DOCSLIB.ORG

Prints and Their Production; a List of Works in the New York Public Library

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Prints and Their Production; a List of Works in the New York Public Library N E UC-NRLF PRINTS AND THEIR PRODUCTION A LIST OF WORKS IN THE NEW YORK PUPUBLIC LIBRARY COMPILED BY FRANK WEITENKAMPF, L.H.D. CHIEF, ART AND PRINTS DIVISION NEW YORK PUBLIC LIB-RARY 19 l6 ^4^ NOTE to This list contains the titles of works relating owned the prints and their production, by Reference on Department of The New York Public Library in the Central Build- November 1, 1915. They are Street. ing, at Fifth Avenue and Forty-second Reprinted September 1916 FROM THE Bulletin of The New York Public Library November - December 1915 form p-02 [ix-20-lfl 25o] CONTENTS I. Prints as Art Products PAGE - - Bibliography 1 Individual Artists - - 2>7 - 2 General and Miscellaneous Works Special Processes - - _ . 79 Periodicals and Societies - - - 3 Etching - - - - - - 79 Processes: Line Engraving and Proc- Handbooks (Technical) - - 79 esses IN General - - - 4 History - 81 Regional - ----- 82 Handbooks for the Student and Col- (Subdivided lector ------ 6 by countries.) Stipple 84 Sales and Prices: General Works - 7 Mezzotint - 84 Extra-Illustration - - - - 8 Aquatint 86 Care of Prints ----- 8 Dotted Prints (Maniere Criblee; History (General) . - _ _ 9 Schrotblatter) - - - - 86 Nielli -_--__ H Wood Engraving - - - - 86 Paste Prints ("Teigdrucke") - - 12 Handbooks (Technical) - - 87 Reproductions of Prints - - - 12 History ------ 87 History (Regional) - - - - 13 Block-books ----- 89 (Subdivided by countries; includes History: Regional- - - - 90 Japanese prints.) (Subdivided by countries.) Dictionaries of Artists - - - 26 Lithography ----- 91 Exhibitions (General and Miscel- Handbooks (Technical) - - 91 laneous) 29 History ------ 94 Collections (Public) - - - - 31 Regional - 95 (Subdivided by countries.) (Subdivided by countries.) Collections (Private) - - - - 34 Color Prints ----- 96 II. Applications of the Reproductive Graphic Arts PAGE PAGE - - - Bank Note Engraving - - - - 97 Posters; Advertising Art 115 Cards (Playing) 97 Miscellaneous Applied Graphic Art: Book Plates - 98 Programmes, Menus, Diplomas, Periodicals and Societies - 100 Titles, Visiting Cards, Etc. 117 Regional 100 Silhouettes _ - - - - 118 (Subdivided by countries.) Sporting Prints 118 Illustration of Books - - - - 102 New York City Views - - - 118 Handbooks (Technical) - - - 104 Regional ------ 104 Portraits --_-__ 119 (Subdivided by countries.) Regional ------ 120 Individual Illustrators and Cari- (Subdivided by countries.) caturists - - - - - 107 Individuals - - - - - 124 Caricature ------ 112 Photomechanical Processes 127 History 112 Regional ------ 113 Catalogues of Photographs and Pho- (Subdivided by countries.) tomechanical Reproductions 131 Index 133 [iii] 3'^2078 LIST OF WORKS IN THE NEW YORK PUBLIC LIBRARY RELATING TO PRINTS AND THEIR PRODUCTION By Dr. Frank Weitenkampf, Chief, Art and Prints Division I. PRINTS AS ART PRODUCTS II. APPLICATIONS OF THE REPRODUCTIVE GRAPHIC ARTS The object of the list, naturally and primarily, is to show what the Library has of the literature of a subject the interest in which is steadily increasing. Incidentally, also, it indicates our wants, some of which, at least, are apt to represent books of such rarity that only through the help of private collectors will they come to the Library's shelves. The list is divided into two sections. The first, intended for the amateur and student of prints, includes the general subject of prints produced by etching, engraving and lithography. The second appeals to those interested in various practical "Applications" of the reproductive graphic arts to the production of book-illustration, book-plates, portraits, caricature, playing-cards, posters, and various other specialties, such as menus, programmes, titles and visiting cards. It also includes' the books on the various photo- mechanical processes which play so important a role to-day. The line of demarcation, of course, cannot be drawn absolutely. Thus, Lithography, in Section I, includes practical applications. This list does not include articles in magazines or portions of books, although they are often valuable and even indispensable. Much material on individual artists, in fact, is to be found only in that form. It has been excluded from this list, but all such material which we have been able to find has been listed in our card catalogue and is therefore available. Also, this is a list of books about prints, not of books of prints. Bound collections of prints are therefore not included, excepting when the prints directly form illustrations to text. Thus, J. S. Cotman's "Liber Studiorum" is excluded, while "Works of Hogarth," with text by Nichols, is included. PRINTS AS ART PRODUCTS Bibliography Godde, J. Catalogue raisonne d'une col- lection de livres, etc., relatifs aux arts de Bohn, Henry G. Catalogue of a collec- peinture, sculpture, etc. Paris, 1850. 8. tion of works on the fine arts, comprising MAC books of prints, picture galleries, treatises Great Britain. Commission- on painting, sculpture, and' engraving, lives Patents, of a of the ers of. Subject list of works on the fine and artists, etc.; forming portion and library of... Henry G. Bohn, which will graphic arts, (including photography), art industries in the Library of the Patent be sold. .March, 1885. [London: Christie, Office. London: Darling & Son, 1904. 374 Manson & Woods, 1885.) 30 p. 8. 1 1. ed.] 16. Office Libra- MAX p.v.3, no.5 p., [2. (Patent ry Series: No. 2. Bibliographical Series: Bourcard, Gustave. Graveurs et gra- No. 1.) MAC vures, France et etranger: essai de biblio- Title of 1. ed. reads: Subject list of works on graphic, 1540-1910. Paris: H. Floury, 1910. photography and the allied arts and sciences. 2 p.l., (l)viii-xiv, 1 1., 320 p., 1 1. 8. MD Hiersemann, Karl W. Malerei, Skulp- Duplessis, Georges. Essai de biblio- tur, Kupferstichkunde. Leipzig, 1888. graphic contenant I'indication des ou- 25 p. 8. (In his Catalog, no. 36.) vrages relatifs a I'histoire de la gravure et MACp.v.l,no.6 des graveurs. Paris: Rapilly, 1862. 48 p. New series of catalogues. The fine 8. MD arts... Books and prints on sale by K. Avery collection. W. H. Cat. no. 108-115. v. p. Leipzig: E. Hermann, printer, 1893. 8. MAC Essai d'une bibliographic generale des beaux-arts... Paris: Rapilly, 1866. Hoe, R. M. The literature of printing. 2 p. 1., 144 p. 8. MAC A catalogue of the library illustrative of [1] THE NEW YORK PUBLIC LIBRARY Prints cs^ .^M i^rfiduct^, c'pHiinued. Quaritch, Bernard. A catalogue of rare and valuable books on the fine arts. Pt. 1. Bibliography, continued. London: [G. Norman & Son], 1909. 1 pt. and art of the history topography, chalcog- 8. (No. 273.) MAC raphy and lithography of R. M. Hoe. Lon- Title from cover. don: Privately printed, 1817. 2 p.l., 149 p., *IP 1 1. 12. Rapilly, Librairie de. Catalogue de livres relatifs a I'architecture, a la sculp- Internationale Bibliographic der Kunst- ture, a la peinture et a la gravure. mars wissenschaft. von Arthur L. Jel- Hrsg. 1875, mars, '81, fevrier, '83. Paris: Rapilly, 1903- linek. Bd. 1-5 (1902-1906). Berlin, 1875-83. 3 V. 8. MAC '09. 8. MAC Someren, J. F. van. Essai d'une bibli- C. A of Levis, Howard bibliography ographic de I'histoire speciale de la pein- to and the American books relating prints ture et de la gravure en Hollande et en of also of cata- art and history engraving, Belgique. (1500-1875). Amsterdam, 1882. logues of important sales and exhibitions 8. MCG of prints held in America... London: Prtd. at the Chiswick Press, 1910. ix, 79(1) Soullie, L. Essai bibliographique des p., 1 port. 8. MD catalogues illustres de grandes collections de tableaux, de dessins et d'objets d'art A descriptive bibliography of the publics depuis le commencement du xix' most important books in the English lan- siecle jusqu'a fin 1902. Paris: L. Soullie, guage relating to the art and history of 1903. 76 p. 8. (L'intermediaire des col- engraving and the collecting of prints. lectionneurs. 16* n. s. no. London: 1912. 3 571 annee, 1.) Ellis, p.l., (i)x-xix, MDB (1) p., 4 1., 1 fac. 4. tMD no. 92 of 350 copies printed. South Kensington Museum. First proofs of the universal catalogue of books on art; Title-pages of the two earliest [Cd. by J. H. Pollen]. London, 1870. 2 v. books in the English language relating to sq. 8". [Same.] Supplement. London, also the therein which engraving; pages 1877. 8. MAC contain the sections on engraving, and the of another edition of the first title-page Sturgis, R. Annotated bibliography of of these books. .made [Reproductions. fine art. Painting, sculpture, architecture, from of the . photographs title-pages. .of arts of decoration and illustration. Music, ...books in the British Museum. H. By by H. E. Krehbiel. Edited by George C. Levis?] London: Privately printed at lies. 3 illus., 89 p. Boston: Library Bureau, the Chiswick Press, 1911. 13 1., 1 8. pi.MDI 1897. 4. MAC no. 8 of twenty copies printed. Monatshefte der Kunstwissenschaft- lichen Literatur. v. 1-3. Berlin, 1905- General and Miscellaneous Works 1907. 4. tMAC Blanc, Charles. Le tresor de la curio- Continued as: Monatshefte fur Kunstwissenschaft. site; tire des catalogues de vente de tab- leaux, dessins, estampes, livres, marbres, York classified New Society Library. A bronzes, ivoires... 2 v. Paris: 1857-'58. catalogue with critical notes of the works 8. MAZ on art in the Green alcove of the New York Society Library, selected and pre- Comfort, G. F. The address of G. F. sented by Robert Lenox Kennedy. 48 p. Comfort... of the Syracuse University, at New York, 1879. 4. MAC the opening of the Wolff-Leavenworth collection of engravings January 22, 1890. New York State Library. Albany. Cat- Syracuse, N. Y.: [Courier Print Co., 1890]. alogue of the books on bibliography, ty- 23 p. 8. MDC pography and engraving in the... Libra- * The, of the fine arts; ry. Albany, 1858. 143 p. 8. G Encyclopaedia, forming a portion of the Encyclopaedia London: Griffin & Newcastle-upon-Tyne Public Libraries.
Load more

Recommended publications
  • International Art
    International Art Collectors’ List No. 168, 2013 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Kensington (Sydney) NSW Ph: (02) 9663 4848; Fax: (02) 9663 4447 Email: [email protected] Web: joseflebovicgallery.com 1. Cecil Aldin (Brit., 1870-1935). Miss Camp­ JOSEF LEBOVIC GALLERY bell’s “April Lady” & “Dame Marigold” Babies, Established 1977 Mr Frank Harrison’s “Champion Angelo” & 103a Anzac Parade, Kensington (Sydney) NSW Mr Duerdin Dutton’s “Starboard” [St Bernard Dogs], 1893. Ink and wash with white highlight, Post: PO Box 93, Kensington NSW 2033, Australia captioned left and right, signed and dated lower Tel: (02) 9663 4848 • Fax: (02) 9663 4447 • Intl: (+61-2) left, publishing annotations in pencil in various hands with two stamps verso, 44.1 x 29.7cm. Email: [email protected] • Web: joseflebovicgallery.com Foxing, slight stains, soiling over all. $2,900 Open: Wed to Fri 1-6pm, Sat 12-5pm, or by appointment • ABN 15 800 737 094 Stamps read “Horace Cox, Brear’s Buildings, E. C. The Member of • Association of International Photography Art Dealers Inc. Queen” and “C. Robertson & Co. Artist’s Colourmen. 99 Long Acre and 154 Piccadilly, London.” International Fine Print Dealers Assoc. • Australian Art & Antique Dealers Assoc. COLLECTORS’ LIST No. 168, 2013 International Art On exhibition from Sat., 9 November 2013 to Sat., 1 February 2014. All items will be illustrated on our website from 16 November. Prices are in Australian dollars and include GST. Exch. rates as at time of printing: AUD $1.00 = USD $0.96¢; UK £0.59p © Licence by VISCOPY AUSTRALIA 2013 LRN 5523 Compiled by Josef & Jeanne Lebovic, Lenka Miklos, Mariela Brozky, Takeaki Totsuka 2.
    [Show full text]
  • Daily Bonds, Stocks, & Currency
    DAILY BONDS, STOCKS, & CURRENCY COMMENTARY Wednesday December 23, 2020 BONDS COMMENTARY 12/23/20 We expect rallies off scheduled data but doubt the gains will hold OVERNIGHT CHANGES THROUGH 3:16 AM (CT): BONDS -0 Overnight treasury prices extended yesterday's bounce but ultimately failed to hold the gains and have settled back into negative territory early today. We suspect the volatility in treasuries was the result of news that the President might reject the intensely negotiated stimulus deal because direct payments were not sufficient. While not a recent definitive impact on treasury prices, it would also appear as if yet another major junction looms from the exit negotiations with both sides the table committed to one last attempt to solve the divorce before it is forced upon the parties. While the markets are likely to view the US durable goods order as the primary release of the day, (early due to holiday) initial and ongoing claims data figures will add to the potential volatility in the 7:30 release window. On the other hand, traders should acknowledge yesterday's significant jump in quarterly PCE readings were the highest since the second quarter of 2011 and that could be an early warning sign that deflation is being replaced with reflation. Therefore, the monthly PCE index this morning might be very important measure to watch, especially with predictions for that reading only expected to post a fractional gain! Given the markets inability to rally off weak scheduled data recently, we would suggest traders wait for a rally to the vicinity of 174-00 to sell March bonds and or a rally to 138-07 to get short March Notes.
    [Show full text]
  • Books, Prints and Maps Tuesday 18 October 2011 12:00
    Books, Prints and Maps Tuesday 18 October 2011 12:00 Capes Dunn & Co Capes Dunn & Co 38 Charles Street Manchester M1 7DB Capes Dunn & Co (Books, Prints and Maps ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 9 BRAY, WILLIAM [Editor]. Memoirs, Illustrative of the Life and [NORTH & NORTH WEST ENGLAND]: Blackwood, B.G. The Writings of John Evelyn, Esq, F.R.S. Author of the Sylva ---- Lancashire Gentry and the Great Rebellion. 1640-60, London: printed for Henry Colburn ---- . 1819. Second edition. 2 Manchester; Chetham Society. 1978. First edition. 8vo. Dust vols. 4to. Pp xxviii, 671 [1], plates [8] incl. folding family wrapper. WITH 9 others related. (10) Pedigree, v.342, 336, plates [4] modern half cf upper joint of Estimate: £20.00 - £25.00 vol 1 split. (2) Estimate: £30.00 - £50.00 Lot: 10 [BIOGRAPHY AND AUTOBIOGRAPHY.] 25 vols in dust Lot: 2 wrappers. (24) [DIRECTORY] WHITE, WILLIAM. History of Gazetteer and Estimate: £15.00 - £20.00 Directory of Lincolnshire ---, fifth edition. Sheffield: William White ---- 1892/3, 8vo. Pp xix, 1199, 32, lacks map, original cloth soiled, backstrip loose. Lot: 11 Estimate: £20.00 - £30.00 BENNETT, ERIC. The Worshipful Company of Wheelwrights in the City of London. 1670-1970. Newton Abbot: David and Charles. 1970. First edition. Dust wrappers. WITH 28 OTHERS Lot: 3 various authors sundry works. (29) [COMMITTEE ON EDUCATION] Minutes of the Committee on Estimate: £25.00 - £30.00 Education with Appendices. 1841-42. London: William Clowes -----. 1842. First edition. 8vo. Pp. ix, 265. Library stamp on verso of TP. Closed tear on P.197/198, original cloth rubbed Lot: 12 WITH The Reports for 1842-3; 1844, Vol II; 1845, Vol I; 1846, CHURCHILL, RANDOLPH S.
    [Show full text]
  • The Drawings of Cornelis Visscher (1628/9-1658) John Charleton
    The Drawings of Cornelis Visscher (1628/9-1658) John Charleton Hawley III Jamaica Plain, MA M.A., History of Art, Institute of Fine Arts – New York University, 2010 B.A., Art History and History, College of William and Mary, 2008 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Art and Architectural History University of Virginia May, 2015 _______________________________________ _______________________________________ _______________________________________ _______________________________________ Table of Contents Abstract ............................................................................................................................................. i Acknowledgements.......................................................................................................................... ii Introduction ..................................................................................................................................... 1 Chapter 1: The Life of Cornelis Visscher .......................................................................................... 3 Early Life and Family .................................................................................................................... 4 Artistic Training and Guild Membership ...................................................................................... 9 Move to Amsterdam .................................................................................................................
    [Show full text]
  • Annual Report 2015 2015 Meiji Yasuda Life Insurance Company, Year Ended March 31, 2015
    Meiji Yasuda Life Insurance Company Meiji Yasuda Annual Report Annual Report 2015 2015 Meiji Yasuda Life Insurance Company, Year ended March 31, 2015 1-1, Marunouchi 2-chome, Chiyoda-ku, Tokyo 100-0005, Japan Phone:+81-3-3283-8293 Fax:+81-3-3215-8123 Printed in Japan International Directory (As of March 31, 2015) TUiR Warta S.A. Pacific Guardian Life Insurance Company, Limited Seoul Representative Office Southern California Office Beijing Representative Office TU Europa S.A. Meiji Yasuda Life Insurance Company Meiji Yasuda America Incorporated Meiji Yasuda Realty USA Incorporated Frankfurt Representative Office Founder Meiji Yasuda Life Insurance Co., Ltd. Meiji Yasuda Europe Limited Meiji Yasuda Asia Limited Thai Life Insurance Public Company Limited Pacific Guardian Life Insurance Company, Limited PT Avrist Assurance Headquarters Representative Offices Subsidiaries Affiliates Headquarters Meiji Yasuda Life Insurance Company 1-1, Marunouchi 2-chome, Chiyoda-ku, Tokyo 100-0005, Japan Phone:+81-3-3283-8293 Fax:+81-3-3215-8123 Meiji Yasuda Life Insurance Company Meiji Yasuda Life Insurance Company Representative Frankfurt Representative Office Beijing Representative Office Goethestrasse 7, 60313 Frankfurt am Main, Germany Room 6003, 6th Floor, Changfugong Office Building, Offices Phone:+49-69-748000 Fax:+49-69-748021 26 Jianguomen Wai Avenue, Chaoyang District, Beijing 100022, China Meiji Yasuda Life Insurance Company Phone:+86-10-6513-9815 Fax:+86-10-6513-9818 Seoul Representative Office The Seoul Shinmun Daily (Korea Press Center) Bldg., 9th Floor, 124 Sejong-daero, Jung-gu, Seoul 100-745, Korea Contents Phone:+82-2-723-9111 Fax:+82-2-723-6489 Subsidiaries Pacific Guardian Life Insurance Company, Limited Pacific Guardian Life Insurance Company, Limited Corporate Profile 2 Risk Management Structure 28 1440 Kapiolani Boulevard, Suite 1700, Honolulu, Hawaii Southern California Office 96814, U.S.A.
    [Show full text]
  • Why Japan Supports Whaling
    An edited version of this paper has been accepted for publication in the Journal of International Wildlife and Policy WHY JAPAN SUPPORTS WHALING Keiko Hirata* 1. INTRODUCTION Japan is one of the few states in the world that adamantly supports whaling. For decades, Tokyo has steadfastly maintained its right to whale and has aggressively lobbied the International Whaling Commission (IWC) for a resumption of commercial whaling. Japan’s pro-whaling stance has invited strong international criticism from both environmental groups and Western governments, many of which view Tokyo as obstructing international efforts to protect whales. Why has Japan adhered to a pro-whaling policy that has brought the country international condemnation? Its defiant pro-whaling stance is not consistent with its internationally cooperative position on other environmental matters. For the past decade, Tokyo has been a key player in international environmental regimes, such as those to combat ozone depletion and global warming.1 If Japan is serious about environmental protection and desires to play a role as a ‘green contributor,’2 why hasn’t it embraced the anti-whaling norm, 3 thereby joining other states in wildlife protection and assuming a larger role in global environmental leadership? *Research Fellow, Center for the Study of Democracy, University of California, Irvine, California, USA. E-mail: [email protected]. 1 Isao Miyaoka, 1980s and Early 1990s: Changing from an Eco-outlaw to a Green Contributor, 16 NEWSL. INST. SOC. SCI. U. TOKYO, 7-10 (1999). 2 Id. at 7. 3 Robert L. Friedheim, Introduction: The IWC as a Contested Regime, in TOWARD A SUSTAINABLE WHALING REGIME, 1-45 (Robert L.
    [Show full text]
  • Download 1 File
    CURIOUS CHURCH GLEANINGS. 6g Wiffiam C&nbretts, Mr. Andrews' books are always interesting. Church Bells. Mr. Andrews' works are a rich mine of curious displayed " learning, in an attractive form. Echoes the H\-ck," by Mr. G. A. Sa/a. of r I think your labours, -writes the Right Hon. ll' . E. Gladstone to Mr. Andrews, of real interest and value in their illustration of Old English Life. Curiosities of the Church. We feel sure that many will feel grateful to Mr. Andrews for having produced such an interesting book. The Antiquary. A volume of great research and striking interest. The Bookbuyer (New York). Contains in a popular and readable form, much that is curious and instructive. Manchester Gua rdian. An interesting, handsomely got up volume. Mr. Andrews is always chatty and expert in making a paper on a dry subject exceedingly readable. Newcastle Courant. An admirable book. Sheffield Independent, Old Church Lore. Mr. Andrews' book does not contain a dull page. Deserves to meet with a very warm welcome. Yorkshire Post. A worthy book on a deeply interesting subject. We commend this book strongly. European Mail. An interesting volume. The Scotsman. The book is eminently readable, and may be taken up at any moment with the certainty that something suggestive or entertaining will present itself. Glasgow Citizen. Curious Church Customs. A thoroughly excellent volume. Publishers' Circulat. We are indebted to Mr. Andrews for an invaluable addition to our of library folk-lore, and we do not think that many who take it up will skip a single page. Dundee Advertiser.
    [Show full text]
  • Presbyterianism : Its Relation to the Negro
    ^JjJW OF PRINCt PRESBYTERfANISM. ITS RELATION TO THE NEGRO. ILLUSTRATED BY The Berean Presbyterian Church, PHILADELPHIA, WITH SKETCH OF THE CHURCH AND AUTO BIOGRAPHY OF THE AUTHOR MATTHEW ANDERSON, A.M., MEMBER OF THE AMERICAN ACADEMY OF POLITICAL AND SOCIAL SCIENCE, AND THE AMERICAN NEGRO ACADEMY FOR THE PROMOTION OF LETTHRS, ART, LITERATURE AND SCIENCE. WITH INTRODUCTIONS FRANCIS J. GRIMKE, D. D, PASTOR OF THE FIFTEENTH STREET PRESBYTERIAN CHURCH, WASHINGTON, D. C, JOHN B. REEVE, D. D„ PASTOR OK THE CENTRAL PRESBYTERIAN CHURCH, LOMBARD STREET, PHILADELPHIA. PHILADELPHIA, PA. : JOHN McGILL WHITE & CO., 1328 Chestnut Strebt. Copyright, 1897, BY JOHN McGILL WHITE & CO. Thi sunshine Phiss. In compliance with current copyright law, LBS Archival Products produced this replacement volume on paper that meets the AN5I Standard Z39.48-1984 to replace the irreparably deteriorated original. 1992 (So) DEDICATION MY FRIEND TO , JOHN McGILL, WHO FOSTERED AND SUSTAINED THE BEREAN PRESBYTERIAN CHURCH FOR OVER FOURTEEN YEARS, AND TO THE FRIENDS OF THE COLORED PEOPLE GENERALLY, IS THIS BOOK MOST GRATEFULLY AND AFFECTIONATELY DEDICATED BY THE AUTHOR. Philadelphia, Jul}', 1897. INTRODUCTORY NOTE. Presbyterian I have known the pastor of the Berean Church, the Rev. Matthew Anderson, for a number of years. We were in the Theological Seminary at Princeton together, since which time our friendship has deepened with increasing years. From the inception of his work in Philadelphia I have watched his career with the deepest interest, loo much cannot be said in praise of his self-sacrificing and indefatigable efforts in pushing forward the work to which, in the providence of God, he was called shortly after the completion of his Semi- nary course.
    [Show full text]
  • Print Rebels
    Bankside Gallery | 48 Hopton Street | London SE1 9JH | 020 7928 7521 | [email protected] Print REbels Haden, Palmer, Whistler and the Origins of the RE (The Royal Society of Painter-Printmakers) 25 April - 13 May 2018, Private View 24 April 6-8pm Bankside Gallery Then touring to other UK venues in 2018 and 2019 1. Print REbels celebrates the 200th anniversary of the birth of the founder and first President of the Royal Society of Painter-Printmakers, Sir Francis Seymour Haden. A prestigious collection of works has been brought together to show prints produced by Haden along with those who inspired him such as Rembrandt and Dürer, and his contemporaries, including Samuel Palmer and JAM Whistler. In 1880, the time the RE was founded, artists such as Haden, Palmer and Whistler were considered revolutionary in their championing of printmaking as a creative medium. In mid-Victorian England, printmaking was seen primarily as a means to make reproductions of artworks, and many printmakers only made a living working as a copyist. These printmakers were not eligible for membership of The Royal Academy, as creative printmaking was not recognised as an art form on the same level as painting and sculpture. It was this that prompted Haden to rebel against this and form a new society, the RE. Haden and Whistler are credited with instigating the Etching Revival, an art movement which lasted 75 years. The RE has always been closely connected with the RA, with several Royal Academicians being founding members of the RE along with Seymour Haden, and the 2nd 3rd and 4th RE Presidents being also RAs.
    [Show full text]
  • Autumn 07 Cover
    Mallams Oxford 27 February 2019 Paintings Sale Covers.qxp_Layout 1 19/02/2019 14:47 Page 1 MALLAMS Mallams 1788 THE PICTURE SALE Wednesday THE PICTURE SALE THE PICTURE 27th February 2019 at 11am 27 FEBRUARY 2019 www.mallams.co.uk Mallams Oxford 27 February 2019 Paintings Sale Covers.qxp_Layout 1 19/02/2019 14:47 Page 2 Design+ Modern Art 23 and 24 May 2019 OXFORD ABINGDON Closing date for entries Thursday 11th April THE HOUSE & GARDENSALE Monday 18th and Tuesday 19th March 2019 at 11 am To Include Entries of: Decorative Furniture and Works of Art, Sculpture, Paintings, Silver, Rugs, Carpets and Textiles, Architectural Elements and Garden Ornament. For enquiries please contact Max Fisher All enquiries, please contact Henry Cooke: T: 01865 241358 or E: max.fi[email protected] T: 01235 462840 E: [email protected] www.mallams.co.uk www.mallams.co.uk Mallams Auctioneers, Bocardo House, St Michael’s Street Mallams Dunmore Court, Wootton Road, Abingdon OX13 6BH Mallams Oxford OX1 2EB 1788 1788 Mallams Oxford 27 February 2019 Paintings Sale.qxp_Layout 1 19/02/2019 15:02 Page 1 The Picture Sale 27th February 2019 Oxford Order of Sale Prints 1-100 Watercolours and Oils 101-447 Miniatures 450-458 Frames 460-479 Viewing Saturday 23rd February 9am to 1pm Monday 25th February 9am to 5pm Tuesday 26th February 9am to 5pm Morning of the sale from 8.30am IMPORTANT NOTICE REGARDING FRAMES As a general rule works are sold as framed unless the term ‘unframed’ appears in the catalogue description. Some pictures have been photographed to show the frame, but the majority are not.
    [Show full text]
  • American Library in Paris 1922 Year Book
    Year book. American Library in Paris. Paris, [1922- https://hdl.handle.net/2027/mdp.39015033915250 Creative Commons Attribution-NonCommercial-NoDerivatives http://www.hathitrust.org/access_use#cc-by-nc-nd-4.0 This work is protected by copyright law (which includes certain exceptions to the rights of the copyright holder that users may make, such as fair use where applicable under U.S. law), but made available under a Creative Commons Attribution-NonCommercial-NoDerivatives license. You must attribute this work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). Only verbatim copies of this work may be made, distributed, displayed, and performed, not derivative works based upon it. Copies that are made may only be used for non-commercial purposes. Please check the terms of the specific Creative Commons license as indicated at the item level. For details, see the full license deed at http://creativecommons.org/licenses/by-nc-nd/4.0. OCT 6 1924 A3 The American Library in Paris Incorporated IBRARL Alrutex post libris MERIC bellun lux PARIS 1 INC 1920 YEAR BOOK 1922 The American Library in Paris , Inc . ]$ TDs 0 R | * * * !$ 4tta ( The American Library in Paris Incorporated YEAR BOOK 1922 lO. RUE DE L'ELYSEE PARIS at 5 Amer 2- Memorial Report Endowments American Advisory Report - Annual Life Patrons Officers Statement Donations Board Foreword Committees 1924 Constitution Balance . Members Lib Members Sheet of of . of . the Board Council Trustees Legion Tablet . in of . Librarian Income . , Paris Decembre of .
    [Show full text]
  • An Illustrated Catalogue of Painter-Etchings for Sale by Frederick Keppel & Co
    CORNELL UNIVERSITY COLLEGE OF ARCHITECTURE LIBRARY Cornell University Library NE 1960.K38 The print-collector's bulletln:an illust 3 1924 020 561 738 THE PRINT-COLLECTOR'S BULLETIN AN ILLUSTRATED CATALOGUE OF PAINTER-ETCHINGS FOR SALE BY FREDERICK KEPPEL & CO. 4 EAST 39th STREET, NEW YORK NOTE ALTHOUGH on the day of issuing The Print-Collectok's . Bulletin Ave were able to supply each print mentioned at the price quoted, the steady advance in the value of certain rare prints sometimes renders it impossible for us to supply a duplicate im- pression at the original price. After the Bulletin has been examined, we should be glad to send a selection of the Etchings themselves, for inspection, by ex- press or mail, to any address. AVe pay all charges of transmission ; and our correspondents need feel under no obligation to purchase, if the Etchings themselves do not satisfy them in every respect. Correspondents whom we do not already know, and who may desire to have Etchings sent on selection, will recognize the pro- priety of introducing themselves with a proper reference. Frederick Keppel & Co. Septemlier L!S, 1908 \^ ADOLPHE APPIAN ADOLPHE APPIAN MY admiration foi' Appiaii's wofk as an etcher (lie is a chai'iii- . iiig painter also) was ab'eady great several years ago, but the more I see how rare liis (pialities are in contemporary art, or in any art, the more I feel disposed to value them. His work is always quite easy and graceful in manner, never strained, never betraying an effort, and it hardly ever fails to charm by a most delicate feeling for the poeti-y of natural landscape.
    [Show full text]