The Influence of Settings on Sabrina Spellman's Personality Development
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In Commemoration of the Victims of the Famine of 1933
Olexa Woropay The Ninth Circle In Commemoration of the Victims of the Famine of 1933 Edited with an Introduction by James E. Mace Harvard University Ukrainian Studies Fund Cambridge, Massachusetts Copyright 1983 by the Ukrainian Studies Fund, Inc. All rights reserved ISBN 0-9609822-0-5 Library of Congress Catalog Number 82-509 17 Printed in the United States of America The Ukrainian Studies Fund, Inc. was established in 1957. Its purpose is to raise funds for the establishment and support of Ukrainian scholarly cen- ters at American universities. The organization has endowed three chairs in Ukrainian studies (history, literature, and linguistics) at Harvard Univer- sity, and is in the process of completing the endowment of Harvard's Ukrainian Research Institute. Contents Editor's Introduction ix Author's Introduction xvi Chapter 1. What I Saw with My Own Eyes 1 I. The Villages in My Sector 1 11. A Trip to Kiev 9 2. What I Have Heard from Eye-Witnesses 16 I. Preface 11. Children 111. In the Homeland of Taras Shevchenko IV. The Fate of Some Families v. Terrible Statistics VI. The ' 'International" VII. Punished for Pulling a Few Ears of Corn VIII. Cannibalism 1X. ' 'Red Kurkuls' ' X. When Thieves Have Power XI. There Were Others, Too XII. The Activists XIII. The "Leaders" Saw for Themselves XIV. New Settlers 3. The Bosses are Satisfied Index Photo Insert Photos following page 8 were first published in The Chicago American newspaper during February and March, 1935. Editor's Introduction James E. Mace READERSIN THE English-speaking world will find much of what Olexa Woropay says hard to believe. -
ECFG-Croatia-2021R.Pdf
About this Guide This guide is designed to prepare you to deploy to culturally complex environments and achieve mission objectives. The fundamental information contained within will help you understand the cultural dimension of your assigned location and gain skills necessary for ECFG success (Photo: The Dalmatian coastal town of Primošten). The guide consists of 2 parts: of Republic Part 1 is the “Culture General” section, which provides the foundational knowledge you need to operate effectively in any global environment with a focus on Southeast Europe. Part 2 is the “Culture Specific” section, which describes unique cultural features of Croatian society. It applies culture-general concepts to help increase your knowledge of your assigned deployment location. This section is designed to complement other pre-deployment Croatia training (Photo: A display of bread in a fire pit in Dalmatia, Croatia). For further information, contact the AFCLC Region Team at [email protected] or visit the AFCLC website at https://www.airuniversity.af.edu/AFCLC/. Disclaimer: All text is the property of the AFCLC and may not be modified by a change in tit le, content, or labeling. It may be reproduced in its current format with the express permission of the AFCLC. All photography is provided as a courtesy of the US government, Wikimedia, and other sources. GENERAL CULTURE PART 1 – CULTURE GENERAL What is Culture? Fundamental to all aspects of human existence, culture shapes the way humans view life and functions as a tool we use to adapt to our social and physical environments. A culture is the sum of all of the beliefs, values, behaviors, and symbols that have meaning for a society. -
Societal Relevance As Success Factor of TV Series: the Creators’ Perception
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2019 Societal relevance as success factor of TV series: the creators’ perception Verhoeven, Marcel Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-170818 Dissertation Published Version Originally published at: Verhoeven, Marcel. Societal relevance as success factor of TV series: the creators’ perception. 2019, University of Zurich, Faculty of Arts. Societal Relevance as Success Factor of TV Series: The Creators’ Perception Thesis Presented to the Faculty of Arts and Social Sciences of the University of Zurich for the Degree of Doctor of Philosophy by Marcel Verhoeven Accepted in the Spring Term 2019 on the Recommendation of the Doctoral Committee: Prof. Dr. Gabriele Siegert (main advisor) Prof. Dr. M. Bjørn von Rimscha (second advisor) Zurich, 2019 0 Abstract Media mediate societally relevant messages in formats that disseminate information. However, the communication of ideas and opinions on societal issues also takes place in entertainment formats such as fictional TV series. Furthermore, mediation in entertainment is often regarded as more effective than dissemination through information formats, (also) due to the evading of recipients’ selection barriers. The importance of investigating TV series bases on the format’s large narrative space that enables the communication and repetition of ideas and messages and on the format’s popularity with audiences and, consequently, with broadcasters. Countless different influences shape the composition of TV series’ content and the inclusion of societally relevant messages. One potentially very important reason for incorporating specific messages and content elements in TV series is the extent to which decision-makers regard societal relevance as a success factor. -
I'm Never Fine
University of Texas at El Paso ScholarWorks@UTEP Open Access Theses & Dissertations 2019-01-01 I'm Never Fine Joseph S. Lezza University of Texas at El Paso Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Creative Writing Commons Recommended Citation Lezza, Joseph S., "I'm Never Fine" (2019). Open Access Theses & Dissertations. 2870. https://digitalcommons.utep.edu/open_etd/2870 This is brought to you for free and open access by ScholarWorks@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of ScholarWorks@UTEP. For more information, please contact [email protected]. “I’M NEVER FINE” JOSEPH S. LEZZA Master’s Program in Creative Writing APPROVED: _______________________________________ Nelson Cardenas, Ph. D., Chair _______________________________________ Tim Hernandez, M.F.A _______________________________________ Liz Scheid, M.F.A. _______________________________________ Stephen L. Crites, Jr., Ph.D. Dean of the Graduate School “I’M NEVER FINE” by JOSEPH S. LEZZA, B.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF FINE ARTS Department of Creative Writing THE UNIVERSITY OF TEXAS AT EL PASO December 2019 Acknowledgments “Death, the Moon & Dry-Rubbed Steak” first appeared in Still: The Journal (Winter 2018). “The Simple Guide to Redefinition in Oslo, Norway” first appeared in Fearsome Critters (Volume 1). “Little Murders” first appeared in Cleaning Up Glitter (Volume 1, Issue 2). “The Space Between the Tenses” will appear in the tenth anniversary issue of Stoneboat Literary Journal (Winter 2020). -
Request a Printed Copy
Request a printed copy SKU Title 100 DAYS BEFORE THE COMMAND (Sto Dney do Prikaza) (1991) * with switchable 5989 English and German subtitles * 1858 12 MINUTEN NACH 12 (1939) 590 13 MANN UND EINE KANONE (1938) 3098 1860 (1934) * with switchable English subtitles * 776 1914 - DIE LETZTEN TAGE VOR DEM WELTBRAND (1931) * improved picture quality * 5290 1922 (1978) * with switchable English subtitles * 2554 24 STUNDEN AUS DEM LEBEN EINER FRAU (1931) * with switchable English subtitles * 1864 4 TREPPEN RECHTS (1945) 5697 491 (1964) * with switchable English and German subtitles * 356 5 FINGERS (1952) 681 A.D. – THE GLORY OF THE KHAN (1984) * with hard-encoded Bulgarian 2453 subtitles * 1857 7 OHRFEIGEN (1937) 4878 80 HUSZAR (80 Hussars) (1978) * with switchable English subtitles * 5505 A BAD JOKE (Skvernyy anekdot) (1966) * with switchable English subtitles * A BRIVELE DER MAMEN (A LETTER TO MAMA) (1938) *Hard-Encoded English 786 subtitles* 3056 A CANTERBURY TALE (1944) 5040 A CARRIAGE TO VIENNA (1966) * with switchable English subtitles * 4163 A COTTAGE ON DARTMOOR (1929) 3066 A DEADLY INVENTION (Vynález zkázy) (1958) 5575 A DREAM (1964) * with switchable English subtitles * 2769 A FIRE HAS BEEN ARRANGED (1935) 319 A FOREIGN AFFAIR (1948) * with or without hard-encoded German subtitles * 2919 A GIRL IN BLACK (To koritsi me ta mavra) (1956) * with switchable English subtitles * 2590 A HISTORY OF MILITARY PARADES ON RED SQUARE (1918 – 2010) (2013) 312 A JOURNEY THROUGH OLD EAST PRUSSIA *with switchable English subtitles* 313 A JOURNEY THROUGH -
Walking with the Wampus
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2012 Walking with the Wampus Abigail Grace Griffith [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Fiction Commons Recommended Citation Griffith, Abigail ace,Gr "Walking with the Wampus. " Master's Thesis, University of Tennessee, 2012. https://trace.tennessee.edu/utk_gradthes/1157 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Abigail Grace Griffith entitled alking"W with the Wampus." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in English. Margaret Lazarus Dean, Major Professor We have read this thesis and recommend its acceptance: Michael Knight, William J. Hardwig Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) WALKING WITH THE WAMPUS A Thesis Presented for the Master of Arts Degree The University of Tennessee Abigail Grace Griffith May 2012 ii Copyright © 2012 by Abigail Griffith All rights reserved. iii For my teachers, old and new– who taught me how to climb the mountain, and for JH, TB, LH, AH, NN, and KB– who lit the path back down. -
Readily Admits) That Was Provoked by a Growing Interest in the Female Sex
Martin Scorsese’s Divine Comedy Also available from Bloomsbury: The Bloomsbury Companion to Religion and Film, edited by William L. Blizek Dante’s Sacred Poem, Sheila J. Nayar The Sacred and the Cinema, Sheila J. Nayar Martin Scorsese’s Divine Comedy Movies and Religion Catherine O’Brien BLOOMSBURY ACADEMIC Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2018 Copyright © Catherine O'Brien, 2018 Catherine O'Brien has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. For legal purposes the Acknowledgements on p. vi constitute an extension of this copyright page. Cover design by Catherine Wood Cover image © Appian Way / Paramount / Rex Shutterstock All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Names: O’Brien, Catherine, 1962- author. Title: Martin Scorsese’s divine comedy: movies and religion / Catherine O’Brien. Description: London; New York, NY : Bloomsbury Academic, 2018. | Includes bibliographical references and index. | Includes filmography. Identifiers: LCCN 2017051481| -
Croatia About This Guide
EXPEDITIONARY CULTURE FIELD Guide zagreb Split croatia About this Guide This guide is designed to prepare you to deploy to culturally complex environments and achieve mission objectives. The fundamental information contained within will help you understand the cultural dimension of your assigned location and gain skills necessary for ECFG success (Photo: The Dalmatian coastal town of Primošten, Croatia). The guide consists of 2 parts: Republicof Part 1 is the “Culture General” section, which provides the foundational knowledge you need to operate effectively in any global environment with a focus on Southeast Europe. Part 2 is the “Culture Specific” section, which describes unique cultural features of Croatian society. It applies culture-general concepts to help increase your knowledge of your assigned deployment location. This section is designed to complement other pre-deployment Croatia training (Photo: A display of bread in a fire pit in Dalmatia, Croatia). For further information, contact the AFCLC Region Team at [email protected] or visit the AFCLC website at https://www.airuniversity.af.edu/AFCLC/. Disclaimer: All text is the property of the AFCLC and may not be modified by a change in title, content, or labeling. It may be reproduced in its current format with the express permission of the AFCLC. All photography is provided as a courtesy of the US government, Wikimedia, and other sources. GENERAL CULTURE PART 1 – CULTURE GENERAL What is Culture? Fundamental to all aspects of human existence, culture shapes the way humans view life and functions as a tool we use to adapt to our social and physical environments. -
Medieval Arabic-Islamic Poetics: the Transformation of the Amatory Prelude
Medieval Arabic-Islamic Poetics: The Transformation of the Amatory Prelude Sahar Ishtiaque Ullah Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 Copyright 2017 Sahar Ishtiaque Ullah All rights reserved ABSTRACT Medieval Arabic-Islamic Poetics: The Transformation of the Amatory Prelude Sahar Ishtiaque Ullah The dissertation investigates the medieval poetics of the amatory prelude beginning with the thirteenth century Qaṣīdat al-Burdah – or The Mantle Ode – by the poet Muhammad ibn Sa'īd al-Būṣīrī (d. 1294). Poets expanded the trope of the abandoned ruins to include urban space; incorporated sacred beloveds as poetic beloveds; and foregrounded the self-conscious authorial voice within the prelude. The first chapter locates the thirteenth century Qaṣīdat al-Burdah within the larger Arabic poetic legacy that extends to the ancient pre-Islamic period. The second chapter considers the discursive formation of sacred poetic beloveds, such as the Prophet Muhammad, incorporated among the repertoire of the amatory prelude’s classical and ancient poetic beloveds. The third chapter analyzes the authorial voice and role of the lyric “I” in the preludes of Shaʻbān al-Āthārī (d. 1425) and ʻĀʼishah al-Bāʻūniyyah (d. 1517) who pay homage to their literary predecessors including Ibn al-Fāriḍ (d. 1235), al-Būṣīrī, and Ṣafī al-Dīn al-Ḥillī (d. 1349) by mirroring their metrical composition. The fourth chapter interrogates the intersection of poetics and literary criticism in the medieval Arabic-Islamic devotional invocation that is the hallmark of medieval prolegomena. The preludes within the genre of instructive poems on rhetoric known as the badīʿiyyāt encapsulated literary criticism’s definition of “ingenious beginnings.” Ṣalāḥ al-Dīn al-Ṣafadī (d. -
A 'Non-Aligned'
UDK: 327.54:791(497.1)]:32.019.5 DOI: 10.20544/IYFS.38.2.18.08 Original Scientific Paper THE COLD WAR SEEN THROUGH THE PRISM OF YUGOSLAVIAN CINEMA: A ‘NON-ALIGNED’ VIEW ON THE CONFLICT Antoanela Petkovska, PhD Full Professor at the Faculty of Philosophy in Skopje, [email protected] Marija Dimitrovska, MA Demonstrator at the Faculty of Philosophy in Skopje [email protected] Abstract: The focus of this paper is the treatment of the topics related to the Cold War in Yugoslavian cinema, compared to the most prominent features of the discourse of the Cold War in Hollywood and the Soviet cinema. The Socialist Federative Republic of Yugoslavia, in its four and a half decades of existence, put a significant emphasis on spreading political messages through state-sponsored, mostly feature films. The aspect of the treatment of the Cold War by Yugoslavian cinematography is furthermore intriguing having in mind the unique strategic position the country had in the period of the Cold War, after the deterioration of Yugoslavia and the Soviet Union’s relations, and the role Josip Broz Tito played in the establishment of the Non-Alignment Movement, which acted buffer zone in the ever growing hostility between the USA and the Soviet Union. The sample of movies we analyze present in a narrative form the perception of the Otherness of both the main protagonists in the conflict and the position of the ‘non-aligned’ view on the Cold War events. The analysis of the political messages in Yugoslavian cinema is all the more compelling having in mind that Yugoslavian officials saw cinema as a very convenient way of sending political messages to the masses through the medium dubbed as Biblia pauperum. -
One Hundred and One Years of the Croatian Film (1896-1997)
Ivo Škrabalo One hundred and one years of the Croatian film (1896-1997) A Survey of the History of the Croatian Cinema Moving Pictures The development of the new medium of moving pictures in Croatia, as in all other countries, began with the first public showings of living pho tographs, the term which was used in the first grand anouncements of the new attraction. The first moving picture was shown in Zagreb on 8 Octo ber 1896, barely ten months after the first showing in Paris. After this early beginning, however, Croatian film did not follow the leading world trends in the cinema. Its development was slow and discontinuous, which is characteristic of small and poor milieus. Our ancestors, however, did not have to wait long for travelling cinemas, which visited all large Croa tian towns as early as 1897. The first movie theaters were opened in Za greb and Pula (1906). These were followed by cinemas in Split, Zadar, and Rijeka (1907), and a year later in Dubrovnik (1908). The first Croa tian film distribution company was established in Zagreb in 1907, and the first film journal was published in Bjelovar in 1913. The new attraction immediately found audiences in Croatia, and imported films were shown by a number of entrepreneurs. The need for domestic film production was not felt at the time, since new films could be obtained relatively cheaply from distribution centers in Vienna and Trieste. Local cinemas, however, tried to offer their own attractions, so that local town scenes lasting several minutes were filmed by camera owners at home, or by traveling cameramen. -
Episode Guide
Episode Guide Episodes 001–041 Last episode aired Thursday January 07, 2021 www.cbs.com © © 2021 www.imdb.com © 2021 www.cbs.com © 2021 www.netflix.com © 2021 memory-alpha.org The summaries and recaps of all the Star Trek: Discovery episodes were downloaded from http://www.tv.com and http://www.cbs.com and http://www.netflix.com and http://memory-alpha.org and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in the text ! This booklet was LATEXed on January 9, 2021 by footstep11 with create_eps_guide v0.65 Contents Season 1 1 1 The Vulcan Hello . .3 2 Battle at the Binary Stars . .7 3 Context Is for Kings . .9 4 The Butcher’s Knife Cares Not for the Lamb’s Cry . 15 5 Choose Your Pain . 19 6 Lethe............................................... 25 7 Magic to Make the Sanest Man Go Mad . 27 8 Si Vis Pacem, Para Bellum . 31 9 Into the Forest I Go . 33 10 Despite Yourself . 35 11 The Wolf Inside . 37 12 Vaulting Ambition . 39 13 What’s Past Is Prologue . 43 14 The War Without, The War Within . 45 15 Will You Take My Hand? . 49 Season 2 53 1 Brother . 55 2 New Eden . 59 3 Point of Light . 63 4 An Obol for Charon . 69 5 Saints of Imperfection . 75 6 The Sound of Thunder . 79 7 Light and Shadows . 85 8 If Memory Serves . 91 9 Project Daedalus . 99 10 The Red Angel . 107 11 Perpetual Infinity .