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£75,000 Awarded to Browne's Folly Site
Foll- The e-Bulletin of The Folly Fellowship The Folly Fellowship is a Registered Charity No. 1002646 and a Company Limited by Guarantee No. 2600672 Issue 34: £75,000 awarded to January 2011 Browne’s Folly site Upcoming events: 06 March—Annual General Meeting starting at 2.30pm at athford Hill (Wiltshire) is a leased the manor at Monkton Far- East Haddon Village Hall, B haven for some of our rar- leigh in 1842 and used the folly as Northamptonshire. Details est flora and fauna, including the a project for providing employment were enclosed with the Journal White Heleborine and Twayblade during the agricultural depression. and are available from the F/F website www.follies.org.uk Orchid, and for Greater Horseshoe He also improved the condition of and Bechstein‟s Bats. Part of it is the parish roads and built a school 18-19 March—Welsh Week- owned by the Avon Wildlife Trust in the centre of the village where end with visits to Paxton‟s who received this month a grant of he personally taught the girls. Tower, the Cilwendeg Shell House, and the gardens and £75,000 to spend on infrastructure After his death on 2 August grotto at Dolfor. Details from and community projects such as 1851, the manor was leased to a [email protected] the provision of waymark trails and succession of tenants and eventu- information boards telling visitors ally sold to Sir Charles Hobhouse about the site and about its folly. in 1873: his descendants still own The money was awarded from the estate. -
Trsteno Arboretum, Croatia (This Is an Edited Version of a Previously Published Article by Jadranka Beresford-Peirse)
ancient Pterocarya stenoptera (champion), Thuyopsis dolobrata and Phyllocladus alpinus ‘Silver Blades’. We just had time to admire Michelia doltsopa in flower before having to leave this interesting garden. Our final visit was to Fonmom Castle, the home of Sir Brooke Boothby who had very kindly invited us all to lunch. We sat at a long table in a room orig- inally built in 1180, and remodelled in Georgian times with beautiful plaster- work and furnishings. After lunch we had a tour of the garden which is on shallow limestone soil, and at times windswept. We admired a large Fagus syl- vatica f. purpurea planted on the edge of the escarpment in 1818, that had been given buttress walls to hold the soil and roots. There was a small Sorbus domes- tica growing in the lawn and we learnt that this tree is a native in the country nearby. We walked through the closely planted ornamental walled garden into the large productive walled vegetable garden. This final visit was a splen- did ending to our tour, and having thanked our host for his warm hospitality, we said goodbye to fellow members and departed after a memorable four days, so rich in plant content and well organised by our leader Rose Clay. ARBORETUM NEWS Trsteno Arboretum, Croatia (This is an edited version of a previously published article by Jadranka Beresford-Peirse) Vicinis laudor sed aquis et sospite celo Plus placeo et cultu splendidioris heri Haec tibi sunt hominum vestigia certa viator Ars ubi naturam perficit apta rudem. (Trsteno, 1502) The inscription above, with its reference to “the visual traces of the human race” is carved onto a stone in a pergola at the Trsteno Arboretum, Croatia, a place of beauty arising like a phoenix from the ashes of wanton destruction and natural disasters. -
Curses by Graham Nelson
Curses by Graham Nelson Meldrew Estate Attic, 1993 Out on the Spire adamantine hand Potting Aunt Old Storage Room (1) (6) Room Jemima's Winery Battlements Bell Tower yellow rubber Lair demijohn, nasty-looking red steel wrench, gloves battery, tourist map wishbone D U End Game: Servant's Priest's Airing Room (7) (10) West Side Parish East Side Missed the Attic Hole (3) Roof Cupboard classical Chapel Church Chapel Point iron gothic-looking key, ancient prayer book, old sooty stick dictionary, scarf D D U D U Old Inside End Game: Stone Missed the Furniture Chimney Cupboard cupboard, medicine bottle, painting, skylight, Cross Point gift-wrapped parcel, bird whistle gas mask Dark East Hollow (2) Room Over the Annexe U Public D sepia photograph, East Wing Footpath cupboard nuts cord, flash Library Disused Dead End Storage Observatory Beside the romantic novel, book of Drive Twenties poetry glass ball canvas rucksack Souvenirs Alison's Writing Room (12) Room (11) projector window, mirror Tiny Balcony Curses by Graham Nelson Mildrew Hall Cellars, 1993 Infinity Symbol Cellars (1) Cellar (5) Wine West (3) Cellars (4) robot mouse, vent Hellish Place Hole in Cellars Wall South Curses by Graham Nelson Meldrew Estate Hole in Wall of Cellars South (Mouse Maze), 1993 small brass key Cellars South Curses by Graham Nelson Meldrew Estate Grounds, 1993 Up the Plane To Maze Tree D U Mosaic (2) (17) (23) (29) Garage (35) (38) (39) (40) (41) Behind Heavenly Family Tree Lawn (42) (43) (48) (54) Clearing Summer Place (8) Ornaments big motorised garden roller, -
From Epic to Romance: the Paralysis of the Hero in the Prise D'orange
Minnette Grunmann-Gaudet From Epic to Romance: The Paralysis of the Hero in the Prise d'Orange N HIS Essai de poétique médiévale, Paul Zumthor attempts to establish a basic structural model for the Old French epic, (Schema I I).1 He bases his schema upon a typological classification of the principal characters of the chanson de geste proposed by Pasqualino in 1970. On the primary horizontal axis we find an opposition between good and bad characters, or in socio-religious terms, between Christians and pagans. This axis is broken by secondary diagonal axes which gauge whether individuals change, becoming good by repentance or conversion to Christianity, or bad by political treason or renouncements of the Christian faith. This model clearly illustrates the moral polarities inherent in works such as the Oxford Roland and the Chanson de Guillaume, but does not account for a great number of gestes in which the conflict is between lord and vassal, uncle and nephew, husband and wife, or even two friends. Schema I 'Paul Zumthor, Essai de poétique médiévale (Paris: Éditions du Seuil, 1972),p. 326. 22 Grunmann-Gaudet / Paralysis in the Prise d'Orange 23 In a more recent endeavor to define the structure of the Old French epic, P. Van Nuffel develops a similar but more elaborate schema, based upon the Greimasian model for determining deep structures (Schema II).2 Schéma II defense of Christianity defense of Muhammedanism betrayal of Muhammedanism betrayal of Christianity Here the horizontal axes represent the axes of contraries (defense of Christianity vs. defense of Muhammedanism; betrayal of Muhammed- anism vs. -
Garden and Park Structures Listing Selection Guide Summary
Garden and Park Structures Listing Selection Guide Summary Historic England’s twenty listing selection guides help to define which historic buildings are likely to meet the relevant tests for national designation and be included on the National Heritage List for England. Listing has been in place since 1947 and operates under the Planning (Listed Buildings and Conservation Areas) Act 1990. If a building is felt to meet the necessary standards, it is added to the List. This decision is taken by the Government’s Department for Digital, Culture, Media and Sport (DCMS). These selection guides were originally produced by English Heritage in 2011: slightly revised versions are now being published by its successor body, Historic England. The DCMS‘ Principles of Selection for Listing Buildings set out the over-arching criteria of special architectural or historic interest required for listing and the guides provide more detail of relevant considerations for determining such interest for particular building types. See https://www.gov.uk/government/publications/principles-of- selection-for-listing-buildings. Each guide falls into two halves. The first defines the types of structures included in it, before going on to give a brisk overview of their characteristics and how these developed through time, with notice of the main architects and representative examples of buildings. The second half of the guide sets out the particular tests in terms of its architectural or historic interest a building has to meet if it is to be listed. A select bibliography gives suggestions for further reading. This guide looks at buildings and other structures found in gardens, parks and indeed designed landscapes of all types from the Middle Ages to the twentieth century. -
Ideas and Tradition Behind Chinese and Western Landscape Design
Swedish University of Agricultural Sciences Faculty of Landscape Planning, Horticulture and Agricultural Science Department of Landscape Architecture Ideas and Tradition behind Chinese and Western Landscape Design - similarities and differences Junying Pang Degree project in landscape planning, 30 hp Masterprogramme Urban Landscape Dynamics Independent project at the LTJ Faculty, SLU Alnarp 2012 1 Idéer och tradition bakom kinesisk och västerländsk landskapsdesign Junying Pang Supervisor: Kenneth Olwig, SLU, Department of Landscape Architecture , , Assistant Supervisor: Anna Jakobsson, SLU, Department of Landscape Architecture , , Examiner: Eva Gustavsson, SLU, Department of Landscape Architecture , , Credits: 30 hp Level: A2E Course title: Degree Project in the Masterprogramme Urban Landscape Dynamics Course code: EX0377 Programme/education: Masterprogramme Urban Landscape Dynamics Subject: Landscape planning Place of publication: Alnarp Year of publication: January 2012 Picture cover: http://photo.zhulong.com/proj/detail4350.htm Series name: Independent project at the LTJ Faculty, SLU Online publication: http://stud.epsilon.slu.se Key Words: Ideas, Tradition, Chinese landscape Swedish University of Agricultural Sciences Faculty of Landscape Planning, Horticulture and Agricultural Science Department of Landscape Architecture 2 Forward This degree project was written by the student from the Urban Landscape Dynamics (ULD) Programme at Swedish University of Agricultural Sciences (SLU). This programme is a two years master programme, and it relates to planning and designing of the urban landscape. The level and depth of this degree project is Master E, and the credit is 30 Ects. Supervisor of this degree project has been Kenneth Olwig, professor at the Department of Landscape architecture; assistant supervisor has been Anna Jakobsson, teacher and research assistant at the Department of Landscape architecture; master’s thesis coordinator has been Eva Gustavsson, senior lecturer at the Department of Landscape architecture. -
The Idea of the Labyrinth
·THE IDEA OF · THE LABYRINTH · THE IDEA OF · THE LABYRINTH from Classical Antiquity through the Middle Ages Penelope Reed Doob CORNELL UNIVERSITY PRESS ITHACA AND LONDON Open access edition funded by the National Endowment for the Humanities/Andrew W. Mellon Foundation Humanities Open Book Program. Copyright © 1990 by Cornell University First printing, Cornell Paperbacks, 1992 Second paperback printing 2019 All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. Visit our website at cornellpress.cornell.edu. Printed in the United States of America ISBN 978-0-8014-2393-2 (cloth: alk. paper) ISBN 978-1-5017-3845-6 (pbk.: alk. paper) ISBN 978-1-5017-3846-3 (pdf) ISBN 978-1-5017-3847-0 (epub/mobi) Librarians: A CIP catalog record for this book is available from the Library of Congress An open access (OA) ebook edition of this title is available under the following Creative Commons license: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0): https://creativecommons.org/licenses/ by- nc-nd/4.0/. For more information about Cornell University Press’s OA program or to download our OA titles, visit cornellopen.org. Jacket illustration: Photograph courtesy of the Soprintendenza Archeologica, Milan. For GrahamEric Parker worthy companion in multiplicitous mazes and in memory of JudsonBoyce Allen and Constantin Patsalas Contents List of Plates lX Acknowledgments: Four Labyrinths xi Abbreviations XVll Introduction: Charting the Maze 1 The Cretan Labyrinth Myth 11 PART ONE THE LABYRINTH IN THE CLASSICAL AND EARLY CHRISTIAN PERIODS 1. -
A New Center Stage
engage a sustainable vision for the mall that captures the create an enhanced landscape that enriches the experience of provide flexible performance settings and a nurture culture and cultivation to support rich sylvan grove syLvaN cONNectIONs surprise and magic of a sylvan setting reframe aN IcONIc settING the washington monument grounds a hIGh perfOrmaNce LaNdscape compelling sustainable vision a Layered LaNdscape ecology on the national mall a New perfOrmaNce hOrIzON a new center stage The National Mall is our nation’s center stage and the site of some of the most important acts of communication and communion in our country. At the heart of the Mall and visible for miles, the Washington Monument is the literal and philosophical compass for our nation – a timeless symbol of the spirit upon which our nation was founded. Extending from this central landmark, the 1 TREET S rejuvenated Sylvan Theater and Sylvan TH 15 Grove embody the surprise and magic of the Shakespearean forest that inspired the name of the original theater nearly a century ago. 2 3 2 19 4 23 7 8 6 17 9 20 5 15 13 WASHINGTON MONUMENT GROUNDS WASHINGTON, D.C. CULTURAL LANDSCAPE REPORT 10 * * 12 INDEPENDENCE AVENUE 21 14 * D 2008) M . ( 2003 F H 11 S ARCH REV ECEMBER IGURES ISTORY ITE 16 Figure 2-31. Plan for the improvement of the west side of monument park, 1902. park, monument of side west the of improvement the for Plan 2-31. Figure S 15 OURCE : NPS-NCR : C a framed approach An arrival view from the nearby Smithsonian museums and metro frames active programs on the renewed Monument Grounds. -
GULLEY GREENHOUSE 2021 YOUNG PLANT ALSTROEMERIA ‘Initicancha Moon’ Hilverdaflorist
GULLEY GREENHOUSE 2021 YOUNG PLANT ALSTROEMERIA ‘Initicancha Moon’ HilverdaFlorist ANTIRRHINUM ‘Drew’s Folly’ Plant Select LAVENDER ‘New Madrid® Purple Star’ GreenFuse Botanicals AQUILEGIA ‘Early Bird Purple Blue’ LUPINUS ‘Staircase Red/White’ GERANIUM pratense ‘Dark Leaf Purple’ PanAm Seed GreenFuse Botanicals ECHINACEA ‘SunSeekers Rainbow’ Innoflora 2021 NEW VARIETIES 2021 NEW VARIETIES GULLEY GREENHOUSE 2020-21 Young Plant Assortment LUPINUS ‘Westcountry Towering Inferno’ Must Have Perennials 2021 CONTENTS HELLO! GENERAL INFORMATION Welcome to the 2020-2021 Gulley Greenhouse Prices, Discounts, Shipping, Young Plant Catalog Minimums, Claims..................2 At Gulley Greenhouse we specialize in custom growing plugs Tray Sizes....................................3 and liners of perennials, herbs, ornamental grasses, and Broker Listing...............................4 specialty annuals. Our passion is to provide finished growers with a wide selection of high quality young plants to choose from. Having been established FEATURED AFFILIATIONS as a family business for over 40 years, we’re proud to consider Featured Programs......................5 (Featured breeders and suppliers whose ourselves connected to the industry. We do our best to stay at the premium plants are included in our program) forefront of the new technology and variety advancements that are being made every year (and every day!) FAIRY FLOWERS® THANK YOU Fairy Flower® Introduction.......... 8 Thanks to all of our customers for your continued support! We Fairy Flower® Varieties............... 8 sincerely appreciate your orders and the confidence you’ve shown (By Common name, including sizes, in our products and company. As always, we strive to produce descriptions & lead times) quality plants perfectly suited for easy production and successful sales to the end consumer. SPECIALTY ANNUALS Annual Introduction......................12 We’re looking forward to another great season, with lots of new varieties to offer and the same quality you’ve come to expect. -
Frogs of the Feywild
Table of Contents Adventure Outline...................................................................................................... 1 Introduction........................................................................................................... 1 Background............................................................................................................ 1 Overview................................................................................................................ 1 Adventure Hooks...................................................................................................2 Chapter 1 — The Chaotic Maze..................................................................................3 G1. Garden Gate................................................................................................3 G2. Hedge Maze................................................................................................4 G3. Garden Party...............................................................................................5 Development......................................................................................................... 5 Chapter 2 — Time of the Seasons..............................................................................6 G4. Pond............................................................................................................ 6 G5. Summer Terrace..........................................................................................6 G6. Winter Terrace............................................................................................7 -
Arbor, Trellis, Or Pergola—What's in Your Garden?
ENH1171 Arbor, Trellis, or Pergola—What’s in Your Garden? A Mini-Dictionary of Garden Structures and Plant Forms1 Gail Hansen2 ANY OF THE garden features and planting Victorian era (mid-nineteenth century) included herbaceous forms in use today come from the long and rich borders, carpet bedding, greenswards, and strombrellas. M horticultural histories of countries around the world. The use of garden structures and intentional plant Although many early garden structures and plant forms forms originated in the gardens of ancient Mesopotamia, have changed little over time and are still popular today, Egypt, Persia, and China (ca. 2000–500 BC). The earliest they are not always easy to identify. Structures have been gardens were a utilitarian mix of flowering and fruiting misidentified and names have varied over time and by trees and shrubs with some herbaceous medicinal plants. region. Read below to find out more about what might be in Arbors and pergolas were used for vining plants, and your garden. Persian gardens often included reflecting pools and water features. Ancient Romans (ca. 100) were perhaps the first to Garden Structures for People plant primarily for ornamentation, with courtyard gardens that included trompe l’oeil, topiary, and small reflecting Arbor: A recessed or somewhat enclosed area shaded by pools. trees or shrubs that serves as a resting place in a wooded area. In a more formal garden, an arbor is a small structure The early medieval gardens of twelfth-century Europe with vines trained over latticework on a frame, providing returned to a more utilitarian role, with culinary and a shady place. -
Ashe RFP Draft 033014.Docx
Request for Proposal (RFP) Edible Schoolyard NOLA Arthur Ashe Charter School Oak Park Garden Pavilion and Accessory Landscape Features Proposals must be received by: Noon on Wednesday, May 28, 2014 Edible Schoolyard NOLA 2319 Valence St New Orleans, LA 70115 (504) 376-7693 for more information, visit: www.esynola.org Page | 1 ESYNOLA, Arthur Ashe Charter School Oak Park Garden Pavilion and Accessory Landscape Features Table of Contents I. Introduction: 3 A. Purpose for Request for Proposal 3 B. Background about the Edible Schoolyard NOLA 3 II. Scope of Work and Budget 4 A. Scope of Services 4 B. Budget 7 C. Design and Development Schedule 8 D. Contract Period 9 E. Timeline: 9 III. Submission Requirements 9 A. Review for Compliance with Mandatory RFP Requirements 9 B. Questions on the Request for Proposal 10 C. Mandatory Submission Requirements 10 D. Submission Instructions 10 E. Review Process 11 F. Notification of Decision: 11 G. Protest Process 11 IV. Confidentiality of Responses 12 V. Miscellaneous Information: 12 Attachment A – Cover Page 13 Attachment B – Statement of Qualifications 14 Attachment C – Project Data Sheets 15 Attachment D – Bid Sheets 21 Attachment E – Non-Collusion Affidavit 22 Exhibit 1 – Evaluation Criteria…………………………………………………………………………23 Exhibit 2 – Map of Campus…….…...…………………………………………………………………24 Exhibit 3 – Preliminary Site Plan…...…………………………………………………………………25 Exhibit 4 – Image Scrapbook.……...………………………………………………………………….26 Page | 2 Request for Proposal FirstLine Schools Edible Schoolyard at Arthur Ashe Charter School Oak Park Garden Pavilion and Accessory Landscape Features I. Introduction: Edible Schoolyard New Orleans (ESYNOLA), a signature program of FirstLine Schools, requests proposals for design and construction services to create a set of structures that will complete the infrastructure for our Edible Schoolyard at Arthur Ashe Charter School.