American Library in Paris 1922 Year Book
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2010-2011 Newsletter
Newsletter WILLIAMS G RADUATE PROGRAM IN THE HISTORY OF A RT OFFERED IN COLLABORATION WITH THE CLARK ACADEMIC YEAR 2010–11 Newsletter ••••• 1 1 CLASS OF 1955 MEMORIAL PROFESSOR OF ART MARC GOTLIEB Letter from the Director Greetings from Williamstown! Our New features of the program this past year include an alumni now number well over 400 internship for a Williams graduate student at the High Mu- going back nearly 40 years, and we seum of Art. Many thanks to Michael Shapiro, Philip Verre, hope this newsletter both brings and all the High staff for partnering with us in what promises back memories and informs you to serve as a key plank in our effort to expand opportuni- of our recent efforts to keep the ties for our graduate students in the years to come. We had a thrilling study-trip to Greece last January with the kind program academically healthy and participation of Elizabeth McGowan; coming up we will be indeed second to none. To our substantial community of alumni heading to Paris, Rome, and Naples. An ambitious trajectory we must add the astonishingly rich constellation of art histori- to be sure, and in Rome and Naples in particular we will be ans, conservators, and professionals in related fields that, for a exploring 16th- and 17th-century art—and perhaps some brief period, a summer, or on a permanent basis, make William- sense of Rome from a 19th-century point of view, if I am al- stown and its vicinity their home. The atmosphere we cultivate is lowed to have my way. -
Prints and Their Production; a List of Works in the New York Public Library
N E UC-NRLF PRINTS AND THEIR PRODUCTION A LIST OF WORKS IN THE NEW YORK PUPUBLIC LIBRARY COMPILED BY FRANK WEITENKAMPF, L.H.D. CHIEF, ART AND PRINTS DIVISION NEW YORK PUBLIC LIB-RARY 19 l6 ^4^ NOTE to This list contains the titles of works relating owned the prints and their production, by Reference on Department of The New York Public Library in the Central Build- November 1, 1915. They are Street. ing, at Fifth Avenue and Forty-second Reprinted September 1916 FROM THE Bulletin of The New York Public Library November - December 1915 form p-02 [ix-20-lfl 25o] CONTENTS I. Prints as Art Products PAGE - - Bibliography 1 Individual Artists - - 2>7 - 2 General and Miscellaneous Works Special Processes - - _ . 79 Periodicals and Societies - - - 3 Etching - - - - - - 79 Processes: Line Engraving and Proc- Handbooks (Technical) - - 79 esses IN General - - - 4 History - 81 Regional - ----- 82 Handbooks for the Student and Col- (Subdivided lector ------ 6 by countries.) Stipple 84 Sales and Prices: General Works - 7 Mezzotint - 84 Extra-Illustration - - - - 8 Aquatint 86 Care of Prints ----- 8 Dotted Prints (Maniere Criblee; History (General) . - _ _ 9 Schrotblatter) - - - - 86 Nielli -_--__ H Wood Engraving - - - - 86 Paste Prints ("Teigdrucke") - - 12 Handbooks (Technical) - - 87 Reproductions of Prints - - - 12 History ------ 87 History (Regional) - - - - 13 Block-books ----- 89 (Subdivided by countries; includes History: Regional- - - - 90 Japanese prints.) (Subdivided by countries.) Dictionaries of Artists - - - 26 Lithography ----- 91 Exhibitions (General and Miscel- Handbooks (Technical) - - 91 laneous) 29 History ------ 94 Collections (Public) - - - - 31 Regional - 95 (Subdivided by countries.) (Subdivided by countries.) Collections (Private) - - - - 34 Color Prints ----- 96 II. -
The Drawings of Cornelis Visscher (1628/9-1658) John Charleton
The Drawings of Cornelis Visscher (1628/9-1658) John Charleton Hawley III Jamaica Plain, MA M.A., History of Art, Institute of Fine Arts – New York University, 2010 B.A., Art History and History, College of William and Mary, 2008 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Art and Architectural History University of Virginia May, 2015 _______________________________________ _______________________________________ _______________________________________ _______________________________________ Table of Contents Abstract ............................................................................................................................................. i Acknowledgements.......................................................................................................................... ii Introduction ..................................................................................................................................... 1 Chapter 1: The Life of Cornelis Visscher .......................................................................................... 3 Early Life and Family .................................................................................................................... 4 Artistic Training and Guild Membership ...................................................................................... 9 Move to Amsterdam ................................................................................................................. -
Jan | Feb | March | 2020
jan | feb | march | 2020 SANTA BARBARA MUSEUM OF ART from the director Dear Members, Happy New Year! The year 2020 is truly one for celebrating! The Museum continues to present groundbreaking exhibitions, including that of Tatsuo Miyajima. On view through April 19, this exciting installation represents the artist’s first solo U.S. museum exhibition in over two decades and the rare opportunity to experience the captivating and immersive light-based work that embodies his Buddhist practice. In addition, a selection of small-format American paintings will grace a section of Ridley-Tree Gallery in later March, highlighting the important Preston Morton Collection of American art. This installation is an impressive reminder of the breadth of the Museum’s holdings in that area and includes beautiful works by Frederic Edwin Church, Thomas Eakins, Walter Gay, and William Merritt Chase, just to name a few. The ever-popular Parallel Stories Lecture Series returns with Pulitzer Prize-winning author Jane Smiley in February and former California and U.S. Poet Laureate Juan Felipe Herrera in March. In addition, Art Matters makes a comeback this winter season with engaging lectures by eminent scholars on the artists Michelangelo and Frederick Hammersley. Finally, this year marks the beginning of the countdown to the October 11 re-opening of SBMA’s galleries, which have been closed due to the current renovation project. This will be the first time that Members and visitors will have the opportunity to experience the extraordinary transformation of the Museum, including new dedicated exhibition spaces for contemporary art, photography, and new media; a breathtaking re- installation of Ludington Court; a new grand staircase; and refined finishes and state-of-the-art lighting. -
Courier Gazette 74*76 Newbert
Issued, Tuesday Thursday Saturday The Courier-Gazette 6 Entered as Second Class Mall Mattes THREE CENTS A COPY V olum e 94 Number 76. Established January, 1846. By The Courier-Gazette, 465 Main St, Rockland, Maine, Tuesday, June 27, 1939 The Courier-Gazette [EDITORIAL] THREE-TIMES-A-WEEK NOT ALL PAPER TALK UNDER A RIVER AND OVER IT Thomaston Church Wedding 'B B B B B B » Editor • The crisis in China is not to be disposed of in the careless WM. O FULLER Jk remark "all paper talk.” Existing there is a very serious situ Associate Editor With “The Sleepy City” On One Side and Wide PRANK A. WINSLOW ation, and which, through the presence of the destroyer Pillsbury might very easily involve the United States, as well Subscriptions »3.(i0 oer year payable Awake World’s Fair On the Other |o advance, single copies three cents. as Great Britain. The cockiness of Japan's attitude looks Advertising rates baaed u|>on clrcula-1 not unlike somebody ready to start a quarrel not necessarily lion and very reasonable NEWSPAPER HISTORY with Uncle Sam, but with Uncle Sam displaying a firmness (By The Roving Reporter Fourth Installment) The Rockland Qazette was estab-' which somebody else should have used long ago In the melee llshcd in 1846 In 1874 the Courier was started the day right. established and consolidated with the suppose the Pillsbury should be attacked! Suppose there 1'aaet.te In 1882 The Free Press was, should be a repetition of the Battleship Maine tragedy in Watermelons are plenty cheap ea'abllahed lh 1855 and lh 1891 changed Its name to the Tr'hune These papers i Havana harbor. -
The American Art Fair Thomas Colville Fine Art
The American Art Fair Thomas Colville Fine Art November 12-15, 2017 Te Bohemian National Hall 321 East 73rd Street New York City GEORGE BELLOWS (American 1882-1925) The Watermelon Man, 1906 Crayon, charcoal, pen & ink on paper 14 x 17 inches Signed Geo. Bellows lower left Provenance: Weyhe Gallery, New York Literature: “The Craftsman” Vol. 17, February 1910, p. 596; Marianne Doezema, George Bellows and Urban America, Yale University, 1992, pp. iii, 134, no. 56, frontispiece Marianne Doezema, Tenement Life: Clif Dwellers, 1906-1913, in the exhibition catalog for “George Bellows,” National Gallery of Art, Washington D.C., 2012, p. 50, fg. 4 Exhibited: New York, Independent Artists’ Exhibition, organized by Robert Henri in the exhibition catalog for “George Bellows,” National Gallery of Art, Washington D.C., 2012, p. 50, fg. 4 FRANK W. BENSON (American 1862-1951) Ipswich Marshes Watercolor 18 x 24 inches Signed F W Benson lower right Provenance: From a Massachusetts Estate DAVID GILMOUR BLYTHE (American 1815-1865) January Bills Oil on canvas 20 x 24 inches Signed Blythe lower right Provenance: The artist George L. Hailman George W. Hailman Francis P. Garvan, 1939 Macbeth Gallery, New York Millicent Rogers, circa 1939 Arturo Peralta Ramos, by descent Gifted to Jacqueline Peralta Ramos, until 2017 Literature: Oliver W. Larkin, Art and Life in America, New York, Rinehart & Company, Inc., 1949, pg. 216 Dorothy Miller, The Life and Work of David G. Blythe, Pittsburg, Pennsylvania. University of Pittsburgh Press, 1950, pg. 75-76, 129 Bruce W. Chambers, The World of David G. Blythe (1815-1865), Washington DC, Smithsonian Institution Press, 1980, pg. -
The Museum of Modern
38418 - 17 THE MUSEUM OF MODERN ART F0R 14 WEST 49TH STREET, NEW YORK IMMEDIATE RELEASE TELEPHONE: CIRCLE 7-MKE TO EDITORS OUTSIDE NEW YORK CITY: Artists and lenders of paintings and sculptures here listed are natives or residents in various cities and towns throughout the country. Localities are given in every instance. Today, April 20, the large Exhibition of American Art 1609-1938, which the Museum of Modern Art has assembled for Paris,, will leave New York for France on the S.S. Lafayette. More than one thousand items are included in the exhibition which will be held at the Jeu de Paume, Paris, from May 24 to July 13. For more than a year, at the invitation of the French Government, the Museum has been assembling the exhibition. The largest section includes approximately 200 oils and watercolors, 40 sculptures, and 80 prints, the work of artists in all parts of the United States during the past three centuries. The exhibits shown in this section have been selected by Mr. A. Conger Goodyear, President of the Museum, assisted by Mr. Alfred H. Barr, Jr., Director, and Miss Dorothy C. Miller, Assistant Curator of Painting and Sculpture. Mr. Barr is sailing this week to supervise the in stallation of the exhibition in Paris. The following pieces of sculpture and contemporary paintings will be shown in the exhibition: CONTEMPORARY PAINTINGS: GIFFORD BEAL, b. 1879, New York. Lives in New York. "Horse Tent" (1937) Lent by the Artist GEORGE WESLEY BELLOWS, b. 1882, Columbus, Ohio; d. 1925 "Stag at Sharkey's" (1909) Lent by the Cleveland Museum of Art, Cleveland, Ohio . -
Impressions of Interiors: Gilded Age Paintings by Walter Gay
Janet Whitmore exhibition review of Impressions of Interiors: Gilded Age Paintings by Walter Gay Nineteenth-Century Art Worldwide 12, no. 1 (Spring 2013) Citation: Janet Whitmore, exhibition review of “Impressions of Interiors: Gilded Age Paintings by Walter Gay,” Nineteenth-Century Art Worldwide 12, no. 1 (Spring 2013), http://www. 19thc-artworldwide.org/spring13/whitmore-reviews-impressions-of-interiors. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Whitmore: Impressions of Interiors: Gilded Age Paintings by Walter Gay Nineteenth-Century Art Worldwide 12, no. 1 (Spring 2013) Impressions of Interiors: Gilded Age Paintings by Walter Gay Frick Art Museum, Pittsburgh, Pennsylvania October 6, 2012 – January 6, 2013 Flagler Museum, Palm Beach, Florida January 29 – April 21, 2013 Catalogue: Impressions of Interiors: Gilded Age Paintings by Walter Gay. Isabel L. Taube, with contributions by Priscilla Vail Caldwell, Nina Gray, Sarah J. Hall and Emilia S. Boehm. London: D. Giles Limited, 2012. 224 pp.; 104 color illus; 24 b/w illus; selected bibliography; index; chronology. ISBN:978-1-907804-08-3 $55 (hardcover) ISBN: 978-0-615-57374-8 $34.95 (softcover) The recent exhibition, Impressions of Interiors: Gilded Age Paintings by Walter Gay, at the Frick Art Museum in Pittsburgh offers a glimpse of wealthy expatriate Americans living in France and the carefully designed interior spaces of their homes at the turn of the twentieth century. It is a rare opportunity to study the early roots of American interior design as an independent creative practice, as well as the work of Walter Gay (1856–1937), an academically trained painter who specialized in capturing the interior spaces of both his own homes and those of his friends and family. -
EXHIBITION of AMERICAN ART LEAVES for PARIS April
38418 - 17 THE MUSEUM OF MODERN ART F0R 14 WEST 49TH STREET, NEW YORK IMMEDIATE RELEASE TELEPHONE: CIRCLE 7-MKE TO EDITORS OUTSIDE NEW YORK CITY: Artists and lenders of paintings and sculptures here listed are natives or residents in various cities and towns throughout the country. Localities are given in every instance. Today, April 20, the large Exhibition of American Art 1609-1938, which the Museum of Modern Art has assembled for Paris,, will leave New York for France on the S.S. Lafayette. More than one thousand items are included in the exhibition which will be held at the Jeu de Paume, Paris, from May 24 to July 13. For more than a year, at the invitation of the French Government, the Museum has been assembling the exhibition. The largest section includes approximately 200 oils and watercolors, 40 sculptures, and 80 prints, the work of artists in all parts of the United States during the past three centuries. The exhibits shown in this section have been selected by Mr. A. Conger Goodyear, President of the Museum, assisted by Mr. Alfred H. Barr, Jr., Director, and Miss Dorothy C. Miller, Assistant Curator of Painting and Sculpture. Mr. Barr is sailing this week to supervise the in stallation of the exhibition in Paris. The following pieces of sculpture and contemporary paintings will be shown in the exhibition: CONTEMPORARY PAINTINGS: GIFFORD BEAL, b. 1879, New York. Lives in New York. "Horse Tent" (1937) Lent by the Artist GEORGE WESLEY BELLOWS, b. 1882, Columbus, Ohio; d. 1925 "Stag at Sharkey's" (1909) Lent by the Cleveland Museum of Art, Cleveland, Ohio . -
An Illustrated Catalogue of Painter-Etchings for Sale by Frederick Keppel & Co
CORNELL UNIVERSITY COLLEGE OF ARCHITECTURE LIBRARY Cornell University Library NE 1960.K38 The print-collector's bulletln:an illust 3 1924 020 561 738 THE PRINT-COLLECTOR'S BULLETIN AN ILLUSTRATED CATALOGUE OF PAINTER-ETCHINGS FOR SALE BY FREDERICK KEPPEL & CO. 4 EAST 39th STREET, NEW YORK NOTE ALTHOUGH on the day of issuing The Print-Collectok's . Bulletin Ave were able to supply each print mentioned at the price quoted, the steady advance in the value of certain rare prints sometimes renders it impossible for us to supply a duplicate im- pression at the original price. After the Bulletin has been examined, we should be glad to send a selection of the Etchings themselves, for inspection, by ex- press or mail, to any address. AVe pay all charges of transmission ; and our correspondents need feel under no obligation to purchase, if the Etchings themselves do not satisfy them in every respect. Correspondents whom we do not already know, and who may desire to have Etchings sent on selection, will recognize the pro- priety of introducing themselves with a proper reference. Frederick Keppel & Co. Septemlier L!S, 1908 \^ ADOLPHE APPIAN ADOLPHE APPIAN MY admiration foi' Appiaii's wofk as an etcher (lie is a chai'iii- . iiig painter also) was ab'eady great several years ago, but the more I see how rare liis (pialities are in contemporary art, or in any art, the more I feel disposed to value them. His work is always quite easy and graceful in manner, never strained, never betraying an effort, and it hardly ever fails to charm by a most delicate feeling for the poeti-y of natural landscape. -
Robert J. Wickenden (1861-1931) and the Late Nineteenth-Century Print Revival
Robert J. Wickenden (1861-1931) and the Late Nineteenth-Century Print Revival Susan J. Gustavison A Thesis in The Department of Art History Presented in Partial Fulfillment of the Requirements for the Degree of Master Arts at Concordia University Montréal, Québec, Canada July 1989 © Susan J. Gustavison, 1989 CONCORDIA UNIVERSITY Division of Graduate Studies This is to certify that the thesis prepared By: Susan J. Gustavison Entitled: Robert J. Wickenden (1861-1931) and the Late Nineteenth-Century Print Revival and submitted in partial fulfillment of the requirements for the degree of Master of Arts (Art History) complies with the regulations of this University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee, October 11, 1989 Robert J. Wickenden (1861 - 1931) and the Late Nineteenth-Century Print Revival Page ii A thesis by Susan J. Gustavison, July, 1989, Concordia University, Montréal – transcribed by Ken Watson, 1998 ABSTRACT Robert J. Wickenden (1861-1931) and the Late Nineteenth-Century Print Revival Susan J. Gustavison Despite an extensive exhibition history, favourable critical reception, the respect of his peers in the art establishment, and fruitful relationships with collectors such as Charles Lang Freer, James E. Scripps and Sir William Van Horne, Robert J. Wickenden (1861-1931) has remained a minor artist unclaimed by any of the national histories (British, Canadian or American) to which he has been linked in biographical entries. Robert Wickenden was a paradigm of a minor late nineteenth-century artist. His activity as a printmaker and painter of portraits and landscape was supplemented, and at times supported by his role as a collector, dealer and historian in the late nineteenth-century print revival. -
California State University, Northridge Giovanni
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE GIOVANNI BATTISTA PIRANESI AND THE ROMANTIC RUIN IN FRENCH LITHOGRAPHY A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Cynthia Lee Kimble January 1984 The Thesis of Cynthia Lee Kimble is approved: Birgitta Lindros Wohl, Ph.D. Kenon Breaze~le, Ph.D. California State University, Northridge ii I would like to extend my gratitude to the members of my committee, especially to Louise Lewis for her enthusiasm and understanding, and to Dr. Birgitta Wohl, for her friendship and guidance. I also want to express my appreciation to my family, for their loyal support and encouragement throughout the duration of this project. Last, but not least, I would like to say a special "thank you" to my typist, Ann Witkower, for her expertise in preparing the final draft of this thesis. iii TABLE OF CONTENTS Page Acknowledgments . .iii List of Plates •• . • • v Abstract. • • • • • •• xvii Introduction. • • 1 Chapter 1: The Forerunners of the Romantic Ruin in Print • • • • • . 4 Chapter 2: Piranesi and the Ruins of Rome. • 37 Chapter 3: Voyages pittoresques et romantiques dans l'ancienne France and Piranesi •••••• 91 Conclusion. • • • • • 0 • • • • • • • • • • • • .155 Bibliography. • 1 61 Appendices. • • • • • •••••• • 1 73 A Selected List of Piranesi's Works B Volumes of Voyages pittoresgues et romantigues dans l'ancienne France Plates. • • • • • 1 76 iv LIST OF PLATES Plate Page 1 • Fra Francesco Colonna. The Polyandrion, woodcut. Hypnerotomachia Polifili, 1499. Cooper Union Museum, New York. Source: Paul Zucker. Fascination of Decay: Ruins, Relic, Symbol, Ornament. Ridgewood, N.J.: Gregg Press, 1968, p.