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Westernisation, Ideology and National Identity in 20Th-Century Chinese Music
Westernisation, Ideology and National Identity in 20th-Century Chinese Music Yiwen Ouyang PhD Thesis Royal Holloway, University of London DECLARATION OF AUTHORSHIP I, Yiwen Ouyang, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 19 May 2012 I To my newly born baby II ABSTRACT The twentieth century saw the spread of Western art music across the world as Western ideology and values acquired increasing dominance in the global order. How did this process occur in China, what complexities does it display and what are its distinctive features? This thesis aims to provide a detailed and coherent understanding of the Westernisation of Chinese music in the 20th century, focusing on the ever-changing relationship between music and social ideology and the rise and evolution of national identity as expressed in music. This thesis views these issues through three crucial stages: the early period of the 20th century which witnessed the transition of Chinese society from an empire to a republic and included China’s early modernisation; the era from the 1930s to 1940s comprising the Japanese intrusion and the rising of the Communist power; and the decades of economic and social reform from 1978 onwards. The thesis intertwines the concrete analysis of particular pieces of music with social context and demonstrates previously overlooked relationships between these stages. It also seeks to illustrate in the context of the appropriation of Western art music how certain concepts acquired new meanings in their translation from the European to the Chinese context, for example modernity, Marxism, colonialism, nationalism, tradition, liberalism, and so on. -
Slch Prog 2019-20 Ang F Nc Low.Pdf
T TABOUT US T Founded in 1904, the Schulich School of Music of McGill University is home to a diverse community of performers, composers, music theorists, educators, scientists, and researchers, and offers more than 45 undergraduate, graduate, and professional programs. In 2018, 513 undergraduate and 375 graduate students were enrolled at Schulich, with a third of that total coming from outside of Canada. This season, Schulich will present over 600 public events at a variety of venues within the School, throughout the City of Montreal, and elsewhere. S SSS S SCHULICH STUDENT POPULATION 63% 37% PERFORMANCE RESEARCH 34% 33% 33% FROM QUEBEC REST OF CANADA INTERNATIONAL S SSS S @schulichmusic INFORMATION S BOX OFFICE 514-398-4547 · mcgill.ca/music T TABLE OF CONTENTS T About Us ..........................................4 Musical Chairs Welcome Message ..........................5 Chamber Music Festival ...........25 McGill Symphony Orchestra........ 6-7 Schulich in Concert .................. 26-28 Opera McGill ................................ 8-9 Schulich in Your Neighbourhood ......28 Baroque Orchestra ........................10 McGill Noon-Hour Organ ..............29 Contemporary Music Ensemble .......11 Intermezzo .....................................29 McGill Choral Ensembles ........ 12-14 Musical 5 à 7 ..................................30 McGill Wind Orchestra ...................15 Schulich@COC ...............................31 McGill Jazz Ensembles ............ 16-17 Schulich@McCord .........................31 2019-2020 Competitions -
The Chamber Music Society at Yale Chamber Music Competition Winners Tuesday, May 1, 2007 at 8:00 P.M
The Yale School of Music Robert Blocker, Acting Dean presents The Chamber Music Society at Yale Chamber Music Competition Winners TUESDAY, MAY 1, 2007 MORSE RECITAL HALL IN SPRAGUE HALL the chamber music society at yale Chamber Music Competition Winners Tuesday, May 1, 2007 at 8:00 p.m. Morse Recital Hall in Sprague Memorial Hall Trio in E-flat major,k . 498, “Kegelstatt” Wolfgang Amadeus Mozart Andante (1756-1791) Menuetto Rondo Romie de Guise-Langlois, clarinet Margot Schwartz, violin Wei-Jen Yuan, piano Triskelion Bruce Adolphe Allegro (b. 1955) Andante (with a ghostly quality) Allegro Joel Brennan and Olivia Malin, trumpet Jocelyn Crawford, horn Joshua Cullum, trombone Stephanie Fairbairn, tuba intermission Quartet in D minor, d. 810, “Death and the Maiden” Franz Schubert Allegro (1797-1828) Andante con moto Scherzo: Allegro molto − Trio Presto The Alianza Quartet Sarita Kwok and Lauren Basney, violin Ah-Young Sung, viola Dmitri Atapine, cello As a courtesy to the performers and to other audience members — Please silence cell phones and pagers Please do not leave the auditorium during selections No flash photography No sound or video recording of any kind 2 0 0 6- 2 0 0 7 s e a s o n Program Notes Mozart: Trio in E-flat,k . 498, “Kegelstatt” The strange subtitle (Kegelstatt or “Skittles”) alone gives this work a unique place in Mozart’s vast chamber music output. Add to that its unusual combination of instru- ments and you have a very original composition indeed. The story behind the work’s origins is that Mozart wrote this in 1786 while playing skittles (an old game similar to bowling) with his friend, the clarinetist Anton Stadler. -
China and the West: Music, Representation, and Reception
Revised Pages China and the West Revised Pages Wanguo Quantu [A Map of the Myriad Countries of the World] was made in the 1620s by Guilio Aleni, whose Chinese name 艾儒略 appears in the last column of the text (first on the left) above the Jesuit symbol IHS. Aleni’s map was based on Matteo Ricci’s earlier map of 1602. Revised Pages China and the West Music, Representation, and Reception Edited by Hon- Lun Yang and Michael Saffle University of Michigan Press Ann Arbor Revised Pages Copyright © 2017 by Hon- Lun Yang and Michael Saffle All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2020 2019 2018 2017 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Yang, Hon- Lun, editor. | Saffle, Michael, 1946– editor. Title: China and the West : music, representation, and reception / edited by Hon- Lun Yang and Michael Saffle. Description: Ann Arbor : University of Michigan Press, 2017. | Includes bibliographical references and index. Identifiers: LCCN 2016045491| ISBN 9780472130313 (hardcover : alk. paper) | ISBN 9780472122714 (e- book) Subjects: LCSH: Music—Chinese influences. | Music—China— Western influences. | Exoticism in music. -
A STUDY of the MODERN CHINESE NOVEL, GAP YUBAO ( Rtjxe ^ )
A STUDY OF THE MODERN CHINESE NOVEL, GAP YUBAO ( rtjXE ^ ) AND ITS AUTHOR GAO YUBAO ((|n:E-JE ) CHRISTINE JEANETTE KLEEMEIER B.A., De Pauw University, 1969 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Asian Studies) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 1981 D Christine Jeanette Kleemeler In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Christine KLeemeier Department of Asian Studies The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 9 April 1981 ii Abstract Gao Yubao, a soldier in the Chinese People's Liberation Army, was nearly illiterate when he began to write his autobiographical novel, Gao Yubao, in 19^9. The PLA's literary branch helped him finish the novel and after its publication Gao and his struggle to become literate by writing a novel served as an inspiration for others striving for education. Gao Yubao was republished several times up until as late as the 1970's and each time it was republished it was revised. -
Research Grant – Spring 2014 Faculty Member: John O. Robison Unit: School of Music Project/Proposal Title: Wang Xilin
Research Grant – Spring 2014 Faculty member: John O. Robison Unit: School of Music Project/Proposal Title: Wang Xilin, Human Suffering, and Composition in Twenty-First Century China Abstract: This project is devoted to the works of Chinese composer Wang Xilin. An outspoken critic of the Communist government, Wang was imprisoned during the Cultural Revolution, with no opportunity to develop his mature musical style until he was fifty years old, after the Chinese government relaxed its censorship of Western music during the 1980s. Since he has rarely been allowed to leave China, his music is virtually unknown in Europe and North America. As an intercultural composer who integrates modern Western trends with indigenous Chinese musical styles, his music is incredibly innovative, symbolizing conflicts between oppressed people and their oppressors. Proposal: Wang Xilin’s story is a compelling one that shows his own personal struggles, as an ordinary person of modest means, against oppressive ruling powers: Coming from a poor family background, Wang could not study the music that he wanted to due to government restrictions, was imprisoned for fourteen years during the Cultural Revolution, and could not find his truly distinctive voice as a composer until he was more than half a century old, after the Chinese government allowed people to have exposure to European music written after 1900. One of the few senior Chinese composers to embrace these progressive European styles, Wang also draws inspiration from the Chinese traditional music that he has researched. The driving force behind Wang’s music can be summarized by a statement that he made to this applicant during our interview in Beijing (November 10, 2012): “I want to express the suffering of contemporary people, and the evil of modern China.” A central theme in Wang’s music is the struggles between oppressed people and those who dominate them, and this research will focus on compositions exemplifying this theme. -
Music Academy of the West Archives PA Mss 65
http://oac.cdlib.org/findaid/ark:/13030/kt9m3nd615 No online items Guide to the Music Academy of the West archives PA Mss 65 Finding aid prepared by David Seubert and Danielle Hoffman, 2007; revised by Zachary Liebhaber, 2019. UC Santa Barbara Library, Department of Special Research Collections University of California, Santa Barbara Santa Barbara 93106-9010 [email protected] URL: http://www.library.ucsb.edu/special-collections 2007; 2019 Guide to the Music Academy of PA Mss 65 1 the West archives PA Mss 65 Title: Music Academy of the West archives Identifier/Call Number: PA Mss 65 Contributing Institution: UC Santa Barbara Library, Department of Special Research Collections Language of Material: English Physical Description: 102 linear feet(117 document boxes, 19 half document boxes, 784 audiotape reels, 38 videocassettes) Date (inclusive): 1946-2014 Abstract: Audio and video recordings of Music Academy of the West concerts, recitals and masterclasses dating from 1961 to 2001, as well as Music Academy of the West organizational records dating from 1946 to 2012. Physical Location: Special Research Collections, UC Santa Barbara Library Access Restrictions The collection is open for research. Access copies must be made before listening to recordings. Use Restrictions Copyright has not been assigned to the Department of Special Research Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Research Collections. Permission for publication is given on behalf of the Department of Special Research Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained. -
International Journal of Legal English
International Journal of Legal English Volume 2 Issue 2 2014 International Journal of Legal English Volume 2 Issue 2 2014 The International Journal of Legal English Volume 2 Issue 2 September 2014 Chief Editor: Prof. Li LI China University of Political Science and Law Beijing China Chief Australian Advisor Dr. Beata Webb Bond University Australia Published by the English Language Education Publishing 1 International Journal of Legal English Volume 2 Issue 2 2014 © English Language Education Publishing Brisbane Australia This book is in copyright. Subject to statutory exception no reproduction of any part may take place without the written permission of the English Language Education Publishing No unauthorized photocopying All rights reserved. No part of this book may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the. English Language Education Publishing [email protected] Chief Editor: Prof Li Li ISSN (to be assigned) 2 International Journal of Legal English Volume 2 Issue 2 2014 Table of Contents I. The Use of ‘or’ in Post-graduate Student Academic Legal Writing. Paschal Maher ……………………………………………………………………………………… 4 II. Social Semiotic Approach to Civil Judgments in the Mainland of China: Generic Structure Potential Model. Min Dong Nancy, Songdan Buo……………………... 19 III. Legislation Translation in China: A Perspective of Horizontal Equivalence. Luping Zhang……………………………………………………………………………………….. 52 IV. The Progress of Legal Semiotics in China. Hongqin Zhang………………………………….. 70 V. Chinese Translation of Long Sentences in Legal English: From a Contrastive Study Perspective. Xiaojuan Liu ………………………………………………………….. 88 VI. Narrative Study on Witnesses’ Involvement in Their Statements. -
THE CHINA INSTITUTE Dean Say’S Message the Year of the Sheep Is Said to Herald a Year of Promise and Prosperity, Kindness and Benevolence
THE CHINA INSTITUTE Dean Say’s Message The Year of the Sheep is said to herald a year of promise and prosperity, kindness and benevolence. These are qualities long shared between CSUN’s China Institute and its many partners in China. Over the past 33 years the China Institute has cultivated strong and meaningful relationships with 67 Chinese institutions of higher education, and as a result scores of CSUN students have been awarded full scholarships to pursue their dreams of studying abroad at a versatile array of universities and technical schools. Beginning in the Fall semester, we will welcome a new faculty member who will join our China Studies program and further develop opportunities for our students to study Chinese language and culture. I want to take this opportunity to recognize and thank the China Institute, our Chinese higher education partners, and CSUN’s Tseng College of Graduate, International, and Midcareer Education for their tireless work in moving our students’ academic and career goals forward. And I want to wish everyone a most Dean Say and Dr. Su wish you all a happy, healthy and prosperous Year of the Sheep! successful Year of the Sheep! In connection with the Cultural Exhibit, the China Institute and Director Su’s Review—Year of Oviatt Library Music and Media staff also hosted the longest- the Horse in Focus running Chinese Film Festival at CSUN, showing the multi- award-winning and internationally acclaimed “Mysteries China” Dear Members and Friends of the series of 12 documentaries on China’s 5,000 years of history and China Institute, culture, traditions and modern development for 12 consecutive weeks in the spring semester. -
From the Podium News
R ep o r John Climert , editor Spring 2006 From the Podium News Dear Colleagues: Warren Benson Forum on Creativity and Concert The 2006 regional conferences are now history, and from all ac- Dr. James Undercofl er, Dean, Eastman School of Music and the counts, they were among the most successful in our organization’s Benson family cordially invite you to share in a celebration of the history. I was fortunate to attend the Southwestern Division life of Warren Benson on Sunday, April 23, 2006 at the Eastman Conference as well as the combined Western and Northwestern School of Music in Rochester, New York. Conference and found both to be beautifully planned, exciting, stimulating events with a number of excellent performances. It At two o’clock, the Inaugural Warren and Patricia Benson Forum was good to hear that attendance in nearly every conference was on Creativity in the Howard Hanson Hall will be followed at three up from the previous meeting. o’clock by a concert in Kilbourn Hall with a reception immediately following at Cominsky Promenade. RSVP to 585-274-1040. I would like to look ahead to the 2007 National Conference and Hotel space is available at the Rochester Hyatt. Guests can call highlight several things for you. Obviously, fi rst would be the 1-800-233-1234 and ask for the “Warren Benson Concert” group dates, March 28-31, 2007 in Ann Arbor, Michigan. With Michael block to make reservations. Haithcock and the staff of the University of Michigan Bands as hosts, we are certain to have a memorable conference. -
VITA YANG HON-LUN, HELAN I. Academic and Professional
VITA YANG HON-LUN, HELAN I. Academic and Professional Qualifications Washington University in St. Louis 1998 Ph. D. Musicology University of Texas at Austin 1989 M. M. Musicology Chinese University of Hong Kong 1985 B. A. Music II. Employment History 2011-present Hong Kong Baptist University, Professor 2011-2012 Programme Director of Bachelor of Music Studies (self-funded top-up programme run by the Department of Music in collaboration with College of International Education) 2005-2011 Hong Kong Baptist University, Associate Professor 2008-2009 Hong Kong Baptist University, Acting Head of the Department of Music 1998-2005 Hong Kong Baptist University, Assistant Professor 2006 Nov. Visiting Lecture, taught four sessions of Research Methodology to post-graduate students at University of Hong Kong 1997-1998 Hong Kong Baptist University, Visiting Assistant Professor 1994-1997 Washington University, Teaching Fellow and Teaching Assistant 1992-1994 The Hong Kong Academy for Performing Arts, Lecturer 1989-1992 Washington University in St. Louis, Teaching Assistant 1986-1989 University of Texas at Austin, Teaching Assistant III. Teaching Experience Subjects Taught Mus 1112 History of Western Music I (core subject for Year 1 music majors, class size 30 to 33) Mus 2111, 2112 History of Western Music II (core subject for Year 2 music majors, class size 30 to 33) Mus 3120 Comparative Study of Western and Chinese Music 1 (used to be core subject, but now elective subject for students with a keen interest in research, class size 7 to 16) Mus 1230 Canto-pop, Manda-pop, and Chinese Rock ‘n’ Roll (elective subject open to all university students, class size from 100 to 200) Mus 7370 Music in Chinese and other Societies (MA subject for post-graduate students, class size from 8 to 16) Mus 1672 Class Violin (for non-music majors, class size from 5-12) Teaching Development Grants and Seminars 2012 -2013. -
Volume CXXI, Number 11, January 9, 2004
LAWRENCE UNIVERSITY'S STUDENT NEWSPAPER SINCE 1884 Th e La w r e n t ia n FRIDAY • JANUARY 9, 2004 • VOL CXXI, NO. 11 ■ WWW.LAWRENTIAN.COM LUCC candidate state Warch on weed / Page 4 SPORTS Vikes move up on ments/Page 2 FEATURES ranks/Page 8 LUCC institues online voting DeStasio awarded research grant Voyager system to $206,000 to allow voting at any study the effects time during electionof zebra mussels by Jonathan Isaacson in G reen Bay News Editor by Jonathan Isaacson Lawrence University News Editor Community Council convened Tuesday in a brief first meeting of Bart DeStasio, associate profes the term to discuss upcoming sor of biology, received a grant last council elections as well as change month from the University of in the bylaws and a potential conWisconsin Sea Grant Program to stitutional change. study the effects of the zebra mus The main item of discussion sel population in Green Bay. was the upcoming LUCC election DeStasio and student research to choose a new cabinet. The elec assistants will be compiling data tion will take place in the coming from previous studies with the data week, with a candidate forum on to be collected in the upcoming Sunday, January 11 at 3 p.m. in study to create computer models of Riverview Lounge. the effects of invading zebra mus The major change in elections sels, a species native to the Caspian this year is the institution of an Sea region of Asia, in Lake electronic voting option for stu Michigan's largest bay dents.