DOCSLIB.ORG

Yedies 189 Winter 99

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Yedies 189 Winter 99 hshgu, hshgu, No. 189 IVOIVO Winter 1999 YYNEWS hHuu† pui Alter Kacyzne’s Photographs YIVO Celebrates Publication of Historic Album IVO began its 75th Anniversary year with a Ycelebration for Poyln — Jewish Life in the Old YIVO Institute Country, a new book of pre-Holocaust photo- for graphs taken throughout Poland by the renowned Yiddish author and photographer Alter Kacyzne. Jewish (A selection of photographs from the book appears Research on pages 18 – 21.) Edited by YIVO Chief Archivist hHshagr Marek Web and published by YIVO in cooperation uuhxbaTpykgfgr with Metropolitan Books/Henry Holt, Poyln has thbxyhyuy ≈ thbxyhyuy received excellent reviews from the Forward, the Atlanta Jewish Times and the Canadian Jewish News hHuu† and has been named a Book-of-the-Month selection. Its initial printing in English is 17,000 copies. Marek Web, Chief Archivist and editor of Poyln, with YIVO “A simultaneous German edition of Poyln was Board member and author Fanya Gottesfeld Heller. released just in time for the Frankfurt Book Fair,” Kacyzne had a remarkable sensibility for his Board Chairman Bruce Slovin told the 100 people subjects, whether in studio portraits, on a Warsaw who attended the November 4th reception and street, or in a shtetl marketplace. He was known to book signing in the Center for Jewish History have been unusually painstaking in his work, library. “Marek Web has done Herculean labor in never satisfied until he had achieved exactly the bringing this book to publication.” right effect. This new book provides a window “We are very proud to be here today,” Dr. Carl into the lost world of Polish Jewry through the Rheins, YIVO Executive Director, commented. “It eyes of one of its keenest observers. is a very fitting way to begin our 75th year.” As Marek Web notes in his introduction, in the Kacyzne (1885-1941) was an acclaimed writer late 1930’s, Kacyzne “had been granted a U.S. visa, who published novels, plays, and poetry. How- which he did not use. He could not bring himself ever, he earned his living as a photographer. He to leave behind all that was meaningful to him had a portrait studio in Warsaw and also traveled and become an immigrant, physically and the country photographing scenes of traditional culturally.” Jewish life. He was first commissioned by HIAS in When war broke out in 1939, Kacyzne fled with 1921 to photograph Jews seeking to leave Poland. his wife and daughter, Sulamita, to Lwow in After finishing this assignment, Kacyzne was, as eastern Poland, which had been [continued on page 6] he wrote, “hired to be the photo correspondent for the New York Jewish Daily Forward. My task is to cover all the places in Poland that may be of interest to the reader in America.” Although he was slated to work for two years, he eventually spent a decade as the Forward correspondent. Hold the CONTENTS: Date Chairman’s Message . .2 New Book on Litvaks . .13 YIVO’s Annual Major New Grants . .2 Vilna Library On-Line . .14 Dinner Executive Director . .3 Distinguished Guests . .15 April 6, New Projects . .4 Music Archives . .16 2000 Jewish Studies . .6 YIVO Donors . .18 Max Weinreich Center . .8 Poyln Book Photos . .18 Pierre Hotel Yiddish Classes . .10 New Accessions . .22 New York Library . .12 Letters . .25 Message from the Chairman of the Board Time for Reflection and Renewal It is the 75th Anniversary of For seventy-five years YIVO tionally, with Israel, Canada and the founding of YIVO! As this has been a central force in Mexico, as well as the countries turbulent twentieth century recording, studying, preserving in the former Soviet Union. So winds down, it is a perfect time and honoring every aspect of many young people want to for reflection, evaluation and a Jewish life, language and study Yiddish and Yiddish Bruce Slovin renewal of our commitment to culture. YIVO has embraced an culture — to trace their family the mission of YIVO and future inclusive definition of Jewish histories in Eastern Europe. generations. Once Eastern continuity, one that spans the YIVO must help them — and Europe was the center of a generations and looks to the you — to make those connec- whole Jewish culture. YIVO was future. The new century and tions. Join with us, as we begin founded as part of that thriving millennium bring unique oppor- our 75th year. Together we will and strong community which tunities to forge links — among face the future and make it our was destroyed. Those people the generations and interna- own. who survived built new lives. They, like YIVO, rose from the NFJC Funds Two Major YIVO Projects ashes despite all obstacles. We honor their memory and IVO is receiving two grants writer, is a skilled researcher, celebrate their dignity and Ytotaling nearly $117,000 from and is knowledgeable about perseverance. the Fund for Jewish Preservation Jewish history and culture. Ms. of the National Foundation for Newman recently helped YIVO News Jewish Culture (NFJC). The produce the DVD-ROM format Founded in 1925 in Vilna, Poland as the Yiddish grants will help YIVO redesign of Thirteen/WNET’s “Heritage: Scientific Institute and headquartered in New York its Web site and publish autobio- Civilization and the Jews.” since 1940, YIVO is devoted to the history, society graphies written in 1942 by The other grant — $91,000 — and culture of Ashkenazic Jewry and to the influence Jewish immigrants to the United is for the creation of an English of that culture as it developed in the Americas. States. In addition, NFJC will language anthology of American Today, YIVO stands as the preeminent center for award a special grant to help Jewish immigrant autobiogra- East European Jewish Studies; Yiddish language, defray the costs of YIVO’s move phies. This volume will feature literature and folklore; and the study of the American into permanent quarters at the about 20 of the 233 responses to Jewish immigrant experience. Center for Jewish History. YIVO’s 1942 contest for the best The Web site project, which autobiography by a Jewish Chairman of the Board: Bruce Slovin will receive $25,800, will en- immigrant to America. Of the Executive Director: Carl J. Rheins hance public access to YIVO. It responses to the contest, 176 Director of Development will explain YIVO’s mission and were from men and 47 from and External Affairs: Ella Levine rich history, provide an introduc- women; just over half came from Director of Research: Lisa Epstein tion to Yiddish, showcase the New York, while others came Director of Finance and Administration: YIVO archives and library, and from 62 locations in the U.S., Assaf Astrinsky provide a calendar of YIVO Canada, Argentina, Mexico and Chief Archivist: Marek Web events and programs. The site Cuba; and the majority of the Head Librarian: Aviva Astrinsky will also facilitate public access writers were between 51 and 70 Head of Preservation: Stanley Bergman to YIVO through e-mail, serve as years old. They had immigrated Editor: Elise Fischer an online YIVO publications from Eastern Europe, Germany Yiddish Editor: Hershl Glasser catalog, offer membership and and Palestine, from the 1880s to Production Editors: Jerry Cheslow, Kim Hirsh donation forms, and provide the 1940s; most came between links to related sites. The site 1882 and 1924, the years of mass Contributors immigration. Dina Abramowicz, Nikolai Borodulin, Chava Boylan, Krysia will feature audio clips from the Fisher, Shaindel Fogelman, Leo Greenbaum, Batya Kaplan, Chana Sound Archives, online versions Professor Daniel Soyer of Mlotek, Fruma Mohrer, David Rogow, Jenny Romaine, Yankl of recent YIVO exhibitions and Fordham University will serve Salant, Elisheva Schwartz, Yermiyahu Ahron Taub, Bella Hass the YIVO News. as Project Editor. Soyer is a Weinberg, Bina Weinreich Former YIVO photo archivist former archivist at YIVO and is 15 West 16th Street Roberta Newman will be the the author of Jewish Immigrant New York, NY 10011-6301 Project Coordinator. She knows Associations and American Identity Phone: (212) 246-6080, YIVO’s library and archives, has in New York, 1880-1939. The Fax: (212) 292-1892 e-mail: [email protected] professional experience as a anticipated publication date is multimedia/film producer and 2002. 2 YIVO News Message from the Executive Director Some Thoughts on YIVO’s Future In the coming century, Jewish communal life in survival and expansion, we must also develop a the United States will require strong institutional strategic plan that addresses the interests of leadership. This is especially true for institutions YIVO’s many constituencies and friends. such as YIVO, ones with a mandate to preserve the In the September 1996 issue of the Harvard material artifacts of Jewish civilization and pro- Business Review, James C. Collins writes that mote the study of Jewish history. The vitality of institutions that enjoy “enduring success have core Dr. Carl J. Rheins Jewish archives and research libraries will also values and core purposes that remain fixed while depend on their continuing adherence to the their [daily] strategies and practices endlessly highest scholastic standards, combined with free adapt to a changing world.” Preserving the core and unfettered intellectual inquiry. The while stimulating progress are the key dynamics overarching acceptable institutional ideology must of organizations that become elite institutions, embrace the legitimacy of all forms of Jewish institutions able to transform themselves and to expression. achieve superior results. Other challenges must also be met if we are to As YIVO approaches its 75th anniversary, a keep YIVO and other Jewish research institutions renewed commitment from the board, staff and strong. These include, but are not limited to: YIVO’s many benefactors and supporters is • Identifying and raising substantial new sums of essential for strengthening the Institute’s archives, money; library and research departments; for reevaluating • Supporting and energizing staff, while recruiting its distinguished publications series; and for the most distinguished scholars available in expanding its genealogical services program.
Load more

Recommended publications
  • 2016 Pakn Treger Translation Issue
    Table of Contents “You Have Not Betrayed Me Since the Day We Met” and “You Olive Tree in the Night” by Avrom Sutzkver, translated by Maia Evrona “On the Landing” by Yenta Mash, translated by Ellen Cassedy “From Eternity to Eternity: Thoughts and Considerations in Honor of Passover” by Moyshe Shtarkman, translated by Ross Perlin “In Which I Hate It and Can’t Stand It and Don’t Want to and Have No Patience at All” by Der Tunkeler, translated by Ri J. Turner “Letters” by H.D. Nomberg, translated by Daniel Kennedy “Blind Folye” by Froyim Kaganovski, translated by Beverly Bracha Weingrod “Mr. Friedkin and Shoshana: Wandering Souls on the Lower East Side” (an excerpt from Hibru) by Joseph Opatoshu, translated by Shulamith Z. Berger “Coney Island, Part Three” by Victor Packer, translated by Henry Sapoznik “Old Town” (an excerpt from The Strong and the Weak) by Alter Kacyzne, translated by Mandy Cohen and Michael Casper An Excerpt from “Once Upon a Time, Vilna” by Abraham Karpinowitz, translated by Helen Mintz “To a Fellow Writer” and “Shloyme Mikhoels” by Rachel H. Korn, translated by Seymour Levitan “The Destiny of a Poem” by Itzik Manger, translated by Murray Citron “The Blind Man” by Itsik Kipnis, translated by Joshua Snider Introduction he translation theorist Lawrence Venuti closes his short essay “How to Read a Translation” on a note of defiance: T Don’t take one translation of a foreign literature to be representative of the language, he tells us. Compare the translation to other translations from the same language. Venuti’s point is both political and moral.
    [Show full text]
  • Congressional Record—Senate S4310
    S4310 CONGRESSIONAL RECORD Ð SENATE April 27, 1999 places as Kosovo, Sierra Leone, and In his moving remarks at Temple ple to act ``normally'' while Jews, their Sudan that we have not learned the Beth Ami, Benjamin Meed, the Presi- neighbors for hundreds of years, burned and lessons of the past. dent of the American Gathering of Hol- died inside the Ghetto walls? But they were The ongoing campaign of violence not the only ones to ignore our plight. In- ocaust Survivors and a survivor him- deed, the entire world stood by. No doors and hate perpetrated by Slobodan self of the Warsaw Ghetto Uprising, were opened, no policies were changed to Milosevic and his thugs against the spoke eloquently before this assembly make rescue possible. Why? The question Kosovar Albanians is but the latest ex- of the importance of overcoming indif- cries out for an answer across the decades. ample of the campaigns of terror car- ference to genocide. Ben Meed has dedi- If only there had been a State of Israel ried out against innocent civilians sim- cated himself to working hard along sixty years ago, how different this story ply because of who they are. These peo- could have been. with many other survivors to ensure Tonight, we especially remember the pas- ple are not combatants and they have that the memory of millions is still sengers on the S.S. St. LouisÐmore than nine committed no crimesÐthey are simply with us, and I believe that the United hundred men, women and children. Robbed of ethnic Albanians who wish to live in States Holocaust Memorial Museum is their possessions, stunned and hurt during peace in their homes in Kosovo.
    [Show full text]
  • German Jews in the United States: a Guide to Archival Collections
    GERMAN HISTORICAL INSTITUTE,WASHINGTON,DC REFERENCE GUIDE 24 GERMAN JEWS IN THE UNITED STATES: AGUIDE TO ARCHIVAL COLLECTIONS Contents INTRODUCTION &ACKNOWLEDGMENTS 1 ABOUT THE EDITOR 6 ARCHIVAL COLLECTIONS (arranged alphabetically by state and then city) ALABAMA Montgomery 1. Alabama Department of Archives and History ................................ 7 ARIZONA Phoenix 2. Arizona Jewish Historical Society ........................................................ 8 ARKANSAS Little Rock 3. Arkansas History Commission and State Archives .......................... 9 CALIFORNIA Berkeley 4. University of California, Berkeley: Bancroft Library, Archives .................................................................................................. 10 5. Judah L. Mages Museum: Western Jewish History Center ........... 14 Beverly Hills 6. Acad. of Motion Picture Arts and Sciences: Margaret Herrick Library, Special Coll. ............................................................................ 16 Davis 7. University of California at Davis: Shields Library, Special Collections and Archives ..................................................................... 16 Long Beach 8. California State Library, Long Beach: Special Collections ............. 17 Los Angeles 9. John F. Kennedy Memorial Library: Special Collections ...............18 10. UCLA Film and Television Archive .................................................. 18 11. USC: Doheny Memorial Library, Lion Feuchtwanger Archive ...................................................................................................
    [Show full text]
  • Lesson Eight
    Class of Nonviolence – Lesson Eight Animals, My Brethren by Edgar Kupfer-Koberwitz The following pages were written in the wounded or killed for my pleasure and Concentration Camp Dachau, in the midst of all convenience? kinds of cruelties. They were furtively scrawled in • Is it not only too natural that I do not a hospital barrack where I stayed during my inflict on other creatures the same thing illness, in a time when Death grasped day by day which, I hope and fear, will never be after us, when we lost twelve thousand within inflicted on me? Would it not be most four and a half months. unfair to do such things for no other purpose than for enjoying a trifling Dear Friend: physical pleasure at the expense of others' sufferings, others' deaths? You asked me why I do not eat meat and you are wondering at the reasons of my behavior. These creatures are smaller and more helpless Perhaps you think I took a vow -- some kind of than I am, but can you imagine a reasonable man penitence -- denying me all the glorious of noble feelings who would like to base on such pleasures of eating meat. You remember juicy a difference a claim or right to abuse the steaks, succulent fishes, wonderfully tasted weakness and the smallness of others? Don't you sauces, deliciously smoked ham and thousand think that it is just the bigger, the stronger, the wonders prepared out of meat, charming superior's duty to protect the weaker creatures thousands of human palates; certainly you will instead of persecuting them, instead of killing remember the delicacy of roasted chicken.
    [Show full text]
  • Extensions of Remarks E955 HON. CAROLYN B. MALONEY HON. SCOTT Mcinnis HON. ROBERT A. BORSKI HON. MARGE R
    CONGRESSIONAL RECORD Ð Extensions of Remarks E955 REMARKS OF BENJAMIN MEED ON fleeing Nazism. For these passengers, it was ticipant and leader for the Colorado's court re- THE HOLOCAUST a desperate bid for freedom that was doomed porters. Before becoming it's president in before it began. Politics, profit and public 1996±97, Catherine Rodriguez served on the opinion were permitted to overshadow mo- HON. CAROLYN B. MALONEY rality, compassion and common sense. It is Colorado Court Reporter's Assocation board OF NEW YORK so painful now to realize that not only Cuba for 7 years. She has proven to be valuable in IN THE HOUSE OF REPRESENTATIVES but our own beloved country closed her doors creating a page-rate increase, as well as voic- and her heart to these People of the Book ing Colorado's need for computer-integrated Thursday, May 13, 1999 who could see the lights of Miami from the courtrooms. Mrs. MALONEY of New York. Mr. Speaker, decks of the ship but were not allowed to dis- Catherine Rodriguez has more than proven I would like to share with my colleagues the embark. This group of nine hundred could herself as a valuable asset to the court system have been saved, but instead the voyage be- remarks of Mr. Benjamin Meed who recently of San Luis Valley, therefore, earning Colo- gave an exceptionally moving speech about came a round-trip passage to hell for many of them. Less than three months after the rado's highest honor for court reporters. This Yom Hashoah, The Days of Remembrance, at St.
    [Show full text]
  • Jews and Germans in Eastern Europe New Perspectives on Modern Jewish History
    Jews and Germans in Eastern Europe New Perspectives on Modern Jewish History Edited by Cornelia Wilhelm Volume 8 Jews and Germans in Eastern Europe Shared and Comparative Histories Edited by Tobias Grill An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org ISBN 978-3-11-048937-8 e-ISBN (PDF) 978-3-11-049248-4 e-ISBN (EPUB) 978-3-11-048977-4 This work is licensed under the Creative Commons Attribution-NonCommercial NoDerivatives 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Cataloging-in-Publication Data Names: Grill, Tobias. Title: Jews and Germans in Eastern Europe : shared and comparative histories / edited by/herausgegeben von Tobias Grill. Description: [Berlin] : De Gruyter, [2018] | Series: New perspectives on modern Jewish history ; Band/Volume 8 | Includes bibliographical references and index. Identifiers: LCCN 2018019752 (print) | LCCN 2018019939 (ebook) | ISBN 9783110492484 (electronic Portable Document Format (pdf)) | ISBN 9783110489378 (hardback) | ISBN 9783110489774 (e-book epub) | ISBN 9783110492484 (e-book pdf) Subjects: LCSH: Jews--Europe, Eastern--History. | Germans--Europe, Eastern--History. | Yiddish language--Europe, Eastern--History. | Europe, Eastern--Ethnic relations. | BISAC: HISTORY / Jewish. | HISTORY / Europe / Eastern. Classification: LCC DS135.E82 (ebook) | LCC DS135.E82 J495 2018 (print) | DDC 947/.000431--dc23 LC record available at https://lccn.loc.gov/2018019752 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de.
    [Show full text]
  • Klezmer Syllabus Spring 2014
    Syllabus MUEN 3640: UVA Klezmer Ensemble Class number 21122 Spring 2014 Prof.: Joel Rubin e-mail: [email protected] phone: (434) 882-3161 Time and location: Mondays and Wednesdays 7:30-9:30 pm, Old Cabell Hall Room 113 Office: 207 Old Cabell Hall, office hours M 12:30-1:30 pm or by appointment Prerequisite: Intermediate to advanced skill on an instrument or voice (admission by audition at first class, Mon., Jan. 13, 2014 or by appointment) Special events this semester: Klezmer Workshop with Alan Bern, Sunday, Mar. 23, 11 am - 2 pm, Old Cabell room 107 Extra rehearsals Sun. Mar. 23, 6-9 pm, Old Cabell room 113 and Tues. Mar. 25, 7-10 pm, Old Cabell 113. Concert Thurs. Mar. 27, 8 pm in Old Cabell (sound check: 6 pm) Recording sessions in conjunction with Mead Endowment: in April, tba Description: Under the direction of Director of Music Performance and acclaimed clarinetist and ethnomusicologist Joel Rubin, the UVA Klezmer Ensemble focuses on the music of the klezmorim, the Jewish professional instrumentalists of Eastern Europe, as well as related eastern European traditions. The ensemble is made up of both undergraduate and graduate students, faculty, alumni, and other members of the greater Central Virginia community. The UVA Klezmer Ensemble is committed to ethnic, racial, cultural and religious diversity. Current and recent members have backgrounds from the US, Russia, Israel, Lebanon, Armenia, Iran, and India, with religious backgrounds ranging from Jewish to Christian, Hindu and Muslim. It is dedicated to exploring klezmer and other Jewish musical traditions from the 18th century to the present.
    [Show full text]
  • Instrumental
    Instrumental Intermediate Winds (Christian Dawid) Intermediate| Tuesday-Friday |AM1 - 9:30-10:45 In this class, we’ll work on klezmer ornamentation: how to apply it, phrasing, feel, variation, and more. One topic a day. Tips and tricks generously delivered. Open to all melody wind instrumentalists who want to work at a moderate pace, or are new to klezmer. Depending on group size, we might have time for individual coaching as well. PDFs of workshop material (according to your instrument's tuning: Bb, Concert Eb) will be provided to download before the class. Looking forward to meeting you! Christian Dawid is presented thanks to the generous support of the Consulate General of the Federal Republic of Germany, Montreal. Register for Intermediate Winds Advanced Winds (Zilien Biret) Advanced| Tuesday-Friday |AM1 - 9:30-10:45 Dave Tarras himself once said that he never played the same melodic phrase twice, always ornamenting or articulating in a different way. Working with the repertoire of Naftule Brandwein and Titunschneider, we will repeat phrases by ear and learn how to give a strong klezmer character to a repetitive melody. This is a master-class, so please prepare a tune you would like to share with us. I will help you with little tips to piece together the magic of klezmer. Register for Advanced Winds Intermediate Strings (Amy Zakar) Intermediate| Tuesday-Friday |AM1 - 9:30-10:45 For bowed strings: violin, viola, cello, bass, et. al. Play repertoire and learn string-specific klezmer style to start out your morning with good cheer! This class will be a good fit for you if you are past the beginning technical stage of learning your instrument, but are not yet performing on a regular basis or playing at an orchestral level.
    [Show full text]
  • Touching the Memory
    Touching the Memory By William Eaton Zeteo is Reading, September 2014 My father usually invited an oirech (a poor person) from among those who had lined up at the door of the Beit HaMidrash to join us for [a Sabbath] meal. These were itinerant beggars, of whom there were, unfortunately, many in Poland. I was fascinated by these vagabonds who lived at the margin of our society, and their presence at our table added excitement and mystery to the celebration. This from a memoir by the former rabbi and director of Harvard-Radcliffe Hillel, Ben-Zion Gold. In the Introduction, Gold says that he wrote this memoir, The Life of Jews in Poland before the Holocaust, to rectify an “imbalance in the way we remember the Jews of Europe.” That is, we focus on the Holocaust and ignore how Jews lived, the “vitality and richness of Jewish life” in Europe before the most deadly wave of anti-Semitism—and of mass murder of people of many backgrounds. (See, please, Timothy Snyder’s Bloodlands: Europe Between Hitler and Stalin, and I would also here recommend Tzvetan Todorov’s La Conquête de l’Amérique: La question de l’autre — The Conquest of America: The Question of the Other — which speaks powerfully of human savagery on our side of the Atlantic.) That said, I must also note that Gold’s memoir came most to life for me in its antepenultimate chapter, which tells how he, unlike his parents and three sisters, escaped: avoided being murdered by the Germans. Reading this chapter I was reminded of how my William Eaton is the Editor of Zeteo.
    [Show full text]
  • To Play Jewish Again: Roots, Counterculture, and the Klezmer Revival Claire Marissa Gogan Thesis Submitted to the Faculty Of
    To Play Jewish Again: Roots, Counterculture, and the Klezmer Revival Claire Marissa Gogan Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In History David P. Cline, Co-Chair Brett L. Shadle, Co-Chair Rachel B. Gross 4 May 2016 Blacksburg, Virginia Keywords: Identity, Klezmer, Jewish, 20th Century, Folk Revival Copyright 2016 by Claire M. Gogan To Play Jewish Again: Roots, Counterculture, and the Klezmer Revival Claire Gogan ABSTRACT Klezmer, a type of Eastern European Jewish secular music brought to the United States in the late 19th and early 20th century, originally functioned as accompaniment to Jewish wedding ritual celebrations. In the late 1970s, a group of primarily Jewish musicians sought inspiration for a renewal of this early 20th century American klezmer by mining 78 rpm records for influence, and also by seeking out living klezmer musicians as mentors. Why did a group of Jewish musicians in the 1970s through 1990s want to connect with artists and recordings from the early 20th century in order to “revive” this music? What did the music “do” for them and how did it contribute to their senses of both individual and collective identity? How did these musicians perceive the relationship between klezmer, Jewish culture, and Jewish religion? Finally, how was the genesis for the klezmer revival related to the social and cultural climate of its time? I argue that Jewish folk musicians revived klezmer music in the 1970s as a manifestation of both an existential search for authenticity, carrying over from the 1960s counterculture, and a manifestation of a 1970s trend toward ethnic cultural revival.
    [Show full text]
  • Transdenominational MA in Jewish Music Program, Preparing
    THIS IS THE INSIDE FRONT COVER EDITOR: Joseph A. Levine ASSOCIATE EDITOR: Richard Berlin EDITORIAL BOARD Rona Black, Shoshana Brown, Geoffrey Goldberg, Charles Heller, Kimberly Komrad, Sheldon Levin, Laurence Loeb, Judy Meyersberg, Ruth Ross, Neil Schwartz, Anita Schubert, Sam Weiss, Yossi Zucker TheJournal of Synagogue Music is published annually by the Cantors As- sembly. It offers articles and music of broad interest to theh azzan and other Jewish professionals. Submissions of any length from 1,000 to 10,000 words will be consid ered. GUIDELINES FOR SUBMITTING MATERIAL All contributions and communications should be sent to the Editor, Dr. Joseph A. Levine—[email protected]—as a Word docu- ment, with a brief biography of the author appended. Musical and/or graphic material should be formatted and inserted within the Word document. Footnotes are used rather than endnotes, and should conform to the fol- lowing style: A - Abraham Idelsohn, Jewish Liturgy (New York: Henry Holt), 1932: 244. B - Samuel Rosenbaum, “Congregational Singing”; Proceedings of the Cantors Assembly Convention (New York: Jewish Theological Seminary), February 22, 1949: 9-11. Layout by Prose & Con Spirito, Inc., Cover design and Printing by Replica. © Copyright 2009 by the Cantors Assembly. ISSN 0449-5128 ii FROM THE EDITOR: The Issue of Niggunim in Worship: Too Much of a Good Thing? ..................................................4 THE NEO-HASIDIC REVIVAL AT 50 Music as a Spiritual Process in the Teachings of Rav Nahman of Bratslav Chani Haran Smith. 8 The Hasidic Niggun: Ethos and Melos of a Folk Liturgy Hanoch Avenary . 48 Carlebach, Neo-Hasidic Music and Liturgical Practice Sam Weiss.
    [Show full text]
  • An Exploration of Extra-Musical Issues in the Music of Don Byron Steven Craig Becraft
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 An Exploration of Extra-Musical Issues in the Music of Don Byron Steven Craig Becraft Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC AN EXPLORATION OF EXTRA-MUSICAL ISSUES IN THE MUSIC OF DON BYRON By STEVEN CRAIG BECRAFT A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2005 Copyright 2005 Steven Craig Becraft All Rights Reserved The members of the committee approve the treatise of Steven Craig Becraft defended on September 26, 2005. ____________________________ Frank Kowalsky Professor Directing Treatise ____________________________ Denise Von Glahn Outside Committee Member ____________________________ Jeffrey Keesecker Committee Member ____________________________ Patrick Meighan Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS To Don Byron: Thank you for making such fascinating music. I thoroughly appreciate your artistic vision, your intellect, and your phenomenal technique as a clarinetist. The knowledge I have gained and the new perspective I have on music and society as a result of completing the research for this treatise has greatly impacted my life. I am grateful for the support of the Arkansas Federation of Music Clubs, especially Janine Tiner, Ruth Jordan, and Martha Rosenbaum for awarding me the 2005 Marie Smallwood Thomas Scholarship Award that helped with final tuition and travel expenses. My doctoral committee has been a great asset throughout the entire degree program.
    [Show full text]