MINUTES of the BBC TRUST MEETING Held on Wednesday 21
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Shooting Script
Episode 19 – MOVING ON The Story of Tracy Beaker V SHOOTING SCRIPT This episode is set over two days. These days are referred to as DAY 25 (NIGHT 25) and DAY 26 (NIGHT 26) in the scene headers. SCENE 1. INT. DG LOUNGE. DAY 25. 4:00PM [TRACY, CRASH, CAM, JUSTINE, JACKIE] CRASH, JACKIE AND JUSTINE ARE PREPARING FOR LOL’S LEAVING DO. THEY ARE BLOWING UP BALLOONS, HAVING BALLOON FIGHTS AS THEY DO SO. TRACY: Bored, bored, bored... WE SEE TRACY ON THE SOFA. SHE’S LYING UPSIDE DOWN, WITH HER FEET STICKING UP OVER THE BACK AND HER HEAD HANGING DOWN OVER THE SEAT. JUSTINE HITS HER OVER THE HEAD WITH A BALLOON. JUSTINE: [SARCASTIC] I’m sure Lol will be really pleased to know you’re so excited about his party. TRACY: It’s not that – it’s just that this is the millionth leaving party I’ve been to, and they’re all the same. Elaine will make some boring speech and I’ll eat too much cake and go to bed feeling sick. CRASH: Come on Tracy, it’s not all doom and gloom. TRACY ROLLS OFF THE SOFA AND GOES OVER TO CRASH, JACKIE AND JUSTINE. TRACY: If you say so. [BEAT] All close your eyes. JACKIE: Why? TRACY: I want to make a wish, and there’s more chance of it working if we all have our eyes shut. Page: 1 Episode 19 – MOVING ON The Story of Tracy Beaker V SHOOTING SCRIPT FOR A QUIET LIFE CRASH, JACKIE AND JUSTINE DO SO. -
The BBC's Response to the Jimmy Savile Case
House of Commons Culture, Media and Sport Committee The BBC’s response to the Jimmy Savile case Oral and written evidence 23 October 2012 George Entwistle, Director-General, and David Jordan, Director of Editorial Policy and Standards, BBC 27 November 2012 Lord Patten, Chairman, BBC Trust, and Tim Davie, Acting Director-General, BBC Ordered by The House of Commons to be printed 23 October and 27 November 2012 HC 649-i and -ii Published on 26 February 2013 by authority of the House of Commons London: The Stationery Office Limited £10.50 The Culture, Media and Sport Committee The Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration and policy of the Department for Culture, Media and Sport and its associated public bodies. Current membership Mr John Whittingdale MP (Conservative, Maldon) (Chair) Mr Ben Bradshaw MP (Labour, Exeter) Angie Bray MP (Conservative, Ealing Central and Acton) Conor Burns MP (Conservative, Bournemouth West) Tracey Crouch MP (Conservative, Chatham and Aylesford) Philip Davies MP (Conservative, Shipley) Paul Farrelly MP (Labour, Newcastle-under-Lyme) Mr John Leech MP (Liberal Democrat, Manchester, Withington) Steve Rotheram MP (Labour, Liverpool, Walton) Jim Sheridan MP (Labour, Paisley and Renfrewshire North) Mr Gerry Sutcliffe MP (Labour, Bradford South) The following members were also members of the committee during the parliament. David Cairns MP (Labour, Inverclyde) Dr Thérèse Coffey MP (Conservative, Suffolk Coastal) Damian Collins MP (Conservative, Folkestone and Hythe) Alan Keen MP (Labour Co-operative, Feltham and Heston) Louise Mensch MP (Conservative, Corby) Mr Adrian Sanders MP (Liberal Democrat, Torbay) Mr Tom Watson MP (Labour, West Bromwich East) Powers The committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. -
Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third -
The Birth of BBC Radio 4'S Analysis
The Birth of BBC Radio 4’s Analysis Hugh Chignell Hugh Chignell (Ph.D., Bournemouth University, 2005) is a Senior Lecturer in the Bournemouth Media School, Bournemouth University, United Kingdom. His research interests include broadcasting history with special reference to radio and radio archives. He is Chair of the (UK) Southern Broadcasting History Group. BBC Radio 4’s ‘Analysis’ was first broadcast in 1970 and represented a striking departure from the tendency to combine news and comment in radio current affairs. It was created by a small network of broadcasters who believed that current affairs was distinct from radio journalism. The publication of the controversial document ‘Broadcasting in the Seventies’ in 1969 and the outcry which followed it gave this group their opportunity to produce an elite form of radio. INTRODUCTION This article attempts to answer a series of very specific questions. Why was the flag ship BBC radio current affairs program, Analysis created when it was? What specific interpretation of ‘current affairs radio’ did it embody and what made its birth possible? And finally, who created it? Drawing mainly on interview evidence and memoirs of former BBC staff it is possible to answer these questions with some precision and to show the broadcasting context (the BBC in the 1960s) in which the conception of Analysis took place. It is not the intention here to describe the specific nature of the program’s account of current affairs or its decidedly right-leaning politics. This is a case study of how two men, George Fischer and Ian McIntyre, saw their opportunity to buck the populist trend in radio and impose their conservative and Reithian broadcasting values in this elitist experiment in current affairs radio. -
My-Mum-Tracy-Beaker-Tracy-Pack.Pdf
THE TRACY PACK: REUNION PARTY! It’s been 27 years since we first met the legend that is Tracy Beaker – and now, after almost three decades, Jacqueline Wilson has brought us all back together with her new novel MY MUM TRACY BEAKER! In this new book, Tracy Beaker is a mum now (yep – where did that bloomin’ time go?!) to young Jess – and together, they are the perfect team! Tracy is still fun and daring, but she also works hard to give Jess the family home she desperately wanted when growing up in the Dumping Ground. But when Sean Godfrey – Tracy’s SUPER rich new boyfriend – comes onto the scene, Jess is worried things are going to change . This fantastic story has reunited us all with a dear old friend, through the perfect mix of Wilson’s wonderful, whimsical words and Nick Sharratt’s one-of-a-kind illustrations – it’s like a big old reunion, isn’t it? And if you ask us, a reunion such as this needs to be celebrated with a good old nostalgic, reunion party! In this pack, you’ll fi nd fi ve fab ideas to help you throw one EPIC Tracy Beaker bash. Get ready for some serious #throwbacks. Check out Tracy’s top party tips, too! They’re scattered throughout this pack. THE TRUE FAN TEST Fancy yourself a TRUE Tracy Beaker fan, eh? Kick off your party with this quiz to get the banter started. Answer individually or get into teams, depending on the size of your party. 1. When is Tracy’s birthday? (1 point) 2. -
The Production of Religious Broadcasting: the Case of The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenGrey Repository The Production of Religious Broadcasting: The Case of the BBC Caitriona Noonan A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy. Centre for Cultural Policy Research Department of Theatre, Film and Television University of Glasgow Glasgow G12 8QQ December 2008 © Caitriona Noonan, 2008 Abstract This thesis examines the way in which media professionals negotiate the occupational challenges related to television and radio production. It has used the subject of religion and its treatment within the BBC as a microcosm to unpack some of the dilemmas of contemporary broadcasting. In recent years religious programmes have evolved in both form and content leading to what some observers claim is a “renaissance” in religious broadcasting. However, any claims of a renaissance have to be balanced against the complex institutional and commercial constraints that challenge its long-term viability. This research finds that despite the BBC’s public commitment to covering a religious brief, producers in this style of programming are subject to many of the same competitive forces as those in other areas of production. Furthermore those producers who work in-house within the BBC’s Department of Religion and Ethics believe that in practice they are being increasingly undermined through the internal culture of the Corporation and the strategic decisions it has adopted. This is not an intentional snub by the BBC but a product of the pressure the Corporation finds itself under in an increasingly competitive broadcasting ecology, hence the removal of the protection once afforded to both the department and the output. -
PART ONE: Annual Report And
PART ONE: BBC Annual Report and Accounts 2006/2007 PART ONE: Annual Report and The BBC is required under the terms of its Charter to produce an Annual Report and Accounts in two parts. The BBC Trust prepares the first part, the BBC Executive prepares the second and each reflects the different roles Accounts 2006/2007 and responsibilities of the two bodies.Together the two parts make up the BBC’s review and assessment of its year. The BBC Trust’s review and assessment Contents 2 Chairman’s introduction 5 Overview The BBC Trust 9 What it is and what it does 12 The Trustees BBC performance 15 Services 28 Finance and business BBC Governance 32 The Trust 46 The Governors British Broadcasting Corporation Broadcasting House London W1A 1AA 51 The Trust’s plans for 2007/2008 bbc.co.uk 52 Contact the BBC Trust © BBC 2007 This is a pivotal time for the BBC... We have a new Charter, a new licence fee settlement, a new definition of the BBC’s Public Purposes, and a new system of governance that puts audiences firmly at the centre of what we do.Those audiences have more choice than ever before: more channels, more ways of receiving them and, increasingly, more ways of contributing to them.This is not a world in which the BBC can stand still. This Annual Report reviews the BBC’s activities over the past year in the context of rapid change in many areas in which the BBC operates. In Part One, the BBC Trust provides a strategic overview. -
Annie Dibling Cv
ANNIE DIBLING Assistant Director Tel: 07989 386445 [email protected] Profile: Hard working, friendly and enthusiastic. Over 15 years experience. A good working knowledge of the industry and the responsibilities involved in working as an Assistant Director. A capable, focused and supportive team player. Looking for a challenge, job satisfaction and the opportunity to build on existing experience. Career History: Television: Programme Company Director Position Egyptian Vice Wild Dream Films Rick Lopez 2ndA.D. Stella Series 4 – Episodes 7 - 10 Tidy Productions Ashley Way 3rdA.D. Simon Delaney Trollied Series 4 Roughcut Television Paul Harrison 3rdA.D. Cara Fi Touchpaper Television Ltd Andy Newbery 3rd A.D. Casualty Series 28 – Episode 41 & 42 BBC Wales Jon Sen 3rd A.D. Casualty Series 28 – Episode 35 BBC Wales Steve Hughes 3rd A.D. A Poet In New York Modern Television Ltd Aisling Walsh 3rd A.D. Made In Wales: Series 5 – Films 4 – 8 It’s My Shout Productions Mared Swain 1st A.D. Geraint Havard Jones Paul Mallison Lawrence Fowler Andrew Pring Indian Doctor Series 3 Rondo Media/ Avatar Films Lee Haven Jones 3rd A.D. Team Panache (Pilot) Firehouse Productions Ltd Steve Lawson 2nd A.D. Alys Series 2 Apollo Television Paul Jones 2nd A.D. Gwaith Cartref Series 2 Fiction Factory Andy Newbery 2nd A.D. Indian Doctor Series 2 Rondo Media/Avatar Films Lee Haven Jones 3rd A.D. Gwennan Sage Indian Doctor Series 1 Rondo Media/Avatar Films Tim Whitby 3rd A.D. Deep Sehgal Pen Talar Series 1 – Episode 9 Fiction Factory Ed Thomas 2nd A.D. -
Shooting Script
Episode 8 – TRACY’S FANTASY The Story of Tracy Beaker V SHOOTING SCRIPT This episode is set over one day. This day is referred to as DAY 12 in the scene headers. SCENE 1. INT. DG OFFICE. DAY 12. 10:00AM [TRACY, CAM, ELAINE, MIKE] CAM, TRACY AND ELAINE ARE IN THE OFFICE. TRACY IS IN A MASSIVE STROP. TRACY: How can you do this to me?! ELAINE: [CALMING] Tracy… MIKE COMES IN CARRYING A TRAY OF TEA AND BISCUITS. TRACY: It’s…it’s…disgusting! MIKE: What’s going on? TRACY: [TO CAM] Say what you just said to me. Go on, I want you to witness what she just said! MIKE LOOKS AT CAM. CAM: [SIGHS] Tracy, would you like to come away for the weekend? TRACY: [AGHAST] Can you believe it? MIKE: [MOCK SERIOUS] Cam, what were you thinking? MIKE LAUGHS. TRACY: It’s not funny! CAM: It’s with me and Gary. Page: 1 Episode 8 – TRACY’S FANTASY The Story of Tracy Beaker V SHOOTING SCRIPT MIKE: Oh. Is that so bad? TRACY: It’s terrible! CAM: I just want the three of us to go away and have a lovely time. TRACY: I can’t have a lovely time if he’s there! CAM LOOKS REALLY FED UP. TRACY: Fine! You’d better go then, haven’t you got some packing to do. CAM WALKS OUT, LOOKING UPSET. TRACY GLOWERS AS SHE DOES SO. CUT TO: Page: 2 Episode 8 – TRACY’S FANTASY The Story of Tracy Beaker V SHOOTING SCRIPT SCENE 2. ANIMATION CAM AND GARY ARE CLIMBING INTO A BALLOON WITH THEIR LUGGAGE. -
Culture, Media and Sport Committee
House of Commons Culture, Media and Sport Committee Future of the BBC Fourth Report of Session 2014–15 Report, together with formal minutes relating to the report Ordered by the House of Commons to be printed 10 February 2015 HC 315 INCORPORATING HC 949, SESSION 2013-14 Published on 26 February 2015 by authority of the House of Commons London: The Stationery Office Limited £0.00 The Culture, Media and Sport Committee The Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration and policy of the Department for Culture, Media and Sport and its associated public bodies. Current membership Mr John Whittingdale MP (Conservative, Maldon) (Chair) Mr Ben Bradshaw MP (Labour, Exeter) Angie Bray MP (Conservative, Ealing Central and Acton) Conor Burns MP (Conservative, Bournemouth West) Tracey Crouch MP (Conservative, Chatham and Aylesford) Philip Davies MP (Conservative, Shipley) Paul Farrelly MP (Labour, Newcastle-under-Lyme) Mr John Leech MP (Liberal Democrat, Manchester, Withington) Steve Rotheram MP (Labour, Liverpool, Walton) Jim Sheridan MP (Labour, Paisley and Renfrewshire North) Mr Gerry Sutcliffe MP (Labour, Bradford South) The following Members were also a member of the Committee during the Parliament: David Cairns MP (Labour, Inverclyde) Dr Thérèse Coffey MP (Conservative, Suffolk Coastal) Damian Collins MP (Conservative, Folkestone and Hythe) Alan Keen MP (Labour Co-operative, Feltham and Heston) Louise Mensch MP (Conservative, Corby) Mr Adrian Sanders MP (Liberal Democrat, Torbay) Mr Tom Watson MP (Labour, West Bromwich East) Powers The Committee is one of the Departmental Select Committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. -
Julius Caesar
BAM 2013 Winter/Spring Season Brooklyn Academy of Music BAM, the Royal Shakespeare Company, Alan H. Fishman, and The Ohio State University present Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Julius Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Caesar Executive Producer Royal Shakespeare Company By William Shakespeare BAM Harvey Theater Apr 10—13, 16—20 & 23—27 at 7:30pm Apr 13, 20 & 27 at 2pm; Apr 14, 21 & 28 at 3pm Approximate running time: two hours and 40 minutes, including one intermission Directed by Gregory Doran Designed by Michael Vale Lighting designed by Vince Herbert Music by Akintayo Akinbode Sound designed by Jonathan Ruddick BAM 2013 Winter/Spring Season sponsor: Movement by Diane Alison-Mitchell Fights by Kev McCurdy Associate director Gbolahan Obisesan BAM 2013 Theater Sponsor Julius Caesar was made possible by a generous gift from Frederick Iseman The first performance of this production took place on May 28, 2012 at the Royal Shakespeare Theatre, Leadership support provided by The Peter Jay Stratford-upon-Avon. Sharp Foundation, Betsy & Ed Cohen / Arete Foundation, and the Hutchins Family Foundation The Royal Shakespeare Company in America is Major support for theater at BAM: presented in collaboration with The Ohio State University. The Corinthian Foundation The Gladys Krieble Delmas Foundation Stephanie & Timothy Ingrassia Donald R. Mullen, Jr. The Fan Fox & Leslie R. Samuels Foundation, Inc. Post-Show Talk: Members of the Royal Shakespeare Company The Morris and Alma Schapiro Fund Friday, April 26. Free to same day ticket holders The SHS Foundation The Shubert Foundation, Inc. -
Public Service Broadcasting: Ownership, Funding and Provision
Public Service Broadcasting: ownership, funding and provision Cento Veljanovski No one has the right, and few the ability, to lure people into reading yet another analysis of public service broadcasting (PSB) without a strong reason. The debate over PSB has raged for decades and all that can be said, has been said, but not always clearly understood. The justification for this chapter is to reiterate an approach which has been accepted as the only coherent approach to broadcasting policy – consumer sovereignty. The Peacock Report (1988), published in 1988, endorsed one of the core principles of economics – “consumer sovereignty” - as the overriding objective of broadcasting policy (Peacock, 1988, para 592): British broadcasting should move towards a sophisticated market system based on consumer sovereignty. That is a system which recognises that viewers and listeners are the best ultimate judges of their own interests, which they can best satisfy if they have the option of purchasing the broadcasting services they require from as many alternative sources of supply as possible. At the time of writing the UK Government is engaged in one of its periodic reviews of the BBC’s Royal Charter and the licence fee. At such a time, the debate becomes polarised, fractious and more than usually other-worldly and emotional. Nonetheless the PSB concept has retained its political support from successive governments, and recent commentators and even the UK Government’s Green Paper (2015, p. 14) on the renewal of the BBC’s Royal Charter perpetuate myths about the rationale and reality of PSB. As a result the UK’s terrestrial TV broadcast system continues to promote PSB.