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A History and Description of Mediaeval Art Work in Copper, Brass And

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A History and Description of Mediaeval Art Work in Copper, Brass And Dear Reader, This book was referenced in one of the 185 issues of 'The Builder' Magazine which was published between January 1915 and May 1930. To celebrate the centennial of this publication, the Pictoumasons website presents a complete set of indexed issues of the magazine. As far as the editor was able to, books which were suggested to the reader have been searched for on the internet and included in 'The Builder' library.' This is a book that was preserved for generations on library shelves before it was carefully scanned by one of several organizations as part of a project to make the world's books discoverable online. Wherever possible, the source and original scanner identification has been retained. Only blank pages have been removed and this header- page added. The original book has survived long enough for the copyright to expire and the book to enter the public domain. A public domain book is one that was never subject to copyright or whose legal copyright term has expired. Whether a book is in the public domain may vary country to country. Public domain books belong to the public and 'pictoumasons' makes no claim of ownership to any of the books in this library; we are merely their custodians. Often, marks, notations and other marginalia present in the original volume will appear in these files – a reminder of this book's long journey from the publisher to a library and finally to you. Since you are reading this book now, you can probably also keep a copy of it on your computer, so we ask you to Keep it legal. Whatever your use, remember that you are responsible for ensuring that what you are doing is legal. Do not assume that just because we believe a book to be in the public domain for users in Canada, that the work is also in the public domain for users in other countries. Whether a book is still in copyright varies from country to country. Please do not assume that a book's appearance in 'The Builder' library means it can be used in any manner anywhere in the world. Copyright infringement liability can be quite severe. The Webmaster South Door of the Baptistery Florence. By Andrea Pisario. DINANDERIE A HISTORY AND DESCRIPTION OF MEDIEVAL ART WORK IN COPPER BRASS AND BRONZE BY J. TAVENOR-PERRY AUTHOR OF "A CHRONOLOGY OF MEDIAEVAL AND RENAISSANCE ARCHITECTURE" ETC. ETC. WITH ONE HUNDRED AND TWENTY ILLUSTRATIONS LONDON: GEORGE ALLEN & SONS 44 & 45 RATHBONE PLACE 1910 [All rights reserved] Printed by BALLANTYNE, HANSON & Co. At the Ballantyne Press, Edinburgh PREFACE DINANDERIE was the name used during the Middle Ages to denote the various articles required for ecclesiastical or domestic or use made of copper of its alloys, brass and bronze, with which the name of Dinant on the Meuse was so intimately associated and as we have no word in which ; modern English would in the same way embrace all branches of this important art work, we have adopted it as the most convenient for our purpose. Numerous books have appeared of late years treating of the gold- and silver-smith's craft, and of the various objects made in the metals iron both constructional and precious ; work, artistic, has been even more fully dealt with, while pewter and lead work have not been but no has forgotten ; attempt yet been made adequately to describe the widely extended art of the coppersmith, although our museums and the church treasuries of the Continent abound in beautiful works executed in copper, brass and bronze. Mr. Drury Fortnum in his book on Bronzes deals one of our but slightly with branch subject ; as he includes in it both the ancient and modern periods of the art, the proportion available for the description of mediaeval work is but scanty. Although it would be impossible in a single volume to do more than give a general view of the whole subject, with an account of the more important varieties of objects made in those metals during the mediaeval period, this has been done in a sufficiently detailed manner to make it an introductory hand- book to this most interesting subject. vi PREFACE The greater number of the illustrations in the text are from sketches made the author with the by ; while, exception of some Italian doors, most of the plates are produced from photographs of objects or casts in the British or Victoria and Albert Museums expressly taken for this work. The thanks of the author are due to the Earl of Ilchester for permission to sketch and publish the remarkable bronze at Holland House to Sir stoup preserved ; George Birdwood, C.S.I. to Mr. H. the K.C.I.E., ; W. James Weale, great on Flemish art and to Mr. W. W. authority archaeology ; Watts, the head of the metal work department of the Victoria and Albert Museum, and to many others for kind advice and and to in the suggestion ; Mr. H. C. Andrews, assistant library the of same museum, for a large number of the photographs here reproduced. CONTENTS PART I PAGE INTRODUCTORY I PART II HISTORICAL . 51 PART III DESCRIPTIVE 97 BIBLIOGRAPHY 219 INDEX . 223 LIST OF ILLUSTRATIONS PLATES PLATE South Doors of the Baptistery, Florence . Photogravure Frontispiece 1. The Crystal of King Lothair ...... Face page 22 2. The Chair of Dagobert 30 Statue of S. 3. Bronze George, Prague ..... ,,66 4. Font, S. Bartholomew, Liege ...... ,,68 S. Hal 5. Font, Martin, ,,74 6. The Gloucester Candlestick ,,90 in . 7. Two Bronze Mortars, the V. and A. Museum . 100 8. Portable Altar, from Hildesheim ,,102 from the of 9. Portable Altar, Abbey Sayn .... ,,104 10. Ciborium, in the V. and A. Museum 106 11. Two Monstrances, in the V. and A. Museum . 108 12. The Shrine of S. Sebald 112 13. Figure of Thaddeus, from the Shrine of S. Sebald . 114 14. Reliquary, in the V. and A. Museum . n8 in 15. Reliquary in Form of a Shrine, the V. and A. Museum . 120 1 6. Altar Cross, in the V. and A. Museum .... ,,123 17. Processional Cross, in the British Museum .... ,,124 1 8. Processional Cross, in the V. and A. Museum . ,,126 19. Processional Cross, from Glastonbury Abbey , . 127 20. Two Censers, in the V. and A. Museum .... ,,132 21. Paschal Candlestick, Milan Cathedral .... ,,136 22. Paschal Candlestick, Essen ,,138 23. Paschal Candlestick, in the V. and A. Museum . ,,140 24. Altar Candlesticks, in the British Museum .... ,,144 24. Aquamanille, in the British Museum ..... ,,144 ix x LIST OF ILLUSTRATIONS PLATE . Face 25. Corona, Hildesheim ... page 144 26. Chandelier, in the V. and A. Museum . ,,146 Brother of . 27. Crosier, made by Hugo Oignies ,,147 28. Crosier, in the V. and A. Museum . ,,148 A. Museum 29. Crosier, in the V. and ,,148 A. 30. Crosier, in the V. and Museum ,,150 A. Museum . 31. Crosier, in the V. and ,,150 32. Lectern, S. Martin, Hal 160 33. Book-cover, in the V. and A. Museum .... ,,164 34. Font, Hildesheim . 168 35. Bronze Ewer, in the V. and A. Museum .... ,,176 35. Cistern, from Augsburg . ,,176 36. Two Brass Ewers, in the V. and A. Museum . ,,178 in the . 37. Two Aquamanilles, V. and A. Museum ,,178 38. Bronze Doors, Hildesheim 182 Bronze 39. Doors, Augsburg ....... ,,184 40. Bronze Doors, Verona 188 41. Bronze Doors, Ravello . ..... ,,190 42. Bronze Doors, Pisa ,,192 Frieze to South Door of . 43. Bronze Baptistery, Florence ,,194 " 44. Porta del Paradise," Florence ,,195 45. Head on Doors of Lausanne Cathedral .... 200 45. Head, in the V. and A. Museum ..... 200 46. Head, from Brazen-head Farm, Essex .... 202 46. Head, from Lake Nemi ....... 202 47. Tomb of Count Hermann at Romhild .... 209 48. Tomb of Count Otto at Romhild 214 DRAWINGS IN THE TEXT FIG - PAGE 1. Dinant a Hundred Years . Ago ... .15 2. and Dinant Bouvigne . 18 Bronze of 3. Doors, Temple Romulus, Rome 25 Door Panel and 4. Head, Aix-la-Chapelle 27 LIST OF ILLUSTRATIONS xi FIG. 5. Pine-Cone, Aix-la-Chapelle . 28 6. Pine-Cone, Rome .......... 29 7. Pail, Aaborg, Denmark . 31 8. Pail, Bavenhoi . 31 Altar Trier 9. Candlestick, ......... 32 10. Ornament, Oland .......... 32 11. Ornament, Gotland .......... 32 12. Carving in Tympanum, Houghton-le-Spring 33 Boss of 13. Viking Shield, Gothenburg ....... 33 14. Head, Void Borre, Norway ........ 34 15. Head, Vimose . 35 16. Sanctuary Ring, Durham ......... 36 17. Head, Le Puy 37 1 8. Christussaule, Hildesheim ......... 63 19. House of Peter Bladelin, Bruges 74 20. Sanctuary Ring, S. Julian, Brioude ....... 82 21. Lectern, S. Le"onard-des- Champs, Honfleur 84 22. Effigy of the Black Prince, Canterbury ...... 92 23. Coronet from the Effigy of the Black Prince 92 24. Belt from the Effigy of the Black Prince 92 25. Bronze Railings, Aix-la-Chapelle ... 100 26. Pyx, Sens Cathedral . 107 27. Reliquary, V. and A. Museum . 119 28. Reliquary, Sens . .120 29. Processional Cross, Mainz . 125 30. Figure, Processional Cross, Schatzkammer, Austria . .126 31. Censer, Louvain . .129 32. Censer, Italian ........... 130 33. Censer, German 132 34. Censer in Italian Sculpture 133 Golden Arch of 35. Candlestick, Titus, Rome ..... 136 SS. Nereo Rome 36. Candelabrum, ed^Achilleo, ..... 137 37. Paschal Candlestick, Magdeburg .139 38. Paschal Candlestick, Xanten xii LIST OF ILLUSTRATIONS FIG. Collection . 39. Paschal Candlestick, Beresford-Hope 40. Paschal Candlestick, Bamberg . on Candlestick . ... 41. Knop with Enamel . 42. Knop on Candlestick, Base of Candlestick ... 43. 44. Altar Candlestick, Brunswick . 45. Altar Candlestick, Dusseldorf . J 46. Altar Candlestick, Limoges . 45 Bristol . 47. Chandelier, Temple Church, .146 48. Stoup, Holland House, Kensington . .... 152 Stoup, Eltenberg ..
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