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Magisterarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES MAGISTERARBEIT Titel der Magisterarbeit „Es war einmal MTV. Vom Musiksender zum Lifestylesender. Eine Programmanalyse von MTV Germany im Jahr 2009.“ Verfasserin Sandra Kuni, Bakk. phil. angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, Februar 2010 Studienkennzahl lt. Studienblatt: A 066 841 Studienichtung lt. Studienblatt: Publizistik und Kommunikationswissenschaft Betreuerin / Betreuer: Ao. Univ. Prof. Dr. Friedrich Hausjell DANKSAGUNG Die Fertigstellung der Magisterarbeit bedeutet das Ende eines Lebensabschnitts und wäre ohne die Hilfe einiger Personen nicht so leicht möglich gewesen. Zu Beginn möchte ich Prof. Dr. Fritz Hausjell für seine kompetente Betreuung und die interessanten und vielseitigen Gespräche über mein Thema danken. Großer Dank gilt Dr. Axel Schmidt, der sich die Zeit genommen hat, meine Fragen zu bearbeiten und ein informatives Experteninterview per Telefon zu führen. Besonders möchte ich auch meinem Freund Lukas danken, der mir bei allen formalen und computertechnischen Problemen geholfen hat, die ich alleine nicht geschafft hätte. Meine Tante Birgit stand mir immer mit Rat und Tat zur Seite, ihr möchte ich für das Korrekturlesen meiner Arbeit und ihre Verbesserungsvorschläge danken. Zum Schluss danke ich noch meinen Eltern und all meinen guten Freunden für ihr offenes Ohr und ihre Unterstützung. Danke Vicky, Kathi, Pia, Meli und Alex! EIDESSTATTLICHE ERKLÄRUNG Ich habe diese Magisterarbeit selbständig verfasst, alle meine Quellen und Hilfsmittel angegeben und keine unerlaubten Hilfen eingesetzt. Diese Arbeit wurde bisher in keiner Form als Prüfungsarbeit vorgelegt. Ort und Datum Sandra Kuni INHALTSVERZEICHNIS I. EINLEITUNG .....................................................................................................1 I.1. Auswahl der Thematik................................................................................................ 1 I.2. -
Broadcast Bulletin Issue Number 38
* Ofcom broadcast bulletin Issue number 38 4 July 2005 Ofcom broadcast bulletin 38 4 July 2005 Contents Introduction 3 Standards cases In Breach 4 Resolved 6 Other programmes not in breach/outside remit 11 2 Ofcom broadcast bulletin 38 4 July 2005 Introduction The Communications Act 2003 allows for the codes of the legacy regulators to remain in force until such time as Ofcom developed its own Code. Ofcom consulted in 2004 on its new Code. Ofcom’s Broadcasting Code has now been published and will take effect from 25 July 2005 (with the exception of Rule 10.17 which comes into effect on 1 July 2005). The Broadcasting Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode/ The codes and rules currently in force for broadcast content are: Advertising and Sponsorship Code (Radio Authority) News & Current Affairs Code and Programme Code (Radio Authority) Code on Standards (Broadcasting Standards Commission) Code on Fairness and Privacy (Broadcasting Standards Commission) Programme Code (Independent Television Commission) Programme Sponsorship Code (Independent Television Commission) Rules on the Amount and Scheduling of Advertising From time to time adjudications relating to advertising content may appear in the bulletin in relation to areas of advertising regulation which remain with Ofcom (including the application of formal sanctions by Ofcom). Copies of the full adjudications for Upheld and Not Upheld Fairness and Privacy cases can be found on the Ofcom website: www.ofcom.org.uk 3 Ofcom broadcast bulletin 38 4 July 2005 Standards cases In Breach The Best of James Stannage The Hits,16 March 2005, 03:20 Introduction This programme mixed music with highlights of the presenter’s late night ‘phone-in, originally broadcast on Key 103 FM (Manchester). -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
AT a GLANCE As Reported May 5, 2015
AT A GLANCE As Reported May 5, 2015 BILLION MILLION AVERAGE CUMULATIVE INTERNATIONAL MILLION GLOBAL HD MARKETS NUMBER WORLDWIDE DISCOVERY CHANNEL OF CHANNELS IN MONTHLY SUBSCRIBERS SUBSCRIBERS 220 COUNTRIES STREAMS ONLINE 2.9 457 191 10 AND TERRITORIES 300 OWNERSHIP U.S. NETWORKS (MILLIONS) INTERNATIONAL NETWORKS (MILLIONS) Discovery Communications is publicly traded on Nasdaq under the symbols: DISCA, DISCB and DISCK. Subscribers Subscribers Discovery Channel ...........................................................96 Discovery Channel ........................................................361 TLC ......................................................................................94 NEW Animal Planet ..............................................................304 Animal Planet ...................................................................94 TLC ................................................................................. 302 Investigation Discovery ..................................................86 OWN: Oprah Winfrey Network .......................................82 Eurosport ...................................................................... 130 Science Channel ............................................................... 75 Investigation Discovery/ID Xtra ................................108 Discovery Family Channel ..............................................69 Switchover Media .......................................................... 101 In March, Discovery completed an acquisition of a Velocity ...............................................................................63 -
Broadcast Bulletin Issue Number
O fcom Broadcast Bulletin Issue number 101 28 January 2008 Ofcom Broadcast Bulletin, Issue 101 28 January 2008 Contents Introduction 3 Standards cases In Breach Sumo TV - User Generated Content 4 6 July 2007, 23:46 and 22 July 2007, 00:34 Note to Broadcasters – User Generated Content 11 Trax 12 The Music Factory, 4 October 2007, 18:00 Resolved He Got Game 14 Sky Movies Indie, 29 October 2007, 12:30 World Cup Rugby: Ireland v Namibia 16 ITV4, 9 September 2007, 20:00 Not in Breach Bremner, Bird and Fortune 17 Channel 4, 14 October 2007, 19:00 Fairness & Privacy cases Not Upheld Complaint by Mrs Jan Melia on her own behalf 18 and on behalf of Mr Oli Melia and their three children Wife Swap, Channel 4, 16 October 2006 Other programmes not in breach/outside remit 32 2 Ofcom Broadcast Bulletin, Issue 101 28 January 2008 Introduction Ofcom’s Broadcasting Code (“the Code”) took effect on 25 July 2005 (with the exception of Rule 10.17 which came into effect on 1 July 2005). This Code is used to assess the compliance of all programmes broadcast on or after 25 July 2005. The Broadcasting Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode/ The Rules on the Amount and Distribution of Advertising (RADA) apply to advertising issues within Ofcom’s remit from 25 July 2005. The Rules can be found at http://www.ofcom.org.uk/tv/ifi/codes/advertising/#content From time to time adjudications relating to advertising content may appear in the Bulletin in relation to areas of advertising regulation which remain with Ofcom (including the application of statutory sanctions by Ofcom). -
Id Addicts: Discovery’S Latest Generation of Global Superfans
A Quarterly Publication of Discovery Communications Volume 9, Number 1, May 2016 ID ADDICTS: DISCOVERY’S LATEST GENERATION OF GLOBAL SUPERFANS 03 05 10 Ad Sales Delivers During Upfront Season Q&A with Group President Henry Schleiff Discovery Supports World Wildlife Day A MESSAGE FROM SAY YES TO THE PROM CELEBRATES DAVID ZASLAV FIFTH ANNIVERSARY WITH MOST IMPACTFUL INITIATIVE TO DATE TLC and Discovery LifeWorks & Inclusion’s 2016 SAY YES TO THE PROM event touched the lives of more than 300 deserving high school Our key strategic priority remains investing • Web-native content aggregated under students with a tour that traveled to New York City, Miami, Los Angeles, in content that people love on a global two key brands: Seeker and SourceFed. scale. In the first quarter, we delivered on With a talented lineup of personalities Dallas, and Silver Spring, MD throughout March, April and May. National that priority with brand strength and solid and diverse topics, Discovery Digital partners including AT&T, Sherri Hill, JCPenney and People Magazine, viewership worldwide. Looking ahead, we Networks is reaching younger audiences among other premier lifestyle brands, as well as new elements are evolving our brands and offerings in a and boasts more than 300 million including the addition of young men to the tour, helped to make this world with 7 billion screens, with our clear streams each month. year’s initiative the most impactful to date. Selected participants were commitment to reach more viewers across able to choose from thousands of donated prom dresses and tuxedos as well as accessories and shoes, and were treated to hair, • Discovery VR, which recently won a more screens than ever before with our makeup, and personalized style sessions with star of TLC’s SAY YES TO THE DRESS: ATLANTA Monte Durham at each event. -
Channel Positioning Music Policy
INTRODUCING BOX TELEVISION 11 INTRODUCING BOX TELEVISION CONTENTS 1. Box TV & Our Shareholders 2. The UK Market 3. How Box TV Makes Music TV 4. The Box TV Channels 5. Beyond the Channels 6. Summary 22 INTRODUCING BOX TELEVISION 1. BOX TELEVISION & OUR SHAREHOLDERS 33 INTRODUCING BOX TELEVISION BASICS Box Television is the UK’s No.1 music TV broadcaster, delivering a greater market share than Viacom with fewer channels. Box Television has over 20 years of experience in music TV broadcast. Its portfolio includes 7 music TV channels in the UK: Kiss, Kerrang!, The Box, Smash Hits, Magic, Heat & 4Music. Box Television is a 50:50 joint venture between Channel 4 & Bauer Media, two of the UK’s biggest media companies. 4 INTRODUCING BOX TELEVISION SHAREHOLDERS Channel 4 is a leading British Public Service broadcaster. It is the second largest commercial broadcaster in the UK with revenues of £1bn. It is renowned for its dedicated focus on the hard to reach youth market and its quest to innovate & champion new voices. Like the BBC, Channel 4 is owned by the British Government. Bauer Media is a division of the Bauer Media Group, Europe’s largest privately owned publishing Group, employing over 6,400 people. The Group is a worldwide media empire reaching over 200m consumers in 17 countries. Bauer has a heritage stretching back over 130 years and owns some of the largest media assets in each of its markets. 5 INTRODUCING BOX TELEVISION SHAREHOLDER INTERNATIONAL PRESENCE 570OVER 300OVER 50OVER MAGAZINES DIGITAL PRODUCTS RADIO & TV STATIONS 4 CONTINENTS 17 COUNTRIES 200 MILLION REACH 66 INTRODUCING BOX TELEVISION UK2. -
Globalization Strategies Utilized by Discovery Networks: a Case Study
Globalization Strategies Utilized by Discovery Networks: A Case Study A Thesis Submitted to the Faculty of Drexel University by Jingyi Yang in partial fulfillment of the requirements for the degree of Master of Science February 2014 ii iii © Copyright 2014 Jingyi Yang. All Rights Reserved. iv Table of Contents Table of Contents .................................................................................................. iv List of Tables ......................................................................................................... v CHAPTER 1: INTRODUCTION .......................................................................... 1 Introduction ................................................................................................................... 1 Purpose of the Study ..................................................................................................... 3 Statement of the Problem .............................................................................................. 4 Research Questions ....................................................................................................... 7 Definitions ..................................................................................................................... 8 Limitations .................................................................................................................. 10 CHAPTER 2: LITERATURE REVIEW ............................................................. 11 CHAPTER 3: METHODOLOGY ...................................................................... -
Nickelodeon's Kids' Choice Awards Slimes Its Way to the Uk
NICKELODEON'S KIDS' CHOICE AWARDS SLIMES ITS WAY TO THE UK SUPERSTAR ROCKERS MCFLY TO HOST THE 1ST EVER NICKELODEON KIDS’ CHOICE AWARDS UK! 1ST NOMINEES EVER FOR KIDS’ CHOICE AWARDS INCLUDE Fall Out Boy, Sugababes, Girls Aloud, McFly, Mika, Cheryl Cole, Justin Timberlake, Drake Bell, Hilary Duff, Avril Lavigne, Gwen Stefani, Simon Cowell, Cameron Diaz, Jack Black, Harry Hill, Mr Bean, Catherine Tate, Lewis Hamilton, David Beckham, Dame Kelly Holmes, Dakota Fanning, Emma Watson, Keira Knightley, Daniel Radcliffe, Johnny Depp, Orlando Bloom, Rowan Atkinson &, Ant & Dec London/New York, 30 July, 2007: The 1st ever Nickelodeon Kids’ Choice Awards UK is quickly shaping up to be the no-holds-barred mess-fest it is known for around the world! Multi platinum- selling, superstar rockers McFly are confirmed to host the all-star, all-sliming awards ceremony on Saturday, 20th October 2007, live at ExCel London. True to the Kids Choice Awards tradition, whether in the US, Italy, China or Brasil, kids will rule the day in the UK and stars will rejoice, as they honour their favorites from the worlds of film, music, sports and television in a star-studded live event. McFly said: "The awards are huge in the US, with the most recent being presented by Justin Timberlake. We're really honoured to be hosting the 1st ever Nickelodeon Kids' Choice Awards in the UK - we're going to break the slime barrier!" No Nickelodeon Kids’ Choice Awards would be complete without a super-sized celebrity soaking and the Kids’ Choice Awards UK promises to deliver its highest honour, a green and gooey shower of slime, atop a very special guest star – but who will it be? Previous slimees include: Cameron Diaz, Justin Timberlake, Tom Cruise and Vince Vaughn. -
Alessandro Borghese, Eclectic and Innovative Chef. After Graduating
Subject: Complete Biography Alessandro Borghese, eclectic and innovative chef. After graduating from the American Overseas School in Rome, he signed on for three years on cruise ships; his culinary experiences continue in San Francisco, New York, London, Paris, Copenhagen, Roma and Milano, where the headquarter of "AB Normal" is located, his company of Catering and Food Consulting. The company is active in the world of catering with the brand "Alessandro Borghese - the luxury of simplicity", deals with banqueting and catering for private, public and corporate events. Talent and professionalism are constant qualities in the preparation of the banquet for a tailor-made reception, from the organization to the choice of locations, to the creation of a kitchen line, in consultancy for new restaurant projects and in the creation of menus for unique and special occasions. Chef Borghese's cuisine, inventive and generous, satisfies the palates of those who love refined things, but does not want to forgo tradition and combines the taste of high quality raw materials with refined simplicity in preparing his creations. AB Normal presents an innovative business model, strongly integrated and characterized by a structure supported by marketing, carried out by the Multimedia & Publishing division through its own channels: Press Office. TV Programs. WEB channels. It offers general advice from the creation of the menu to the startup of a restaurant with personalized services, selection of suppliers and staff training. The artisanal pasta factory opens in Milano: "Pasta Fresca - the luxury of simplicity". The lab, that sells directly to the public produces handmade fresh pasta, processed according to the Italian tradition. -
RADARSCREEN Realscreen's Global Pitch Guide
US $7.95 USD Canada $8.95 CDN International $9.95 USUSDD RADARSCREEN realscreen’s Global Pitch Guide A USPS AFSM 100 Approved Polywrap A USPS AFSM 100 CANADA POST AGREEMENT NUMBER 40050265 PRINTED IN CANAD G<ID@KEF%+*-* 9L==8CF#EP L%J%GFJK8><G8@; 8LKF GIJIKJK; A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. RRS.19690.Breakthrough4.inddS.19690.Breakthrough4.indd 1 110/08/110/08/11 22:59:59 PPMM CONTENT SALES INTERNATIONAL THE SENSES MAKING SENSE OF THE WORLD AROUND US 3 x 50 min. | HD, 5.1 and stereo Just one of more than 30 new titles for 2011/2012 FOR MORE DOCUMENTARIES SEE contentsales.ORF.at WILDLIFE, NATURE & SCIENCE, ARCHITECTURE & DESIGN, CULTURE & ART, ENVIRONMENT & GLOBALIZATION, HISTORY & BIOGRAPHIES, LEISURE & LIFESTYLE, SOCIAL ISSUES & RELIGION, PEOPLE & PLACES RRS.19849.ORF.inddS.19849.ORF.indd 1 111/08/111/08/11 111:411:41 AAMM CONTENTS EDITOR’S NOTE . .4 UNITED STATES . .7 CANADA . 27 UNITED KINGDOM . 34 EUROPE . 40 AUSTRALIA . 48 ASIA . 50 INTERNATIONAL . 54 FUNDERS . 60 RADARSCREEN: realscreen’s Global Pitch Guide 3 CContentsEditPub.inddontentsEditPub.indd 3 111/08/111/08/11 22:36:36 PPMM ™ PITCH Realscreen is published 6 times a year by Brunico Communications Ltd., PERFECT 100- 366 Adelaide Street West, Toronto, Ontario, Canada M5V 1R9 Tel. 416-408-2300 Fax 416-408-0870 www.realscreen.com elcome to the second annual edition of VP & Publisher Claire Macdonald [email protected] realscreen’s Global Pitch Guide, designed Editor Barry Walsh [email protected] to give producers and sellers of content the Associate Editor Adam Benzine [email protected] W Staff Writer Kelly Anderson [email protected] intel they need to fi nd the right buyers for their Creative Director Stephen Stanley [email protected] projects, and the information to help them shape Art Director Mark Lacoursiere [email protected] their pitches effectively. -
Statement of Media Content Policy 2016.Pdf
14 CHANNEL 4 ANNUAL REPORT 2016 REMIT PERFORMANCE 2016 PARALYMPICS Channel 4’s remit to stand up for diversity and inspire change in people’s lives drives us to take on creative risk and challenges that others wouldn’t. The Rio 2016 Paralympics exemplifies the kind of creative alchemy that our remit can trigger. YES I CAN AWARDED: CAMPAIGN MAGAZINE’S CAMPAIGN OF THE YEAR SHOTS MAGAZINE’S GLOBAL AD OF THE YEAR CHANNEL 4 ANNUAL REPORT 2016 15 2/3 48% OF OUR ON-AIR PRESENTING OF THE UK POPULATION TEAM WERE DISABLED. REACHED WITH OUR PARALYMPIC COVERAGE London 2012 was a watershed moment for Paralympic sport, and the Rio 2016 Paralympics went even further in raising >40m 1.8m the profile of disability sport and positively VIEWS ACROSS ALL SOCIAL APPEARING IN HALF OF THE PLATFORMS. UK’S FACEBOOK FEEDS AND improving public perceptions of disability in WITH OVER 1.8 MILLION SHARES, the UK and around the world. ‘YES I CAN’ WAS THE MOST SHARED OLYMPIC/PARALYMPIC It also established a new international AD GLOBALLY THIS YEAR. benchmark for Paralympics coverage. The UK is now considered an exemplar for its approach to the Games by the International Paralympic Committee and Channel 4 has shared this success story with broadcasters around the world since the 2012 Games. Preparing for Rio 2016 following the success of London 2012 was no small order, however we saw it as more of an opportunity than a risk – because taking creative risks pushes The result was a three-minute film featuring OUR RIO COVERAGE boundaries in the pursuit of positive change, 140 disabled people with a band specifically Taking on the ratings challenge of an away which is part of Channel 4’s DNA.