Volume CXXI, Number 11, January 9, 2004
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VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
Slch Prog 2019-20 Ang F Nc Low.Pdf
T TABOUT US T Founded in 1904, the Schulich School of Music of McGill University is home to a diverse community of performers, composers, music theorists, educators, scientists, and researchers, and offers more than 45 undergraduate, graduate, and professional programs. In 2018, 513 undergraduate and 375 graduate students were enrolled at Schulich, with a third of that total coming from outside of Canada. This season, Schulich will present over 600 public events at a variety of venues within the School, throughout the City of Montreal, and elsewhere. S SSS S SCHULICH STUDENT POPULATION 63% 37% PERFORMANCE RESEARCH 34% 33% 33% FROM QUEBEC REST OF CANADA INTERNATIONAL S SSS S @schulichmusic INFORMATION S BOX OFFICE 514-398-4547 · mcgill.ca/music T TABLE OF CONTENTS T About Us ..........................................4 Musical Chairs Welcome Message ..........................5 Chamber Music Festival ...........25 McGill Symphony Orchestra........ 6-7 Schulich in Concert .................. 26-28 Opera McGill ................................ 8-9 Schulich in Your Neighbourhood ......28 Baroque Orchestra ........................10 McGill Noon-Hour Organ ..............29 Contemporary Music Ensemble .......11 Intermezzo .....................................29 McGill Choral Ensembles ........ 12-14 Musical 5 à 7 ..................................30 McGill Wind Orchestra ...................15 Schulich@COC ...............................31 McGill Jazz Ensembles ............ 16-17 Schulich@McCord .........................31 2019-2020 Competitions -
The Chamber Music Society at Yale Chamber Music Competition Winners Tuesday, May 1, 2007 at 8:00 P.M
The Yale School of Music Robert Blocker, Acting Dean presents The Chamber Music Society at Yale Chamber Music Competition Winners TUESDAY, MAY 1, 2007 MORSE RECITAL HALL IN SPRAGUE HALL the chamber music society at yale Chamber Music Competition Winners Tuesday, May 1, 2007 at 8:00 p.m. Morse Recital Hall in Sprague Memorial Hall Trio in E-flat major,k . 498, “Kegelstatt” Wolfgang Amadeus Mozart Andante (1756-1791) Menuetto Rondo Romie de Guise-Langlois, clarinet Margot Schwartz, violin Wei-Jen Yuan, piano Triskelion Bruce Adolphe Allegro (b. 1955) Andante (with a ghostly quality) Allegro Joel Brennan and Olivia Malin, trumpet Jocelyn Crawford, horn Joshua Cullum, trombone Stephanie Fairbairn, tuba intermission Quartet in D minor, d. 810, “Death and the Maiden” Franz Schubert Allegro (1797-1828) Andante con moto Scherzo: Allegro molto − Trio Presto The Alianza Quartet Sarita Kwok and Lauren Basney, violin Ah-Young Sung, viola Dmitri Atapine, cello As a courtesy to the performers and to other audience members — Please silence cell phones and pagers Please do not leave the auditorium during selections No flash photography No sound or video recording of any kind 2 0 0 6- 2 0 0 7 s e a s o n Program Notes Mozart: Trio in E-flat,k . 498, “Kegelstatt” The strange subtitle (Kegelstatt or “Skittles”) alone gives this work a unique place in Mozart’s vast chamber music output. Add to that its unusual combination of instru- ments and you have a very original composition indeed. The story behind the work’s origins is that Mozart wrote this in 1786 while playing skittles (an old game similar to bowling) with his friend, the clarinetist Anton Stadler. -
Beat Generation Icon William S. Burroughs Found Love – and Loved Life – During His Years in Lawrence
FOR BURROUGHS, IT ALL ADDED UP BURROUGHS CREEK TRAIL & LINEAR PARK Beat Generation icon William S. Burroughs found love – and loved life – during his years in Lawrence William S. Burroughs, once hailed by In 1943, Burroughs met Allen Ginsberg America after charges of obscenity were 11th Street Norman Mailer as “the only American and Jack Kerouac. They became fast rejected by the courts. In the meantime, novelist living today who may conceivably friends, forming the nucleus of the Burroughs had moved to Paris in 1958, be possessed by genius,” lived in Lawrence nascent Beat Generation, a group of working with artist Brion Gysin, then on a few blocks west of this spot for the last 16 often experimental writers exploring to London in 1960, where he lived for 14 13th Street years of his life. Generally regarded as one postwar American culture. years, publishing six novels. of the most influential writers of the 20th century, his books have been translated Burroughs became addicted to narcotics In 1974, Burroughs returned to 15th Street into more than 70 languages. Burroughs in 1945. The following year, he New York City where he met James was also one of the earliest American married Joan Vollmer, the roommate Grauerholz, a former University of multimedia artists; his films, recordings, of Kerouac’s girlfriend. They moved Kansas student from Coffeyville, paintings and collaborations continue to to a farm in Texas, where their son Kansas, who soon became Burroughs’ venue venue A A inspire artists around the world. He is the Billy was born. In 1948, they relocated secretary and manager. -
Acknowledgement to Reviewers of Sensors in 2019 Sensors Editorial Office
Editorial Acknowledgement to Reviewers of Sensors in 2019 Sensors Editorial Office MDPI AG, St. Alban-Anlage 66, 4052 Basel, Switzerland Published: 20 January 2020 Peer review is an essential part in the publication process, ensuring that Sensors maintains high quality standards for its published papers. In 2019, a total of 5658 papers were published in the journal. Thanks to the cooperation of our reviewers, the median time to first decision was 17 days and the median time to publication was 43 days. Among the reviewers who reviewed for Sensors in 2019, the following five have been selected to receive the “Sensors 2019 Outstanding Reviewer Award” for the timeliness and quality of their review reports in 2019: Curiac, Daniel-Ioan from Politehnica University of Timisoara, Romania Esposito, Flavio from University of Naples “Parthenope”, Italy Herrera-May, Agustin L. from Universidad Veracruzana, Mexico Moh, Sangman from Chosun University, Korea Tsiropoulou, Eirini Eleni from University of New Mexico, USA The editors also express their sincere gratitude to all of the following, who shared their time and expert opinion by reviewing for Sensors in 2019: Aaen-Stockdale, Craig Abdelaziz Kerrache, Chaker Aazam, Mohammad Abdeljaber, Osama Abadal, Sergi Abdelkefi, Abdessattar Abaid, Nicole Abdel-Motaleb, Ibrahim M. Abalde-Cela, Sara Abdel-Nasser, Mohamed Abali, B. Emek Abdel-Rahman, Eihab Abambres, Miguel Abdelsamea, Mohamed Abate, Dante Abdolvand, Reza Abawajy, Jemal Abdul, Razaque Abbas, Sawaid Abdul-Aziz, Ali Abbasi, Hamid Abdulhalim, Ibrahim Abbasi, Qammer Abdulridha, Jaafar Abbaszadeh, Shiva (Canada) Abedini Nassab, Roozbeh Abbaszadeh, Shiva (USA) Abegão, Luis Abbene, Leonardo Abel, Dirk Abbod, Maysam Abelmann, Leon Abdalla, Ahmed Abhayasinghe, Nimsiri Abdallah, Ali Abir, Muhammad Abdelazim, Sameh Abonyi, Janos Sensors 2020, 20, 576; doi:10.3390/s20020576 www.mdpi.com/journal/sensors Sensors 2020, 20, 576 2 of 184 Abonyi, János Adhikari, Kaushallya Abot, Jandro Adly, Nouran Abramovich, Haim Adriaensen, Stefan Abrams, Michael J. -
Music Academy of the West Archives PA Mss 65
http://oac.cdlib.org/findaid/ark:/13030/kt9m3nd615 No online items Guide to the Music Academy of the West archives PA Mss 65 Finding aid prepared by David Seubert and Danielle Hoffman, 2007; revised by Zachary Liebhaber, 2019. UC Santa Barbara Library, Department of Special Research Collections University of California, Santa Barbara Santa Barbara 93106-9010 [email protected] URL: http://www.library.ucsb.edu/special-collections 2007; 2019 Guide to the Music Academy of PA Mss 65 1 the West archives PA Mss 65 Title: Music Academy of the West archives Identifier/Call Number: PA Mss 65 Contributing Institution: UC Santa Barbara Library, Department of Special Research Collections Language of Material: English Physical Description: 102 linear feet(117 document boxes, 19 half document boxes, 784 audiotape reels, 38 videocassettes) Date (inclusive): 1946-2014 Abstract: Audio and video recordings of Music Academy of the West concerts, recitals and masterclasses dating from 1961 to 2001, as well as Music Academy of the West organizational records dating from 1946 to 2012. Physical Location: Special Research Collections, UC Santa Barbara Library Access Restrictions The collection is open for research. Access copies must be made before listening to recordings. Use Restrictions Copyright has not been assigned to the Department of Special Research Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Research Collections. Permission for publication is given on behalf of the Department of Special Research Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained. -
Audio Mastering for Stereo & Surround
AUDIO MASTERING FOR STEREO & SURROUND 740 BROADWAY SUITE 605 NEW YORK NY 10003 www.thelodge.com t212.353.3895 f212.353.2575 EMILY LAZAR, CHIEF MASTERING ENGINEER EMILY LAZAR CHIEF MASTERING ENGINEER Emily Lazar, Grammy-nominated Chief Mastering Engineer at The Lodge, recognizes the integral role mastering plays in the creative musical process. Combining a decisive old-school style and sensibility with an intuitive and youthful knowledge of music and technology, Emily and her team capture the magic that can only be created in the right studio by the right people. Founded by Emily in 1997, The Lodge is located in the heart of New York City’s Greenwich Village. Equipped with state-of-the art mastering, DVD authoring, surround sound, and specialized recording studios, The Lodge utilizes cutting-edge technologies and attracts both the industry’s most renowned artists and prominent newcomers. From its unique collection of outboard equipment to its sophisticated high-density digital audio workstations, The Lodge is furnished with specially handpicked pieces that lure both analog aficionados and digital audio- philes alike. Moreover, The Lodge is one of the few studios in the New York Metropolitan area with an in-house Ampex ATR-102 one-inch two-track tape machine for master playback, transfer and archival purposes. As Chief Mastering Engineer, Emily’s passion for integrating music with technology has been the driving force behind her success, enabling her to create some of the most distinctive sounding albums released in recent years. Her particular attention to detail and demand for artistic integrity is evident through her extensive body of work that spans genres and musical styles, and has made her a trailblazer in an industry notably lack- ing female representation. -
From the Podium News
R ep o r John Climert , editor Spring 2006 From the Podium News Dear Colleagues: Warren Benson Forum on Creativity and Concert The 2006 regional conferences are now history, and from all ac- Dr. James Undercofl er, Dean, Eastman School of Music and the counts, they were among the most successful in our organization’s Benson family cordially invite you to share in a celebration of the history. I was fortunate to attend the Southwestern Division life of Warren Benson on Sunday, April 23, 2006 at the Eastman Conference as well as the combined Western and Northwestern School of Music in Rochester, New York. Conference and found both to be beautifully planned, exciting, stimulating events with a number of excellent performances. It At two o’clock, the Inaugural Warren and Patricia Benson Forum was good to hear that attendance in nearly every conference was on Creativity in the Howard Hanson Hall will be followed at three up from the previous meeting. o’clock by a concert in Kilbourn Hall with a reception immediately following at Cominsky Promenade. RSVP to 585-274-1040. I would like to look ahead to the 2007 National Conference and Hotel space is available at the Rochester Hyatt. Guests can call highlight several things for you. Obviously, fi rst would be the 1-800-233-1234 and ask for the “Warren Benson Concert” group dates, March 28-31, 2007 in Ann Arbor, Michigan. With Michael block to make reservations. Haithcock and the staff of the University of Michigan Bands as hosts, we are certain to have a memorable conference. -
A Native of China, Fan Lei Has Been Captivating Audiences As a Soloist and Recitalist Throughout the United States, Canada, and Asia
A native of China, Fan Lei has been captivating audiences as a soloist and recitalist throughout the United States, Canada, and Asia. He has collaborated with several of the world’s leading woodwind players, among them Patrick Gallois, Richard Killmer, Stephen Maxym, and David Shifrin, and is a founding member of the Norfolk Trio at the Norfolk Summer Chamber Music Festival in Connecticut. In 1998, he appeared in recitals at the Beijing International Clarinet and Saxophone Festival. He has performed as a soloist for the prime ministers of Canada and Great Britain, and has performed on broadcasts in the United States, Canada, Yugoslavia, and China. An active adjudicator and clinician, Fan Lei has served as a jury member for the 2009 International Clarinet Competition and the National Arts Club Clarinet Competition in New York, and is the artistic director for the International Clarinet and Saxophone Festival in Xi’an, China. In addition, he has presented recitals and master classes at Yale University, Interlochen Arts Academy, Oberlin Conservatory, Arizona State University, National Arts University and other major universities in Taiwan, all leading conservatories in China, and He was professor of clarinet for sixteen years at Lawrence University in Wisconsin,USA. Mr. Fan received degrees from Beijing Central conservtory, Oberlin Conservatory and Yale University, and his teachers have included Elsa Ludwig Verdehr, Lawrence McDonald, David Shifrin, Fred Ormand, and Kalmen Opperman. A recipient of prizes and honors at the Toulon International Competition in France, the International Young Clarinetist Competition in Washington, and the 1991 Young Concert Artist International Auditions in New York, Mr. -
The Making of Woodwind Art in China
Volume 9 - Issue 27 / March 2020 301 DOI: http://dx.doi.org/10.34069/AI/2020.27.03.33 The Making of Woodwind Art in China Становление искусства игры на деревянно-духовых инструментах в Китае Received: December 28, 2019 Accepted: February 15, 2020 Written by: Liu Yang102 ORCID: 0000-0003-1063-2637 Svetlana Anatolievna Mozgot103 Spin-code: 530-244 ORCID: 0000-0002-5342-6940 Abstract Аннотация The phenomenon of the formation of the Феномен становления искусства игры на woodwind instrument art in China of the 20th деревянно-духовых инструментах в Китае ХХ century is due to the unique synthesis of Western века обусловлен уникальным синтезом European traditions and the experience of западноевропейских традиций и опытом игры playing traditional national wind instruments. на традиционных национальных духовых The relevance of the study is due to the fact that инструментах. Актуальность исследования the growth of professionalism among musicians- связана с тем, что рост профессионализма performers stimulates composer creativity, среди музыкантов-исполнителей стимулирует producing the development by Chinese композиторское творчество, продуцируя composers of the styles and genres of Western освоение китайскими композиторами стилей и European music. In turn, the combination of жанров западноевропейской музыки. В свою styles and genres of academic art with intonation очередь, сочетание стилей и жанров and expressive means of national Chinese music академического искусства с интонацией и creates new, interesting examples of musical средствами выразительности национальной compositions by contemporary Chinese китайской музыки создаёт новые, интересные composers, worthy of a separate in-depth study. образцы музыкальных сочинений The purpose of the article is to consider the современных композиторов Китая, достойные prerequisites, features of the formation of the отдельного глубокого изучения. -
Jason Glasser 1968, Connecticut, U.S.A. EDUCATION 1996 Hunter
Jason Glasser 1968, Connecticut, U.S.A. EDUCATION 1996 Hunter College, The City University of New York, New York, U.S.A. Master of Fine Arts (MFA) degree, painting 1990 University of Massachusetts, Amherst, Massachusetts, U.S.A. Bachelor of Fine Arts (BFA) degree, painting . Summer Program Stedelijke Academy, Brugges, Belgium SOLO EXHIBITIONS 2016 Big Rock Candy Mountain, Galerie Maia Muller, Paris, France 2015 The Future Ain’t What It Used To Be, Abbaye de Bonnefont, Proupriary, France 2014 The Pursuit of Happiness, Galerie Maia Muller, Paris, France Distant Land, Design Matters, Los Angeles, USA 2013 Bermuda Triangle, Providence, Guéthary, France 2012 Lone Star, Parker’s Box, New York, USA Wavvvvvvvvvves, Providence, Guéthary, France 2011 Heads up!, La Maison d’art Bernard Anthonioz, Nogent-sur-Marne, France 2009 Fossil Fuel, La Pavillon, Pantin, France 2007 Sticky Stuff, Espace 1789, Saint-Ouen, France Graphic Fuzz, Parker’s Box, New York, USA 2006 Icicles and Arctic T.V.s, Galerie Kamel Mennour, Paris, France 2005 Lion et Oiseau, Chapelle Saint Jacques Centre d’Art Contemporain, Saint-Gaudens, France 2004 Wrong Hero, Galerie La Friche Belle de Mai, Marseille, France 2003 Fruitkey, Parker’s Box, New York, USA 2002 Jason Glasser, New Works, Rhodes + Mann, London, UK 1998 Invisible Plane, Steffany Martz Gallery, New York, USA Vertical Painting, MoMA/P.S.1, New York, USA SELECTED GROUP EXHIBITIONS 2016 Sur le Motif, La Maison d’art Bernard Anthonioz, Nogent-sur-Marne, France 2015 965j a 58m, Villa Belleville, Paris, France 2014 Solitude, -
Force Protection SEE JOBLESS on PAGE 10
MUSIC: Bass star Thundercat NFL DRAFT back from the bottom Page 30 Clemson linebacker Simmons is built DINING: Putting takeout to thrive against pizza to the test Page 23 high-powered HEALTH: Strange dreams? modern offenses You’re not alone Page 21 Back page stripes.com Volume 78, No. 260 ©SS 2020 FRIDAY, APRIL 17, 2020 $1.00 VIRUS OUTBREAK Claims for jobless aid in US reach 22 million BY CHRISTOPHER RUGABER Associated Press WASHINGTON — The wave of lay- offs that has engulfed the U.S. economy since the coronavirus struck forced 5.2 million more people to seek unemploy- ment benefits last week, the government reported Thursday. Roughly 22 million have sought job- less benefits in the past month — the worst stretch of U.S. job losses on record. It means that roughly one in seven work- ers have lost their jobs in that time. The grim figures point to an econo- my that is tumbling into what appears to be a calamitous recession, the worst in decades. The nation’s output could shrink by roughly 10.5% before it starts to rebound, according to Ryan Sweet, an economist at Moody’s Analytics. Force protection SEE JOBLESS ON PAGE 10 Army parachute riggers, civilians in Kaiserslautern improvise face masks BY JENNIFER H. SVAN livery Company soldiers have produced about Spc. Robert Walker, a Stars and Stripes 150 a day since Monday, as part of an effort to parachute rigger with the 5th contain the spread of the coronavirus. Quartermaster-Theater Aerial KAISERSLAUTERN, Germany — Sewing The first batches of masks have been distrib- Delivery Company at Rhine RICK BOWMER/AP machines continue to hum inside the work- uted to cooks, gate guards, postal workers and Ordnance Barracks, Germany, A sign reflecting the bleak state of shop at Rhine Ordnance Barracks, where U.S.