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Sea Voyages to Paracel Islands in the South China Sea Under Emperor Minh Mang (1833-1838), the Analyses of Historical Data - Description
Sea Voyages to Paracel Islands in the South China Sea Under Emperor Minh Mang (1833-1838), the analyses of historical data - description Ha Minh Hong1, Le Thanh Hoa2, Dai-Long Ngo-Hoang3, Nguy Ngoc Thuy4, Huynh Tam Sang5, Nguyen Thi Thu Thuy6 1,2,3,4,5,6 University of Social Sciences and Humanities, Vietnam National University – Ho Chi Minh City (VNUHCM-USSH) ABSTRACT The Official Documentation of the Nguyen dynasty is a type of administrative documentation of the House of Nguyen (1802-1945) on which reserved the king's handwritten feedback in red ink. The Official documentation about the implementation of Vietnam's sovereignty over Paracel Islands (Paracel) and Truong Sa (Spratly) archipelagos includes 19 documents, 12 of that (from document no. 5 to no. 16) reflect mission sea voyages of the fleet heading to Paracel Islands archipelagos from late March to late June, from 1833 to 1838. The following are the main features of these activities include: (i) in each sea voyage, they had different tasks such as measuring and mapping; bringing materials to build the temple…; (ii) The activities during this period under King Minh Menh clearly showed the strict management and the responsibility of the national leader to the national territory in general and islands in particular; (iii) the territory acquire the nationality in Paracel Islands from 1833 to 1838, which was the continuity of a process established by the Nguyen Lords from hundreds of years ago. Keywords: Paracel Islands archipelagos, the Nguyen dynasty, mission, voyages The mission of the Nguyen Dynasty (Vietnam) to the two groups of Paracel Islands (Paracel) and Truong Sa (Spratly) archipelagos was carried out soon. -
From 16 October 2013 to 26 January 2
Room 2 Room 1 Indochina Indochina from 1908 to 1956 from 1858 to 1907 entrance Exhibition www.musee-armee.fr - - from 16 October 2013 Open every day from 10 a.m. to 26 January 2014 to 6 p.m. until 31 October, - As of November 1st, from 10 a.m Hôtel des Invalides, to 5 p.m. 129 rue de Grenelle, Closed on 25 December and 1 January 6 boulevard des Invalides (special needs access) Paris VII Located at the crossroads of India and China, in the 16th century the Indochinese peninsula aroused European interest. The Pope gave the Jesuits and missionaries in the foreign missions the task of converting the local people and training a «native» clergy, while the initial commercial relations between Europe and the peninsula were inaugurated by the Portuguese, followed a century later by the Dutch and the English. France, which was only involved from the religious point of view in the 17th century, sought supply points between India and China for the ships belonging to the Compagnie des Indes Orientales (East India Company). The civil war of 1775-1802, coming after a relatively peaceful period between the Vietnamese domains in the North and the South, gave it the opportunity, through Mgr. Pigneau de Béhaine, of signing an assistance treaty which was never applied, between the King of France Louis XVI and the heir Sabre belonging to Gia Long, to the Nguyen dynasty, the future Emperor Gia Long (1802- the Emperor of Annam - 1820). At the same time as the Confucian structures of the Late 18th - early 19th century Steel, gold, jade, coral, pearl, Empire were being renovated, he modernised the army and precious stones and vermeil (c) Paris, Musée de l’Armée (1891). -
The Grand Ducal Family of Luxembourg ✵ ✵ the Grand Ducal Family of Luxembourg ✵
The Grand Ducal Family of Luxembourg ✵ ✵ The Grand Ducal Family of Luxembourg ✵ TRH Grand Duke Henri and Grand Duchess Maria Teresa wave to the crowd from the balcony of the Grand Ducal Palace (7 October 2000) Historical introduction ✹07 Chapter One The House of Luxembourg-Nassau ✹17 - The origins of the national dynasty 18 - The sovereigns of the House of Luxembourg 20 - Grand Duke Adolphe 20 - Grand Duke William IV - Grand Duchess Marie-Adélaïde 21 - Grand Duchess Charlotte 22 - Grand Duke Jean 24 - Grand Duke Henri 28 Grand Duchess Maria Teresa 32 - Hereditary Grand Duke Guillaume 34 - Grand Duke Henri’s brothers and sisters 36 - HRH Grand Duke Henri’s accession to the throne on 7 October 2000 40 Chapter Two The monarchy today ✹49 - Prepared for reign 50 - The Grand Duke’s working day 54 - The Grand Duke’s visits abroad 62 - Visits by Heads of State to Luxembourg 74 - The public image of the Grand Ducal Family in Luxembourg 78 Chapter Three The constitutional monarchy ✹83 - The political situation of the Grand Duke 84 SUMMARY - The order of succession to the throne 92 Index - Index Accession to the Grand Ducal Throne 94 - The Lieutenancy 96 - The Regency 98 Chapter Four The symbols of the monarchy ✹101 - National Holiday – official celebration day of the Grand Duke’s birthday 102 - Coats of arms of the Grand Ducal House 104 - The anthem of the Grand Ducal House 106 Chapter Five The residences of the Grand Ducal Family ✹109 - The Grand Ducal Palace 110 - Berg Castle 116 - Fischbach Castle 118 Annexe - The Grand Duke’s visits abroad - Visits by Heads of State to Luxembourg HistoricalIntro introduction History Historical summary Around 963 1214 Siegfried acquires the rocky Ermesinde of Luxembourg outcrop of Lucilinburhuc marries Waleran of Limburg 1059-1086 1226- 1247 Conrad I, Count of Luxembourg Ermesinde, Countess of Luxembourg 8 1136 ✹ Death of Conrad II, last Count 1247-1281 Henry V of Luxembourg, of Luxembourg from the House known as Henry the Blond, of Ardenne. -
The Symbol of the Dragon and Ways to Shape Cultural Identities in Institute Working Vietnam and Japan Paper Series
2015 - HARVARD-YENCHING THE SYMBOL OF THE DRAGON AND WAYS TO SHAPE CULTURAL IDENTITIES IN INSTITUTE WORKING VIETNAM AND JAPAN PAPER SERIES Nguyen Ngoc Tho | University of Social Sciences and Humanities, Vietnam National University – Ho Chi Minh City THE SYMBOL OF THE DRAGON AND WAYS TO SHAPE 1 CULTURAL IDENTITIES IN VIETNAM AND JAPAN Nguyen Ngoc Tho University of Social Sciences and Humanities Vietnam National University – Ho Chi Minh City Abstract Vietnam, a member of the ASEAN community, and Japan have been sharing Han- Chinese cultural ideology (Confucianism, Mahayana Buddhism etc.) and pre-modern history; therefore, a great number of common values could be found among the diverse differences. As a paddy-rice agricultural state of Southeast Asia, Vietnam has localized Confucianism and absorbed it into Southeast Asian culture. Therefore, Vietnamese Confucianism has been decentralized and horizontalized after being introduced and accepted. Beside the local uniqueness of Shintoism, Japan has shared Confucianism, the Indian-originated Mahayana Buddhism and other East Asian philosophies; therefore, both Confucian and Buddhist philosophies should be wisely laid as a common channel for cultural exchange between Japan and Vietnam. This semiotic research aims to investigate and generalize the symbol of dragons in Vietnam and Japan, looking at their Confucian and Buddhist absorption and separate impacts in each culture, from which the common and different values through the symbolic significances of the dragons are obviously generalized. The comparative study of Vietnamese and Japanese dragons can be enlarged as a study of East Asian dragons and the Southeast Asian legendary naga snake/dragon in a broader sense. The current and future political, economic and cultural exchanges between Japan and Vietnam could be sped up by applying a starting point at these commonalities. -
1 BEGINNING 1. REASON 1.1.Nguyen Dynasty Is the Last Monarchy of Vietnam and Has Chosen Hue As the Capital City of the Country D
BEGINNING 1. REASON 1.1.Nguyen dynasty is the last monarchy of Vietnam and has chosen Hue as the capital city of the country during 143 years (1802-1945). Along with the establishment of state machine according to the centralization institution, the Nguyen emperors established and executed the ritual regulations and rites abundantly, strictly, methodically days by days, with an aim to affirm and reinforce the legitimacy and orthodoxy of the emperor, the dynasty as well as the noble position of Royal Family. The main ideal thought of the Ministry of Rites is that the system of royal festival has highlighted the aspiration of independence and self-control in the ideal, spiritual lives and in the viewpoint and world view of the Nguyen dynasty with the spirit “a country with a thousand years of civilization is now a united country” of an independent country which is different from China, and even Japan and South Korea which are countries of the same handwriting. Those ritual heritages are often called Nguyen court’s royal festival. From the influences originated from China, experiencing Dai Viet monarchies, Nguyen court’s royal festival was formed in the harmonious combination of Southern native factors with Western factors from the XVIIIth-XIXth century. Therefore, they are very typical, full of Vietnamese identities and stuff. Hence, royal festival is an important factor forming Hue culture, creating typical identity of Hue in the comparison with other cultures of the country. However, up to now, the assessments and researches on Nguyen court’s royal festival are insufficient. Statistics of Ministry of Culture and Information on festivals all over the country since 2003 didn’t mention Nguyen court’s royal festivals. -
Lye VAN TIEN: ITS RELATION to PRIOR TEXTS John C
A ~ Lye VAN TIEN: ITS RELATION TO PRIOR TEXTS John C. Schafer In the history of Vietnamese literature truy~n tho~ or verse narrative, 0\: cupies a prominent place. The genre emerged a~ least as early as the sixteentll century when Vietnamese story tellers realized they could employ the same verse form used for short folk poems, called ea-dao, to tell longer stories. Ca-dao poems consist of couplets, the first line containing six syllables, the second eight. Usually they were only one or two couplets long. To tell their verse narratives Vietnamese authors used rhyme to link these ea-dao couplets. The following diagram shows how this linking was accomplished. Each dash represents a syllable; R's occupy slots that must have a rhyming syllable; subscript num bers indicate syllables that rhyme with each other. The linking is achieved then by having the last syllable in the eight-syllable line of one couplet rhyme with the last syllable in the first line of the follow ing couplet. As the above diagram shows, every line rhymes with the next line, but because different rhymes constantly appear, the form does not become mono tonous when it is prolonged to tell a story. Verse narratives were composed by scholars trained in the Confucian tradi tion who wrote them in the Southern script (ehd nBm) , a way of writing the Viet namese language using modified Chinese characters. Only the educated could read ehd nom, but because verse narratives were written in the same poetic form as ea-dao, a form containing mnemonic aids such as syntactic parallelism and rhyme, they were easy to memorize. -
The Vietnamese Historical Sources Project a Proposal
THE VIETNAMESE HISTORICAL SOURCES PROJECT A PROPOSAL - CHING-HO A. CHEN, Litt. D. Visiting Professor Center for Vietnamese Studies Southern Illinois University Carbondale, Illinois CONTENTS: I. Vietnamese Hi s torical Sources -De finition and Ch~racteristics. II. The Introduction and Publication of Vi etriamese Historical Sources. III. The Aim, Requirements and Financing of th~ Project. IV. Work Schedule. • -1- I. Vietnamese Historical Sources - D~fi~ition and ·characteristics The term "Vietnamese Historical Sources'' ment i oned here refers only to the work compiled by the Vietna me s e dynastic governments and Vietnamese scholars. It does not include materi als on Vietnamese history which come from China, Japan, Europe and other sources. Chinese and Japanes e scholars usually r e fer to the Vietnamese his torical sources as "Anname s e Books" )3. tf)5f.., while the Ecole Francaise d'Extreme-Orient (Hanoi) c l assified them as "Fonds Annamites". Vietnamese Historical Sources can generally be classified into the following three categories : . 1. Official dynastic histories, biographies, topographical records, law codes, collected statutes, dictionaries and collecte d essays and poems compiled and published by the various dynastic governments of Vietnam. 2. Works written by Vietnamese people in Chinese or in Chu Nom (demotic Vietnamese writing ). These include history, geography, historical dissertations, collected lege nds, essays, travels, family registers or genealogical records, religious records and collected literary works. 3. The Imperial Archives of the Nguyen dynasty, popularly known as Chau-Ban Trieu Nguyen (~ 1~1 ~i~· A common virtue of the various categories of Vietname se historical sources is that most of them are rich in on-the -spot records collected by local writers. -
BOURBON FAMILY TREE Affair Divorce (1) Twice in Tree
Married Married BOURBON FAMILY TREE Affair Divorce (1) Twice in tree Marguerite Henri IV Marie Philip III Margaret of Austria de Valois King of France de Medici King of Spain Queen of Spain 1553-1615 1553-1610 1573-1642 1578-1621 ddd-1621 Christine Gaston Henrietta Maria Louis XIII Anne of Austria 1. Elisabeth Philip IV de France duc d’Orleans of France King of France Queen of France de France King of Spain 1606-1663 1608-1660 1609-1669 1601-1643 1601-1666 XX-XX dddd Victor Amadeus I Charles I 2. Marguerite of Lorraine 1. Marie de Bourbon of Savoy 1600-1649 - King of 2. Marianna (1615-1672) 1605-1627 1587-1637 England, Scotland & Ireland Of Austria 7 other children 4 other children Anne Marie Louise Grande Mademoiselle Charles 1627-1693 6 other children Emmanuel 1634-1675 1. Françoise Madeleine Charles II James II Philippe Louis XIV 1. Maria Theresa 10 other children 1. Henrietta d’Orléans 1630-1685 – King of 1633-1701 - King of Duke d’Orleans King of France Queen of France 1644-1670 1648-1664 England, Scotland & Ireland England, Scotland & Ireland 1640-1701 1638-1715 2. Marie Jeanne Baptiste 2. Elisabeth Charlotte Louis de France Catherine of Braganza 1. Anne Hyde Marie Louise 2. Madame de Maintenon Louise de la Vallière de Savoie-Nemours Princess Palatine Dauphin 1638-1705 1637-1671 1662-1680 1635-1719 1644-1710 (Madame Royale) 1652-1722 1661-1711 2 illegitimate children (1) Charles II Alexandre Louis Marianne Victoire Victor Amadeus II 6 other children Mary II Anne of Spain D’Orleans Of Bavaria King of Sicily & Sardinia Queen of England Queen of England XX-XX 1673-1676 1660-1690 1666-1732 1662-1694 1665-1714 Madame de Montespan Anne-Marie (2) Elisabeth Charlotte 1640-1707 1. -
POWER of the PORTRAIT: Production, Consumption and Display of Portraits of Amalia Van Solms in the Dutch Republic
POWER OF THE PORTRAIT: Production, Consumption and Display of Portraits of Amalia van Solms In the Dutch Republic by Saskia Beranek B.A., Pennsylvania State University, 2001 M.A., Duke University, 2003 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH Kenneth P. Dietrich School of Arts and Sciences This dissertation was presented by Saskia Beranek It was defended on March 29, 2013 and approved by Jennifer Waldron, Associate Professor, English Joshua Ellenbogen, Associate Professor, History of Art and Architecture Stephanie Dickey, Bader Chair in Northern Baroque Art, Queen's University, Art Co-Advisor: C. Drew Armstrong, Associate Professor and Director of Architectural Studies Dissertation Advisor: Ann Sutherland Harris, Professor Emerita, History of Art and Architecture ii Copyright © by Saskia Beranek 2013 iii POWER OF THE PORTRAIT: Production, Consumption and Display of Portraits of Amalia van Solms in the Dutch Republic Saskia Beranek, PhD University of Pittsburgh, 2013 Portraits of Amalia van Solms, wife of Frederik Hendrik of Orange-Nassau and one of the most significant women in the Dutch Republic, were widely circulated and displayed during her lifetime (1602-1675). This study focuses on cases where specific audiences and sites of display can be isolated. When portraits can be viewed in their original context, they speak not only to those elements intrinsic to the image such as symbolism or fashion, but also to issues extrinsic to the image: social practices, cultural ideals, and individual identities. -
Dutch Royal Family
Dutch Royal Family A Wikipedia Compilation by Michael A. Linton PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Fri, 08 Nov 2013 22:31:29 UTC Contents Articles Dutch monarchs family tree 1 Chalon-Arlay 6 Philibert of Chalon 8 Claudia of Chalon 9 Henry III of Nassau-Breda 10 René of Chalon 14 House of Nassau 16 Johann V of Nassau-Vianden-Dietz 34 William I, Count of Nassau-Dillenburg 35 Juliana of Stolberg 37 William the Silent 39 John VI, Count of Nassau-Dillenburg 53 Philip William, Prince of Orange 56 Maurice, Prince of Orange 58 Frederick Henry, Prince of Orange 63 Amalia of Solms-Braunfels 67 Ernest Casimir I, Count of Nassau-Dietz 70 William II, Prince of Orange 73 Mary, Princess Royal and Princess of Orange 77 Charles I of England 80 Countess Albertine Agnes of Nassau 107 William Frederick, Prince of Nassau-Dietz 110 William III of England 114 Mary II of England 133 Henry Casimir II, Prince of Nassau-Dietz 143 John William III, Duke of Saxe-Eisenach 145 John William Friso, Prince of Orange 147 Landgravine Marie Louise of Hesse-Kassel 150 Princess Amalia of Nassau-Dietz 155 Frederick, Hereditary Prince of Baden-Durlach 158 William IV, Prince of Orange 159 Anne, Princess Royal and Princess of Orange 163 George II of Great Britain 167 Princess Carolina of Orange-Nassau 184 Charles Christian, Prince of Nassau-Weilburg 186 William V, Prince of Orange 188 Wilhelmina of Prussia, Princess of Orange 192 Princess Louise of Orange-Nassau 195 William I of the Netherlands -
Vietnamese Americans LESSONS in AMERICAN HISTORY
Vietnamese Americans LESSONS IN AMERICAN HISTORY Vietnam Before 1975 V 2800 B.C. – 300 B.C. The Vietnamese have numerous legends about the origin of their state. According to the most famous legend, a Vietnamese prince named Lac Long Qu∑n comes to northern Viet Nam from his home in the sea. He marries Au Co, a princess from the mountain, on the top of Mount Tän ViΩn some time around 2800 B.C. The union results in the princess laying 100 eggs, with a son eventually hatching from each. For some unknown reason, the parents separate, the mother leading half the progeny across the northern mountains, where they become the ancestors of the Mvrg people, and the father leading the remaining fifty sons to the sea, where they become ancestors of the Vietnamese. The most valiant of the sons later becomes the first of the eighteen Hzng kings. Lac Long Qu∑n and Au Co are regarded by the Vietnamese as their primal ancestors. King Hzng establishes VCn Lang, the earliest name for Viet Nam. Another seventeen Hzng kings or generations succeed him, ruling throughout the Bronze Age. The new state prospers under an elaborate irrigation system of dikes and canals that control and channel the supplies of water in the Red River Delta. VCn Lang comprises the northern parts of present-day Viet Nam. 300 B.C. The historical evidence does not establish the reasons for the fall of the zH ng kingdom of VCn Lang. But by 300 B.C., the people in this region seem to be divided into Tay Au (Vietnamese of the highlands) and Lac Viet (Vietnamese of the plains). -
ABSTRACT Joseph Gallieni: Pacifying Tonkin and Providing the Base For
ABSTRACT Joseph Gallieni: Pacifying Tonkin and Providing the Base for Imperial Success in French Indochina Berenice Andaluz Ruiz Director: Dr. Michael Boerm French presence in Indochina can be traced back as far as the 16th century when European missionaries first traveled to South East Asia. The formal colonization effort began with the protectorate of Cambodia in 1863 and came to completion with the pacification of Tonkin in 1894. The path to achieving colonial rule was characterized by constant opposition from competing Chinese forces who had cultural and economic advantages over the foreign European power. This thesis examines the pivotal role of the French colonel Joseph Gallieni in Tonkin from his arrival in 1892 to his departure in 1896 by studying his accounts in both the French Sudan and French Indochina. To complement Gallieni’s experience, I will also utilize travel and geography journal publications that aid in understanding the wealth of the colony as well as political publications describing the benefits and concerns with colonization. Through this research I attempt to establish that Gallieni’s previous experience in other French colonies and his strategic incorporation of native populations allowed for his success in acquiring a region rich in political and economic significance. It was with this victory that France established a foundation firm enough to continue expansion in Indochina. APPROVED BY DIRECTOR OF HONORS THESIS: . Dr. Michael Boerm, Modern Languages and Cultures-French APPROVED BY THE HONORS PROGRAM: . Dr. Andrew Wisely, Director DATE:. JOSEPH GALLIENI: PACIFYING TONKING AND PROVIDING THE BASE FOR IMPERIAL SUCCESS IN FRENCH INDOCHINA A Thesis Submitted to the Faculty of Baylor University In Partial Fulfillment of the Requirements for the Honors Program By Berenice Andaluz Ruiz Waco, Texas May 2015 TABLE OF CONTENTS Chapter One: Introduction .