LOWELL, MASSACHUSETTS JULY 28, 29, 30, 1989 5 1ST N ATIONAL F OLK F ESTIVAL L .1,Well

Total Page:16

File Type:pdf, Size:1020Kb

LOWELL, MASSACHUSETTS JULY 28, 29, 30, 1989 5 1ST N ATIONAL F OLK F ESTIVAL L .1,Well LOWELL, MASSACHUSETTS JULY 28, 29, 30, 1989 5 1ST N ATIONAL F OLK F ESTIVAL l .1,well. Massachusetts .July 28. 2!), :m. 1989 l'ro<.lut;ed by t he National Counc il fo r the Traditio nal Arts l.owell National His to rical Park l<<'gatta Festival Co mmit Ice City o f l.o wl'II \fi<hm·I /loo(('/ (lkuuwlr,/J /JI/Of<, /Jy \11d111o•I P Snwh Wu/la<,• ,\ kNa,• 11holr:> by ' ' ''"' Kum ,\t<ll' H,,mbunJw, u nd Cu,u IJluof' fl lmemM• ()uf,bf<u 1<) T,•rn/,,,.,. built m Lou~// /Jou, Shop lf"•pLum r,holo by Jamrs 111"'1("'~ M ESSAGE 17 ROM T IIE C ONTENTS W ELCOME P ARK SUPERINTENDENT W elcome to Lowelll We are delighted to .. ...................................................... 4 So I offer their names here In alpha­ I and maintenance services; the Regatta Welcome .... W elcome to the 51st N.1.tlonal Folk host the 51st National Folk Festival. For betical order, without organizational Festival Committee, whose devoted Message from the Park Superintendent. ................................... .. .4 Festival. the third In Lowell. This festival several years the National Park Service .. ............................................................ 6 affiliation. because they belong to a members never lall to volunteer for even Schedule: Friday, July 28 ........ Is n transitional one, neKt year It becomes National Council for Schedule: Saturday, July 29 ............... ............................................................... .. .. 6 greater fraternity. the one composed of has worked with the the most mundane tasks and who are t.he Lowell Folk Festlvlll. The organizing Schedule: Sunday, July 30 ....................................................................... ............................. 8 peoi>lc who really make a <llffercncc. the Traditional Arts In helping to present providing the culinary delights at the Institutions will remain the s:une. but Map................ .. .... 10 John Green. Sue Leggat, George America's finest folk traditions. The They arc lestlval: our sister agency, the Lowell Performers .. .......... .......... ..... ..... .. .............................. 11 there will be one change: my orgnnlzntlon roster of performers for the 51st edition Price, Zenny Spcronls and Sandy Walter! Historic Preservation Commission, and Beausoleil ...... ...... 11 will be In a supporting role while Lowell Is as exciting and varied as fans of the It Is an honor to work with people of this our sister park, the Lowell Heritage State Birmingham Sunlights...... .. ....................................... 11 Institutions will take the lead In program to expect. caliber. and I thank them for the privilege. "National" have come Park; the Lowell Plan; the Northern Bflnky & the Roadmasters .... .. ............................................... 11 planning. To those of you who are enJoytng the Those of you lucky enough to have Middlesex Convention and Visitor's Los Cantores Guaranles ....... ........................ .. ........................•.............................. 12 So It Is appropriate for me to here Nntlonol Folk Festival for the first time, I attended the festival here In either or Bureau; and all of our 20 corporate Cuchullan with Caledonia Set Dancers ........ ....................... .... 12 pause and thank live extraordinary offer a b/ow•ins' welcome to Lowell. You both of the last two years will agree that sponsors, and the community organiza­ Les Franco Amerlcains. ....................... ........................ ...... 12 people who are largely responsible for .. ....... 12 are now In a great place! A page of Lowell, with Its rich cultural and ethnic tions listed elsewhere In the program John Fritzler & the Polka Band ......... bringing the National Folk Festival to John Jackson .... ................................... .. ...................................... 12 working class American history was writ heritage, Is a natural location for the book. Lowell and ensuring its success In this Klezmer Plus................................................... .... 14 large here! We know how to throw a festival. Over 50 different ethnic groups For those of you visiting Lowell for the great little c ity. Scores of peo1>le arc Alison Krauss & Union Station................................. .. ........ 14 party! See you h ere next live in the city, many having come first time, stop by the National and State thanked later In this book, and we are working class Levendes Orchestra .......................................................................................... .. .......... 15 originally to work In the textile mills. As Indebted to all who have created this year-and be sure to bring the whole Parks Visitor Center at Market Mills to Lowell Cambodian Dance Troupe & Classical Music Ensemble.... .. ... 15 the natlon·s first large-scale center for the multi-Image slide success. But these five are special. It family! view the award-winning Harold .. Chuck" Luce with Nick Hawes............. .. ................. 15 mechanized production of cotton cloth, Industrial Revelation," was their vision. They've worked very show, .. Lowell: The Wally McRae .......... .. ..... 16 Lowell was a model for 19th century hard. Joseph T. WIison and to make plans for a return visit to Chief Jake Millon & the Mardi Gras Indians .................... 16 Lowell ... 17 Three are employees of the Lowell Executive Director industrial development. The Lowell to take a Mill and Canal Tour . Be Bill Neely .......................................................... .. ......................... ........................ ....................... ............. 17 National Historical Park and they·ve National Council for the Traditional Arts National and State Parks commemorate I sure to take a lree trolley ride and to visit Mac Parker... e most Doc Paulin's Dixieland Jazz Band .. ............................. 18 worked much harder and longer and been Lowell's unique legacy as th the Patrick J. Mogan Cultural Center. as Polish Highlanders .. ............................... 18 much wiser than their President or the important planned industrial city in well! L'Ensemble Quebecois with Nicole Bombardier & Cara Blaise .................................. 18 of the Interior could ask. Two America and pay tribute to the nation's EnJoy the lestlval, enjoy Lowell, and Secretary Sicilia Antica .............. ....................... .............................. .19 Immigrant workers. The music, dance please come again! are volunteers. officers or Lowell's Ana Vinagre, Manuel Leite & Alvero Medeiros.......... ..19 and craftmaking tradition of many of Regatta Festival Committee, and they've Crafts Demonstrators.... .................................. .20 Chrysandra L. Walter Invested this effort with vision, a commu­ Lowell·s people will be celebrated here I Celestine Anderson .................................... ............................ 20 nity base. and thousands o( hours of during the next three days. Superintendent Bob Brophy ............. .. ........ 21 work by themselves and other volun­ The city's current revitalization Lowell National Historical Park Willfam, Michael & Anthony Cahill.............. .. ............. 21 teers. signifies the potential for renewal of this Jon Cooper .......................................................... ...................................................2 1 cultural heritage and the cooperation Arnold Cyr ................................. .. .... 21 between local, state, and federal govern­ Henry Deleon .................................................................................................................. 22 ments and the private sector. The 51st Michael Hallsenius ............................ ........ 22 ........ 22 National Folk Festival would not have Hiep Lam Frank Kulik................. ..................... ........ 22 been possible without the support and Low ell Textile Mill Workers ...... ................................................ .. ..... 23 participation of numerous government Barbara Merry........................ .. ................................................................... 23 agencies, businesses, community groups, New England Quilting Bee ......................... ....................... .. ......................... 23 and volunteer organizations, all of whom I Jim & Geor ge Odell...... .. ............... 23 would like to thank. Though everyone Diane Palley . ................................ ...24 deserves a mention, I would like to Phan Bin & Mouk Phon .... .................. ... 24 acknowledge Just a few here: the City of Aldona Salmlnlnkas .. 211 Lowell, for providing technical, logistical Don. Mary & David Sanipass . .... .............................. .. ..25 Cleland Selby ................................................................ ..25 Steve Sperry ...................................................................................... .. ....... 25 R. Salve Testaverde .................................................... .. .............. 26 Foodways Demonstrations ........................................ .. ...... 26 Support ...................................................................................................... .............. 27 National Folk Festival Acknowledgements ..... 28 About the National Council for the Traditional Arts ............. •)( ~ 1 SC HEDULE ScHEDULE FRIDAY , J ULY 28 I SATURDAY, JULY 29 L UCY LARCOM MARKET STREET E VENING JFK PLAZA M ARKET MILLS SHATTUCK STREET PARADES & EVENING PARK PARK C ONCERT I COURTYARD CRAFTS AREA FooDs CONCERT ~--------- Ll-12-,0-0____
Recommended publications
  • Occasionem Cognosce — Francis Cabot Lowell
    From AFIO's The Intelligencer Association of Former Intelligence Officers 7700 Leesburg Pike, Suite 324 Journal of U.S. Intelligence Studies Falls Church, Virginia 22043 Web: www.afio.com * E-mail: [email protected] Volume 26 • Number 2 • Winter-Spring 2021 $15 single copy price The idea to look abroad for both individuals When Intelligence Made a Difference who had specialized knowledge of new technologies and obtaining this knowledge by other means was — 19th Century — explored by Alexander Hamilton. In 1791, he wrote on the topic at length in a section of his Report on Manu- factures, titled “The encouragement of New Inventions and Discoveries at Home and of the Introduction Into the United States of Such as May have Been Made in Other Countries, Particularly Those Which Relate to Machinery.”2 Occasionem Cognosce The Embargo of 1807 Economic conditions worsened for the US during Francis Cabot Lowell the Napoleonic Wars (1803-15) when hostilities between Britain and France restricted the US’s access to trade routes across the Atlantic. In 1804, an author by Joel Wickwire of the Federalist Papers, James Madison, wrote of this to James Monroe claiming Great Britain is searching t the end of the 18th century, the British colo- and seizing all manners of cargo and persons.3 Ten- nies in North America were largely an agrarian sions culminated in the “Chesapeake Affair” when economy. Most critical manufactured goods the USS Chesapeake was shot upon and surrendered to A the British, in clear violation of American sovereignty. were imported from Europe, traded for agricultural products.
    [Show full text]
  • Dzovig Markarian
    It is curious to notice that most of Mr. Dellalian’s writings for piano use aleatoric notation, next to extended techniques, to present an idea which is intended to be repeated a number of times before transitioning to the next. The 2005 compilation called “Sounds of Devotion,” where the composer’s family generously present articles, photos and other significant testimony on the composer’s creative life, remembers the two major influences in his music to be modernism and the Armenian Genocide. GUEST ARTIST SERIES ABOUT DZOVIG MARKARIAN Dzovig Markarian is a contemporary classical pianist, whose performances have been described in the press as “brilliant” (M. Swed, LA Times), and “deeply moving, technically accomplished, spiritually uplifting” (B. Adams, Dilijan Blog). An active soloist as well as a collaborative artist, Dzovig is a frequent guest with various ensembles and organizations such as the Dilijan Chamber Music Series, Jacaranda Music at the Edge, International Clarinet Conference, Festival of Microtonal Music, CalArts Chamber Orchestra, inauthentica ensemble, ensemble Green, Xtet New Music Group, USC Contemporary Music Ensemble, REDCAT Festivals of Contemporary Music, as well as with members of the LA PHIL, LACO, DZOVIG MARKARIAN Southwest Chamber Music, and others. Most recently, Dzovig has worked with and premiered works by various composers such as Sofia Gubaidulina, Chinary Ung, Iannis Xenakis, James Gardner, Victoria Bond, Tigran Mansurian, Artur Avanesov, Jeffrey Holmes, Alan Shockley, Adrian Pertout, Laura Kramer and Juan Pablo Contreras. PIANO Ms. Markarian is the founding pianist of Trio Terroir, a Los Angeles based contemporary piano trio devoted to new and complex music from around the world.
    [Show full text]
  • 2014 Joe Val Bluegrass Festival Preview
    2014 Joe Val Bluegrass Festival Preview The 29th Joe Val Bluegrass Festival is quickly approaching, February 14 -16 at the Sheraton Framingham Hotel, in Framingham, MA. The event, produced by the Boston Bluegrass Union, is one of the premier roots music festivals in the Northeast. The festival site is minutes west of Boston, just off of the Mass Pike, and convenient to travelers from throughout the region. This award winning and family friendly festival features three days of top national performers across two stages, over sixty workshops and education programs, and around the clock activities. Among the many artists on tap are The Gibson Brothers, Blue Highway, Junior Sisk, IIIrd Tyme Out, Sister Sadie featuring Dale Ann Bradley, and a special reunion performance by The Desert Rose Band. This locally produced and internationally recognized bluegrass festival, produced by the Boston Bluegrass Union, was honored in 2006 when the International Bluegrass Music Association named it "Event of the Year." In May 2012, the festival was listed by USATODAY as one of Ten Great Places to Go to Bluegrass Festivals Single day and weekend tickets are on sale now and we strongly suggest purchasing tickets in advance. Patrons will save time at the festival and guarantee themselves a ticket. Hotel rooms at the Sheraton are sold out, but overnight lodging is still available and just minutes away, at the Doubletree by Hilton, in Westborough, MA. Details on the festival, including bands, schedules, hotel information, and online ticket purchase at www.bbu.org And visit the 29th Joe Val Bluegrass Festival on Facebook for late breaking festival news.
    [Show full text]
  • THE RICHARDS of ILE ST. JEAN Acadians Move to Louisiana
    Lives of Quiet Desperation The Ancestry of a Louisiana Frenchman Gary M. Lavergne Privately Published by the Author Cedar Park, Texas © 2020 by Gary M. Lavergne All rights reserved, including the right of reproduction in whole or in part in any form. Edition 2 3 4 5 6 7 8 9 This book is privately published for the enjoyment and edification of the Lavergne and related families and is not for sale or resale. For information about permission to reproduce selections from this book write to: Gary M. Lavergne P.O. Box 934 Cedar Park, Texas 78630-0934 [email protected] THE RICHARDS OF ILE ST. JEAN Acadians Move to Louisiana In 1652, Michel Richard, a native of the province of Saintonge, France,5 arrived in Acadie as a soldier with an expedition sponsored by Emmanuel LeBorgne. LeBorgne was a speculator and a very rich merchant in France who had invested heavily in the Acadian business enterprises of Charles de Menou d'Aulnay (1604–1650). D’Aulnay had been involved in what has ingloriously been called the “Acadian Civil War.” It seems that King Louis XIV approved overlapping land grants to an entrepreneur named Charles de Saint-Étienne de la Tour and d'Aulnay. Their business differences were exacerbated by deep personal and religious hatred (de la Tour was Protestant and d’Aulnay was Catholic). The most vicious fighting took place from about 1640-45 and did not end until d'Aulnay successfully expelled la Tour from his claims. La Tour fled to Quebec. The matter got even more complicated in 1650 when d’Aulnay died by accidental drowning and LeBorgne laid formal claim to the estate.
    [Show full text]
  • Bluegrass Jamming Class
    BLUEGRASS JAMMING CLASS TAUGHT BY ELLEN CARLSON USING THE WERNICK METHOD* Thursdays, May 9-Jun 27 • 7-9:15pm 8 SESSIONS $160 (REPEAT STUDENTS $120!) Exeter, NH Exeter Recreation Dept. Ellen Carlson has been performing on ELLEN’S STUDENTS SAY: fiddle for over 35 years, currently with the acoustic “An amazing teacher! ” roots band High Range, as well as swing, old country and Irish with Jim Prendergast. She teaches fiddle, “Supportive and easy-going, puts the guitar and mandolin, both privately and at major nervous beginner at ease.” festival including Grey Fox, Joe Val and Pemi Valley. “Lessons with Ellen are such a fun, Ellen leads the NH Fiddle Ensemble and runs her own ” camp, the Fiddleheads Acoustic Music Camp. positive learning experience! • All bluegrass instruments * Wernick Method Classes teach real bluegrass jamming! • No jamming experience necessary * in your area * * with other pickers like you * • You will be jamming the first session! * Hands-on learning in large and small groups * Learn many bluegrass standards * Gentle tempos! Mistakes expected * Full ground rules and etiquette of typical jams * How to lead songs and how to follow new songs * How to find melodies, fake solos, sing harmony * Ear skills taught and emphasized, as in real bluegrass * Tab/note reading skills not needed or used * Group and individualized instruction on backup skills * Understanding, low-pressure, time-tested teaching! Pete Wernick (“Dr. Banjo”, originator of Banjo Camps and Bluegrass Jam Camps) has created a method that has taught DO YOU QUALIFY? It’s easier than you may think! If you play guitar, thousands nationwide how to fit into mandolin, banjo, fiddle, bass, or dobro… you can be part of a bluegrass jam.
    [Show full text]
  • IRCA FOREIGN LOG 10Th Edition +Hrd Again W/Light Inst Mx at 0456 on 1/4
    IRCA FOREIGN LOG 10th Edition +Hrd again w/light Inst mx at 0456 on 1/4. Poorer than before. (PM-OR) DX World Wide – West +NRK 0244 12/29 country music occasionally coming thru clearly in domestic TRANS-ATLANTIC DX ROUNDUP slop (I've logged & QSLed this one with this early Mon morning country-music show before). First time I've had audio from this one all season. [Stewart-MO] 162 FRANCE , Allouis, 0230 3/7. Male DJ hosting a program of mainly EE pop +2/15 0503 Poor to fair signals in NN talk and oldies mx. Only TA on the MW songs. Fair signal, but much weaker than Iceland. (NP-AB) band. (VAL-DX) +0406 4/18, pop song in FF. (NP-AB*) 1467 FRANCE , Romoules TRW, 12/27 2309 Fair signals peaking w/good Choraol 189 ICELAND , Guguskalar Rikisutvarpid, 2/15 0032. Fair signals with Icelandic mx and rel mx. Het on this one was huge! New station and new Country on talk and a mix of mx some in EE. Only LW station to produce audio. MW. (SA-MB) (VAL-DX) 1512 SAUDI ARABIA , Jeddah BSKSA, 12/27 2248 poor signals w/AA mx and talk. +0227 3/7. Very good signal w/EE lang R&B pop/rock songs hosted by man in New station. (SA-MB) what I presumed was Icelandic. Ranks up there as the best signal I've hrd +12/29 seemed to sign on right at 0300 with no announcements, int signal, from them. (NP-AB) anthem, or anything, just Koranic chanting.
    [Show full text]
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
    [Show full text]
  • University of California Santa Cruz the Vietnamese Đàn
    UNIVERSITY OF CALIFORNIA SANTA CRUZ THE VIETNAMESE ĐÀN BẦU: A CULTURAL HISTORY OF AN INSTRUMENT IN DIASPORA A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in MUSIC by LISA BEEBE June 2017 The dissertation of Lisa Beebe is approved: _________________________________________________ Professor Tanya Merchant, Chair _________________________________________________ Professor Dard Neuman _________________________________________________ Jason Gibbs, PhD _____________________________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Table of Contents List of Figures .............................................................................................................................................. v Chapter One. Introduction ..................................................................................................................... 1 Geography: Vietnam ............................................................................................................................. 6 Historical and Political Context .................................................................................................... 10 Literature Review .............................................................................................................................. 17 Vietnamese Scholarship .............................................................................................................. 17 English Language Literature on Vietnamese Music
    [Show full text]
  • James Russell Lowell - Poems
    Classic Poetry Series James Russell Lowell - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive James Russell Lowell(22 February 1819 – 12 August 1891) James Russell Lowell was an American Romantic poet, critic, editor, and diplomat. He is associated with the Fireside Poets, a group of New England writers who were among the first American poets who rivaled the popularity of British poets. These poets usually used conventional forms and meters in their poetry, making them suitable for families entertaining at their fireside. Lowell graduated from Harvard College in 1838, despite his reputation as a troublemaker, and went on to earn a law degree from Harvard Law School. He published his first collection of poetry in 1841 and married Maria White in 1844. He and his wife had several children, though only one survived past childhood. The couple soon became involved in the movement to abolish slavery, with Lowell using poetry to express his anti-slavery views and taking a job in Philadelphia, Pennsylvania as the editor of an abolitionist newspaper. After moving back to Cambridge, Lowell was one of the founders of a journal called The Pioneer, which lasted only three issues. He gained notoriety in 1848 with the publication of A Fable for Critics, a book-length poem satirizing contemporary critics and poets. The same year, he published The Biglow Papers, which increased his fame. He would publish several other poetry collections and essay collections throughout his literary career. Maria White died in 1853, and Lowell accepted a professorship of languages at Harvard in 1854.
    [Show full text]
  • A History of Siamese Music Reconstructed from Western Documents 1505-1932
    A HISTORY OF SIAMESE MUSIC RECONSTRUCTED FROM WESTERN DOCUMENTS 1505-1932 This content downloaded from 96.9.90.37 on Thu, 04 Feb 2021 07:36:11 UTC All use subject to https://about.jstor.org/terms Introduction The writing of music history, the chief activity of the musicologist, depends almost entirely on the existence of written documents. Historical studies of various musics of the world have appeared wherever there are such documents: Europe, China, Japan, Korea, India, and in the Islamic cultural area of Western Asia and North Africa. Mainland Southeast Asia, however, has remained much of a musico-historical void since little has remained besides oral traditions and a few stone carvings, although Vietnamese music is an exception to this statement. The fact that these countries have so few trained musicologists also contributes to the lack of research. In the case of the Kingdom of Thailand, known before 1932 as Siam, little has been attempted in the way of music history in languages other than Thai, and those in Thai, also not plentiful, remain unknown to the outside world.l Only the European-trained Prince Damrong has attempted a comprehensive history, but it is based as much on tradition and conjecture as on concrete evidence and is besides quite brief. David Morton's classic study of Thai traditional music, The Traditional Music of Thailand, includes some eighteen pages of history, mostly based on oral traditions, conjecture, circumstantial evidence from neighboring musical cultures (Cambodia, China, and India), and some from the same documents used in this study. At least three reasons can be given for the lack of historical materials originating in Thailand.
    [Show full text]
  • Khmer Arts Ensemble (In Order of Appearance) the Lives of Giants Akaeng Khameaso (Child) Chea Socheata Uma Keo Kunthearom
    CAL PERFORMANCES PRESENTS CAST Sunday, October 2, 2011, 3pm The Lives of Giants Zellerbach Hall CAST Khmer Arts Ensemble (in order of appearance) The Lives of Giants Akaeng Khameaso (child) Chea Socheata Uma Keo Kunthearom Tevabot (male angels) Kong Bonich, Lim Chanboramy, Sao Phirom, Sao Somaly Tep Thida (female angels) Long Chantheary, Mot Pharan, Pum Molyta, Som Saymalyrou Akaeng Khameaso (adult) Rin Sreyleak Preah Eyso (Shiva) Chao Socheata Preah Visnu (Vishnu) Sot Sovanndy Instrumentalists Roneat Ek (xylophone) Nil Sinoeun Sralai (quadruple-reed oboe) Touch Sarin Sampho & Skor Thom (drums) Ros Sokun Choreography, Lyrics & Music Arrangements Sophiline Cheam Shapiro Gong Thom (circle gong) Soun Phally Scenic & Lighting Designs Marcus Doshi Singer Cheam Chanthopeas Costume Designs Merrily Murray-Walsh Dresser Sam Ratha Producer Khmer Arts Costume Makers Angkor Thom Handicrafts, Iris Color Studio, John Shapiro, Executive Director Kum Sokunthea, Hout Sokleng, Sim Chanmoly, Vuthy Tailors and artists of the Khmer Touring General Manager Lisa Booth Management, Inc. Arts Ensemble Deirdre Valente, Vice President The Lives of Giants premiered in the United States on September 25, 2010, at Technical Director Robert W. Henderson Palmer Auditorium, Connecticut College, New London, Connecticut. The creation of The Lives of Giants has been made possible, in part, with support from the American Recovery Running Time 90 minutes (without intermission) and Reinvestment Act through the National Endowment for the Arts; the MAP Fund, a program of Creative Capital supported by the Doris Duke Charitable Foundation and the Rockefeller Foundation; and the National Dance Project of the New England Foundation for the Arts, with lead funding from the Doris Duke Charitable Foundation and additional funding provided by the Andrew W.
    [Show full text]
  • 01To31 30To27 06 07 13 14
    Performances > Main Stage APR TO Rescheduled and Postponed Events DEC View this page to see status of events that were rescheduled or postponed. The health and well-being of our members and patrons are of the utmost 01 importance to us. Due to the COVID-19 pandemic, many... to Updates on 2020-21 performances 31 Wed 02pm to Fri 02pm SEP Karla Bonoff Karla Bonoff has been described as one of the finest singer-songwriters of her 30 generation, and, in her case, the description is not exaggerated. With a career Thu 08pm spanning four decades, Bonoff has... $40 public | $35 members OCT Summer Street Gallery: Leavitt and... Laurie Leavitt is a fine artist and Holliston resident who has worked in a variety 01 of media through the years, including oil and watercolor painting, mixed media to and printmaking. Drawing... 29 Free to General Public Fri 12pm to 06pm OCT The Sweet Remains Celebrating a decade together (and 40 MILLION Spotify plays!), THE SWEET 01 REMAINS is the unusual band on today's music scene to be headed by 3 gifted Fri 08pm singer-songwriters, each of whom contributes to... $25 public | $22 members OCT Dar Williams Dar Williams has been called “one of America’s very best singer-songwriters” 03 by The New Yorker. She’s released ten studio albums. She’s authored three Sun 07pm books and working on a fourth. Known... $45 public | $40 members OCT Ladies of Laughter: Funny and Fabulous... Hailing from Natick, MA award-winning comedian Kelly MacFarland tours clubs 08 and colleges across the country and has entertained our US troops overseas.
    [Show full text]