Broadcast Bulletin Issue Number 38
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Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama
e Interdisciplinary Journal of Popular Culture and Pedagogy Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama Courtney Watson, Ph.D. Radford University Roanoke, Virginia, United States [email protected] ABSTRACT Cultural movements including #TimesUp and #MeToo have contributed momentum to the demand for and development of smart, justified female criminal characters in contemporary television drama. These women are representations of shifting power dynamics, and they possess agency as they channel their desires and fury into success, redemption, and revenge. Building on works including Gillian Flynn’s Gone Girl and Netflix’s Orange is the New Black, dramas produced since 2016—including The Handmaid’s Tale, Ozark, and Killing Eve—have featured the rise of women who use rule-breaking, rebellion, and crime to enact positive change. Keywords: #TimesUp, #MeToo, crime, television, drama, power, Margaret Atwood, revenge, Gone Girl, Orange is the New Black, The Handmaid’s Tale, Ozark, Killing Eve Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy 37 Watson From the recent popularity of the anti-heroine in novels and films like Gone Girl to the treatment of complicit women and crime-as-rebellion in Hulu’s adaptation of The Handmaid’s Tale to the cultural watershed moments of the #TimesUp and #MeToo movements, there has been a groundswell of support for women seeking justice both within and outside the law. Behavior that once may have been dismissed as madness or instability—Beyoncé laughing wildly while swinging a baseball bat in her revenge-fantasy music video “Hold Up” in the wake of Jay-Z’s indiscretions comes to mind—can be examined with new understanding. -
Jude Akuwudike
www.hamiltonhodell.co.uk Jude Akuwudike Talent Representation Telephone Madeleine Dewhirst & Sian Smyth +44 (0) 20 7636 1221 [email protected] Address Hamilton Hodell, 20 Golden Square London, W1F 9JL, United Kingdom Television Title Role Director Production Company Delroy Grant (The Night MANHUNT Marc Evans ITV Studios Stalker) PLEBS Agrippa Sam Leifer Rise Films/ITV2 MOVING ON Dr Bello Jodhi May LA Productions/BBC THE FORGIVING EARTH Dr Busasa Hugo Blick BBC/Netflix CAROL AND VINNIE Ernie Dan Zeff BBC IN THE LONG RUN Uncle Akie Declan Lowney Sky KIRI Reverend Lipede Euros Lyn Hulu/Channel 4 THE A WORD Vincent Sue Tully Fifty Fathoms/BBC DEATH IN PARADISE Series 6 Tony Simon Delaney Red Planet/BBC CHEWING GUM Series 2 Alex Simon Neal Retort/E4 FRIDAY NIGHT DINNER Series 4 Custody Sergeant Martin Dennis Channel 4 FORTITUDE Series 2 & 3 Doctor Adebimpe Hettie Macdonald Tiger Aspect/Sky Atlantic LUCKY MAN Doctor Marghai Brian Kelly Carnival Films/Sky 1 UNDERCOVER Al James Hawes BBC CUCUMBER Ralph Alice Troughton Channel 4 LAW & ORDER: UK Marcus Wright Andy Goddard Kudos Productions HOLBY CITY Marvin Stewart Fraser Macdonald BBC Between Us (pty) Ltd/Precious THE NO.1 LADIES DETECTIVE AGENCY Oswald Ranta Charles Sturridge Films MOSES JONES Matthias Michael Offer BBC SILENT WITNESS Series 11 Willi Brendan Maher BBC BAD GIRLS Series 7 Leroy Julian Holmes Shed Productions for ITV THE LAST DETECTIVE Series 3 Lemford Bradshaw David Tucker Granada HOLBY CITY Derek Fletcher BBC ULTIMATE FORCE Series 2 Mr Salmon ITV SILENT WITNESS: RUNNING ON -
Oklahoma Arts Council Commissioned a Review of Research on the Impact of Arts Education on Student Outcomes
Amber Sharples Executive Director (405) 521-2853 [email protected] Benefits of Arts Education: A Literature Review In 2016, the Oklahoma Arts Council commissioned a review of research on the impact of arts education on student outcomes. Guiding questions: 1. What is the impact of fine arts on student performance on measures of college and career readiness? 2. To what extent is participation in fine arts associated with higher outcomes on measures of college and career readiness? Literature Review Findings Mathematics • Music instruction and fraction concepts (Courey, Balogh, Siker, & Paik, 2012) • Instrumental music and higher math assessment scores (Babo, 2004) • Exceptional music programs and deficient instrumental programs = better English and math (Johnson et al., 2006) • Exemplary music education programs = higher English and math test scores (Johnson et al., 2006) • Music ensembles and higher standardized math achievement scores (Miksza, 2010) Literature Review Findings English Language Arts • Preschool music intervention = better emergent literacy (Runfola, Etopio, Hamlen, & Rozendal, 2012) • Piano lessons, vocabulary, and understanding of the logical order of words (Prio & Ortiz, 2009) • Visual arts summer camp and reading assessment scores (Borman, Goetz, & Dowling, 2009) • Four months of music instruction = greater gains in ability to break words into sounds (Eastlund Gromko, 2005) Literature Review Findings English Language Arts (cont.) • Preschool arts enrichment and end-of-year receptive vocabulary (Brown, Benedett, & Armistead, 2010) • Drama-based instruction and reading skill improvement (Rose, Parks, Androes, & McMahon, 2000) • Drama-integrated class relative to language arts and math assessment scores. (Walker, Tabone, & Weltsek, 2011) • English language learners (ELL) more likely to pass the English language arts (ELA) examination (Peppler, Powell, Thompson, & Literature Review Findings Life and Career Skills • Arts integrated preschool = higher interest, happiness, and pride. -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Lesson 1 Skimming for Information Student Booklet
Student name Date Skimming for information Find sections of the text that back up my comments Objective Outcome To be able to skim read a text to get Skim texts to decide whether or not an overall impression and to find the they will be useful to me in finding main ideas specific information Introduction Try to remember the definitions of skimming and scanning. ● Skimming means looking through a text quickly for an overall impression and to identify the main ideas. ● Scanning means looking through a text quickly and picking out specific information by finding key words. Readers skim a text quickly to get an overall sense of what it is about and if it has the information that they need. Read the text below quickly, trying to identify the key words that give you an idea of what it is about. Everyone wants to be in a pop band when they are teenagers because they think they will become a celebrity and make lots of money. More pop bands fail than are successful and aspiring pop musicians need to have a back-up plan if they are going to be able to make a living for themselves. Not everyone can copy the success of Take That or Westlife – not because they do not have the necessary talent; success is more to do with how the band is marketed and promoted by their manager and the quality of the competition from other bands. If pop bands do not have that level of financial and business support, then they are less likely to be successful. -
Sexuality Is Fluid''[1] a Close Reading of the First Two Seasons of the Series, Analysing Them from the Perspectives of Both Feminist Theory and Queer Theory
''Sexuality is fluid''[1] a close reading of the first two seasons of the series, analysing them from the perspectives of both feminist theory and queer theory. It or is it? An analysis of television's The L Word from the demonstrates that even though the series deconstructs the perspectives of gender and sexuality normative boundaries of both gender and sexuality, it can also be said to maintain the ideals of a heteronormative society. The [1]Niina Kuorikoski argument is explored by paying attention to several aspects of the series. These include the series' advertising both in Finland and the ("Seksualność jest płynna" - czy rzeczywiście? Analiza United States and the normative femininity of the lesbian telewizyjnego "The L Word" z perspektywy płci i seksualności) characters. In addition, the article aims to highlight the manner in which the series depicts certain characters which can be said to STRESZCZENIE : Amerykański serial telewizyjny The L Word stretch the normative boundaries of gender and sexuality. Through (USA, emitowany od 2004) opowiada historię grupy lesbijek this, the article strives to give a diverse account of the series' first two i biseksualnych kobiet mieszkających w Los Angeles. Artykuł seasons and further critical discussion of The L Word and its analizuje pierwsze dwa sezony serialu z perspektywy teorii representations. feministycznej i teorii queer. Chociaż serial dekonstruuje normatywne kategorie płci kulturowej i seksualności, można ______________________ również twierdzić, że podtrzymuje on ideały heteronormatywnego The analysis in the article is grounded in feminist thinking and queer społeczeństwa. Przedstawiona argumentacja opiera się m. in. na theory. These theoretical disciplines provide it with two central analizie takich aspektów, jak promocja serialu w Finlandii i w USA concepts that are at the background of the analysis, namely those of oraz normatywna kobiecość postaci lesbijek. -
REALLY BAD GIRLS of the BIBLE the Contemporary Story in Each Chapter Is Fiction
Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page i Praise for the Bad Girls of the Bible series “Liz Curtis Higgs’s unique use of fiction combined with Scripture and modern application helped me see myself, my past, and my future in a whole new light. A stunning, awesome book.” —R OBIN LEE HATCHER author of Whispers from Yesterday “In her creative, fun-loving way, Liz retells the stories of the Bible. She deliv - ers a knock-out punch of conviction as she clearly illustrates the lessons of Scripture.” —L ORNA DUECK former co-host of 100 Huntley Street “The opening was a page-turner. I know that women are going to read this and look at these women of the Bible with fresh eyes.” —D EE BRESTIN author of The Friendships of Women “This book is a ‘good read’ directed straight at the ‘bad girl’ in all of us.” —E LISA MORGAN president emerita, MOPS International “With a skillful pen and engaging candor Liz paints pictures of modern sit u ations, then uniquely parallels them with the Bible’s ‘bad girls.’ She doesn’t condemn, but rather encourages and equips her readers to become godly women, regardless of the past.” —M ARY HUNT author of Mary Hunt’s Debt-Proof Living Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page ii “Bad Girls is more than an entertaining romp through fascinating charac - ters. It is a bona fide Bible study in which women (and men!) will see them - selves revealed and restored through the matchless and amazing grace of God.” —A NGELA ELWELL HUNT author of The Immortal “Liz had me from the first paragraph. -
David Martin Cv
DAVID MARTIN CDG CASTING DIRECTOR Mobile – 07845 728 299 Agent: Kevin Francis – Angel and Francis 1st Floor, 12 D’Arblay Street, London W1F 8DU 020 7439 3086 www.davidmartincasting.com [email protected] TELEVISION ROVERS JELLYLEGS CRAIG CASH 6 X 30 MINUTES LUCY ANSBRO SKY 1 BLACK WORK MAMMOTH SCREEN MICHAEL SAMUELS 3 X 1 HOURS TOM MULLENS ITV AFTER HOURS JELLYLEGS CRAIG CASH 6 X 30 MINUTES LUCY ANSBRO SKY 1 THE MILL SERIES 2 DARLOW SMITHSON SUSAN TULLY 6 X 1 HOURS BILL ANDERSON CHANNEL 4 JOHNATHON YOUNG PREY RED PRODUCTIONS NICK MURPHY 3 X 1 HOURS TOM SHERRY ITV PAT & CABBAGE RED PRODUCTIONS SYD MACARTNEY 6 X 30 MINUTES TOM SHERRY ITV SCOTT AND BAILEY RED PRODUCTIONS VARIOUS Series 2,3 & 4 TOM SHERRY ITV CASTING ASSOCIATE THE DRIVER RED PRODUCTIONS / JAMIE PAYNE 3 X 1 HOURS HIGHFIELD FILMS JOLYON SYMONDS BBC CREDITED ALONGSIDE BEVERLEY KEOGH, KELLY VALENTINE HENDRY AND VICTOR JENKINS FROM THERE TO HERE KUDOS JAMES STRONG 3 X 1 HOURS TIM BRICKNELL BBC CREDITED ALONGSIDE BEVERLEY KEOGH THE VILLAGE COMPANY PICTURES ANTONIA BIRD 6 X 1 HOURS EMMA BURGE BBC THE MILL DARLOW SMITHSON JAMES HAWES 4 X 1 HOURS CAROLINE LEVY CHANNEL 4 MOUNT PLEASANT TIGER ASPECT VARIOUS 10 X 1 HOURS HOWARD ELLA SKY 1 CREDITED ALONGSIDE JULIA DUFF NEW TRICKS WALL TO WALL VARIOUS 44 X 1 HOURS KEITH THOMPSON BBC HOTEL BABYLON CARNIVAL VARIOUS 11 X 1 HOURS CHRISTOPHER AIRD BBC CASTING ASSISTANT SECRET DIARY OF A CALL TIGER ASPECT VARIOUS GIRL JACQUIE GLANVILLE 24 X 3O MINUTES ITV 2 THE AMAZING MRS KUDOS VARIOUS PRITCHARD ALISON JACKSON 6 X 1 HOURS BBC FOOTBALLERS WIVES SHED VARIOUS SERIES 3 & 4 BRIAN PARK ITV BAD GIRLS SHED VARIOUS ITV CAMERON ROACH WATERLOO ROAD SHED VARIOUS SERIES ONE BRIAN PARK BBC . -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Sophie Kennedy Cv August 2019
Curriculum Vitae – Offline Editor Sophie Kennedy Tel: 07946 608 235 [email protected] 20 Year’s of DIY SOS 60’ Features BBC1 A celebration of 20 years of DIY SOS, catching up with some of the builds featured and the incredible legacy they have left on both communities and families. Remarkable Places to Eat 60’ Features BBC2 / Outline Fred Siriex is shown some of the best places to eat in Paris by fellow Frenchman, Michel Roux. DIY SOS Big Build Grenfell Tower Special 60’ Features BBC1 Nick and the team take on one of their biggest projects yet and create a boxing gym for the residents of the Grenfell community Worlds Most Extraordinary Xmas Dinners 60’ Features CH4 / Boomerang A quirky look at some of the best Xmas dinners going, from those served in a submarine to a space centre, 5 star hotel, and how to make a cockenthrice for a Tudor banquet. Bake Off the Professionals series 2 60’Features BBC1 / Love Teams of professional pastry chefs battle it out to win the title Hugh’s Wild West 60’ Features BBC1 / Keo Hugh Fearnley Whittingstall pursues his fascination with the wildlife of the West Country as he teams up with the region’s most dedicated nature lovers DIY SOS Barnet 60’ Features BBC1 The team rebuild the house of a policeman who was paralysed in the Westminster Bridge terror attack. Extreme Chocolate Makers 8 x 30’ CH4 / Boomerang A quirky look at some of the countries best chocolate sculptures and seeing how they were created Jamie Oliver and the Nonnas 60’ Features BBC1 / Outline Jamie and Gennaro travel Italy to find the old recipes that the nonnas of Italy cook. -
Channel Positioning Music Policy
INTRODUCING BOX TELEVISION 11 INTRODUCING BOX TELEVISION CONTENTS 1. Box TV & Our Shareholders 2. The UK Market 3. How Box TV Makes Music TV 4. The Box TV Channels 5. Beyond the Channels 6. Summary 22 INTRODUCING BOX TELEVISION 1. BOX TELEVISION & OUR SHAREHOLDERS 33 INTRODUCING BOX TELEVISION BASICS Box Television is the UK’s No.1 music TV broadcaster, delivering a greater market share than Viacom with fewer channels. Box Television has over 20 years of experience in music TV broadcast. Its portfolio includes 7 music TV channels in the UK: Kiss, Kerrang!, The Box, Smash Hits, Magic, Heat & 4Music. Box Television is a 50:50 joint venture between Channel 4 & Bauer Media, two of the UK’s biggest media companies. 4 INTRODUCING BOX TELEVISION SHAREHOLDERS Channel 4 is a leading British Public Service broadcaster. It is the second largest commercial broadcaster in the UK with revenues of £1bn. It is renowned for its dedicated focus on the hard to reach youth market and its quest to innovate & champion new voices. Like the BBC, Channel 4 is owned by the British Government. Bauer Media is a division of the Bauer Media Group, Europe’s largest privately owned publishing Group, employing over 6,400 people. The Group is a worldwide media empire reaching over 200m consumers in 17 countries. Bauer has a heritage stretching back over 130 years and owns some of the largest media assets in each of its markets. 5 INTRODUCING BOX TELEVISION SHAREHOLDER INTERNATIONAL PRESENCE 570OVER 300OVER 50OVER MAGAZINES DIGITAL PRODUCTS RADIO & TV STATIONS 4 CONTINENTS 17 COUNTRIES 200 MILLION REACH 66 INTRODUCING BOX TELEVISION UK2. -
Page 1 of 3 Steven Cass. Senior Floor Manager. Contact: Www
Steven Cass. Senior Floor Manager. Contact: www.stevencass.co.uk About Senior television and event Floor Manager with over 15 years experience in the industry. Working across television shows and corporate events, many live, as both a Senior Floor Manager and 1st Assistant Director. Productions managed range from light entertainment and children’s shows through to sport, factual and corporate. Education BEng (Hons) 2:1 Electronics and Computing – Nottingham Trent University Training BBC Safe Management of Productions – part 1 BBC Safe Management of Productions – part 2 1 year placement, BBC TV Centre – BBC Special Projects Shows Entertainment The X Factor – Arena Auditions Talkback, ITV 1 The Royal Variety Performance ITV, ITV 1 Piers Morgan’s Life Stories ITV, ITV 1 Ant n’ Dec Sat Takeaway – Locations (Live) Granada, ITV 1 Most Haunted – UK, USA, Romania (Live) Antix Productions, Living TV National Lottery (Live) Endemol, BBC 1 John Bishop’s Only Joking Channel X, Sky 1 Let’s Do Lunch With Gino & Mel (Live) ITV, ITV 1 Big Brother (Live) Endemol, Channel 5 V Graham Norton So Television, Channel 4 The Only Way Is Essex (Scripted Reality) Lime Pictures, ITV Be Britain’s Next Top Model Thumbs Up, Living Children In Need – Stage (Live) BBC, BBC 1 Loose Women (Live) ITV, ITV 1 This Morning (Live) ITV, ITV 1 Album Chart Show 3DD Productions, Channel 4 Eggheads (Quiz) 12 Yard, BBC 1 Saturday Cookbook Optimum, ITV 1 Dancing On Ice: Defrosted (Live) Granada, ITV 2 I’m A Celeb Get Me Out – Jungle Drums (Live) Granada, ITV 2 Page 1 of 3 The Price