All enquiries, please contact Henry Cooke: T: 01865 241358 or E: max.fi[email protected] T: 01235 462840 E: [email protected] www.mallams.co.uk www.mallams.co.uk Mallams Auctioneers, Bocardo House, St Michael’s Street Mallams Dunmore Court, Wootton Road, Abingdon OX13 6BH Mallams Oxford OX1 2EB 1788 1788 Mallams Oxford 27 February 2019 Paintings Sale.qxp_Layout 1 19/02/2019 15:02 Page 1 The Picture Sale 27th February 2019 Oxford Order of Sale Prints 1-100 Watercolours and Oils 101-447 Miniatures 450-458 Frames 460-479 Viewing Saturday 23rd February 9am to 1pm Monday 25th February 9am to 5pm Tuesday 26th February 9am to 5pm Morning of the sale from 8.30am IMPORTANT NOTICE REGARDING FRAMES As a general rule works are sold as framed unless the term ‘unframed’ appears in the catalogue description. Some pictures have been photographed to show the frame, but the majority are not.
    [Show full text]
  • British Art Studies June 2020 British Art Studies Issue 16, Published 30 June 2020
    British Art Studies June 2020 British Art Studies Issue 16, published 30 June 2020 Cover image: Bill Brandt, Family Supper (recto), 1937, printed ca. 1943, photographic print.. Digital image courtesy of Bill Brandt and the Bill Brandt Archive Ltd. Photography by Richard Caspole and Robert Hixon. PDF generated on 21 July 2021 Note: British Art Studies is a digital publication and intended to be experienced online and referenced digitally. PDFs are provided for ease of reading offline. Please do not reference the PDF in academic citations: we recommend the use of DOIs (digital object identifiers) provided within the online article. Theseunique alphanumeric strings identify content and provide a persistent link to a location on the internet. A DOI is guaranteed never to change, so you can use it to link permanently to electronic documents with confidence. Published by: Paul Mellon Centre 16 Bedford Square London, WC1B 3JA https://www.paul-mellon-centre.ac.uk In partnership with: Yale Center for British Art 1080 Chapel Street New Haven, Connecticut https://britishart.yale.edu ISSN: 2058-5462 DOI: 10.17658/issn.2058-5462 URL: https://www.britishartstudies.ac.uk Editorial team: https://www.britishartstudies.ac.uk/about/editorial-team Advisory board: https://www.britishartstudies.ac.uk/about/advisory-board Produced in the United Kingdom. A joint publication by Contents “The Bold Adventure of All”: Reconstructing the Place of Portraits in Interregnum England, Helen Pierce “The Bold Adventure of All”: Reconstructing the Place of Portraits in Interregnum England Helen Pierce Abstract In terms of art production and patronage, a long-held line of thought established at the Restoration cast the 1650s as the dull decade of seventeenth-century England, with a glittering Caroline court replaced by the austere rule of Oliver Cromwell and his Puritan-dominated government.
    [Show full text]
  • Laser Cutter File Guidelines
    ART + DESIGN FLAB – LASER ENGRAVER FILE SET UP GUIDELINES Start your project by consulting with your instructor for advice about the best way to plan your project. Our laser is a 60 watt Universal VLS4.60. This is a mid- range laser in terms of power (range=12-130). The laser system can’t cut everything. Some materials can be cut, engraved, and etched, and others can only be engraved and etched, while others cannot be used with this laser. Please see the list of approved materials. You are required to read and comply with the Art + Design FLAB Procedures, Policies and Guidelines for use of the laser. How to build your file: Use the Template Use the Adobe Illustrator CC laser cutter template file ( “AI Laser Template CC.ait” ) that is available in the FLAB (bring a flash drive and the FLAB assistant will give it to you!) from your instructor or on the School of Art + Design website (coming soon). This template file has the correct laser color swatches and is formatted to the necessary 24”x 18” Document Size. The template also has a separate layer for each color and if used, can help you more easily correct problem objects. Plan for 1/4 inch margins of unused material for all laser projects. Be aware that your material may warp causing cut distortion. Try to plan your file with room for a margin of error. The cutter bed is 18” tall by 24” wide, but the laser cannot cut materials all the way to the edge of the bed.
    [Show full text]
  • The Role of the Royal Academy in English Art 1918-1930. COWDELL, Theophilus P
    The role of the Royal Academy in English art 1918-1930. COWDELL, Theophilus P. Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20673/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version COWDELL, Theophilus P. (1980). The role of the Royal Academy in English art 1918-1930. Doctoral, Sheffield Hallam University (United Kingdom).. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk onemeia u-ny roiyiecnmc 100185400 4 Mill CC rJ o x n n Author Class Title Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus Sheffield S1 1WB NOT FOR LOAN Return to Learning Centre of issue Fines are charged at 50p per hour Sheffield Haller* University Learning snd »T Services Adsetts Centre City Csmous Sheffield SI 1WB ^ AUG 2008 S I2 J T 1 REFERENCE ProQuest Number: 10702010 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10702010 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC.
    [Show full text]
  • On Domesticity • Cézanne, Wallpaper and Painting • Edward
    US $25 The Global Journal of Prints and Ideas September – October 2014 Volume 4, Number 3 On Domesticity • Cézanne, Wallpaper and Painting • Edward Bawden in 1949 • Paper Dresses • Jim Dine • Jasper Johns Lyonel Feininger • Chiaroscuro Woodcuts • Wall Works • Louise Lawler • Beyond Tamarind • Prix de Print • News if The International Art Fair November 5 – 9 for Fine Prints and Editions Park Avenue Armory pda Old Master to Contemporary New York Plan Your Visit www.printfair.com EXHIBITORS Aaron Galleries | Glenview, IL Marlborough Graphics | New York Brooke Alexander, Inc. | New York, NY Mixografía® | Los Angeles, CA print Allinson Gallery, Inc. | Storrs, CT Frederick Mulder | London, United Kingdom Arion Press | San Francisco, CA Neptune Fine Art | Washington, DC Armstrong Fine Art | Chicago, IL Carolina Nitsch | New York, NY Ars Libri Ltd. | Boston, MA The Old Print Shop, Inc. | New York, NY The Art of Japan | Medina, WA Osborne Samuel Ltd. | London, United Kingdom Emanuel von Baeyer | London, United Kingdom Pace Prints | New York, NY James A. Bergquist | Newton Centre, MA Paragon | London, United Kingdom Joel R. Bergquist Fine Art | Palo Alto, CA Paramour Fine Arts | Franklin, MI C. G. Boerner | New York, NY Paul Stolper Gallery | London, United Kingdom Galerie Boisserée | Cologne, Germany Paulson Bott Press | Berkeley, CA Niels Borch Jensen Editions | Copenhagen, Denmark Polígrafa Obra Gráfi ca | Barcelona, Spain fair Catherine E. Burns | Oakland, CA Pratt Contemporary / Pratt Editions | Kent, United Kingdom William P. Carl Fine Prints | Durham, NC Paul Prouté | Paris, France Childs Gallery | Boston, MA Redfern Gallery Ltd. | London, United Kingdom Alan Cristea Gallery | London, United Kingdom Helmut H. Rumbler Kunsthandel | Frankfurt, Germany Crown Point Press | San Francisco, CA Mary Ryan Gallery | New York, NY Dolan/Maxwell | Philadelphia, PA Scholten Japanese Art | New York, NY Durham Press, Inc.
    [Show full text]