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Instrumental
Instrumental Intermediate Winds (Christian Dawid) Intermediate| Tuesday-Friday |AM1 - 9:30-10:45 In this class, we’ll work on klezmer ornamentation: how to apply it, phrasing, feel, variation, and more. One topic a day. Tips and tricks generously delivered. Open to all melody wind instrumentalists who want to work at a moderate pace, or are new to klezmer. Depending on group size, we might have time for individual coaching as well. PDFs of workshop material (according to your instrument's tuning: Bb, Concert Eb) will be provided to download before the class. Looking forward to meeting you! Christian Dawid is presented thanks to the generous support of the Consulate General of the Federal Republic of Germany, Montreal. Register for Intermediate Winds Advanced Winds (Zilien Biret) Advanced| Tuesday-Friday |AM1 - 9:30-10:45 Dave Tarras himself once said that he never played the same melodic phrase twice, always ornamenting or articulating in a different way. Working with the repertoire of Naftule Brandwein and Titunschneider, we will repeat phrases by ear and learn how to give a strong klezmer character to a repetitive melody. This is a master-class, so please prepare a tune you would like to share with us. I will help you with little tips to piece together the magic of klezmer. Register for Advanced Winds Intermediate Strings (Amy Zakar) Intermediate| Tuesday-Friday |AM1 - 9:30-10:45 For bowed strings: violin, viola, cello, bass, et. al. Play repertoire and learn string-specific klezmer style to start out your morning with good cheer! This class will be a good fit for you if you are past the beginning technical stage of learning your instrument, but are not yet performing on a regular basis or playing at an orchestral level. -
The Internationally Acclaimed Festival of Yiddish/Jewish Culture and the Arts KLEZKANADA
The Internationally Acclaimed Festival of Yiddish/Jewish Culture and the Arts KLEZKANADA August 22- 28, 2011 Founders From the KlezKanada Board of Directors Hy and Sandy Goldman Again we are so privileged to welcome you (and welcome you back) to KlezKanada on behalf of the Board, our faculty and artistic staff. As we arrive at Camp B’nai Brith, we marvel when our Artistic Coordinator, Summer Festival gem of Jewish culture comes alive, in its sounds, songs, language, dance and performance. It Frank London binds us as a community committed to connect, not to a lost past, but to a living present. We are grounded in our contact with our treasured giants, such as Flory Jagoda and Theodore Bikel, and Artistic Coordinator, Local Programming and Montreal Jewish Music Festival nourished and realized in the work of our faculty who created the renaissance and the generation Jason Rosenblatt of younger leaders who carry it to new places. Our pride, our nakhes, knows no limit when we see artists who came of age in our scholarship and fellowship programs, now take the world Founding Artistic Director and Senior Artistic Advisor stage. Jeff Warschauer We are also extremely gratified that KlezKanada has now linked up with the McGill University Board of Directors Schulich School of Music through the Department of Jewish Studies and will be hosting a group of McGill students for the week. This sets a precedent and augers well for future academic Bob Blacksberg, Stan Cytrynbaum (legal consultant), Tzipie Freedman (secretary), Hy associations. Goldman (chair), Sandra Goldman (registrar), Adriana Kotler, Robin Mader, Sandra Mintz, Bernard Rosenblatt, Roslyn Rosenblatt, Herschel Segal, David Sela, Robert Smolkin, Eric Now 16 years strong, we feel we have just begun. -
Naftule Brandwein, Dave Tarras and the Shifting Aesthetics in the Contemporary Klezmer Landscape
WHAT A JEW MEANS IN THIS TIME: Naftule Brandwein, Dave Tarras and the shifting aesthetics in the contemporary klezmer landscape Joel E. Rubin University of Virginia Clarinetists Naftule Brandwein (1884-1963) and Dave Tarras (1895-1989) were the two leading performers of Jewish instrumental klezmer music in New York during the first half of the 20th century. Due to their virtuosity, colorful personalities and substantial recorded legacy, it was the repertoire and style of these two musicians that served as the major influence on the American (and transnational) klezmer revival movement from its emergence in the mid-1970s at least until the mid-1990s.1 Naftule Brandwein playing a solo in a New York catering hall, ca. late 1930s. Photo courtesy of Dorothea Goldys-Bass 1 Dave Tarras playing a solo in a New York catering hall, ca. early 1940s. Photo courtesy of the Center for Traditional Music and Dance, New York. Since that time, the influence of Brandwein and Tarras on contemporary klezmer has waned to some extent as a younger generation of klezmer musicians, many born in the 1970s and 1980s, has adopted new role models and the hegemony of the Brandwein-Tarras canon has been challenged.2 In particular, beginning in the early 1990s and continuing to the present, a parallel interest has developed among many contemporary klezmer musicians in the eastern European roots of the tradition. At the same time, a tendency towards innovation and a fusing of traditional klezmer music of various historical periods and regions with a variety of styles has emerged. These include jazz, rhythm and blues, funk, Hip-Hop and Balkan music. -
The Klezmer Conservatory Band
Old Dominion University 2019 – 2020 F. Ludwig Diehn Concert Series The Klezmer Conservatory Band Hankus Netsky, Artistic Director Robin Miller, Flute and Piccolo Jim Guttmann, Yaeko Miranda-Elmaleh, Violin String Bass and Managing Director Grant Smith, Drums and Mark Berney, Cornet Percussion Mark Hamilton, Trombone Matt Darriau, Clarinet Eden MacAdam-Somer, John Servies, Vocals and Violin Sound Design and Audio Engineer Concert: September 23, 7:30 p.m., University Theatre Workshop: “Instant Klezmer,” September 24, 12:30 p.m. Wilson G. Chandler Recital Hall F. Ludwig Diehn Center for the Performing Arts arts@odu Musical selections will be announced from the stage. leading voice in the world of klezmer music and Yiddish song Afor over thirty years, the Klezmer Conservatory Band (KCB) continues to thrill audiences all over the world. With a repertoire ranging from Yiddish standards to rousing dance medleys and little known gems, the KCB’s musicians have served as important ambassadors in promoting the universal appeal of Jewish music. Over the years, the band has appeared at dozens of international music festivals in major venues across the U.S., Europe and Australia and on ten international broadcasts of “A Prairie Home Companion.” The KCB provided the musical accompaniment for “The Fool and the Flying Ship,” a 1991 video featuring Robin Williams, played an integral role in Joel Grey’s “Borschtcapades ‘94, and performed the music for the much acclaimed American Repertory Theatre production, “Shlemiel the First.” Since the late 1990s, Itzhak Perlman has featured the KCB in his CD, video, and touring project, “In the Fiddler’s House,” including performances at Wolftrap, Great Woods, Radio City Music Hall, the Ravinia Festival, the Saratoga Music Festival, Moscow’s Barvikha Concert Hall, the Mizner Park Amphitheatre in Boca Raton, and the Mann Music Center (Philadelphia). -
Extending the Tradition: Klezkanada, Klezmer Tradition and Hybridity
Extending the Tradition: KlezKanada, Klezmer Tradition and Hybridity MIKE ANKLEWICZ Abstract: This paper examines the way in which klezmer revival institutions, particularly KlezKanada, contradict many of the notions that are generally held of revival movements. Both historical klezmer music and its revival have long histories of incorporating musical styles both of other minority groups, as well those of the dominant majority culture. This paper shows how the communities created within the klezmer revival are constantly recreating their “tradition,” and are responsible for an environment in which musical experimentation is not only accepted, but valued. Résumé : Cet article examine la manière par laquelle les institutions de renouveau du klezmer, en particulier KlezKanada, contredisent nombre des idées que l’on se fait en général des mouvements de revival. La musique historique klezmer et son renouveau ont tous deux de longues histoires d’incorporation de styles musicaux, tant des autres groupes minoritaires que de ceux de la culture majoritaire dominante. Cet article montre comment les communautés qui se créent au sein du revival du klezmer recréent constamment leur « tradition » et sont responsables d’un environnement dans lequel l’expérimentation musicale est non seulement acceptée, mais valorisée. n today’s international klezmer scene, there has been a wide proliferation Iof klezmer fusions. These hybrids, which blend an ever-expanding array of musical styles and genres with klezmer, defined here as Eastern-European Jewish instrumental celebratory music, are notable because they are being encouraged by the scene’s formal institutions (festivals and workshops). These new interpretations of klezmer exist in a dialectical relationship to the music’s own history. -
2015 Brochure
Founders Eugene Orenstein – Presenter Hy and Sandy Goldman FACULTY Janie Respitz – Yiddish Language Jenny Romaine – Theatre Aaron Alexander – Percussion Artistic Director, Laurentian Retreat Jason Rosenblatt – Harmonica/Piano Merceditas Alexander-Mañago – Dance Frank London Pete Rushefsky – Tsimbl Adrian Banner – Piano Kinneret Sagee – Clarinet Richie Barshay – Percussion Artistic Director, Montreal Jewish Music Festival Cookie Segelstein – Violin Zilien Biret – Clarinet Jason Rosenblatt Uri Sharlin – Accordion Daniel Blacksberg – Trombone Jake Shulman-Ment – Violin Maya Blank – KlezKinder Founding Artistic Director and Senior Artistic Advisor Lorin Sklamberg – Yiddish Song Nikolai Borodulin – Yiddish Language Jeff Warschauer Shayn Smulyan – McGill Seminar Joanne Borts – Yiddish Song Emily Socolov – Visual Arts Matt Darriau – Clarinet/Saxophone Registrar Pete Sokolow – Piano Christian Dawid – Clarinet Sandy Goldman Madeline Solomon – KinderKord Front Cover: Josh Dolgin – Yiddish Song Eric Stein – Mandolin Artwork by Avia Moore. Sruli Dresdner – KlezKinder, Yiddish Song Board of Directors Michael Steinlauf – Presenter Inspired by the painted Herschel Fox – Cantorial, Yiddish Song Robert Abitbol, Bob Blacksberg, Stephanie Finkelstein, Tzipie Deborah Strauss – Violin wooden synagogues of Yoshie Fruchter – Guitar Freedman, Hy Goldman (Chair), Jeff Warschauer – Plucked Strings Poland and the Gwoździec Anna Gonshor – Yiddish Language Sandy Goldman, Dan Goldstein, Leo Hubermann, Robin Mader, Eleonore Weill – Flute/KlezKinder Reconstruction project -
Instrumental
Instrumental Intermediate Winds (Christian Dawid) Intermediate| Tuesday-Friday |AM1 - 9:30-10:45 In this class, we’ll work on klezmer ornamentation: how to apply it, phrasing, feel, variation, and more. One topic a day. Tips and tricks generously delivered. Open to all melody wind instrumentalists who want to work at a moderate pace, or are new to klezmer. Depending on group size, we might have time for individual coaching as well. PDFs of workshop material (according to your instrument's tuning: Bb, Concert Eb) will be provided to download before the class. Looking forward to meeting you! Christian Dawid is presented thanks to the generous support of the Consulate General of the Federal Republic of Germany, Montreal. Register for Intermediate Winds Advanced Winds (Zilien Biret) Advanced| Tuesday-Friday |AM1 - 9:30-10:45 Dave Tarras himself once said that he never played the same melodic phrase twice, always ornamenting or articulating in a different way. Working with the repertoire of Naftule Brandwein and Titunschneider, we will repeat phrases by ear and learn how to give a strong klezmer character to a repetitive melody. This is a master-class, so please prepare a tune you would like to share with us. I will help you with little tips to piece together the magic of klezmer. Register for Advanced Winds Intermediate Strings (Amy Zakar) Intermediate| Tuesday-Friday |AM1 - 9:30-10:45 For bowed strings: violin, viola, cello, bass, et. al. Play repertoire and learn string-specific klezmer style to start out your morning with good cheer! This class will be a good fit for you if you are past the beginning technical stage of learning your instrument, but are not yet performing on a regular basis or playing at an orchestral level. -
Yedies 189 Winter 99
hshgu, hshgu, No. 189 IVOIVO Winter 1999 YYNEWS hHuu† pui Alter Kacyzne’s Photographs YIVO Celebrates Publication of Historic Album IVO began its 75th Anniversary year with a Ycelebration for Poyln — Jewish Life in the Old YIVO Institute Country, a new book of pre-Holocaust photo- for graphs taken throughout Poland by the renowned Yiddish author and photographer Alter Kacyzne. Jewish (A selection of photographs from the book appears Research on pages 18 – 21.) Edited by YIVO Chief Archivist hHshagr Marek Web and published by YIVO in cooperation uuhxbaTpykgfgr with Metropolitan Books/Henry Holt, Poyln has thbxyhyuy ≈ thbxyhyuy received excellent reviews from the Forward, the Atlanta Jewish Times and the Canadian Jewish News hHuu† and has been named a Book-of-the-Month selection. Its initial printing in English is 17,000 copies. Marek Web, Chief Archivist and editor of Poyln, with YIVO “A simultaneous German edition of Poyln was Board member and author Fanya Gottesfeld Heller. released just in time for the Frankfurt Book Fair,” Kacyzne had a remarkable sensibility for his Board Chairman Bruce Slovin told the 100 people subjects, whether in studio portraits, on a Warsaw who attended the November 4th reception and street, or in a shtetl marketplace. He was known to book signing in the Center for Jewish History have been unusually painstaking in his work, library. “Marek Web has done Herculean labor in never satisfied until he had achieved exactly the bringing this book to publication.” right effect. This new book provides a window “We are very proud to be here today,” Dr. Carl into the lost world of Polish Jewry through the Rheins, YIVO Executive Director, commented. -
2017 Brochure
The Folks Who Put it All Together... Faculty Andreas Schmitges – Presenter, Yiddish Dance Sebastian Schulman – Presenter k A two Asya Vaisman Schulman – Yiddish Song Founders Shane Baker – KlezKabaret Host Cookie Segelstein – Violin Hy and Sandy Goldman Adrian Banner – Accompaniment Richard Barshay – Percussion Anna Shternshis – Presenter Zilien Biret – Clarinet Mark Slobin – Presenter Cover Artwork: Avia Moore 2017 Artistic Director, Laurentian Retreat Grant Smith – Percussion Michael Winograd Dan Blacksberg – Trombone, Presenter Nikolai Borodulin – Yiddish Language Emily Socolov – Visual Arts The animal musicians between Peter Sokolow – Piano Artistic Director Joanne Borts – Yiddish Song the covers are based on Judy Bressler – Yiddish Song Madeline Solomon – KinderKord Frank London marginalia artwork from 13th Stuart Brotman – Bass Ilene Stahl – Clarinet Eric Stein – Plucked Strings and 14th Century illuminated Christian Dawid – Clarinet Founding Artistic Director and Senior Artistic Advisor Joshua D.C. Dolgin – Yiddish Song Deborah Strauss – Violin manuscripts. Jeff Warschauer Sruli Dresdner – KlezKids, Yiddish Song Yuri Vedenyapin – Yiddish Language Rabbi Avi Finegold – Presenter Josh Waletzky – Yiddish Song Photo Credits: Josh Dolgin, Registrar Enrico Fink – Italian Jewish Music Cantor Jeff Warschauer – Cantorial, Plucked Avia Moore. Sandy Goldman Sarah Mina Gordon – Yiddish Song Strings Avery Gosfield – Italian Jewish Music Steven Weintraub– Yiddish Dance Map: Avia Moore Board of Directors Jim Guttmann – Bass Michael Wex – Presenter -
2012 08 02 Ashkenaz
Media Contact : Jon Campbell | 416-973-4655 [email protected] | media.harbourfrontcentre.com FOR IMMEDIATE RELEASE Ashkenaz Celebrates Global Jewish Culture at Harbourfront Centre Aug 28-Sept 3, 2012 TORONTO, ON (*Aug. 2, 2012) – Harbourfront Centre is pleased to announce the biennial return of the Ashkenaz Festival . The week-long festival, held this year from Tuesday, Aug. 28 through Monday, Sept. 3 , celebrates cutting- edge and traditional culture from the international Jewish scene. The Ashkenaz Festival, which began in 1995 and has grown into one of the city’s favourites, features events spanning music, film, theatre, dance and more, celebrating the variety of cultures that comprise the international Jewish community. Over 200 individual artists from over a dozen countries, including Uganda, India, Australia, Argentina and Mexico, will descend upon Harbourfront Centre, demonstrating the diversity and depth of Jewish arts and culture. Highlights of Ashkenaz include performances, workshops, activities and more: • Music from Yemen Blues , who mix Yemenite-Jewish song and poetry with West African grooves, jazz, blues and funk; Shye Ben Tzur, who combines Hebrew, Middle-Eastern and Indian influences; the post-Soviet klezmer-pop-party-music of Opa! ; Toronto’s 13-piece Balkan-Klezmer-Gypsy-Party-Punk Super-Band Lemon Bucket Orchestra ; the Canadian premiere of 99 year-old Toronto composer and Holocaust survivor Leo Spellman ’s “lost” composition and others; • Theatre Panik’s production of The Corpse Bride ; • Family fun including the always-popular Ashkenaz Parade and the return of two of North America’s premier entertainers, Sharon and Bram , who add Yiddish songs alongside their classic repertoire; • …and much more! Listings information is below. -
2013 Brochure
Founders Hy and Sandy Goldman From the KlezKanada Board of Directors Artistic Director, Laurentian Retreat We gather together on the shore of Lac Ludger for this very special khai year, our 18th KlezKanada E Frank London Laurentian Retreat. We feel privileged as we express our sense of accomplishment and promise for M nurturing a community which is engaged and charged to sustain the arts of Jewish life. Sounds and O songs, dance, poetry, visual arts and study, infused by their centuries-old heritage of Yiddishkayt, C Artistic Director, Montreal Jewish Music Festival L Jason Rosenblatt enliven us, root and re-root our souls, our neshome. We share our experience: old, middle and young E in years, observant, liberal, secular and not Jewish, reflecting back and forth among each other a W love of, and a commitment to, arts that flourish throughout the year. Founding Artistic Director and Senior Artistic Advisor Jeff Warschauer Strongest of all, perhaps, at least for those of us who have reached that stage of life, is the nakhes On the Front Cover: Board of Directors we shep fun kinder. Our nakhes is both a personal and communal reward, delicious whether it is for Still from I Do, Podolia Robert Abitbol, Theodore Bikel (Honorary), Bob Blacksberg, the acts and accomplishments of the offspring we count as members of our own families, or for by Avia Moore and Magdalena Stephanie Finkelstein, Tzipie Freedman, Hy Goldman (Chair), our communal offspring, whose achievements bring enormous pride which we share with their Hutter Sandy Goldman, Dan Goldstein, Leo Hubermann, Adriana biological parents. -
Klezkanada K
KKLEZKANADA AUGUST 24-30, 2009 KLEZMER MUSIC.YIDDISH SONG.DANCE.VISUAL ARTS.YIDDISH LANGUAGE.YIDDISH STUDIES.LITERATURE.FILM. KLEZMER MUSIC.YIDDISH SONG.DANCE.VISUAL ARTS.YIDDISH LANGUAGE.YIDDISH STUDIES.LITERATURE. W ELCOME KlezKanada Summer Institute 2009 Founder/Chair of the Board Hy Goldman Artistic Director Jeff Warschauer Founder/Registrar Sandy Goldman Program Coordinators: Hands-on Workshops and Instrumental Music - Jeff Warschauer Vocal Music - Joanne Borts Lectures and Nayer Dor Programming - Rokhl Kafrissen East Moves West - Sebastian Schulman and Asya Vaisman Yiddish Language Programming - Nikolai Borodulin Dance Program - Steve Weintraub and Pete Rushefsky (music) Visual Arts - Tine Kindermann KlezKinder Programming - Lisa Mayer and Sruli Dresdner Concerts - Michael Wex David A. Stein Memorial Film Scholarship Program - Garry Beitel Cabaret and Stage Management - Heather Klein Internet Services, KlezKanada Newsletter - Ari Davidow Audio-Visual - Hartley Wynberg KlezKanada Youth Scholarship Program and On-Site Administrative Director - Avia Moore Der Nayer Dor Gala Concert - Avia Moore and Jason Rosenblatt with Michael Wex and Heather Klein The Discovery Project - Hankus Netsky with Shayn Smulyan and Emily Lam. Loyf Tsunoyf - Joanne Borts Board of Directors: Bob Blacksberg, Hy Goldman (Chair), Sandra Goldman, Adriana Kotler, David Novek, Bernard Rosenblatt, Roslyn Rosenblatt, Herschel Segal, David Sela, Robert Smolkin, Eric Stein, Irwin Tauben, Jack Wolofsky, Stan Cytrynbaum (legal advisor), Marvin B. Goldsmith (CA), Tzipie Freedman (secretary), Theodore Bikel (honourary) Brochure/Poster Design and Editing - Avia Moore Art and Photo Credits: Nina Becker, Sarah Katz, Avia Moore, Leah Netsky, David Kauffman dition innovation PAGE 3 WELCOME! - Zayt bagrist! Welcome to KlezKanada 2009! Now in our 14th year, KlezKanada has grown from a small festival to an internation- ally-recognized institution with a world-class faculty, a one-of-a-kind scholarship program and enthusiastic participants from all corners of the world.