DOCSLIB.ORG

British and Commonwealth Concertos from the Nineteenth Century to the Present

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
British and Commonwealth Concertos from the Nineteenth Century to the Present BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs and LPs Prepared by Michael Herman Ralph Vaughan Williams (1872-1958) Born in Down Ampney, Gloucestershire. Generally acknowledged as England’s greatest nationalist composer, Vaughan Williams was taught at the Royal College of Music by Hubert Parry and Charles Stanford and received his musical doctorate at Cambridge. He had additional lessons from Max Bruch and Maurice Ravel. During his long life he prolifically produced music in all forms from chamber music to operas. His 9 Symphonies represent the peak of a large orchestral output that includes, in addition to the works listed below such ever-popular favorites as his Fantasia on a Theme by Thomas Tallis, English Folksong Suite and Serenade to Music. Piano Concerto in C major (1926-31, also arranged for Two Pianos and Orchestra, 1944) Victor Babin and Vitya Bronsky (pianos)/Sir Adrian Boult/London Philharmonic Orchestra ( + Job) EMI BRITISH COMPOSERS CDM 567220-2 (1999) (original LP release: HMV ASD2469 (1969) Kenneth Broadway and Ralph Markham (pianos)/Sir Yehudi Menuhin/Royal Philharmonic Orchestra ( + Symphony No. 5 and Nielsen: Symphony No. 4 and Violin Concerto {Arve Tellefsen – violin}) VIRGIN 561925-2 (2 CDs) (2001) (original CD release: VIRGIN CLASSICS CDZ 61105) (1989) Piers Lane (piano)/Vernon Handley/Royal Liverpool Philharmonic Orchestra ( + Vaughan Williams: Piano Concerto and Finzi: Eclogue) CLASSICS FOR PLEASURE 575983-2 (2003) (original CD release: EMI EMINENCE EMX2239) (1994) John Lenehan and Leon McCawley, pianos)/Martin Yates/Royal Scottish National Orchestra ( + Symphony No. 2) DUTTON EPOCH CDLX 7323 (2015) Beatrice Long and Christina Long (pianos)/Patrick Souillot/Eskisehir Greater Municipality Symphony Orchestra ( + Suesse: 2 Piano Concerto and McDonald: 2 Piano Concerto) DORIAN DSL92129 (2011) Louis Lortie (piano)/Peter Oundjian/Toronto Symphony Orchestra ( + Oboe Concerto, Serenade to Music and Flos Campi) CHANDOS CHSA5201 (2018) Howard Shelley (piano)/Vernon Handley/Royal Philharmonic Orchestra ( + Foulds: Dynamic Triptych) LYRITA SRCD.211 (2007) (original LP release: LYRITA SRCS.130) (1984) MusicWeb International Updated: August 2020 Vaughan Williams Concertos Howard Shelley (piano)/Bryden Thomson/London Symphony Orchestra ( + Symphony No. 9) CHANDOS CHAN 8941 (1992) Ashley Wass (piano)/James Judd/Royal Liverpool Philharmonic Orchestra ( + The Wasps: Suite and English Folk Song Suite) NAXOS 8.572304 (2009) Arthur Whittimore and Jack Lowe (pianos)/Vladimr Golschmann/Robin Hood Dell Orchestra RCA VICTOR LM135 (LP) (1950) Joan Yarborough and Robert Cowan (pianos)/Paul Freeman/Slovenian Radio Symphony Orchestra ( + Britten: Scottish Ballad and Introduction and Rondo alla Burlesca) CENTAUR CRC 2095 (1993) Concerto Accademico in D minor for Violin and Orchestra (1925) James Oliver Buswell IV (violin)/André Previn/London Symphony Orchestra ( + Symphony No. 2 and Wasps Overture) RCA GOLD SEAL 60581-2 (1990) (original LP release: RCA SB6801) (1969) Bradley Creswick (violin)/Richard Hickox/Northern Sinfonia of England ( + Oboe Concerto {Roger Winfield – oboe}, The Lark Ascending, Poisoned Kiss Overture, Old King Cole, 49th Parallel: Prelude, 5 Variants of Dives and Lazarus, 2 Hymn-Tune Preludes, Fantasia on Greensleeves, 5 Mystical Songs, Serenade to Music, 2 Preludes on Welsh Hymn Tunes, Prelude on an Old Carol Tune and The Running Set) EMI CLASSICS CZS 573986-2 (2 CDs) (2000) (original CD release: EMI CDC7 49745-2) (1988) Joseph Fuchs (violin)/Zimbler Sinfonietta ( + Tansman: Triptych for String Orchestra DECCA (US) DL 9625 or BRUNSWICK AXTL 1006 (UK) (LP) (1952) Frederick Grinke (violin)/Boyd Neel/Boyd Neel Orchestra (rec. 1938) ( + Britten: Variations on a Theme of Frank Bridge, Simple Symphony and Vaughan Williams: Fantasia on a Theme by Thomas Tallis) DUTTON LABORATORIES CDAX8007 (1994) Nora Grumlíková (violin)/Peter Maag/Prague Symphony Orchestra ( + Britten: Violin Concerto) SUPRAPHON SUA ST 50959 (LP) (1968) Annie Jodry (violin)/Jean-Jacques Werner/orchestra ( + Grieg: 2 Elegiac Melodies, Sibelius: Humoresques Nos. 4 – 6 and Tchaikovsky: Sérénade Mélancolique) ARION ARN38208 (LP) (1974) Louis Kaufman (violin)/Clemens Dahinden/Winterthur String Orchestra ( + Barber: Violin Concerto and Larsson: Violin Concerto) MUSIC & ARTS CD4667 (1991) (original US LP release: Concert Hall 1253) (1951) MusicWeb International p2 Vaughan Williams Concertos Sir Yehudi Menuhin (violin)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1952) ( + Flos Campi and Walton: Viola Concerto {William Primrose – viola} and Sinfonia Concertante {Phyllis Sellick – piano}) EMI CDH 7 63828-2 (1991) Zina Schiff (violin)/ Dalia Atlas/Israel Philharmonic ( + Charterhouse Suite, The Lark Ascending and Fantasia on a Theme by Thomas Tallis) STRADIVARIUS SCD8011 (1990) Kenneth Sillito (violin)/Bryden Thomson/London Symphony Orchestra ( + Symphony No. 4) CHANDOS CHAN 8633 (1992) Janet Sung (violin)/Jac van Steen/ Britten Sinfonia ( + Ravel: Tzigane, Heskketh: Inscription-Transformation and Dutilleux/Heskketh: Au gre des ondes) SOMM SOMMCD275 (2019) Tamsin Waley-Cohen,(violin)/David Curtis Orchestra of the Swan;. ( + The Lark Ascending, Elgar: Serenade for Strings and Introduction and Allegro) SIGNUM SIGCD399 (2014) Concerto for Oboe and Strings in A minor (1944) Nancy Ambrose-King (oboe)/Jeremy Swerling/Ostrava Janáček Philharmonic Orchestra ( + Goossens: Oboe Concerto, Martinů: Oboe Concerto and Mozart: Oboe Concerto) CALA RECORDS 1035 (2004) Neil Black (oboe)/Daniel Barenboim/English Chamber Orchestra ( + Fantasia on Greensleeves and The Lark ascending + Delius: 2 Aquarelles, Fennimore and Gerda: Intermezzo, On Hearing the First Cuckoo in Spring, Summer Night on the River and Walton: Henry V - The Death of Falstaff and Touch Her Soft Lips and Part) DEUTSCHE GRAMMOPHON 439 529-2GGA (1994) (original LP release: DEUTSCHE GRAMMOPHON 2530 908 (1978) Robert Bloom (oboe)/Keith Wilson/Norfolk Festival Orchestra (rec. 1963) ( + Vivaldi: 2 Oboe Concerto. Barlow: The Winter’s Past, Stravinsky: Pastorale, Cimarosa: Siciliana, Boom: Narrative and Marcello: Adagio) BOSTON RECORDS 1032 (2001) Ruth Bolister (oboe)/Stephen Bell/Elgar Chamber Orchestra ( + Goossens: Oboe Concerto, Jacob: Concerto for Oboe and Strings, Holst: Fugal Concerto and Elgar: Soliloquy) ASV CDDCA1173 (2004) Maurice Bourgue(oboe)/William Boughton/English String Orchestra ( + The Wasps Overture, Concerto Grosso, The Lark Ascending, Fantasia on Greensleeves, Fantasia on a Theme by Thomas Tallis and 5 Variants of Dives and Lazarus) NIMBUS NI7013 (1994) (original CD release: NIMBUS NI 5019) (1984) MusicWeb International p3 Vaughan Williams Concertos Robin Canter (oboe)/James Judd/London Symphony Orchestra ( + 6 Studies on English Folksongs and Strauss: Oboe Concerto) CARLTON CLASSICS MCD 59 (1993) Nicholas Daniel (oboe and conductor)/Britten Sinfonia ( + MacMillan: Oboe Concerto, One for Chamber Orchestra and Britten: Suite on English Folk Tunes) HARMONIA MUNDI HMU807573 (2015) Julia Girdwood (oboe)/Consort of London/Robert Haydon Clark ( + Fantasia on Greensleeves, The Lark Ascending and Fantasia on a Theme by Thomas Tallis) RETOSPECTIVE REVIVAL RETR 0004 (2011) (original CD release: COLLINS CLASSICS COL 1140-2) (1991) Leon Goossens (oboe)/Walter Susskind/Philharmonia Orchestra ( + Bach-Tovey: Oboe Concerto) HMV CLP 1656 (LP) (1963) Thomas Indermühle (oboe)/Claude Schnitzler/Brittany Symphony Orchestra ( + Martinů: Oboe Concerto, Strauss: Oboe Concerto and B.A. Zimmermann: Oboe Concerto) CAMERATA 20029 (2007) (original CD release: CAMERATA 30 CM 346) (1994) Sarah Jeffrey (oboe)/Peter Oundjian/Toronto Symphony Orchestra ( + Piano Concerto, Serenade to Music and Flos Campi) CHANDOS CHSA5201 (2018) Lajos Lencses (oboe)/Bela Banfalvi/Budapest Strings ( + 10 Blake Songs, Household Music and Fantasia on a Theme by Thomas Tallis) CAPRICCIO C5035 (2009) Humbert Lucarelli (oboe)/Donald Spieth/Lehigh Valley Chamber Orchestra ( + Strauss: Oboe Concerto, Wolf-Ferrari: Idillio Concertino and Barber: Canzonetta) KOCH INTERNATIONAL CLASSICS KIC 7023 (1995) Albrecht Mayer (oboe)/Daniel Stabrawa/Capella Bydgostiensis ( + Strauss: Oboe Concerto and Wolf-Ferrari: Idillio Concertino) CAVALLI 408 (2000) Mitchell Miller (oboe)/Daniel Saidenberg/ Saidenberg Little Symphony ( + Cimarosa-Benjamin: Oboe Concerto and Milan: Pavana & Giga) MERCURY 10003 (LP) (1949) Celia Nicklin (oboe)/Sir Neville Marriner/Academy of St. Martin in the Fields ( + Concerto Grosso, Fantasia on Greensleeves, The Lark Ascending, Fantasia on a Theme by Thomas Tallis, Norfolk Rhapsody No. 1, In the Fen Country, Partita, 5 Variants of Dives and Lazarus and English Folksong Suite) DECCA DOUBLE DECCA 460357 (2CDs) (1999) (original LP release: ARGO ZRG881) (1979) Emily Pailthorpe (oboe)/Benjamin Wallfisch/English Chamber Orchestra ( + Patterson: Phoenix Concerto and Howells: Oboe Sonata) CHAMPS HILL RECORDS CHRCD025 (2011) MusicWeb International p4 Vaughan Williams Concertos Stéphane Rancourt (oboe)/Sir Mark Elder/Hallé Orchestra ( + Oboe Concerto) HALLÉ CDHLL 7529 (2011) Dame Evelyn Rothwell (oboe)/Sir John Barbirolli/Hallé Orchestra (rec. 1955) ( + R. Strauss: Oboe Concerto, G. Bush: Concertofor Oboe and Strings, Martinů: Concerto for Oboe and Small Orchestra, Mozart: Oboe Concerto, Castelnuovo-Tedesco: Concerto da Camera, Rubbra: Sonata for Oboe and Piano and Wordsworth: Quartet for Oboe and Strings) BARBIROLLI SOCIETY SJB104546 (2 CDs) (2011) Dame Evelyn Rothwell (oboe)/Sir John
Load more

Recommended publications
  • Curriculum Vitae
    Name: Taiseer Elias Date: 08/11/2015 CURRICULUM VITAE 1. Personal Details Permanent Home Address: P.O. Box 686, El-Fawar, 20200 Shefaram, Israel Home Telephone Number: (04) 986-2365 Office Telephone Number: (04) 828-8481 Cellular Phone: (050) 780-5055 Fax Number: (04) 986-2365 Electronic Address: [email protected] 2. Higher Education . A. Undergraduate and Graduate Studies Period of Name of Institution Degree Year of Approval of Study and Department Degree 1974–79 Rubin Conservatory graduated cum 1979 of Music - Haifa laude 1980–83 Jerusalem Academy performance and - of Music and Dance music education 1983–85 Hebrew University B.A. in 1985 of Jerusalem: musicology cum Musicology laude; Department minor in Arabic literature and language, and Theatre. 1986–91 Hebrew University M.A. in 1991 of Jerusalem: musicology cum Musicology laude Department 2001–07 Hebrew University Ph.D. in 2007 of Jerusalem: Musicology Musicology Department 1 B. Post-Doctoral Studies NONE 3. Academic Ranks and Tenure in Institutes of Higher Education Dates Name of Institution and Rank/Position Department 1982-1983 David Yellin Teachers Music Lecturer College, Jerusalem 1993 Oranim College, Tivon Music Lecturer 1993-1995 Arab Teachers Training Music Lecturer Institute - Beit Berl College, Kfar Saba 1996-Present Jerusalem Academy of Music Professor of Violin, and Dance: Eastern Music Oud, Singing and Department Theory - Adjunct Associate Professor (with tenure) 2001– 2011 Bar-Ilan University – Professor of Theory - Department of Music Adjunct Associate Professor
    [Show full text]
  • In Concert AUGUST–SEPTEMBER 2012
    ABOUT THE MUSIC GRIEG CONCERTO /IN CONCERT AUGUST–SEPTEMBER 2012 GRIEG CONCERTO 30 AUGUST–1 SEPTEMBER STEPHEN HOUGH PLAYS TCHAIKOVSKY 14, 15 AND 17 SEPTEMBER TCHAIKOVSKY’S PATHÉTIQUE 20–22 SEPTEMBER ENIGMA VARIATIONS 28 SEPTEMBER MEET YOUR MSO MUSICIANS: SYLVIA HOSKING AND MICHAEL PISANI PIERS LANE VISITS GRIEG’S BIRTHPLACE STEPHEN HOUGH ON TCHAIKOVSKY’S PIANO CONCERTO NO.2 SIR ANDREW DAVIS HAILS THE NEW HAMER HALL twitter.com/melbsymphony facebook.com/melbournesymphony IMAGE: SIR ANDREW Davis CONDUCTING THE MELBOURNE SYMPHONY ORCHESTRA Download our free app 1 from the MSO website. www.mso.com.au/msolearn THE SPONSORS PRINCIPAL PARTNER MSO AMBASSADOR Geoffrey Rush GOVERNMENT PARTNERS MAESTRO PARTNER CONCERTMASTER PARTNERS MSO POPS SERIES REGIONAL TOURING PRESENTING PARTNER PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS MONASH SERIES PARTNER SUPPLIERS Kent Moving and Storage Quince’s Scenicruisers Melbourne Brass and Woodwind Nose to Tail WELCOME Ashton Raggatt McDougall, has (I urge you to read his reflections been reported all over the world. on Grieg’s Concerto on page 16) and Stephen Hough, and The program of music by Grieg conductors Andrew Litton and and his friend and champion HY Christopher Seaman, the last of Percy Grainger that I have the whom will be joined by two of the privilege to conduct from August finest brass soloists in the world, otograp 29 to September 1 will be a H P Radovan Vlatkovic (horn) and wonderful opportunity for you to ta S Øystein Baadsvik (tuba), for our O experience all the richness our C special Town Hall concert at the A “new” hall has to offer.
    [Show full text]
  • Download Booklet
    PROGRAMME NOTE While America’s culture of performance VIOLIN CONCERTOS inevitably turned to Europe for its models, it ROY HARRIS • JOHN ADAMS Among the enduring transformations that gradually gathered strands of American identity coursed through the United States in the – complete with works by native musicians – to decades following the Civil War, one stands set alongside classics by Handel, Mozart and proud in the history of the nation’s musical life. Beethoven and more recent scores from It concerns what the scholar and critic Joseph the Old World. The New York-born composer Horowitz calls the “culture of performance”, Edward MacDowell, for instance, directed his Concerto for Violin and Orchestra (1949) Roy Harris (1898-1979) the creation of civic institutions devoted to thoroughly European training in France and 1 Section One [8.46] the making of music and the rise of a new Germany to the intentional cultivation of a 2 Section Two [9.53] generation of American musicians determined distinct brand of musical nationalism, “a 3 Section Three [6.05] to build their own traditions of ‘classical music which should be American”, as he 4 Section Four [3.24] music’. The process was already in train put it. The nature of what ‘American’ meant, before the war in many east coast cities, as so often with debates about cultural Concerto for Violin & Orchestra (1993) John Adams (b. 1947) where orchestral and choral societies arose identity, varied according to perspective. Many 5 I – [15.51] to meet the needs of a growing middle-class Americans at
    [Show full text]
  • Vol. 61 No. 3 MARCH 1956 Threepence Notes of The
    Alb Vol. 61 No. 3 MARCH 1956 Threepence Notes of the Month Custos Benjamin Franklin S. K. Ratcliffe The Greeks and Evolution W. E. Swinton Marlowe and Shakespeare Archibald Robertson A Warning to Anthologists Professor Sir Ernest Kennaway Conway Discussion Circle Book Reviews South Place News Society's Activities • SOUTH PLACE ETHICAk SOCIETY SUNDAY MORNING MEETINGS AT ELEVEN O'CLOCK March 4—MRS. D. PICKLES, MA., B.S.c.—"Fmnce anal Race Problems in North Africa". Bass Solos by G. C. DOWMAN Still wie die Nacht .. Carl Bohm Si tra i Ceppi Handel Hyinn: No. 81 March 11—Dr. W. E. SWINTON, Ph.D.—"Scventeenth and Eighteenth Century Evolutionists". Violin and Piano Solo by MARGOT MACGIBBON and FREDERIC JACKSON. Sonatina Dvorak Hymn: No. 67 March 18—ARCHIBALD ROBERTSON, M.A.—"Remission of Sins or Righting of Wrongs?" • Piano Solos by FIONA CAMERON Sonata in C Scarlatti Schnnetterling G rice; Malaguena A then iz Hymn: No. 227 March 25—LORD BOYD ORR, D.S.O., M.D., F.R.S.—"The Morals of Power-. Soprano Solos by PAMELA WOOLMORE Hymn: No. 103 (Questions after the lectures) SOUTH PLACE SUNDAY CONCERTS, 65th SEASON Concerts 6.30 p.m. (Doors open 6 p.m.) Admission Is. 6d. March 4—MELOS ENSEMBLE Lennox Berkeley Sextet for String Quartet. Clarinet and Horn. Schubert Octet. March 11—ROBERT MASTERS PIANO QUARTET Mozart in G minor, 1(478; Brahms in A,•Op. 26 Piano Quartets. Beethoven Introduction and Variations in G, Op. 121a Piano Trio. March 18—ALLEGRI STRING QUARTET. CECIL ARONOWITZ. TERENCE WEIL Mozart in G, K387 String Quartet.
    [Show full text]
  • Trio Shaham Erez Wallfisch
    Trio Shaham Erez Wallfisch Trio Shaham Erez Wallfisch THE MENDELSSOHN TRIOS Rachmaninoff Arensky Shostakovich “The trio's sheer pleasure of playing is bouncing off this Elegiac Trio Piano Trio No. 1 Piano Trio No. 2 beautifully recorded CD” Kassieke Zaken “Given excellently balanced recordings, these first class performances are evidence of sensitive and imaginative music-making”. Musicweb-international.com “The trio was given a huge ovation which they responded to with an encore of Mendelssohn's scherzo, from the opus 49 trio, played with magical ease.” Südwest Presse, Hans Herdeg, January 2013 RAVEL • FAURÉ • DEBUSSY Luister Magazine, October 2013 – Top-Rating: 10 “When Trio Shaham Erez Wallfisch was founded in 2009, it was welcomed with great enthusiasm, and again now this trio has hit – exactly like it did with its first recording (Mendelssohn trios) – with breathtaking brilliance, pungency and precision. And all of this fully in support of the music. We could be using more superlatives here, but this recording, to my opinion, is an absolutely essential one for French chamber music, and one which any self- respecting music lover would want to have in their collection… The recording itself is extremely accurate and detailed… Highest recommendation!” www.wyastone.co.uk 8 NI 5917 NI 5917Hagai Shaham, violin Arnon Erez, piano Raphael Wallfisch, 1 cello When the press has them down as “ “ (American Record Guide) and “ ” (Leipziger Volkszeitung) and these three giants decide it’s time to join forces, one had better sit up and take notice
    [Show full text]
  • WALTON, William Turner Piano Quartet / Violin Sonata / Toccata (M
    WALTON, William Turner Piano Quartet / Violin Sonata / Toccata (M. Jones, S.-J. Bradley, T. Lowe, A. Thwaite) Notes to performers by Matthew Jones Walton, Menuhin and ‘shifting’ performance practice The use of vibrato and audible shifts in Walton’s works, particularly the Violin Sonata, became (somewhat unexpectedly) a fascinating area of enquiry and experimentation in the process of preparing for the recording. It is useful at this stage to give some historical context to vibrato. As late as in Joseph Joachim’s treatise of 1905, the renowned violinist was clear that vibrato should be used sparingly,1 through it seems that it was in the same decade that the beginnings of ‘continuous vibrato use’ were appearing. In the 1910s Eugene Ysaÿe and Fritz Kreisler are widely credited with establishing it. Robin Stowell has suggested that this ‘new’ vibrato began to evolve partly because of the introduction of chin rests to violin set-up in the early nineteenth century.2 I suspect the evolution of the shoulder rest also played a significant role, much later, since the freedom in the left shoulder joint that is more accessible (depending on the player’s neck shape) when using a combination of chin and shoulder rest facilitates a fluid vibrato. Others point to the adoption of metal strings over gut strings as an influence. Others still suggest that violinists were beginning to copy vocal vibrato, though David Milsom has observed that the both sets of musicians developed the ‘new vibrato’ roughly simultaneously.3 Mark Katz persuasively posits the idea that much of this evolution was due to the beginning of the recording process.
    [Show full text]
  • Download Booklet
    557921bk USA 14/3/07 10:08 am Page 5 Ashley Wass The young British pianist Ashley Wass is recognised as one of the rising stars of his generation. Only the second British pianist in twenty years to reach the finals of the Leeds Piano Competition (in 2000), he was the first British pianist ever to win the top prize at the World Piano Competition in 1997. He appeared in the Rising Stars series at BRIDGE the 2001 Ravinia Festival and his promise has been further acknowledged by the BBC, who selected him to be a New Generations Artist over two seasons. Ashley Wass studied at Chethams Music School and won a scholarship to the Royal Academy of Music to study with Christopher Elton and Hamish Milne. In 2002 he was made an Associate of the Royal Academy. He has spent three summers as a participant at the Marlboro Music Festival, Piano Music playing chamber music with musicians such as Mitsuko Uchida, Richard Goode and members of the Guarneri Quartet and Beaux Arts Trio. He has given recitals at most of the major British concert halls, including the Wigmore Hall, Queen Elizabeth Hall, Symphony Hall, Purcell Room, Bridgewater Hall and St David’s Hall, with Piano Sonata appearances at the City of London Festival, Bath Festival, Brighton Festival, Cheltenham Festival, Belfast Waterfront Hall, Symphony Hall in Birmingham, the Wallace Collection, LSO St Luke’s, St George’s in Bristol, Three Sketches • Pensées fugitives Chicago’s Cultural Centre and Sheffield ‘Music in the Round’. His concerto performances have included Beethoven and Brahms with the Philharmonia, Mendelssohn with the Orchestre National de Lille and Mozart with the Vienna Chamber Orchestra at the Vienna Konzerthaus and the Brucknerhaus in Linz.
    [Show full text]
  • Walton - a List of Works & Discography
    SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG
    [Show full text]
  • Jubilee Pack3
    Contents The Queen’s Golden Jubilee 2002 Introduction . .2 BBC Television Documentaries . 4 News . 7 Celebrations and Ceremonials . 8 The Queen’s Concerts . 9 Children’s . 10 Entertainment . 11 Religion . 12 BBCi . 13 BBC Radio BBC Radio 2 . 13 BBC Radio 3 . 14 BBC Radio 4 . 15 Jubilee 2002 Introduction The Queen’s Golden Jubilee 2002 This year, Her Majesty The Queen celebrates The BBC brings powerful documentaries, telling her 50th year on the British Throne. From the story of The Queen and of the evolution of dedicated programmes commemorating the life the Monarchy during her reign. The landmark of one of the longest-reigning monarchs, to documentary series Queen & Country on BBC coverage of all the major ceremonial events and One, written and presented by William two unique concerts at Buckingham Palace, the Shawcross, the award-winning writer and Royal BBC has a wide range of programmes to mark commentator, tells the definitive history of The this important occasion and examine the role of Queen’s 50-year reign. With rare access to the Monarchy in the 21st century. senior Royals, close friends and colleagues, Shawcross explores the complex public roles BBC cameras will be at all the major ceremonial The Queen plays, as well as uncovering her events during the Jubilee celebrations, beginning private passions to present a compelling picture with The Queen’s Address To Parliament on 30 of the woman behind the Monarch. April. Over the Jubilee weekend itself, the BBC brings viewers and listeners the hottest ticket in Other programmes take a more nostalgic view town, with full coverage of all the celebrations.
    [Show full text]
  • A Celebration of Heritage
    Opening Gala A Celebration of Heritage Mise Éire (Orchestral Suite) I Roisín Dubh II Boolavogue III Roisin Dubh/Druim Fhionn Donn Dílis IV Sliabh na mBan V Roisín Dubh Seán Ó Riada (1931-71) Cornucopia for Horn and Orchestra (1969/70) Prelude - Rondo In February of this year, Cork (and indeed, Ireland) lost one of the most intelligent and charismatic musicians to ever grace our shores. Aloys Fleischmann (1910-92) Alan Cutts had a huge influence on the education of literally hundreds of musicians - young and old - and he dedicated his time and expertise in the most humble and selfless manner imaginable. Intimations of Immortality for Tenor, Chorus and Orchestra, Op. 29 His rich wealth of knowledge was matched by his modesty and those of us who were lucky enough to study with and learn from him - be it Gerald Finzi (1901-56) in a junior choir or amateur orchestra; as a BMus or MA student at the Cork School of Music; as a member of Madrigal ’75, Wexford Opera Chorus, Irish Youth Choir, Fleischmann Choir; or as part of his many other activities including his appearances at the Cork International Choral Festival - will never forget his wisdom and charm. Cormac Ó hAodáin (French Horn) All of us on stage tonight wish to dedicate this concert to the memory Robin Tritschler (Tenor) of our friend, mentor and colleague, Alan. He is sorely missed but will forever be in our thoughts. Fleischmann Choir Cork School of Music Symphony Orchestra The 2015/2016 season of the Fleischmann Choir is also dedicated Maria Ryan (Leader) to Tadge O’Mullane and James Stevens.
    [Show full text]
  • A Festival of Fučík
    SUPER AUDIO CD A Festival of Fučík Royal Scottish National Orchestra Neeme Järvi Lebrecht Music & Arts Photo Library Photo Music & Arts Lebrecht Julius Ernst Wilhelm Fučík Julius Ernst Wilhelm Fučík (1872 – 1916) Orchestral Works 1 Marinarella, Op. 215 (1908) 10:59 Concert Overture Allegro vivace – [ ] – Tempo I – Andante – Adagio – Tempo I – Allegro vivo – Più mosso – Tempo di Valse moderato alla Serenata – Tempo di Valse – Presto 2 Onkel Teddy, Op. 239 (1910) 4:53 (Uncle Teddy) Marche pittoresque Tempo di Marcia – Trio – Marcia da Capo al Fine 3 Donausagen, Op. 233 (1909) 10:18 (Danube Legends) Concert Waltz 3 Andantino – Allegretto con leggierezza – Tempo I – Più mosso – Tempo I – Tempo di Valse risoluto – 3:06 4 1 Tempo di Valse – 1:48 5 2 Con dolcezza – 1:52 6 3 [ ] – 1:25 7 Coda. [ ] – Allegretto con leggierezza – Tempo di Valse 2:08 8 Die lustigen Dorfschmiede, Op. 218 (1908) 2:34 (The Merry Blacksmiths) March Tempo di Marcia – Trio – [ ] 9 Der alte Brummbär, Op. 210 (1907)* 5:00 (The Old Grumbler) Polka comique Allegro furioso – Cadenza – Tempo di Polka (lentamente) – Più mosso – Trio. Meno mosso – A tempo (lentamente) – Più mosso – Meno mosso – Più mosso – Meno mosso – Più mosso – [Cadenza] – Più mosso 4 10 Einzug der Gladiatoren, Op. 68 (1899) 2:36 (Entry of the Gladiators) Concert March for Large Orchestra Tempo di Marcia – Trio – Grandioso, meno mosso, tempo trionfale 11 Miramare, Op. 247 (1912) 7:47 Concert Overture Allegro vivace – Andante – Adagio – Allegro vivace 12 Florentiner, Op. 214 (1907) 5:20 Grande marcia italiana Tempo di Marcia – Trio – [ ] 13 Winterstürme, Op.
    [Show full text]
  • International Viola Congress
    CONNECTING CULTURES AND GENERATIONS rd 43 International Viola Congress concerts workshops| masterclasses | lectures | viola orchestra Cremona, October 4 - 8, 2016 Calendar of Events Tuesday October 4 8:30 am Competition Registration, Sala Mercanti 4:00 pm Tymendorf-Zamarra Recital, Sala Maffei 9:30 am-12:30 pm Competition Semifinal,Teatro Filo 4:00 pm Stanisławska, Guzowska, Maliszewski 10:00 am Congress Registration, Sala Mercanti Recital, Auditorium 12:30 pm Openinig Ceremony, Auditorium 5:10 pm Bruno Giuranna Lecture-Recital, Auditorium 1:00 pm Russo Rossi Opening Recital, Auditorium 6:10 pm Ettore Causa Recital, Sala Maffei 2:00 pm-5:00 pm Competition Semifinal,Teatro Filo 8:30 pm Competition Final, S.Agostino Church 2:00 pm Dalton Lecture, Sala Maffei Post-concert Café Viola, Locanda il Bissone 3:00 pm AIV General Meeting, Sala Mercanti 5:10 pm Tabea Zimmermann Master Class, Sala Maffei Friday October 7 6:10 pm Alfonso Ghedin Discuss Viola Set-Up, Sala Maffei 9:00 am ESMAE, Sala Maffei 8:30 pm Opening Concert, Auditorium 9:00 am Shore Workshop, Auditorium Post-concert Café Viola, Locanda il Bissone 10:00 am Giallombardo, Kipelainen Recital, Auditorium Wednesday October 5 11:10 am Palmizio Recital, Sala Maffei 12:10 pm Eckert Recital, Sala Maffei 9:00 am Kosmala Workshop, Sala Maffei 9:00 am Cuneo Workshop, Auditorium 12:10 pm Rotterdam/The Hague Recital, Auditorium 10:00 am Alvarez, Richman, Gerling Recital, Sala Maffei 1:00 pm Street Concerts, Various Locations 11:10 am Tabea Zimmermann Recital, Museo del Violino 2:00 pm Viola Orchestra
    [Show full text]