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Recorridos Por La Musica De Camara London Festival Orchestra (Reino Unido) Ross Pople, director M artin Jones, piano solista Martes 26 de octubre de 2010 • 7:30 p.m . SALA D E CONCIERTOS BANCO D E LA REPÚ BLICA BIBLlOTE A LUIS Á GEL ARANGO Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. LONDON FESTIVAL ORCHESTRA, (Reino Unido) Ross Pople, Director La combinación de los mejores músicos de Londres con la integridad artísTica de Pople crea una asociación dinámica. The New York Times Ninguna orquesta se acerca a la London Festival Orchestra en cuanto a capacidad de alerta y comprensión clara del estilo ... Gramophone La London Festival Orchestra fue fundada en los años 50 como una orquesta de élite para el sello Decca Recording Studios; en 1980 se constituyó como una orquesta británica de primer nivel. Bajo la dirección de Ross Pople la agrupación tuvo un impacto inmediato en las salas de concierto del Reino Unido y del extranjero, convirtiendose en un nombre familiar a través del Festival de Música Itinerante de Pople, y el Festival de Verano de Música en las Catedrales (Catbedral Classics) patrocinado con entusiasmo por American Express y British Gas. Este festival no sólo incluye las magníficas catedrales británicas, sino que también se extiende a Europa y el mundo, a través de BBC. La orquesta realiza densas giras en el extranjero y ha dejado pocos países y salas de conciertos sin visitar. En Londres, además de las Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. apariciones frecuentes en el Royal Festival Hall y en el Barbican Center, se presenta en varias series: una residencia reciente en la Iglesia Piccadilly de St. James, conciertos vespertinos en The Warehouse y la participación en el concierto del Remembrance Sunday en el Royal Albert Hall. Importantes compañías apoyan a la London Festival Orchestra y comparten sus logros: desde los primeros años con American Express y British Gas, hasta colaboraciones que incluyen la Post Office, Chevron, RTZ, Alliance & Leicester, Ernst & Young. Eurostar y recientemente Toyota Motor Company. En 1994 la visión de Pople sobre la independencia artística inspiró la creación de una casa permanente para la orquesta. The Warehouse, en el corazón del South Bank, es un centro de ensayo, grabación y conciertos. Atraído por la reputación legendaria de la orquesta y su estilo contemporáneo en las salas de concielios, BMG-Arte Nova la contrató para grabar para su sello de música clásica a finales de los noventas. La discografia envidiable de la London Festival Orchestra incluye también grabaciones para Deutsche Grammophon, Hyperion y ASV. A lo largo de los últimos años, la agrupación se ha presentado en la mayor parte de las más importantes ciudades del Reino Unido 2 en el marco del Festival Cathedral Classics; recientemente se ha presentado en auditorios en Buxton, Salisbury, NOlWich y Chelmsford. Cada año ofrece conciertos de gran escala al aire libre. en los cuales interpreta obras clásicas populares. Las giras en el extranjero la han llevado a las salas de concierto más importantes de Europa así como a Centro y Suramérica. En 2001 presentó una gira de diez concielios en Asia con el apoyo de Toyota Motor Company. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. ROSS POPLE, director (Nueva Zelandia) Las interpretaciones de Ross Pople confirman lIna revelación permanente Grammophone Dirige CO/1 un sentido del c%r si/encioso J' definitivo y con un cuidado escrupuloso por el balance dinómico Dallapiccola, The Financial Times La excelencia artística de la London Festival Orchestra se explica por la notable y determinante influencia de su director titular y artístico, Ross Pople. El sello distintivo de Pople es una musicalidad intuitiva, que se manifiesta en un sentido indefectible del estilo y 3 una disciplina creativa impecable. Destacado violonchelista, tiene un conocimiento íntimo de la orquesta y del repertorio; de ahí deriva su comunicación natural y fluida de las ideas musicales a la orquesta y el públ ico. Su afinidad con el repertorio clásico ha producido una serie de interpretaciones y grabaciones importantes; es conocido también ampliamente como un magnífico intérprete de música contemporánea. Su confianza y sólida influencia en el campo musical hacen de Pople uno de los directores más significativos de nuestros tiempos. Ha trabajado en asocio con muchos artistas y compositores legendarios: Menuhin, Curzon, Oistrakh, Kentner, Malcolm, Beult, Kempe, Lutoslawski. Penderecki, Solti, Bemste¡n, Benjamin, Casken. Ro:xburgh, Berio, Carter, Kuriag. Tavener, Amold y Boulez. Ha grabado cerca de 80 discos con la London Festival Orchestra con una aclamación contundente por parte de la crítica. Estos incluyen la integral de las Sinfonías para cuerdas de Mendelssohn, Los Planetas de Holst, Metamorphosen de Richard Strauss, una serie de Sinfonías Concertantes (de J. S. Bach, Haydn, Stamilz y Mozart), sinfonías de Scbubert y Mendelssohn y obras de Amold, Stravinsky, Vaughan Williams, Franck, Boccherini, Schoenberg y la integral de las Sinfónías de Londres de Haydn. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. MARTIN JONES, pianista (lnglaterra) Martin Jones ha sido uno de los pianistas más reconocidos de Gran Bretai'ía desde 1968, año en que fue reconocido mundialmente tras obtener el premio Dame Myra Hess. Ese mismo año hizo su debut en el Queen Elizabeth Hall de Londres y en el Camegie Hall de Nueva York y desde entonces ha sido solicitado para presentar recitales y conciertos en ambos lados del océano Atlántico. 4 Es un artista prolífico en grabaciones y su extensa producción de discos para Nimbus Records incluye la integral para piano de Mendel sohn, Brahms, Debussy, Grainger, Szymanowski (elegida como mejor grabación instrumental en 1996 por la revista española CD Compact) y las sonatas de Alun Hoddinott. La obra completa para piano de Stravinsky fue publicada en 1997, y recientemente completó un proyecto para grabar a varios maestros españoles del piano. La banda sonora de la película HO>l'Ord's End lo presenta interpretando Brida! Lullahy y Mock Mon"is, de Percy Grainger. También grabó para Philips Tribute lo Foslel: Del mismo compositor, bajo la dirección de John Eliot Gardiner, Warsall' Con cerIo de Richard Addinsell's para A V, y un disco compacto con el cornista David Pyatt para Erato Disques. Se ha presentado como solista de concierto con las principales orquestas británicas, así como en Estados Unidos y en Rusia, y realizó una gira por Canadá como solista con la BBC Welsh Symphony Orchestra. Sus recientes interpretaciones incluyen el Concierto No. 1 para piano de Shostakovieh en Centro y Suramérica con la London Festival Orchestra, una gira regional en la que interpretó Rapsodia sobre un lema de Paganini de Rachmaninov y Rhapsodv in B/L/e de Gershwin con la lIallé Orchestra, el Concierto para piano de Britten en San Petersburgo, el Concierto para piano de Schocnbcrg con la Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. Adelaide Symphony Orchestra, y el Concierto No. 1 para piano de Scharwenka en Louisiana. Su repertorio abarca la mayor parte de las obras clásicas para piano como también obras inusuales en las que se encuentra el Concierto para piano de Busoni, que interpretó con la Orquesta Sinfónica de la BBC, bajo la dirección de Norman del Mar. También ha tocado conciertos de compositores británicos como Britten, Benjamin, Mathias, McCabe y Lambert. Hizo la primera interpretación de la versión revisada del Tercer Concierto de Alun Hoddinott en la serie de Promenade Concerts de la BBC en 1974, y grabó el Segundo Concierto de Hoddinott con Andrew Davis y la Royal Philhatmonic Orchestra para Decca. Ha dado recitales a través de Gran Bretaña, así como en emisiones para BBC Radio 3, Bmssels Radio, RTE en Dublín y ABC en Australia. En Estados Unidos ha sido jurado en varios concursos internacionales de piano y se ha presentado en Nueva York, WashingFon, Florida, Tennessee, Louisiana, Texas, Utah y California. En Los Angeles ofreció un recital como parte del evento 1994 UKJ LA Celebration of British Arts, que fue transmitido en vivo por la KUSC Radio. En 1996 se convirtió en el primer artista británico de alto nivel en ofrecer un recital en Ekaterinburg (Rusia), y otro como solista en el Adelaide Festival, en 1998. 5 [NTEGRA~TES DE LA LONDON FESTIVAL ORCHESTRA Ross Pople, director Violines Richard Oli\er Friedman Timothy Wilford Robert James Gibbs David Smith Yuri Kalnits Thomas Bott Malcolm Allison Kirsten Klingel Martin Smith Christian Ilalstead Violas Richard M uncey Lynne Baker Jake Walker Violonchelos Robert Stanley Glenton y David Robinson Contrabajo Christohper West Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. PROGRAMA Introducción y A !legro EDWARD ELGAR para cuerdas,Op. 47 (1858-1934) Concierto para piano No. 12, KV 414 WOLFGANG AMADEUS MOZART Allegro (1756-1791) Andante Solista: Martin .Iones, piano Allegretto 6 INTERMEDIO Concierto en re menor para dos violines JOHANN SEBASTIAN BACH y orquesta de cuerdas, BWV 1043 (1685-17 50) Vivace Solistas: Richard Friedman y Maleo! m Allison Largo ma non tanto Allegro Sinfonía No. 12 en sol menor FÉLIX MENDELSSOHN para cuerdas (1809-184 7) Fuga: Grave-Allegro Andante Allegro molto CONCIERTO No. 74 Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. NOTAS AL PROGRAMA Juliana Pérez González Esta noche, con el concierto que nos ofrecerá la London Festival Orchesta, nos acercaremos al repertorio que genéricamente conocemos como música clásica. Oiremos obras de algunos de los compositores más conocidos de la música occidental como son Johann Sebastian Bach, Wolfgang Amadeus Mozart, Félix Mendelssohn y Edward Elgar, cuatro compositores de los cuales, en ténninos histórico-estilísticos, solamente Mozart pertenece al periodo clásico, pero a quienes el público en general no duda en denominar como 'clásicos'.
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