DOCSLIB.ORG

Greeii Stamps All Day Wednesday

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Greeii Stamps All Day Wednesday r'*!.!- iW y -Sffi'Stest.'!! W - j ' TUZSSUIAXX, 'U Hatirbrsinr Sttfuftto Avengs Dally Cirenlatlon The Wcelher X For toe Month of February, 194$ Foreeaat ot O. 8. Weather Bureau Army Takes 2 Months WAACs Paming Through [ To Get Gordon Shoes Tires Iss 8,040 Ration Books Snow and Conttened Cold Tonight. About Town Got a Good Hand Here Member ot toe Audit ! Jack Gordon, who . was in­ Bureau o f OIrcnIatloaa Seventy-four, inductees from In Past oC COmpMqr State Well Handled ducted on December $$ has Maku:h^$et^A City of Village Charm t r, are aaked to leport Tolland county entrained at Just received his Arm y shoes. .X tonight at the armory at the Manchester sUUon of the Mr. Gordon, since his High Certificates Also Given fOf- (FOURTEEN PAGES) PRICE THREE CENTS ' ^acloek tO' take out their equlp- New Haven company on the Work So Efficient Here school days, had found it neq- / (COatoilfieR Advorttoteg ea Fag* 1$)- MANCHESTER, CONN„ WEDNESDAY, MARCH 3, 1943 regular draft special, bound yOL. LXIL, NO. 130 Bt. 1 essary bo wear two different, For Tubes l>y Local ._______________________________________ ;______________ for camp. The Rockville con­ It Was Coinpleteil Five I sizes o f shoes. It was rather a tingent waa surprised to see ■4 Ckaig Beldier, eon o f JMr. and Days Ahead of Time, ' surprise that he was taken in- | Rationing Board. the Brst car of the train com­ to the Army. In . order to prop­ Ifni- Harold Belcher of IS Walker pletely filled with W AAC * al- Nazis Await W ord to Attack ■ticet la now In training ^t Atlan* erly fit hia feet, it was neces­ During the pa.st week the fol­ ao bound for camp. They gavS A total of 26,065 persons receiv­ sary to have special shoes tie City aa an Arm y A lt Corps a luaty cheer for the young, lowing certificates were issued for Rationing of Meat Allied Units Maintain ed War Ration Book No. 2 during I made. It waa two months aft- ( 4 Cadet. t;. ladies, then entrained. I tires and .tubes: iiy , the' three-day registration period ' er he was Inducted that the •T! New truck tires and tubes: Man­ conducted in the public schools shoes Wfre sent to him. The regular monthly meeting Mr. Gordon’s name is on the ning Fcndel.v, Pine street, seven •C the Manchester Private Duty Members of the Manchester Rod last week, it was announced today May Begin April 1; I town's Honor Roll as he wa* . tires and 'two, tubes; ^LijUiony Mmeea Assodation will be held and Gun Club will meet at East by W ar Price and Rationing Board * a selectman when Inducted. I Gozdz, 287 'Oakland street,^ one Pressure on wtia arenlng at 7:S0 in the Doctor's Center and Holl streets at“ 7:30 to­ 112.16 on completion of its official Room of Manchester Memotlal night to proceed to the Thomas G. stati-stic.s. When W ar Ration Book tire; James Gormaii, 285 Main Jtatoltal. Dougan Funeral home, at i59 Holl No, 1 was isiraed last May, 26,058 street, one tire and ;pne tube. Prices to. Be Set street, to pay respects to John Mc­ persons revived it. a difference of Recap truck tires; Town of Man­ Cormick, of 182 Eldridge atreet, ■ W e Connecticut Agricultural onl.v seven bookA. 77 Residences chester, two tires: Charles L. Van- who died SundayJ Mr. McCormick RKpeilment SUUon, 123 Hunting- Consumer Declarations handled debrook, 26 Lydall street, three T unisia is the father of Harry McCormick, Cheese, Butter, Cooking In Northern at the- eleven registration sites tires. Oil Ration laa atreet. New Haven, has Invited of 130 Pine street, one of the most totaled 8,380 for an average of To Be Erected Grade I tires: Clarence Roach, the fWtorated Garden clubs to at­ active members of the Rod and Fats and Oils Also to tend a one-day session tomorrow slightly better than three persons 104 Bridge street, one tire; Mary Gun club. T h e funeral will be Paluzzi, 46 Bissell street, one Be JPut Under Curb; Heavy Artillery Inflicts to the station's new auditorium. hel^tomorrow afternoon. per declaration. Excess cans, bot­ Greeii Stamps Will Allow The program will open at 10:30 tles, and jars of processed foods Conlraclor Griffin to tire; George Metcalf. 580 Burnham Uniform Prices on Considerable Damage •.as. In the afternoon there will declared amounted to 16.776-,^and street, two tires; Eugene Clark, Knox Expecting ha a tour of the laboratories, when Chaplain Napoleon W. L o v e ly stamps were removed for all but Start Work in North 5 Bank street, one tire; Bennie Pork di|d Beef May More Fuel On Positions North aqierlments and phases of re- son of Mra. Ann Lovely, of BucX- ,292 of the Items. ■ , End This Spring. Beaulieu, 28 West' Center atreet, gearch in connection with the war land, serving with the Arm y TWns- Exeess Coffee Deelarea two tires. Upset Bliit^k Market. O f Beja and East of port Service, has, been prornoted effort wlU be on display. local Exce.ss pounds o f coffee declared Grade II tires: Max Trapanler, Value of No. 5 Coupons Sedjenane; Press on Carden club is a member o f the from first lieutenant to c ^ ta in in amounted to 53,562 pounds but this Contractor George Griffin sqid 91 Autumn street, one tire; John Grim Casualties Washington, Ma,rQh 8.— (/P)' . inederaUon and wUl probably smd the Corps of Chaplains, it has been figure consists almost entirely of this morning that he plans to start G. Stoutnar 351 Tolland turnpike, Given With Cash, e Sales*• Increased as OPA Also South and Southeast — Meats, cheese, butter, cook- M egatea. announced at headquarters of San stamps removed from the books of 77 moty. houses on his tract Just off one tire, Arthur Shorts, 55 Ben­ j Francisco Port of Embarkation, ton street, one tire; George F. Advances Date for O f Sbeitla in Pursuit children under 15 years of age. Hilliard street as soon as the ing fats and oils will 4?e ra- ■ Warning Given Con- Fort Mason Calif. Chaplain Love­ The actual coffee exce.ss declared Mensel, 46 St. John street, two Crippled Jap .Mrs.NArthnr H. Sweeney and ly who reported for duty last July weather permits. AU will be of tioned beginning April it' Use Along Seaboard. O f Rommel Forces. waa very small and only 130 tires; Salvator Lombardo. 181 • gress of 10 Per Cent itoughteri Janet, of Starkweather 28 holds three degrees from Har­ was reported today, under pounds could not be taken from four rooms bn the ground floor and Oak street, one tire; Thomas Hage- are In Minneapolis, Minn-, vard University. now, 104 Cooper street, one tire; current plans of food and ra-. Rate in Disclosing Plan Mrs. Sweeney's son, Ralph Book No. 1 becaiute of lack of two unfinished' rooms upstairs. WashlngtCHi, March 3— MH—The Convoy Sails Allied Headquarters in Michael G. Fogarty, 118 North tioning agencies. The sources _ who is at present station­ stamps. TTiese homes will be . erected on All Day Wednesday dffice of Price Admlnlatratkm to­ To Dominate All Seas. North Africa, March 3.— Elm street, two tires; Charles Mrs. Leslie C. Burnett, of 531 Ly- O f the more than 26,000 books Loomis street, just north of Hil­ for this information, who ed at the University of Minnesota. Dickens, 34 Avondale road, two day ipereased the value at No. 5 Allied forces maintained Phrmerly with the Connecticut dall street, reports seeing a flock of handled by the registrars only 177 liard street and will have one o f the withheld use of their names, Toward Lae about a dozen bluebirds in the yard best views In Manchester. He has tires. householder fuel oil ration cou­ Washington, March 3.— (/P) their pressure on the enemy State Guard, he la now with the were voided and most of these said the red coupons of the No. 2 a t^ e r home this morning. obtained priority rights to com­ pons onS\to two gallons over — A grim warning to expect -------- - \ in northern Tunisia yester­ N avy and la taking a machinist's were dne to the fact that the ration book would be used and mence work at once. ^ / Except Food Departments the 17 eastern SmUo eouiae. books were not property put to­ that meat rations probably would present leVeJii In a 10 per cent casualty rate in Allied Planes Relentless­ day and their heavy artillery The layout has been -approved District at Co- Seven cases of whooping cougfh gether and fell apart when they run about 1 3-4 pounds per person states and to* Navy personnel was laid be­ inflicted considerable damage were reported from Manchester to were being Issvied. The local Board both by the local and Federal au­ lumbla. \ ly on Trail of Ves­ S t Mary's Ladies* Guild ym a week. ■ fore Congress and the nation on Axis positions north of the State Department Health, paid warm tribute to the splendid thorities. Water, sewer and'lights O PA also advanced by one week toast Thursday afternoon of OLD To Set Uniform Meat Fricea according to the bulletin Issued to­ work of the teachers and other will be installed as soon as the the date when No. '5 coupons may today as Secretary of the sels Smashed During Beja and east of the cross­ e^idoefc In the Guild room, , ; In this connection Price Admln- day.
Load more

Recommended publications
  • University of California Santa Cruz the Vietnamese Đàn
    UNIVERSITY OF CALIFORNIA SANTA CRUZ THE VIETNAMESE ĐÀN BẦU: A CULTURAL HISTORY OF AN INSTRUMENT IN DIASPORA A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in MUSIC by LISA BEEBE June 2017 The dissertation of Lisa Beebe is approved: _________________________________________________ Professor Tanya Merchant, Chair _________________________________________________ Professor Dard Neuman _________________________________________________ Jason Gibbs, PhD _____________________________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Table of Contents List of Figures .............................................................................................................................................. v Chapter One. Introduction ..................................................................................................................... 1 Geography: Vietnam ............................................................................................................................. 6 Historical and Political Context .................................................................................................... 10 Literature Review .............................................................................................................................. 17 Vietnamese Scholarship .............................................................................................................. 17 English Language Literature on Vietnamese Music
    [Show full text]
  • A History of Siamese Music Reconstructed from Western Documents 1505-1932
    A HISTORY OF SIAMESE MUSIC RECONSTRUCTED FROM WESTERN DOCUMENTS 1505-1932 This content downloaded from 96.9.90.37 on Thu, 04 Feb 2021 07:36:11 UTC All use subject to https://about.jstor.org/terms Introduction The writing of music history, the chief activity of the musicologist, depends almost entirely on the existence of written documents. Historical studies of various musics of the world have appeared wherever there are such documents: Europe, China, Japan, Korea, India, and in the Islamic cultural area of Western Asia and North Africa. Mainland Southeast Asia, however, has remained much of a musico-historical void since little has remained besides oral traditions and a few stone carvings, although Vietnamese music is an exception to this statement. The fact that these countries have so few trained musicologists also contributes to the lack of research. In the case of the Kingdom of Thailand, known before 1932 as Siam, little has been attempted in the way of music history in languages other than Thai, and those in Thai, also not plentiful, remain unknown to the outside world.l Only the European-trained Prince Damrong has attempted a comprehensive history, but it is based as much on tradition and conjecture as on concrete evidence and is besides quite brief. David Morton's classic study of Thai traditional music, The Traditional Music of Thailand, includes some eighteen pages of history, mostly based on oral traditions, conjecture, circumstantial evidence from neighboring musical cultures (Cambodia, China, and India), and some from the same documents used in this study. At least three reasons can be given for the lack of historical materials originating in Thailand.
    [Show full text]
  • Khmer Arts Ensemble (In Order of Appearance) the Lives of Giants Akaeng Khameaso (Child) Chea Socheata Uma Keo Kunthearom
    CAL PERFORMANCES PRESENTS CAST Sunday, October 2, 2011, 3pm The Lives of Giants Zellerbach Hall CAST Khmer Arts Ensemble (in order of appearance) The Lives of Giants Akaeng Khameaso (child) Chea Socheata Uma Keo Kunthearom Tevabot (male angels) Kong Bonich, Lim Chanboramy, Sao Phirom, Sao Somaly Tep Thida (female angels) Long Chantheary, Mot Pharan, Pum Molyta, Som Saymalyrou Akaeng Khameaso (adult) Rin Sreyleak Preah Eyso (Shiva) Chao Socheata Preah Visnu (Vishnu) Sot Sovanndy Instrumentalists Roneat Ek (xylophone) Nil Sinoeun Sralai (quadruple-reed oboe) Touch Sarin Sampho & Skor Thom (drums) Ros Sokun Choreography, Lyrics & Music Arrangements Sophiline Cheam Shapiro Gong Thom (circle gong) Soun Phally Scenic & Lighting Designs Marcus Doshi Singer Cheam Chanthopeas Costume Designs Merrily Murray-Walsh Dresser Sam Ratha Producer Khmer Arts Costume Makers Angkor Thom Handicrafts, Iris Color Studio, John Shapiro, Executive Director Kum Sokunthea, Hout Sokleng, Sim Chanmoly, Vuthy Tailors and artists of the Khmer Touring General Manager Lisa Booth Management, Inc. Arts Ensemble Deirdre Valente, Vice President The Lives of Giants premiered in the United States on September 25, 2010, at Technical Director Robert W. Henderson Palmer Auditorium, Connecticut College, New London, Connecticut. The creation of The Lives of Giants has been made possible, in part, with support from the American Recovery Running Time 90 minutes (without intermission) and Reinvestment Act through the National Endowment for the Arts; the MAP Fund, a program of Creative Capital supported by the Doris Duke Charitable Foundation and the Rockefeller Foundation; and the National Dance Project of the New England Foundation for the Arts, with lead funding from the Doris Duke Charitable Foundation and additional funding provided by the Andrew W.
    [Show full text]
  • 10Th Anniversary, College of Music, Mahasarakham University, Thailand
    Mahasarakham University International Seminar on Music and the Performing Arts 1 Message from the Dean of College of Music, Mahasarakham University College of Music was originally a division of the Faculty of Fine and Applied Arts that offers a Bachelor of Arts program in Musical Art under the the operation of Western Music, Thai Classical music and Folk Music. The college officially established on September 28, 2007 under the name “College of Music” offering an undergraduate program in musical art as well as master’s and doctoral degree programs. At this 10th anniversary, the College is a host for events such as the international conference and also music and dance workshop from countries who participate and join us. I wish this anniversary cerebration will be useful for scholars from many countries and also students from the colleges and universities in Thailand. I thank everyone who are in charge of this event. Thank you everyone for joining us to cerebrate, support and also enhance our academic knowledge to be shown and shared to everyone. Thank you very much. Best regards, (Khomkrich Karin, Ph.D.) Dean, College of Music Mahasarakham University 10th Anniversary, College of Music, Mahasarakham University, Thailand. 2 November 28 – December 1, 2018 Message from the Director of Kalasin College of Dramatic Arts For the importance of the Tenth Anniversary of the College of Music, Masarakham University. the Kalasin College of Dramatic Arts, Bunditpatanasilpa Institute, feels highly honored to co-host this event This international conference-festival would allow teachers, students and researchers to present and publicize their academic papers in music and dance.
    [Show full text]
  • Medium of Performance Thesaurus for Music
    A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭.
    [Show full text]
  • Schooltime Study Guide
    2011–2012 SEASON SchoolTime Study Guide Cambodia’s Khmer Arts Ensemble The Lives of Giants Monday, October 3, 2011 at 11 a.m. Zellerbach Hall, University of California, Berkeley Welcome to SchoolTime On Monday, October 3 at 11am, your class will attend a performance of Cambodia’s Khmer Arts Ensemble at Cal Performances’ Zellerbach Hall. Cambodia’s Khmer Arts Ensemble is renowned for performing dazzling, powerful works that dramatically expand the repertory of Cambodian dance. In The Lives of Giants, the company of 36 dancers, instrumentalists, and singers combine gestural dance, traditional music and spectacular costumes and staging to bring to life the ancient tale of a power-drunk and vengeful giant who wreaks havoc in the kingdom of heaven.. Using This Study Guide You can use this study guide to engage your students and enrich their Cal Performances field trip. Before attending the performance, we encourage you to: • Copy the Student Resource Sheet on pages 2 & 3 and give it to your students several days before the show. • Discuss the information on pages 4-6 About the Performance & Artists with your students. • Read to your students from About the Art Form on pages 7-10 and About Cambodia on pages 11-14. • Engage your students in two or more Activities on pages 15 & 16. • Reflect with your students by asking them Guiding Questions, found on pages 2, 4, 7 and 11. • Immerse students further into the subject matter and art form by using the Additional Resources on pages 16-17. At the performance: Your class can actively participate during the performance by: • Listening carefully to the rhythms, melodies and harmonies of the music • Observing how the dancers tell a story and express ideas and emotions through their movements • Thinking about the culture, traditions and history expressed through the dance and music • Marveling at the skill of the dancers, musicians and singers • Reflecting on the sounds, sights, and performance skills you experience at the theater.
    [Show full text]
  • List of Illustrations (Photos 2-6, 11 and 14 by Toni Shapiro-Phim. All Others
    List of Illustrations (Photos 2-6, 11 and 14 by Toni Shapiro-Phim. All others by James Wasserman. All pictures taken in 2004. Copyright remains with photographers.) 1. A stone carving of a celestial being on an ancient temple in the Angkor region of Cambodia. Court dancers modeled some of their costuming on images such as these. 2. The pin peat ensemble of the Department of Arts during a pre-performance ceremony. The pin peat orchestra accompanies shadow puppet theater, classical dance, all-male masked dance-drama, and temple ceremonies. The ensemble generally consists of large and small gong circles (kong vong thom; kong vong touc), high- and low-pitched xylophones (roneat ek; roneat thung; and sometimes a roneat dek), a double-headed barrel drum (sampho), a large pair of barrel drums (skor thom), small cymbals (chheung), and a quadruple-reed hardwood or ivory instrument akin to an oboe (sralai). 3. A multi-tiered beysey fashioned from a banana trunk and banana leaves. Beysey are presented to the spirits and teachers of the dance in a ritual of respect, called sampeah kru, in both classical dance and all-male masked dance-drama traditions. 4. Mural painting on the inner walls surrounding the Temple of the Emerald Buddha at Cambodian’s Royal Palace compound. The painting depicts an episode from the Reamker, the Cambodian version of the Ramayana epic. Note the dancers performing to entertain the royalty. 5. It takes many people, and sometimes more than a month, to complete one costume for either classical dance, or the all-male masked dance-drama.
    [Show full text]
  • List of Illustrations (Photos 2-6, 11 and 14 by Toni Shapiro-Phim. All Others
    List of Illustrations (Photos 2-6, 11 and 14 by Toni Shapiro-Phim. All others by James Wasserman. All pictures taken in 2004. Copyright remains with photographers.) 1. A stone carving of a celestial being on an ancient temple in the Angkor region of Cambodia. Court dancers modeled some of their costuming on images such as these. 2. The pin peat ensemble of the Department of Arts during a pre-performance ceremony. The pin peat orchestra accompanies shadow puppet theater, classical dance, all-male masked dance-drama, and temple ceremonies. The ensemble generally consists of large and small gong circles (kong vong thom; kong vong touc), high- and low-pitched xylophones (roneat ek; roneat thung; and sometimes a roneat dek), a double-headed barrel drum (sampho), a large pair of barrel drums (skor thom), small cymbals (chheung), and a quadruple-reed hardwood or ivory instrument akin to an oboe (sralai). 3. A multi-tiered beysey fashioned from a banana trunk and banana leaves. Beysey are presented to the spirits and teachers of the dance in a ritual of respect, called sampeah kru, in both classical dance and all-male masked dance-drama traditions. 4. Mural painting on the inner walls surrounding the Temple of the Emerald Buddha at Cambodian’s Royal Palace compound. The painting depicts an episode from the Reamker, the Cambodian version of the Ramayana epic. Note the dancers performing to entertain the royalty. 5. It takes many people, and sometimes more than a month, to complete one costume for either classical dance, or the all-male masked dance-drama.
    [Show full text]
  • Cambodian Living Arts (CLA)” Arranging with the Notice Numbers *Note
    Bophana Audiovisual Resource Center Archives Department Collection of “Cambodian Living Arts (CLA)” Arranging with the notice numbers *Note: You cannot click the title to entry the Bophana Center database due to the Center using intranet. All right reserved by Bophana Center Archive Image Title Versions Date Collection Duration Type Reference Khmer Jazz Fusion 2004 Cambodian Living Arts (CLA) CLA_AU_002545 00:47:06 Kse Diev 2006 Cambodian Living Arts (CLA) CLA_AU_002548 03:50:00 1 Archive Image Title Versions Date Collection Duration Type Reference Roneat 2002 Cambodian Living Arts (CLA) CLA_AU_002549 00:53:58 Pin Peat Music 2005 Cambodian Living Arts (CLA) CLA_AU_002550 01:23:00 Smot Khmer 2005 Cambodian Living Arts (CLA) CLA_AU_002551 06:01:33 Tro Khmer 2005 Cambodian Living Arts (CLA) CLA_AU_002552 05:39:11 Khmer Passages Khmer 2006 Cambodian Living Arts (CLA) CLA_AU_002553 01:05:03 Memm Kreung, Tampuon 2003 Cambodian Living Arts (CLA) CLA_AU_002556 00:13:31 Take 2002 Cambodian Living Arts (CLA) CLA_AU_002557 01:03:22 2 Archive Image Title Versions Date Collection Duration Type Reference Sarikakeo Khmer 2008 Cambodian Living Arts (CLA) CLA_AU_002630 00:55:24 Master Kong Nay and Ouch Savy Khmer 2006 Cambodian Living Arts (CLA) CLA_AU_002641 00:47:15 Kantaom Ming 2008 Cambodian Living Arts (CLA) CLA_AU_002642 01:01:45 Chapei Dang Veng 2005 Cambodian Living Arts (CLA) CLA_AU_002643 00:43:42 Dancing in the Building English, Khmer 2005 Cambodian Living Arts (CLA) CLA_VI_002648 00:09:15 Gongs Across Borders English 2008 Cambodian Living
    [Show full text]
  • A History of Non-Western Bowed Instruments a Look Into the Eastern History of the Modern-Day Violin Sarah A
    Long Island University Digital Commons @ LIU Undergraduate Honors College Theses 2016- LIU Post 2019 A History of Non-Western Bowed Instruments A look into the Eastern History of the Modern-Day Violin Sarah A. Bogen Follow this and additional works at: https://digitalcommons.liu.edu/post_honors_theses A History of Non-Western Bowed Instruments A look into the Eastern History of the Modern-Day Violin An Honors Program Thesis by Sarah A. Bogen Spring 2019 LIU Post Music Department Faculty Advisor(Dale Stuckenbruck) Faculty Reader (Maureen Hynes) 1 Table of Contents Abstract ......................................................................................................................................................... 4 Chp.1: Types of Bowed Instruments in East Asia .................................................................................... 6 China ......................................................................................................................................................... 7 The Erhu.................................................................................................................................................... 7 Historical Development ............................................................................................................................ 8 Construction and Appearance ................................................................................................................. 12 Playing Techniques ................................................................................................................................
    [Show full text]
  • LOWELL, MASSACHUSETTS JULY 28, 29, 30, 1989 5 1ST N ATIONAL F OLK F ESTIVAL L .1,Well
    LOWELL, MASSACHUSETTS JULY 28, 29, 30, 1989 5 1ST N ATIONAL F OLK F ESTIVAL l .1,well. Massachusetts .July 28. 2!), :m. 1989 l'ro<.lut;ed by t he National Counc il fo r the Traditio nal Arts l.owell National His to rical Park l<<'gatta Festival Co mmit Ice City o f l.o wl'II \fi<hm·I /loo(('/ (lkuuwlr,/J /JI/Of<, /Jy \11d111o•I P Snwh Wu/la<,• ,\ kNa,• 11holr:> by ' ' ''"' Kum ,\t<ll' H,,mbunJw, u nd Cu,u IJluof' fl lmemM• ()uf,bf<u 1<) T,•rn/,,,.,. built m Lou~// /Jou, Shop lf"•pLum r,holo by Jamrs 111"'1("'~ M ESSAGE 17 ROM T IIE C ONTENTS W ELCOME P ARK SUPERINTENDENT W elcome to Lowelll We are delighted to .. ...................................................... 4 So I offer their names here In alpha­ I and maintenance services; the Regatta Welcome .... W elcome to the 51st N.1.tlonal Folk host the 51st National Folk Festival. For betical order, without organizational Festival Committee, whose devoted Message from the Park Superintendent. ................................... .. .4 Festival. the third In Lowell. This festival several years the National Park Service .. ............................................................ 6 affiliation. because they belong to a members never lall to volunteer for even Schedule: Friday, July 28 ........ Is n transitional one, neKt year It becomes National Council for Schedule: Saturday, July 29 ............... ............................................................... .. .. 6 greater fraternity. the one composed of has worked with the the most mundane tasks and who are t.he Lowell Folk Festlvlll. The organizing Schedule: Sunday, July 30 ....................................................................... ............................. 8 peoi>lc who really make a <llffercncc. the Traditional Arts In helping to present providing the culinary delights at the Institutions will remain the s:une.
    [Show full text]
  • Reffiee@@@ Pengamh Reklor Lsl Padangpanjang ?Ol Dr
    reffiEE@@@ Pengamh Reklor lsl Padangpanjang ?ol Dr. Mllrdi Bahar, S.Kai, M Hum. Pen&ggung Jard/Kopda PUSTNDOK Yumidi, S.Sn., M Sn. Pinpinan Redaksikerua Penynntitrg Edisar, S.Sn, M.Hum. Ds-IHdit?rlMrSnf 'l^ @I!@l14 a I-E.h .-P-""il -- rl-- - H, n: llslIPaddnmarEj prrdone\,a) +.r+of oi.rvi"Dr.Mohtain;O-m ?ii1ft-*!6 I D n1Lr"i,,-hh:-p.}oirs:liil*ilLd;,,i!Efit; kib-d u.-E**w" iir,,v..rrVd dy.'d, b, D"',fiH,ait iaF{ " rram*a ",6r n* iiEIffi ,Isr-li-rsr,y"iiii'liliI l*."r Prol Dr. Eodaro,!rJir.i.r*;Dr---;;e;""r)"1(*r.1i,t 3-rtlriFati, 5.(411VErn:iSTSItB;lrd!, 8-l1do$L) v2r:Y-^r1P' K*,i:ri ndr, l-.-s6li-. M.ri, Ea Ohavianus, S.Sn.. M.S.. Arga Budaya. S.Sn., M.Pd. llhm SuSesli, S.Kom. Caraian: k i/Materi Jumal adalah t n&.lun g i awab penu I h. PENCANIARREDAKSI .ff.tPnEt1,t rV/" Juarat llin!Pengctahuandan KaryaSeni tnenuSeni irdonesid (l5l) Padanspanjans merIpxkan sebuah rempat pengungkapanpiknan t]kjran pemcfiari scni sccrra ,lrnrah, blik kdian bidaig keilnNan maupun bidans karya so.t Tenlu s.ja kchadnan frSPXa,t/jE 7 dihldapan pembaca ,ka. mcmberi Mi rc6endnt untuk informasi lcntang berbasai prcblemlik scm yans xkrrt. Dunia krcativitas bida.gkescnianscca6berkelarjutanb.rkembnsdensmbajk,m!!!nbanrrakyurgrid,k'nendapalkar lahudengahpqkembangan itr. Beyak kdrya karya seniyangnenusenruhan{c.lur kririk dan sardn secara ilnriah, tapi karena mcdranya yang sangal terbatas, pada akhimya perknrbangan kitik scni kurdg bc*c'nbars. Aaaknya ].riP,(Es/.ttN/ sat.h sarL rc'npaL Pada kesenrpatan ini ffyRf.y.tE V/ Vol.
    [Show full text]