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Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama
e Interdisciplinary Journal of Popular Culture and Pedagogy Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama Courtney Watson, Ph.D. Radford University Roanoke, Virginia, United States [email protected] ABSTRACT Cultural movements including #TimesUp and #MeToo have contributed momentum to the demand for and development of smart, justified female criminal characters in contemporary television drama. These women are representations of shifting power dynamics, and they possess agency as they channel their desires and fury into success, redemption, and revenge. Building on works including Gillian Flynn’s Gone Girl and Netflix’s Orange is the New Black, dramas produced since 2016—including The Handmaid’s Tale, Ozark, and Killing Eve—have featured the rise of women who use rule-breaking, rebellion, and crime to enact positive change. Keywords: #TimesUp, #MeToo, crime, television, drama, power, Margaret Atwood, revenge, Gone Girl, Orange is the New Black, The Handmaid’s Tale, Ozark, Killing Eve Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy 37 Watson From the recent popularity of the anti-heroine in novels and films like Gone Girl to the treatment of complicit women and crime-as-rebellion in Hulu’s adaptation of The Handmaid’s Tale to the cultural watershed moments of the #TimesUp and #MeToo movements, there has been a groundswell of support for women seeking justice both within and outside the law. Behavior that once may have been dismissed as madness or instability—Beyoncé laughing wildly while swinging a baseball bat in her revenge-fantasy music video “Hold Up” in the wake of Jay-Z’s indiscretions comes to mind—can be examined with new understanding. -
In Defense of Cyberterrorism: an Argument for Anticipating Cyber-Attacks
IN DEFENSE OF CYBERTERRORISM: AN ARGUMENT FOR ANTICIPATING CYBER-ATTACKS Susan W. Brenner Marc D. Goodman The September 11, 2001, terrorist attacks on the United States brought the notion of terrorism as a clear and present danger into the consciousness of the American people. In order to predict what might follow these shocking attacks, it is necessary to examine the ideologies and motives of their perpetrators, and the methodologies that terrorists utilize. The focus of this article is on how Al-Qa'ida and other Islamic fundamentalist groups can use cyberspace and technology to continue to wage war againstthe United States, its allies and its foreign interests. Contending that cyberspace will become an increasingly essential terrorist tool, the author examines four key issues surrounding cyberterrorism. The first is a survey of conventional methods of "physical" terrorism, and their inherent shortcomings. Next, a discussion of cyberspace reveals its potential advantages as a secure, borderless, anonymous, and structured delivery method for terrorism. Third, the author offers several cyberterrorism scenarios. Relating several examples of both actual and potential syntactic and semantic attacks, instigated individually or in combination, the author conveys their damagingpolitical and economic impact. Finally, the author addresses the inevitable inquiry into why cyberspace has not been used to its full potential by would-be terrorists. Separately considering foreign and domestic terrorists, it becomes evident that the aims of terrorists must shift from the gross infliction of panic, death and destruction to the crippling of key information systems before cyberattacks will take precedence over physical attacks. However, given that terrorist groups such as Al Qa'ida are highly intelligent, well-funded, and globally coordinated, the possibility of attacks via cyberspace should make America increasingly vigilant. -
Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14
Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14 SATURDAY 02 MAY 2020 Professor Martin Ashley, Consultant in Restorative Dentistry at panel of culinary experts from their kitchens at home - Tim the University Dental Hospital of Manchester, is on hand to Anderson, Andi Oliver, Jeremy Pang and Dr Zoe Laughlin SAT 00:00 Midnight News (m000hq2x) separate the science fact from the science fiction. answer questions sent in via email and social media. The latest news and weather forecast from BBC Radio 4. Presenter: Greg Foot This week, the panellists discuss the perfect fry-up, including Producer: Beth Eastwood whether or not the tomato has a place on the plate, and SAT 00:30 Intrigue (m0009t2b) recommend uses for tinned tuna (that aren't a pasta bake). Tunnel 29 SAT 06:00 News and Papers (m000htmx) Producer: Hannah Newton 10: The Shoes The latest news headlines. Including the weather and a look at Assistant Producer: Rosie Merotra the papers. “I started dancing with Eveline.” A final twist in the final A Somethin' Else production for BBC Radio 4 chapter. SAT 06:07 Open Country (m000hpdg) Thirty years after the fall of the Berlin Wall, Helena Merriman Closed Country: A Spring Audio-Diary with Brett Westwood SAT 11:00 The Week in Westminster (m000j0kg) tells the extraordinary true story of a man who dug a tunnel into Radio 4's assessment of developments at Westminster the East, right under the feet of border guards, to help friends, It seems hard to believe, when so many of us are coping with family and strangers escape. -
![Sexuality Is Fluid''[1] a Close Reading of the First Two Seasons of the Series, Analysing Them from the Perspectives of Both Feminist Theory and Queer Theory](https://docslib.b-cdn.net/cover/4839/sexuality-is-fluid-1-a-close-reading-of-the-first-two-seasons-of-the-series-analysing-them-from-the-perspectives-of-both-feminist-theory-and-queer-theory-264839.webp)
Sexuality Is Fluid''[1] a Close Reading of the First Two Seasons of the Series, Analysing Them from the Perspectives of Both Feminist Theory and Queer Theory
''Sexuality is fluid''[1] a close reading of the first two seasons of the series, analysing them from the perspectives of both feminist theory and queer theory. It or is it? An analysis of television's The L Word from the demonstrates that even though the series deconstructs the perspectives of gender and sexuality normative boundaries of both gender and sexuality, it can also be said to maintain the ideals of a heteronormative society. The [1]Niina Kuorikoski argument is explored by paying attention to several aspects of the series. These include the series' advertising both in Finland and the ("Seksualność jest płynna" - czy rzeczywiście? Analiza United States and the normative femininity of the lesbian telewizyjnego "The L Word" z perspektywy płci i seksualności) characters. In addition, the article aims to highlight the manner in which the series depicts certain characters which can be said to STRESZCZENIE : Amerykański serial telewizyjny The L Word stretch the normative boundaries of gender and sexuality. Through (USA, emitowany od 2004) opowiada historię grupy lesbijek this, the article strives to give a diverse account of the series' first two i biseksualnych kobiet mieszkających w Los Angeles. Artykuł seasons and further critical discussion of The L Word and its analizuje pierwsze dwa sezony serialu z perspektywy teorii representations. feministycznej i teorii queer. Chociaż serial dekonstruuje normatywne kategorie płci kulturowej i seksualności, można ______________________ również twierdzić, że podtrzymuje on ideały heteronormatywnego The analysis in the article is grounded in feminist thinking and queer społeczeństwa. Przedstawiona argumentacja opiera się m. in. na theory. These theoretical disciplines provide it with two central analizie takich aspektów, jak promocja serialu w Finlandii i w USA concepts that are at the background of the analysis, namely those of oraz normatywna kobiecość postaci lesbijek. -
REALLY BAD GIRLS of the BIBLE the Contemporary Story in Each Chapter Is Fiction
Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page i Praise for the Bad Girls of the Bible series “Liz Curtis Higgs’s unique use of fiction combined with Scripture and modern application helped me see myself, my past, and my future in a whole new light. A stunning, awesome book.” —R OBIN LEE HATCHER author of Whispers from Yesterday “In her creative, fun-loving way, Liz retells the stories of the Bible. She deliv - ers a knock-out punch of conviction as she clearly illustrates the lessons of Scripture.” —L ORNA DUECK former co-host of 100 Huntley Street “The opening was a page-turner. I know that women are going to read this and look at these women of the Bible with fresh eyes.” —D EE BRESTIN author of The Friendships of Women “This book is a ‘good read’ directed straight at the ‘bad girl’ in all of us.” —E LISA MORGAN president emerita, MOPS International “With a skillful pen and engaging candor Liz paints pictures of modern sit u ations, then uniquely parallels them with the Bible’s ‘bad girls.’ She doesn’t condemn, but rather encourages and equips her readers to become godly women, regardless of the past.” —M ARY HUNT author of Mary Hunt’s Debt-Proof Living Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page ii “Bad Girls is more than an entertaining romp through fascinating charac - ters. It is a bona fide Bible study in which women (and men!) will see them - selves revealed and restored through the matchless and amazing grace of God.” —A NGELA ELWELL HUNT author of The Immortal “Liz had me from the first paragraph. -
Gemma Lawrence
Gemma Lawrence Agents Jess Alford Associate Agent [email protected] Ellie Blackford [email protected] 020 3214 0800 Roles Film Production Character Director Company FRAIL Rachel Leslie Rogers Suspended Films Ltd A BUNCH OF AMATEURS Verity Andy Cadiff CinemaNX/Trademark Films ENLIGHTENMENT Marianne Julia Ford Honor Oak Films Television Production Character Director Company SHAKESPEARE & Belle Roehampton Piotr Szkpiok BBC HATHAWAY 18 - CLASH OF FUTURES Jessica Mitford Frédéric Goupil/Jan Arte Peter HOLBY CITY Violet Cornish Jan Bauer BBC LUTHER (Series 3) Maxine Farren Blackburn BBC MISFITS Ellie Tom Green Clerkenwell Films for E4 1066 Judith Justin Hardy Channel 4 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company THE BILL Lucy Nigel Douglas Thames Television for ITV CASUALTY Lisa David Innes BBC Television Edwards WAKING THE DEAD Therese Tim Fywell BBC Television TIME OF YOUR LIFE Chloe Colin Hutton ITV STIR IT UP Carmel Colin Hutton IWC Media for Channel 4 ALL ABOUT GEORGE Amy (Regular) Eros Lyn Granada Television AHEAD OF THE CLASS Reena Adrian Shergold ARG Productions/ITV Stage Production Character Director Company SUNNYMEAD COURT Marie James Hillier Tristan Bates Theatre ANYTHING IS POSSIBLE Alex Kate Budgen Southwark Playhouse NOT TALKING Amanda James Hillier Arcola Theatre FIVE PLAYS: NUCLEAR W Natalie Young Vic Denton WASTED Charlotte Jamie Woods Orange Tree Theatre ALL MY SONS Ann Deever -
Crack Troops Or Bloody Killers? States, Political Parties, and Mercenaries 1805-2017’
Network for the Advancement of Social and Political Studies (NASP) Graduate School in Social, Economic and Political Sciences, University of Milan ‘Crack Troops or Bloody Killers? States, Political Parties, and Mercenaries 1805-2017’ Supervisor Prof. Alessandro Colombo Ph.D. Director Prof. Matteo R.C. Jessoula Ph.D. Candidate Matteo C.M. Casiraghi 1 Contents Acknowledgements............................................................................................................................. 4 List of Tables ...................................................................................................................................... 5 List of Figures ..................................................................................................................................... 6 Abstract ............................................................................................................................................... 9 Chapter I: Introduction .................................................................................................................... 10 The journey of the anti-mercenary norm ........................................................................................ 12 Political parties, mercenaries and security contractors ................................................................ 24 The path ahead ............................................................................................................................... 28 Chapter II: Theory, Mechanisms, Dimensions .............................................................................. -
The Media and UN "Peacekeeping" Since the Gulf War Stephen Badsey
Document généré le 29 sept. 2021 19:03 Journal of Conflict Studies The Media and UN "Peacekeeping" Since the Gulf War Stephen Badsey Volume 17, numéro 1, spring 1997 URI : https://id.erudit.org/iderudit/jcs17_01art01 Aller au sommaire du numéro Éditeur(s) The University of New Brunswick ISSN 1198-8614 (imprimé) 1715-5673 (numérique) Découvrir la revue Citer cet article Badsey, S. (1997). The Media and UN "Peacekeeping" Since the Gulf War. Journal of Conflict Studies, 17(1), 7–27. All rights reserved © Centre for Conflict Studies, UNB, 1997 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ Vol. XVII No. 1, Spring 1997 The Media and UN "Peacekeeping"Since the Gulf War by Stephen Badsey Stephen Badsey is a Senior Lecturer in the Department of War Studies at the Royal Military Academy Sandhurst, and a Senior Research Fellow of the Institute for the Study of War and Society at DeMontfort University. INTRODUCTION 1 The changes in United Nations (UN) "peacekeeping" operations within the last five years have been both dramatic and multifaceted. This article attempts to show that the media (particularly those of the United States, which are dominant within, and may under most circumstances be taken as virtually identical to, the international media) have in all their aspects become, and remain, critical elements in determining the success or failure of these operations. -
The Role of WMD in Shaping U.S. National Security Strategy
BRIEFER No. 15 ⼁April 7, 2021 August 16, 2018 Definitions Matter: The Role of WMD in Shaping U.S. National Security Strategy Natasha E. Bajema Introduction To develop its national security strategy, the U.S. government typically formulates a set of agreed definitions and concepts about the current threat environment to help delineate top priorities. Once established, these impose clarity on mission spaces, shape the delegation of tasks and operations, justify budgets and the distribution of resources and personnel, and influence organizational structures. The notion of weapons of mass destruction (WMD) has long served as one of these key defining concepts that shape U.S. national security strategy. The two most common characteristics used to define WMD are mass casualties and mass destruction, as indicated by the U.S. Department of Defense’s definition.1 These characteristics were intended to clarify why the U.S. places top priority on WMD in its national security strategy; they are capable of significant damage in terms of destruction, casualties, and strategic impact.2 Within the U.S. context, concepts about the threat environment tend to evolve incrementally with changes in administration and the emergence of new technologies and threats, or specific events that dramatically alter threat perceptions. However, the longer certain threat perceptions survive the political wrangling of opposing interests, the more likely they evolve into threat paradigms—i.e., patterns or standard models of behavior, against which any new ideas about emerging threats are thoroughly tested. In such cases, a major catalyzing event must occur to produce dramatic change and reorganization of national security priorities. -
Telecommunications Provider Locator
Telecommunications Provider Locator Industry Analysis & Technology Division Wireline Competition Bureau February 2003 This report is available for reference in the FCC’s Information Center at 445 12th Street, S.W., Courtyard Level. Copies may be purchased by calling Qualex International, Portals II, 445 12th Street SW, Room CY- B402, Washington, D.C. 20554, telephone 202-863-2893, facsimile 202-863-2898, or via e-mail [email protected]. This report can be downloaded and interactively searched on the FCC-State Link Internet site at www.fcc.gov/wcb/iatd/locator.html. Telecommunications Provider Locator This report lists the contact information and the types of services sold by 5,364 telecommunications providers. The last report was released November 27, 2001.1 All information in this report is drawn from providers’ April 1, 2002, filing of the Telecommunications Reporting Worksheet (FCC Form 499-A).2 This report can be used by customers to identify and locate telecommunications providers, by telecommunications providers to identify and locate others in the industry, and by equipment vendors to identify potential customers. Virtually all providers of telecommunications must file FCC Form 499-A each year.3 These forms are not filed with the FCC but rather with the Universal Service Administrative Company (USAC), which serves as the data collection agent. Information from filings received after November 22, 2002, and from filings that were incomplete has been excluded from the tables. Although many telecommunications providers offer an extensive menu of services, each filer is asked on Line 105 of FCC Form 499-A to select the single category that best describes its telecommunications business. -
The Meaning of Katrina Amy Jenkins on This Life Now Judi Dench
Poor Prince Charles, he’s such a 12.09.05 Section:GDN TW PaGe:1 Edition Date:050912 Edition:01 Zone: Sent at 11/9/2005 17:09 troubled man. This time it’s the Back page modern world. It’s all so frenetic. Sam Wollaston on TV. Page 32 John Crace’s digested read Quick Crossword no 11,030 Title Stories We Could Tell triumphal night of Terry’s life, but 1 2 3 4 5 6 7 Author Tony Parsons instead he was being humiliated as Dag and Misty made up to each other. 8 Publisher HarperCollins “I’m going off to the hotel with 9 10 Price £17.99 Dag,” squeaked Misty. “How can you do this to me?” Terry It was 1977 and Terry squealed. couldn’t stop pinching “I am a woman in my own right,” 11 12 himself. His dad used to she squeaked again. do seven jobs at once to Ray tramped through the London keep the family out of night in a daze of existential 13 14 15 council housing, and here navel-gazing. What did it mean that he was working on The Elvis had died that night? What was 16 17 Paper. He knew he had only been wrong with peace and love? He wound brought in because he was part of the up at The Speakeasy where he met 18 19 20 21 new music scene, but he didn’t care; the wife of a well-known band’s tour his piece on Dag Wood, who uncannily manager. “Come back to my place,” resembled Iggy Pop, was on the cover she said, “and I’ll help you find John 22 23 and Misty was by his side. -
James Rastall James Rastall
6/21/2017 Spotlight: JAMES RASTALL JAMES RASTALL SPOTLIGHT 7 Leicester Place, London WC2H 7RJ Phone: 020-7437 7631 Fax: 020-7437 5881 E-mail: [email protected] WWW: www.spotlight.com Photo: Ruth Crafer Commercials C S A 3rd Floor Joel House, 17-21 Garrick Street, London WC2E 9BL Phone: 020-7420 9351 E-mail: [email protected] WWW: www.shepherdmanagement.co.uk Height: 5'8" (172cm) Appearance: White Weight: 10st. (64kg) Eye Colour: Blue Playing Age: 21 - 30 years Credits: 'Struck', in which James plays the lead role, has been accepted into the 2017 Sydney Film Festival. '10 Years' has been nominated for Best Short at the 2017 British Independent Film Festival. His youtube comedy series 'Breakup Watch' can be found here: https://www.youtube.com/watch?v=61ZSPD6lByo Television 2014, Television, Ned, JAMAICA INN, Origin Pictures/BBC, Philippa Lowthorpe 2014, Television, Father Roland Eager, FATHER BROWN, BBC, Matt Carter 2013, Television, Philemon, ATLANTIS, Little Monster Films, Alice Troughton 2013, Television, Young Lord, FAMILY TREE, BBC/HBO, Christopher Guest 2012, Television, Joel, SWITCH, Touchpaper Television, Dominic Leclerc 2012, Television, Simon, VERA, ITV, Paul Whittington 2012, Television, Sam, PRISONERS' WIVES, Tiger Aspect, Damon Thomas, Harry Bradbeer 2011, Television, Sam Wardle, HOLBY CITY, BBC, Rob Evans 2011, Television, Brian Keith, MARCHLANDS, ITV, James Kent Stage 2015, Stage, Rodolpho, A VIEW FROM THE BRIDGE, Number 1 UK Tour/ The Touring Consortium, Steven Unwin 2015, Stage, Various, SHAKESPEARIENCE!,