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Hwang, Yin (2014) Victory Pictures in a Time of Defeat: Depicting War in the Print and Visual Culture of Late Qing China 1884 ‐ 1901
Hwang, Yin (2014) Victory pictures in a time of defeat: depicting war in the print and visual culture of late Qing China 1884 ‐ 1901. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/18449 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. VICTORY PICTURES IN A TIME OF DEFEAT Depicting War in the Print and Visual Culture of Late Qing China 1884-1901 Yin Hwang Thesis submitted for the degree of Doctor of Philosophy in the History of Art 2014 Department of the History of Art and Archaeology School of Oriental and African Studies, University of London 2 Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. -
A Positive Effect of Political Dynasties: the Case of France's 1940 Enabling
PRELIMINARY VERSION: PLEASE DO NOT QUOTE OR CITE WITHOUT THE AUTHORS’ PERMISSION A Positive Effect of Political Dynasties: the case of France’s 1940 enabling act* Jean Lacroixa, Pierre-Guillaume Méona, Kim Oosterlincka,b Abstract The literature on political dynasties in democracies usually considers dynasties as a homogenous group and points out their negative effects. By contrast, we argue that political dynasties may differ according to their origin and that democratic dynasties - dynasties whose founder was a defender of democratic ideals - show a stronger support for democracy than other dynasties. This conclusion is based on the analysis of the vote by the French parliament on July 10, 1940 of an enabling act that granted full power to Marshall Philippe Pétain, thereby ending the Third French republic and aligning France with Nazi Germany. Using individual votes and newly-collected data from the biographies of the members of parliament, we observe that members of a democratic dynasty had a 7.6 to 9.0 percentage points higher probability to oppose the act than members of other political dynasties or elected representatives belonging to no political dynasty. Suggestive evidence points to the pro-democracy environment of democratic dynastic politicians as the main driver of this effect. Keywords: Autocratic reversals, democratic dynasties, voting behavior. JEL classification: D72, H89, N44. *We thank Toke Aidt, Francois Facchini, Katharina Hofer, and Tommy Krieger as well as participants at the Interwar Workshop - London School of Economics and Political Science, at the Meeting of the European Public Choice Society in Rome, at the Silvaplana Workshop in Political Economy, and at the Beyond Basic Questions Workshop for comments and suggestions. -
Sea Voyages to Paracel Islands in the South China Sea Under Emperor Minh Mang (1833-1838), the Analyses of Historical Data - Description
Sea Voyages to Paracel Islands in the South China Sea Under Emperor Minh Mang (1833-1838), the analyses of historical data - description Ha Minh Hong1, Le Thanh Hoa2, Dai-Long Ngo-Hoang3, Nguy Ngoc Thuy4, Huynh Tam Sang5, Nguyen Thi Thu Thuy6 1,2,3,4,5,6 University of Social Sciences and Humanities, Vietnam National University – Ho Chi Minh City (VNUHCM-USSH) ABSTRACT The Official Documentation of the Nguyen dynasty is a type of administrative documentation of the House of Nguyen (1802-1945) on which reserved the king's handwritten feedback in red ink. The Official documentation about the implementation of Vietnam's sovereignty over Paracel Islands (Paracel) and Truong Sa (Spratly) archipelagos includes 19 documents, 12 of that (from document no. 5 to no. 16) reflect mission sea voyages of the fleet heading to Paracel Islands archipelagos from late March to late June, from 1833 to 1838. The following are the main features of these activities include: (i) in each sea voyage, they had different tasks such as measuring and mapping; bringing materials to build the temple…; (ii) The activities during this period under King Minh Menh clearly showed the strict management and the responsibility of the national leader to the national territory in general and islands in particular; (iii) the territory acquire the nationality in Paracel Islands from 1833 to 1838, which was the continuity of a process established by the Nguyen Lords from hundreds of years ago. Keywords: Paracel Islands archipelagos, the Nguyen dynasty, mission, voyages The mission of the Nguyen Dynasty (Vietnam) to the two groups of Paracel Islands (Paracel) and Truong Sa (Spratly) archipelagos was carried out soon. -
Le Patronyme Étudié SARRAUT
CERCLE GÉNÉALOGIQUE DE LANGUEDOC Association loi de 1901 (N° W313001558 - J.O. n° 5 - 110 e année du 6 janvier 1978) N° SIREN : 417 674 173 - N° SIRET : 417 674 173 00014 - APE : 9499Z Siège social : 18, rue de la Tannerie - 31400 Toulouse Téléphone : 05 62 26 15 30 Site Internet : www.cglanguedoc.com Mél : [email protected] Notre Forum : http://fr.groups.yahoo.com/group/cglanguedoc/ Notre groupe Facebook : http://www.facebook.com/groups/696316920439726/ Nos Bases des données du Cercle Généalogique de Languedoc : http://www.basesgenealogiquesducglanguedoc.fr Nos relevés systématiques se trouvent sur GeneaBank : http://caids.geneabank.org/form/cgl.html Heredis Online : http://www.heredis-online.com Le patronyme étudié par Jean-Pierre UGUEN SARRAUT À Toulouse, l’allée Maurice SARRAUT se situe entre le quartier des Arênes et celui de la Patte d’Oie. Origine et signification : Il s’agit d’un nom du Sud-Ouest. Il désignait le marchand ou le porteur de sarrau = vêtement de dessus (blouse, tablier, etc.). Variante : SARRAULT. Personnalité : Maurice SARRAUT né à Bordeaux (Gironde) le 22 septembre 1869 et assassiné le 2 décembre 1943, est un journaliste et homme politique français. Frère aîné d'Albert SARRAUT (homme d’État français), il perd en 1887 son père Omer SARRAUT, franc- maçon et anticlérical, alors qu'il a dix-huit ans. Il est alors engagé au journal La Dépêche de Toulouse , tout en suivant une formation d'avocat. En 1892, il organise l'agence parisienne du journal et tisse de nombreux liens avec des députés et ministres. Il devient directeur administratif du journal en 1909 et un proche du groupe Pierre Lafitte. -
The Symbol of the Dragon and Ways to Shape Cultural Identities in Institute Working Vietnam and Japan Paper Series
2015 - HARVARD-YENCHING THE SYMBOL OF THE DRAGON AND WAYS TO SHAPE CULTURAL IDENTITIES IN INSTITUTE WORKING VIETNAM AND JAPAN PAPER SERIES Nguyen Ngoc Tho | University of Social Sciences and Humanities, Vietnam National University – Ho Chi Minh City THE SYMBOL OF THE DRAGON AND WAYS TO SHAPE 1 CULTURAL IDENTITIES IN VIETNAM AND JAPAN Nguyen Ngoc Tho University of Social Sciences and Humanities Vietnam National University – Ho Chi Minh City Abstract Vietnam, a member of the ASEAN community, and Japan have been sharing Han- Chinese cultural ideology (Confucianism, Mahayana Buddhism etc.) and pre-modern history; therefore, a great number of common values could be found among the diverse differences. As a paddy-rice agricultural state of Southeast Asia, Vietnam has localized Confucianism and absorbed it into Southeast Asian culture. Therefore, Vietnamese Confucianism has been decentralized and horizontalized after being introduced and accepted. Beside the local uniqueness of Shintoism, Japan has shared Confucianism, the Indian-originated Mahayana Buddhism and other East Asian philosophies; therefore, both Confucian and Buddhist philosophies should be wisely laid as a common channel for cultural exchange between Japan and Vietnam. This semiotic research aims to investigate and generalize the symbol of dragons in Vietnam and Japan, looking at their Confucian and Buddhist absorption and separate impacts in each culture, from which the common and different values through the symbolic significances of the dragons are obviously generalized. The comparative study of Vietnamese and Japanese dragons can be enlarged as a study of East Asian dragons and the Southeast Asian legendary naga snake/dragon in a broader sense. The current and future political, economic and cultural exchanges between Japan and Vietnam could be sped up by applying a starting point at these commonalities. -
Special Issue 2, August 2015
Special Issue 2, August 2015 Published by the Center for Lao Studies ISSN: 2159-2152 www.laostudies.org ______________________ Special Issue 2, August 2015 Information and Announcements i-ii Introducing a Second Collection of Papers from the Fourth International 1-5 Conference on Lao Studies. IAN G. BAIRD and CHRISTINE ELLIOTT Social Cohesion under the Aegis of Reciprocity: Ritual Activity and Household 6-33 Interdependence among the Kim Mun (Lanten-Yao) in Laos. JACOB CAWTHORNE The Ongoing Invention of a Multi-Ethnic Heritage in Laos. 34-53 YVES GOUDINEAU An Ethnohistory of Highland Societies in Northern Laos. 54-76 VANINA BOUTÉ Wat Tham Krabok Hmong and the Libertarian Moment. 77-96 DAVID M. CHAMBERS The Story of Lao r: Filling in the Gaps. 97-109 GARRY W. DAVIS Lao Khrang and Luang Phrabang Lao: A Comparison of Tonal Systems and 110-143 Foreign-Accent Rating by Luang Phrabang Judges. VARISA OSATANANDA Phuan in Banteay Meancheay Province, Cambodia: Resettlement under the 144-166 Reign of King Rama III of Siam THANANAN TRONGDEE The Journal of Lao Studies is published twice per year by the Center for Lao Studies, 65 Ninth Street, San Francisco, CA, 94103, USA. For more information, see the CLS website at www.laostudies.org. Please direct inquiries to [email protected]. ISSN : 2159-2152 Books for review should be sent to: Justin McDaniel, JLS Editor 223 Claudia Cohen Hall 249 S. 36th Street University of Pennsylvania Philadelphia, PA 19104 Copying and Permissions Notice: This journal provides open access to content contained in every issue except the current issue, which is open to members of the Center for Lao Studies. -
1 BEGINNING 1. REASON 1.1.Nguyen Dynasty Is the Last Monarchy of Vietnam and Has Chosen Hue As the Capital City of the Country D
BEGINNING 1. REASON 1.1.Nguyen dynasty is the last monarchy of Vietnam and has chosen Hue as the capital city of the country during 143 years (1802-1945). Along with the establishment of state machine according to the centralization institution, the Nguyen emperors established and executed the ritual regulations and rites abundantly, strictly, methodically days by days, with an aim to affirm and reinforce the legitimacy and orthodoxy of the emperor, the dynasty as well as the noble position of Royal Family. The main ideal thought of the Ministry of Rites is that the system of royal festival has highlighted the aspiration of independence and self-control in the ideal, spiritual lives and in the viewpoint and world view of the Nguyen dynasty with the spirit “a country with a thousand years of civilization is now a united country” of an independent country which is different from China, and even Japan and South Korea which are countries of the same handwriting. Those ritual heritages are often called Nguyen court’s royal festival. From the influences originated from China, experiencing Dai Viet monarchies, Nguyen court’s royal festival was formed in the harmonious combination of Southern native factors with Western factors from the XVIIIth-XIXth century. Therefore, they are very typical, full of Vietnamese identities and stuff. Hence, royal festival is an important factor forming Hue culture, creating typical identity of Hue in the comparison with other cultures of the country. However, up to now, the assessments and researches on Nguyen court’s royal festival are insufficient. Statistics of Ministry of Culture and Information on festivals all over the country since 2003 didn’t mention Nguyen court’s royal festivals. -
China Versus Vietnam: an Analysis of the Competing Claims in the South China Sea Raul (Pete) Pedrozo
A CNA Occasional Paper China versus Vietnam: An Analysis of the Competing Claims in the South China Sea Raul (Pete) Pedrozo With a Foreword by CNA Senior Fellow Michael McDevitt August 2014 Unlimited distribution Distribution unlimited. for public release This document contains the best opinion of the authors at the time of issue. It does not necessarily represent the opinion of the sponsor. Cover Photo: South China Sea Claims and Agreements. Source: U.S. Department of Defense’s Annual Report on China to Congress, 2012. Distribution Distribution unlimited. Specific authority contracting number: E13PC00009. Copyright © 2014 CNA This work was created in the performance of Contract Number 2013-9114. Any copyright in this work is subject to the Government's Unlimited Rights license as defined in FAR 52-227.14. The reproduction of this work for commercial purposes is strictly prohibited. Nongovernmental users may copy and distribute this document in any medium, either commercially or noncommercially, provided that this copyright notice is reproduced in all copies. Nongovernmental users may not use technical measures to obstruct or control the reading or further copying of the copies they make or distribute. Nongovernmental users may not accept compensation of any manner in exchange for copies. All other rights reserved. This project was made possible by a generous grant from the Smith Richardson Foundation Approved by: August 2014 Ken E. Gause, Director International Affairs Group Center for Strategic Studies Copyright © 2014 CNA FOREWORD This legal analysis was commissioned as part of a project entitled, “U.S. policy options in the South China Sea.” The objective in asking experienced U.S international lawyers, such as Captain Raul “Pete” Pedrozo, USN, Judge Advocate Corps (ret.),1 the author of this analysis, is to provide U.S. -
Lye VAN TIEN: ITS RELATION to PRIOR TEXTS John C
A ~ Lye VAN TIEN: ITS RELATION TO PRIOR TEXTS John C. Schafer In the history of Vietnamese literature truy~n tho~ or verse narrative, 0\: cupies a prominent place. The genre emerged a~ least as early as the sixteentll century when Vietnamese story tellers realized they could employ the same verse form used for short folk poems, called ea-dao, to tell longer stories. Ca-dao poems consist of couplets, the first line containing six syllables, the second eight. Usually they were only one or two couplets long. To tell their verse narratives Vietnamese authors used rhyme to link these ea-dao couplets. The following diagram shows how this linking was accomplished. Each dash represents a syllable; R's occupy slots that must have a rhyming syllable; subscript num bers indicate syllables that rhyme with each other. The linking is achieved then by having the last syllable in the eight-syllable line of one couplet rhyme with the last syllable in the first line of the follow ing couplet. As the above diagram shows, every line rhymes with the next line, but because different rhymes constantly appear, the form does not become mono tonous when it is prolonged to tell a story. Verse narratives were composed by scholars trained in the Confucian tradi tion who wrote them in the Southern script (ehd nBm) , a way of writing the Viet namese language using modified Chinese characters. Only the educated could read ehd nom, but because verse narratives were written in the same poetic form as ea-dao, a form containing mnemonic aids such as syntactic parallelism and rhyme, they were easy to memorize. -
1 G46.1620, G42.1210 Prof. Herrick Chapman Spring Semester 2005
G46.1620, G42.1210 Prof. Herrick Chapman Spring Semester 2005 Wed. 9:45-12:15 Office hours Tues. 3-5 [email protected] TWENTIETH-CENTURY FRANCE This course will explore central issues in the history of France from the early decades of the Third Republic to the Fifth Republic of our own era. We begin with an examination of the Dreyfus Affair, an extraordinary national convulsion over anti- Semitism and a miscarriage of justice that left a powerful legacy for the rest of the twentieth century. We then turn to the First World War, giving special attention to its effects on the economy, government, social classes, and the relationship between men and women, and between colonial peoples and the French empire. Our focus then shifts to the 1930s, when the country was shaken by the Great Depression, the rise of political extremism, and the struggle to forge a “popular front” against fascism. We then spend several weeks exploring the Second World War, its anticipation, the French defeat of 1940, the Occupation, Resistance, Liberation, and postwar reconstruction. A novel by Simone de Beauvoir provides us with an opportunity to consider how intellectuals in Paris navigated through the turbulent political passage from the Liberation to the early years of the Cold War. The final weeks of the course investigate decolonization and the Algerian War, Gaullism, and the “events” of May 1968. We conclude with an effort to create a historical perspective on three key developments that have dominated public debate in the final decades of the century in France: immigration, the rise of the extreme Right, and the relationship of France to an increasingly integrated Europe. -
131299 Bangperng 2020 E.Docx
International Journal of Innovation, Creativity and Change. www.ijicc.net Volume 13, Issue 12, 2020 Champasak: Dhammayuttika Nikaya and the Maintenance of Power of the Thai State (Buddhist Decade 2390- 2450) Kiattisak Bangpernga, aDepartment of Sociology and Anthropology Faculty of Humanities and Social Sciences, Mahasarakham University, Email: [email protected] This article is intended to analyse the time during Siam's reign in Champasak, when Siam exercised the colonial power to collect tributes and taxes, resulting in the local Lao’s burdens. This caused rebels to be formed under the culture of local Buddhists combined with indigenous beliefs. Siam therefore attempted to connect the local Lao and culture to the central power. One of the important policies was to send Thammayut monks to remove the local beliefs and to disseminate pure Buddhism, according to Thai Dhammayuttika Nikaya. Later, French colonies wanted to rule the Lao territory in the name of Indochina, resulting in that the monks of Dhammayuttika Nikaya were drawn to be part of the political mechanism, in order to cultivate loyalty in the Siamese elites and spread the Thai ideology. This aimed to separate Laos from the French’s claiming of legitimacy for a colonial rule. However, even if the Dhammayuttika Nikaya was accepted and supported by the Lao rulers, but it was not generally accepted by the local people, because it was the symbol of the power of Siam who oppressed them, and appeared to have ideological differences with their local culture. Dhammayuttika Nikaya, as a state mechanism, was not successful in maintaining the power of the Thai state. -
The French Army and Siam, 1893–1914
243 FROM THE ARCHIVES The French Army and Siam, 1893–1914 Amable Sablon du Corail Translated by Michael Smithies ABSTRACT—Concerning the Franco-Siamese crisis of 1893, the forcing of the mouth of the Chao Phraya River by French gunboats under Siamese fire is generally known, as well as the treaty of October 1893 that gave the left bank of the Mekong River to France. Little, however, has been written about the land operations between French and Siamese armies in the region of the Khone Falls, or about the occupation of Chanthaburi district up until 1905. Important for the history of Thailand, these latter episodes moreover illustrate French colonial doctrine very aptly in France’s conquest and pacification of Tonkin. The French exported that doctrine everywhere in their empire—reliance on the use of native troops, integration of political and military action, and primacy accorded to civil administration. The present article examines how the governors-general of French Indochina perceived the rapid modernisation of Kingdom of Siam, as they buttressed France’s farthest and richest colony. The beginning of the dispute On 26 October 1891, the French Minister of Foreign Affairs, Alexandre Ribot, claimed in the name of the Annamese Empire all the territories on the east of Mekong River (Tuck 1995: 96). While it was a declaration of principle addressed only to the Chamber of Deputies, it revealed to the world the desire of France to control the Mekong basin and to appropriate an access route to southern China. The explorations of Auguste Pavie had demonstrated the impossibility of turning the huge river into the Far Eastern Nile of the young French colony.