DOCSLIB.ORG

Harold Leonard Motion Picture Research Files, Ca

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

http://oac.cdlib.org/findaid/ark:/13030/c8p84dzh No online items Harold Leonard motion picture research files, ca. 1940-ca. 1960 Processed by Sue Hwang and Vanessa Villavicencio with assistance from Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2014 The Regents of the University of California. All rights reserved. Harold Leonard motion picture 1933 1 research files, ca. 1940-ca. 1960 Title: Harold Leonard Motion Picture research files Collection number: 1933 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 16.5 linear ft.(33 boxes) Date (inclusive): 1940s-1960 Abstract: Harold Leonard was a critic and film historian. The collection consists of Leonard's research files dealing mainly with critical and historical aspects of motion pictures. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Creator: Leonard, Harold Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Provenance/Source of Acquisition Gift of Mrs. Harold Leonard, 1958. Preferred Citation [Identification of item], Harold Leonard Motion Picture research files (Collection 1933). UCLA Library Special Collections, Charles E. Young Research Library, UCLA. UCLA Catalog Record ID UCLA Catalog Record ID: 6982553 Biography There is very little biographical information available about Harold Leonard. He graduated from Harvard with a M.A. and worked for the Warner Brothers story department in New York and Hollywood. In 1936, he submitted an idea to create The Film Index to the Works Progress Administration. The project was put into operation in May, 1936. Leonard along with fellow associate editor Sonia Volochova both saw all three volumes of The Film Index: A Bibliography through to publication. He was a correspondent for the British film quarterly Sight and Sound and contributor to many American periodicals. Leonard moved to Los Angeles where he continued to write and became a member of the UCLA Theater Arts faculty, teaching film history. He died of cancer November 10, 1956 at the age of 47. Scope and Content The collection consists of research files related to motion picture historian Harold Leonard. Included are bibliographic citations, clippings, press releases, a small amount of publicity ephemera and photographs, and occasional publications. The files document individuals and topics that deal mainly with critical and historical aspects of motion pictures. Some of the research may have been source material for the second volume of The Film Index: A Bibliography. Also included is a small amount information related to television. Organization and Arrangement The files are arranged alphabetically by individual's names or subject titles. Subjects and Indexing Terms Leonard, Harold--Archives Motion pictures--History. Box 1, Folder 5 Abe Lincoln in Illinois (motion picture). Box 30, Folder 3 Academy Awards NBC. Box 1, Folder 2 Academy of Motion Picture Arts and Sciences - Academy Award Theatre (1975- 1976). Box 11, Folder 6 Academy of Motion Picture Arts and Sciences - Motion-picture still collection. Box 1, Folder 3 Acting. Box 30, Folder 12 Acting. Harold Leonard motion picture 1933 2 research files, ca. 1940-ca. 1960 Container List Box 1, Folder 4 Actors - directories. Box 1, Folder 6 Actors Laboratory - Theatre, Los Angeles. Box 32, Folder 28 Adventures of Ichabod and Mr. Toad (The) (motion picture). Box 30, Folder 13 Advertising. Box 1, Folder 7 African Queen (motion picture). Box 1, Folder 8 Allied Artists. Box 1, Folder 9 American Academy of Dramatic Arts. Box 1, Folder 10 American Contemporary Gallery. Box 1, Folder 11 American Council on Education - Motion Picture Project. Box 1, Folder 12 American Film Center. Box 1, Folder 13 American Film Theatre. Box 31, Folder 6 Animation. Box 31, Folder 7 Annual Awards. Box 30, Folder 14 Annual Awards. Box 30, Folder 2 Annual Survey, 1949 Television NY Times Special supplement. Box 1, Folder 14 Art in moving-pictures. Box 33, Folder 2 Associated film audiences. Box 1, Folder 1 Bibliographic citations. Box 30, Folder 15 Bibliography. Box 1, Folder 19 Broidy, Steve. Box 13, Folder 1 Burel, Leon H.. Box 2, Folder 24 Cinema 16. Box 29, Folder 14 Columbia News and Notes, 1955 January/March. Box 29, Folder 15 Columbia News and Notes, 1955 May/June. Box 29, Folder 6 Columbia News, 1952 (January-June 1952). Box 29, Folder 7 Columbia News, 1952 (July-December 1952). Box 29, Folder 8 Columbia News, 1953 (January-June 1953). Box 29, Folder 9 Columbia News, 1953 (July-December 1953). Box 29, Folder 10 Columbia News, 1953 (July-December 1953). Box 29, Folder 11 Columbia News, 1954 (January-April 1953). Box 29, Folder 12 Columbia News, 1954 (May-September 1954). Box 29, Folder 13 Columbia News, 1954 (October-December 1954). Box 30, Folder 16 Columbia workshop. Box 30, Folder 17 Comedy. Box 12, Folder 12 Communism - U.S. - 1947-1951. Box 32, Folder 1 Corwin (Early series, 1938-1939). Box 32, Folder 8 Corwin: "Bill of Rights" program (December 15, 1941). Box 32, Folder 4 Corwin: "Columbia presents Corwin" (March 2, 1944). Box 32, Folder 9 Corwin: "Corwin presents" (July 3, 1945). Box 32, Folder 3 Corwin: "This is War" series. Box 32, Folder 2 Corwin: "Transatlantic Call" (February 14, 1943). Box 32, Folder 6 Corwin: Note of Triumph (May 8, 1945). Box 32, Folder 7 Corwin: San Francisco Conference - Program (April 24, 1945). Box 32, Folder 5 Corwin: Twenty-six by Corwin. Box 32, Folder 27 Dancers. Box 1, Folder 15 Dancing in moving-pictures, television, etc.. Box 12, Folder 13 Death Data on Early White Actors. Box 1, Folder 16 Documentary Film News (periodical). Box 30, Folder 6 Documentary, 1948. Box 30, Folder 18 Drama. Box 31, Folder 8 Dramatic shows shot in Hollywood. Box 12, Folder 9 Early Movies and Movie Actors. Box 30, Folder 20 Educational aspects. Box 30, Folder 19 Educational programs. Box 31, Folder 9 Elections (presidential) 1952. Box 1, Folder 17 Enterprise Productions. Box 1, Folder 18 Everson, William K.. Harold Leonard motion picture 1933 3 research files, ca. 1940-ca. 1960 Container List Box 2, Folder 1 Farber, Manny. Box 2, Folder 2 Farrell, James Thomas, 1904-. Box 32, Folder 24 Faye, Alice. Box 2, Folder 3 Ferguson, Otis. Box 20, Folder 34 Ferguson, Russell. Box 12, Folder 39 File of Miscellaneous Papers. General note First International Jazz Festival Progam signed by J. J. Johnson; United Pictorial Review (August 1965), Freedom Rally program (1961). Box 2, Folder 4 Film Adaptations. Box 2, Folder 5 Film Associates of California. Box 2, Folder 6 Film Council of America. Box 2, Folder 7 Film Council of America - Rushes - April 1954-June 1957 (incomplete). Box 2, Folder 9 Film Documents Company. Box 2, Folder 10 Film Index. General note Inventory of Film Index Files consigned to the Museum of Modern Art Film Library. Box 30, Folder 5 Films from Britain. Box 30, Folder 7 Films of Fact. Box 31, Folder 10 Films, 1951 - KLAC. Box 2, Folder 8 Films, Incorporated. Box 32, Folder 22 Fontaine, Joan. Box 31, Folder 20 Ford Foundation "Omnibus". Box 12, Folder 1 Frontier Films. Box 32, Folder 26 Gabin, Jean. Box 12, Folder 6 Gassner, John. Box 12, Folder 2 Gateson, Marjorie, 1897-. Box 30, Folder 11 General. Box 12, Folder 7 Gerstein, Evelyn. Box 12, Folder 5 Gish, Lillian. Box 2, Folder 12 Goldwyn, Samuel - Writing Awards. Box 3, Folder 5 Goldwyn, Samuel, 1926-. Box 2, Folder 11 Goodman, Ezra. Box 2, Folder 13 Grable, Betty. Box 2, Folder 14 Granach, Alexander. Box 2, Folder 15 Grandin, Ethel. General note Inscribed photograph. Box 2, Folder 16 Granger, Farley. General note With photograph. Box 2, Folder 17 Grangier, Gilles. Box 2, Folder 18 Gravey, Fernand. Box 2, Folder 19 Green, Adolph. General note With photograph. Box 2, Folder 20 Green, Guy. Box 2, Folder 21 Greenwood, Joan. General note With photograph. Harold Leonard motion picture 1933 4 research files, ca. 1940-ca. 1960 Container List Box 2, Folder 22 Gregory, Paul. General note With photographs. Box 2, Folder 23 Gremillon, Jean. Box 3, Folder 1 Greville, Edmond T.. Box 3, Folder 2 Grierson, John. Box 3, Folder 3 Gries, Tom. Box 3, Folder 4 Griffith, Corinne. General note With photograph. Box 3, Folder 6 Griffith, Richard. Box 3, Folder 7 Grimault, Paul. Box 3, Folder 8 Gromo, Mario. Box 3, Folder 9 Guinness, Alec. Box 3, Folder 10 Guisol, Henri. Box 3, Folder 11 Guitry, Sascha. Box 3, Folder 12 Guthrie, A.B.. Box 3, Folder 13 Gwenn, Edmund, 1877-. General note With photograph. Box 3, Folder 14 Haas, Hugo. General note With photograph. Box 3, Folder 15 Haesaerts, Paul. Box 3, Folder 16 Haines, William. General note With photographs. Box 3, Folder 17 Halas, John. Box 3, Folder 18 Hale, Alan, 1892-1950. General note Photographs. Box 3, Folder 19 Hall, Ella. General note With inscribed photograph. Box 31, Folder 12 Hamburger Philip New Yorker TV reviews. Box 3, Folder 20 Hamer, Robert. Box 3, Folder 21 Hamilton, James Shelley. Box 3, Folder 22 Hammerstein, Elaine.
Recommended publications
  • Concetta E. Ribaudo Scrapbook on the Hollywood Canteen 7093

    Concetta E. Ribaudo Scrapbook on the Hollywood Canteen 7093

    http://oac.cdlib.org/findaid/ark:/13030/c8474hpv No online items Finding aid for the Concetta E. Ribaudo scrapbook on the Hollywood Canteen 7093 Bo Doub USC Libraries Special Collections 2019 June Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California 90089-0189 [email protected] URL: http://libraries.usc.edu/locations/special-collections Finding aid for the Concetta E. 7093 1 Ribaudo scrapbook on the Hollywood Canteen 7093 Language of Material: English Contributing Institution: USC Libraries Special Collections Title: Concetta E. Ribaudo scrapbook on the Hollywood Canteen creator: Ribaudo, Concetta E. Identifier/Call Number: 7093 Physical Description: 0.21 Linear Feet1 box Date (inclusive): 1938-1944 Abstract: The Concetta E. Ribaudo scrapbook on the Hollywood Canteen includes a variety of memorabilia collected by Ribaudo, who went by the stage name Connie Roberts, during her employment as a hostess at the Hollywood Canteen during World War II. The Hollywood Canteen was a converted barn that operated at 1451 Cahuenga Boulevard in Hollywood from October 3, 1942 to Thanksgiving Day 1945 as a club offering food, dancing, and entertainment for more than three million servicemen. A military uniform served as ticket for admission and everything at the canteen was free of charge. The collection includes Ribaudo's nametag and identification card, letters she received from servicemen she met at the Canteen, news clippings, and various other forms of ephemera and memorabilia. One pilot who went by the name "Crash Clark" wrote to Ribaudo: "You are an OK kid in my books and I can not tell you just how much fun we had at the canteen.
  • Swing: from Time to Torque (Dance Floor Democracy at the Hollywood Canteen)

    Swing: from Time to Torque (Dance Floor Democracy at the Hollywood Canteen)

    KU ScholarWorks | http://kuscholarworks.ku.edu Please share your stories about how Open Access to this article benefits you. Swing: From Time to Torque (Dance Floor Democracy at the Hollywood Canteen) by Sherrie Tucker 2013 This is the published version of the article, made available with the permission of the publisher. The original published version can be found at the link below. Sherrie Tucker. (2013). “Swing: From Time to Torque (Dance Floor Democracy at the Hollywood Canteen.” Daedalus: Journal of the American Academy of Arts & Sciences 142(4):82-97. Published version: http://www.dx.doi.org/10.1162/DAED_a_00243 Terms of Use: http://www2.ku.edu/~scholar/docs/license.shtml KU ScholarWorks is a service provided by the KU Libraries’ Office of Scholarly Communication & Copyright. Swing: From Time to Torque (Dance Floor Democracy at the Hollywood Canteen) Sherrie Tucker Abstract: The Hollywood Canteen (1942–1945) was the most famous of the USO and USO-like patriotic nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations during World War II. It is also the subject of much U.S. national nostalgia about the “Good War” and “Greatest Gen- eration.” Drawing from oral histories with civilian volunteers and military guests who danced at the Hol- lywood Canteen, this article focuses on the ways that interviewees navigated the forceful narrative terrain of national nostalgia, sometimes supporting it, sometimes pulling away from or pushing it in critical ways, and usually a little of each. This article posits a new interpretative method for analyzing struggles over “democracy” for jazz and swing studies through a focus on “torque” that brings together oral history, improvisation studies, and dance studies to bear on engaging interviewees’ embodied narratives on ideo - logically loaded ground, improvising on the past in the present.
  • Ronald Davis Oral History Collection on the Performing Arts

    Ronald Davis Oral History Collection on the Performing Arts

    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
  • George P. Johnson Negro Film Collection LSC.1042

    George P. Johnson Negro Film Collection LSC.1042

    http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections.
  • Yankee Doodle Dandy, Starring Jimmy Cagney As Playwright George M

    Yankee Doodle Dandy, Starring Jimmy Cagney As Playwright George M

    ALL EARS!! The Litchfield Fund Weekly Newsletter “We just don’t hear it on the street, we have our ears spread across all the fields!!!!!” During the first half of the 20th century, Americans received most of their news from newspapers & magazines. Weekly magazines like Life, Time & The Saturday Evening Post might arrive by mail, but a regular stop at the newsstand was part of most people’s lives! During the first week of July, 1942, by request of FDR, all of the U.S. magazines patriotically displayed an American Flag on their cover*. Of course by 1942, the movie industry was churning out patriotic movies, which that year included Yankee Doodle Dandy, starring Jimmy Cagney as playwright George M. Cohan & as his wife Mary, the beautiful redhead Joan Leslie. Yankee Doodle Gal: Miss Leslie, one of our favorite actresses, passed away recently at age 90. She often played the young ingénue in WWII movies & besides the somewhat fictionalized account of Mr. Cohan’s life, appeared in many patriotically inspired movies such as Sergeant York, The Sky’s the Limit, This is the Army, Thank Your Lucky Stars & Hollywood Canteen. After the war, she fought Warner Brothers for better roles, eventually breaking her contract. She moved on to independent productions & early television. She retired to focus on raising her young twin daughters, taking occasional TV roles into the 1990s! Watching Yankee Doodle Dandy on TV was a Fourth of July family tradition growing up! The nearly 30-year old movie was inspiring then & remains so today. The Fourth was always this little boy’s favorite holiday, for the same reason as Mr.
  • R,Fay 16 2013 Los Angeles City Council Room 395, City Hall 200 North Spring Street, Room 410 Los Angeles, California 90012

    R,Fay 16 2013 Los Angeles City Council Room 395, City Hall 200 North Spring Street, Room 410 Los Angeles, California 90012

    DEPARTMENT OF CITY PLANNING EXECUTIVE OFFICES OFFICE OF HISTORIC RESOURCES MICHAEL LOGRANDE 200 N. SPRING STREET. ROOM 620 CITY OF Los ANGELES los ANGELES,CA 90012·4801 DIRECTOR (213) 978 ·1200 CALIFORNIA (213) 978·1271 ALAN BELl, Arc? CULTURAL HERITAGE COMMISSION O,PUlY D1R'CTOR· (213) 978-1272 RICHARD BARRON PR,S!O~NT USA WEBBER, Ale!> ROELLA H. LOUIE DEPUTY DIRECTOR VlCE-PR,SIOENT (213) 978-1274 TARA}. HAMACHER GAlL KENNARD EVA YUAN-MCDANrEl OZSCOTT DEPUlY DIRECTOR ANTONIO R. VILLARAIGOSA (213) 978-1273 FElY C PINGOl MAYOR FAX: (213) 978-1275 COMMISSION iOXECUTIVE ASSISTANT (213) 978-1294 INFORMATION (213) 978·1270 wwwplanning.ladty.org Date: r,fAY 16 2013 Los Angeles City Council Room 395, City Hall 200 North Spring Street, Room 410 Los Angeles, California 90012 Attention: Sharon Gin, Legislative Assistant Planning and Land Use Management Committee CASE NUMBER: CHCw2013w510wHCM GIBBONSwDEL RIO RESIDENCE 757 KINGMAN AVENUE At the Cultural Heritage Commission meeting of May 9, 2013, the Commission moved to include the above property in the list of Historic-Cultural Monument, subject to adoption by the City Council. As required under the provisions of Section 22.171.10 of the Los Angeles Administrative Code, the Commission has solicited opinions and information from the office of the Council District in which the site is located and from any Department or Bureau. of the city whose operations may be affected by the designation of such site as a Historic-Cultural Monument. Such designation in and of itself has no fiscal impact Future applications for permits may cause minimal administrative costs.
  • The Roots of Post-Racial Neoliberalism in Blacklist Era Hollywood

    The Roots of Post-Racial Neoliberalism in Blacklist Era Hollywood

    The Roots of Post-Racial Neoliberalism in Blacklist Era Hollywood A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Andrew Paul IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Lary May, Tracey Deutsch March 2014 © Andrew Paul 2014 Acknowledgements Writing this dissertation would not have been possible without the support of countless others. First, I acknowledge the generosity of my dissertation committee. My advisors, Lary May and Tracey Deutsch offered enthusiastic guidance, criticism, and support. Lary’s own contributions to the historiography of the blacklist were second in value only to his personal attention to my work, and his questions yielded important research leads. Tracey helped me to think across sub-fields and pushed me to improve my writing. Both of them encouraged me to take intellectual risks and to make bold claims and interventions. Elaine Tyler May, Riv-Ellen Prell, and Malinda Lindquist all shaped my development as a scholar as well. With thoughtful and critical attention to my writing, they challenged me to clarify my ideas and helped me to see how my work was entering different conversations, and how it might stand to enter others. It was a privilege to be able to discuss my ideas with this committee. I was awarded generous financial sums from the University of Minnesota’s Harold Leonard Memorial Film Studies Fellowship and the University of Minnesota Foundation, which allowed me travel to archives in California, Wisconsin, and New York. In these locales, at the Charles Young Research Library at the University of California Los Angeles, the Margaret Herrick Library and the Paley Center for Media, both located in Beverly Hills, the Wisconsin State Historical Society in Madison, and at the Center for Jewish History in New York City, numerous archivists assisted me in my work., and for this I owe them my gratitude.
  • Dance Floor Democracy: the Social Geography of Memory at the Hollywood Canteen

    Dance Floor Democracy: the Social Geography of Memory at the Hollywood Canteen

    Critical Studies in Improvisation / Études critiques en improvisation, Vol. 14, Nos. 2–3 Book Review Dance Floor Democracy: The Social Geography of Memory at the Hollywood Canteen Sherrie Tucker Duke University Press, 2014 ISBN: 9780822357421 ISBN: 9780822357575 408 pages Reviewed by Harri Heinilä Professor Sherrie Tucker, a feminist jazz studies scholar, discusses the Hollywood Canteen, a USO-like nightclub and a military recreation spot in Hollywood, Los Angeles, which operated between October 1942 and November 1945. Movie stars and other volunteers mainly from the Hollywood movie industry operated the Canteen (xiii, xiv, 320). She focuses on the Swing-dominated dance floor of the Canteen and its contradictory connections between democracy, race, and gender (xix) by exploring the ideologies and interests of volunteers and patrons of the place, who were mostly soldiers of different races and of the Allied nations. Tucker is interested in how these individuals experienced the Canteen in the past, but also in how they shape and convey their memories of it in the present in their interviews with her (xiv, xxiii, 8-9). Her study is not a comprehensive history of the Hollywood Canteen, but an analysis in which the past and the present meet via the interviews, newspaper articles, earlier studies, memoirs, and archival sources like FBI files and former patrons’ unpublished recollections of the Canteen. Tucker connects her interviewees’ memories of life in America during WWII with more recent narratives of living in America during a war abroad and hostile attacks on American soil, specifically recollections of the 9/11 terrorist attack in 2001, which took place around the time she conducted the interviews (8–10).
  • Exploring Hollywood's Historic Neighborhoods

    Exploring Hollywood's Historic Neighborhoods

    The publication of Hollywood Heritage, a private, non-profit organization dedicated to preservation of the historic built environment in Hollywood and to education about the role of the early flim industry and its pioneers in shaping Hollywood’s Summer 2013 www.hollywoodheritage.org Volume 32, Number 2 history Exploring Hollywood’s Historic Neighborhoods he Lasky-DeMille Barn has been a itage.org) for more information on one of One of the most significant aspects of witness to Hollywood’s history and our most significant historic neighborhoods. the Highland-Camrose bungalows is the Tdevelopment for over 110 years. Highland-Camrose way they were sited. While most bungalow For 25 years it sat at the corner of Selma courts have tightly organized houses oriented Avenue and Vine Street in the heart of Bungalow Park around simple courtyard spaces, the High- Hollywood’s turn of the century residential Developed within the same time period land-Camrose Bungalows were scattered district. It spent the next 50 years on the as Whitley Heights at a more modest scale, around a very large site with several of the premises of Paramount Studios. The area the Highland-Camrose bungalows were de- bungalows oriented onto the adjacent streets. surrounding its current 30-year location is signed between 1916 and 1923 by the Taylor The oldest, a Dutch Colonial Revival built in rich with other historic sites. Surrounding Brothers and Lee Campbell as residences for 1906, was joined by 13 smaller residences. the Lasky-DeMille Barn lies a microcosm employees of movie studios. The Hollywood In the 1980s, the bungalows had fallen of Hollywood architecture and cultural Bowl, Whitley Heights, Highland-Camrose into disrepair and were beset by vandals and sites whose presence and contributions to Bungalow Village and Hollywood Heights neglect.
  • EARS!! the Litchfield Fund Weekly Newsletter

    EARS!! the Litchfield Fund Weekly Newsletter

    ALL EARS!! The Litchfield Fund Weekly Newsletter “We just don’t hear it on the street, we have our ears spread across all the fields!!!!!” The war movie! Of course, during WWII, the movies were patriotic & inspiring, such as Back to Bataan & Wake Island! Post-war & into the 1950s, movies followed the trend for darker, more psychological stories like Crossfire & The Young Lions. The 1960s brought big budget wide-screen spectaculars (The Longest Day, The Great Escape) & irreverent comedies (What Did You Do in the War, Daddy). Dark comedies (M*A*S*H) & blood & violence (The Deer Hunter) were on the screen in the 1970s. Many movie heroes from the 1940s, along with unknowns who later rose to stardom, heroically served for our country during WWII! (In our All Ears!! tradition, we will forego this week’s headlines to honor those who have served to protect our freedom.) Heroes: During WWII close to 15 million men & women were either drafted or they enlisted into the Army, Navy, Marines, Coast Guard or Merchant Marine. More than 70% of the male population aged 18 to 44 served! Today, we will share that era’s movie stars & some future stars’ real-life war experiences! Needless to say, these were some really tough guys! Good-natured, Oscar-nominated Eddie Albert, who portrayed the always frustrated Oliver Wendell Jones in TV’s Green Acres, was already a star when he enlisted in the Coast Guard in 1942. He transferred to the U.S. Navy & piloted a landing craft at the invasion of Tarawa. After getting the men on his craft to shore, he stayed under deadly fire to rescue 47 Marines stranded in the water & then supervise the rescue of 30 more Marines.
  • Entertainment Industry, 1908-1980 Theme: Industrial Properties Associated with the Entertainment Industry, 1908-1980

    Entertainment Industry, 1908-1980 Theme: Industrial Properties Associated with the Entertainment Industry, 1908-1980

    LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: Entertainment Industry, 1908-1980 Theme: Industrial Properties Associated with the Entertainment Industry, 1908-1980 Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources December 2019 SurveyLA Citywide Historic Context Statement Entertainment Industry/Industrial Properties Associated with the Entertainment Industry, 1908-1980 TABLE OF CONTENTS PREFACE 1 CONTRIBUTORS 1 INTRODUCTION 1 HISTORIC CONTEXT INDUSTRIAL PROPERTIES ASSOCIATED WITH THE ENTERTAINMENT INDUSTRY, 1908-1980 3 Origins of the Entertainment Industry in Southern California 3 Entertainment Industry Development in the 1920s and 1930s 13 Entertainment Industry Development During World War II 59 Entertainment Industry Development in the Postwar Era 63 SUB-THEME: ORIGINS OF THE MOTION PICTURE INDUSTRY, 1908-1919 72 Development of Industrial Districts and “Motion Picture Zones” 72 Development of Early Motion Picture Production Facilities 73 SUB-THEME: MOTION PICTURE INDUSTRY: MAJOR STUDIO ERA – “THE BIG EIGHT,” 1919-1949 76 Development of Major Motion Picture Production Facilities 76 SUB-THEME: MOTION PICTURE INDUSTRY: INDEPENDENT STUDIOS AND RENTAL PLANTS, 1919-1980 80 Development of Independent Motion Picture Production Facilities 80 SUB-THEME: RADIO BROADCASTING INDUSTRY, 1922-1945 84 Development of Radio Broadcasting Facilities 84 SUB-THEME: TELEVISION BROADCASTING INDUSTRY, 1931-1980 88 Development of Television Broadcasting Facilities 88 SUB-THEME: RECORDING INDUSTRY, 1925-1980
  • The Inventory Ofthe Gene Kelly Collection #401

    The Inventory Ofthe Gene Kelly Collection #401

    The Inventory ofthe Gene Kelly Collection #401 Howard Gotlieb Archival Research Center Kelly, Gene #401 Gift of 1968 I. Subject Files. Box 1 A. SINGING IN THE RAIN, 1953. GK co-director. [F. 1] 1. Working script of film. T 2. TS with many holograph notes and additions, 120 p. 3. Production schedule, cast list, props, etc., TS, 45 p. [Returned to Mr. Kelly, 8/28/72]. B. THE TUNNEL OF LOVE, film, 1956. GK director. [F. 2] 1. Production notes, TS with holograph correspondence, 19 p. 2. First preview report (poll ofreaction to movie from 158 poll cards), TS, 10 p. 3. 4 reviews of film from The Film Daily, Motion Picture Daily, The Hollywood, Reporter, Variety. 4. "The Do-It-Yourself Director," printed article (magazine) re: GK. 5. Notes on film, holograph, 3 p. C. PAS DE DEUX, Ballet for Paris Opera. GK choreographer. [F. 3] 1. Correspondence. a. Julien, A. M. To GK, TLS, Sept. 10, 1959. b. Bretty, Beatrice to GK, TLS, Sept. 10, 1959. c. Julien. A. M. To GK, TLS, Sept. 11, 1959. d. Kelly, Gene to A. M. Julien, TL (carbon), Sept. 29, 1959. e. Julien, A. M. To GK, Sept. 23, 1959. f. Bretty, Beatrice to GK, ALS, Oct. 15, 1959. g. Gershwin, Ira to GK, TLS, May 16, 1960. ............ h. GKto BeatriceBretty,TL(carbon) with.holograph correspondence. 2. Draft of agreement for GK to sign, re: ballet, holograph. 3. Program synopsis, holograph. 4. Ballet Synopsis: English typescript, 3 p. French typescript, 3 p. 5. Direction ideas for ballet, holograph notes, 1 p.