BBC Executive Submission to the BBC Trust's Review of Content

Total Page:16

File Type:pdf, Size:1020Kb

BBC Executive Submission to the BBC Trust's Review of Content BBC Executive Submission to the BBC Trust’s Review of Content and Services for Younger Audiences 16th December 2008 1 EXECUTIVE SUMMARY .............................................................................................................................3 1. UNDERSTANDING THE AUDIENCE ................................................................................................8 1.1 KEY POINTS...............................................................................................................................................8 1.2 THE AUDIENCE ..........................................................................................................................................8 1.3 YOUNGER AUDIENCES’ CONSUMPTION OF MEDIA ....................................................................................10 1.3.1 Television.........................................................................................................................................10 1.3.2 Radio...............................................................................................................................................11 1.3.3 Online..............................................................................................................................................12 2. BBC PROVISION FOR YOUNGER AUDIENCES ..........................................................................13 2.1 KEY POINTS.............................................................................................................................................13 2.2 THE BBC’S STRATEGY FOR YOUNGER AUDIENCES ....................................................................................13 2.3 PERFORMANCE OF THE BBC AMONG YOUNGER AUDIENCES .....................................................................14 2.3.1 Reach, Quality, Impact, Value ...........................................................................................................14 2.3.2 Performance against the BBC public purposes ...................................................................................17 3. PERFORMANCE OF SERVICES TARGETED TO YOUNGER AUDIENCES..........................20 3.1 RADIO 1..................................................................................................................................................20 3.1.1 Introduction and Summary................................................................................................................20 3.1.2 Service Licence Overview ..................................................................................................................21 3.1.3 Reach, Quality, Impact, Value ...........................................................................................................21 3.1.4 Performance Measured against the Public Purposes ...........................................................................23 3.2 1XTRA ....................................................................................................................................................35 3.2.1 Introduction and Summary................................................................................................................35 3.2.2 Service Licence Overview ..................................................................................................................35 3.2.3 Reach, Quality, Impact, Value ...........................................................................................................36 3.2.4 Performance Measured against the Public Purposes ...........................................................................37 3.3 BBC THREE .............................................................................................................................................46 3.3.1 Introduction and Summary................................................................................................................46 3.3.2 Service Licence.................................................................................................................................47 3.3.3 RQIV Analysis...................................................................................................................................47 3.3.4 Performance Measured against the Public Purposes ...........................................................................49 4. OTHER BBC CONTENT TARGETED TO YOUNGER AUDIENCES ......................................62 4.1 FORMAL LEARNING ..................................................................................................................................62 4.1.1 Existing remit...................................................................................................................................62 4.1.2 Strategy ...........................................................................................................................................62 4.1.3 Investment in the BBC formal learning provision for young people ......................................................64 4.1.4 Performance of the BBC’s formal learning output for young people.....................................................64 4.2 BBC SWITCH...........................................................................................................................................67 4.2.1 Existing remit...................................................................................................................................67 4.2.2 Strategy ...........................................................................................................................................67 4.2.3 Investment in BBC Switch .................................................................................................................68 4.2.4 Performance of BBC Switch ..............................................................................................................69 5. THE FUTURE OF THE BBC’S PROVISION TO YOUNGER AUDIENCES ............................71 5.1 FUTURE CHALLENGES ...............................................................................................................................71 5.2 BBC FUTURE STRATEGY ...........................................................................................................................71 5.2.1 Overall BBC strategy for younger audiences.......................................................................................71 5.2.2 Strategy for Radio 1 and 1Xtra.........................................................................................................72 5.2.3 Strategy for BBC Three.....................................................................................................................74 5.3 MANAGEMENT PROPOSALS FOR SERVICE LICENCE AMENDMENTS...............................................................76 2 Executive Summary I. The review The BBC Trust launched its review of the BBC’s provision of content and services to younger audiences aged 13 to 34 in September 2008, as part of its rolling programme of service reviews as required in the Charter and Agreement. This document is the BBC Executive’s submission to the review. September 2008 Review begins; public consultation launched Trust gathers evidence from BBC Executive, public consultation, Autumn/Winter 2008 audience research and other sources Winter 2008/9 Trust analyses data and prepares report Spring 2009 Report finalised and published by the Trust II. The scope of this submission This submission focuses on the BBC’s provision to younger audiences through three youth- targeted services: Radio 1, 1Xtra and BBC Three1. It also considers how the BBC is serving this audience across its portfolio of services, as well as with content targeted to this age group from Formal Learning and BBC Switch. This submission is designed to Provide understanding and insight into the 13-34 age group and their media habits Describe the BBC’s overall strategy for its provision to younger audiences aged 13-34 and evaluate how the BBC is performing amongst this age group (section 2) Outline and evaluate the performance of the BBC youth-targeted services against their Service Licences, delivery of the BBC’s purposes and the reach, quality, impact and value for money (RQIV) framework Describe the BBC’s strategy for its future provision for younger audiences aged 13 to 34 and propose changes to existing Service Licences, where appropriate (section 5) III. The 13 to 34 Audience The years 13 to 34 encompass a very wide range of life stages, from school age children to parents and married couples Younger audiences are extremely media literate, having grown up with new technology as an integral part of their education, work and leisure time All broadcasters, including the BBC, find it challenging to serve this demographic effectively, competing for their time and attention with the likes of games consoles, mobile phones and social networking websites, as well as a wide range of alternative content providers IV. Overall BBC provision for younger audiences The BBC’s relationship with younger audiences has traditionally been one of its biggest challenges. While the BBC has a long history and heritage in providing targeted content to UK children, from the age of 13 onwards their relationship with the BBC weakens in the face of lifestyle changes, greater competition from other broadcasters and media providers and wider access to new media technology. This challenge is not unique to the BBC, but meeting
Recommended publications
  • Standard No7 V5.Indd
    University of St Andrews The StAndard Staff Magazine, Issue 7, March 2006 I’m with the Band Development’s Dynamic Duo Mail Room’s First Class Service The Future of our Finances Scotland’s fi rst university Produced by: The StAndard Editorial Board Joint Chairs: Stephen Magee is Vice-Principal (External Relations) Contents and Director of Admissions. To be announced in next issue Page 1: Welcome Pages 2-15: PEOPLE Joe Carson is a Lecturer in the Department of French, Disabilities Officer in the School of Modern Languages, Warden of University Hall and the Senior Pages 16-20: TOWN Warden of the University. Pages 21-22: OPINION Jim Douglas is Assistant Facilities Manager in the Estates Department and line manager for cleaning supervisors, janitors, mailroom staff and the out of Pages 23-32: GOWN hours service. Page 33-37: NEWS John Haldane is Professor of Philosophy and Director of the Centre for Ethics, Philosophy and Public Affairs. Chris Lusk is Director of Student Support Services covering disability, counselling, welfare, student development, orientation and equal opportunities. Jim Naismith teaches students in Chemistry and Biology and carries out research in the Centre for Biomolecular Sciences. The StAndard is funded by the University Niall Scott is Director of the Press Office. and edited by the Press Office under the direction of an independent Editorial Board comprising staff from every corner of the institution. The Editorial Board welcomes all suggestions, letters, articles, news and photography from staff, students and members of the wider Dawn Waddell is Secretary for the School of Art St Andrews community.
    [Show full text]
  • Special Issue
    ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018.
    [Show full text]
  • Warburton, John Henry. (2010). Picture Radio
    ! ∀# ∃ !∃%& ∋ ! (()(∗( Picture Radio: Will pictures, with the change to digital, transform radio? John Henry Warburton Master of Philosophy Southampton Solent University Faculty of Media, Arts and Society July 2010 Tutor Mike Richards 3 of 3 Picture Radio: Will pictures, with the change to digital, transform radio? By John Henry Warburton Abstract This work looking at radio over the last 80 years and digital radio today will consider picture radio, one way that the recently introduced DAB1 terrestrial digital radio could be used. Chapter one considers the radio history including early picture radio and television, plus shows how radio has come from the crystal set, with one pair of headphones, to the mains powered wireless with built in speakers. These radios became the main family entertainment in the home until television takes over that role in the mid 1950s. Then radio changed to a portable medium with the coming of transistor radios, to become the personal entertainment medium it is today. Chapter two and three considers the new terrestrial digital mediums of DAB and DRM2 plus how it works, what it is capable of plus a look at some of the other digital radio platforms. Chapter four examines how sound is perceived by the listener and that radio broadcasters will need to understand the relationship between sound and vision. We receive sound and then make pictures in the mind but to make sense of sound we need codes to know what it is and make sense of it. Chapter five will critically examine the issues of commercial success in radio and where pictures could help improve the radio experience as there are some things that radio is restricted to as a sound only medium.
    [Show full text]
  • STORM Report the STORM Report Is a Compilation of Up-And-Coming Bands and Explores the Increasingly Popular Trend Artists Who Are Worth Watching
    Hungry Like The Wolf: Artists as Restauranteurs SYML Maggie Rogers Sam Bruno Angus & Julia Stone Fox Stevenson and more THE STORM ISSUE NO. 49 REPORT NOVEMBER/DECEMBER 2017 TABLE OF CONTENTS 4 EYE OF THE STORM Hungry Like The Wolf: Artists as Restauranteurs 5 STORM TRACKER Post Malone, Ty Dolla $ign, St. Vincent, and Courtney Barnett 6 STORM FORECAST What to look forward to this month. Holiday Season, Award Season, Rainy Day Gaming and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Marshmello. Photo courtesy of management. ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA It’s almost Thanksgiving in the US, and so this special edition of the STORM report The STORM Report is a compilation of up-and-coming bands and explores the increasingly popular trend artists who are worth watching. Only those showing the most of artists and food with our featured promising potential for future commercial success make it onto our article “Hungry Like the Wolf: Artists as monthly list. Restauranteurs.” From Sammy Hagar’s Cabo Wabo to Jimmy Buffet’s Margaritaville to How do we know? Justin Timberlake’s Southern Hospitality, artists are leveraging their brand equity to Through correspondence with industry insiders and our own ravenous create extensions that are not only lucrative, media consumption, we spend our month gathering names of artists but also delicious! Featured on this month’s who are “bubbling under”. We then extensively vet this information, cover is one of our favorite STORM alumni, analyzing an artist’s print & digital media coverage, social media Marshmello (STORM #39), whose very growth, sales chart statistics, and various other checks and balances to name sounds like it would go well with ensure that our list represents the cream of the crop.
    [Show full text]
  • The Meaning of Katrina Amy Jenkins on This Life Now Judi Dench
    Poor Prince Charles, he’s such a 12.09.05 Section:GDN TW PaGe:1 Edition Date:050912 Edition:01 Zone: Sent at 11/9/2005 17:09 troubled man. This time it’s the Back page modern world. It’s all so frenetic. Sam Wollaston on TV. Page 32 John Crace’s digested read Quick Crossword no 11,030 Title Stories We Could Tell triumphal night of Terry’s life, but 1 2 3 4 5 6 7 Author Tony Parsons instead he was being humiliated as Dag and Misty made up to each other. 8 Publisher HarperCollins “I’m going off to the hotel with 9 10 Price £17.99 Dag,” squeaked Misty. “How can you do this to me?” Terry It was 1977 and Terry squealed. couldn’t stop pinching “I am a woman in my own right,” 11 12 himself. His dad used to she squeaked again. do seven jobs at once to Ray tramped through the London keep the family out of night in a daze of existential 13 14 15 council housing, and here navel-gazing. What did it mean that he was working on The Elvis had died that night? What was 16 17 Paper. He knew he had only been wrong with peace and love? He wound brought in because he was part of the up at The Speakeasy where he met 18 19 20 21 new music scene, but he didn’t care; the wife of a well-known band’s tour his piece on Dag Wood, who uncannily manager. “Come back to my place,” resembled Iggy Pop, was on the cover she said, “and I’ll help you find John 22 23 and Misty was by his side.
    [Show full text]
  • Performance Against BBC Statements of Programme Policy 2008/09 Performance Against Statement of Programme Policy Conditions 2008/09
    Performance against BBC Statements of Programme Policy 2008/09 PERFORMANCE AGAINST STATEMENT OF PROGRAMME POLICY CONDITIONS 2008/09/ PERFORMANCE AGAINST STATEMENT OF PROGRAMME POLICY CONDITIONS 2008/09/ STATEMENTS OF PROGRAMME POLICY (SOPPS) ARE ANNUAL PROMISES TO LICENCE FEE PAYERS FROM THE BBC WHICH SHOWCASE SOME OF THE WAYS THAT EACH OF OUR SERVICES MEETS ITS SERVICE LICENCE COMMITMENTS AND DELIVERS HIGH QUALITY, CREATIVE AND MEMORABLE CONTENT TO THEM AS VIEWERS, LISTENERS AND USERS. SOPPS ARE AN OFCOM COMMITMENT, AppROVED BY THE BBC TRUST. The following pages summarise performance against SoPPs 2008/09. Unless otherwise stated, all commitments are minimum hours or %s and include originations, repeats and acquisitions. New service BBC ALBA launched in September 2008 and has no priorities or conditions to report on for the period under review. Similarly, BBC Red Button has no priorities or conditions to report on for the period, and CBeebies and Radio nan Gàidheal have no conditions for the period (their priorities are given on the following pages). SoPPs for the year ahead, including those for new services, can be found at www.bbc.co.uk/info/statements2009 S1 PERFORMANCE AGAINST STATEMENT OF PROGRAMME POLICY CONDITIONS 2008/09/ TELEVISION BBC Television services also have a statutory regulatory requirement to meet Tier 2 quotas, agreed annually with Ofcom, for independent production, regional programme making, news and current affairs programmes, levels of original production, and regional programming. Performance against Tier 2 quotas is reported in Part Two of the BBC’s Annual Report. BBC ONE Priorities Distinctive mix of popular journalism from around the UK The ONE Show continued to grow its audiences; Watchdog was refreshed creatively and Missing returned.
    [Show full text]
  • BBC 4 Listings for 26 May – 1 June 2018 Page 1 of 4 SATURDAY 26 MAY 2018 the Pops, Crackerjack, Blue Peter and Cheggers Plays Pop
    BBC 4 Listings for 26 May – 1 June 2018 Page 1 of 4 SATURDAY 26 MAY 2018 the Pops, Crackerjack, Blue Peter and Cheggers Plays Pop. team of divers as they explore and film the depths of the world's greatest river system. SAT 19:00 Biggest Weekend (b0b4ky12) Noddy both introduces the compilation and reflects on Slade's Neneh Cherry and First Aid Kit glory daze at the BBC. It is the first time an expedition has ever attempted anything so ambitious, and they discover an alien world, full of beautiful Lauren Laverne and Joe Lindsay go Scandi with two Swedish- and bizarre creatures. Stingray, freshwater dolphins, talking fish born outfits to restart coverage of the Biggest Weekend, SAT 01:55 How to Get Ahead (b03xsgwk) and the mysterious Jau are all to be found in the river's depths. including a performance from Neneh Cherry, who brought pop At Medieval Court to hip-hop in the late 80s with a string of hook-laden global hits, Mike deGruy and Kate Humble lead the international team of such as Buffalo Stance and Man Child, but has lately turned to Writer, broadcaster and Newsnight arts correspondent Stephen scientists and divers as they search for species new to science more experimental and jazz sounds. Smith looks back at the Medieval Age to find out what it took and come face to face with the monsters of the deep. to get ahead at the court of Richard II. Richard presided over Also featuring songs from First Aid Kit. Sisters Klara and the first truly sophisticated and artistic court in England.
    [Show full text]
  • Indian Teenager with Tennis-Ball Sized Brain Matter Oozing out of His Skull
    Saturday, Jul 1st 2017 11AM 29°C 2PM 29°C 5­Day Forecast U.K. India U.S. News Sport TV&Showbiz Femail Health Science Money Video Coffee Break Travel Columnists Latest Headlines Health Health Directory Diets Discounts Login Indian teenager with tennis-ball sized Site Web Enter your search brain matter oozing out of his skull has Like Follow life-changing surgery to remove the Daily Mail @MailOnline Follow +1 pendulum growth dangling from his Daily Mail Daily Mail nose Known only as Manikandan, the 13-year-old was subjected to a life in isolation Condition called encephalocele caused part of his brain to bulge out of his skull His poverty-stricken parents became desperate for life-changing treatment Earlier this week he had the Government-funded operation to remove the mass By STEPHEN MATTHEWS LONDON and SANJAY PANDEY IN KERALA, INDIA FOR MAILONLINE PUBLISHED: 16:29 BST, 30 June 2017 | UPDATED: 17:40 BST, 30 June 2017 59 6 shares View comments DON'T MISS An Indian teenager has had a tennis-ball sized part of his brain that oozed out of his Meet Rumi and Sir skull removed form his face by surgeons. Carter! Beyonce and Jay Z's twin names revealed as couple file Known only as Manikandan, the 13-year-old was subjected to a life in isolation due to trademarks With a big sister named the rare medical condition called encephalocele. Blue Ivy It caused part of his brain to bulge out of his skull, similar to a pendulum, making Fire and ice! Bella him look 'ugly' in the eyes of locals in the Kerala region.
    [Show full text]
  • Berry, Richard (2013) Radio with Pictures: Radio Visualization in BBC National Radio
    Berry, Richard (2013) Radio with pictures: Radio visualization in BBC national radio. The Radio Journal, 11 (2). pp. 169-184. ISSN 1476-4504 Downloaded from: http://sure.sunderland.ac.uk/id/eprint/5210/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. Radio with Pictures: Radio Visualisation in BBC National Radio Richard Berry University of Sunderland Abstract. Radio has always had pictures. The ones the listener created in their own minds and this is, most of us agree, one of the medium's greatest strengths. However, radio is increasingly consumed on a digital platform (such as DAB Radio, Digital TV, a mobile device or a computer) on devices with screens, rather than a dial. This creates a problem for radio because when we look at the device we are listening to we see a screen that often lacks rich content. The process of Radio Visualisation is about filling this space. This papers focus, though, is the other ways in which radio is visualising itself online in a process that deploys transmedia storytelling techniques that build relationships with the audience, builds brands and helps broadcasters to tell stories in ways never before possible. In the spring of 2011 2.84 million British TV viewers watched a radio programme on their Televisions. They were tuning in via interactive television (or the 'red button') services to watch the BBC Radio One breakfast presenter Chris Moyles attempt to break a world record for the longest radio programme. The BBC installed a series of fixed cameras in the programme’s regular studio at the BBC's Yalding House studios, with added 'roving' cameras to allow the presenters to broadcast from other parts of the building and a cafe across the street.
    [Show full text]
  • CAST BIOS TOM RILEY (Leonardo Da Vinci) Tom Has Been Seen in A
    CAST BIOS TOM RILEY (Leonardo da Vinci) Tom has been seen in a variety of TV roles, recently portraying Dr. Laurence Shepherd opposite James Nesbitt and Sarah Parish in ITV1’s critically acclaimed six-part medical drama series “Monroe.” Tom has completed filming the highly anticipated second season which premiered autumn 2012. In 2010, Tom played the role of Gavin Sorensen in the ITV thriller “Bouquet of Barbed Wire,” and was also cast in the role of Mr. Wickham in the ITV four-part series “Lost in Austen,” alongside Hugh Bonneville and Gemma Arterton. Other television appearances include his roles in Agatha Christie’s “Poirot: Appointment with Death” as Raymond Boynton, as Philip Horton in “Inspector Lewis: And the Moonbeams Kiss the Sea” and as Dr. James Walton in an episode of the BBC series “Casualty 1906,” a role that he later reprised in “Casualty 1907.” Among his film credits, Tom played the leading roles of Freddie Butler in the Irish film Happy Ever Afters, and the role of Joe Clarke in Stephen Surjik’s British Comedy, I Want Candy. Tom has also been seen as Romeo in St Trinian’s 2: The Legend of Fritton’s Gold alongside Colin Firth and Rupert Everett and as the lead role in Santiago Amigorena’s A Few Days in September. Tom’s significant theater experiences originate from numerous productions at the Royal Court Theatre, including “Paradise Regained,” “The Vertical Hour,” “Posh,” “Censorship,” “Victory,” “The Entertainer” and “The Woman Before.” Tom has also appeared on stage in the Donmar Warehouse theatre’s production of “A House Not Meant to Stand” and in the Riverside Studios’ 2010 production of “Hurts Given and Received” by Howard Barker, for which Tom received outstanding reviews and a nomination for best performance in the new Off West End Theatre Awards.
    [Show full text]
  • The Original Tory
    Leeds Student 2241 1 1999 Volume 29: Issue No.19 THE ORIGINAL TORY BOY Exclusive interview with Conservative leader and proud Yorkshireman William Hague • PAGES 11-13 COUNCIL PROVING THAT CRIME CAN PAY TO DUMP STORE PLANS inquiry backs move to keep sports fields CAMPAIGNERS are By KEVIN against the development and celebrating a public inquiry's staged demonstrations outside decision not to build a plan would "harm the character Leeds Town Hall. Student shopping centre on the Leeds and appearance of a prominent activist Natasha De Vere University Iiodington playing open area." commented: "This is a huge fields. Council planners are success for student Leeds City Council had refusing to comment on the campaigners and local residents submitted plans with the inquiry's decision until the who have fought these plans. university to build a retail park full report is released on March despite the combined strength on the Weetwood site as part 22. However they are likely of the university and the Labour of the Leeds Unitary to accept most of the report's City Council." Development Plan. recommendations. Harold Best. Leeds North But an inspector this week Over 1.000 students and West MR believes its a big urged that the Bodington Fields residents signed a petition PAGE TWO, COLUMN ONE DOING YOUR BIT FOR COMIC RELIEF • PACE SIX MATHS THE WAY TO DO IT - COUNTING THE COST OF CLEVER CALCULATORS ON PAGE SEVEN 2 NEWS Leeds Student, Friday March 12 1999 Archaeologists dig up a new theory Film crew box LONG-held assumptions By NAVEED RAJA about the short length of time that people from problem, belie ■c.
    [Show full text]
  • Our Artist Friends
    2015-2016 Our artist friends We’re incredibly lucky to have so many truly wonderful supporters and we’d really like to thank each and every one of you from the bottom of our hearts. We’re immensely grateful for everything you do for us – you make us what we are. It was thanks to the incredible support from people in the sport and entertainment industries that Sport Relief 2016 was such a success. We’re hugely grateful for their time and talent. Artists Adam Buxton Chris Waddle Five Live All Star Team Adam Riches Christian Malcolm Fred MacAulay Adnan Januzaj Christine Bleakley Freddie Flintoff Aimee Willmott Clara Amfo Gabby Logan Al Murray Clare Balding Gareth Bale Alan Davies Claudia Winkleman Gary Lineker Alan Kennedy Colin Jackson Gemma Arterton Alan Shearer Connor McNamara George Riley Alastair Campbell Craig David Geri Horner Aled Jones Dame Mary Peters Glen Durrant Alesha Dixon Damian Johnson Grace Dent Alex Jones Dan Snow Grace Mandeville Alex Reid Dan Walker Graham Norton Alice Levine Danny Cipriani Greg Davies Aliona Vilani Danny Dyer Greg James Alistair Mann Danny Jones Greig Laidlaw All Time Low Danny Mills Guy Mowbray Amelia Mandeville Danny Webber Guys and Dolls Cast Amir Khan Danny-Boy Hatchard Hal Cruttenden Anastasia Dobromyslova Darren Clarke Harrison Webb Andrea McLean Darren Gough Harry Judd Andy Fordham Dave Berry Helen Glover Andy Jordan Dave Henson Helen Pearson Andy Murray David Brailsford Howard Webb Angellica Bell David Haye Hugh Dennis Angus Deayton David James Iain Dowie Anita Rani David Kennedy Iain Stirling
    [Show full text]