Eiiccu L L August 31,1964 STEWARDS EDITORIAL MONG STEWARDS It Is Required That a a Man Be Found Faithful

Total Page:16

File Type:pdf, Size:1020Kb

Eiiccu L L August 31,1964 STEWARDS EDITORIAL MONG STEWARDS It Is Required That a a Man Be Found Faithful eiiccu l l August 31,1964 STEWARDS EDITORIAL MONG STEWARDS it is required that A a man be found faithful. We do LOOKING AHEAD not want stewardship to mean only money, nor do we want to disregard ACK TO SCHOOL, off to college, done spiritual values than the home and the money, for it is an expression of our B with vacations, back pretty much church. These two must exert initiative lives, and thus most important. to the routine laid aside three months against the foe and in defense of right- "Money is human personality minted ago. But, routine is about the only eousness. When these two institutions in exchangeable form, and consists of parallel. This is a new school and col- crumble, crumbling goes the whole. three valuable ingredients: Time, which lege year. How best can the home cope with is God's gift which we may either use, High schoolers who finished in June, the situation? What is the most effective abuse, or lose; Talent, which is God's for them college environment will be course the church can pursue? Are there gift that constitutes our individuality; different. It has its own pressures bid- pat answers that will work across the and Training, which is the fruit of our ding for conformity. Continuing high board. Obviously, it is not difficult to faithfulness in developing and using schoolers go back into the social atmos- pinpoint or decry a situation. Armchair God's gifts." Money is power which can phere of subtle destructive moral atti- experts have been doing this since time be transferred, utilized and is expressive tudes. Social pressures, high school and immemorial. of our devotion. Money is a language college, best known to youth themselves, Two things the church has been which our world can understand. continue the tempo to undermine the quick to do; attack prevalent sins from To many, the Bible is relatively an strength of moral character. Sex laxness the pulpit, arrange a set of rules to unknown book, while money well used, and perverseness, irresponsible attitudes provide a course of discipline. These col- can preach a sermon, and when prayer- on the how of securing passing grades, umns believe firmly that the preaching fully laid on God's altar or used in combined with a casual nonchalant view of righteousness includes the denounc- worthwhile purposes it expresses our ing of evil. Indefinite preaching leads of life; these take a heavy toll in youth's highest feelings. Giving is a form of to indefinite living. When a worshipper, sense of moral and spiritual values. worship, and either money, service or young or old, must decipher what the Why mention these unpleasantries; time becomes acceptable to God when minister is trying to say, the message is given with true motives. Christian Stew- conditions so prevalent in secular high surely of the variety, "uncertain sounds." schools and colleges. Many of us visual- ardship must be rightly understood and However, the weakness of negative explained. • ize our immediate surroundings as quite preaching must be recognized. Preach- unrelated to any such situations. I con- ing is primarily proclamation, not de- fess, it is quite difficult for us to think of nunciation. How and when to say Canadian Special our "good areas" as being involved in "what" requires deliberate thought. the evil spirit of the times. OFFICIAL OPENING Careful choice of words and phrases CHRISTIAN LIGHT BOOKSTORE Indeed fortunate are those high combined with spiritual motivation and 23 Colborne Street schools where capable leadership, sup- compassion will likely be the difference Brantford Ontario ported by parental constituency have between success or failure. Illustration: September 10, 11, 12, 1964 been successful in maintaining a higher some preaching on sex sins becomes than average level of social environ- more suggestive than corrective. ment and standards. Such are in the As for rules and regulations: the minority. Ten Commandments bespeak God's EVANGELICAL VISITOR Twenty-five years ago when rubbing standard of holiness, uneclipsed in all Volume LXXV1I Number 18 Official Organ of the Brethren in Christ shoulders with a wider and different the course of human history. Plusses to (Jhurch, published bi-weekly by Eva.ngel Press, circle than was my custom, a venerable Nappanee, Indiana, to whom subscriptions the Decalogue known as the "command- should be sent. businessman jolted me one day; "The ments of men" have done little to pro- Purpose: To publish the Gospel of God's grace—a complete salvation through the trouble with you is, you think every duce acceptable righteousness. atonement of Jesus Christ the Son of God, man is honest.". Coming to realize it, made effectual by faith in Him; the waJk in Young people, whether high school- holiness by the power of the indwelling Holy this was part of my problem. A se- ers or attending college, need friend- Spirit; and the pre-millennial second coming of our Lord. cluded, separated, isolated way of life ship, fellowship and a spirit that under- Editor: J. N. Hostetter, Box 8, Nappanee, had not adequately included preparation stands and feels. While a great service Indiana, to whom all material for publication should be sent. for a world then opening up. can be done for and to them from the Editorial Council: J. N. Hostetter, Editor. Sometimes it is we as parents; oft- pulpit the greatest must be done on a C. B. Byers, C. W. Boyer, C. N. Hostetter, Jr., Walter Winger, Isaiah Harley. times the church, Sunday school and personal level. Nothing takes the place Page Contributors: World Missions: Mary Kreider, Box 171, Elizabethtown, Pa.; Missions youth workers who find it difficult to of individual confrontation. In the in America: Miss Mary A. Stoner, Grantham, face reality. And then, if there does church the teacher, the pastor, the youth Pa.; Preachers: E. J. Swalm, Duntroon, Ont.; Home: Eber Dourte. 845 West Arrow High- exist some concept of reality, in a bit worker must unite their hearts with way, Upland, California; "Today's Yesterday": youth. This cannot all be done on Sun- C. O. Wittlinger, Grantham, Pa. of despairing mood the question: what Brethren in Christ Publication Board, Inc.: can we do about it? day. Neither does it require every night C. N. Hostetter Jr., Samuel F. Minter, J. Wil- mer Heisey, Paul Hostetler, Joseph R. Aiken, The swirling, surging billows of moral in the week. Isaiah F. Harley, H. H. Brubaker. restlessness are striking hard at the When youth knows that somebody Subscriptions: $3.00 per year. New Subscrip- tions: $2.50 per year; Gift Subscriptions: $2.50 Christian standard of moral values. The cares, lofty things are expected and per year; Sample Copies free. brazenness of immodesty, common on gradually, sometimes slowly, come into Mailing label indicates expiration date. In- clude both old and new address with requests the streets of any town, bids viciously a fuller understanding of real values, a for change of address. for youth to be a conformist. long stride has been made toward suc- Entered as second-class mail at Nappanee Indiana. No two institutions suffer more in cessful living even in 1964-65. times of onslaught against moral and j. N. H. - EVANGELICAL PRESS ASSOCIATION (2) Evangelical Visitor OUNTAINS figure prominently in is particularly noteworthy in a nation COAL M Scripture. Noah's ark came to characterized by an extraordinary di- The timber "rape" had not been com- rest on a mountaintop. Moses and versity of racial and cultural traits. pleted when men of "great guile and Elijah went up a mountain to meet It was necessary for those who settled charm," again from the Northern and God. David refers often to mountains in the area to have a high degree of in- Eastern industrial cities, began to ne- and hills in his poetic writings. Jesus dependence and self-reliance. There gotiate for valuable coal fields. Harry was tempted on a mountain. He went were four indispensables which went M. 'Caudill, author of the book, Night often to the mountain to pray. Finally, with every migrating family into the He ascended into heaven from the top Comes to the Cumberland^, and na- wilderness: the axe, the frying pan, the tive of the area, says: "We have seen of the Mount of Olives. rifle, and the Bible. that the mountaineer sold his great trees "The mountain is a natural image of Isolation was one of the factors which for a consideration little more than nom- eternal continuance, for stability, for caused the retarded growth of the area. inal, but if his timber brought him a difficult wearisome paths in life, and for It was largely cut off from roads, rail- small financial reward, his minerals insurmountable obstacles," says one roads, books, magazines, newspapers, were virtually given away. Now the theological book. Biblical symbolism is and educational institutions. The effect trees that shaded him were no longer cold reality for the mountaineer of Ap- of this geographical isolation was in- his property, and he was little more than palachia. To quote President Lyndon B. creased by the region's economic self- Johnson, "They live on the outskirts of sufficiency, which made contact with a trespasser upon the soil beneath his hope." Unemployment and limited ed- other areas infrequent. Educational op- feet." ucation, to the point where the 1960 portunities, locally controlled and sup- Coal mining did not become big busi- census figures disclosed that 19 percent ported, were limited and afforded few ness until after 1900. Thereafter it grew of the adult population of the Southern ties with the outside world. The region rapidly. By 1920 eastern Kentucky alone THE APPALACHIAN MOUNTAINS: On the Outskirts of Hope Mountain region neither read nor write, Edgar Stoesz, MCC VS Director produced 25 million tons annually.
Recommended publications
  • Monograph-Ana Catalina Ramirez
    COSTA RICAN COMPOSER CARLOS ESCALANTE MACAYA AND HIS CONCERTO FOR CLARINET AND STRINGS A Monograph Submitted to the Temple University Graduate Board In partial fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS by Ana Catalina Ramírez Castrillo May, 2014 Examining Committee Members: Dr. Cynthia Folio, Advisory Chair, Music Studies Department (Music Theory) Dr. Charles Abramovic, Piano Department, Keyboard Department (Piano) Dr. Emily Threinen, Instrumental Studies Department (Winds and Brass) Dr. Stephen Willier, Music Studies Department (Music History) ABSTRACT The purpose of this monograph is to promote Costa Rican academic music by focusing on Costa Rican composer Carlos Escalante Macaya and his Concerto for Clarinet and Strings (2012). I hope to contribute to the international view of Latin American composition and to promote Costa Rican artistic and cultural productions abroad with a study of the Concerto for Clarinet and Strings (Escalante’s first venture into the concerto genre), examining in close detail its melodic, rhythmic and harmonic treatment as well as influences from different genres and styles. The monograph will also include a historical context of Costa Rican musical history, a brief discussion of previous important Costa Rican composers for the clarinet, a short analysis of the composer’s own previous work for the instrument (Ricercare for Solo Clarinet) and performance notes. Also, in addition to the publication and audio/video recording of the clarinet concerto, this document will serve as a resource for clarinet soloists around the world. Carlos Escalante Macaya (b. 1968) is widely recognized in Costa Rica as a successful composer. His works are currently performed year-round in diverse performance venues in the country.
    [Show full text]
  • University of Pittsburgh Winter 2012 • 71 Center for Latin American Studies
    Winter 2012 • 71 CLASicos Center for Latin American Studies University Center for International Studies University of Pittsburgh University Center for International Studies University of Pittsburgh 2 The Latin American CLASicos • Winter 2012 Archaeology Program Latin America has been the principal geographical focus of archaeology at the University of Pittsburgh over the last two decades. Administered by the Department of Anthropolo- gy, with the cooperation and support of CLAS, the Latin American Archaeology Pro- gram involves research, training, and publication. Its objective is to maintain an interna- tional community of archaeology graduate students at the University of Pittsburgh. This objective is promoted in part through fellowships for outstanding graduate students to study any area of Latin American prehistory. Many of these fellowships are awarded to students from Latin America (nearly half of the students in the program). The commit- ment to Latin American archaeology also is illustrated by collaborative ties with numer- ous Latin American institutions and by the bilingual publication series, which makes the results of primary field research available to a worldwide audience. The Latin American Archaeology Publications Program publishes the bilingual From 1997—Left to right: Latin American Archaeology Fellows Hope Henderson (US), María Auxiliadora Cordero (Ecuador), Ana María Boada (Colombia), [Professor Dick Drennan], and Rafael Gassón (Venezuela). Memoirs in Latin American Archaeology and Latin American Archaeology Reports, co-publishes the collaborative series Arqueología de México, and distributes internationally volumes on Latin American archaeology and related subjects from more than eighteen publishers worldwide. The Latin American Archaeology Database is on line, with datasets that complement the Memoirs and Reports series as well as disserta- tions and other publications.
    [Show full text]
  • TRAINED ABROAD: a HISTORY of MULTICULTURALISM in COSTA RICAN VOCAL MUSIC by I
    Trained Abroad: A History of Multiculturalism in Costa Rican Vocal Music Item Type text; Electronic Dissertation Authors Ortiz Castro, Ivette Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 10:27:44 Link to Item http://hdl.handle.net/10150/621142 TRAINED ABROAD: A HISTORY OF MULTICULTURALISM IN COSTA RICAN VOCAL MUSIC by Ivette Ortiz Castro _______________________________ A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2016 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Ivette Ortiz-Castro, titled Trained abroad: a history of multiculturalism in Costa Rican vocal music and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. ____________________________________________________________________________ Date: 07/18/16 Kristin Dauphinais ____________________________________________________________________________ Date: 07/18/16 Jay Rosenblatt ____________________________________________________________________________ Date: 07/18/16 William Andrew Stuckey Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement.
    [Show full text]
  • PRINTABLE PROGRAM Bernard Rands
    The University at Buffalo Department of Music and The Robert & Carol Morris Center for 21st Century Music present Honoring Composer Bernard Rands Tuesday, October 24, 2017 7:30pm Lippes Concert Hall in Slee Hall PROGRAM Coleccion Nocturna David Felder (b. 1953) Adrián Sandí, clarinet Eric Huebner, piano "now again" – fragments from Sappho Bernard Rands (b. 1934) Tiffany Du Mouchelle, mezzo-soprano solo Slee Sinfonietta Matthew Chamberlin, conductor Intermission Linea Luciano Berio (1925 – 2003) Eric Huebner and Christopher Guzman, piano Tom Kolor and Stephen Solook, percussion Folk Songs Bernard Rands I. Missus Murphy’s Chowder II. The Water is Wide III. Mi Hamaca IV. Dafydd Y Garreg Wen V. On Ilkley Moor Baht ‘At VI. I Died for Love VII. Über d’ Alma VIII. Ar Hyd y Nos IX. La Vera Sorrentina Tiffany Du Mouchelle, soprano Slee Sinfonietta Matthew Chamberlin, conductor Slee Sinfonietta Matthew Chamberlin, conductor Emlyn Johnson, flute Erin Lensing, oboe Adrián Sandí, clarinet Michael Tumiel, clarinet Jon Nelson, trumpet Kristen Theriault, harp Eric Huebner, piano Chris Guzman, piano Tom Kolor, percussion Steve Solook, percussion Tiffany Du Mouchelle, soprano (solo) Julia Cordani, soprano Minxin She, alto Hanna Hurwitz, violin Victor Lowrie, viola Katie Weissman, ‘cello About Bernard Rands Through a catalog of more than a hundred published works and many recordings, Bernard Rands is established as a major figure in contemporary music. His work Canti del Sole, premiered by Paul Sperry, Zubin Mehta, and the New York Philharmonic, won the 1984 Pulitzer Prize in Music. His large orchestral suites Le Tambourin, won the 1986 Kennedy Center Friedheim Award. His work Canti d'Amor, recorded by Chanticleer, won a Grammy award in 2000.
    [Show full text]
  • Costa Rica PR Country Landscape 2011
    Costa Rica PR Country Landscape 2011 Global Alliance for Public Relations and Communication Management ● ● ● ● Acknowledgements Produced by: Lauren E. Bonello, senior public relations student at the Department of Public Relations, College of Journalism and Communications, and master’s of science in Management student at the Hough Graduate School of Business, University of Florida (UF); Vanessa Bravo, doctoral candidate at the UF Department of Public Relations, College of Journalism and Communications, and Fulbright master’s of arts in Mass Communications, University of Florida; and Monica Morales, Fulbright master’s student at the UF Department of Public Relations, College of Journalism and Communications. Supervised and guided by: Juan-Carlos Molleda, Ph.D., Associate Professor and Graduate Coordinator, UF Department of Public Relations, College of Journalism and Communications and Coordinator of the GA Landscape Project. Read and approved by: John Paluszek, Senior Counsel of Ketchum and 2010-2012 Chair of the Global Alliance for Public Relations and Communication Management. Revised & signed off by: Carmen Mayela Fallas, president of Comunicación Corporativa Ketchum. Date of completion: April 2011. Public Relations Industry Brief History Latin American Origins Latin American studies about the origins of public relations in the continent establish a common denominator as to the source of the practice in the region. Costa Rica is no exception, and this common denominator plays a relatively important goal in the development and establishment not only in the country, but also for Central America in particular. According to early registries, the genesis of public relations in Latin America is closely related to the introduction of foreign companies, which were used to having public relations as part of their businesses, into the local economies (Molleda & Moreno, 2008).
    [Show full text]
  • Journal of the American Viola Society Volume 31 Online, Summer 2015
    Journal of the American Viola Society A publication of the American Viola Society Summer 2015: Volume 31, Online Issue p. 3 From the Editor p. 5 From the President News & Notes p. 7 In Memoriam Joseph de Pasquale Remembered p. 11 Recalling the AVS Newsletter: English Viola Music Before 1937 In recalling 30 years of this journal, we provide a nod to its predecessor with a reprint of a 1976 article by Thomas Tatton, followed by a brief reflection by the author. Feature Article p. 13 Concerto for Viola Sobre un Canto Bribri by Costa Rican composer Benjamín Gutiérrez Or quídea Guandique provides a detailed look at the first viola concerto of Costa Rica, and how the country’s history influenced its creation. Departments p. 25 In the Studio: Thought Multi-Tasking (or What I Learned about Painting from Playing the Viola) Katrin Meidell discussed the influence of viola technique and pedagogy in unexpected areas of life. p. 29 With Viola in Hand: Experiencing the Viola in Hindustani Classical Music: Gisa Jähnichen, Chinthaka P. Meddegoda, and Ruwin R. Dias experiment with finding a place for the viola in place of the violin in Hindustani classical music. On the Covers: 30 Years of JAVS Covers compiled by Andrew Filmer and David Bynog Editor: Andrew Filmer The Journal of the American Viola Society is Associate Editor: David M. Bynog published in spring and fall and as an online- only issue in summer. The American Viola Departmental Editors: Society is a nonprofit organization of viola At the Grassroots: Christine Rutledge enthusiasts, including students, performers, The Eclectic Violist: David Wallace teachers, scholars, composers, makers, and Fresh Faces: Lembi Veskimets friends, who seek to encourage excellence in In the Studio: Katherine Lewis performance, pedagogy, research, composition, New Music Reviews: Andrew Braddock and lutherie.
    [Show full text]
  • Costa Rican MUSIC
    Costa Rican MUSIC A small peek into the culture that fills the air of Costa Rica . By Trent Cronin During my time spent in the country of Costa Rica, I found a lot of PURA VIDA different sounds that catch your ear while you are in Costa Rica. After sorting This is a picture of a guy through the honking horns and barking dogs, you’ll find two types of music. I met named Jorge; he These two types of music are the traditional Latin American music and the more works at the airport in modern, or Mainstream, music that we are familiar with in the States. The Latin Heredia. He was telling American music includes some well-known instruments like the guitar, maracas, some me that music is in his veins. This is a good type of wind instrument (sometimes an ocarina) and the occasional xylophone. The example of how every music style tends to be very up beat and gives of a happy vibe, although there are Costa Rican holds some sad songs. Sometimes, in the larger, more populated, parts of the city, you can music near and dear to find one or more street performers playing this type of music. I don’t know what it is their heart. about hearing someone sing in a foreign language, but I like it. I will admit; I was a little surprised to walk passed a car and hear Beyonce’ being played. After further time spent I found out that other famous music artist like Metallica, The Beatles, Michael Jackson, and Credence Clear Water Revival (CCR) have diffused into the radio waves of Costa Rica.
    [Show full text]
  • Costa Rican Composer Benjamín Gutiérrez and His Piano Works
    ANDRADE, JUAN PABLO, D.M.A. Costa Rican Composer Benjamín Gutiérrez and his Piano Works. (2008) Directed by Dr. John Salmon. 158 pp. The purpose of this study is to research the life and work of Costa Rican composer Benjamín Gutiérrez (b.1937), with particular emphasis on his solo piano works. Although comprised of a small number of pieces, his piano output is an excellent representation of his musical style. Gutiérrez is regarded as one of Costa Rica’s most prominent composers, and has been the recipient of countless awards and distinctions. His works are known beyond Costa Rican borders only to a limited extent; thus one of the goals of this investigation is to make his music more readily known and accessible for those interested in studying it further. The specific works studied in this project are his Toccata y Fuga, his lengthiest work for the piano, written in 1959; then five shorter pieces written between 1981 and 1992, namely Ronda Enarmónica, Invención, Añoranza, Preludio para la Danza de la Pena Negra and Danza de la Pena Negra. The study examines Gutiérrez’s musical style in the piano works and explores several relevant issues, such as his relationship to nationalistic or indigenous sources, his individual use of musical borrowing, and his stance toward tonality/atonality. He emerges as a composer whose aesthetic roots are firmly planted in Europe, with strong influence from nineteenth-century Romantics such as Chopin and Tchaikovsky, but also the “modernists” Bartók, Prokofiev, Milhaud, and Ginastera, the last two of whom were Gutiérrez’s teachers. The research is divided into six chapters, comprising an introduction, an overview of the development of art music in Costa Rica, a biography of Gutiérrez, a brief account of piano music in the country before Gutiérrez and up to the present day, a detailed study of his solo piano compositions, and conclusions.
    [Show full text]
  • Inventario Cultural Del Distrito De Monteverde 2017-2019
    INVENTARIO CULTURAL DEL DISTRITO DE Universidad Estatal a Distancia MONTEVERDE Centro Universitario de Monteverde 2017-2019 Inventario Cultural del distrito de Monte Verde Centro Universitario Monte Verde Introducción El Inventario Cultural de Monteverde, fue un proyecto que se llevó a cabo por el Centro Universitario de Monteverde., a través del financiamiento del Programa de Regionalización Interuniversitario del CONARE, y con la colaboración del Trabajo Comunal Universitario TC-632 “Gestión Local en las Comunidades del Pacifico Central” de la Universidad de Costa Rica sede Pacífico. Además, de las académicas participantes, se logró articular la participación de actores comunales. Unidos por un propósito en común: lograr el mapeo del patrimonio cultural, con el que cuenta el distrito Monteverde. Permitiendo, de esta manera obtener un mayor acercamiento a la realidad sociocultural en la que se encuentra dicha localidad. Este proceso se considera de suma importancia, ya que un mapeo de esta índole proyecta herramientas de información que pueden resultar de gran utilidad para la gestión, planificación, y desarrollo de futuras acciones afines a temas culturales. Para la elaboración del inventariado cultural de Monteverde se utilizó una metodología similar a la utilizada por el Ministerio de Cultura y Juventud de Costa Rica. Metodología que abarca la importancia de salvaguardar el Patrimonio Cultural de las comunidades, en relación con lo establecido en el Decreto Legislativo N° 8560. Este proceso de inventariado se orientó principalmente en recolectar información de personas trabajadores del arte y la cultura, agrupaciones culturales, organizaciones culturales, y de festividades culturales del distrito Monteverde. Como resultado, se obtuvo un total de 161 actores culturales registrados, lo que equivale aproximadamente a un 2,7 % de la población total del Distrito.
    [Show full text]
  • 2012-Symposium-Program.Pdf
    Proud to Support Great Music University of the Pacifi c has a long history in classical music — our Conservatory of Music was founded in 1878 and was the fi rst conservatory west of the Mississippi. We are dedicated to the education and training of musicians for the highest level of artistic performance, creative endeavor and intellectual inquiry. www.Pacifi c.edu/Conservatory Contents 2012 Meg Quigley Vivaldi Competition and Bassoon Symposium January 6, 7, 8, 2012 – Stockton, CA Welcome Messages From the Dean 1 From the Co-Founders and Directors 2 From the Co-Hosts 3 MQVC Team 4 MQVC Acknowledgements 5 Overview of Events 6 Competition Rounds 7 Master Classes 8 Evening Concerts Friday, January 6 9 Saturday, January 7 10 Sunday, January 8 11 Biographies 12 Semi-Finalist Biographies 27 2012 MQVC Guidelines 30 2012 MQVC Judges 31 Past Finalists and Judges 32 Maps 33 Advertisements 35 From the Dean 2012 Meg Quigley Vivaldi Competition and Bassoon Symposium Dear Participants: It is a real pleasure to welcome you to our campus for the Meg Quigley Vivaldi Competition and Symposium. We at Pacific were very happy to work with the MQVC board in order to host this year’s competition. I have observed the work done by Nicolasa Kuster, assisted by David Wells, to prepare for this and I truly appreciate the labor of love needed to organize an event of this caliber. Please join me in thanking them for their splendid work. As I look at the biographies of the semi-finalists, I am impressed by the reach of the competition outside the Unit- ed States, and also by the accomplishments of the individual musicians.
    [Show full text]
  • The Piano Sonata in Costa Rica
    THE PIANO SONATA IN COSTA RICA by JORGE MANUEL BRICEÑO GONZÁLEZ A LECTURE-DOCUMENT Presented to the School of Music and Dance of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Musical Arts MAY 2020 “The Piano Sonata in Costa Rica,” a lecture-document prepared by Jorge Manuel Briceño González in partial fulfillment of the requirements for the Doctor of Musical Arts degree in the School of Music and Dance. This lecture-document has been approved and accepted by: Alexandre Dossin, Chair of the Examining Committee 05/26/2020 Committee in Charge: Dr. Alexandre Dossin, Chair Dr. Stephen Rodgers Dr. David Riley Accepted by: Leslie Straka, D.M.A. Director of Graduate Studies, School of Music and Dance ii © 2020 Jorge Manuel Briceño González iii CURRICULUM VITAE NAME OF AUTHOR: Jorge M. Briceño González PLACE OF BIRTH: Nicoya, Guanacaste, Costa Rica DATE OF BIRTH: 05/14/1990 GRADUATE AND UNDERGRADUATE SCHOOLS ATTENDED: University of Oregon Texas State University Universidad de Costa Rica DEGREES AWARDED: Doctor of Musical Arts (Piano Performance and Music Theory), University of Oregon, 2020 Master of Music, Texas State University, 2015 Bachelor of Music, Universidad de Costa Rica, 2012 AREAS OF SPECIAL INTEREST: Piano Music Chamber Music Music Theory Piano Literature Piano Pedagogy Latin American Music Costa Rican Music PROFESSIONAL EXPERIENCE: Collaborative Pianist, University of Oregon, 2016-2020 Piano Instructor, University of Oregon and Texas State University, 2014-2020 iv GRANTS, AWARDS AND HONORS: Graduate Teaching Fellowship, University of Oregon, 2016-2020 Outstanding Graduate Performer in Collaborative Piano, 2020 Promising Scholar Award, University of Oregon, 2015 Keyboard Area Piano Achievement Award, Texas State University, 2015 Fine Arts Scholarship, Texas State University, 2014 Bridget & Wilfred Webb Endowed Scholarship, Texas State University, 2013 Cullell International Piano Competition, Honorable Mention, Costa Rica, 2013 v To my mom, Cecilia, who never stopped encouraging me.
    [Show full text]
  • 11-12 Yearinreviewhalfover Print
    Year in Review 2011-12 Annual Report Center for Latin American Studies University Center for International Studies University of Pittsburgh 2 Year in Review 2011-12 Message from the Director This has been another eventful year, even in the face of continuing iscal challeng- es. Two signiicant endeavors that came to fruition were the initiation of a new degree program in Latin American and Caribbean Studies and the launching of a forum for opinion and comment on issues in Latin America. Working with the Dietrich School of Arts and Sciences, CLAS spearheaded an ef- fort to establish a major in Latin American and Caribbean Studies (LA&CS). The CLAS advisory committee reviewed plans for a major in spring 2011; it was pre- sented to the CLAS faculty in fall 2011 and formally presented to the Dean of the Dietrich School in spring 2012. The Dietrich School has approved the program proposal and, as I write this, we are awaiting inal approval by the Ofice of the Provost. We anticipate accepting the irst students into the LA&CS major in fall 2013. Over the past several years, CLAS has been enhancing its web presence and capitalizing on the opportunities provided by contemporary social media. We have revamped the CLAS website to enhance navigation for all visitors to the site. The major news this year is the launch of PANORAMAS, a companion site for CLAS that provides a forum for opinion and comment on issues in Latin America (http://www.ucis.pitt.edu/ panoramas/). Drawing on the expertise of a wide range of scholars, PANORAMAS provides a public forum for discussion about critical issues in Latin America.
    [Show full text]