DOCSLIB.ORG

Monthly Performance Pack February 2011

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Monthly Performance Pack February 2011 1 Monthly Performance Pack February 2011 Dan Maynard, Publicist, BBC iPlayer BBC Communications T. 020 8008 5294 | M. 07912 583654 | E. [email protected] Please refer to slide 6 for guide footnotes. 2 Monthly summary –February 2011 •February was another very strong month for BBC iPlayer, with average daily requests across the month setting a new record. Because the month had 28 days compared with January’s 31 days, the total request number - 148 million requests for TV and radio programmes including both online platforms and devices, and BBC iPlayer on Virgin Media TV –was correspondingly lower (January’s total was 162m). •Again, becauseof the short month, most platforms and devices saw a small dropin total month-on- month requests –the significant exception being iPads, which delivered 2.1 million requests for programmes this month, up +22% from January (1.8m). •Top Gear was once again the most popular TV programme this month, but the rest of the top 20 showed a wide range of genres; factual: Human Planet, Madagascar; children's: Tracy Beaker; comedy: Come Fly With Me, How TV Ruined Your Life, Episodes, Let's Dancefor Comic Relief; and drama of course: Hustle, Outcasts, Being Human. •For radio, football was popular and included Premier League, FA Cup and Champions League. Non- sporting titles included I’m Sorry I Haven’t A Clue and Radio 1’s Chris MoylesShow. •Live TV streams increased again, making up 15% of all requests this month -an all-time high, boosted by the football Premiership but also American football and Six Nations rugby. Consistent with previous months: •The profile of BBC iPlayer users is evening out over time in terms of male/female ratio, but remains strongly under-55 in terms of age, which is younger than the typical TV viewer or radio listener’s profile. •BBC iPlayer is used for TV at roughly the same time of day as linear TV viewing, although there is proportionally more daytime and late-peak use. For radio, BBC iPlayer is used far more in daytime than traditional radio listening, which peaks at breakfast-time. Please refer to slide 6 for guide footnotes. 3 Index Page Overview for BBC iPlayer across all platforms 4 Monthly requests 7 Average daily requests 8 Average daily users 9 Weekly requests 10 Weekly users 11 Minutes per user per week 12 Top TV programmes 13 Top radio programmes 14 Live vson-demand 15 Use of BBC iPlayer for TV by time of day 16 Use of BBC iPlayer for radio by time of day 17 Profile of BBC iPlayer users 18 Glossary 19 Please refer to slide 6 for guide footnotes. 4 Total monthly BBC iPlayer requests across all platforms Includes Virgin Media BBC iPlayer’s148 million requests for programmes across all platforms in February 2011 was a drop on January’s record, purely due to the shorter 28-day month. Virgin Media BBC iPlayer TV requests 162 Online BBC iPlayer TV requests 148 141 145 Online BBC iPlayer radio requests 139 25 130 23 123 24 120 118 119 23 114 116 117 114 114 24 107 20 20 97 20 18 17 17 21 21 19 20 87 85 87 19 78 81 76 76 18 101 ts s 69 17 16 94 16 86 90 e 62 16 84 15 15 15 77 u 67 73 68 69 70 70 q 14 60 65 68 66 e 15 r 53 45 43 45 f 37 37 39 37 o 36 s 31 n o 32 33 30 33 31 31 32 32 35 32 27 24 25 25 26 25 26 26 29 28 30 27 28 28 16 18 Milli ul ul pr pr ar ar ct pt ct ec ec ov ov 09 10 ay ay ug ug ep un un eb eb eb 11 J J e A J A J - F M O F M O F A N D A S N D M M n n n S a a a J J J Please refer to slide 6 for guide footnotes. There were measurement problems on 10-11 June which resulted in overcountingon these days. 5 Requests for programmes by device type Includes Virgin Media Because of the short month, most platforms and devices saw a small drop in total requests month-on-month –the significant exception being iPads, which delivered 2.1 million requests for programmes this month, up +22% from January (1.8m). Number of requests % of requests (millions) 162 145 148 Other devices 15% 15% 14% 141 16%16% 17% 17% 17% 17% 16% 16% 16%15% 139 25 130 7% 6% 7% 6% 123 23 Virgin Media 7% 7% 7% 6% 6% 5% 7% 7% 6% 119 119 24 11 117 117 114 114 24 23 20 10 20 8 10 18 17 17 21 8 Games consoles 8 19 20 9 8 7 7 8 8 7 Computers 75% 73% 116 73% 71% 73% 70% 69% 71%71% 73% 72% 72% 72% 107 Tablets (iPad) 99 103 104 88 95 85 89 86 80 83 81 Mobile devices TOTAL 1 1 2 2 1% 1% 1% 1% 5 5 6 6 6 6 6 5 6 5 5 6 5 4% 4% 5% 5% 5% 5% 5% 5% 5% 4% 3% 4% 3% ul ar ct pr ov ul 11 un ct pr ar 10 ay ug ep ec 11 un J 10 ay ug ep eb J A J O N M Feb A S D A J O Nov M F M A S Dec M b an an e J Feb J F Virgin Media data arrives later than online stats, therefore the remainder of this report is only for the online BBC iPlayer, available via computer / mobile / games consoles. NB: There were technical problems measuring iPhoneand iPod Touch use over 15th November 2010 to 28th February 2011. Please refer to slide 6 for guide footnotes. 6 Notes on figures in this report These notes apply to pages 4 to 17 in this pack and should be included as footnotes as relevant when quoting any of these figures. A glossary is on page 19. • This data is collected via a BBC internal data warehouse (BBC iStats). The methodology adheres to industry standard guidelines as defined by JICWEBsand ABCe, with the exception that the BBC data is based on a 25% sample of users and not 100%. The BBC areworking towards 100% sample over the coming months • In 2009 the BBC refined its methodology for measuring AV requests, so figures for 2007/8 are not comparable. There may be further changes in the data in future releases as we continue to refine the methodology • Please quote the source of these figures as “BBC iStats” • Unless specified otherwise, figures include requests for both on-demand catch-up (streams and downloads), or views of live simulcasts • We cannot report download playback due to data privacy restrictions • All data is for the UK only and excludes listening outside the UK • January 09 data excludes 1-4 January 09 since changes were made to the measurement system on 5 January • This data includes requests via BBC iPlayer on any BBC website –whether on a programme, channel or station page, via the pop-out console, or on the BBC iPlayer website itself • None of this data following is for the BBC iPlayer on Virgin Media’s TV service -all is for the online BBC iPlayer, available via computer / mobile / games consoles • This report does not include requests for web-only content (such as online news or sport coverage) –only requests for full-length programmes which have been transmitted on a TV channel or radio station Please refer to slide 6 for guide footnotes. 7 Monthly BBC iPlayer online requests In February 2011 BBC iPlayerdelivered a total of 125 million online requests. 150 Radio Requests 136 125 121 125 115 118 TV Requests 110 35 . ) 104 s 101 101 100 32 n 99 98 32 o 93 95 94 32 li 100 31 l i 89 33 m ( 30 79 s 32 30 34 31 28 t 27 71 69 71 28 29 es 75 29 u 63 65 q 61 61 e 26 R 54 26 26 y 25 l 47 h 50 25 101 t 27 24 25 18 90 94 on 84 86 M 16 77 68 69 67 73 70 68 70 60 65 66 25 53 39 45 43 44 31 36 37 37 37 0 ar ar ct ct ul ul pr pr ay ay ec ec ov ov ep ep eb eb eb 09 10 11 ug ug un un J J A J A J O O F M F M F S D S D A N A N M M n n n a a a J J J Please refer to slide 6 for guide footnotes. 8 Average daily BBC iPlayer requests February 2011 set a new record with 4.5m requests per day on average –1.1 million per day for radio programmes and 3.4 million for TV programmes. 5 Radio Requests 4.4 4.5 3.93.9 . ) s 4 TV Requests 3.7 1.1 n 3.5 1.1 o 3.5 3.5 illi 3.2 3.3 3.2 3.2 1.1 1.0 m 3.1 3.1 ( 3.0 2.9 1.0 s t 3 1.1 1.1 2.6 1.0 es 1.1 1.0 0.9 u 1.0 0.9 1.0 q 2.3 2.4 0.9 e 2.2 1.0 R 2.1 2.1 2.0 2.0 y 1.9 0.8 il 2 1.7 a 0.8 0.9 D 0.8 0.8 3.4 e 0.7 0.9 0.8 0.8 3.3 g 0.6 2.92.9 a 2.7 r 2.5 2.5 e 2.4 2.3 2.3 v 2.2 2.2 2.2 2.2 1 2.0 2.1 A 1.7 1.5 1.4 1.5 1.1 1.3 1.2 1.2 1.3 1.2 0 ct ct ar ar pr pr ec ec ay ay ug ep ug ep un un 10 11 09 ov ov Jul Jul A J A J - O O Feb Feb Feb M A S D M A S D N N M M n n n a a a J J J Please refer to slide 6 for guide footnotes.
Load more

Recommended publications
  • MINUTES of the BBC TRUST MEETING Held on Wednesday 21
    MINUTES OF THE BBC TRUST MEETING Held on Wednesday 21 March 2012 in the BBC Trust boardroom, Great Portland Street, London Present: Lord Patten Chairman Diane Coyle Vice Chairman Richard Ayre Trust member Anthony Fry Trust member Alison Hastings Trust member for England Rotha Johnston Trust member for Northern Ireland David Liddiment Trust member Bill Matthews Trust member for Scotland Mehmuda Mian Trust member Elan Closs Stephens Trust member for Wales Lord Williams Trust member Apologies: Suzanna Taverne Trust member In attendance from the Trust Unit: Nicholas Kroll Director, BBC Trust Alex Towers Deputy Director Phil Harrold Head of Governance Fran O’Brien Head of Editorial Standards Mark Devane Head of Communications Christine Mulryne Business and Events Co-ordinator Items 35 – 41 and 43 Alison Gold Head of Public Services Strategy Items 35 – 41, 44 and 45 Gareth Tuck Chief Financial Adviser Items 35 – 41 and 46 Georgina Hodges Chief Research and Audiences Adviser Item 38 Wendy Bryant Research Manager Items 39 and 43 Stephen Callow Senior Strategy Adviser Item 43 Ann Bastow Adviser, Strategy Items 44 and 45 John Balcombe Finance Analyst Item 46 Natalie Rose Senior Editorial Strategy Adviser Item 46 Kate Hawkins Research Manager From the Executive: Items 42 – 47 Mark Thompson Director-General Items 42 – 47 Caroline Thomson Chief Operating Officer Items 42 – 47 Zarin Patel Chief Financial Officer Items 42 – 47 Jessica Cecil Head of the Director-General's Office Items 42 – 43 Helen Boaden Director, News Group Item 43 David Holdsworth
    [Show full text]
  • Shooting Script
    Episode 19 – MOVING ON The Story of Tracy Beaker V SHOOTING SCRIPT This episode is set over two days. These days are referred to as DAY 25 (NIGHT 25) and DAY 26 (NIGHT 26) in the scene headers. SCENE 1. INT. DG LOUNGE. DAY 25. 4:00PM [TRACY, CRASH, CAM, JUSTINE, JACKIE] CRASH, JACKIE AND JUSTINE ARE PREPARING FOR LOL’S LEAVING DO. THEY ARE BLOWING UP BALLOONS, HAVING BALLOON FIGHTS AS THEY DO SO. TRACY: Bored, bored, bored... WE SEE TRACY ON THE SOFA. SHE’S LYING UPSIDE DOWN, WITH HER FEET STICKING UP OVER THE BACK AND HER HEAD HANGING DOWN OVER THE SEAT. JUSTINE HITS HER OVER THE HEAD WITH A BALLOON. JUSTINE: [SARCASTIC] I’m sure Lol will be really pleased to know you’re so excited about his party. TRACY: It’s not that – it’s just that this is the millionth leaving party I’ve been to, and they’re all the same. Elaine will make some boring speech and I’ll eat too much cake and go to bed feeling sick. CRASH: Come on Tracy, it’s not all doom and gloom. TRACY ROLLS OFF THE SOFA AND GOES OVER TO CRASH, JACKIE AND JUSTINE. TRACY: If you say so. [BEAT] All close your eyes. JACKIE: Why? TRACY: I want to make a wish, and there’s more chance of it working if we all have our eyes shut. Page: 1 Episode 19 – MOVING ON The Story of Tracy Beaker V SHOOTING SCRIPT FOR A QUIET LIFE CRASH, JACKIE AND JUSTINE DO SO.
    [Show full text]
  • Warburton, John Henry. (2010). Picture Radio
    ! ∀# ∃ !∃%& ∋ ! (()(∗( Picture Radio: Will pictures, with the change to digital, transform radio? John Henry Warburton Master of Philosophy Southampton Solent University Faculty of Media, Arts and Society July 2010 Tutor Mike Richards 3 of 3 Picture Radio: Will pictures, with the change to digital, transform radio? By John Henry Warburton Abstract This work looking at radio over the last 80 years and digital radio today will consider picture radio, one way that the recently introduced DAB1 terrestrial digital radio could be used. Chapter one considers the radio history including early picture radio and television, plus shows how radio has come from the crystal set, with one pair of headphones, to the mains powered wireless with built in speakers. These radios became the main family entertainment in the home until television takes over that role in the mid 1950s. Then radio changed to a portable medium with the coming of transistor radios, to become the personal entertainment medium it is today. Chapter two and three considers the new terrestrial digital mediums of DAB and DRM2 plus how it works, what it is capable of plus a look at some of the other digital radio platforms. Chapter four examines how sound is perceived by the listener and that radio broadcasters will need to understand the relationship between sound and vision. We receive sound and then make pictures in the mind but to make sense of sound we need codes to know what it is and make sense of it. Chapter five will critically examine the issues of commercial success in radio and where pictures could help improve the radio experience as there are some things that radio is restricted to as a sound only medium.
    [Show full text]
  • Annual Report on the BBC 2019/20
    Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third
    [Show full text]
  • The Meaning of Katrina Amy Jenkins on This Life Now Judi Dench
    Poor Prince Charles, he’s such a 12.09.05 Section:GDN TW PaGe:1 Edition Date:050912 Edition:01 Zone: Sent at 11/9/2005 17:09 troubled man. This time it’s the Back page modern world. It’s all so frenetic. Sam Wollaston on TV. Page 32 John Crace’s digested read Quick Crossword no 11,030 Title Stories We Could Tell triumphal night of Terry’s life, but 1 2 3 4 5 6 7 Author Tony Parsons instead he was being humiliated as Dag and Misty made up to each other. 8 Publisher HarperCollins “I’m going off to the hotel with 9 10 Price £17.99 Dag,” squeaked Misty. “How can you do this to me?” Terry It was 1977 and Terry squealed. couldn’t stop pinching “I am a woman in my own right,” 11 12 himself. His dad used to she squeaked again. do seven jobs at once to Ray tramped through the London keep the family out of night in a daze of existential 13 14 15 council housing, and here navel-gazing. What did it mean that he was working on The Elvis had died that night? What was 16 17 Paper. He knew he had only been wrong with peace and love? He wound brought in because he was part of the up at The Speakeasy where he met 18 19 20 21 new music scene, but he didn’t care; the wife of a well-known band’s tour his piece on Dag Wood, who uncannily manager. “Come back to my place,” resembled Iggy Pop, was on the cover she said, “and I’ll help you find John 22 23 and Misty was by his side.
    [Show full text]
  • My-Mum-Tracy-Beaker-Tracy-Pack.Pdf
    THE TRACY PACK: REUNION PARTY! It’s been 27 years since we first met the legend that is Tracy Beaker – and now, after almost three decades, Jacqueline Wilson has brought us all back together with her new novel MY MUM TRACY BEAKER! In this new book, Tracy Beaker is a mum now (yep – where did that bloomin’ time go?!) to young Jess – and together, they are the perfect team! Tracy is still fun and daring, but she also works hard to give Jess the family home she desperately wanted when growing up in the Dumping Ground. But when Sean Godfrey – Tracy’s SUPER rich new boyfriend – comes onto the scene, Jess is worried things are going to change . This fantastic story has reunited us all with a dear old friend, through the perfect mix of Wilson’s wonderful, whimsical words and Nick Sharratt’s one-of-a-kind illustrations – it’s like a big old reunion, isn’t it? And if you ask us, a reunion such as this needs to be celebrated with a good old nostalgic, reunion party! In this pack, you’ll fi nd fi ve fab ideas to help you throw one EPIC Tracy Beaker bash. Get ready for some serious #throwbacks. Check out Tracy’s top party tips, too! They’re scattered throughout this pack. THE TRUE FAN TEST Fancy yourself a TRUE Tracy Beaker fan, eh? Kick off your party with this quiz to get the banter started. Answer individually or get into teams, depending on the size of your party. 1. When is Tracy’s birthday? (1 point) 2.
    [Show full text]
  • Annie Dibling Cv
    ANNIE DIBLING Assistant Director Tel: 07989 386445 [email protected] Profile: Hard working, friendly and enthusiastic. Over 15 years experience. A good working knowledge of the industry and the responsibilities involved in working as an Assistant Director. A capable, focused and supportive team player. Looking for a challenge, job satisfaction and the opportunity to build on existing experience. Career History: Television: Programme Company Director Position Egyptian Vice Wild Dream Films Rick Lopez 2ndA.D. Stella Series 4 – Episodes 7 - 10 Tidy Productions Ashley Way 3rdA.D. Simon Delaney Trollied Series 4 Roughcut Television Paul Harrison 3rdA.D. Cara Fi Touchpaper Television Ltd Andy Newbery 3rd A.D. Casualty Series 28 – Episode 41 & 42 BBC Wales Jon Sen 3rd A.D. Casualty Series 28 – Episode 35 BBC Wales Steve Hughes 3rd A.D. A Poet In New York Modern Television Ltd Aisling Walsh 3rd A.D. Made In Wales: Series 5 – Films 4 – 8 It’s My Shout Productions Mared Swain 1st A.D. Geraint Havard Jones Paul Mallison Lawrence Fowler Andrew Pring Indian Doctor Series 3 Rondo Media/ Avatar Films Lee Haven Jones 3rd A.D. Team Panache (Pilot) Firehouse Productions Ltd Steve Lawson 2nd A.D. Alys Series 2 Apollo Television Paul Jones 2nd A.D. Gwaith Cartref Series 2 Fiction Factory Andy Newbery 2nd A.D. Indian Doctor Series 2 Rondo Media/Avatar Films Lee Haven Jones 3rd A.D. Gwennan Sage Indian Doctor Series 1 Rondo Media/Avatar Films Tim Whitby 3rd A.D. Deep Sehgal Pen Talar Series 1 – Episode 9 Fiction Factory Ed Thomas 2nd A.D.
    [Show full text]
  • Shooting Script
    Episode 8 – TRACY’S FANTASY The Story of Tracy Beaker V SHOOTING SCRIPT This episode is set over one day. This day is referred to as DAY 12 in the scene headers. SCENE 1. INT. DG OFFICE. DAY 12. 10:00AM [TRACY, CAM, ELAINE, MIKE] CAM, TRACY AND ELAINE ARE IN THE OFFICE. TRACY IS IN A MASSIVE STROP. TRACY: How can you do this to me?! ELAINE: [CALMING] Tracy… MIKE COMES IN CARRYING A TRAY OF TEA AND BISCUITS. TRACY: It’s…it’s…disgusting! MIKE: What’s going on? TRACY: [TO CAM] Say what you just said to me. Go on, I want you to witness what she just said! MIKE LOOKS AT CAM. CAM: [SIGHS] Tracy, would you like to come away for the weekend? TRACY: [AGHAST] Can you believe it? MIKE: [MOCK SERIOUS] Cam, what were you thinking? MIKE LAUGHS. TRACY: It’s not funny! CAM: It’s with me and Gary. Page: 1 Episode 8 – TRACY’S FANTASY The Story of Tracy Beaker V SHOOTING SCRIPT MIKE: Oh. Is that so bad? TRACY: It’s terrible! CAM: I just want the three of us to go away and have a lovely time. TRACY: I can’t have a lovely time if he’s there! CAM LOOKS REALLY FED UP. TRACY: Fine! You’d better go then, haven’t you got some packing to do. CAM WALKS OUT, LOOKING UPSET. TRACY GLOWERS AS SHE DOES SO. CUT TO: Page: 2 Episode 8 – TRACY’S FANTASY The Story of Tracy Beaker V SHOOTING SCRIPT SCENE 2. ANIMATION CAM AND GARY ARE CLIMBING INTO A BALLOON WITH THEIR LUGGAGE.
    [Show full text]
  • Julius Caesar
    BAM 2013 Winter/Spring Season Brooklyn Academy of Music BAM, the Royal Shakespeare Company, Alan H. Fishman, and The Ohio State University present Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Julius Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Caesar Executive Producer Royal Shakespeare Company By William Shakespeare BAM Harvey Theater Apr 10—13, 16—20 & 23—27 at 7:30pm Apr 13, 20 & 27 at 2pm; Apr 14, 21 & 28 at 3pm Approximate running time: two hours and 40 minutes, including one intermission Directed by Gregory Doran Designed by Michael Vale Lighting designed by Vince Herbert Music by Akintayo Akinbode Sound designed by Jonathan Ruddick BAM 2013 Winter/Spring Season sponsor: Movement by Diane Alison-Mitchell Fights by Kev McCurdy Associate director Gbolahan Obisesan BAM 2013 Theater Sponsor Julius Caesar was made possible by a generous gift from Frederick Iseman The first performance of this production took place on May 28, 2012 at the Royal Shakespeare Theatre, Leadership support provided by The Peter Jay Stratford-upon-Avon. Sharp Foundation, Betsy & Ed Cohen / Arete Foundation, and the Hutchins Family Foundation The Royal Shakespeare Company in America is Major support for theater at BAM: presented in collaboration with The Ohio State University. The Corinthian Foundation The Gladys Krieble Delmas Foundation Stephanie & Timothy Ingrassia Donald R. Mullen, Jr. The Fan Fox & Leslie R. Samuels Foundation, Inc. Post-Show Talk: Members of the Royal Shakespeare Company The Morris and Alma Schapiro Fund Friday, April 26. Free to same day ticket holders The SHS Foundation The Shubert Foundation, Inc.
    [Show full text]
  • Berry, Richard (2013) Radio with Pictures: Radio Visualization in BBC National Radio
    Berry, Richard (2013) Radio with pictures: Radio visualization in BBC national radio. The Radio Journal, 11 (2). pp. 169-184. ISSN 1476-4504 Downloaded from: http://sure.sunderland.ac.uk/id/eprint/5210/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. Radio with Pictures: Radio Visualisation in BBC National Radio Richard Berry University of Sunderland Abstract. Radio has always had pictures. The ones the listener created in their own minds and this is, most of us agree, one of the medium's greatest strengths. However, radio is increasingly consumed on a digital platform (such as DAB Radio, Digital TV, a mobile device or a computer) on devices with screens, rather than a dial. This creates a problem for radio because when we look at the device we are listening to we see a screen that often lacks rich content. The process of Radio Visualisation is about filling this space. This papers focus, though, is the other ways in which radio is visualising itself online in a process that deploys transmedia storytelling techniques that build relationships with the audience, builds brands and helps broadcasters to tell stories in ways never before possible. In the spring of 2011 2.84 million British TV viewers watched a radio programme on their Televisions. They were tuning in via interactive television (or the 'red button') services to watch the BBC Radio One breakfast presenter Chris Moyles attempt to break a world record for the longest radio programme. The BBC installed a series of fixed cameras in the programme’s regular studio at the BBC's Yalding House studios, with added 'roving' cameras to allow the presenters to broadcast from other parts of the building and a cafe across the street.
    [Show full text]
  • Broadcast Bulletin Issue Number
    Ofcom Broadcast Bulletin Issue number 204 23 April 2012 1 Ofcom Broadcast Bulletin, Issue 204 23 April 2012 Contents Introduction 4 Standards cases In Breach Arab Dream Al Mustakillah Television, 9 October 2011, 21:00 and 25 October 2011, 18:00 5 Girls of the Playboy Mansion E! Entertainment, 27 December 2011, 10:00 to 13:00 and 16:00 to 21:00 23 The Secrets in the Walls Channel 5, 20 January 2012, 15:15 26 Get Lucky Get Lucky TV (Channel 909), 15 February 2012, 21:01 to 21:30 29 The Anything Goes Show Bishop FM, 27 February 2012, 19:40 32 Funky Sensations with Mike Vitti Jazz FM, 18 February 2012, 19:15 35 Find My Past’s sponsorship of various programmes Blighty, Watch and Yesterday, 15 July 2010 to present, various dates and times 38 Bits n Bytes Channel S, 10 December 2011, 20:00 41 Resolved / Not in Breach 606 BBC Radio 5 Live, 25 February 2012, 19:22 46 Broadcast Licensing cases In Breach Breach of licence condition Rossendale Radio, community radio service for Rossendale Uplands 5 March to 16 April 2012 50 2 Ofcom Broadcast Bulletin, Issue 204 23 April 2012 Advertising Scheduling cases In Breach Breach findings table Code on the Scheduling of Television Advertising compliance reports 53 Fairness and Privacy cases Not Upheld Complaint by Mr Zafer Mahmood and Meridian Foundation Limited made on their behalf by Mr Craig Needham Dispatches: Landlords from Hell, Channel 4, 4 July 2011 54 Complaint by Mr Paul Greaves My Transsexual Summer, Channel 4, 22 November 2011 66 Other Programmes Not in Breach 74 Complaints Assessed, Not Investigated 75 Investigations List 85 3 Ofcom Broadcast Bulletin, Issue 204 23 April 2012 Introduction Under the Communications Act 2003, Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1, Ofcom must include these standards in a code or codes.
    [Show full text]
  • BBC Executive Submission to the BBC Trust's Review of Content
    BBC Executive Submission to the BBC Trust’s Review of Content and Services for Younger Audiences 16th December 2008 1 EXECUTIVE SUMMARY .............................................................................................................................3 1. UNDERSTANDING THE AUDIENCE ................................................................................................8 1.1 KEY POINTS...............................................................................................................................................8 1.2 THE AUDIENCE ..........................................................................................................................................8 1.3 YOUNGER AUDIENCES’ CONSUMPTION OF MEDIA ....................................................................................10 1.3.1 Television.........................................................................................................................................10 1.3.2 Radio...............................................................................................................................................11 1.3.3 Online..............................................................................................................................................12 2. BBC PROVISION FOR YOUNGER AUDIENCES ..........................................................................13 2.1 KEY POINTS.............................................................................................................................................13
    [Show full text]