Grave Goods, Hoards and Deposits ‘In Between’I
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Pottery Technology As a Revealer of Cultural And
Pottery technology as a revealer of cultural and symbolic shifts: Funerary and ritual practices in the Sion ‘Petit-Chasseur’ megalithic necropolis (3100–1600 BC, Western Switzerland) Eve Derenne, Vincent Ard, Marie Besse To cite this version: Eve Derenne, Vincent Ard, Marie Besse. Pottery technology as a revealer of cultural and symbolic shifts: Funerary and ritual practices in the Sion ‘Petit-Chasseur’ megalithic necropolis (3100–1600 BC, Western Switzerland). Journal of Anthropological Archaeology, Elsevier, 2020, 58, pp.101170. 10.1016/j.jaa.2020.101170. hal-03051558 HAL Id: hal-03051558 https://hal.archives-ouvertes.fr/hal-03051558 Submitted on 10 Dec 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Journal of Anthropological Archaeology 58 (2020) 101170 Contents lists available at ScienceDirect Journal of Anthropological Archaeology journal homepage: www.elsevier.com/locate/jaa Pottery technology as a revealer of cultural and symbolic shifts: Funerary and ritual practices in the Sion ‘Petit-Chasseur’ megalithic necropolis T (3100–1600 BC, -
1 the Early and Middle Bronze Age in the Balkans Arthur Bankoff
1 The Early and Middle Bronze Age in the Balkans Arthur Bankoff The earlier part of the Bronze Age in temperate southeastern Europe (c. 2200– 1500 B.C.) presents a confusing picture to the unwary archaeologist. Although over the years more publications have appeared in English, German, and French, many basic site reports and syntheses are only fully available in Hungarian, Romanian, Bulgarian, Serbian, or other indigenous languages. Often the names of apparently identical archaeological cultures change with bewildering abandon as one crosses modern national borders or even moves between regions of the same country. This part of the world has a history (beginning in the mid–nineteenth century) of antiquarian collecting and detailed specialist typological studies, especially of ceramics and metal objects, with far less effort expended on the more mundane aspects of prehistoric life. Only since the 1980s have studies become available that incorporate the analysis of plant and animal material from Bronze Age sites, and these are far from the rule. To some extent, this is due to the nature of the archaeological record, that is, the sites and material that have survived from the Early and Middle Bronze Age. With the exception of habitation mounds (tells) and burial mounds (tumuli), both of which have a limited distribution in the earlier part of the Bronze Age, most sites are shallow, close to the modern ground surface, and easily disturbed. Farming and urban development has been more destructive to these sites than to the more deeply buried sites of earlier periods. The typically more dispersed settlement pattern of the Bronze Age in most of this region results in smaller sites, more vulnerable to the vagaries of history than the more concentrated nucleated sites of the later Neolithic or Eneolithic (sometimes called Copper Age) of the fifth and fourth millennia B.C. -
Adorning the Dead a Bio-Archaeological Analysis of Ochre Application to Gravettian Burials
Adorning the Dead A Bio-Archaeological Analysis of Ochre Application to Gravettian Burials Sierra McKinney; University of Victoria ©2016 ALL RIGHTS RESERVED Table of Contents Introduction ............................................................................................................................................ 2 Theoretical Orientation ...................................................................................................................... 4 Literature Review ................................................................................................................................. 5 History of Ochre Use: ....................................................................................................................................... 5 Gravettian Burials and the Archaeology Record: .................................................................................. 6 Methods of Ochre Application ...................................................................................................................... 8 Established Gravettian Regional Variation: ......................................................................................... 11 Material and Methodology ............................................................................................................... 14 Burial Database .............................................................................................................................................. 14 GIS Analysis ..................................................................................................................................................... -
Durham Research Online
Durham Research Online Deposited in DRO: 18 October 2018 Version of attached le: Published Version Peer-review status of attached le: Peer-reviewed Citation for published item: Caswell, E. and Roberts, B.W. (2018) 'Reassessing community cemeteries : cremation burials in Britain during the Middle Bronze Age (c. 16001150 cal BC).', Proceedings of the Prehistoric Society., 84 . pp. 329-357. Further information on publisher's website: https://doi.org/10.1017/ppr.2018.9 Publisher's copyright statement: c The Prehistoric Society 2018. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited. Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk Proceedings of the Prehistoric Society, page 1 of 29 © The Prehistoric Society. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/ by/4.0/), which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited. -
Catholics & Cremation
Interim Signature Solution Interim Signature Solution (continued from previous panel) Answers in glory and our bodies and souls will be reunited Cremation(continued from previous panel) Ad resurgendum to your Answers but will be remade on that last day, sharing the in glory and our bodies andcum souls Christo will be reunited Cremation Ad resurgendum Glory of the Risen Christ. in the but will be remade on that last day, sharing the cum Christo to your Because of this, it is inconsistent with this belief Glory of the Risen Christ. in the questions… The rules that govern cremation after death for Catholic To Rise to scatter the cremated remains of our deceased Because of this, it is inconsistent with this belief To Rise the Catholic Church are actually not changing! questions… The rules that govern cremation after death for With Christ Catholic (into the air, on the ground, or in bodies of water) Church to scatter the cremated remains of our deceased Since 1963 the Church has allowed cremation the Catholic Church are actually not changing! or to divide them, or to keep them in homes. (into the air, on the ground, or in bodies of water) Church With Christ and since early 1997 it has allowed a funeral Since 1963 the Church has allowed cremation or to divide them, or to keep them in homes. liturgy in the presence of cremated remains. and since early 1997 it has allowed a funeral Recently, the Vatican’s Congregation for the Why are they The Instruction notes that “when, for legitimate Even with these options, the Church has always What should be liturgy in the presence of cremated remains. -
The Incorporation of Human Cremation Ashes Into Objects and Tattoos in Contemporary British Practices
Ashes to Art, Dust to Diamonds: The incorporation of human cremation ashes into objects and tattoos in contemporary British practices Samantha McCormick A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy. Department of Sociology August 2015 Declaration I declare that the work in this thesis was carried out in accordance with the requirements of the University’s regulations and Code of Practice for Research Degree Programmes and all the material provided in this thesis are original and have not been published elsewhere. I declare that while registered as a candidate for the University’s research degree, I have not been a registered candidate or enrolled student for another award of the University or other academic or professional institution. A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy SINGED ………………………………… i ii Abstract This thesis examines the incorporation of human cremated remains into objects and tattoos in a range of contemporary practices in British society. Referred to collectively in this study as ‘ashes creations’, the practices explored in this research include human cremation ashes irreversibly incorporated or transformed into: jewellery, glassware, diamonds, paintings, tattoos, vinyl records, photograph frames, pottery, and mosaics. This research critically analyses the commissioning, production, and the lived experience of the incorporation of human cremation ashes into objects and tattoos from the perspective of two groups of people who participate in these practices: people who have commissioned an ashes creations incorporating the cremation ashes of a loved one and people who make or sell ashes creations. -
Standard Cremation Authorization Form
NORTH CAROLINA BOARD OF FUNERAL SERVICE STANDARD CREMATION AUTHORIZATION FORM NOTICE: THIS IS A LEGAL DOCUMENT. IT CONTAINS IMPORTANT PROVISIONS CONCERNING CREMATION. THE PROCESS IS IRREVERSIBLE AND FINAL. READ THIS DOCUMENT CAREFULLY BEFORE SIGNING. _________________________________________________________________________________ Name of Individual for which cremation is being arranged (“Decedent”) ____________________ / __________________ / __________________ / _____________ Date of Birth Date of Death Time of Death Age Place of Death: _______________________________________________________________Hospice (Yes or No): __________ Medical Examiner’s Authorization Required (Yes or No):_________ Death Due to an Infectious Disease (Yes or No): _________ Individual Confirming Identity of Decedent: ______________________________________________________ / ____________________________________________________ (Typed / Printed Name) (Signature) A. The undersigned (hereinafter referred to as "Authorizing Agent{s}”) hereby certify, warrant, and represent that I/we have the full legal right and authority to authorize and arrange for the cremation and final disposition of _______________________________________________________(hereinafter referred to as "Decedent"); Authorizing Agent(s) is (are) not aware of any living person who has a superior right to that of Authorizing Agent(s) as set forth in G.S. 90-210.124; or, if there is another living person who does have a superior right to that of Authorizing Agent(s), Authorizing Agent(s) represent that -
The Grave Goods of Roman Hierapolis
THE GRAVE GOODS OF ROMAN HIERAPOLIS AN ANALYSIS OF THE FINDS FROM FOUR MULTIPLE BURIAL TOMBS Hallvard Indgjerd Department of Archaeology, Conservation and History University of Oslo This thesis is submitted for the degree of Master of Arts June 2014 The Grave Goods of Roman Hierapolis ABSTRACT The Hellenistic and Roman city of Hierapolis in Phrygia, South-Western Asia Minor, boasts one of the largest necropoleis known from the Roman world. While the grave monuments have seen long-lasting interest, few funerary contexts have been subject to excavation and publication. The present study analyses the artefact finds from four tombs, investigating the context of grave gifts and funerary practices with focus on the Roman imperial period. It considers to what extent the finds influence and reflect varying identities of Hierapolitan individuals over time. Combined, the tombs use cover more than 1500 years, paralleling the life-span of the city itself. Although the material is far too small to give a conclusive view of funerary assem- blages in Hierapolis, the attempted close study and contextual integration of the objects does yield some results with implications for further studies of funerary contexts on the site and in the wider region. The use of standard grave goods items, such as unguentaria, lamps and coins, is found to peak in the 1st and 2nd centuries AD. Clay unguentaria were used alongside glass ones more than a century longer than what is usually seen outside of Asia Minor, and this period saw the development of new forms, partially resembling Hellenistic types. Some burials did not include any grave gifts, and none were extraordinarily rich, pointing towards a standardised, minimalistic set of funerary objects. -
Architecture of Afterlife: Future Cemetery in Metropolis
ARCHITECTURE OF AFTERLIFE: FUTURE CEMETERY IN METROPOLIS A DARCH PROJECT SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF ARCHITECTURE MAY 2017 BY SHIYU SONG DArch Committee: Joyce Noe, Chairperson William Chapman Brian Takahashi Key Words: Conventional Cemetery, Contemporary Cemetery, Future Cemetery, High-technology Innovation Architecture of Afterlife: Future Cemetery in Metropolis Shiyu Song April 2017 We certify that we have read this Doctorate Project and that, in our opinion, it is satisfactory in scope and quality in partial fulfillment for the degree of Doctor of Architecture in the School of Architecture, University of Hawai‘i at Mānoa. Doctorate Project Committee ___________________________________ Joyce Noe ___________________________________ William Chapman ___________________________________ Brian Takahashi Acknowledgments I dedicate this thesis to everyone in my life. I would like to express my deepest appreciation to my committee chair, Professor Joyce Noe, for her support, guidance and insight throughout this doctoral project. Many thanks to my wonderful committee members William Chapman and Brian Takahashi for their precious and valuable guidance and support. Salute to my dear professor Spencer Leineweber who inspires me in spirit and work ethic. Thanks to all the professors for your teaching and encouragement imparted on me throughout my years of study. After all these years of study, finally, I understand why we need to study and how important education is. Overall, this dissertation is an emotional research product. As an idealist, I choose this topic as a lesson for myself to understand life through death. The more I delve into the notion of death, the better I appreciate life itself, and knowing every individual human being is a bless; everyday is a present is my best learning outcome. -
Introduction Archaeologies of Cremation Howard Williams, Jessica I
Introduction Archaeologies of Cremation Howard Williams, Jessica I. Cerezo-Román, and Anna Wessman Williams, H., Cerezo-Román, J.I., and Wessman, A. (eds) 2017. Introduction: Archaeologies of Cremation, in J.I. Cerezo-Román, A. Wessman and H. Williams (eds) Cremation and the Archaeology of Death, Oxford: Oxford University Press, pp. 1–24 Then the warriors began to kindle the greatest of funeral fires on the hill; woodsmoke ascended, dark over the flame, the soaring fire mingled with weeping – the raging wind subsided – until it had broken the body, hot at the heart. Depressed in soul, they lamented their grief, mourned the liege lord. Likewise the Geatish woman lamented for Beowulf, with bound hair, sang a sorrowful song, said often that she greatly feared evil days for herself, many slaughters, fear of the foe, humiliation and captivity. Heaven swallowed the smoke. Beowulf 3143–3155 (Owen-Crocker 2000: 91, 93) INTRODUCTION Four dramatic funerals punctuate the tenth- or eleventh-century Anglo-Saxon poem Beowulf; two involve the burning of the dead. While a Christian work to its core, the poem draws upon far older stories and at its very conclusion the poet provides a striking vision of an early medieval open-air cremation ceremony. Having died by the fire and poisonous bite of a dragon dwelling in a stone mound, the king of the Geats is cremated with treasures: helmets, swords, and coats of mail (Owen-Crocker 2000: 89). Before the raising of a burial mound upon a headland overlooking the sea, Beowulf ’s cremation is a focus of more than personal loss by mourners. -
The Higher Aspects of Greek Religion. Lectures Delivered at Oxford and In
BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIET OF Henirg m. Sage 1891 .A^^^ffM3. islm^lix.. 5931 CornelJ University Library BL 25.H621911 The higher aspects of Greek religion.Lec 3 1924 007 845 450 The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924007845450 THE HIBBERT LECTURES SECOND SERIES 1911 THE HIBBERT LECTURES SECOND SERIES THE HIGHER ASPECTS OF GREEK RELIGION LECTURES DELIVERED AT OXFORD AND IN LONDON IN APRIL AND MAY igii BY L. R. FARNELL, D.Litt. WILDE LECTURER IN THE UNIVERSITY OF OXFORD LONDON WILLIAMS AND NORGATE GARDEN, W.C. 14 HENRIETTA STREET, COVENT 1912 CONTENTS Lecture I GENERAL FEATURES AND ORIGINS OF GREEK RELIGION Greek religion mainly a social-political system, 1. In its earliest " period a " theistic creed, that is^ a worship of personal individual deities, ethical personalities rather than mere nature forces, 2. Anthrqgomorphism its predominant bias, 2-3. Yet preserving many primitive features of " animism " or " animatism," 3-5. Its progress gradual without violent break with its distant past, 5-6. The ele- ment of magic fused with the religion but not predominant, 6-7. Hellenism and Hellenic religion a blend of two ethnic strains, one North-Aryan, the other Mediterranean, mainly Minoan-Mycenaean, 7-9. Criteria by which we can distinguish the various influences of these two, 9-1 6. The value of Homeric evidence, 18-20. Sum- mary of results, 21-24. Lecture II THE RELIGIOUS BOND AND MORALITY OF THE FAMILY The earliest type of family in Hellenic society patrilinear, 25-27. -
1 in Defiance of a Stylistic Stereotype: British Crematoria, Architecture
In Defiance of a Stylistic Stereotype: British Crematoria, Architecture, Design & Landscape Hilary J. Grainger When awarding Telford Crematorium a West Midlands Regional Award in 2000 the R.I.B.A judges observed that A crematorium is a meeting point for complex human and cultural issues whose resolution into a successful building is potentially very difficult. Cremation was revived in the late nineteenth century as an alternative to burial, but did not claim widespread support until the second half of the twentieth century. It is therefore remarkable that it should have attained so rapidly cultural normality, indeed ritual dominance. By late 1990 the ratio of cremation to burial in Britain stood at 70% to 30%. Although one might not choose a crematorium as an architectural icon of modernity as one might a skyscraper, Britain’s 251 crematoria are essentially modern and they carry upon them the marks of modernity. They are modern in terms of the complexity of their technology, much of which can seem secretive. Cremation called for a new building type – one without architectural precedent and the crematorium was in that sense analogous to the early nineteenth century railway station. Although the first opened in 1889, at Woking, Surrey – the crematorium as a building type belongs more to the twentieth century. As cremation slowly gained acceptance in Britain, this progress was reflected in its architectural expression and each crematorium can be seen as a ‘symbol of social change’. 1 Paradoxically, despite the growing popularity of cremation, those using crematoria often find them unsatisfactory, their design uninspiring, banal and inconsequential.