Various Country Life - English Classics Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Various Country Life - English Classics mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Country Life - English Classics Country: UK Released: 1999 MP3 version RAR size: 1602 mb FLAC version RAR size: 1769 mb WMA version RAR size: 1837 mb Rating: 4.1 Votes: 850 Other Formats: AU AA DXD MMF TTA APE AC3 Tracklist Hide Credits Vaughan Williams 1 –Britten Sinfonia Fantasia On 'Greensleeves' 4:09 Frederick Delius On Hearing The First Cuckoo 2 –Britten Sinfonia 6:21 In Spring Gustav Holst 3 –London Festival Orchestra* Country Gardens 2:08 Edward Elgar - Serenad For String Orchestra In E Minor 4 –London Philharmonic Orchestra* Allegro Piacevole 3:31 5 –London Philharmonic Orchestra* Larghetto 5:33 6 –London Philharmonic Orchestra* Allegretto 3:10 George Frideric Handel - Water Music: Suite No. 1 In F 7 –Scottish Chamber Orchestra No. 1 Overture 3:07 8 –Scottish Chamber Orchestra No. 2 Adagio E Staccato 1:51 9 –Scottish Chamber Orchestra No.3 2:17 Peter Warlock - Six English Tunes 10 –London Festival Orchestra* The Witch 1:17 11 –London Festival Orchestra* Daphne 2:09 12 –London Festival Orchestra* Strawberry Leaves 0:33 13 –London Festival Orchestra* Tickle My Toe 0:46 14 –London Festival Orchestra* Sweet Youth 1:19 15 –London Festival Orchestra* A Toy 1:05 Henrty Purcell - Suite In G 16 –London Festival Orchestra* Overture 1:53 17 –London Festival Orchestra* Air 1:36 18 –London Festival Orchestra* Borry 1:00 19 –London Festival Orchestra* Minuet 1:07 20 –London Festival Orchestra* Rigadoon 0:41 21 –London Festival Orchestra* Jigg 0:31 Vaughan Williams The Lark Ascending 22 –Britten Sinfonia 13:54 Violin [Solo] – Pauline Lowbury Companies, etc. Copyright (c) – The English Butter Marketing Co. Ltd. Phonographic Copyright (p) – Classic FM Records Licensed From – BMG Conifer Credits Conductor – Nicholas Cleobury (tracks: 1,2,22), Nicholas McGegan (tracks: 7,8,9), Paul Daniel (tracks: 4,5,6), Ross Pople (tracks: 3,10,11,12,13,14,15,16,17,18,19,20,21) Barcode and Other Identifiers Barcode: 0 756055 600121 Related Music albums to Country Life - English Classics by Various Georg Friedrich Händel, The London Philharmonic Orchestra, Sir Adrian Boult - The Cuckoo and the Nightingale - Four Favorite Handel Organ Concertos The London Philharmonic Orchestra - TCHAIKOVSKY SYMPHONY NO. 5 E minor opus 64 Malcolm Arnold, The London Philharmonic Orchestra - Malcolm Arnold Conducts The London Philharmonic Orchestra In His Four Scottish Dances Op. 59 And Symphony No. 3 Op 63 philharmonic symphony orchestra of london - Vaughan Williams And Sir Adrian Boult Conducting London Philharmonic Orchestra - Symphony No. 9 In E Minor Benjamin Britten/English Chamber Orchestra - Symphony For Cello And Orchestra, OP. 68; Haydn Concerto in C For Cello And Orchestra Elgar, London Philharmonic Orchestra, Sir Adrian Boult - Symphony No. 2 In E Flat / Cockaigne Overture Handel, Scottish Chamber Orchestra, The Scottish Philharmonic Singers - Highlights From 'Messiah' The London Philharmonic Orchestra - Vaughan Williams: Symphonies 3 & 5 Elgar, Daniel Barenboim, The London Philharmonic Orchestra, English Chamber Orchestra - Symphony No. 1, "Cockaigne" Overture, Romance.

Copy Link

Recommended publications

A More Attractive ‘Way of Getting Things Done’ Freedom, Collaboration and Compositional Paradox in British Improvised and Experimental Music 1965-75
A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75 Simon H. Fell A thesis submitted to the University of Huddersfield in fulfilment of the requirements for the degree of Doctor of Philosophy The University of Huddersfield September 2017 copyright statement i. The author of this thesis (including any appendices and/or schedules to this thesis) owns any copyright in it (the “Copyright”) and he has given The University of Huddersfield the right to use such Copyright for any administrative, promotional, educational and/or teaching purposes. ii. Copies of this thesis, either in full or in extracts, may be made only in accordance with the regulations of the University Library. Details of these regulations may be obtained from the Librarian. This page must form part of any such copies made. iii. The ownership of any patents, designs, trade marks and any and all other intellectual property rights except for the Copyright (the “Intellectual Property Rights”) and any reproductions of copyright works, for example graphs and tables (“Reproductions”), which may be described in this thesis, may not be owned by the author and may be owned by third parties. Such Intellectual Property Rights and Reproductions cannot and must not be made available for use without the prior written permission of the owner(s) of the relevant Intellectual Property Rights and/or Reproductions. 2 abstract This thesis examines the activity of the British musicians developing a practice of freely improvised music in the mid- to late-1960s, in conjunction with that of a group of British composers and performers contemporaneously exploring experimental possibilities within composed music; it investigates how these practices overlapped and interpenetrated for a period.
[Show full text]
To Download the Full Archive
Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No.
[Show full text]
Chorus Presents Awards Four Reporters, Or Put a Note in the Newsletter Envelope on the Chorus in September 1989, the Houston Tony Vasquez (Tl) and J
Newsletter of The Houston Symphony Chorus Vol. 1 No. 1 October 1989 From The Editor by Sally I. Evans Welcome to Volume 1, Number 1 of The Houston Symphony Chorus newsletter, SING OUT . The purpose of this quarterly pubUcation is to help us get to know each other and to provide information about chorus life. You can expect anything from who had a baby to how to get the most from rehearsal. Some of it will be interesting; some, humor ous; some, "good for you," as your mother used to say. But don't expect it to tackle issues in only two or four pages every three months. If you are interested in knowing more about a particular subject that affects the chorus, or if you have news about your own or another member's activities that might inter est everyone, tell me or one of our Chorus Presents Awards four reporters, or put a note in the newsletter envelope on the chorus In September 1989, The Houston Tony Vasquez (Tl) and J. Warren bulletin board. Be sure to include Symphony Chorus presented service Thompson (Bl). In the 15-ycar your section along with your name. award pins to 30 members. These category were Mary Nepveux (82), Each issue will be distributed at awards are gjven annually to Augusta Levine (82), Antoinette rehearsal, with copies mailed to recognize outstanding attendance Boecker (Al), Nancy Hawley (A2) singers who are on leave. The at rehearsal and performances. and John Grady (Tl). The fmi editor's and the reporters' time is Because of chorus staff changes, the category of 20-year pin recipients donated.
[Show full text]
LONDON METROPOLITAN ARCHIVES BARBICAN CLA/072 Page
LONDON METROPOLITAN ARCHIVES Page 1 BARBICAN CLA/072 Reference Description Dates PRINTED REPORTS CLA/072/01/001 Scheme submitted by the New Barbican 2.12.1954 Committee for the Area North of Route 11. 1 pamphlet Former reference: A5/E COL/PLD/TP/05/008 CLA/072/01/002 Scheme submitted by the New Barbican 26.9.1955 Committee for the Area North of Route 11. 1 pamphlet Former reference: A13/J COL/PLD/TP/05/008 CLA/072/01/003 Confidential Report to the Town Clerk on Jun-55 proposed City Housing. 1 pamphlet Former reference: C90/A COL/PLD/TP/05/008 CLA/072/01/004 Speech made by Mr. Eric F. Wilkins in CoCo 17.11.1955 3rd Nov 1955, Mr. John Batty's Speech and a memorandum of the Town Clerk. Consideration of the Schemes for the development of the Barbican Area. 1 pamphlet Former reference: A7/C COL/PLD/TP/05/008 CLA/072/01/005 Report on residential development within the 31.5.1956 Barbican Area prepared on the instructions of the Special Committee by Chamberl in Powell and Bon Architects. 1 pamphlet Former reference: A89/H COL/PLD/TP/05/008 CLA/072/01/006 Supplementary Report addressed to the Oct. 1956 Conference of Deputations of the Improvements and Town Planning, Public HeaLTH, City of London Schools, Music and Special Committees. 1 pamphlet Former reference: A105/k COL/PLD/TP/05/008 CLA/072/01/007 Barbican Area, Martin - Mealand Scheme 2.4.1957 1 pamphlet Former reference: C90/K COL/PLD/TP/05/008 LONDON METROPOLITAN ARCHIVES Page 2 BARBICAN CLA/072 Reference Description Dates CLA/072/01/008 Redevelopment of the Barbican Area: 12.12.1957 engagement of Architects and other Consultants.
[Show full text]
The Elgar Society JOURNAL
The Elgar Society JOURNAL FIFTIETH ANNIVERSARY ISSUE MARCH 2001 Vol.12 No.1 ELGAR AND WARLOCK (PHILIP HESELTINE) Barry Smith [Until recently Barry Smith was an Associate Professor in the Faculty of Music at the University of Cape Town, and is presently Organist and Master of the Choristers at St George’s Cathedral, Cape Town. He is founder and director of the St George’s Singers, and has made frequent recordings for radio, television and compact disc. He is an Honorary Fellow of the Royal School of Church Music and the Guild of Church Musicians. A noted authority on Peter Warlock, his writings include the widely acclaimed biography Peter Warlock : The Life of Philip Heseltine (OUP, 1994), and Frederick Delius and Peter Warlock : A Friendship Revealed (OUP, 2000). He has also edited a four-volume collection of Warlock’s miscellaneous writings about music (Thames Publishing).] On the surface the coupling of the names Elgar and Peter Warlock (Philip Heseltine) would seem rather far-fetched. Just as there is little of the modal, ‘pastoral’ or ‘folk-song’ elements in Elgar’s music, so are there few traces of nineteenth century German Romanticism in the music of Warlock. Yet, if one delves deeper into their characters and their music, there was much in common between these two composers. Both were self-taught, both felt at times alienated from society, both suffered from bouts of depression, and both have a completely original, uniquely personal quality displayed in their compositions. Besides the innate yet really indefinable ‘Englishness’ of their music, a work by Elgar (despite the obvious influences of the German Romantic school) has a stamp all of its own just as a piece by Peter Warlock (in spite of his early obsession with the music of Delius and later van Dieren and Bartók) has a musical language that is absolutely his and his alone.
[Show full text]
Recorridos Por La Musica De Camara
London Festival Orchestra (Reino Unido) Ross Pople, director M artin Jones, piano solista Martes 26 de octubre de 2010 • 7:30 p.m . SALA D E CONCIERTOS BANCO D E LA REPÚ BLICA BIBLlOTE A LUIS Á GEL ARANGO Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. LONDON FESTIVAL ORCHESTRA, (Reino Unido) Ross Pople, Director La combinación de los mejores músicos de Londres con la integridad artísTica de Pople crea una asociación dinámica. The New York Times Ninguna orquesta se acerca a la London Festival Orchestra en cuanto a capacidad de alerta y comprensión clara del estilo ... Gramophone La London Festival Orchestra fue fundada en los años 50 como una orquesta de élite para el sello Decca Recording Studios; en 1980 se constituyó como una orquesta británica de primer nivel. Bajo la dirección de Ross Pople la agrupación tuvo un impacto inmediato en las salas de concierto del Reino Unido y del extranjero, convirtiendose en un nombre familiar a través del Festival de Música Itinerante de Pople, y el Festival de Verano de Música en las Catedrales (Catbedral Classics) patrocinado con entusiasmo por American Express y British Gas. Este festival no sólo incluye las magníficas catedrales británicas, sino que también se extiende a Europa y el mundo, a través de BBC. La orquesta realiza densas giras en el extranjero y ha dejado pocos países y salas de conciertos sin visitar. En Londres, además de las Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. apariciones frecuentes en el Royal Festival Hall y en el Barbican Center, se presenta en varias series: una residencia reciente en la Iglesia Piccadilly de St.
[Show full text]
From the President &
From the President & CEO The Guide The Member Magazine for WTTW and WFMT Dear Member, Renée Crown Public Media Center This month, WTTW celebrates the 50th anniversary of NASA’s first landing on 5400 North Saint Louis Avenue Chicago, Illinois 60625 the moon with Summer of Space, a multiplatform celestial experience anchored by the highly anticipated six-hour film Chasing the Moon, along with a slate of new Main Switchboard programs that explore different aspects of space exploration. On wttw.com, take a (773) 583-5000 deep dive into the wild world of lunar landing conspiracy theories, and learn how Member and Viewer Services (773) 509-1111 x 6 China, India, Japan, and other countries are approaching space exploration. WFMT will mark the occasion with some moon-related music and a special space-related Websites edition of Arias and Songs with Larry Johnson. Join us all month as we recall this wttw.com seminal event in American history. wfmt.com Also in July, in addition to our annual Independence Day broadcast of A Capitol Publisher Fourth, WTTW Kids brings you Molly of Denali, a new series for children aged 4-8 and Anne Gleason the first national children’s series to feature a Native American lead character. Kids Art Director Tom Peth and families can watch Molly on weekdays on WTTW11, on our 24/7 kids channel, WTTW Contributors and any time on our website at wttw.com/kids. Julia Maish Dan Soles On WFMT, enjoy the annual live Independence Day Salute, plus subsequent WFMT Contributors performances featuring Stephen Hough and Yolanda Kondonassis.
[Show full text]
Holst (1874-1934)
BRITISH ORCHESTRAL MUSIC (Including Orchestral Poems, Suites, Serenades, Variations, Rhapsodies, Concerto Overtures etc) A Discography of CDs & LPs Prepared by Michael Herman Gustav Holst (1874-1934) Born in Cheltenham, Gloucestershire of Swedish ancestry. Attended the Royal College of Music where his teachers were Charles Stanford and William Rockstro. Started his musical career as a trombonist but spent the remainder of his life as a composer, teacher and administrator. He achieved great fame for his symphonic suite "The Planets." He composed in all genres and various styles and began his orchestral output with a Symphony in C minor in 1894. At the end of his life he started a Symphony of which only the Scherzo remains as well as an unfinished Second Choral Symphony. His other works for orchestra and band have been extensively recorded. Beni Mora (Oriental Suite), Op. 29, No. 1 (1909-10) Sir Adrian Boult/London Philharmonic Orchestra ( + A Fugal Overture, Somerset Rhapsody, Hammersmith, Scherzo and Japanese Suite) LYRITA SRCD.222 (1992) (original LP release: LYRITA SRCS.56) (1972) Sir Andrew Davis/Manchester Chamber Choir/BBC Philharmonic ( + The Planets and Beni Mora0 CHANDOS CHSA5086 (2011) Gustav Holst/London Symphony Orchestra (rec. 1924) ( + Bridge: The Sea, Cowen: The Butterfly’s Ball, Stanford: Songs of the Fleet, Elgar - Fringes of the Fleet and Landon Ronald: In An Eastern Garden) DUTTON LABORATORIES CDBP9777 (2007) (original LP release: PEARL GEM 126) (1974) David Lloyd-Jones/Royal Scottish National Orchestra ( + Egdon Heath, Fugal Overture, Hammersmith, Invocation and Somerset Rhapsody) NAXOS 8.553696 (1998) Sir Malcolm Sargent/BBC Symphony Orchestra ( + The Planets and The Perfect Fool – Ballet Music) CLASSICS FOR PLEASURE 585913-2 (2004) (included in collection: "Sir Malcolm Sargent - An Evening at the Proms") GUILD HISTORICAL GHCD2393 (2012) (original LP release: HMV BSD 1101) (1958) Brook Green Suite for String Orchestra (1933) Alan Barlow/Royal Philharmonic Orchestra ( + St.
[Show full text]
British and Commonwealth Symphonies from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH SYMPHONIES FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KATY ABBOTT (b. 1971) She studied composition with Brenton Broadstock and Linda Kouvaras at the University of Melbourne where she received her Masters and PhD. In addition to composing, she teaches post-graduate composition as an onorary Fellow at University of Melbourne.Her body of work includes orchestral, chamber and vocal pieces. A Wind Symphony, Jumeirah Jane was written in 2008. Symphony No. 1 "Souls of Fire" (2004) Robert Ian Winstin//Kiev Philharmonic Orchestra (included in collection: "Masterworks of the New Era- Volume 12") ERM MEDIA 6827 (4 CDs) (2008) MURRAY ADASKIN (1905-2002) Born in Toronto. After extensive training on the violin he studied composition with John Weinzweig, Darius Milhaud and Charles Jones. He taught at the University of Saskatchewan where he was also composer-in-residence. His musical output was extensive ranging from opera to solo instrument pieces. He wrote an Algonquin Symphony in 1958, a Concerto for Orchestra and other works for orchestra. Algonquin Symphony (1958) Victor Feldbrill/Toronto Symphony Orchestra ( + G. Ridout: Fall Fair, Champagne: Damse Villageoise, K. Jomes: The Jones Boys from "Mirimachi Ballad", Chotem: North Country, Weinzweig: Barn Dance from "Red Ear of Corn" and E. Macmillan: À Saint-Malo) CITADEL CT-601 (LP) (1976) Ballet Symphony (1951) Geoffrey Waddington/Toronto Symphony Orchestra (included in collection: “Anthology Of Canadian Music – Murray Adaskin”) RADIO CANADA INTERNATIONAL ACM 23 (5 CDs) (1986) (original LP release: RADIO CANADA INTERNATIONAL RCI 71 (1950s) THOMAS ADÈS (b.
[Show full text]
Schedule of Touring and 10:00 Baseball: the Faith of 50 Too Late - Doc Severinsen Performing Into His Nineties
wttw wttw Prime wttw Create wttw World wttw PBS Kids wttw.com THE GUIDE 98.7wfmt The Member Magazine wfmt.com for WTTW and WFMT APRIL 5-7 | 8 PM April 2021 ALSO INSIDE On WFMT, on the Saturday morning before the premiere of Hemingway on WTTW, listen to Soundtrack – featuring the film’s original music score produced by Burns/Novick collaborator and award-winning producer and violinist Johnny Gandelsman. From the President & CEO The Guide The Member Magazine Dear Member, for WTTW and WFMT This April, we’re excited to bring you a new film from Ken Burns, who will uncover Renée Crown Public Media Center the man behind the myth of one of America’s greatest and most complicated writers. 5400 North Saint Louis Avenue Chicago, Illinois 60625 Over three consecutive nights, Burns tells the story, as only he can, of Ernest Hemingway’s life and work and his Main Switchboard enduring influence on literature and culture. On page 4, (773) 583-5000 read how Hemingway’s childhood in Oak Park influenced Member and Viewer Services (773) 509-1111 x 6 the rest of his life, and visit wttw.com/hemingwayevent to watch our virtual discussion with Ken moderated by Websites WTTW’s Chicago Tonight co-anchor Paris Schutz. wttw.com wfmt.com April also brings Earth Day, and WTTW will present The Power of Us: Confronting Our Climate Crisis, a Publisher documentary that follows a local couple educating youth Anne Gleason about climate change; Frozen Obsession, a profile of a Art Director Tom Peth research expedition to the Canadian Arctic Archipelago; The West is Burning,an WTTW Contributors exploration of the root causes of the California wildfires; Troubled Waters: A Turtle’s Julia Maish Lisa Tipton Tale, a look at people who rehabilitate sick sea turtles; and a three-part documentary WFMT Contributors on the crusading teen climate activist and three-time Nobel Peace Prize nominee Andrea Lamoreaux Greta Thunberg.
[Show full text]
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers D-H BENJAMIN DALE (1885-1943) Born in London. An accomplished organist siince childhood, he entered the Royal Academy of Music at age 15 where he studied composition under Frederick Corder. He had early success as a composer and teacher including an appointment as Professor of Harmony at the Royal Academy of Music. He composed orchestral, chamber, instrumental, vocal and choral works, including a Concertstück (Concert Piece) for Organ and Orchestra (1904). Romance for Viola and Orchestra (from Suite, Op.2) (1906, orch. 1910) Sarah-Jane Bradley (viola)/Stephen Bell/The Hallé ( + Clarke: Viola Concerto, Walthew: A Mosaic in Ten Pieces and Warner: Suite in D minor) DUTTON EPOCH CDLX7329 (2016) SIR JOHN DANKWORTH (1927-2010) Born in Woodford, Essex into a musical family. He had learned to play various instruments bedore attending London's Royal Academy of Music. He became world famous as a jazz composer, saxophonist and clarinetist, and writer of film scores. He oten oerformed with his wife, the singer Cleo Laine. Clarinet Concerto "The Woolwich" Emma Johnson (clarinet)/Philip Ellis/BBC Concert Orchestra ( + Reade: Suite From The Victorian Kitchen Garden, Todd: Clarinet Concerto and Hawes: Clarinet Concerto) NIMBUS ALLIANCE NI6328 (2016) CHRISTIAN DARNTON (1905-1981) Born in Leeds. His musical education was extensive including studies with Frederick Corder at the Brighton School of Music, Harold Craxton at the Matthay School, composition with Benjamin Dale and Harry Farjeon at Cambridge and Gordon Jacob at the Royal College of Music, private lessons with Charles MusicWeb International Updated: August 2020 British & Commonwealth Concertos D-H Wood and Cyril Rootham and further studies with Max Butting in Germany.
[Show full text]
NEWS SECTION NEWS SECTION Composers
NEWS SECTION NEWS SECTION Quartet (see also BENOLIEL). Ferneyhough was Guest Professor of Composition at the Royal Conservatoire in Stockholm in Novem- Composers ber. He is working on a chamber synphony commissioned by the London Sinfonietta and a DAVID BEDFORD. Fridiof Kennings (prem- work for clarinet and digital computer com- iere)—10 December j Purcell Room / Myrha missioned by IRCAM. Saxophone Quartet. MICHAEL FINN1SSY. Sir Tristran (premiere) GEORGE BENJAMIN. Duo for cello and — IJ December / St. John's Smith Square / piano (premiere)—$ November / Carnegie Penelope Walmsley-Clark, Circle c. Gregory Hall, New York / Ross Pople, George Ben- Rose. Moon's goin down (premiere)—13 jamin; (U.K. premiere)—14 November / St. November / October Gallery / Fresh Ear. John's Smith Square / Pople, Benjamin. Flight for solo flute (U.K. premiere)—9 JOHN FOULDS (d.1939). Quartetto Intimo January 1981 / Wigmore Hall / Kate Lucas. (London premiere)—4 November / Wigmore Hall I Endellion Quartet. Temple Chant (prem- RICHARD RODNEY BENNETT. Harpsi- iere)—17 October / Manchester, RNCM / chord Concerto (premiere)—4 December / Ensemble c. Timothy Reynish. St. Louis, Missouri / Igor Kipnis, St. Louis SO c. Leonard Slatkin. Puer Nobis (premiere)— HANS WERNER HENZE. Pollicino (U.K. 21 December j Haddo House, Aberdeen / premiere)—16 December / Jeanetta Cochrane Haddo House Choral and Operatic Society c. Theatre / Royal Opera c. David Syrus. June Gordon. ROBIN HOLLOWAY. Ode (U.S. premiere)— BERNARD BENOLIEL. String Quartet 6 November / Worcester, Mass. / English (premiere)—4 January 1981/ BBC recording / Chamber Orchestra. Serenade in C (U.S. Arditti Quartet (see also FERNEYHOUGH). premiere)—26 October / New York / Music Projects. Hollo way has completed an Idyll LUCIANO BERIO.
[Show full text]