Perceptions of Plant Based and Clean Meat 11/26/16 Who We Spoke To
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An Inquiry Into Animal Rights Vegan Activists' Perception and Practice of Persuasion
An Inquiry into Animal Rights Vegan Activists’ Perception and Practice of Persuasion by Angela Gunther B.A., Simon Fraser University, 2006 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication ! Angela Gunther 2012 SIMON FRASER UNIVERSITY Summer 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Angela Gunther Degree: Master of Arts Title of Thesis: An Inquiry into Animal Rights Vegan Activists’ Perception and Practice of Persuasion Examining Committee: Chair: Kathi Cross Gary McCarron Senior Supervisor Associate Professor Robert Anderson Supervisor Professor Michael Kenny External Examiner Professor, Anthropology SFU Date Defended/Approved: June 28, 2012 ii Partial Copyright Licence iii Abstract This thesis interrogates the persuasive practices of Animal Rights Vegan Activists (ARVAs) in order to determine why and how ARVAs fail to convince people to become and stay veg*n, and what they might do to succeed. While ARVAs and ARVAism are the focus of this inquiry, the approaches, concepts and theories used are broadly applicable and therefore this investigation is potentially useful for any activist or group of activists wishing to interrogate and improve their persuasive practices. Keywords: Persuasion; Communication for Social Change; Animal Rights; Veg*nism; Activism iv Table of Contents Approval ............................................................................................................................. ii! Partial Copyright Licence ................................................................................................. -
Tracing Posthuman Cannibalism: Animality and the Animal/Human Boundary in the Texas Chain Saw Massacre Movies
The Cine-Files, Issue 14 (spring 2019) Tracing Posthuman Cannibalism: Animality and the Animal/Human Boundary in The Texas Chain Saw Massacre Movies Ece Üçoluk Krane In this article I will consider insights emerging from the field of Animal Studies in relation to a selection of films in The Texas Chain Saw Massacre (hereafter TCSM) franchise. By paying close attention to the construction of the animal subject and the human-animal relation in the TCSM franchise, I will argue that the original 1974 film, The Texas Chain Saw Massacre II (1986) and the 2003 reboot The Texas Chain Saw Massacre all transgress the human-animal boundary in order to critique “carnism.”1 As such, these films exemplify “posthuman cannibalism,” which I define as a trope that transgresses the human-nonhuman boundary to undermine speciesism and anthropocentrism. In contrast, the most recent installment in the TCSM franchise Leatherface (2017) paradoxically disrupts the human-animal boundary only to re-establish it, thereby diverging from the earlier films’ critiques of carnism. For Communication scholar and animal advocate Carrie Packwood Freeman, the human/animal duality lying at the heart of speciesism is something humans have created in their own minds.2 That is, we humans typically do not consider ourselves animals, even though we may acknowledge evolution as a factual account of human development. Freeman proposes that we begin to transform this hegemonic mindset by creating language that would help humans rhetorically reconstruct themselves as animals. Specifically, she calls for the replacement of the term “human” with “humanimal” and the term “animal” with “nonhuman animal.”3 The advantage of Freeman’s terms is that instead of being mutually exclusive, they are mutually inclusive terms that foreground commonalities between humans and animals instead of differences. -
HOW MUCH MEAT to EXPECT from a BEEF CARCASS Rob Holland, Director Center for Profitable Agriculture
PB 1822 HOW MUCH MEAT TO EXPECT FROM A BEEF CARCASS Rob Holland, Director Center for Profitable Agriculture Dwight Loveday, Associate Professor Department of Food Science and Technology Kevin Ferguson UT Extension Area Specialist-Farm Management University of Tennessee Institute of Agriculture CONTENTS 2...Introduction 3...Dressing Percentage 5...Chilled Carcass and Primal Cuts 6...Sub-primal Meat Cuts 6...Factors Affecting Yield of Retail Cuts 7...Average Amount of Meat from Each Sub-primal Cut 9...Summary University of Tennessee Institute of Agriculture Introduction Consumers who buy a live animal from a local cattle producer for custom processing are often surprised. Some are surprised at the quantity of meat and amount of freezer space they need. Others may be surprised that they did not get the entire live weight of the animal in meat cuts. The amount of meat actually available from a beef animal is a frequent source of misunderstanding between consumers, processors and cattle producers. This document provides information to assist in the understanding of how much meat to expect from a beef carcass. The information provided here should be helpful to consumers who purchase a live animal for freezer beef and to cattle producers involved in direct and retail meat marketing. 2 University of Tennessee Institute of Agriculture How Much Meat to Expect from a Beef Carcass Dressing Percentage One of the terms used in the cattle and meat cutting industry that often leads to misunderstanding is dressing percentage. The dressing percentage is the portion of the live animal weight that results in the hot carcass. -
Page 1 the Humane Methods of Slaughter Act 149 the HUMANE
The Humane Methods of Slaughter Act 149 THE HUMANE METHODS OF SLAUGHTER ACT: DEFICIENCIES AND PROPOSED AMENDMENTS JENNIFER L. MARIUCCI* I. INTRODUCTION A cow enters a slaughterhouse stun box. The captive bolt swiftly impacts her frontal lobe, intended to render her insensate.1 However, she remains conscious and proceeds towards the cutting machines with sensibilities intact. As she is cut, stuck, and dismembered, she feels excruciating pain. Most Americans are unaware of these practices. They hold to the ideal that their meat was raised on a family farm and decently slaughtered. The meat industry views farming and raising livestock solely as a business.2 Cruel practices are a part of that business and economics is king. Economics decides the manner in which animals are slaughtered. Ethics and such are encumbrances.3 The Humane Methods of Slaughter Act of 1978 (HMSA)4 was passed to prevent slaughterhouse cruelty. The HMSA should be amended to apply to all animals raised for slaughter. It should state that humane slaughter comprises techniques that render animals insensate prior to slaughter through reliable chemical means where applicable and through the captive bolt method where chemical means are not feasible. This note will analyze the current HMSA, compare it to analogous laws in Canada, the United Kingdom, and the European Union, and propose a statute intended to secure actual humane slaughter of livestock. Part I sets out a brief history of the statute. * This note is dedicated to my husband, Vince. ** The author would also like to extend her sincere gratitude to Professor David Favre and to Professor Chris McNeil for all their help and advice during the writing of this note. -
Animals in Biopolitics and the Discourse of Ethical Evasion
MSc Dissertation of SANA ALI MEDIA@LSE MSc Dissertation Series Compiled by Bart Cammaerts, Nick Anstead and Ruth Garland The Silence of the Lamb: Animals in Biopolitics and the Discourse of Ethical Evasion Sana Ali, MSc in Media and Communications Governance Other dissertations of the series are available online here: http://www.lse.ac.uk/media@lse/research/mediaWorkingPapers/ ElectronicMScDissertationSeries.aspx MSc Dissertation of SANA ALI Dissertation submitted to the Department of Media and Communications, Lon- don School of Economics and Political Science, August 2015, in partial fulfil- ment of the requirements for the MSc in Media, Communication and Develop- ment. Supervised by Professor Lilie Chouliaraki The Author can be contacted at: [email protected] Published by Media@LSE, London School of Economics and Political Science ("LSE"), Houghton Street, London WC2A 2AE. The LSE is a School of the University of London. It is a Charity and is incorporated in England as a company limited by guarantee under the Com- panies Act (Reg number 70527). Copyright, Sana Ali © 2015. The authors have asserted their moral rights. All rights reserved. No part of this publication may be reproduced, stored in a retrieval sys- tem or transmitted in any form or by any means without the prior permission in writing of the publisher nor be issued to the public or circulated in any form of binding or cover other than that in which it is published. In the interests of providing a free flow of debate, views expressed in this dissertation are not necessarily those of the compilers or the LSE. -
A Look at the Animal Cruelty Regimes of the United States and Brazil with a Call for a New Animal Welfare Agency David N
Boston College Environmental Affairs Law Review Volume 43 | Issue 1 Article 2 2-12-2016 Don't Be Cruel (Anymore): A Look at the Animal Cruelty Regimes of the United States and Brazil with a Call for a New Animal Welfare Agency David N. Cassuto Pace Law School, [email protected] Cayleigh Eckhardt Pace Law School Follow this and additional works at: http://lawdigitalcommons.bc.edu/ealr Part of the Agriculture Law Commons, Animal Law Commons, Comparative and Foreign Law Commons, and the Environmental Law Commons Recommended Citation David N. Cassuto & Cayleigh Eckhardt, Don't Be Cruel (Anymore): A Look at the Animal Cruelty Regimes of the United States and Brazil with a Call for a New Animal Welfare Agency, 43 B.C. Envtl. Aff. L. Rev. 1 (2016), http://lawdigitalcommons.bc.edu/ealr/vol43/iss1/2 This Article is brought to you for free and open access by the Law Journals at Digital Commons @ Boston College Law School. It has been accepted for inclusion in Boston College Environmental Affairs Law Review by an authorized editor of Digital Commons @ Boston College Law School. For more information, please contact [email protected]. DON’T BE CRUEL (ANYMORE): A LOOK AT THE ANIMAL CRUELTY REGIMES OF THE UNITED STATES AND BRAZIL WITH A CALL FOR A NEW ANIMAL WELFARE AGENCY * DAV I D N. CASSUTO ** CAYLEIGH ECKHARDT No man who has passed a month in the death cells believes in cages for beasts. —Ezra Pound (from the Pisan Cantos) Abstract: In the United States and around the world, animals exploited for hu- man use suffer cruel and needless harm. -
Writing the Fleischgeist
Animal Studies Journal Volume 5 Number 2 Article 9 2016 Writing the Fleischgeist Hayley Singer University of Melbourne, [email protected] Follow this and additional works at: https://ro.uow.edu.au/asj Part of the Digital Humanities Commons, Feminist, Gender, and Sexuality Studies Commons, Fiction Commons, Philosophy Commons, Social and Behavioral Sciences Commons, and the Theatre and Performance Studies Commons Recommended Citation Singer, Hayley, Writing the Fleischgeist, Animal Studies Journal, 5(2), 2016, 183-201. Available at:https://ro.uow.edu.au/asj/vol5/iss2/9 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Writing the Fleischgeist Abstract This essay has two primary aims: 1) to provide an introductory definition of the concept of the fleischgeist and 2) outline what it means for novelists to ‘write the fleischgeist’. This essay emerges from my own desire, as a writer of fiction, ot consider how, practically, I can expose and explore interconnections between carnist and misogynistic violence without lapsing into a conceptual perpetuation of such violence. Coupled with this practical desire is the recognition that there is a rich body of modern and contemporary fiction that makes visible some ways in which the logic of carnivorous patriarchy (or, carnophallogocentrism) plays across histories, cultures, literatures and in every day life. It is my view that some novels write the fleischgeist. In the following essay I consider what this phrase, writing the fleischgeist, means. Then I sketch out what the fleischgeist is, and offer examples of the way it manifests in everyday life and works of art. -
Slaughter House Waste and Dead Animals
CHAPTER 5 SLAUGHTER HOUSE WASTE AND DEAD ANIMALS 5.1 INTRODUCTION As per 1989 survey, India has the world’s largest population of livestock, with nearly 191 million cattle. 70 million Buffaloes, 139 million Sheep and Goat, 10 million Pigs and over 200 million poultry. About 36.5% of Goat, 32.5% of Sheep, 28% of Pigs, 1.9% of Buffaloes and 0.9% cattle are slaughtered every year. The reported per capita availability of meat in India is about 1.4 kg per annum, which is rather low compared to 60-90 kg in European countries. As reported by the Ministry of Food Processing, as of 1989, a total of 3616 recognized slaughter houses slaughter over 2 million cattle and buffaloes, 50 million sheep and goat, 1.5 million pigs and 150 million poultry annually, for domestic consumption as well as for export purposes. While the slaughter houses come under the purview of the animal husbandry division of Ministry of Agriculture mainly for the purpose of funding towards expansion and modernization activities, the respective local bodies are mainly responsible for day-to-day operation/maintenance of the slaughter houses. Most of the slaughter houses in the country are service-oriented and, as such, perform only the killing and dressing of animals without an onsite rendering operations. Most of the slaughter houses are more than 50 years old without adequate basic amenities viz. proper flooring, ventilation, water supply, lairage, transport etc. In addition to these deficiencies, slaughter houses suffer from very low hygiene standard posing a major public health and environmental hazards due to discrete disposal of waste and highly polluted effluent discharge. -
Vegetarian? Vegan
Vegan At the Common Market, we understand OR every customer has different dietary needs. We strive to help our customers find the products that will best meet their needs. For Vegetarian? vegan and vegetarian diets, it is important to check the labels on food products to ensure What’s the difference? you are purchasing a product that meets the Being vegan means avoiding animal products guidelines. of any kind, including eggs, dairy, and honey. The focus is on avoiding any exploitation of animals. Vegetarians, on the other hand, do not eat animals, but they may choose to eat products produced by animals, such dairy and eggs. In essence, vegetarianism means avoiding products directly related to animal slaughter. Veganism is fairly straightforward, with no modifications readily available. However, there are different types of vegetarianism: lacto-ovo, lacto, ovo, pesco. - Lacto-ovo vegetarianism is the most com- mon form of vegetarianism. These vegetarians avoid meat, poultry, and seafood, but eat eggs and dairy. - Lacto vegetarians avoid eggs, meat, poultry, and seafood, but will eat dairy products. 5728 Buckeystown Pike Frederick, MD 21704 - Ovo vegetarians avoid dairy, meat, poultry, (301) 663-3416 and seafood, but will eat eggs. www.CommonMarket.coop - Pesco vegetarians do not strictly meet the definition of vegetarians, as they will eat fish and seafood but no meat or poultry. Why choose being vegan or Plant-Based Protein vegetarian? Protein intake is a concern for those choosing These diets may be chosen because of health a vegan diet due to the lack of meat products. concerns or for moral or religious reasons. -
Problems with Kosher Slaughter
I T.H. Friend-StreS> Original Article I REVIEW ARTICLE from free stall competition, j Dairy Sci 62:768-771. Goldstein, A. (1976) Opioid peptides (endomorphins) in pituitary and brain, Problems With Kosher Science 193:1081-1086. Gross, W.B. (1972) Effect of social stress on occurrence of Marek's disease in Slaughter chickens, Am J Vet Res 33:2225-2279. Gross, W.B. and Colmano, G. (1969) The effect of social isolation on resistance to some infectious diseases, Poult Sci 48:514-520. Temple Grandin* Haugse, C.N., Dinussen, W.E., Erickson, D.O., johnson, J.N. and Buchanan, M.L. (1965) A day in the life of a pig, N Oak Fm Res 23:18-23. Hediger, H. (1950) Wild Animals in Captivity, Butterworths Scientific Publications, London, UK, pp 207. Abstract Kellert, S.R. (1980) American attitudes toward and knowledge of animals: an up date. lnt j Stud Anim Prob 7:87-119. Ritual slaughter to produce kosher meat is rooted in the teachings and Moberg, G.P. (1976) Effects of environment and management stress on reproduc writings of the Talmud. However, the preslaughter handling features of modern tion in the dairy cow, j Dairy Sci 59:1618-1624. systems, particularly the shackling and hoisting of large steers, contravene the Pearson, R.A. and Mellor, D.J. (1976) Some behavioral and physiological changes basic message of humaneness included in the teachings. The throat-cutting of a in pregnant goats and sheep during adaptation to laboratory conditions, live, conscious animal is relatively pain-free, provided that certain precautions are Res Vet Sci 20:215-217. -
Tony Yengeni's Ritual Slaughter
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Wits Institutional Repository on DSPACE TONY YENGENI’S RITUAL SLAUGHTER: ANIMAL ANTI-CRUELTY VS. CULTURE. Kevin Gary Behrens A Research Report submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements of the degree of Master of Arts. Johannesburg, 2008 ABSTRACT In this research report I address the question: “Are acts of the ritual slaughter of animals, of the kind recently engaged in by the Yengeni family, morally justifiable?” Using the Yengeni incident as a springboard for my discussion, I focus on the moral question of the relative weight of two competing ethical claims. I weigh the claim that we have an obligation not to cause animals unnecessary pain against the claim by cultures that traditional practices, such as the one under discussion, are morally justifiable on the basis of the moral goods obtained through cultural identification and participation. I attempt to show that claims justifying practices on the basis of culture are not strong enough to outweigh the prima facie wrong of causing non-human animals unnecessary pain. i DECLARATION I declare that this is my own unaided work. It is submitted for the degree of Master of Arts in the University of the Witwatersrand, Johannesburg. It has not been submitted before for any other degree or examination in any other university. Kevin Gary Behrens 15 th day of February, 2008. ii ACKNOWLEDGEMENTS I wish to gratefully acknowledge the thoughtful, insightful and laborious assistance of my supervisor for this project, Dr Brian Penrose, as well as that of Prof. -
Slaughter: an Animal Rights Virtual Reality Experience Michelle Lu [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Wellesley College Wellesley College Wellesley College Digital Scholarship and Archive Honors Thesis Collection 2018 Slaughter: An Animal Rights Virtual Reality Experience Michelle Lu [email protected] Follow this and additional works at: https://repository.wellesley.edu/thesiscollection Recommended Citation Lu, Michelle, "Slaughter: An Animal Rights Virtual Reality Experience" (2018). Honors Thesis Collection. 544. https://repository.wellesley.edu/thesiscollection/544 This Dissertation/Thesis is brought to you for free and open access by Wellesley College Digital Scholarship and Archive. It has been accepted for inclusion in Honors Thesis Collection by an authorized administrator of Wellesley College Digital Scholarship and Archive. For more information, please contact [email protected]. Slaughter: An Animal Rights Virtual Reality Experience Michelle Lu Advisor: David Olsen Submitted in Partial Fulfillment of the Prerequisite in Media Arts & Sciences April 2018 © Michelle Lu Acknowledgements I would like to give my thanks and appreciation towards those who supported and advised me, and without whom my thesis project would not have been possible. Professor David Olsen for being my thesis advisor and for his continuous support and advice throughout the entire thesis process. And for all of the amazing classes that I took with him that I learned so, so much from. Jordan Tynes for being such an awesome mentor and supervisor. For giving me so many opportunities to learn and grow as a Knapp Intern and for giving me the best advice and support. Claudia Joskowicz for her support, her awesome video production class, and her great feedback throughout the entire thesis process.