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Home , Camu Tao, Cannibal Ox, Clem Snide, Copywrite (rapper), Emily Lazar, God Loves Ugly

AUDIO AND DVD AUT H O R I N G 740 BROADWAY SUITE 605 NY 10003 www.thelodge.net t212.353.3895 f212.353.2575

EMILY LAZAR, CHIEF MASTERING ENGINEER EMILY LAZAR CHIEF MASTERING ENGINEER

At the for efro n t of a new generation of mastering engineers, Emily Lazar , fou n d e r of The Lod g e , reco g n i z es the integ r al role mastering plays in the creat i v e musical pro c ess. Combining a decisive ol d - s chool style and sen s i b i l i t y with an intui t i v e and you t h ful knowledge of music and tec h n o l o g y , Emily and her team cap tur e the magic that can only be creat ed in the right studio by the right people. Founded in 1997, The Lodge is located in the heart of ’s . Equipped with state-of-the art mastering, DVD authoring, surround sound, and specialized recording studios, The Lodge utilizes cutting- edge technologies and has attracted both the in d u st r y ’ s most ren o wned art i s ts and prom i n e n t newcom e r s. From its unique collection of outboar d eq u i p m e n t to it s sop h i st i ca t ed high-density digital audio wor k stat i o n s , The Lodge is furnished with specially hand- pi c k ed pieces that lure both analog afic i o n a d o s and digital audiophiles alike. Moreo ver , The Lodge is the only stud i o in the New York Metropolitan area with an in-house Ampex ATR-102 one-inch two- track tape machine for master playback, transfer and archival purposes. As Chief Mastering Engineer, Emily’s pas sion for integ r ating music with technology has been the driving force behind her success, enabling her to create some of the most distinctive sounding rel ea s ed in rece n t year s. Her part i c ular atten tion to detail and demand for arti s tic integ r i t y is evi d e n t th r ough her exte n s i v e body of work that spans genres and musical styl e s, and has made her a trai l b l a ze r in an industry notably lacking female representation. Rece nt l y , Emily has wor k ed with esteemed arti s ts such as: David Bowi e , , Jeff Buc k l e y, , Thi r d Eye Blind, Natalie Merch a n t, Beyoncé Knowl e s, The All-Am e r i c an Rej e c t s, The Donnas, The Apples in Stere o , Sinéad O’Con n o r , Desti ny ’ s Child, Loudon Wai nw r i g h t III, El-P, , Sol a n g e , Atm os p h e r e, Nada Sur f , , Gang Star r , Can n i b al Ox, Taj Mahal, and Brat m o b i l e , to name a few. In addition, she has master ed original sou n d t ra c k s for the fol l o wing featu r e films: Trai n i n g Da y, Pok emon: The 1st Movi e , Boys Don’t Cry, American Psych o , and Jesu s ’ Son, among many oth e r s. Recent articles on Emily Lazar include features in Electronic Musician (cover story), Mix Magazine, Billboard, Pro Sound News and TapeOp. Lazar is also a highly publicized product endorsee for Avalon Design (audio equipment) and Apple Computers.

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AUDIO MASTERING AND DV D AU T H O R I N G 740 BROA DWAY SUITE 605 NEW YORK NY 10003 www.thelodge.net t212.353.3895 f212.353.2575 THE LODGE : MAIN FOYER

THE LODGE : MASTERING ROOM

AUDIO MASTERING AND DV D AU T H O R I N G 740 BROA DWAY SUITE 605 NEW YORK NY 10003 www.thelodge.net t212.353.3895 f212.353.2575 Recent Client Photos

DAVID BOW I E LOU REED, MICK ROCK, N ATALIE MERCHANT & ROB SA N TOS (BMG) TODD VOS (PRO D U C E R)

SO N I C YOUTH VIA STEPHEN JENKINS (PRO D U C E R) CY B E R S PAC E () & JASO N CA R M E R ( P RO D U C E R)

T H E A L L-A M E R I CAN REJECTS E L-P (DEF JUX) & NASA T H E A P P L ES I N ST E R EO & TIM O’HEIR (PRO D U C E R)

AUDIO MASTERING AND DV D AU T H O R I N G 740 BROA DWAY SUITE 605 NEW YORK NY 10003 www.thelodge.net t212.353.3895 f212.353.2575 AUDIO MASTERING AND DV D AU T H O R I N G 740 BROA DWAY SUITE 605 NEW YORK NY 10003 www.thelodge.net t212.353.3895 f212.353.2575 By Stephanie Jorgl “My interest in mastering has been driven by my passion Lazar received a Master’s Degree and a graduate fellow- for story telling,” says mastering engineer Emily Lazar. ship at New York University’s Music Technology Program, “People and music are really similar — both yearn for as preparation for becoming a mastering engineer. Soon meaningful connections. So, a big part of that connection after she began working for other mastering engineers, is being able to tell stories that deeply resonate within an she knew she wanted to run her own show. audience.” Lazar owns The Lodge, a New York City-based mastering house that polishes the final mood on recordings such as ’s “Heathen,” and on movie soundtracks — including work on a track for the latest Austin Powers film, “Goldmember.” “One of the most exciting aspects about being a master- ing engineer is working with artists and helping them to be better storytellers by helping them find their ’s unique voice — that defined sound,” she adds.

She Da Master. Emily at work.

The Mastering Process The first step in mastering is to assess the source recording. Some of the sources provided to Lazar are already in dig- ital format — for example, on a 16 or 24-bit CD, in the form of Pro-Tools session files, .WAV/.AIFF files or a DAT (digital audio tape). However, analog tape is still preferred by many of her clients and is one of Lazar’s favorite Lazar’s Central Think Tank. mediums. Mastering the greats from the heart of New York City. Precision adjustments in frequency, equalization and/or compression are then made. “There’s no frame or template Music In Her Roots for mastering, as each mix will always be different and all “Some of my earliest memories of music are of playing need to be approached individually,” says Lazar. and singing with my mother. Having grown up in a very After the recording has been mastered, it then travels musical household, I played a lot of instruments. into the hi-resolution Macintosh-based digital audio I learned guitar, piano, flute, voice and violin. workstation for sequencing and editing. At the completion “Although my personal music has taken a back seat for of that process, Lazar’s newly-made production part can the time being, I’ve been writing and recording for over be delivered on an assortment of formats, such as 3/4” 15 years,” she says. “Being a musician has given me a U-Matic, DDP Exabyte, DVD, DLT, PMCD, Vinyl Lacquer strong sensitivity and appreciation for the artist’s role, and SACD. This final master goes directly to the CD which has added perspective and affected my work as a manufacturer. From this medium, the CD manufacturing mastering engineer. facility creates a glass master for replication.

AUDIO MASTERING AND DV D AU T H O R I N G 740 BROA DWAY SUITE 605 NEW YORK NY 10003 www.thelodge.net t212.353.3895 f212.353.2575 Balance Is Critical So what goes into good mastering? “In my experience, “One recent personal highlight — for me — was the respect for the integrity of the music is vital, but equally re-mastering job we just finished for Clem Snide’s first important is the ability to add something completely unex- album, ‘.’” she says. “This is a record pected to a project,” she says. “I think finding this ba l a n c e very dear to my heart — a collection of unbelievable treas- is critical to the work of a great mastering engineer. ures that never really had a proper mastering job before.” “My goal is to always be a subtle innovator. All in all, I think that I have been able to recruit top name acts to The Lodge because of the quality of my work and my rep- utation as someone an artist can rely on,” she explains. Macs Run The Lodge “We use Macintosh computers for everything we do here — from administrative databases, spreadsheets and budgeting, to graphic design and highly technical digital audio editing,” says Lazar. “In a creative environment like ours, there is nothing else that compares. “We pride ourselves in the ability to produce the best quality product in the world,” she adds. “Apple’s commitment to quality is second to none. Hence, it’s a perfect match.” From Vintage Analog to Digital At The Lodge, the equipment ranges from vintage analog pieces to cutting-edge digital outboard equipment. “The No Ordinary Mastering House. combination of our hardware and software, and the way it The Lodge offers a much different feel than the standard mastering shop. is chained together, is an important factor in delivering a unique sounding album,” says Lazar. “Specifically, our Q u i c k e r, Better Masters with Digital engineers use products from Avalon Design, Pultec, TC “Technology has improved the mastering process in many Electronics, Weiss, Tube-Tech, Z-Systems, as well as many ways,” says Lazar. “The advent of non-destructive digital- others. audio editing has increased the engineer’s productivity as “For our mastering digital audio workstations we use soft- well as advanced the ability for more creative editing ware and hardware combination systems such as Sonic decisions. Digital edits, crossfades and other such DAW Solutions/Sonic HD, and as a digital playback option for processes allow for much quicker results with greater mastering from data files, we use many professional mixing precision. and editing platforms including ProTools and Logic “As sampling rates and wordlengths continue to improve, Audio,” she adds. better digital quality is achieved,” she adds. “We can now The Current Roster retrieve digital data file mixes from a client’s FTP site. This is anincredibly efficient means of gaining access to our “There are always a number of different projects in the clients.” studio,” says Lazar. “Among other things, we just finished mastering the of Beyonce’s ‘Work It Out’ from the High Standards upcoming ‘Austin Powers: Goldmember’ soundtrack, Nada Lazar holds quality first when it comes to her mastering Surf’s new album, a Jeff Buckley release for Knitting work. “Every day, we make sure that we produce the highest Factory Records, and are in the middle of remastering quality final product we can achieve or it doesn’t leave the Sonic Youth’s ‘Dirty,’ with previously unreleased B-sides.” premises,” she says. “We are building relationships based on the quality of the work we do, not the volume of jobs we The Lodge’s mastering work speaks for itself, as its clients receive. We understand that our work does our best keep coming back for more. “Labels like Putumayo World promotion, so we concentrate on doing a great job each Music, and Naked Music return time and opportunity we get.” again with amazing projects that I’m honored to work on,” says Lazar. “Additionally, before the month is out, we’ll be *** mastering Columbia Record’s Wood as well as Atlantic’s The Donnas.

AUDIO MASTERING AND DV D AU T H O R I N G 740 BROA DWAY SUITE 605 NEW YORK NY 10003 www.thelodge.net t212.353.3895 f212.353.2575 September 2000 Emily Lazar’s The Lodge Stands Out In Downtown N.Y.

he area around Broadway in downtown Manhattan, Lazar favors converters from dB Technologies (AD122-96 Mk N.Y., has become home to studios of all sizes, from II A/D and DA924 D/A) and Prism Sound (AD-124 A/D and Tyoung, growing facilities like the Cutting Room at DA-1 D/A). For the Pro Tools workstation, the Lodge uses Broadway and Bond Street to large, multipurpose operations Apogee AD8000 SE Multichannel A/D and D/A converters. like Soundtrack some 20 blocks to the north. Kampo Studios, Among the studio’s impressive equipment list, the Lodge also City Sound Productions, the Magic Shop, Sorcerer Sound, and employs an Avalon Design AD-2077 Mastering Equalizer, TMF Studios are a few examples of this downtown cluster of Z Systems Z-Q6 Equalizer and CL-6 Compressor, Pultec facilities serving a diverse clientele. EQP1A3 Tube EQ, Tube Tech LCA-2B Stereo Compressor, Given the hardships of successfully growing any business, the and Weiss DS 1 Digital Compressor/Limiter/De-Esser. high price of doing business in New York, and the mercurial “The environment we’ve created at the Lodge nurtures the nature of the music business itself, it creative process,” Lazar says. “Artists and is always inspiring to see a new company producers need to feel inspired in order to succeed. When said company is female- express themselves, and these studios were owned and operated in an overwhelmingly built in order to do just that.” male dominated industry it is still more The fast-growing client list at the Lodge includes convincing. Sinead O’Connor (“Faith And Courage”), Tar s h a In the mastering business, Emily Lazar is Vega (“Be Ya’ Self” radio single), Vitamin C making a name for herself. In the spring of by Christopher Walsh (“Graduation [Friends Forever]” and “I Know this year, her studio, the Lodge, moved to a What Boys Like” radio singles), “Wintertime larger space in the building it has occupied –The Charity Concert” (featuring perform- since 1998 at 740 Broadway. With an impressive client list, ances by Gov’t Mule, Edwin McCain, and Susan Tedeschi), Taj state-of-the-art equipment, and now a DVD authoring facility Mahal (“Kulanjan,” with Toumani Diabate), and soundtracks Lazar is looking forward, expecting to expand further in the for “American Psycho,” “Boys Don't Cry,” and “Pokemon: The near future. First Movie.“ Lazar’s credits also include “Saturday Night Live Born and raised in the New York metropolitan area, Lazar 25th Anniversary: The Musical Performances” and more than earned her master's degree at NYU’s School of Music 20 Putumayo world music titles, including “Mediterranean Technology, where she was awarded a graduate fellowship. Odyssey” and “Zydeco Party.” Her master’s thesis on Sonic Solutions and graduate intern- With the long-delayed launch of DVD Audio finally on the ship at Classical led to a position at New York mastering horizon, Lazar expects the format to account for an increas- facility Masterdisk with Greg Calbi (now at Sterling Sound). ing percentage of the business. And as her business continues “Working at Masterdisk was an interesting experience,” says its steady growth, she is planning to take additional space in Lazar. “It taught me a lot about the business as I developed the building to accommodate increasing demand. my own aesthetic in the mastering room. Eventually, I got to “I have great hopes for the addition of DVD as a viable and a point where people were calling me to master their records, integral format for the marketplace, and we have already but I didn't have my own mastering room, so I felt it was time begun upgrading our facility in order to handle the demands for me to break out on my own. With commercial space in of our clients,” she says. New York at a premium, I set up my first mastering room in The facility also offers production and overdub rooms with a my apartment.” generous complement of instruments and amplifiers, which The experience of running a business out of her living room is are important to Lazar, a guitarist, singer/songwriter, and reflected in the Lodge’s current space, a comfortable, sunny producer as well as a recording, mixing, and mastering facility including a DVD screening room furnished with e n g i n e e r. Her production company, EBL Productions, is surround sound, as well as an inviting lounge and kitchen. Four actively seeking and signing talent, and she is currently Sonic Solutions rigs are featured, including two SonicStudio HD producing projects at the Lodge. Lazar also remains active as (High Density) systems in the main mastering suites. For multi- an adjunct faculty member teaching two graduate-level classes channel work, the Lodge features a Genelec surround array at NYU in the Music Technology program. consisting of 1031A’s with a 1094 subwoofer, and the MultiMAX multiformat monitor control system from Martinsound. ***

AUDIO MASTERING AND DV D AU T H O R I N G 740 BROA DWAY SUITE 605 NEW YORK NY 10003 www.thelodge.net t212.353.3895 f212.353.2575 LAZAR STEPS UP (December 2002) "The New York mastering community, which has been quiet Tony Visconti. Lazar also mastered Khia's breakthrough album, following the major reshuffling that occurred in the late '90s, is (Artemis), propelled by the hit single “My Neck, again showing signs of movement. New studios have opened, My Back (Lick It).” Previously, Lazar had worked on projects veteran engineers have changed affiliations and a relatively by Sinéad O'Connor, the Saturday Night Live 25th Anniversary young studio has taken a prominent place among older, more boxed set, the Hedwig & The Angry Inch cast album, several established facilities . . . Back at the Lodge, Lazar has been as titles in the Putumayo World Music series and soundtracks busy as ever and raising her profile to the level of top facilities including Pokemon: The First Movie and American Psycho. in the city. She recently mastered Bowie's Heathen (ISO/Columbia), produced by Bowie's longtime collaborator, ***

NEW YORK METRO (Jun 1, 2001) Nowadays, virtually all mastering studios fall into one of two “W e're doing great,” beams Lazar. “We are constantly growing! categories: lavishly equipped, high-priced, multi-room We're expanding into new areas of the industry, and I'm like f a c i l i t i e s staffed by world-famous engineers who do the bulk a kid in a candy store! I always want to try out all the new of the major label business; or personal studios with modest flavors!” digital audio workstations and owner/operators who know Lazar's credits are a huge reward for an arduous, dues-paying how to work them. process, in which she worked as an assistant by day and a Somewhere in the middle is The Lodge, a fast-rising New mastering engineer by night, accommodating a growing York studio owned and operated by young engineer Emily pool of (mostly independent) artists who, impressed with Lazar. The Lodge is a far cry from your typical bedroom her technical grasp of the studio machinery and her sensi- operation. It features a Sonic Solutions SonicStudio work- tive approach, would hire her to do their projects. At the station and state-of-the-art outboard gear from Avalon, same time, Lazar was teaching music technology at New Apogee, Prism Sound, Pultec, TC Electronic, Tube-Tech, York University, where she earned her master's degree and Weiss and Z-Systems, to name a few. a graduate fellowship. Torn between her academic career, On the other hand, Lazar's studio does not purport to be a promising position at Masterdisk and the lure of opening Sterling Sound, Masterdisk, Bernie Grundman, or any of her own shop, Lazar did what any savvy entrepreneur the other upper-echelon, multiplex studios. For starters, might do: Lazar is essentially a one-woman shop (though she employs Located in a vast loft on Broadway in Lower Manhattan, the a small support staff). Also, hers is a personal, idiosyncratic Lodge features a spacious mastering suite, a vibey lounge approach that puts the focus on the creative side of the set up with a 5.1-channel monitoring system, and a mastering process. programming/composition room equipped with a Pro Tools “I was a creative writing and music major in college, so I system and other assorted goodies. (The latter studio is approach mastering by seeing each project from the artist's used mostly for Lazar's own music, which she continues to point of view,” says Lazar. “I can get as technical as necessary, pursue despite her grinding schedule running the creative but that's not always my natural approach.” and business sides of her operation.) In just a few years in business, Lazar ˜ who assisted Greg One of only a handful of female mastering engineers in an Calbi at Masterdisk before venturing out on her own ˜ has overwhelmingly male-dominated field, Lazar is at a loss to amassed an enviable list of clients whose stylistic range speculate on how ˜ or if ˜ her gender has affected her career. reflects her own diverse tastes. Recent projects at the Lodge “There's no way for me to know what it would have been have included albums by Taj Mahal & Toumani Diabate, like for me if I had been a guy,” she says. “Maybe it would Health & Happiness Show, Dash Rip Rock and Sinéad have been easier, or maybe it would have been harder. Who O'Connor. Lazar also mastered the Saturday Night Live knows? Every individual has their own set of challenges in 25th anniversary boxed set, the Hedwig & the Angry Inch life, and I don't consider being a woman an obstacle. I don't cast album, a Lenny Bruce retrospective, nearly two dozen think of myself as a Œfemale‚ mastering engineer, and I titles in the Putumayo World Music Series, and a host of don't think most of my clients see me that way either. I just high-profile soundtracks, including Pokémon: The First do what I do.” Movie, American Psycho and Boys Don't Cry. ***

AUDIO MASTERING AND DV D AU T H O R I N G 740 BROA DWAY SUITE 605 NEW YORK NY 10003 www.thelodge.net t212.353.3895 f212.353.2575 February 2000 NY Mastering House Moves Into Multichannel “I hope that while bandwidth and storage size increase, that the need for compression schemes will decrease, but mostly I hope that people start concentrating on capturing great sounds during the initial recording process.”–Emily Lazar, The Lodge

By Gary Eskow NEW YORK—Expansion to a new facility comes out of masters leave The Lodge is often less than desirable, necessity: with the increased interest in mastering services especially when small runs (5,000 or less) of independent performed by Emily Lazar, president and chief mastering records are being manufactured, “I’ve been really surprised engineer at The Lodge, it is becoming more and more difficult by all of the unauthorized transferring that seems to go on to accommodate the demand for services, given The at some of the plants. When I send out a 1630 Master I Lodge’s current capacity. expect that the plant will be generating the glass master A new 6,500 square foot facility has been carefully from it as opposed to a copy (CD-R or DDP) of my 1630 CO Master that they have generated. The quality control issue designed by a team consisting of Lazar, New York-based is obvious. I am unable to know exactly how the copy is architecture firm The Phillips Group, and LA-based being made. It Is very possible that a plant may not acoustical engineer Vincent Van Haaf of Waterland Design. address the very degenerative effects of an exceedingly The new facility addresses both the present need for an high jitter rate. The discrepancy between a mastering studio expanded space, and the certainty of continued growth and a manufacturing plant can be quite severe. Also, these over time. ‘transfers’ not only add an extra generation to the process The Lodge’s design is centered around two cutting-edge itself, but also then in turn rely on the inherent instabilities mastering suites with production rooms equipped with of the hardware, software and media. tools for DVD authoring, encoding, and proofing as well as “I see it as a completely unnecessary—not to mention standard equipment few 1630, DDP, and CD-R production risky—step,” Lazar continues. “One of the ways in which needs. To complement the existing equipment, Avalon I try ;o keep this kind of activity to a minimum is by asking Design is creating custom-tailored consoles along with a lot of questions. If it turns out that a plant is unable to specially modified equalizers and compressors. Both press from a 1630 Master, then I would much rather provide rooms will integrate 5.1 and 7.1 surround formats. a first generation DDP or PMCD than have them transfer Additionally, the rooms will include high-resolution multi- my work in an uncontrolled environment.” channel converters while utilizing Sonic Solutions’ High Density packageas the DAW platform. The mastering A hot audio concern of the day centers around the 44.1 suites and production rooms will be connected through a kHz/16-bit spec that all CD’S arc currently mastered to fiber channel network with the capacity of up to 25 While 96krlz/24-oit technology is becoming a reality in the Terabytes of storage serving multi-channel audio and DVD recording world, no release format has caught up with the production. higher specs, party because the debate rages regarding whether they represent the end of the line. We asked Lazar “I have great hopes for the addition of DVD as a viable and for her take the issue, “Is 96 kHz/24-bit the end of the integral format for the marketplace and we are upgrading line? No way. There will always be a new format on the the facility in order to handle the demands of our clients,” horizon. Whether it is better or not, is and will always Lazar said. remain a subjective aesthetic issue for the listener/consumer. Also included in the Lodge’s design is a mix room with 5.1 For example, is CD ‘better’ than its analog predecessors? capability and adjoining live room and isolation booths. In my opinion, all formats have their inherent pros and This studio will house a large format console and the ability cons which make them simply different. To qualitatively to use both ProTools and analog two-inch simultaneously, judge them is similar to qualitatively judging apples as well as a full complement of analog and digital outboard and oranges. Also, in the digital recording domain, it is gear. Additionally there will be another two suites for important to remember that just because something dams ProTools editing and production. These three rooms will that it is 24-tat 96kHz, one is still dealing with the limita- also be connected to the fiber channel network. This gives tions of the entire chain—especially the converters. As an all the rooms the flexibility to remain isolated from another, engineer in an ever-evolving industry, I hope that while yet, transfer files throughout the facility. A full-service bandwidth and storage size increase, that the need for kitchen and DVD screening room as well as expansive compression schemes will decrease, but mostly I hope that lounge space will fill out the rest of The Lodge. people start concentrating on capturing great sounds during Lazar says that the replication process that transpires after the initial recording process.”

AUDIO MASTERING AND DV D AU T H O R I N G 740 BROA DWAY SUITE 605 NEW YORK NY 10003 www.thelodge.net t212.353.3895 f212.353.2575 Recent Highlights

David Bowie The All-American Rejects “Heathen“ “The All-American Rejects” (ISO Entertainment/Columbia) (Doghouse/Dreamworks) Lou Reed The Donnas “NYC Man” “Spend The Night” (BMGHeritage) (Atlantic) Third Eye Blind TBA “Velocity of Sound” (Elektra) (spinART) Natalie Merchant “Cowboys & Indigents” “Whip It On“ (Elektra) (Orchard) Sonic Youth “Dirty – Deluxe Edition” “Let Go” Remastering (Barsuk) (Universal) Jeff Buckley & Gary Lucas “The End of the Beginning” “Songs To No One” (Defintitive Jux) (Knitting Factory) El-P Khia “ Damage“ “Thug Misses” (Definitive Jux) (Artemis) Riddlin‘ Kids Destiny‘s Child “Hurry Up And Wait“ “8 Days Of Christmas“ (Columbia) (Music World Entertainment / Columbia) Destiny‘s Child “God Loves Ugly” “Emotion“ (Rhymesayers) Remixes by Maurice Joshua, Earl “Poppi“ McCalla, Clem Snide Victor Calderone, The Neptunes “Soft Spot” () (spinART) Beyoncé Knowles Bratmobile “Work It Out” (Remixes) “Girls Get Busy“ Austin Powers Goldmember Original Soundtrack (Lookout!) (Columbia) Solange Laurie Anderson “” “City of Twist” (Music World Entertainment)

AUDIO MASTERING AND DV D AU T H O R I N G 740 BROA DWAY SUITE 605 NEW YORK NY 10003 www.thelodge.net t212.353.3895 f212.353.2575 Clientele

American Records Iso Records Reprise Records Arbaon Records Kalinago Recordings Revolution/Giant Records KnitMedia Rhino Records Artemis Records Koch Entertainment Rich Kid Entertainment Records K-Tel Robert Power Music LaFace Records Ryko Latino Balance Promote Group Lava Records Ryko / Palm Bar None Records Lightstone Records Rykodisc Beauty Records Lilikoi Records Seven Nations Records Blackbird Records Lizard King Records Sheila-Na-Gig Bloodlink Records London Records Signature Sounds Blue Man Group Lookout! Records Blue Maze Lovely Records Some Records BMG Luminous Music Bottom Line Records Mammoth Records Spin Art Records Breaking Records Manic Records Steel City Caliente Records Records MCA Records Swoon Records Capricorn Records Medalist Entertainment Talkin Loud Records Caroline Records Tap Dogs Charlex Merging Media Teen Beat Records Chrysalis Miga Records The Fine Corinthian Columbia Records Miramax 3 Gems Entertainment Mr. Lady Records Tom & Andy Crop Duster Records Music World Entertainment Tommy Boy Records Def Jam Records Naked Music Recordings Tooth and Nail Records Definitive Jux NBC Toys Factory, Japan Doghouse Records 1 800 Prime CD Trauma Records Dreamworks Records Oxygen Media Ultra Records Durban Poison Records Ozone Records Thunder Enterprise Palm Pictures V2 Records Papillon Records Velour Recordings EMI Records Records Velvel Music Group Evil Teen Records PC Music Vertical Eye Exit Records Plump Records Virgin Records Feldspar Records Polygram Records Wagon Train Records Full Circle Records Pop Roxxx Warner Music Group GrapeOS Priority Records Water Records Green Mirror Music Pull Records Windswept Entertainment Hannibal Records Putumayo World Music World Won Records Hardhead Management Wreck-Age Records Hollywood Records RCA Records XIII Bis Interscope Records Red Kurl Records Zuma Digital

AUDIO MASTERING AND DV D AU T H O R I N G 740 BROA DWAY SUITE 605 NEW YORK NY 10003 www.thelodge.net t212.353.3895 f212.353.2575 Discography

1L and Devise “TBA” The Beyond “No Longer At Ease“The Bicycle Thief Canaveral “TBA” Abandoned Nation “Paint the Windows Black“ “You Come and Go Like a Pop Song“ “The Curriculum” Aberdeen Lizards “Begin Anew“ The Big Dive Community Orchestra ““ William Academy “Erase Me” “An Exercise In Bouyancy“ Cannibal Ox “The Cold Vein - Oxstrumentals“ “Labor Days“ The Inevitalbe Breakups “TBA” Cannibal Ox “The F-Word“ (12“) Aesop Rock “Daylight“ (EP) The Kelly Project “TBA” Case “Missing You“ Remixes Afu Ra selection from “Body Of The Life Force“ The Big Dive Community Orchestra Olivia Casriel “Pianist“ “An Exercise In Bouyancy“ The All American Rejects “The All American Rejects“ Chico Cesar “Chico Cesar“ Billy “Music For the 2 Cycle Engine“ Aswad “Look’n” Binger the Voyager “Sweet Taste of Nothing“ Chamberlain “The Moon My Saddle“ Cherish The Ladies “On Christmas Night” Jim Allen “Straight Time“ Sam Bisbee “Vehicle“ Cecil “Postcard“ Jim Allen “Wild Card“ Sam Bisbee “The Clear Album“ Chubby “Is It Time?” AM Radio “TBA” Black Beetle “Outsiders“ Clem Snide “You Were A Diamond“ (Remaster) American Psycho Soundtrack (Film) Blind Zero “Daily Matters“ Featuring: Dope, David Bowie, The Cure, New Clem Snide “Your Favorite Music“ Blue Six “Beautiful Tomorrow“ Order, Daniel Ash, Eric B. & Rakim, Tom Tom Clem Snide ““ Joe Bonamassa “Unbroken“ Club, Full MetalRacket, Information Society, Clip “Fuzzy“ Joe Bonamassa “So, It's Like That“ MARRS, Huey Lewis and The News Code Mesa “Hollywood“ Joe Bonamassa “A New Day Yesterday” Live (DVD) Laurie Anderson “City of Twist” Cokehead Hipsters “How Far Will You Go!?“ Deni Bonet “Bigger Is Always Better“ Anne Summers ““ Lloyd Cole “etc.“ Born Predators “Concrete Jungle“ Angel Of the Odd “TBA” Lloyd Cole “Plastic Wood“ Born Predators “Product of Our Environment“ Anne Summers “Very Classy“ Lloyd Cole “The Negatives“ Jimmy Bosch “Salsa Dura“ Another Society “Blood Wrong“ Lloyd Cole “Loaded/Live in New York“ David Bowie “Heathen“ Apples In Stereo “Velocity of Sound” Cooler Kids with Jill Cuniff “E Is For Everybody“ Applied Science “Anicca“ David Bowie “Heathen – B Sides & Bonus Tracks“ Cornelius (Triple 8) “Cornelius“ Aquaman Jones “Aquaman Jones“ Cornelius (Triple 8) “March 97 EP“ Aqua Note “The Pearl“ Boys Don’t Cry Soundtrack (Film) Featuring: Nina Persson (The Cardigans), Crossbreed “Synthetic Division“ A.R.E. Weapons “A.R.E. Weapons” The Bobby Fuller Four, , Crossbreed “Breathe“ (CD Pro) Area One: Best Buy Compilation The Isley Brothers, The Charlatans, The Knitters, Gregory Corso “Time With A Lady“ Featuring: Crystal Method, , Quicksilver Messenger Service, Lynyrd Skynrd, Guy Cruz “A Positive Thing“ New Order, Dub Pistols, Bad Ronald, Uberzone, Roky Erikson, Timmy Thomas, Nathan Larson, Crusi-Fries “How Many Dimensions...“ Rinocerose, Stereophonics, Headstrong, Elbow, ¡Cubanismo! “Mardi Gras Mambo“ Bebel Gilberto, Mandalay, Kenna, Bleachin, Peter Brandon “Back In Your Arms“ Nitin Sawhney, Basement Jaxx, Little T & The Cure “Watching Me Fall“ Bratmobile “Girls Get Busy“ One Track Mike Cutlass Supreme “The Coast Is Clear“ Brother Ali “Shadows on the Sun” Harold Arlen “Stormy Weather” Damsel “Damsel“ Lenny Bruce Box Set Atmosphere “Modern Man's Hustle“ (12“) Darediablo “Tunnel of Fire“ BSL Oxygen Media Launch Audio Atmosphere “God Loves Ugly“ Dash Rip Rock “Pay Dirt“ Bubble “Bash Bish“ Atmosphere “Lucy“ (7“) John Davidson “Every Night I Sleep With An Angel“ Jeff Buckley & Gary Lucas “Songs to No One” Atoosa “Out Of The Jar“ De Poet “And the Monkey“ Bumblefoot “Uncool“ Atoosa “Sound Travels Up“ De Poet “Macho Hysteria“ Burgundy “Stages“ Elizabeth Aubrey “Fevers, Rats, & Stars“ Zelma Davis “Power“ Pat Burtis “Radium Girls“ Aswad Ayinde “Look‘n“ Def Jux Compilation “Fondle 'Em Fossils“ Pat Burtis “Clarify“ Bacalao Men “Bacalao Men“ Featuring: Kool Keith, The Cenobites, “Happy“ Bad Ronald “Bad Ronald“ Juggaknots, Freestyle, El-P dba The Butchies “Are We Not Femme?“ the Lyrical Punisher,The Arsonists, Yak Balls, Ashley Ballard “It Was You“ (Radio Version) The Butchies “Half Smile“ M.F. Doom, Lord Sear featuring DJ Cucumber Bam Bam “TBA” Butz “N.Y.C.“ Slice, M.F. Grimm, MHz, Scienz of Life, Taylor Barton “Skinny Kat“ Butz “Butz T.V.“ Jakki Tha Mota Mouth feat of MHz, Taylor Barton “Dry Land“ Butz “Orca“ Cashless Society, Binkis featuring Jax and Flux, Be Legit “Keep It P.I.“ (Radio Version) DJ ELI, Breeze, Q-Unique, Godfather Don, J-Tre d s Ubaldo Cabrera “TBA” Bewilderbeest “Frequalizer” Def Jux Compilation “Def Jux Presents II“ Caliente Records: “Havana Sampler“ Beyoncé “Work It Out“ Featuring: El-P, Weathermen, Aesop Rock, The Calling “Adrienne“ (Brian Malouf Remixes) Victor Calderone & Maurice Joshua Remixes Mr. Lif, Opio Masai Bey, RJD2, Rob Smith,

AUDIO MASTERING AND DV D AU T H O R I N G 740 BROA DWAY SUITE 605 NEW YORK NY 10003 www.thelodge.net t212.353.3895 f212.353.2575 Discography

Yak Balls, Haale Gafori “Haale“ Fife and Drum Band, Po‘ Henry and Def Jux Compilation “Urb Magazine Sampler“ Jeffrey Gaines “Always Be“ Tookie Boozoo Chavis, Roy Rogers, Remy De Laroque “1000 Lives“ The Get Up Kids “Four Minute Mile“ Ruben Blades, Mutabaruka, Rosie Ledet, Destiny‘s Child “8 Days Of Christmas“ The Get Up Kids “Red Letter Day“ Nathan Williams, Makaha Sons, Kukuruza, John Topolinski, Dale Hawkins, Peter Rowan, Destiny‘s Child “Emotions“ Tyler Gibbons “L.A.“ Makaha Sons, Bill , George Krumb, (Maurice Joshua Remixes) Tyler Gibbons “TBA“ Buddy Flett, Henry Butler, Raymond Kane, Destiny‘s Child “Emotions“ Earl “Poppi“ Gifthorse “TBA” La Famille Via t o r , Claude King, Gil Scott Heron, (McCalla Remixes) Gil Scott Heron “Blackwax“ Owens & Spires, Nelson, Ball & Thomas Destiny‘s Child “Emotions“ Gintare “Earthless“ Into Another “TBA” (The Neptunes Remixes) David Glasser “Dreams Askew, Dreams Anew“ Marilyn Isaac “A Fresh Annointing“ Destiny‘s Child “Emotions“ Julee Glaub “Fields Faraway“ JBender “Look Back and Laugh“ (Victor Calderone Remixes) The Go “Growd Up Wrong” J. Majesty “No School“ Devise “TBA” Goat “Don‘t Ask, Don‘t Tell“ J. Majesty “J. Majesty“ Toumani Diabate “TBA” Goats In Trees “Out of Town News“ Jennifer Moon TBA Digital Delinquents “It‘s Cra-Zay“ Gogogo Airheart “Exit The UXA“ Jesus‘ Son Soundtrack (Film) Ditch Croaker “Tranquil Waters“ Brian Gottesman “Pardon My Mess“ Featuring: Wilco, Floyd Cramer, Joe Tex, Peggy DJ Jus Ske “Bikini Wax“ Gov‘t Mule “I Put a Spell On You“ (from “Dose“) Scott & Jo Jo Benson, , Tommy Roe, Dolly Varden “The Thrill of Gravity“ Gov‘t Mule “Thorazine Shuffle“ (from “Dose“) Sgt. Barry Sadler Dolly Varden “The Dumbest Magnets“ Julia Greenberg “Past Your Eyes“ Mindy Jostyn “Blue Stories“ Don Dilego “The Lonestar Hitchhiker“ Guidance Recordings Compilation Kaci “Just An Old Boyfriend“ Dolly Varden “Forgiven“ “Mundial Muzique: Volume 2“ Featuring: Carl Kavorkian “Ear Bleeders” The Donnas “Stay The Night” Nu Spirit Helsinki, Tony Allen, Femi Kuti, Kaydi Johnson “No Gods Allowed“ Drugstore Soul “Angeline“ EP Meitz, Easydelics, Suba, Antenna, Butti-49, Kelebek “TBA” Durban Poison Records “Durban Poison Comp“ Louise Vertigo, Tom Y Joyce Bill Kelly “Jumbo“ Heather Eatman “Candy & Dirt“ Guidance Recordings Compilation Kelis “Flashback“ (Neptunes Remixes) Eject “Insert“ “Hi Fidelity House: Imprint 4“ The Kelly Project “TBA” Elan “All Roads“ Gun Shy Hostess “TBA” Kevin McGinnis Accident “Visitor“ El-P “Stepfather Factory“ (12“) Jack Hardy “Omens“ Khia “Thug Misses“ El-P “Deep Space 9mm“ (12“) HankDogs “Half Smile“ Khia “My Neck, My Back (Lick It)“ (12“) El-P “Truancy“ (7“) Harkonen “Harkonen“ Khia “The K-Wang“ (12“) El-P ““ Alvin Youngblood Hart “Start with the Sound“ Khia “My Neck, My Back (Lick It)“ El-P “Dead Dysney“ (12“) Warren Haynes “Christmas Jam“ (Radio Remixes) Featuring remixes by: Sean Ellis “TBA” Featuring: Gov‘t Mule, Susan Tedeschi, Edwin Boris and , The Shift, Memphis Bleek Embedded Studios “Building Blocks“ McCain, The Derek Trucks Band Kid with Man Head “TBA” Error Type:11 “Error Type 11“ Hedwig & the Angry Inch (Original Cast Recording) Kilgore Trout “340 lbs. of Balls“ Equation “Hazy Daze“ Health & Happiness Show “Sad & Sexy“ Kevn Kinney “The Flower and The Knife“ Equation “The Lucky Few“ Anne Heaton “Black Notebook“ Deanna Kirk “The Grinch“ Evil Teen Records “ of Drum & Bass“ Hell‘s Kitchen “City Streets“ Kittie “Live In Australia“ “Eyedea” Hero‘s Of The Alamo “TBA” Knitting Factory DIVX/DVD Eyedea and Abilities “First Born” Hi-Fi Drowning “Narci Darvish“ Beyoncé Knowles “Work It Out” Jeremy Fischbach “Jeremy Fischbach“ The Hidden Cameras “The Hidden Cameras” Krono “Krono” 5 Chinese Brothers “Let‘s Kill Saturday Night“ Kristin Hoffmann “Demo ‘98“ Krosfyah “Hot Zone“ Flesh N‘ Bone “5th Dog Let Loose“ Kristin Hoffmann “Divided Heart“ Krosfyah “TBA” The Floating Opera “Burning Lighthouse” Hot Water Music “No Division“ KUDU “KUDU“Kuma Hula – 2 CD Compilation Featuring: George Naope, John Topolinski, Flying Rhino “Fathoms“ Indecision “Most Precious Blood“ Halau O Kekuhi, John Kaimikaua, Chinky (Freelance Icebreakers Remix) Indecision “To Live & Die In NYC“ Mahoe, Alicia Smith, Obrien Eselu, Elaine Willa Ford “Santa Baby (Gimme Gimme Gimme)“ The Inevitalbe Breakups “TBA” Inhuman “Rebellion“ Kaopuiki, Beamer Family, Nina Maxwell, Vic k y Mario Frangoulis “Nights In White Satin” Holt Takamine, Frank Hewitt, Kindy Sproat The Freshmäka “Hawaiian Shirt Day” Inner “Love The Only Way“ Inside Out – 2 CD Compilation Dayna Kurtz “TBA” The Freshmäka “Requim“ Featuring: Al Green, Irma Thomas, Kurzweil Electronics “Ramona Project“ Friends of Evolution “TBA” Marcia Ball, Keb Mo, Sonny Rollins, Mike Ladd “Easy Listening for Armageddon“

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Mike Ladd “Welcome to the Afterfuture“ Compilation MSKCC Teen Group “Forever Tomorrow“ John Lardieri “Firecracker“ Featuring The St. Paul‘s Cathedral Choir Oliver Mtukudzi “Tuku Music“ Nathan Larson “Jealous God“ Medalist Records “Soulful Christmas“ Oliver Mtukudzi “Paivepo“ Lava Records Compilation “MTV TRL Christmas“ Compilation MTV TRL Christmas Featuring: Willa Ford, NSYNC, Featuring: The Drifters, The Platters, Featuring: Willa Ford, NSYNC, Christina Aguilera, Christina Aguilera, TLC, Sugar Ray, Johnny Adams, Louis Armstrong, TLC, Sugar Ray, Blink 182, Simple Plan, Weezer, Blink 182, Simple Plan, Weezer, POD, Mahalia Jackson, Brook Benton POD, Smash Mouth, Bif Naked, Jimmy Fallon, Smash Mouth, Bif Naked, Jimmy Fallon, Medalist Records “Winter Memories“ LFO, Angela Via, Little T and One Track Mike, LFO, Angela Via, Little T and One Track Mike, Compilation Trans Siberian Orchestra Trans Siberian Orchestra Featuring: Gene Autry, Brook Benton, Murs “The End of the Beginning” Austin Leeds “Healing“ Mario Lanxza, Ella Fitzgerald, Louis Armstrong, Musab “Respect The Life” Johnny Adams Leon‘s Inner Voice “TBA” Naked Music “Bare Essentials” Medalist Records “Winter Wonderland“ Les Cloportes “Les Cloportes“ Naked Music “Bare Essentials II” Compilation LFO “TBA” Featuring: Bing Crosby, Frank Sinatra, Juliana Nash “Perfectly Beautiful“ Life Out of Balance “My Hero“ Nat King Cole, Gene Autry, Brook Benton, Ella Natasha & the MGB “I Know That You Know“ Logan 7 “How Soon Is Next?“ Fitzgerald, Louis Armstrong, Need “Everything You Need“ Marta & Enrique Lopez “TBA” Johnny Adams New Rising Sons “The New Rising Sons“ Lowbelly “The Letter L” Medalist Records “Latin Legends“ New Rising Sons “Thieves & Angels“ Lure “TBA” 2 CD Compilation Nitromusk “Nitromusk“ James Maddock “James Maddock” Featuring: Tito Puente, Ruben Blades, Nitromusk “Johnny Wannabe“ Celia Cruz, Machito & His Orchestra, Magnet “Which Way“ (EP) The Nixons “First Trip...“ Ray Barreto, Eddie Palmieri Magnet “Don‘t Be a Penguin“ 1L (Mitch Davis) “My Computer“ Mephiskapheles “Might-Ay White-Ay“ Magnet “Shark Bait“ 1L (Mitch Davis) “Trax“ Natalie Merchant “Cowboys & Indigents” Taj Mahal & Toumani Diabate “Kulanjan“ Chris O‘Connor “Holler“ MF GriMM Miriam Makeba “Homeland“ “The Downfall of Ibliys: A Ghetto Opera“ Sinéad O‘Connor “Faith And Courage“ Marie Elizabeth “Dance Of Love“ MF GriMM “Words“ (12“) Sinéad O‘Connor “No Man‘s Woman“ Mantra “Away“ (12“) (Radio Single) M.I.C. “Escape From Monster Island“ Mantronik “Trick Style“ Odd Jobs “Blue Collar Hollar“ (12“) M.I.C. “Escape From Monster Island“ (12“) Jennifer Marks “My Name‘s Not Red“ Odd Jobs “Dry Bones“ (12“) Micranots “Return Of The Travellahs” Jennifer Marks “It Turned Me On“ Odd Jobs “Drums“ Milhouse “Obscenity in the Milk“ Masai Bey “Paper Mache“ Other Natural Flavors “Other Natural Flavors“ Mindless Self Indulgence “Frankenstein Girls...“ Dana Mase “Through The Concrete & The Rocks“ Palm Pictures Africa Fête Mindless Self Indulgence “Igor‘s Secret Stash“ Andrea Maybaum “Cue The Sun“ Featuring: Taj Mahal and Oliver Mtukudzi Eric Mingus “Um..Er..Uh“ Susan McKeown “A Winter Talisman“ Panda “TBA” EP Mr. Dibbs “The 30th Day” Susan McKeown “Prophecy“ Michael Parrish “Folkfoot“ Mr. Lif “Enters the Colossus“ Sean McMechen “TBA” Paw “Home Is A Strange Place“ Mr. Lif “Emergency Rations“ (EP) Medalist Records “Hit List“ Compilation Luisa Payan “Velero“ Mr. Lif “I Phantom“ Medalist Records “Hit List II“ Compilation P.I.C. “Hiphoppunkfunkmamboska“ Mo-Ho-Bish-O-Pi “Drop Jaw“ Medalist Records “Hit List III“ Compilation Gene Pitney “Foxwoods Live“ Mo-Ho-Bish-O-Pi “Hear The Air“ Medalist Records “A Year In Your Life“ Piebald “Piebald“ Mo-Ho-Bish-O-Pi “Playboy“ Single Compilation Plaid Lily “TBA” Mo-Ho-Bish-O-Pi “Vague US“ Featuring: Billy Idol, Tears for Fears, Eurythmics, Planetour.net Compilation Quarterflash, Naked Eyes, Kim Carnes, Blondie, Mocean Worker “Enter The MoWo!” Featuring: Marty Willson-Piper, Scout, Santa‘s Yvonne Ellman, Maxine Nightingale, Labelle, Mono Puff Syndicate “It‘s Fun To Steal“ Boyfriend, Steve Wynn, Billy Bragg, Stew, Johnny Nash Moods for Moderns “Slacker Ways“ Murder City Devils, Libraness, Lockgroove, Medalist Records “Our America“ Compilation Moods for Moderns “Loud & Clear“ Purple Ivy Shadows, Medalist Records “Don‘t You Forget About Me“ Morella‘s Forest “From Daytona With Love“ MGB, Rivington, Better E, DJ Logic, Co m p i l a t i o n Morella‘s Forest “Ultraphonic Hiss“ Swizzle, Saturnine Medalist Records “Italian American Classics“ Moses Soulfish “Better Daze“ Planet Janet “TBA” Compilation The Moths “The Moths“ Plank “TBA” Fe a t u r i n g : T ony Bennett, Dean Martin, Louis Prima The Moths “Lepid Opera“ Pokémon: The First Movie Soundtrack (Film) Medalist Records “Christmas Voices“ Featuring: Christina Aguilera, , Motive “I vs. the Beckoning of Darkness“

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B* W i t c h e d , Ashley Ballard, Angela, M2M, 98 Rival Schools “Rival Schools United By... Soft “Monoculture” Degrees, Vitamin C, Blessed Union of Souls, River City High “Can‘t Turn Down“ Solangé “Solo Star“ Baby Spice, Billie, Aaron Carter, Midnight Sons, RJD2 “Good Times Roll“ Solangé “TBA” Mandah, Billy Crawford RJD2 ““ Sonic Sum “Sanity Annex“ Pokémon: The First Movie Soundtrack RJD2 “Dead Ringer“ Sonic Youth “Dirty“ Remaster Latin American Version (Film) RJD2 “Bus Stop Bitties“ (12“) Sonic Youth “Dirty – Deluxe Edition“ Lorenza Ponce “Image“ Rocket “7 Miles High“ Sonny Spoon “Keep It Krackin‘“ Progeny “Wise Without Eyes“ Robinella & The CC Stringband Sonny Spoon “Seen What It‘s Like“ Puckett “23“ “Blanket For My Soul” Sons of Abraham “Termites In His Smile“ Putumayo World Music Virginia Rodrigues “Nos“ “Jerry Springer Episode“ “A Putumayo World Christmas“ Rogue‘s March “Chaser“ Sound-Ink “Colapsus“ Compilation Putumayo World Music “Asian Groove“ rock/usadown “This Is The New American Nat‘l Featuring: King Honey featuring Mental, Suphala Putumayo World Music “Africa“ Anthem“ fe a t u r i n g Torture, M. sayyid, Heat Sensor, Putumayo World Music “African Odyssey“ Christina Rosenvinge “Foreign Land” Kurious, M.F. Doom, Fluid, Max Bill, Timeblind, Putumayo World Music “Brasiliero“ Kelly Rowland “Simply Deep“ DJ Mutamassik, U.N.I.- John Tejada, Divine Styler Putumayo World Music “Cape Verde“ Claude Saccaro TBA Southern Fly “Monkey Tale“ Putumayo World Music “Caribe Caribe“ Sad Little Stars “Sad Little Stars” Southern Fly “High“ Putumayo World Music “Coffee Lands 2“ Salamanda “TBA” Southern Fly “Maybe It‘s the Right Time“ Putomayo World Music “Congo to Cuba“ Peter Salett “Paintings of These Days“ Southern Fly “For Real“ (EP) Putumayo World Music “Cuba“ Peter Salett “Heart of Mine“ Spy “Music To Mauzner By“ Putumayo World Music “Festa Brasil“ Saturday Night Live 25th Anniversary: Spy “Showtime at the Apocalypse“ Putumayo World Music “Italian Odyssey“ The Musical Performances – 2 CD Set Steel City “US Promo“ Featuring: , , David Bowie, Joel Stein “TBA” Putumayo World Music “Jewish Odyssey“ Nirvana, Oasis, Hole, , Stereobate “Selling Out In the Silent Era“ Putumayo World Music “Louisiana Gumbo“ The Dave Matthews Band, Neil Young, Jewel, Abby Straus “The Road“ Putumayo World Music “Mediterranean Odyssey“ The Pretenders, Dr. Dre, , Beastie Sun Ra “A Joyful Noise“ Putumayo World Music “Latin Groove“ Boys, , Counting Crows, REM, Tom Sunday Driver “A Letter to Bryson City” Putumayo World Music “Mississippi River Blues“ Petty, Billy Joel, TLC, Green Day, Mary J. Blige, Swati “TBA” Putumayo World Music “Mo‘ Vida“ , Alanis Morrisette, Arrested Development, Swim “Daylight Savings“ Putumayo World Music “New World Party“ James Taylor, The Grateful Dead, Tamara “A Little Room Left“ Putumayo World Music “PRI‘s The World“ Annie Lennox, Beck, Randy Newman Tap Dogs “TBA” Putumayo World Music “Puerto Rico“ Say Hi To Your Mom “Discosadness“ Terrorvision “Good To Go“ Putumayo World Music “Republica Dominicana“ Dorothy Scott “Restless Machinery“ Third Eye Blind “Out Of The Vein” Putumayo World Music “Samba Bossa Nova“ Geoffery Scott (Sugar Bear) “Throw Him Awa y “ Throne “New Army (Rise Up Remix)“ Putumayo World Music “South African Legends“ Geoffery Scott (Sugar Bear) “You Go Sexy“ Thulium “Sight Reading“ Putumayo World Music “Tea Lands“ Scottish Roddy “TBA” Tijuana Bibles “TBA” Putumayo World Music “Tropical Getaway“ Ballago Thione Seck “Let‘s Go Senegal“ Tom & Andy Commercial Reel Putumayo World Music “World Lounge“ 2nd Left “Fruitful Abyss“ Emiliano Toste “Andancas Do Mar“ Putumayo World Music “World Playground“ Secret Smiles Benefit Concert Trace “Prise Possesion“ Putumayo World Music “Zydeco Party“ Featuring: The Bogmen, Gordan Gano, Training Day Soundtrack (Film) Ra the Seeker “Magnetic“ The Knockout Drops, Jen Chapin Featuring: Gang Starr, Krumbsnatcha featuring Random “Too Stoned to Sneeze Without Neil Sedaka “Through The Years“ M. O . P , Napalm, The Lox, Nelly, Pharoah Monche, Regretting It“ Seven Nations “The Factory“ Xzibit, and Safir as Golden State Red Thunder “Hidden Medicine“ “Chrissy“ The Tyde “Twice” Red Thunder “TBA” Shaft “Quint“ Ulu “Ulu“ Lou Reed “NYC Man” Bree Sharp “Cheap And Evil Girl“ The Uptown Rebelz “Code of Honor“ Jessi Reid “Body Language“ Silent Majority “Life of a Spectator“ Val Holler “Versicle“ Republic National Bank DVD Simple Plan “My Christmas Wish (Disney Ver s i o n ) “ Dave Valentin “Sunshower“ Riddlin‘ Kids “Anyday Now“ (EP) Jessica Simpson “A Little Bit“ (Urban Remixes) Ra-Re Valverde “TBA” Riddlin Kids “Hurry Up And Wait“ Six Going On Seven “Self Made Mess“ The Vanity Set “TBA” Rissi “Runaway Love“ GE Smith “Incense, Herbs, and Oils“ Sergio Vega “The Ray Martin Sessions“ Rita Ribeiro “Perolas Aos Pavos“ Soapstar “Soapstar“ Tarsha Vega “Be Ya Self“ Radio Single Ritchie Rich “Collision“ Tarsha Vega TV Tracks

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Devin Vasquez “Can You Say“ Digital Editing Devin Vasquez “TBA” Angry Salad “Rico“ Velvel Music Group “A Christmans to Remember“ Featuring: The Alarm, The Smithereens, Benna “Greetings From Port Authority“ , Pawnshop, Ian Moore “Bennett On Holiday“ Versus “Two Cents Plus Tax“ “Live From the Fall“ Versus “Afterglow“ Buckshot LeFonque “Music Evolution“ Versus “Hurrah“ Candy Butchers “Live at the La Bonbonnierre“ Versus “Shangri-La“ Candy Skins TBA Angela Via “Picture Perfect“ (Radio Singles) Dee Carstensen “Home Away From Home“ Virginwool “Open Heart Surgery“ Chico Cesar “Chico Cesar“ Vitamin C “Graduation“ (Radio Singles) Cinnamon “Cinnamon“ Viva Quetzal “Hijos Del Sol“ Civ “Secondhand Superstar“ Viva Voce “Lovers, Lead The Way!” Closer “”TBA”” VPN “Small Wire“ “Live ‘88“ VPN “Abrasive Electro Coated“ Come on Thunderchild “Bootstompin‘ Rock“ VPN “For Nearby Stars“ Dinosaur Jr. “Hand It Over“ Loudon Wainwright III “Social Studies“ Division St. “Harbour in the Static“ Walkin‘ Bird “Walkin‘ Bird“ Tanya Donnelly “Lovesongs For Underdogs“ Dean Wareham & Britta Phillips “L’avventura” “Nashville“ Noam Weinstein “Above The Music“ Peter Himmelman “Stage Diving“ Emily Wells “City Girl“ “Slingblade“ OST Dr. Cornel West “Sketches Of My Culture“ Jean Michel Jarre “Oxygene“ Laura Wetzler “Songwriters Notebook“ Jimmy‘s Chicken Shack “High“ Eden White “What Really Matters.“ Donnell Jones “U Know What‘s Up“ Eric Foster White “Stephanie” Howard Jones “Live“ Kaia Wilson “Lady Man“ Luscious Jackson “Fever In Fever Out“ John Winbury “Alive“ Madder Rose “”TBA” Bob Windbiel “Bob Windbiel Plays Music“ Paul McCartney “Flaming Pie“ Women of Williamsburg Compilation Midnight Oil “Breathe“ Featuring: Elizabeth Juviler, Suziblade, Basya Schecter, Lizzie West, Topless, Morphine “Like Swimming“ Carol Scudder, Lilia Mead, Swelter, Milton Nascimento “Nascimento“ Miss Rock‘s Glitterbox, Joyce Colton, Penpal “Best Boy“ B-Blush, Mary Wood, Astrud Castillo, “Pearls“ Jodie Rufty, Gabrielle Epstein, Cheryl Styler, Shudder To Think “50,000 B.C.“ Kathy Tal e r , Autumn Rooney, Meredeth Drum, Sister Hazel “...Somewhere More Familiar“ Karen Threats, Lionel Sweats, Laurie MacAllister Skeleton Key Wood “Never A Day“ “Fantastic Spikes Through Balloon“ (“Serendipity” Film Soundtrack) “Retreat From The Sun“ Erica Wylie “Stoop” Wreck-Age Records Compilation “Mindset Overhaul“ Velvel Music Group The Kinks “Bonus Tracks“ Kristeen Young “Breasticles“ Grover Washington Jr. “All My Tomorrows“ “TBA” Bill Wyman‘s Rhythm Kings “Anyway the Wind Blows“ Dan Zanes and Friends “Rocket Ship Beach“ Dan Zanes and Friends “Family Dance“ “I Can Hear The Heart Beating As One“ Dan Zanes and Friends “Nighttime!“

AUDIO MASTERING AND DV D AU T H O R I N G 740 BROA DWAY SUITE 605 NEW YORK NY 10003 www.thelodge.net t212.353.3895 f212.353.2575