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The Paris Apartment Is a Work of Fiction
READI NG GROUP GU I DE PhotosOfYou_TPTextFP Epilogue 2019-11-26 15:34:54 335 AUTHOR’S NOTE The Paris Apartment is a work of fiction. While a product of my imagination, the premises and characters I’ve chosen to create are inspired by real people and real events. The characters of Sophie Seymour and Estelle Allard were shaped by the experiences and courage of Virginia Hall, Pearl Witherington Cornioley, Christine Granville, Josephine Baker, Nancy Wake, and Andrée de Jongh. Their memoirs, interviews, and stories only give us an idea of how truly extraordinary each of these women was. Sophie’s work at Bletchley Park was based on the real men and women who worked tirelessly against time and almost im- possible odds to decode Nazi encryption devices. Most of us have heard of the Enigma cipher and the remarkable work by Alan Turing and his team to break that cipher. Told less often seems to be the story of Tommy Flowers and Bill Tutte, who, together with their teams, developed Colossus—the machine that was able to break the Lorenz cipher, known as Tunny at Bletchley. The Lorenz cipher was favoured by Hitler and used by High Command—and for good reason. It was a far more powerful than the Enigma and capable of exceedingly complex en- cryptions. Additionally, unlike the Enigma, it did not depend ParisApartment_TPtext1P Author’s Note 2020-10-01 21:13:57 395 396 AUTHOR’S NOTE on Morse code. Attached to a teleprinter, it automatically encrypted outgoing messages and decrypted incoming mes- sages, allowing longer messages to be transmitted with greater ease. -
January 2021
ESTMINSTER Volume XII No.1 UARTERLY January 2021 A Jewish society wedding c.1892 Anglo-Jewish High Society The Philippines and the Holocaust The Children Smuggler ‘The Little Doctor’ From the Rabbi ‘Woe is me, perhaps because I have have identified; they suggest that, as the sinned, the world around me is being Festival itself marks increased darkness, darkened and returning to its state of let the candles reflect this reality too. chaos and confusion; this then is the Remove one each day, starting with the kind of death to which I have been eighth. The view of the School of Hillel sentenced from Heaven!’ So he began may also acknowledge that the world is keeping an eight-day fast. getting darker, but the ritual response is the opposite. When the world gets darker But as he observed the winter solstice we bring more light. and noted the day getting increasingly longer, he said, ‘This is the world’s So let us pay respect to both views. course’, and he set forth to keep an eight- Together we have the strength in our day festival. community to acknowledge the darkness in the world, and also to bring more light. (Adapted from the Babylonian Talmud, Many of us in the last year have stepped tractate Avodah Zara, page 8a.) up to contact and care for other members of our community, and we have benefited Together we have the from the resulting conversations and How do we respond to increased relations. We have found new creativity darkness? In Franz Kafka’s short story, strength in our to ensure our togetherness, building Before the Law, a man spends his whole community to special High Holy Days. -
2018 Annual Report
2018_ Editorial The year 2018 was a rich, dense and hopeful one for the Memorial. Here are • Our educational activities have grown, some of the key highlights: now accounting for nearly 50% of our budget. For several years, the • Attendance rose by over 20%. More Memorial has been a key player in than 282,000 people visited the Paris raising awareness of anti-Semitism Memorial. If the Cercil (Study and and hatred of the other with the Research Centre on the Internment weapons we have at our disposal: Camps of the Loiret Region and the education and history. We do so Jewish Deportation) and our outside- across France, especially in sensitive the-walls activities are taken into areas. account, over 470,000 people visited or were in educational contact with Seventy-six years after its creation, the the Memorial. Memorial is still moving forward to keep pace with the needs of the society EDITORIAL • Three temporary exhibitions were in which it works, while remaining true Éric de Rothschild. highly successful: August Sander, to the mission set out by our founders. © DR. Beate and Serge Klarsfeld and Contemporary Artists and the None of that amazing work would Holocaust. have been possible without our staff, volunteers and donors, whom I thank • Closer ties were forged with the here with all my heart. Let us be Cercil-Vél’d’Hiv Children’s Museum- especially grateful to our great and Memorial, the creation of which dear friends who have the desire and in 1992 was initiated by Hélène courage to testify about the hell they Mouchard Zay, daughter of minister went through. -
March 2019 26 Sh'vat
February September - March 2010 2019 22 Elul26 5770 Sh’vat - 22- 24 Tishrei Adar II 5771 5779 High Holidays Section and Schedule — page 22 Annual Meeting, Election of Officers and Luncheon – page 3 Dana Grace:Our Introduction Galapagos to Adventure Jewish Meditation — page 32 – page 16 A MobileShyella Minyan’s Wedding Goes to in Marathon Israel — page – page 35 35 Keys Jewish Community Center P.O. BoxBox 13321332 •• Tavernier,Tavernier, FL FL 33070 33070 • • 305-852-5235305-852-5235 •• keysjewishcenter.com February - March 2019 Sunday Monday Tuesday Wednesday Thursday Friday Saturday 1 Feb. 2 Names denote leaders of Friday Services. Steve Hartz Miles Hoffman Italicized names are Oneg sponsors. Jewish Music Services every Friday at 7:30 p.m. Beth Horowitz 7 PM 3 4 5 6 7 8 Sisterhood 9 Movie: Sisterhood Service Menashe 7:30 PM Meeting (Yiddish) 10 AM 7 PM Erica Lieberman- Garrett 10 11 12 13 14 15 16 Board Dairy Dinner Meeting 9 AM with Rabbis Joyce Peckman Annual Meeting & 6 PM Beth Hayden Luncheon11AM Post Dinner Book Swap Learning Session 17 18 19 20 21 22 23 Jewish Medina Roy & Rabbi Agler Meditation Gloria Avner 10:00 a.m. Dana Grace Jane Friedman Movie: 7 PM New Member The Settlers Dinner 7 PM 24 25 26 27 28 1 Mar. 2 Jewish Movie: Richard Knowles Meditation & Gloria Avner Dana Grace “Bombshell” 7 PM Hedy LaMarr Steve Steinbock 3 4 5 6 7 8 9 Sisterhood Jewish Movie: Meeting 10 AM Meditation Beth Hayden Judy Greenman Itzchak Dana Grace Medina Roy 7 PM workshop: 7 PM 12-2:30 PM 10 11 12 13 14 15 16 KJCC Board Jewish Erica Lieberman- Meeting Meditation Garrett Rabbi Agler 10 AM Dana Grace 10:00 a.m. -
Searching for Home at Château De La Guette and Beyond
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Searching for Home at Château de la Guette and Beyond: Social and Spatial Dimensions of Jewish German and Austrian Children's Journey to Flee Nazi Persecution via Children's Homes in France Sarah Schneider University of Central Florida Part of the Public History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Schneider, Sarah, "Searching for Home at Château de la Guette and Beyond: Social and Spatial Dimensions of Jewish German and Austrian Children's Journey to Flee Nazi Persecution via Children's Homes in France" (2018). Electronic Theses and Dissertations, 2004-2019. 6001. https://stars.library.ucf.edu/etd/6001 SEARCHING FOR HOME AT CHÂTEAU DE LA GUETTE AND BEYOND: SOCIAL AND SPATIAL DIMENSIONS OF JEWISH GERMAN AND AUSTRIAN CHILDREN’S JOURNEY TO FLEE NAZI PERSECUTION VIA CHILDREN’S HOMES IN FRANCE by SARAH SCHNEIDER B.A. Brandeis University, 2013 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2018 Major Professor: Scot A. French ©2018 Sarah Schneider ii ABSTRACT This study examines the experiences of a group of Jewish German and Austrian children who were sent on the Kindertransport to France in an effort to escape Nazi persecution. -
Teaching the Holocaust Nonfiction Resources
TEACHING THE HOLOCAUST NONFICTION RESOURCES This list has been compiled to assist educators in their search for literature to use in teaching the Holocaust to children at all grade levels, K-12. This list is comprehensive but certainly not exhaustive. This research aid contains NONFICTION books whose primary topic is Jewish children who lived during or through the Holocaust. Comprising it is a mixture of literature about Jewish children who did survive the Holocaust and those who did not (most of which are in diary format). Although far fewer in number, books that tell of a person’s life after the War (i.e. in Eretz Israel or the United States) have also been included. Poetry can be found on the fiction resources list. A title’s inclusion herein was based solely upon whatever summary of a book could be found, which has been provided (copied-and-pasted) along with its source (as a website address). The author of this listing made very minor corrections to summaries where needed, including but not limited to: italicizing book titles; changing foreign words (to make spelling uniform throughout); editing for overall mechanics and spelling. Not included in this listing: • Any books whose title suggested appropriateness for inclusion on this list but for which a summary could not be found. • Books whose primary topic is of others (adults or children) who helped Jewish children (to hide, etc.) during the Holocaust or who helped to rescue them. • Books told from the perspective of a non-Jewish child who may have witnessed the mistreatment of Jews or assisted any Jewish person in some way. -
Livret De L'exposition Sur L'évacuation De L
COLLOQUE MERCREDI 22 AVRIL 2020 EXPOSITION MERCREDI 22 AVRIL 2020 - JEUDI 2 MAI 2020 2 3 « Trois mille six cent fois par heure la seconde chuchote : souviens-toi ! » écrivait Baude- laire… De l’Exode, de l’Epreuve et du Sursaut… de nos communautés, il faudra se souvenir... L’objectif de ce travail a été de constituer une mémoire des exodes successifs de 1939 et 1940 et des lieux d’accueil, une chronique des diffi cultés, des épreuves rencontrées et souvent des tragédies engendrées par la Seconde Guerre mondiale… Puis l’incertitude du retour, la foi dans la refondation, l’hymne à la vie… Face à l’histoire tourmentée et complexe de notre région, faire émerger une conscience his- torique commune aux alsaciens de toutes confessions, a été un premier objectif du projet ; donner à voir le destin des communautés juives alsaciennes durant la guerre et à l’issue de celle-ci, rappeler à notre souvenir les fi gures marquantes des re-bâtisseurs de nos communau- tés détruites en a constitué un second. Ce projet pédagogique original a été mis sur pied avec la participation et la contribution de nombreuses personnes, associations et institutions. Ces chemins d’une mémoire soumise à l’œuvre du temps, constituent un héritage du passé qu’il nous faut transmettre aux généra- tions à venir. Des rescapés de la Nuit et du Brouillard, de ces femmes et de ces hommes debout, capables de sursaut, de reconstruction mais aussi des bâtisseurs du temps… nous nous souviendrons. Richard Aboaf Comme le souligne Tal Bruttmann, historien et spécialiste de la Shoah et de l’antisémitisme en France : « L’observation de la destruction des juifs d’Europe à la loupe permet de renouveler l’histoire de la Shoah ». -
University of London Thesis
2809076477 REFERENCE ONLY UNIVERSITY OF LONDON THESIS Name of Author COPYRIGHT This is a thesis accepted for a Higher Degree of the University of London. It is an unpublished typescript and the copyright is held by the author. All persons consulting the thesis must read and abide by the Copyright Declaration below. COPYRIGHT DECLARATION I recognise that the copyright of the above-described thesis rests with the author and that no quotation from it or information derived from it may be published without the prior written consent of the author. LOAN Theses may not be lent to individuals, but the University Library may lend a copy to approved libraries within the United Kingdom, for consultation solely on the premises of those libraries. Application should be made to: The Theses Section, University of London Library, Senate House, Malet Street, London WC1E 7HU. REPRODUCTION University of London theses may not be reproduced without explicit written perjnission from the University of London Library. Enquiries should be addressed to the Theses Section of the Library. Regulations concerning reproduction vary according to the date of acceptance of the thesis and are listed below as guidelines. A. Before 1962. Permission granted only upon the prior written consent of the author. (The University Library will provide addresses where possible). B. 1962 - 1974. In many cases the author has agreed to permit copying upon completion of a Copyright Declaration. C. 1975 - 1988. Most theses may be copied upon completion of a Copyright Declaration. D. 1989 onwards. Most theses may be copied. This thesis comes within category D. This copy has been deposited in the Library______ of £A..C* ^ This copy has been deposited in the University of London Library, Senate House, Malet Street, London WC1E 7HU. -
Annual Report 2012
I personally experienced the Drancy camp for one week in late January/early February, 1944. Transferred here from Lyon, where I had been arrested for creating forged documents as a member of the resistance, I arrived after spending two weeks in the Montluc prison where I was tortured. This is where I met the woman who would become my wife. As I was alone, my experience cannot be compared to that of the majority of people, who were there with their families. I wanted to pay tribute to these thousands of massacred families, by honoring the family of my comrade Léa Rohatyn, here now, who with her father, her mother, her ten brothers and sisters, all younger than she was, were deported on February 3, 1944. We were in the same convoy to Auschwitz-Birkenau. Only Léa and one of her sisters returned from the camp.… My comrade Jacques ANNUAL REPORT 2012 Altman, who stayed several months in Drancy and at the Lévitan camp starting in May of 1943, witnessed terrible scenes of people distressed by the departures, the anguished cries of parents, the sobs of children, the many suicides— primarily women—who preferred to end their lives here by slitting their wrists. … This morning, I visited the memorial and the exhibition, where you can see this mosaic of lives that I spoke of. This memorial/museum continues the accounts, and carries our memories forward. Above all, we want it to be a place of education that encourages reflection and knowledge. The survivors do not feel hatred. For several decades, they have given their accounts of what Drancy was, what the Shoah was, with the ultimate goal of preventing racism and anti-Semitism. -
Switzerland and Refugees in the Nazi Era
Independent Commission of Experts Switzerland – Second World War Switzerland and Refugees in the Nazi Era This version has been replaced by the revised and completed version: Unabhängige Expertenkommission Schweiz – Zweiter Weltkrieg: Die Schweiz und die Flüchtlinge zur Zeit des Nationalsozialismus, Zürich 2001 (Veröffentlichungen der Unabhängigen Expertenkommission Schweiz – Zweiter Weltkrieg, vol. 17). Order: Chronos Verlag (www.chronos-verlag.ch) Edited by Independent Commission of Experts Switzerland – Second World War P.O. Box 259 3000 Bern 6, Switzerland www.uek.ch Independent Commission of Experts Switzerland – Second World War: Switzerland and Refugees in the Nazi Era. Bern, 1999. ISBN 3-908661-07-2 English version has been translated from German and French original texts Distributed by BBL/EDMZ, 3003 Bern www.admin.ch/edmz Art.-No. 201.282 eng 12.99 1000 H-UEK 07-10-99 Independent Commission of Experts Switzerland – Second World War Switzerland and Refugees in the Nazi Era Members of the Commission / General Management Jean-François Bergier, Chairman Sybil Milton, Vice-Chairman/Report Management Joseph Voyame, Vice-Chairman Wladyslaw Bartoszewski Georg Kreis, Report Management Saul Friedländer, Report Management Jacques Picard, Delegate Harold James Jakob Tanner General Secretary Linus von Castelmur Project Direction Gregor Spuhler Academic Advisor Marc Perrenoud Authors Valérie Boillat, Daniel Bourgeois, Michèle Fleury, Stefan Frech, Michael Gautier, Tanja Hetzer, Blaise Kropf, Ernest H. Latham, Regula Ludi (team leader), Marc Perrenoud, Gregor Spuhler (team leader), Hannah E. Trooboff Researchers Thomas Busset, Frank Haldemann, Ursina Jud, Martin Lind, Martin Meier, Laurenz Müller, Hans Safrian, Thomas Sandkühler, Bernhard Schär, Daniel Schmid, Marino Viganò, Daniel Wildmann, Bettina Zeugin, Jan Zielinski, Regula Zürcher Administration/Production Estelle Blanc, Armelle Godichet, Regina Mathis Translation from the German: Susan M. -
Hope Fading and Regulations Tightening, More Jewish Camps Set
Editorials ..................................... 4A Op-Ed .......................................... 5A Calendar ...................................... 6A Scene Around ............................. 9A Synagogue Directory ................ 11A News Briefs ............................... 13A WWW.HERITAGEFL.COM YEAR 44, NO. 38 MAY 22, 2020 28 IYYAR, 5780 ORLANDO, FLORIDA SINGLE COPY 75¢ The Roth Family JCC to reopen June 1 With great excitement, The ties, including aquatics, arts Roth Family JCC CEO, Keith and crafts, Flag, and Song Dvorchik announced that the Sessions. We are adding some JCC will begin a step-by-step exciting, new options and reopening on Monday, June 1. can’t wait to share them with “We extend a heartfelt you,” Dvorchik said. thank you to everybody who For information about what was able to help support us Camp J will look like, please during the past two months visit our Camp J FAQ page. while we were closed,” Dvor- • The Fitness Center, chik said in an email to JCC group exercise classes, and members. basketball gym will remain Here is the plan: closed at this time. Once • The Richard S. Adler Early the executive order keeping Childhood Learning Center them closed is lifted, they will reopen on Monday, June will re-evaluate and plan a 1, with smaller class sizes measured opening. and ratios. If you plan for • The JCC’s Sports and Igor Parvarov your child to return on June Aquatics programs have also The flags of countries that are home to Jewish communities hard hit by COVID-19 projected on to the walls of the Old 1, please read the important been altered. There will be City of Jerusalem in a show of support sponsored by the Diaspora Affairs Ministry on May 12, 2020. -
Did Marcel Marceau Save Hundreds of Jewish Children from the Nazis?
Did Marcel Marceau Save Hundreds of Jewish Children from the Nazis? The Frenchman who would become known as the world's greatest pantomime artist helped smuggle Jewish children to safety in Switzerland during World War II. • DAVID EMERY • PUBLISHED 29 JANUARY 2018 Claim The world-famous mime artist Marcel Marceau worked with the French underground as a teenager and help save many Jewish children from death at the hands of the Nazis during World War II. True Origin International Holocaust Remembrance Day, observed annually on 27 January (the date the Nazi concentration camp Auschwitz-Birkenau was liberated in 1945), is an occasion not only for commemorating the millions who died during the Holocaust (1933-1945), but also for acknowledging the heroic efforts of those who helped European Jews escape the clutches of the Third Reich. One of those acknowledged heroes was the internationally acclaimed pantomime artist Marcel Marceau (1923-2007), whose work as a young man with the French underground was celebrated in a Facebook video posted on 26 January 2018: The same story is told in this excerpt from an unattributed article widely shared on social media since 2015: Marcel Marceau’s extraordinary talent for pantomime entertained audiences around the world for over sixty years. It also saved hundreds of Jewish children during the Holocaust. Born to a Jewish family in Strasbourg, France in 1923, young Marcel Mangel discovered Charlie Chaplin at age five and became an avid fan. He entertained his friends with Chaplin imitations, and dreamed of starring in silent movies. When Marcel was 16, the Nazis marched into France, and the Jews of Strasbourg — near the German border — had to flee for their lives.