ಋᖚ he Hong Kong Arts Festival is a prominent ࠗຝ̯ܰ Tarts event in the cultural calendar of Hong Δʥԓʪਂ Kong and the Asia Pacific region. Proudly ؿʼʝଞ stepping into its 33rd year, the Festival ಳም continues its vigorous pursuit of innovativeסԑe ɃɍɊɍ՚ development; the presentation of new works αc˚ፒዀ and the provision of quality arts. ٻ࿚ᆅʘুұณcɺᒾ˞၀ ࠷ؿຝ͌ȹณᜮଠϦ͌e In terms of the number and diversity of programmes, the 2005 Festival is one of the ʌαᖚຝʑࢀҡᔔఒΛۜcஃ largest festivals to date, offering a wide variety ᅡɾɣዃαӢӮcݯࣵʑ̔Ρ of inspiring art, music and cultural ԞਝΊࡼၤ̯Δ၀ߜᐰϳᖚ programmes by prestigious international ࠭Ͳؿ൚ɓˮcผ˥ࠗಋ artists and leading local talents. I am sure that ਝʼʝผࠛቤɈe the Festival will further enhance Hong Kong’s status as an international cultural metropolis. ΈϽᖚࡼၤܰωଞٴᔑϊᚭ d I extend our warmest welcome to allผcԎूࣵʑ̔ᜮଠʶ̈́ သጙϤᓊe participating artists and wish all local and overseas members of the audience a most enjoyable time. ւٽܧϷਂܧࠗಋऋПϷ
TUNG Chee Hwa Chief Executive Hong Kong Special Administrative Region ˚ᘆᖽ Message from the Chairman
.ၤɍɊɍ։ࠗಋᖚ warmly welcome you to the 33rd Arts Festivalٴ ᚭ ຝcܰࠗಋʼʝވʥԓʪΔ IAs a premier event in the Hong Kong cultural ؿࠇ߬ʼʝଞԑcමၙਝԓʪ calendar as well as the Asia Pacific region, theਂ ᖚ၀ߜc˞ʥ̯Δ෮ݗึؿᖚ Festival presents the finest international andਂ ɮАّe regional artists in an intense series of concerts and performances, as well as showcases the creativity ̯Ɂটʶᑢ༦ᅥʥʼʝԑ৻ອ of artistic talent in Hong Kong. c˞ʥࠗಋᑩ֚ܧ༅Х҈ࠨؿࠗಋ ԭɣ˚߬༅Хዀ࿚c Appreciation and thanks are due to our mainټপਥڌผ෯ഁ ˢࠨΛαԞྦྷࠗಋᖚຝؿྐྵషʻ subventing organisations – the Hong Kong ܛc҈ࠨ૯ߎᑢ҃e Government, through the Leisure and Cultural Services Department, and the Hong Kong Jockey ϊ̔cࠗಋᖚຝྦྷֺτᖳХዀ࿚d Club Charities Trust. Their long and continued ᖚ྆˞ʥɁ༅Хc͛ߎ˞টʶ patronage are what make these cultural ᑢ෮e presentations possible. In addition, we gratefully acknowledge the ,ȹΣ˞֡cࠗಋᖚຝ༦˸ძነ́ generous support of many corporate sponsors .ʭαɾʤི߮cߎɈ arts institutions and individualsڇయ˞ʥ རነ́ʥαႦᜮଠઅᘩΈᗘᖚe ɐ߸ི߮ΛαԞᏵଠΛዀ࿚ʥɁ༅ The Festival has always made our programmes Хcɻነʥɣነነ́ɖʦᎶᆅईe accessible to students and young audiences through half-price student tickets and our Young 2005αࠗಋᖚຝຝ͌ᔔఒd˳ᖓ Friends Scheme. These schemes are funded by the ɺᜮଠؿ௩ΡʥɟՈc generous donations from numerous corporateٴຒτc .փe and individual donorsڻϢ̢ c౨શၤ੬Ε The 2005 Festival offers a rich and stimulatingܛωᑢჇɎؿʻʹ 2005αࠗಋᖚຝɻӮࠍe programme, with a variety of captivating performances and choices, presenting a diverse range of tastes with artistic excellence. We hope to offer something enjoyable and of interest to everyone. Above all, I would like to thank you, our patrons, for your support and participation in the 2005 Festival.
ңพᄤ Charles Lee
:ࠗಋᖚຝؿ༅ХԞϬ The Hong Kong Arts Festival is made possible with the funding support of Ϸܧᐢဟᘆᖽ Message from the Executive Director
005αࠗಋᖚຝؿຝ͌˞ he starting point for the programming of this 2005 ݯ˚ᕀeु T Festival was the idea of contrasting opposites – ‘sacredڙ˖2ुັၤ ԭඖʏॖcܰΈိ and profane’. Both of these elements are rich sources ofڙ˖dັ ᖚѼβؿӮᕀҥၤݖ creative impulses for the performing arts in most cultures cʌ։ຝ͌గऋПॶਪʦܮ and this thematic link is evident in much of our ᗐ programming. We hope these connections and contrastsޚܫ෮֨e҈ࠨѴશԭඖ Ɍྦྷ͓ؿʏॖcॶݯɣࡼొԜҡ will make your Festival experience more engaging and .৽Ɂdҡᗒѿؿᜮሌe memorable ࿘۾ȿࣵ̔ᖚɮАّc҈ࠨ Alongside all of our international artists, we are proud to ॶᑼᇼ̯Δᖚ၀ߜcΣࠗಋ֗ present many outstanding Hong Kong artists. For example, ဳ֞ᅥ྆dࠗಋჱ྆d̯Δ ˮαႦ፡ೄۗࡼਜ਼ᆼdࠓ the Hong Kong Philharmonic Orchestra and the Hong Ⴛဳʄࠇۗᘆᖚeԯˢၤˮ Kong Repertory Theatre, as well as the fine young Hong ຣჱΊД Kong musicians, pianist Rachel Cheung and the Fresh Airܢ˳ؿ̯Δᖚ၀ߜ ுʥң᎘d7AऒᎻჱୂdɻߜ Brass Quintet. Other important Hong Kong artists taking ɩմdࠗಋ part include Cantonese opera stars Mui Suet-see and Leeټܖჱ྆d89268d ϐcᑹτɈݵႇ Lung; Class 7A Drama Group; Chung Ying Theatre; Groupܬᇁၦࡼฦ лؿྡྷɈݢୂ ңᔪ 89268; the Material Girls; choreographer Daniel Yeungؒ ,ݘdષഥࠦdңɻͲʥ֍e and the remarkable combined talents of Lee Chun-chow Faye Leong, Gabriel Lee and Chong Mui-ngam in The ᖚຝᘗᙩዶรկ̯Δၤࣵ̔ French Kiss. ܢ˳ˮϳؿАɁc̯։ณА In addition, our commitment to commissioning new work קdէᚗdʌէၦރು ਝ࠭ᅥdཫ҈ from Hong Kong and around the world continues, withټܖd̡ dؒлd pieces such as Amber, The Nightingale, All That Shanghai̟ےᅚؿȹ ˚τ௩ʥɩ˔ɥనʊতe Jazz, Material Girls, i-City, The French Kiss, Come Out & Play and Little Prince Hamlet. 2005αࠗಋᖚຝݯᜮଠᘆɐȹ ྆ٲϛɀɊ̒ˮcၤ The 2005 Festival will offer a total of 124 performances ༠̒Ɋɀ˳ܢɍɊɀࣵ̔ with 42 performing groups (32 overseas and 10 local), two ʥɊ̯Δ྆cᑹτԭࢄ ,ᙴc˞ʥɺࢀ፟༦ؿᖚຝ˱ࢿ exhibitions and our Festival Plus programme of talks ຝ͌iᑟdᇹผʥᖚɁᇹe seminars and meet-the-artist sessions.
ΛۜcࠓࣟΛʏ This is one of our largest Festivals to date, in terms of theٻ։ຝ͌Λ̯ ʝcܰࠗಋዃԞஃᅡɣd˥ number and the diversity of programmes. I am sure too, Ɂሌʶࢧ͌dԮઢೕֲؿᖚ that it will be one of our most enjoyable and inspiring. We .ၤe are delighted that you could join usيຝɾȹcᑢჇɎ
ঢ়ᄨᓤ Douglas Gautier 34 Ensemble Antipodes 5 ຝ͌ੱ For programme details Page 11 ࠒ 1ɩࣂ10ʗᘸcٽˮ ˳ܢȹຝɻͤࢠ Running time: approximately 1 hour and 10 minutes with one interval
ࠗಋɣผਦჱ Theatre, Hong Kong City Hall 16.3.2005
ᗐઌʹdಲᇃཋʥඨՓዀؿᚊባکݯȿᜑɣࡼྦྷωˮजɎΡͿോcᇼʘতΕຝ͌ ສeผʑᇼʜኞϬᙘᄧd፣ࠑֶ፣ᄧc͛ɺ˿ඝࠕмํcΛᑢАk To make this performance a pleasant experience for the artists and other members of the audience, PLEASE switch off your ALARM WATCHES, MOBILE PHONES and PAGERS. Eating, drinking, smoking, unauthorised photography and audio or video recording are forbidden in the auditorium. Thank you for your cooperation. ᅥ྆ʍଽ Ensemble Profile 7
ԭร۩ᅥ྆
1995αcਿɮ̀Ʉࠇۗς͌hξכɄϽˮαႦࠑᅥࡼୂιؿԭร۩ᅥ྆ι͓ͅ ৽cԎۃѼβᖐϴ̛࢟gढ़ਥؿΪढ़μቭԓc౦Εᅥኋʵܞα˞ಲ ᘰɡMGBɣᑩ۩ᅥୂɣᆉࣦ࿘eΛαԞcԭร۩ᅥ྆ؿӷ༌༧ʥ෮ɣСdؒ ᒚؿάࠑᅥᜨeڲਝdϹऒˑdᄨਝdਝdɻਝ cԯɻɺʭҡܰਿݯˢۂˤࠑᅥʥณؿАכȿ̀ࠑᅥcԭร۩ᅥ྆ɖᆅট ผɾᑼcԷʱቭɡʼʝɻʶᖐˤࠑټࠨϤᄘiԭร۩ᅥ྆౦Ꮆɡʼʝਥ ᅥe2000αያఃਝࠑᅥˀɻcԯˮᙷݯኬࠑᅥຝ͌ؿຝ͌eϊ ˤࠑᅥຝɻˮeಳϤcԭร۩ᅥ྆Ԏ̰ੀϬێcԭร۩ᅥ྆ЩᏵᑼΕΛɣ܃ ࠷ؿᖐeٻˤࠑᅥֶన̀ۗcʦϤ̝ќΔ⬰ԭّcАˮ၀כɯѫࠉ
2001α11˂cԭร۩ᅥ྆ၤАςࡼɮАыRomainmótier 2001cʄϽАςࡼᎶᑼੀ ౦ΕۂΛωԀিˮؿς͌cԯɻʗА܃͚ԭร۩ᅥ྆ˮcԎιݯˀۂА 2002αࠗಋ˖ވࠑᅥˀɻˮe
ԭร۩ᅥ྆࿘Ᏽկͨݯ2005ਝଊˤࠑᅥԾผผᅥ྆e The Ensemble Antipodes
The Ensemble Antipodes was founded in 1995 by eight outstanding young musicians to explore the literature of the classical octet. Their unconducted rendering of Anaktoria by Iannis Xenakis caused an uproar among fellow musicians, and won the prestigious Swiss MGB Chamber Music Award. The Ensemble Antipodes has since performed in prestigious halls in Italy, France, Spain, Germany and the US, as well as China and Korea.
Aside from their focus on classical music, they take pride in performing the latest music, often specially written for them. The Swiss cultural foundation, Pro Helvetia, invited the Ensemble to the Swiss Cultural Centre in Paris to present this particular aspect of their repertoire. Their concert at the 2000 World Music Day in Luxembourg was hailed by critics as the most “striking event of the Festival” which led to invitations from other important festivals. Rather than specialising solely in contemporary music or authentic performances, the Ensemble excels in combining these two features in highly charged concerts.
In November 2001 the Ensemble Antipodes participated in a composer’s workshop, Romainmótier 2001. Five composers were invited to present their works with the Ensemble Antipodes and have them performed in successive tours. Some of these works went on to be performed at the World Music Days Festival in Hong Kong.
The Ensemble Antipodes has been awarded ISCM Ensemble in Residence 2005. ᅥ྆ιࡗ Ensemble Members 9
ϭ́iနᗫΪg༞ແdෙСၐဍg༠Ӵဍ̛dϴճ࢟КgؒᙬКdg̛ᄨႚዉd̞ͅ ࡥउgऋፆʩʥແg̠ဍਅ From left to right: Mariana Doughty, Olivier Darbellay, Imke Frank, Markus Niederhauser, Egidius Streiff and Matthias Bühlmann
ԭร۩ᅥ྆
ࡥउgऋፆʩ ɩొೄ χ୧ԓǧᖓᄨ ɩొೄ နᗫΪg༞ແ ɻొೄ ϴճ࢟КgؒᙬК ɣొೄ ɽ̛g৺ Гࠑɣొೄ g̛ᄨႚዉ ௰ᓫဳ ෙСၐဍg༠Ӵဍ̛ ໔ ແg̠ဍਅ ʱဳ
Ensemble Antipodes
Egidius Streiff Violin Julia Schröder Violin Mariana Doughty Viola Imke Frank Cello Daniel Sailer Double bass Markus Niederhauser Clarinet Olivier Darbellay Horn Matthias Bühlmann Bassoon ຝ͌ Programme 11
ӂဍʩgɈ࢟ ᅕΥVI ʶ ̷ؿʪඈעஈ 42ۂϹᜃ ɄࠇۗcА˔
ÐɻͤࢠɊʄʗᘸ Ð
Кg߈В ȹؿɺࣂփIII ϴ̛࢟gढ़ਥ Ϊढ़μቭԓ
Wolfgang Rihm Chiffre VI Melissa Hui Eternal Sun Wang Xilin Octet, Op 42
Ð 15 minute interval Ð
Klaus Huber Ein Hauch von Unzeit III Iannis Xenakis Anaktoria ᅥςʍଽ Programme Notes 13
ᅕΥVI ӂဍʩgɈ࢟1952-
ΕޫඊʥཊఃነୌАςcʗПֻ˺ဍࣵ܃ဍቧʣcͱ˺כӂဍʩgɈ࢟́ ෑऋኪ۪ͨኒh1985αܪ༠ճכΐওǧμႚʥКg߈ʱh1978αց౨ ͨ˺ဍቧʣࠑᅥነАςઠe
ᅕΥVI1985ᾳ˺ဍቧʣᅩݘʼʝຝկɈ࢟АhࠖˀၤഒВऋؿɄࠇ eܮሣޚˮcʃۗ
Ɉ࢟˞ഒВऋؿኂݯਥᓣcʹ˱ҝ৽iҝ͂Гࠑ௰ᓫဳcॶۗˮร૯รҶؿᅥ ᅥςୄ୮ۗˮᚊྵඔቈؿᅥࠑeȹϻכҝ͂Eሁ௰ᓫဳcΡ܃ࠑh௰ᓫဳᅥʹ ӼিςҗؿไࠑੀᅥςઐΉঢ়ᅸcԎΕঢ়ʅࢯኍؿࣂԳѧe
Chiffre VI Wolfgang Rihm (1952-)
Wolfgang Rihm studied composition with Karlheinz Stockhausen, in Cologne, and Klaus Huber, in Freiburg/Breisgau. He has been a regular guest instructor at Darmstadt since 1978 and Professor of Composition at the Musikhochschule Karlsruhe since 1985.
Chiffre VI was commissioned by the 1985 European Cultural Festival in Karlsruhe, Rihm’s hometown, where it was played in concert ‘versus’ the Schubert Octet.
Rihm took Schubert’s instrumentation as his starting point, but with modifications, and by using the bass clarinet he reaches the abyss of deepest sounds. Later the clarinetist changes over to the E clarinet to achieve the piercing notes at the end of the piece. A long tortuous glissando draws out to an extreme climax and the piece finishes with only the highest and most intense notes. 14 ᅥςʍଽ Programme Notes
ؿʪඈ̷ ʶ1966-עஈ
ɣhᏵ߁ቧɣነࠑᅥᖚɡነϽʥ˱ήᖚነᖚٽࠗಋcΕใࡐജכʶ́עஈ ʥဍgؐၐဍhଊֈၬऋСဍcټဨɡነϽcֻඏК̠gᄨቧКਅdϴဍg 1994αͨ̌ɽ⮲ɣነࠑᅥӡХଉઠe cɺЎͿോ૯ԳcԎઢೕྦྷ܃ݘຄɁˀ̯ඏᅥࡾѸᅥ྆ؿࠑᅥڈʶઅᘩ༦עஈ ౦ΕݘdᅩݘdዌݘdۂdጱʘҕੱʥውੱᅹಢࠑᅥؿুұeԯАڙА ᄤؿپဳ֞ᅥςdᎻჱࠑᅥ˞ʥཋᄧˀˮʨΪܢ˳ԓݘΈΔˮcկА ཫᆉొΊeټ˺ᅥeːҡᏵෙ
˞ےᒚࠖဍڲΕܢ˳ʶΛωၤࡥउgऋፆʩʥԭร۩ᅥ྆Аcעஈ ࠑᅥˀeϊݯ֞ᅥʄࠇۗd௰ᓫဳd໔ʥʱဳϤވ˖ʥΕɡᐾϷؿ2004α ࠖeވ˖ผկhܰωˮȽټᄘؿณАͅ˱ࢬɣਝࡼʼᖚਥ
Eternal Sun Melissa Hui (1966-)
Melissa Hui was born in Hong Kong and raised in Vancouver. She received her Doctorate of Musical Arts from Yale University and a Master of Fine Arts from California Institute of the Arts. Her mentors include Jacob Druckman, Earl Kim and Mel Powell. Currently living in Montreal, she has been Assistant Professor of Music at Stanford University since 1994.
Initially inspired by the haunting music of the African pygmies and Japanese Gagaku Court Orchestra, she strives to create a personal music of ethereal beauty, intimate lyricism and raucous violence. Her works have been performed throughout America, Europe, Australia and Asia and her commissions include works for orchestras, theatre and a soundtrack for the Oscar-nominated film Sunrise Over Tiananmen Square.
Melissa Hui has worked with Egidius Streiff and the Ensemble Antipodes on repeated occasions, notably in Seoul and at the 2004 World Music Days in Switzerland. This new piece for string Quintet, clarinet, horn and bassoon was commissioned by the Canada Council for the Ensemble Antipodes, and is the international premiere for this composition. ᅥςʍଽ Programme Notes 15
42ۂɄࠇۗcА ˔Ϲᜃ1937-
ɻਝ̵̡ʼʝᔔఒΛۜcͲਝؿΛိΔʿᎻςჱိగܰԯɻȹԝcᕀҥ˞ւ༡̵ʦ ԑၤࠑᅥeܨؿ̳ܰᗘٽeЂ㠥˔Ϲᜃιޝݯ˚c˨Ꮋჱֲၤ͍
˱ଊʹؒԎٲɻcࠥᛆȿိঢ়۹ᎻჱʝؿۂϹᜃΕࠖɄࠇۗʥஈΛԯˢА˔ ཫོࢠɌཫхႋhᅥςࢄcΕؿຝܫೕeϊς˞ʱဳ̏նc˞ ҏς߷dʗੋᔴcЎୄ˞ΪٶਥᓣɐcܰɍͧဳᅥኂရӔΔুᕧʠcడ ѧe܆ନؿҶ
ϊςͅࡥउgऋፆʩկАcऋПݯԭร۩ᅥ྆Ϥᄘe
Octet, Op 42 Wang Xilin (1937-)
China is rich in folk culture and one medium of expressing this can be found in the numerous local operas in different regions. Many of them tell stories of how grassroots people are persecuted by, and rebel against, the government – highly dramatic and full of conflict. These are the stories and music that Wang Xilin grew up listening to.
In this Octet, Op 42, as well as in many of his other compositions, Wang borrowed and developed these highly dramatic expressions. The Octet begins with the short phrases of the bassoon, which seems to be sighing and reciting. Gradually as the emotion of the music unfolds, rhythmic beats underline a wild chase of the three winds, climbing into contortion, rebellion, chaos and breakage, but ending peacefully in meditation.
The Octet, Op 42, was commissioned by Egidius Streiff and written for the Ensemble Antipodes.
ÐɻͤࢠɊʄʗᘸ 15 minute interval Ð 16 ᅥςʍଽ Programme Notes
ȹؿɺࣂփIII Кg߈В1924-
ʌયຝ͌ɻபcഒሬΔђ㠥ؿБผ֧ಳiྺ㠥kݒࠑᅥ҈ᚹ༦ؿmm
߈ВϬီ߬ਠցΔࢻᇯ܃ȹؿɺࣂփIIIܰɡАςࡼ߈ВؿΊАɾȹhϊ Ɂᗘؿਥ̯ძࠤᜮe߈ВΕᘣቭ˖ነୌɩొೄʥ࠳ᚾࠑᅥઠөcԎ፭ၐСg̠Кᄨ ያ࢟ࠑᅥነdʱဍࠑᅥነʥכʥؐԈgּ̠КነୌАςe߈В౦ͨઠ ᖚነʥਅࣵճᖚነι׳Ϧᖚነd݇ܖཊఃࠑᅥነАςᇾೡhଊݯ eٽࡗe1979ϭ1982αංcˢኪͨɡࠑᅥࡼԾผผ
mmcد1972αcАςࡼᔄϊੵ֨ࠑᅥ෮֨ؿࣱ ݯᅥኂϤᄘؿכϊςА ᅥς࣓ኣࣳဍӓΛၤ̛͠ԓ ؿࡧၦςᄘιe
ؿዀ༜ĶЩጙĶᖐיᅕͧᅥኂˮc̷Ⴉʍ˝ᗲᔑؿ˺༛ၤ̯ͅخωۗؿܰ ɾංcΐݯΕၦ̎ɐcҰϽۗࡼผΕͱኒᐰؿਥᓣɐc˱ɐϬɯؿዟऋᛰ eۗ
Ein Hauch von Unzeit III Klaus Huber (1924-)
In the middle of our programme, you will sit back and think, “Hold on, I know this music...!”
Ein Hauch von Unzeit III is one of the most well known pieces by this Swiss composer, who has since declared himself an adamant defender of basic human values. Klaus Huber studied violin and music education in Zurich, and composition with Willy Burkhard and Boris Blacher. He has taught composition at the Luzern Conservatory, the Basel Music Academy and the Freiburg Music College. A member of the Bayer and Berlin Academies of Fine Arts and the Mannheim Arts Academy, Huber was President of the Swiss Musicians Association from 1979 to 1982.
In this work dating from 1972, he considers his Plainte sur la Perte de la Réflexion Musicale – Quelques Madrigaux pour Flüte Seule ou flüte avec Quelques Instruments Quelconques... (Mourning the Loss of Musical Thought – Some Madrigals for Some Instruments...) based on the Chaconne from Purcell’s Dido and Aeneas.
The version for several instruments performed tonight remains forever between a rigid canon and an open aleatoric – improvisation – as every performer will bring his ‘idiomatic variation’ to the lead part sounding on stage. ᅥςʍଽ Programme Notes 17
Ϊढ़μቭԓ ϴ̛࢟gढ़ਥ1922-2001 cۂcᄧᚊ૯ႩiȿᅥኂࡈᐰАذϴ̛࢟gढ़ਥܰˤᅥኋᐾӷႦࠇؿɁ ᐰᚊdͮd৽Аܢ˳ۂˢɖАȿΛࠖࠇ߬ؿཋɥࡈᐰᅥςʥȹӡͶΛఌА ዾhΕཋࠑᅥʿࠍcढ़ਥܰ˞့ؒАςؿͱᚎcɖೕࢄȿᅕᆦιۺၤ Аςؒc˞፭ዀଐ́ʥᛰʝؿؐѼݯਥᓣe Ϊढ़μቭԓܰАςࡼࢽؒഒВऋടΊؿFɣሁɄࠇۗcD803cԎऋПݯʱቭɄࠇۗ Ϥᄘؿeढ़ਥ႓iΪढ़μቭԓᑟؿܰෲੱؿိိiϳᄳdֲdᛲፎ೩೩e eΪढ़μቭԓ܆cԞʵ͇ݯࡾำؿ෮ذዾۺΪढ़෮ݯঢ়dμቭ෮ݯ ཫࡾำȹᅚؿɤɥc̯ܰ৺ࢌɐȹϽൔʩɁcɖܰɤɁଡ଼ѥؿෲܰ Ɂe ढ़ਥ།ʱቭɄࠇۗҰϽᅥʹᇹሃ༦࡚Ԓ˿Ϸd࡚Ԓɺ˿Ϸc ᅥς1969α3d cԑۂɺcɄࠇۗܰࠖϬͅdɺॶ့߮ؿАۂؿА܃ංᄘιe།Аςࡼ˂4 గᅚѼۂؿА܃ɐɺผᜑɁᘨᎶ˞ཋɥᅥኂˮढ़ਥྡྷ ॎΕશᖾᇂh֞ق൝รႩcЎɍͧဳᅥኂؿᅥݒੱᔔఒcȹޚࢀeᒖಳࠑਟ ࡨeڙᅥѼιȹఝఝࠑᏳcୀᆽ၀̝cࢽณᒠթcɺໃ ᅥςʍଽͅᅥ྆ొԜ Anaktoria Iannis Xenakis (1922-2001) Iannis Xenakis’ impact on contemporary music has been of crucial importance. Along with his acoustic works, he produced a number of important electro- acoustic pieces, and a series of multimedia creations involving sound, light, movement and architecture (polytopes). In the domain of computer music, Xenakis was a pioneer in the area of algorithmic composition, and also developed an approach to digital synthesis based on random generation and variation of the waveform itself. Anaktoria was written for the Octuor de Paris, following the famous Octet in F, D 803, by Franz Schubert. “Anaktoria is the music of love in all its forms: libidinous, spiritual, logical and so on,” said Iannis Xenakis. Ana means high, ktor means construction, which leads to Anaktor being a palace. Anaktoria was the name of a woman ‘beautiful like a palace’, the wife of a nobleman of Lesbos, with whom Sappho fell in love. Xenakis talked with each musician of the Octuor de Paris about the feasibilities and impossibilities, and composed the work between March and April 1969. Contrary to some later compositions, this is a free, non-calculable work – indeed, nothing leads to the conclusion, that this should be music for electronics (as said with later pieces). The three wind instruments play expressive music, albeit in far removed registers, constantly on the brink of despair, whereas the strings are used in blocks of sound fields filled with intricate details creating music virtually unheard of before.
Programme notes are provided by the Ensemble 24 ̡́ʍଽ Biographies
ࡥउgऋፆʩ ɩొೄ ᄨСgෙСΪځࡥउgऋፆʩΕʱဍ࠷፭ࣵΐওgഒ̛Ӵࣟd КࠑᅥነdּʱࠑעכӴ৺ࠑᅥነcɌכᎼၐgෑК̗ୌೄeˢͨઠ ᒚdˀڲᅥነdҧဍΛʩࠑᅥɮᄥʥჴኽɣነᐾፒɣऒeˢ౦Ԁিɻਝd ᖓˮeڜڲd̯
χ୧ԓǧᖓᄨ ɩొೄ ᄨСgෙСΪʥּౝဍgෙ৺ࣟነୌɩొೄcɌ፭ځᄨਝc፭כχ୧ԓǧᖓᄨ́ թඏּgऒթ̛ነୌʱᖓКɩొೄhց౨ၤʱဍ͚ᚊᅥ྆ʥࡌgКཊနАcኪ eٽዟۗhଊݯʱဍɩ͚ᚊᅥ྆྆ͨ
နᗫΪg༞ແ ɻొೄ နᗫΪg༞ແΕჴኽɣነ࠳ᚾࠑᅥነcΕʱဍ፭ѴᅥdӴԓСdСၐነୌɻొ ʱဍࠑᅥነeכೄe౦ၤऋፆʩɍࠇۗᙠ፣ːcଊͨઠ
ϴճ࢟КgؒᙬК ɣొೄ αዟۗࡼᑩdڇϴճ࢟КgؒᙬК፭ԣࣟਅഒޫʩdѴʩʥᄨਅࣟc౦ΕؐဍΛ ᆉh1994ϭ1999αංኪͨӴ࢟˺ּෑᅥ྆ټࣔ͠ɣᆉʥ2000α̛˺ొɣᑩᘰ ဍᄨКഒͨᓻઠeכؿɣొೄዟۗcଊ
ɽ̛g৺ Гࠑɣొೄ ɽ̛g৺Ε̠ʱဍ፭Ϊgʷּ͠ʩʥෙၐउgʱӓּc˚߬ۗˤࠑ АࠖcɌ౦ၤቧgВढ़dޫКdഒওʥෑᄨۂᅥc౦౧ɺʭࠇ߬АςࡼؿА ೩ࠑᅥࡼАe
g̛ᄨႚዉ ௰ᓫဳ g̛ᄨႚዉ፭ᄨgၐВd˺ဍgഠऋ௶؝g༠ነୌ௰ᓫဳhଊͨɡ௰ ᓫဳۗ྆ιࡗcɖΕˈဍ͚ᚊᅥ྆ʱဍ۩ᅥ྆ኪͨዟۗe
ෙСၐဍg༠Ӵဍ̛ ໔ ෙСၐဍg༠Ӵဍ̛ܰӴ͚࢟ᚊᅥ྆ؿ໔ዟۗc2000αΕα۹ਝዟۗࡼᆉʥਝ αႦۗࡼᆉɻྔჟhଊݯݤࣚࠑᅥነઠe
ແg̠ဍਅ ʱဳ ടΊؿSBGᆉhଊݯʱဍ۩ᅥ྆ؿዟۗᅥʹʥܢ˳ແg̠ဍਅϬɩᏵᆉಲᅕc ෙμਅ̛ԓ۩ᅥ྆ιࡗe
˰ɻᘭiሲኮѻ ̡́ʍଽ Biographies 25
Egidius Streiff Violin Egidius Streiff studied with Hansheinz Schneeberger, Adelina Oprean and David Takeno in Basel and London. In addition to a busy concert schedule, Streiff teaches at the Basle Music Academy and has conducted masterclasses at the Minsk Conservatory, La Paz Music Academy, Dusseldorf Musikfabrik and Cambridge University, England. He has toured to China, Korea, Japan, South America and Russia.
Julia Schröder Violin Julia Schröder was born in Germany and studied the violin with Adelina Oprean and Raphael Oleg, and the Baroque violin with Chiara Banchini. She has made regular appearances as a soloist with the Basel Symphony Orchestra and Gidon Kremer. Julia Schröder is the leader of the Basel Sinfonietta.
Mariana Doughty Viola Mariana Doughty studied musicology at Cambridge University and the viola with Charles Schiller, H Beyerle and W Levin in Basel. With the Streiff Trio, she has recorded several CDs. Mariana Doughty is a teacher at the Basel Music Academy.
Imke Frank Cello Imke Frank studies with Pergamenschikow, Schiff and Demenga. She was the Gold Medal Winner at the Jeune Solistes, Bordeaux, Premio V Gui and the 2000 Nicati Competitions. From 1994 to 1999, she was a soloist with the Camerata Bern. Imke Frank is a Professor in Feldkirch.
Daniel Sailer Double bass Daniel Sailer studied in Basel with Yoan Goilav and Ovidiu Badila. His focus is on contemporary music, various first performances by important composers and collaborations with musicians like Lüdi Berner, Koch, Schütz and Studer.
Markus Niederhauser Clarinet Markus Niederhauser studied with Kurt Weber, Karl Leister and György Kurtág. He is a member of the Swiss Clarinet Players and a soloist with the Biel Symphony Orchestra and the Basel Chamber Orchestra.
Olivier Darbellay Horn Olivier Darbellay is a soloist with the Bern Symphony Orchestra. In 2000 he won the International Soloist of the Year Award and the Tribune Internationale des Jeunes Interprètes. He is a Professor at the Conservatory in Lausanne.
Matthias Bühlmann Bassoon From an early age Matthias Bühlmann has won numerous competitions, including the prestigious SBG Award. He is now a soloist with the Kammerorchester Basel and a member of Oktomania. 28 ਝଊˤࠑᅥԾผʍଽ ISCM Profile
ਝଊˤࠑᅥԾผ
ਝଊˤࠑᅥԾผͅʄɊΛਝࡼΔਂؿผࡗୂιcߎɈઐᄤଊˤࠑᅥe1922α ෙΔСᔁဍఃι͓˞ԞcܰݠᙺᅥኋϤዃ̌੫כടΊАςࡼ೯ВКʥӴဍࠎͅ ɔؿਝࠑᅥୂᓱɾȹe
ҰȹαcਝଊˤࠑᅥԾผผͅԯɻȹผࡗਝֶΔਂ˨༞cᐾፒਝଊˤ ΔʗԔˤࠑᅥଞ؟ࠑᅥˀcᜑȹଠАςࡼʥۗࡼᏜᏜȹਦcᄤވ˖ࠑᅥԾผ αਝଊˤԾผࠑᅥˀʗПΕˀ̯dࠗಋdݤʼ̛ԓʥɡᐾϷe2005ʥٶࡽe ผʗПܰКᖓΔԓᄨਝeڬ2006αࠑᅥˀؿᐾϷΔᒨ
αАςࡼᆉdᑼᇼISCM-ࠏˈڇȿҰαؿࠑᅥˀcԾผᑹผཕೕCASH-ISCM Ծผc˱ΈΔɺؿࠑᅥֶᖚຝeٲผАςࡼc˞ʥፕݢऋցᅥ྆ˤ cඑԾሁτʶɁcԾХˢࠨΈϬΕԯਝʑઐ৽ଊˤࠑᅥeپԾผᑹஉτዟ͓ ٲܢ˳ᙔผࡗԹ۹c၉ᖓઅՇɺଊˤࠑᅥফᆻؿᅥɁcڃϊ̔cԾผᑹஉτ ࠑᅥነʿࠍؿˮɁɡe
2005ਝଊˤࠑᅥԾผ۩ᅥ྆ ؿԓݘԀcٱց۩ᅥ྆eȿαܞ2005αcਝଊˤࠑᅥԾผ˞ɡؿԭร۩ᅥ྆ݯ ցᅥ྆ݯ୩ᙬߜॗճ̛ෙ۩ᅥ྆eܞɎ˸αԀিᅩݘˮe2006αכԭร۩ᅥ྆ੀ ਝଊˤࠑᅥԾผʍଽ ISCM Profile 29
ISCM – International Society for Contemporary Music
The International Society for Contemporary Music (ISCM) is an important international network of members from around 50 countries, devoted to the promotion and presentation of the music of our time. ISCM has had a distinguished history. From its foundation in Salzburg in 1922, with such renowned composers as Scheonberg and Alban Berg, the ISCM is among the longest active international musical societies in the world.
Each year the ISCM presents the ISCM World Music Days Festival, hosted by one of the Society's National Sections, which provides a feast of contemporary music across a broad range of contemporary practice as well as synergy among musicians and composers. In the recent past the ISCM World Music Days have been organised in Japan, Hong Kong, Slovenia and Switzerland. In 2005 the Festival will take place in Croatia and in 2006 in Germany.
Apart from the annual festival, the ISCM has regular projects including the CASH- ISCM Young Composer Award; the ISCM-Visby Composer-in-Residence Project, as well as the current ISCM Ensemble Project.
The Society’s National Sections are independent organisations which co-ordinate the endeavours of furthering contemporary music in their own country. Apart from the National Sections, the ISCM consists of Associate Member Sections which come from various disciplines of the contemporary music world, including performance and musicology.
2005 ISCM Ensemble Starting in 2005 the ISCM nominates an ensemble to represent new music at festivals all around the world. For 2005 the Swiss Ensemble Antipodes has been nominated as ISCM Ensemble of the Year. Apart from its Asian tour in the early part of the year, more concerts will be arranged for the Ensemble in Europe during the latter half of 2005. 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Δэ Address: ࠗಋᜪˠಋᜪ༞ɀ໔ࠗಋᖚɻʶɊɀᅢ 12th Floor, Hong Kong Arts Centre, 2 Harbour Road, Wanchai, Hong Kong ཋ Telephone: 2824 3555 ඨभ Fax: 2824 3798 / 2824 3722 ၉ࠒ Website: http://www.hk.artsfestival.org ཋ൯ Email: [email protected] ᓻࡗ Staff ᓻࡗ Staff (contract) Ϸܧᐢဟ ([HFXWLYH'LUHFWRU ຝ͌ Programme ଉ /RJLVWLFV0DQDJHUۿঢ়ᄨᓤ Douglas Gautier અ ነ֦ Elvis Kingټ ຝ͌ Programme ႇАଉ 3URGXFWLRQ0DQDJHUV ຝ͌ᐢဟ 3URJUDPPH'LUHFWRU ̝ۢ̽ Tiffany Yiu ષు☜ Grace Lang ષᜮ Roy Leung ຝ͌ଉ 3URJUDPPH0DQDJHUV ̔ࢄᘐ 2XWUHDFK&RRUGLQDWRU Andrew Chan ڭᘣਝඔ So Kwok-wan ஹҁ ՚⌿ Mio Margarit Chow ̔ࢄХଉ 2XWUHDFK$VVLVWDQW ჳϐ૯ Eva Lau ຝ͌ᘐ 3URJUDPPH&RRUGLQDWRU ຝ͌Хଉ 3URJUDPPH$VVLVWDQW ່৪༻൬࠳ͤ Linda Yip (on study leave) ңણต Christina Lee ອଉຝ͌ᘐ $FWLQJ3URJUDPPH&RRUGLQDWRU Ҍᘐ 7HFKQLFDO&RRUGLQDWRUV ፠Ї Eddy Zee ஹ⍱ജ Billy Chan ሲᅳშ Cat Cheng ઐᄤ Marketing ඟ֗Σ Rufina Fung̟ Nancy Lam׳ ଉ 0DUNHWLQJ0DQDJHU̟ ሲֆ࿘ Katy Cheng ңཽᗸ Kathy Lee ષᘚੜ Gary Leung Хଉ̟ଉ $VVLVWDQW0DUNHWLQJ0DQDJHUV ࠑᚊᘐ 6RXQG&RRUGLQDWRU ՚ֱ Alexia Chow ஹ৪ Joey Chan ॐ࣠ Chris Lam׳ Publication خಌ༠ᑞ Andy Yau ˮ ᇁፎ (GLWRU ೕࢄ Development χ㠒ෲ Daisy Chu ೕࢄଉ 'HYHORSPHQW0DQDJHU ߜʼᇁፎ (QJOLVK(GLWRU ஈዷඓ Angela Hui Mya Kirwan Mya Kirwan Хଉᇁፎ $VVLVWDQW(GLWRU Хଉೕࢄଉ $VVLVWDQW'HYHORSPHQW0DQDJHU ඡฑΪ John Wong ஹ᜔ᙀ Eunice Chan ̟ઐᄤ Marketing ผ߮ Accounts Хଉ̟ଉ $VVLVWDQW0DUNHWLQJ0DQDJHU ผ߮ $FFRXQWDQW ЄయᎩ Agatha Ho ࣨუށ June Yun ̟˚ͨ 0DUNHWLQJ2IILFHU ฦዤ Michelle Yeung ผ߮ʼࡗ $FFRXQWV&OHUN ৻Хଉ 7LFNHWLQJ$VVLVWDQW Bonia Wong ඡਝෲ ோுജ Ada Mak ৻˚ͨ &XVWRPHU6HUYLFHV2IILFHUVרAdministration ۪ʸ ܧϷ Ϸܧो࣊ ([HFXWLYH6HFUHWDU\ ᘣϤ Alfee So Wu Kai-yin ۽χ༠⍖ Carmen Chu ͢ԙ ႚ Pang Leoژధ ज़ो࣊ 5HFHSWLRQLVW-XQLRU6HFUHWDU\ ೕࢄ Developmentٱࡗþۿઅ ң Virginia Li Хଉೕࢄଉ $VVLVWDQW'HYHORSPHQW0DQDJHU ೡણֱ Michelle Ching ፒʔ۩Хଉ 2IILFH$VVLVWDQW Administration ܧTony Cheng Ϸ ټሲ ፒʔ۩Хଉ 2IILFH$VVLVWDQW Dicky Chan ̵ژஹ
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